Artist Profile

The National New Australian Art

The announcement of ‘The National’ in 2017 was greeted with both elation and skepticism, considering its ambitions as a national survey of contemporary Australian art. In 2019, the second iteration of ‘The National’ is presented with a level of nuance and sophistication that precedes the first.

Like in the first iteration, the fifty eight artists selected to exhibit over the Art Gallery of NSW (AGNSW), Museum of Contemporary Art Australia (MCA) and Carriageworks reflect the complexity of nationhood and identity in diverse Australia today. However, this year, ‘The National’ differentiates itself from other biennales and major exhibitions through its meta-critical understanding of the inherent impossibility of such a

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile4 min read
Ivan Sen
When I was researching the film, Rabbit-Proof Fence, 2002, which tells the story of three “halfcaste” girls taken from Jigalong in Western Australia in 1931, a friend of mine, an anthropologist, said to me, “Things are worse now.” I’m afraid he may w
Artist Profile4 min read
Unpredictable In Its Predictable Unpredictability
On first impression, the ARNDT Collection is a Lewis Carroll mischmasch of international twentieth century big name European trophy artists sprinkled with known Australian artists. There are some edgy stunners presented and challenging gambles on yet
Artist Profile4 min read
Kandinsky
So reads a wall text at the entrance to the Art Gallery of New South Wales’ Kan dinsky, serving as a reminder that the artist’s aspiration towards the spiritual in painting was not solely a matter of self-realisation, but reflected a monumental ambit

Related Books & Audiobooks