Suspicion and Disguise

STEP ONE

Pencil sketch for composition While the initial rough sketch usually takes the least physical time of the whole painting process, it can take a considerable period to settle on the right composition before putting pencil to watercolour paper. The composition for this portrait was relatively simple and was based on a few of my reference photos stitched together (to obtain the best combination of bird facial expressions). I use watercolour paper that I have pre-stretched and taped to a plywood board. I use graphite pencils in a soft, sketchy, semi-loose technique to outline and add details to the birds and branch. I’m not concerned about neatness at this stage, however, for wildlife portraits, form and perspective are particularly important – details around the focal point (usually the face and eyes of the subject) need to be in proportion, and I will erase and