The Paris Review

How Like the Mind It Is

When Martha Graham was a child, she often visited her father’s office after work hours. One such day, she climbed on a pile of books so she could see the top of her father’s desk, where he was looking at a drop of water on a glass slide. When he asked her what she saw, she described it as “pure water.” He slipped the slide under the lens of a microscope, and she peered once more through the lens. “But there are wriggles in it,” she said in horror.

“Yes, it is impure,” he replied. “Just remember this all your life, Martha. You must look for the truth—good, bad, or unsettling.”

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review35 min read
An Eye In The Throat
My father answers the phone. He is twenty-three years old, and, as everyone does in the nineties, he picks up the receiver without knowing who is calling. People call all day long, and my parents pick up and say, “Hello?” and then people say, “It’s C
The Paris Review32 min read
The Art of Poetry No. 116
Alice Notley lives in a studio apartment up a single flight of stairs, on the Right Bank in Paris. Her front door is labeled with her name, in looped handwriting on Scotch tape. The small kitchen, which I saw used only for the making of espresso, lea
The Paris Review1 min read
Farah Al Qasimi
Farah Al Qasimi’s first photographs were of the dreary New Haven winter: reflections in water, a dead cat, an angry dog. She was an undergraduate at the Yale School of Art, where in 2017 she also received her M.F.A. Since then, Al Qasimi has turned h

Related