Artist Profile

DEBRA PORCH

It was in the mild, northern winter of 1981 that I first met Debra Porch at San Diego State University. I’d arrived in January to teach the spring semester in the enamel studio of the university’s art department. Debra had completed her Master of Arts there a few years earlier (in drawing and printmaking) and had remained friends with several students, including Christina who was the lab assistant in the workshop where I spent that semester.

At the time Debra was living in Los Angeles (LA) and working at First Impressions, an all-women workshop led by Georgia Bragg producing limited edition prints for artists. Late that summer Debra took me to a Bruce Springsteen concert at the LA Sports Arena, to Dudley Moore playing Gershwin at the Hollywood Bowl, and to a support party for Gore Vidal (who was

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile4 min read
Louise Bourgeois Has The Day Invaded The Night Or Has The Night Invaded The Day?
Hovering, nine metres above me on wiry legs of steely elegance Maman, 1999, Louise Bourgeois’ celebrated spider sculpture, a metaphor for her mother, greets me as I arrive at the AGNSW forecourt. Momentarily, Maman pulls me into a play of scale, a fr
Artist Profile4 min read
Fairy Tales
Fairy Tales, curated by Amanda Slack-Smith at the Gallery of Modern Art (GOMA), is a remarkable exhibition, featuring over a hundred works assembled from genres including film, set design, original costumes, animation, and contemporary art. The exhib
Artist Profile13 min read
Representing Emily
Early 1989, CAAMA (Central Australian Aboriginal Media Association) Shop, Alice Springs. The redbacks had been evicted and Rodney Gooch, the manager, had the first paintings by the Utopia Women lining the walls. A Summer Project was an experiment we

Related