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The Fire This Time: A New Generation Speaks about Race
The Fire This Time: A New Generation Speaks about Race
The Fire This Time: A New Generation Speaks about Race
Audiobook5 hours

The Fire This Time: A New Generation Speaks about Race

Written by Jesmyn Ward

Narrated by Cherise Boothe, Michael Early, Kevin R. Free and

Rating: 4.5 out of 5 stars

4.5/5

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About this audiobook

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time. In light of recent tragedies and widespread protests across the nation, The Progressive magazine republished one of its most famous pieces: James Baldwin's 1962 "Letter to My Nephew," which was later published in his landmark book, The Fire Next Time. Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: "You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon." Award-winning author Jesmyn Ward knows that Baldwin's words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation's most original thinkers and writers to give voice to their concerns. The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume. In the fifty-odd years since Baldwin's essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a "post-racial" society is an inaccurate and harmful reflection of a truth the country must confront. Baldwin's "fire next time" is now upon us, and it needs to be talked about. Contributors include Carol Anderson, Jericho Brown, Garnette Cadogan, Edwidge Danticat, Rachel Kaadzi Ghansah, Mitchell S. Jackson, Honoree Jeffers, Kima Jones, Kiese Laymon, Daniel Jose Older, Emily Raboteau, Claudia Rankine, Clint Smith, Natasha Trethewey, Wendy S. Walters, Isabel Wilkerson, and Kevin Young.
LanguageEnglish
Release dateAug 2, 2016
ISBN9781501940880
Author

Jesmyn Ward

Jesmyn Ward received her MFA from the University of Michigan and is currently a professor of creative writing at Tulane University. She is the author of the novels Where the Line Bleeds and Salvage the Bones, which won the 2011 National Book Award, and Sing, Unburied, Sing, which won the 2017 National Book Award. She is also the editor of the anthology The Fire This Time and the author of the memoir Men We Reaped, which was a finalist for the National Book Critics Circle Award. From 2008-2010, Ward had a Stegner Fellowship at Stanford University. She was the John and Renée Grisham Writer in Residence at the University of Mississippi for the 2010-2011 academic year. In 2016, the American Academy of Arts and Letters selected Ward for the Strauss Living Award. She lives in Mississippi.

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Reviews for The Fire This Time

Rating: 4.5317074146341465 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    The chapter from “The Fire This Time” about ‘walking while black’ - it is amazingly written and magnificently insightful.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    this is another book written in the past (2017), and unfortunately even more relevant today. i have not had many of the experiences of the authors, and their pain and anger are deep. would that a book such as this were unnecessary and irrelevant.
  • Rating: 2 out of 5 stars
    2/5
    collection of nonfiction essays & poetry (younger people write about race). I won't ever understand all of this, and I definitely liked some writings better than others, but I think it's important to try to get different people's perspectives on important issues.
  • Rating: 5 out of 5 stars
    5/5
    This collection of essays, first published in 2016, brings together poems and essays from 18 contributors grappling with race and racism in the United States. In many ways, they reflect on or respond to James Baldwin's writings, some more directly than others. Most touch on a recent killing of a Black person by police in the news, and in a sense it's a record of collective grief and responding protest. It is a heart-wrenching read, but at the same time - like Baldwin - ultimately looking forward with hope.I can see why this essay collection has been getting attention since its publication. The essays are in some ways all over the place topically: Edwidge Danticat asks if African Americans in the United States can be compared to refugees; Rachel Kaadzi Ghansah goes to James Baldwin's house in Paris and reflects on his importance in her own work; Kiese Laymon reflects on OutKast and other musical influences. There's poetry from Jericho Brown and Natasha Trethewey. They are all excellent and challenging, and may leave you fired up.
  • Rating: 4 out of 5 stars
    4/5
    Most of the essays were incredible; some didn't have as much of an impact on me, though that points more toward personal preference in writing style, and not by content. They are very much of their day--this was published in 2016, what feels like both a lifetime ago and yesterday. And, of course, every bit as relevant today. Some essays I'd already read from previous publication, but they were great to revisit nonetheless. Three essays that stand out particularly were those by Jeffers, Laymon, and Young.
  • Rating: 4 out of 5 stars
    4/5
    As with all anthologies, there is great variation in quality among these stories, but for the most part the quality is very high, and there are a few pieces here that are incredibly important. These are wise, courageous, activist voices. Thank you for helping me increase my understanding and empathy.Below I have rated and shared my feelings about all of the stories. I did not rate the three poems.• Homegoing, AD / by Kima Jones – A touching ode to family and a recognition of the impact of the black diaspora. I think I got distracted by her making out with her cousin. 4-stars• The Weight / by Rachel Ghansah – This was an extraordinary piece which sent me off to research Ghansah and to read a few of her long form pieces. What a writer, and what a piece. The description of her time at Harper’s was shocking.(maybe only shocking to an old white woman like me?) However, it was her description of her conflicted feelings about James Baldwin, and how her Baldwin tourism in France had made him (in her perception) a beloved man rather than an avatar for black rage, that really resonated. 5-stars, 6 if it were possible• Lonely in America / by Wendy S. Walters – As someone who gathers information as a coping mechanism, I understand the exercise of humanizing people, slaves in New Hampshire, who had been anonymized, forgotten, and literally paved over. I also appreciated a story about the history of slavery and the devaluation of the black body that was set in the North. Still, the execution did not measure up to that of many of the essays in the collection. 3-stars• Where Do We Go from Here? / by Isabel Wilkerson – I wanted to like this more. There was nothing wrong with it, but it was soulless. I am a certified Isabel Wilkerson fangirl, so I was disappointed. It brought nothing new to the discussion. Maybe on its own I would not have felt this way, but surrounded as it is by some really spectacular, raw, eye-opening, come-to-Jesus pieces, it disappointed me.. 3-stars.• "The Dear Pledges of Our Love": A Defense of Phillis Wheatley's Husband / Honoree Fanonne Jeffers – This one rolled off of me. I think I missed something. It felt like a less well-realized version of the stunning Rachel Ghansah essay. 2-stars.• White Rage / by Carol Anderson – This did not work for me. It felt flat, and repeated things I had heard more effectively expressed in other books and media. 2-stars• Cracking the Code / by Jesmyn Ward – Ward at the top of her game. (Her introduction to the collection is also very very good). The threat to self that follows the 23 and Me results was something I had never considered. What does it mean to “be.“ 5-stars• Blacker Than Thou / by Kevin Young – Kevin Young is one of my favorite cultural commentators both in prose and in verse. He never disappoints. 5-stars.• Da Art of Storytellin' (a prequel) / by Kiese Laymon – Kiese Laymon’s essay made the personal political and vice versa. It made me cry a little. I am not a crier, but Laymon moves me. 5-stars.• Black and Blue / by Garnette Cadogan – The essay that most surprised me. I was unfamiliar with this writer but that will change. He said nothing I have not read and heard from friends, but somehow he made the pain of walking-while-black more immediate, and vividly showed the costs of institutionalized racism using not a terrible event, but the stuff of everyday living. I am searching out his other work. This was a very worthwhile collection but discovering Cadogan and Rachel Ghansah was the best part. 5-stars. Like Ghansah, a 6 star if there was one.• The Condition of Black Life is One of Mourning / by Claudia Rankine – This worked for me, it spoke to me. I have two Rankine books sitting on my shelf and have been meaning to read her work for years, but somehow had not gotten there. That will change. This was so clear-eyed and unblinking and showed me something about the importance of visibility and how respect for the dead ends with the killers being less accountable. 5-stars• Know Your Rights! / by Emily Raboteau – Rambles in a way that obscures its point. I liked, and was moved by, some of the components, but I am not sure how those components created a whole. 3-stars• Composite Pops / by Mitchell Jackson – I appreciate the intention, maybe I would have gotten more if I had not read Survival Math (I was a fan of that, but Mitchell’s celebration of the pimps who raised him was the most problematic part of that book, and that is a primary focus here.) With the context given in Survival Math I know these men were destroyers of women. I won’t celebrate these men who ruined, sometimes ended, the lives of the women in Jackson’s family, But I did love his tribute to his grandfather. 3-stars• Far: Notes on Love and Revolution / by Daniel Jose Older – Nice, sweet, perhaps less important than the other pieces in the book – I don’t feel comfortable rating what felt like a lovely scrap of a compelling story.• Message to My Daughters / by Edwidge Danticat – Captivating, brilliant, a fitting piece to bring this collection together, Blacks as refugees in America, this makes sense as a metaphor, but also as an actuality. Say their names and claim your power. 5-stars.
  • Rating: 5 out of 5 stars
    5/5
    Each essay had a really strong voice and all fit together very nicely! My favorites were Lonely in America, Cracking the Code, and Blacker Than Thou.
  • Rating: 5 out of 5 stars
    5/5
    “Replace ropes with bullets. Hound dogs with German shepherds. A gray uniform with a bulletproof vest. Nothing is new.”This book is dedicated, “ To Trayvon Martin and the many other black men, women, and children who have died and been denied justice for these last four hundred years.”Bam.The title of this collection is a slight twist on James Baldwin’s “The Fire Next Time”, which in itself comes from an old slave song, “God gave Noah the rainbow sign, No more water, the fire next time!” The writings within are powerful and maddening. The piece about fathers had me in tears...This book was published in 2016, the year Trump took office. Before the current racial unrest. Before George and Brianna. Yet, read this, “There was a lynching every four days in the early decades of the twentieth century. It’s been estimated that an African American is now killed by police every two to three days.” I wonder what the rate is now...This volume is a tough read, but important. Tough because it's true. Important because it's true. James Baldwin wrote, “Know whence you came. If you know whence you came, there is no limit to where you can go.” I hope someday, that is true for everyone living everywhere. I think that reading a book like this is a good start to fulfill that hope.
  • Rating: 5 out of 5 stars
    5/5
    I am not the intended audience for this book, but I am glad I read it. The essays and poetry in this book crystallize the heartbreak that the black community is feeling in these turbulent times. Designed to share perspectives and the pain felt in this community, it calls to experiences that I, as a white woman, have no context for. I imagine this work would have deeper impact with the indented community of readers, but for me it help put into words/ get a glimpse of the deep pain and sorrow that I cannot hope to understand. A difficult and emotional read, but one I believe is well worth it, regardless of the reader.
  • Rating: 5 out of 5 stars
    5/5
    An anthology of essays (and some poetry) by Black writers about race. An important book, and one I expect I'll return to. I also intend to seek out more work by several of the authors included here. The essays I found particularly striking were Honoree Fanonne Jeffers's "A Defense of Phillis Wheatley's Husband," Ward's "Cracking the Code," Wendy S. Walters's "Lonely in America," and Edwidge Danticat's "Message to My Daughters."
  • Rating: 5 out of 5 stars
    5/5
    James Baldwin’s creative nonfiction in “The Fire Next Time” was the inspiration for this book. Believing in the power of words to make sense of the experience of African Americans in the US today, Ward solicited works from “great thinkers and extraordinary voices” of her own generation who responded with poems, essays and images. The book is divided into three sections: Part I Legacy, about the past; Part II Reckoning, about the present; and Part III Jubilee, looking to the future. Every piece in this slim volume is wonderful. Some writers ponder how and when to talk to their children, some pieces are a meditation on race, some are historical. The emotions they elicit range from anger for still-evident racism, to beauty and, even humor. The reader cannot fail to be moved by these eloquent authors. And that is a powerful reason to hope for the future.
  • Rating: 4 out of 5 stars
    4/5
    “Though the white liberal imagination likes to feel temporarily bad about black suffering, there really is no mode of empathy that can replicate the daily strain of knowing that as a black person you can be killed for simply being black.”Using James Baldwin's landmark, The Fire Next Time, his examination of race in America, as a starting point, Jesmyn Ward has compiled a group of essays and poems from prominent writers, to show how little has changed since Baldwin wrote that piece in the early 60s and may have even accelerated, in regards to senseless police shootings of African Americans. Some of the essays are stronger than others, but they all bring their message across.
  • Rating: 5 out of 5 stars
    5/5
    Highly recommended for all Americans. So much incredible writing in this collection.
  • Rating: 5 out of 5 stars
    5/5
    As a white person, I will never fully understand what it means to be a person of color in America. The best I can do is to educate myself, and pay attention to what the people who have those experiences have to say. This is an excellent collection of essays and poems about race, inspired by James Baldwin's similarly-titled work. Highly recommended reading for all.
  • Rating: 5 out of 5 stars
    5/5
    From page 61: "There was a lynching every four days in the early decades of the 20th century. It's been estimated that an African American is now killed by police every two to three days."

    This collection of essays does not hide in white professional tactics of "gently breaking news to your racist neighbor". Edited by the Award-winning Jesmyn Ward, these authors of color share thoughts on race, relations, and police brutality, for people who are willing to listen and none other.

    A must-read.
  • Rating: 4 out of 5 stars
    4/5
    "To think, I remember telling my husband, our daughters will never know a world in which the president of their country has never been black. Indeed, as we watched President Obama's inauguration speech,... the world ahead for my girls seemed full of greater possibility.... Many more doors suddenly seemed open to my girls, and the 'joyous daybreak' evoked by Martin Luther King, Jr., in his 'I Have a Dream' speech, a kind of jubilee, seemed to have emerged. However, it quickly became clear that this one man was not going to take all of us with him into the postracial promised land. Or that he even had full access to it. Constant talk of 'wanting him to fail' was racially tinged, as were the 'birther' investigations, and the bigoted commentaries and jokes by both elected officials and ordinary folk. Like Barack Obama's father, many of us had brought our black bodies to America from somewhere else. Some of us, like the president, were the children of such people. We are people who need to have two different talks with our black offspring: one about why we're here and the other about why it's not always a promised land for people who look like us." - Edwidge Danticat, "Message to My Daughters" My copy of this anthology is littered with post-it flags. Danticat's poignant message to her daughters is the final entry and it concludes a reading experience full of insight and challenge. The authors were asked by Jesmyn Ward to write a piece for the anthology with an eye toward the experience of living while black in America post Trayvon Martin and the dozens of other black men and women killed and denied justice by a society that fears the color of their skin and justifies violence based on that fear. Some pieces are angry, most are thoughtful and forthright and moving. Claudia Rankine's "The Condition of Black Life Is One of Mourning" is exquisite. "Know Your Rights!" by Emily Raboteau includes photographs of street art in various New York City neighborhoods, beautiful murals designed to educate those who walk by of their Miranda rights and their right not to be capriciously searched. Highly recommended.
  • Rating: 5 out of 5 stars
    5/5
    Reading this book was an eyeopening experience. As a white woman, I sympathized with the "Black Lives Matter" movement and supported it verbally when possible, but I couldn't truly understand what it was like to live everyday in a black person's skin. This book, more than any other, gave me a hint of what that experience is like. This collection of poems, recollections, and essays was fascinating to read and digest. They gave me the perspective of looking at life through the eyes of these various black authors. Each has their own view to illustrate and share, and that is part of what I most enjoyed about the book. I loved to see what each person was going to write about and how they would use their words to open the reader's understanding and comprehension of the issues facing people of color today.Ms. Ward's purpose in collecting and sharing these works was to offer a current and varied perspective on race as a retrospective of James Baldwin's work, "The Fire Next Time". It is an incredibly timely and impactful book that I wholeheartedly recommend to anyone who wants to better understand what it means to be black in America today. I thank the publisher and Netgalley for the opportunity to read and review this title.
  • Rating: 5 out of 5 stars
    5/5
    Splendid is a very apt word to describe this very timely collection of essays/poems that will sooth the soul, nourish the spirit and rouse the mind! Editor Jesmyn Ward competently gathered an illustrious group of contributors to continue the discussion/update/reflect on what James Baldwin so poignantly expressed in his 1963, “The Fire Next Time”. As I normally do with collections, I read only a story or two per day so I could savor and reflect on each contribution. As expected some of the essays/poems resounded more with me than others and there is something here for everyone. I found all of the contributions to be wonderfully potent writings expressing genuine feelings with grace and sensitivity.As I smiled, sighed, shook my head, felt outrage, diligently took notes, and occasionally called someone to read aloud a statement I knew I would not only be highly recommending this book but seeking the works of the contributors that were new to me.This is a must read for everyone and should be considered for community-wide reads and book clubs.I received a copy of this book from NetGalley and the publisher in exchange for an honest review.#cillasbookmanics@jesmimi@ScribnerBooks
  • Rating: 5 out of 5 stars
    5/5
    It's hard to imagine a stronger collection of essays, stories, and poems that reflect black lives in America since Treyvon Martin's murder. It is edited by and begins with an introduction by Jesmyn Ward, author of the brilliant Salvage the Bones. She explains her return to James Baldwin's writings and her urge to gather new voices to reach out and share the pain and the dread a half century after Baldwin's The Fire Next Time. There are so many authors new to me, along with some familiar voices. The writers visit Baldwin's home in France, and South Carolina, New Orleans, Portsmouth NH. They have genetic testing done. They discover and honor the husband of the first published black female poet, Phillis Wheatley. They call out "White Rage" for what it is, before Donald Trump embodied it. They examine Rachel Dolezal and say, "When you are black, you don't have to look like it, but you have to look at it." Outkast's music is placed on the pedestal it so richly deserves. One contributor looks for and photographs a series of Know Your Rights! murals in NYC. Each piece is a treasure, and my overall favorite is Garnette Cadogan's "Black and Blue", which explains what it's like to walk in the nighttimes of Kingston, Jamaica and the Bronx with rude boys and police standing by, waiting to take their shot. I knew of Ward's greatness, having devoured her books. Now I have 17 more writers to investigate from this remarkable collection. I dream that this group gets to travel across the country and read in a venue in every town and city.
  • Rating: 5 out of 5 stars
    5/5
    This is a collection of insightful and thought-provoking essays and poems about race relations and their impact on our society in the past, present and future. This book should be in every school library and could easily be used in classrooms to look at these issues.
  • Rating: 5 out of 5 stars
    5/5
    In the Introduction to this collection of essays by an impressive roster of writers known for thoughtful and articulate discussion of their experience with race in America, Jesmyn Ward explains that she wanted something more than newspaper accounts or editorials when faced with the events of the past eighteen months in the USA. Her own book on the death of five young men of her acquaintance, Men We Reaped, meant that hearing of and seeing via public media further deaths of black men by white men was traumatic enough to want to gather friends, neighbors, and most of all, those she admires for their clarity of voice, to ask “How do we deal with this?” “How do we think about this?” “How can we stop this?”This collection references James Baldwin’s The Fire Next Time which is a work that addresses the future in a letter to Baldwin’s nephew, and the past and present in an essay about religion. Ward mentions that she intended to gather the commissioned essays in three parts - Past, Present, and Future—but found that most of the essays dealt with the past because the past explains the present and impacts the future. Unless the past is acknowledged and consciously dealt with in the present, the future will always be a question mark. The essays gave Ward hope because words matter. Words help us to cope. I agree with her.The names of the writers in this collection you will recognize, and if you don’t at first, you will in the future. One name I’d never seen before wrote my favorite essay in the collection, called “Black and Blue.” Garnette Cadogan quotes Fats Waller at the start"My skin is only my skin.What did I do, to be so black and blue?"Cadogan relates his experience as a Jamaican man in the United States—how he had to learn how to dress (cop-proof and IV league), how to speak, how not to run, or make sudden movements, or wait on the streets for friends…you get the picture. His personality and behaviors had to be twisted to fit the circumstances. In a sense, this happens to all of us, wherever we move, if we want to fit in, but not like that. Not like that. And he said something I’d never heard before when considering a black man’s experience:”I always felt safer being stopped in front of white witnesses than black witnesses.”Apparently the cops have greater regard for the concern and entreaties of white witnesses than they do for black witnesses. I recall the old chant “White Silence is Violence.” Cadogan also said that “my woman friends are those who best understand my plight,” due to the fact that women are often targeted on the street by men simply because of their sex. And he said that having to be hyperaware of one’s environment before speaking, moving, acting is what children do when they are learning, returning adult males (and females) to childhood status, even in cities where they live. My brain fizzes.Claudia Rankine, poet and author of Citizen, winner of the National Book Critics Circle Award for Poetry in 2015, has an essay which begins"A friend recently told me that when she gave birth to her son, before naming him, before even nursing him, her first thought was, I have to get him out of this country."I totally see where that friend of Rankine’s is coming from, and have had that same thought while reading Jill Leovy’s Ghettoside. Black men in the United States do not have enough of a childhood and they can grow, if they live long enough, gnarly and twisted by society’s expectations. This can’t be right. I’d get my son out also.All the essays were ravishing and brought me something important, like Wendy Walters’ description of the slave graves discovered under a street intersection in Portsmouth, NH. My excitement quickened to see an essay by Mitchell S. Jackson, whose first novel The Residue Years was a finalist for the Hemingway/PEN Award, the Center for Fiction’s Flaherty-Duncan First Novel Prize, and the Hurston/Wright Legacy Award. In his essay called “Composite Pops”, Jackson talks about male role models in a way that recalled to me Iceberg Slim. Slim was a con-man, a pimp, and a miscreant, but he had self-confidence, the push to succeed, wisdom, and love and he spread all of these around generously. I can think of a far worse father figure than he.You will recognize the names Natasha Trethewey, Poet Laureate, Isabel Wilkerson, Pulitzer winner in Journalism, Edwidge Danticat, Haitian novelist and MacArthur Fellow, all of whom have essays in this collection. But there will be names new to you in this remarkable collection which will open worlds you have not yet dreamed of. Once again we recognize that the work and thoughts—the words—of Jesmyn Ward bring us along, sometimes kicking and screaming in horror, to a new place of understanding. Many thanks.
  • Rating: 4 out of 5 stars
    4/5
    it is hard, if not I possible, for person born white to enter the skin of a person of color, to understand how they see things. No matter how sympathetic we are to their plight, no matter how regretful, we cannot see things the way they see them, experience things the way they do. These essays let me glimpse inside, showed me a little of how things have effected them, how the past has colored their future. The color divide is a wide one, I believe, though after all this time it should not be. Not sure what the answers are, nor how to fix this. Powerful essays, maybe hit me a bit harder since I am reading [book:A Lesson Before Dying|5197], which is also a powerful book. Still I am grateful that these says have. further opened my eyes, furthered my understanding. ARC from publisher
  • Rating: 5 out of 5 stars
    5/5
    This book is a must read for anyone who wants insight into the status of race relations in the US today. It was designed as a response to James Baldwin's The Fire Next Time, which was published in 1962 and is still as relevant today as it was then. While there have been some improvements, there haven't been nearly enough. One of the aspects of the book that I enjoyed was the use of stories and how these demonstrated the strong hold that the past has on our present. Simply because it's behind us doesn't mean that its gone. I strongly recommend that both books be read together (neither one is terribly long and the pair read together are a powerful combination), and I'd love to see these two books as assigned reading in high school social studies classes. The essays bring up important issues and provide perspective on prejudice in our culture. Note: I was given a free ARC of the title by the publisher in exchange for an honest review.