An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
By Thomas Gray
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An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript - Thomas Gray
The Project Gutenberg EBook of An Elegy Wrote in a Country Church Yard
(1751) and The Eton College Manuscript, by Thomas Gray
This eBook is for the use of anyone anywhere at no cost and with
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Title: An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript
Author: Thomas Gray
Release Date: March 18, 2005 [EBook #15409]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK AN ELEGY WROTE IN A COUNTRY ***
Produced by David Starner, Diane Monico and the Online Distributed
Proofreading Team at http://www.pgdp.net.
The Augustan Reprint Society
THOMAS GRAY
An Elegy Wrote in a Country Church Yard
(1751)
and
The Eton College Manuscript
With an Introduction by
George Sherburn
Publication Number 31
Los Angeles
Williams Andrews Clark Memorial Library
University of California
1951
GENERAL EDITORS
H. RICHARD ARCHER, Clark Memorial Library
RICHARD C. BOYS, University of Michigan
JOHN LOFTIS, University of California, Los Angeles
ASSISTANT EDITOR
W. EARL BRITTON, University of Michigan
ADVISORY EDITORS
EMMETT L. AVERY, State College of Washington
BENJAMIN BOYCE, Duke University
LOUIS I. BREDVOLD, University of Michigan
CLEANTH BROOKS, Yale University
JAMES L. CLIFFORD, Columbia University
ARTHUR FRIEDMAN, University of Chicago
EDWARD NILES HOOKER, University of California, Los Angeles
LOUIS A. LANDA, Princeton University
SAMUEL H. MONK, University of Minnesota
ERNEST MOSSNER, University of Texas
JAMES SUTHERLAND, University College, London
H.T. SWEDENBERG, JR., University of California, Los Angeles
INTRODUCTION
A NOTE ON THE TEXTS
AN ELEGY WROTE IN A COUNTRY CHURCH YARD.
ADVERTISEMENT
AN ELEGY &c.
PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY
The Eton College Manuscript image 001
The Eton College Manuscript image 002
The Eton College Manuscript image 003
The Eton College Manuscript image 004
INTRODUCTION
To some the eighteenth-century definition of proper poetic matter is unacceptable; but to any who believe that true poetry may (if not must
) consist in what oft was thought but ne'er so well expressed,
Gray's Churchyard
is a majestic achievement—perhaps (accepting the definition offered) the supreme achievement of its century. Its success, so the great critic of its day thought, lay in its appeal to the common reader
; and though no friend of Gray's other work, Dr. Johnson went on to commend the Elegy
as abounding "with images which find a mirrour