The Atlantic

<em>Queen Sugar</em> Deepens Its Complex Family Portrait

In its second season, the Ava DuVernay-helmed show confidently tackles the messy bonds of siblings and the trickledown effects of racial profiling.
Source: Skip Bolen / OWN

Queen Sugar debuted last fall as a drama about the lives of the estranged Bordelon siblings: Charley, Ralph Angel, and Nova return to their home in Louisiana after the death of their father Ernest, an indebted sugar-cane farmer, and are faced with the daunting task of reviving the hundreds of acres of land they’ve inherited. The Ava DuVernay-helmed show, based on the 2014 novel by Natalie Baszile and directed entirely by women, was quick to amass both a highly engaged audience and critical praise, the latter largely for its difficult examination of slavery’s imprint on a complicated black family, deep character development, and superb use of the landscape of the American South.

A pivotal scene of that first season saw the siblings making arrangements for their father’s funeral and bickering about who would

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