Folk Musician Laura Marling Gets Practical & Political
Laura Marling, one of Britain’s finest songwriters, is sitting in the window of the Almeida Theatre café in north London. Which in itself is a surprise: “I always felt theater was a bit above my head,” she says, her small, bright face looking somewhat amused. “I’ve sat through a lot of very boring plays in my time, and I thought theater can be a bit too…theater-y. It can just get a bit too far up its own theater bum.”
Marling, 26, is here to tell me how she came to be involved in a new production of , Friedrich Schiller’s play from 1800 about the last days of Mary, Queen of Scots. The show has already gained attention for the conceit of having its lead actors, Juliet Stevenson and Lia Williams, trade the roles of Stuart and her cousin, Elizabeth I, based on the nightly flip of a coin. With the addition of Marling’s original score, it’s
