The House of Incest
By Anaïs Nin
4.5/5
()
About this ebook
The House of Incest, Anais Nin's famous prose poem, was first published in Paris in 1936 and immediately drew attention from the era's prominent writers, including Henry Miller and Lawrence Durrell. While written in English, it is considered a landmark work in the French surrealist tradition and one of the most unique books in 20th century literature.
Anaïs Nin
ANAÏS NIN (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, nine published volumes of her Diary, and two volumes of erotica, Delta of Venus and Little Birds.
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Reviews for The House of Incest
20 ratings1 review
- Rating: 4 out of 5 stars4/5This short text is worth relaxing into - it is visual, like a trip, a hallucinogenic journey into inner landscapes. There are some great lines in there, and the imagery warps and twists but is always balanced: the warped with the splendour.
Book preview
The House of Incest - Anaïs Nin
THE HOUSE OF INCEST
by
Anaïs Nin
The House of Incest
Anaïs Nin
Published by Sky Blue Press at Smashwords
Copyright © 2010 Sky Blue Press
Contents © 2010 The Anaïs Nin Trust
http://www.skybluepress.com
This book is available in print at Amazon.com
***
ALL THAT I KNOW IS CONTAINED IN THIS BOOK WRITTEN WITHOUT WITNESS, AN EDIFICE WITHOUT DIMENSION, A CITY HANGING IN THE SKY.
***
The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me. I broke the thread which held it and yanked it out. I went back to bed and said: I have just spat out my heart.
There is an instrument called the quena made of human bones. It owes its origin to the worship of an Indian for his mistress. When she died he made a flute out of her bones. The quena has a more penetrating, more haunting sound than the ordinary flute.
Those who write know the process. I thought of it as I was spitting out my heart.
Only I do not wait for my love to die.
***
My first vision of earth was water veiled. I am of the race of men and women who see all things through this curtain of sea, and my eyes are the color of water.
I looked with chameleon eyes upon the changing face of the world, looked with anonymous vision upon my uncompleted self.
I remember my first birth in water. All round me a sulphurous transparency and my bones move as if made of rubber. I sway and float, stand on boneless toes listening for distant sounds, sounds beyond the reach of human ears, see things beyond the reach of human eyes. Born full of memories of the bells of the Atlantide.
Always listening for lost sounds and searching for lost colors, standing forever on the threshold like one troubled with memories, and walking with a swimming stride. I cut the air with wide-slicing fins, and swim through wall-less rooms.
Ejected from a paradise of soundlessness, cathedrals wavering at the passage of a body, like soundless music.
This Atlantide could be found again only at night, by the route of the dream. As soon as sleep covered the rigid new city, the rigidity of the new world, the heaviest portals slid open on smooth-oiled gongs and one entered the voicelessness of the dream. The terror and joy of murders accomplished in silence, in the silence of slidings and brushings. The blanket of water lying over all things stifling the voice. Only a monster brought me up