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The Monstrumologist
The Monstrumologist
The Monstrumologist
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The Monstrumologist

Rating: 4 out of 5 stars

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A monster-hunting doctor and his apprentice face off against a plague of monsters in the first book of a terrifying series. Publishers Weekly says “horror lovers will be rapt.”

These are the secrets I have kept. So starts the diary of Will Henry, orphan and assistant to a doctor with a most unusual specialty: monster hunting. In the short time he has lived with the doctor in nineteenth-century New England, Will has grown accustomed to his late-night callers and dangerous business. But when one visitor comes with the body of a young girl and the monster that was eating her, Will’s world changes forever. The doctor has discovered a baby Anthropophagus—a headless monster that feeds through a mouth in its chest—and it signals a growing number of Anthropophagi. Will and the doctor must face the horror threatening to overtake and consume the world…before it is too late.

The Monstrumologist is the first stunning gothic adventure in a series that combines the terror of HP Lovecraft with the spirit of Arthur Conan Doyle.
LanguageEnglish
Release dateSep 22, 2009
ISBN9781439152614
Author

Rick Yancey

Rick Yancey is the author of The Monstrumologist, The Curse of the Wendigo, The Isle of Blood, and The Final Descent. He is also the author of The Fifth Wave series. Rick lives with his wife Sandy and two sons in Gainesville, Florida. Visit him at RickYancey.com.

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Rating: 3.931137748502994 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    Yes, my dear child, monsters are real. I happen to have one hanging in the basement. Orphan Will Henry James assists Dr. Pellinore Warthrop in his effort to hunt and destroy the Anthropophagi. These monsters have a mouth in the center of their chest, eyes on their shoulders and their brain in their "groin". Written for young adults, it's quite graphic when describing the carnage and the vocabulary is higher than most newspapers. A bit of a twist at the end of the book. :-)
  • Rating: 5 out of 5 stars
    5/5
    Loved every second of it. Very imaginative and a great pace! Diving into the next book exactly after I finish this review!
  • Rating: 4 out of 5 stars
    4/5
    Creepy, scary, gory, interesting ending. What do you think?
  • Rating: 4 out of 5 stars
    4/5
    The premise: ganked from Amazon.com: "These are the secrets I have kept. This is the trust I never betrayed.But he is dead now and has been for more than forty years, the one who gave me his trust, the one for whom I kept these secrets.The one who saved me...and the one who cursed me."So begins the journal of Will Henry, orphaned assistant to Dr. Pellinore Warthrop, a man with a most unusual specialty: monstrumology, the study of monsters. In his time with the doctor, Will has met many a mysterious late-night visitor, and seen things he never imagined were real. But when a grave robber comes calling in the middle of the night with a grueso me find, he brings with him their most deadly case yet.Critically acclaimed author Rick Yancey has written a gothic tour de force that explores the darkest heart of man and monster and asks the question: When does a man become the very thing he hunts?My Rating: Good ReadRating this was actually hard. For most of the book, I didn't care for it. At all. I wasn't emotionally engaged, and to me, in order for horror stories to be truly effective, they have to be able to engage the reader on some kind of emotional level. And horror-wise, this book never really engaged me on that level, especially with its main monster, the Anthropophagi. Other things freaked me the hell out, or shocked me with its darkness, so I suppose the book did get to me with some scares, though what I'll remember from this is the ending, and the arc of the relationship between Will Henry and Dr. Warthrop.And while I didn't care for this book for most of my reading, it isn't by any means a bad book. Overlooking some verbosity in parts, the writing was wonderful, and Yancey's detailed and scientific (I say scientific because it gets into the inner workings of the beast, NOT because the beast is scientifically plausible) of the Anthropophagi was just plain admirable. I highlighted several portions of the text because I felt they were well-written on a host of levels, and after giving myself a bit of distance from the book, I knew I had to rate it higher than I'd planned (and I kid you not: originally, when I first started reading, this book was a "it's a gamble" and then it progressed to "worth reading, with reservations" once I finished), because with the exception of the verbosity and the strain of my disbelief with the found-journal format, it really is a solid book and a good read. I can see why so many people are in love with it, and while I'm not one of them, I'm not going to dock points for something that's well done, regardless of my own emotional distance.That being said, despite there being a few things I'm curious about (how does the frame story progress through the series? And what about that Jack Kearns?), I don't see myself continuing the trilogy. That's okay: there's always a chance that when my TBR pile gets far more manageable that I'll give it a shot. But at this time, I'm really not that interested in continuing.But make no mistake: this is a good book!!!! If you're a fan of horror, and/or if you want to see more true horror in YA instead of horror conventions that fall in love with human girls, you don't want to miss this book. It's an easy book to recommend, despite my own disconnect.Spoilers, yay or nay?: Yay, as it's a book club selection and you can't have a proper discussion without spoilers. The full review may be found in my book blog, which I've linked to below, and as always, comments and discussion are most welcome.REVIEW: Rick Yancey's THE MONSTRUMOLOGISTHappy Reading!
  • Rating: 3 out of 5 stars
    3/5
    Very gorey, gothic, and completely fun book. I have no patience for fake diaries, but was able to get over this little irritation almost immediately and had it read it short order.
  • Rating: 4 out of 5 stars
    4/5
    When Will Henry's parents were killed in a fire, his father's employer took him in and made Will his new assistant. Will's assistance to Pellinore Warthrop exposes him to the strange science of monstrumology--the study of creatures we've only imagined. Will Henry is summoned from his bed late one night to assist on a new case: a grave-robber has found an Anthropophagus (dead, thankfully), and Dr. Warthrop, for one, would like to know how it got to New England in the first place. The answer may be closer than he dares consider.

    Gore. Gore gore gore. Many, many cringe-inducing descriptions, including one that makes me shudder at the mere recall (trust me, you'll know it when you get there) that had me shouting at the audio "AAAAHHHH! GGUUUUUH AAAAAAAAAH" in revolted horror. Suspenseful, not exactly action-packed but the hunts will hold the interest of adventure-seekers. The aforementioned GORE GORE GORE pushes this to high school, I'd say, though I can think of a couple of younger readers who'd probably love it.

    (Victorian flavor may limit some of the appeal, and my mental image of Will Henry is pretty much Luke from the Professor Layton games, though there's very little reason for it, except maybe that Will Henry wears a hat?)
  • Rating: 5 out of 5 stars
    5/5
    Love the writing, the characters, the monsters! A very unique book amongst other modern horror stories. Can't wait to read the next book in the series!
  • Rating: 5 out of 5 stars
    5/5
    This was surprisingly gross! I got sick a couple times from the *very* vivid viscera, but the story kept me hooked. I can't wait to see what happens with the young assistant; I will be reading the two sequels asap, and checking up on my Shakespeare to see where those anthropophagi come in.
  • Rating: 3 out of 5 stars
    3/5
    The Monstrumologist was stomach turning, gruesome and gory. The descriptions in this book were so phenomenal that I would actually have to stop eating at times. The author's words paint a picture of some of the most horrifying creatures and events that I have ever read about. Not only the authors descriptions regarding creatures and events phenomenal, the descriptions provided by Will Henry of both his own countenance and feelings and those of the doctor made you feel like you were really getting to know the doctor. This isn't just a novel about gore and things that scare you, it is also about people and I felt like there was a lot of depth to the characters. I also don't ever remember reading about a character quite as evil as Kearns. His cruelty and the lack of any kind of sense of morality on his part were truly terrifying. He is more the stuff of nightmares then the monsters themselves were.
  • Rating: 4 out of 5 stars
    4/5
    I book-talked this book and it was a hit -- mostly because of how "gross" it is. The descriptions are extremely vivid and the plotline is actually really cool. It reminds me a lot of Jackaby. I cautioned the students by saying it is not for the faint of heart!
  • Rating: 5 out of 5 stars
    5/5
    please. someone explain to me why such a horrific bok wasn't publicized like the fault in our stars? seriously. this is a very good read and i can't believe why anyone would think other-wise.
  • Rating: 5 out of 5 stars
    5/5
    Will Henry is an orphan. His parents died in service of Pellinore Warthrop, a monstrumologist who studies the monstrous and seeks to kill them. While Pellinore is certainly competent and passionate about the subject, he's rather self absorbed and cold, too wrapped up in himself and his subject of choice to recognize what a growing 12 year old boy needs. One day, a creature is brought to them by a grave robber that is alarming in it's implications of others. The anthropophagi hunts in packs and are never alone. Pellinore and Will take it upon themselves to hunt these creatures down before they destroy New Salem and overtake the world.The Monstrumologist has been on my reading list for a while. I had heard it's good horror, but YA horror tends to be watered down and underwhelming. This one is the exact opposite of my expectations: grisly, gory, nauseating, suspenseful, and terrifying. The anthropophagi are the start of it. They are headless, sharklike creatures with no heads, their faces on their chests, and a maw full of thousands of razor sharp teeth. Humans are their prey and they hunger. They can grow up to 7 feet tall and are faster and stronger than any human. We are knocked off the top of the food chain by these creatures. These creatures are not only physically superior, but fairly intelligent as well. Everything about them is frightening and the descriptions make them seem all the more real. The action scenes with them are unforgettable and savage. These are a creature I have not yet seen in updated in literature. I remember reading accounts of them in The Adventures of John Mandeville, The Travels of Marco Polo, and Shakespeare's plays The Tempest and Othello. I like that images of them appear in a variety of texts during different time periods because with this concept, it's easy to imagine stories within each one.The other thing that brings in the creep factor is regular people. The first instance is in an insane asylum. The level of neglect and downright torture is shocking and unfortunately based in reality. The conditions a patient was left in is sickening and one of the most disgusting things I've ever read. The other instance is Dr. Kearns, an associate of Pellinore's. Kearns is a monster hunter and will do absolutely anything to achieve his goal. He has no regard for human life and will gladly sacrifice anyone (save himself) to kill the monsters. His view of the world is explored and is predictably insane. He doesn't believe in morality, merely in what is necessary for the situation. On his off time, he is a particularly infamous figure in British history. The characters are wonderful in their flawed natures, particularly Pellinore Winthrop and Will Henry. Pellinore has major daddy issues and laser focuses on his work. Even necessities like eating and sleeping go by the wayside when he's in full swing. He's a selfish man who views emotion as weakness, but he has good intentions underneath it all. He cares for Will Henry in his own way (and rarely shows it), but when the situation is dire, he does all he can to protect Will. Will is only 12 and has enormous responsibilities thrust upon him. He feels loyalty to Pellinore because his parents believed in him and worked with him. He is intelligent and has no illusions about Pellinore's true feelings about him. His weakness is curiosity and staying with this incompetent guardian despite all evidence pointing to how dangerous it is to live with him.The prose of the novel is reminiscent of the late 1800's, but is slightly simplified to make it easier to read. The descriptions are quite vivid and lush, which can be off-putting for some weaker stomached readers. (I personally loved it.) The dark gothic atmosphere is maintained throughout and calls to mind other works of such literature. When I imagine the book, I see it in black and white with splashes of red. I rarely get such vivid images from a book, but it plays out like a film. Even though the writing is descriptive, the plots moves very well. Not at a rapid pace, but a slow and steady one. I couldn't put it down. I read the whole first half in one sitting and was hungry for more. I will definitely be picking up the rest of the series.
  • Rating: 2 out of 5 stars
    2/5
    I wanted to like this book but the truth is that I just did not enjoy it very much. The first-person narrative was poorly rendered. The human characters were two-dimensional and too unbelievable in their behavior and motivations. And the Anthropophagi... well, they were just too weirdly silly for belief. A shiver of land-sharks of all things. Meh.To get a feel for this book; first imagine Stephen King writing explicit ultra-gore scenes in the style of H.G. Wells. Now, throw in a veritable cornucopiae of wordiness, a double dose of misogyny and a dash or two of Christian symbolism. You are now scratching the surface of the problems I encountered with this story.But... I am once again in the minority; As I write my review of this first installment in The Monstrumologist series, there are 213 total reviews on Amazon; 122 readers give it 5 stars and 58 people give it 4 stars. That is 180 out of 213 readers, (a whopping 84.5%!), that really, really like or outright love this book. I really and truly don't get it. I guess I will once again be the odd one out as I skip the sequels and move on to something that I hope will be more to my liking.Oh, one other statistic; a staggering 12 people rate the book at 2 stars or less. Ummm... make that thirteen people...
  • Rating: 4 out of 5 stars
    4/5
    It took me a while to switch gears and get into this one, but it was definitely worth getting to the end and the majority of the action. Perfect for those who love blood, guts, and gore. A great horror novel.
  • Rating: 3 out of 5 stars
    3/5
    A historical twist on zombie fiction with a bit of religion, morality, and parasitic worms thrown in for good measure. Its gruesome goo-soaked depictions of gore can be unsettling, but the story and characters are pretty good. The book occasionally gets bogged down in its faux-19th century gothic style when the author makes a habit of stringing together alliterative descriptions--which are inadvertently hilarious.

    If you enjoy ponderous H.P. Lovecraft-style storytelling, monstrous eating machines and snarky psychopaths (and, really, who doesn't?), this just might the book for you--although, not while you are eating lunch.
  • Rating: 5 out of 5 stars
    5/5
    by Rick Yancey

    This book is dark, thrilling, and deeply engrossing. Don’t pick it up unless you’re prepared to deal with a fair amount of blood, guts, and gore, because once you’ve started it will be hard to stop. Told by Will Henry, an orphan whose whole life has been bound up in assisting Pellinore Warthrop, the monstrumologist of the title, it is violent, tragic and beautifully told. Yancey really manages to capture the voice of a boy from 1888 (I never, not once, thought “Oh, right. Like they would actually say that) while also keeping a sense of vulnerability and closeness. That is, the prose seemed authentically old fashioned, while at the same time it didn’t distance me too much from Will.

    The more I think about the story, the more it wrings my heart. It is all about making the wrong choices for the right reasons, about the darknesses which can hide in the human heart. Every character is delicately nuanced. While they discuss heavy topics, such as murder and evil and faith and what we owe to our fathers, I never felt preached to. And Will Henry’s reliability as a narrator would be an interesting point to consider.

    Having glanced at other reviews, I think it is important to note (as several others have) that while this book is filled with monsters, they are not supernatural. In a landscape which sometimes seems glutted with vampires and werewolves and fairies and all the rest of it, this was a very refreshing change!

    So, if you find yourself easily squicked out, this is probably not the book for you. If the thought of monsters and such doesn’t sound awful, this is one I would most definitely recommend. (There was one scene which completely grossed me out, but in general I’m okay with blood [too many mysteries], especially when I don’t have to look at it.)

    Book source: public library

    -----

    Dark and gory and most certainly not for everyone, I really enjoyed this story. Will, our narrator, has the perfect voice and I found myself completely caught up in the world and the characters. In fact, I haven’t sought out the sequel only because I don’t want to be disappointed. But I should get over that and give it a try. [2010 in books]
  • Rating: 4 out of 5 stars
    4/5
    Well written and compelling, this book is scary in ways that have nothing to do with monster, though they are present too.
  • Rating: 5 out of 5 stars
    5/5
    One of the better horror stories I've read in a while. Even though it falls in the category of young adult it can be enjoyed by young and old alike. It is deliciously creepy and I hated to have to put it down even for a second.
  • Rating: 5 out of 5 stars
    5/5
    The Monstrumoligist is the first book I've read by Rick Yancey but it won't be the last. I've already put the second book on reserve at the library! The story is well crafted and the writing is beautiful. I recommend this book to fans of Victorian Gothic or horror.
  • Rating: 4 out of 5 stars
    4/5
    "Yes, my dear child, monsters are real. I happen to have one hanging in my basement."Rick Yancey's "The Monstrumologist" is a creepy, gothic, young-adult horror novel. The book is not for children (under 4th or 5th grade based on individual maturity). The language is smart and the themes are rather heavy.The story revolves around a doctor who investigates and studies monsters - he's a Monstrumologist. The setting is late 19th century New England. The Monstrumologist has taken in the orphan of his former assistant. It's through this young apprentice's eyes that Yancey tells his tale of mythological monsters run amuck in pre-industrial Massachussets.The doctor is quirky and obsessed. He'd probably be declared with Asbergers' Syndrome by modern therapists. He knows his monsters, but he's not so good with people, and Yancey does a terrific job at building the Monstrumologists' mystique and myth, while giving him ample room to grow over the course of the story.The doctor is quite philosophical, as he reflects on the fate of the first victim:"What once laughed and cried and dreamed becomes fodder. Fate brought him to her, but if not him, then without question the worm, a no less ravenous beast than he. There are monsters who wait for all of us upon our return to the earth, and so what can be said?"Yancey's plot is uncomplicated and a little mundane. There's good action throughout and enough gore to creep out even the most experienced adult horror reader. But Yancey does not write `down' to a young-adult audience. It's the story that qualifies "The Monstrumologist" as young adult - not the writing. The writing is gothic, and solidly evokes the time and setting of the story. I couldn't help but be reminded of Stoker's "Dracula" in terms of the very genuine context that Yancey's language invokes.In this passage, the Monstrumologist reflects on worldwide monster investigations: "Some so strange and marvelous you would think you were dreaming. Some strange and not so marvelous, as dark and frightening as your very worst nightmare. I have seen wonders that poets can only imagine. And I have seen things that would turn grown men into squalling babes at their mother's feet. So many things. So many places..."Yancey builds the story's underlying themes through smart inner monologue and wizened advice from the doctor to his young apprentice: "Fear consumes the truth and poisons all the evidence, leading us to false assumptions and irrational conclusions."I very much enjoyed this novel - the first in a series from Yancey. It's not specifically scary, but the imagery is clear and bold. A squeamish reader may want to take a pass. All others should jump in.
  • Rating: 4 out of 5 stars
    4/5
    I think it will be relatively easy to describe this book in a way that will let you know if this is something you will enjoy or not. Below are two lists of words:List OneBunniesCupcakesParty balloonsPretty pretty flowersRibbonsPuppiesList TwoA geyser of bloodRipped off limbsGouged eyesStabby stabby teethAccidentally ingesting pusClaws bursting through a torsoIf you prefer list one, with all its fun and lightness and joy, do not read The Monstrumologist. There is nothing for you there. BUT! If you find yourself compelled by list two - this is your book. This book is gross and violent and stuffed to the gills with murder and immorality and wacky monsters who would like nothing better than to rip your head off and scoop out your brain like ice cream.The choice is yours.
  • Rating: 5 out of 5 stars
    5/5
    I won't claim Young Adult speculative fiction as my main interest, though lately, it does feel like I've been on a YA kick. I like picking it up occasionally, but it always seems like my favorite books in the genre are the ones that can be enjoyed by all ages, the ones that don't scream "YA!" the instant I open the book and meet its teenage protagonists. You know what I mean.That probably has a lot to do with why I absolutely adored this book. I wanted a change from the paranormal high school romances, and the fact that The Monstrumologist is horror, told from the perspective of a 12-year-old boy, and takes place in late-1800s New England are all big pluses. The novel is presented as the diary of Will Henry, an orphan working as an assistant/apprentice to the odd Dr. Pellinore Warthrop who is a monstrumologist, someone who studies monsters.Still, some caveats: while this book is technically categorized as YA, I still wouldn't recommend this lightly to any young reader. It contains plenty of content that are what I call the 3GRs: gross, gruesome, graphic. No question about it, if adapted completely faithfully, a movie based on this novel would get an R-rating...a solid hey-kid-how-the-hell-did-you-sneak-in-here-without-an-accompanying-adult resounding R-rating.I can't remember the last time I was this creeped out by a book. Again, here I am shocked that this is actually YA -- for two reasons, really. First, the horror aspects were extremely well done, and while the book's breakneck pace wasn't so surprising, the quality of writing and descriptiveness is of a caliber I wouldn't expect from a young adult novel. And second, maybe I'm just not savvy enough to the stuff going on in today's YA fiction scene, but I was completely blindsided at how violently and vividly gory this book was.Of course, good horror isn't only about the blood and gore. Thankfully, the author has the other factors covered too, with plenty of suspense and atmosphere-building. It always impresses me when a book can immerse me so deeply and grab me like this, as in like, wow, I'm so glad I'm not a claustrophobe too, or those last few chapters would have been even more unsettling.In fact, much of the book actually feels specifically crafted to enthrall and frighten, with a deliberate shock-factor involved perhaps, but I was still more than happy to go along with the ride. After all, I love this kind of stuff. My friends in my gaming circle will know how obsessed I am with a paranormal/horror-themed MMORPG called The Secret World, mostly for its spooky setting and atmosphere. I have to say The Monstrumologist sucked me in immediately as well, exactly because it was dripping with those very same vibes. I just eat this stuff up.Anyway, in my humble opinion, it was the monsters that made the book. Rick Yancey chose to make it about Anthropophagi, which means "people eaters"...enough said. While they're not Yancey's original creation (mythology or literature buffs will probably recognize Anthropophagi from Shakespeare), the unique spin he adds to the creatures makes them absolutely terrifying.For example, the book begins with a grave robber showing up at Warthrop's house, presenting him with the corpse of girl with a dead Anthrophage wrapped around her body. She has half her face eaten off, her throat is chewed up, and then a tiny fetus of an Anthropophagus is found in her womb. Ick, ick, ick! See what I mean about disturbing imagery and description intended to give the reader chilling thoughts? If that stuff makes you uncomfortable, I would stay away.The other factor that adds to the creepiness is the characters. I loved our main protagonist Will Henry and the narrating style the author gave him, which is believably suited to that historical period. That's another reason why this book doesn't read like a typical YA novel; not only has Yancey adapted the vernacular and vocabulary to the times, Will Henry also lacks the modern preteen/teen protagonist attitude that's so common in YA fiction.Still, as much as I adored Will Henry, compared to the rest of the cast, he was probably the most normal and boring. Dr. Pellinore Warthorp, if he were alive today, would probably have been diagnosed immediately with a personality disorder, but he was also very interesting, filled out and well-written. There are so many layers to him that I spent half the book trying to make up my mind about his character, and actually enjoyed figuring him out along with Will Henry. Then there was Kearns, who is, in a word, insane.Anyway, bottom line? I think I've found a new favorite young adult author, and his name is Rick Yancey.
  • Rating: 5 out of 5 stars
    5/5
    I thought that this book was very well written and I think that it would be very appealing for a lot of young adults. It had a definite gothic feel to it and it was exciting. I found myself staying up way too late reading it. The monsters were pretty scary and frankly disgusting. I had some unfortunate times when I was eating while I was reading and some of the more bloody and disgusting descriptions of carnage came up. It was a little nauseating, so I would caution readers not the eat and read at the same time. The characters were well-rounded and interesting. Excellent book!
  • Rating: 5 out of 5 stars
    5/5
    Superb horror story, one of the best I have ever read. Gruesome and terrifying.
  • Rating: 2 out of 5 stars
    2/5
    very graphic - definitely not for tweens & best for older teens
  • Rating: 5 out of 5 stars
    5/5
    Set in 1888 New England, orphaned Will Henry lives with his late father’s employer, Dr. Pellinore Warthrop, and acts as his assistant. Warthrop is the Monstrumologist of the title, a scientist who studies monsters. The story opens with the night time delivery of a body stolen from the cemetery. That in itself is not startling to Will Henry, but this time, it’s different. There are two bodies; the young woman the grave robber was after, and a monster with no head and a shark-like mouth in his chest. This is the anthropophagi, a species found in Africa and no where else. What is it doing in a New England cemetery? The story unfolds with constant action in dark, fetid places: the doctor’s basement autopsy lab, open graves, tunnels underground. There is constant peril- the anthropophagi are stronger and faster than humans, and are eternally hungry. Needless to say, they are strictly carnivorous, preferring human meat to all else. Warthrop, Will Henry and the slimy, showy John Kearn, another monstrumologist, strive to find out how these beasts came to be in America and where their nest is before they can devastate the people in the area. This was one of those couldn’t put it down books for me. Not only is the mystery intriguing and the danger unrelenting, but the characters are compelling and interesting. After I finished the book, I was VERY happy to discover that it’s the first of a series- without the clumsiness that first books often have. This novel would make a great movie; Warthrop, of course, should be played by Christopher Lee. When I’d read John Kearn’s dialogue, I was hearing it in Kelsey Grammer’s voice. One note: this book is marked Young Adult, and, indeed, I would have loved it as a tween. But there is a LOT of blood and graphic violence; some parents might think twice about letting their kids read this if they are sensitive about these things.
  • Rating: 5 out of 5 stars
    5/5
    For anyone who is a true horror fan this is the perfect book for you. Will Henry, a 12 year old monstrumologist assistant-apprentice, goes into rich and often gruesome detail about his life under the tutelage of Dr. Pellinore Warthrop, a doctor of monsters. There were times where I had to stop reading before bed because Will Henry’s accounts of headless carnivorous monsters with thousands of teeth were so vivid and frightening. When I wasn’t frightened, I was repulsed and wanted to gag when Will Henry went into detail about the festering infected bodies and monsters he encountered. When I wasn’t cringing or cowering beneath the covers, I found myself laughing at the sometimes comical relationship between Warthrop and Will Henry.

    The writing was fantastic and I would hardly consider this book teen literature. I think any adult would read this book and be satisfied with the tale and Rick Yancey’s way with words. This book is comparable to Mary Shelley’s Frankenstein and should be considered a classic piece of gothic literature, and in time perhaps it will. If you love monsters, gore, and a great story, or want to be scared this Halloween, I highly recommend this book.
  • Rating: 4 out of 5 stars
    4/5
    I don't consider myself to be a horror fan-but I really enjoyed this book. The author did a fantastic job creating a cast of characters that were believable and I loved the protagonist/narrator Will Henry. The plot was fast paced and had just enough twists & turns to keep me interested. Enjoyed it so much I'm off to read book two in the series!
  • Rating: 4 out of 5 stars
    4/5
    This book was great beginning to end. I loved Will Henry, I loved Professor Winthrop, I loved poor, poor Malachai, and I *loved* the use of anthropophagi as the monsters - talk about breaking away from the mold. The violence was incredibly graphic, which didn't bother me all that much, but the fact that there were almost no women with speaking parts and that the dismembered corpses of the women were described in such loving detail kind of squicked me out a little. The "twist" at the end was a tad disappointing, seeing as I'd been waiting for it to come up since I heard the date at the beginning of the book, but that's a minor complaint.
  • Rating: 2 out of 5 stars
    2/5
    This was gory... unfortunately it was the SAME gory over and over again. I wish the author had left more to the imagination - it would have been creepier. The story moved right along though and I liked the writing, usually. Some of the affectations seemed a bit... well, affected. "Reader! You will tremble to read what happened next..." and such.

    Good for younger fans of Frankenstein, Dracula, who maybe would like a little more gore.

Book preview

The Monstrumologist - Rick Yancey

PROLOGUE

June 2007

The director of facilities was a small man with ruddy cheeks and dark, deep-set eyes, his prominent forehead framed by an explosion of cottony white hair, thinning as it marched toward the back of his head, cowlicks rising from the mass like waves moving toward the slightly pink island of his bald spot. His handshake was quick and strong, though not too quick and not too strong: He was accustomed to gripping arthritic fingers.

Thank you for coming, he said. He released my hand, wrapped his thick fingers around my elbow, and guided me down the deserted hallway to his office.

Where is everyone? I asked.

Breakfast, he said.

His office was at the far end of the common area, a cluttered, claustrophobic room dominated by a mahogany desk with a broken front leg that someone had attempted to level by placing a book beneath it and the dingy white carpet. The desktop was hidden beneath listing towers of paper, manila file folders, periodicals, and books with titles such as Estate Planning 101 and Saying Good-bye to the Ones You Love. On the credenza behind his leather chair sat a framed photograph of an elderly woman scowling at the camera, as if to say, Don’t you dare take my picture! I assumed it was his wife.

He settled into his chair and asked, So how is the book coming?

It already came, I answered. Last month. I pulled a copy from my briefcase and handed it to him. He grunted, flipped through some pages, his lips pursed, thick brows gathering over his dark eyes.

Well, glad to do my part, he said. He held the book toward me. I told him it was his to keep. The book remained between us for a moment as he glanced about the desk, looking for the most stable pile upon which to balance it. Finally it disappeared into a drawer.

I had met the director the year before, while researching the second book in the Alfred Kropp series. At the climax of the story the hero finds himself at the Devil’s Millhopper, a five-hundred-foot-deep sinkhole located on the northwest side of town. I had been interested in the local legends and tall tales regarding the site, and the director had been kind enough to introduce me to several residents who’d grown up in the area and who knew the stories of this mythical gateway to hell, now a state park, presumably because the devil had departed, making way for field-trippers and hikers.

Thank you, he said. I’ll be sure to pass it around.

I waited for him to go on; I was there on his invitation. He shifted uneasily in his chair.

You said on the phone you had something to show me, I gently prodded him.

Oh, yes. He seemed relieved and now spoke rapidly. When we found it among his effects, you were the first person I thought of. It struck me as something right up your alley.

Found what among whose effects?

Will Henry. William James Henry. He passed away last Thursday. Our oldest resident. I don’t believe you met him.

I shook my head. No. How old was he?

Well, we aren’t really sure. He was an indigent—no identification, no living relatives. But he claimed to have been born in 1876.

I stared at him. That would make him one hundred and thirty-one years old.

Ridiculous, I know, the director said. We’re guessing he was somewhere in his nineties.

And the thing of his you found that made you think of me?

He opened a desk drawer and pulled out a bundle of thirteen thick notebooks, tied in brown twine, their plain leather covers faded to the color of cream.

He never spoke, the director said, nervously plucking at the twine. Except to tell us his name and the year he was born. He seemed quite proud of both. ‘My name is William James Henry and I was born in the year of our Lord eighteen-hundred and seventy-six!’ he would announce to anyone who cared to listen—and anyone who didn’t, for that matter. But as to everything else—where he was from, to whom he belonged, how he’d come to the culvert where he was discovered—silence. Advanced dementia, the doctors told me, and certainly I had no reason to doubt it . . . until we found these wrapped in a towel beneath his bed.

I took the bundle from his hand. A diary? I asked.

He shrugged. Go on. Open that top one and read the first page.

I did. The handwriting was extremely neat, though small, the script of someone who had had formal schooling, when instruction had included lessons in penmanship. I read the first page, then the next, then the following five. I flipped to a random page. Read it twice. While I read, I could hear the director breathing, a heavy huffing sound, like a horse after a brisk ride.

Well? he asked.

I see why you thought of me, I said.

I must have them back, of course, when you’re finished.

Of course.

I’m required by law to keep them, in the unlikely event a relative shows up for his things. We’ve placed an ad in the paper and made all the necessary inquiries, but this sort of thing happens all too often, I’m afraid. A person dies and there is no one in the world to claim them.

Sad. I opened another volume to a random page.

I haven’t read all of them—I simply don’t have the time—but I am extremely curious to hear what’s in them. There may be clues to his past—who he was, where he came from, that sort of thing. Might help in locating a relative. Though, from the little I’ve read, I’m guessing this isn’t a diary but a work of fiction.

I agreed it would almost have to be fiction, based on the pages I’d read.

Almost? he asked. He seemed bemused. Well, I suppose nearly anything is possible, though some things are much more possible than others!

I took the notebooks home and placed them on top of my writing desk, where they stayed for nearly six months, unread. I was pressed on a deadline for another book and didn’t feel compelled to dive into what I assumed to be the incoherent ramblings of a demented nonagenarian. A call that following winter from the director goaded me into unwrapping the frayed twine and a rereading of the first extraordinary few pages, but little progress besides that. The handwriting was so small, the pages so numerous, written on front and back, that I just skimmed through the first volume, noting that the journal seemed to have been composed over a span of months, if not years: The color of the ink changed, for example, from black to blue and then back again, as if a pen had run dry or been lost.

It was not until after the New Year that I read the first three volumes in their entirety, in one sitting, from first page to last, the transcript of which follows, edited only for spelling and correction of some archaic uses of grammar.

FOLIO I

Progeny

ONE

A Singular Curiosity

These are the secrets I have kept. This is the trust I never betrayed.

But he is dead now and has been for more than forty years, the one who gave me his trust, the one for whom I kept these secrets.

The one who saved me . . . and the one who cursed me.

I can’t recall what I had for breakfast this morning, but I remember with nightmarish clarity that spring night in 1888 when he roused me roughly from my slumber, his hair unkempt, eyes wide and shining in the lamplight, the excited glow upon his finely chiseled features, one with which I had, unfortunately, become intimately acquainted.

Get up! Get up, Will Henry, and be quick about it! he said urgently. We have a caller!

A caller? I murmured in reply. What time is it?

A little after one. Now get dressed and meet me at the back door. Step lively, Will Henry, and snap to!

He withdrew from my little alcove, taking the light with him. I dressed in the dark and scampered down the ladder in my stocking feet, putting on the last of my garments, a soft felt hat a size too small for my twelve-year-old head. That little hat was all I had left from my life before coming to live with him, and so it was precious to me.

He had lit the jets along the hall of the upper floor, though but a single light burned on the main floor, in the kitchen at the rear of the old house where just the two of us lived, without so much as a maid to pick up after us: The doctor was a private man, engaged in a dark and dangerous business, and could ill afford the prying eyes and gossiping tongue of the servant class. When the dust and dirt became intolerable, about every three months or so, he would press a rag and a bucket into my hands and tell me to snap to before the tide of filth overwhelmed us.

I followed the light into the kitchen, my shoes completely forgotten in my trepidation. This was not the first nocturnal visitor since my coming to live with him the year before. The doctor had numerous visits in the wee hours of the morning, more than I cared to remember, and none were cheerful social calls. His business was dangerous and dark, as I have said, and so, on the whole, were his callers.

The one who called on this night was standing just outside the back door, a gangly, skeletal figure, his shadow rising wraithlike from the glistening cobblestones. His face was hidden beneath the broad brim of his straw hat, but I could see his gnarled knuckles protruding from his frayed sleeves, and knobby yellow ankles the size of apples below his tattered trousers. Behind the old man a broken-down nag of a horse stamped and snorted, steam rising from its quivering flanks. Behind the horse, barely visible in the mist, was the cart with its grotesque cargo, wrapped in several layers of burlap.

The doctor was speaking quietly to the old man as I came to the door, a comforting hand upon his shoulder, for clearly our caller was nearly mad with panic. He had done the right thing, the doctor was assuring him. He, the doctor, would take the matter from here. All would be well. The poor old soul nodded his large head, which appeared all the larger with its lid of straw as it bobbed on its spindly neck.

 ’Tis a crime. A bloody crime of nature! he exclaimed at one point. I shouldn’t have taken it; I should have covered it back up and left it to the mercy of God!

I take no stances on theology, Erasmus, said the doctor. I am a scientist. But is it not said that we are his instruments? If that is the case, then God brought you to her and directed you hence to my door.

So you won’t report me? the old man asked, with a sideways glance toward the doctor.

Your secret will be as safe with me as I hope mine will be with you. Ah, here is Will Henry. Will Henry, where are your shoes? No, no, he said as I turned to fetch them. I need you to ready the laboratory.

Yes, doctor, I responded dutifully, and turned to go a second time.

And put a pot on. It’s going to be a long night.

Yes, sir, I said. I turned a third time.

And find my boots, Will Henry.

Of course, sir.

I hesitated, waiting for a fourth command. The old man called Erasmus was staring at me.

Well, what are you waiting for? the doctor said. Snap to, Will Henry!

Yes, sir, I said. Right away, sir!

I left them in the alley, hearing the old man ask as I hurried across the kitchen, He is your boy?

He is my assistant, came the doctor’s reply.

I set the water on to boil and then went down to the basement. I lit the lamps, laid out the instruments. (I wasn’t sure which he might need, but had a strong suspicion the old man’s delivery was not alive—I had heard no sounds coming from the old cart, and there didn’t seem to be great urgency to fetch the cargo inside . . . though this may have been more hope than suspicion.) Then I removed a fresh smock from the closet and rummaged under the stairs for the doctor’s rubber boots. They weren’t there, and for a moment I stood by the examination table in mute panic. I had washed them the week before and was certain I had placed them under the stairs. Where were the doctor’s boots? From the kitchen came the clumping of the men’s tread across the wooden floor. He was coming, and I had lost his boots!

I spied the boots just as the doctor and Erasmus began to descend the stairs. They were beneath the worktable, where I had placed them. Why had I put them there? I set them by the stool and waited, my heart pounding, my breath coming in short, ragged gasps. The basement was very cold, at least ten degrees colder than the rest of the house, and stayed that way year round.

The load, still wrapped tightly in burlap, must have been heavy: The muscles in the men’s necks bulged with the effort, and their descent was painfully slow. Once the old man cried for a halt. They paused five steps from the bottom, and I could see the doctor was annoyed at this delay. He was anxious to unveil his new prize.

They eventually heaved their burden onto the examining table. The doctor guided the old man to the stool. Erasmus sank down upon it, removed his straw hat, and wiped his crinkled brow with a filthy rag. He was shaking badly. In the light I could see that nearly all of him was filthy, from his mud-encrusted shoes to his broken fingernails to the fine lines and crevasses of his ancient face. I could smell the rich, loamy aroma of damp earth rising from him.

A crime, he murmured. A crime!

Yes, grave-robbing is a crime, said the doctor. A very serious crime, Erasmus. A thousand-dollar fine and five years’ hard labor. He shrugged into his smock and motioned for his boots. He leaned against the banister to tug them on. We are coconspirators now. I must trust you, and you in turn must trust me. Will Henry, where is my tea?

I raced up the stairs. Below, the old man was saying, I have a family to feed. My wife, she’s very ill; she needs medicine. I can’t find work, and what use is gold and jewels to the dead?

They had left the back door ajar. I swung it closed and threw the bolt, but not until I checked the alley. I saw nothing but the fog, which had grown thicker, and the horse, its face dominated by its large eyes that seemed to implore me for help.

I could hear the rise and fall of the voices in the basement as I prepared the tea, Erasmus’s with its high-pitched, semi-hysterical edge, the doctor’s measured and low, beneath which lurked an impatient curtness no doubt born of his eagerness to unwrap the old man’s unholy bundle. My unshod feet had grown quite cold, but I tried my best to ignore the discomfort. I dressed the tray with sugar and cream and two cups. Though the doctor hadn’t ordered the second, I thought the old man might need a cup to repair his shattered nerves.

. . . halfway to it, the ground just gave beneath me, the old grave-robber was saying as I descended with the tray. "As if I struck a hollow or pocket in the earth. I fell face-first upon the top of the casket. Don’t know if my fall cracked the lid or if it was cracked by the . . . cracked before I fell."

Before, no doubt, said the doctor.

They were as I had left them, the doctor leaning against the banister, the old man shivering upon the stool. I offered him some tea, and he accepted the proffered cup gladly.

Oh, I am chilled to my very bones! he whimpered.

This has been a cold spring, the doctor observed. He struck me as at once bored and agitated.

I couldn’t just leave it there, the old man explained. Cover it up again and leave it? No, no. I’ve more respect than that. I fear God. I fear the judgment of eternity! A crime, Doctor. An abomination! So once I gathered my wits, I used the horse and a bit of rope to haul them from the hole, wrapped them up . . . brought them here.

You did the right thing, Erasmus.

 ‘There’s but one man who’ll know what to do,’ I said to myself. Forgive me, but you must know what they say about you and the curious goings-on in this house. Only the deaf would not know about Pellinore Warthrop and the house on Harrington Lane!

Then I am fortunate, said the doctor dryly, that you are not deaf.

He went to the old man’s side and placed both hands on his shoulders.

You have my confidence, Erasmus Gray. As I’m certain I have yours. I will speak to no one of your involvement in this ‘crime,’ as you call it, as I’m sure you will keep mum regarding mine. Now, for your trouble . . . 

He produced a wad of bills from his pocket and stuffed them into the old man’s hands. I don’t mean to rush you off, but each moment you stay endangers both you and my work, both of which matter a great deal to me, though one perhaps a bit more than the other, he added with a tight smile. He turned to me. Will Henry, show our caller to the door. Then he turned back to Erasmus Gray. You have done an invaluable service to the advancement of science, sir.

The old man seemed more interested in the advancement of his fortunes, for he was staring openmouthed at the cash in his still-quivering hands. Dr. Warthrop urged him to his feet and toward the stairs, instructing me not to forget to lock the back door and find my shoes.

And don’t lollygag, Will Henry. We’ve work to last us the rest of the night. Snap to!

Old Erasmus hesitated at the back door, a dirty paw upon my shoulder, the other clutching his tattered straw hat, his rheumy eyes straining against the fog, which had now completely engulfed his horse and cart. Its snorts and stamping against the stones were the only evidence of the beast’s existence.

Why are you here, boy? he asked suddenly, giving my shoulder a hard squeeze. This is no business for children.

My parents died in a fire, sir, I answered. The doctor took me in.

The doctor, Erasmus echoed. "They call him that—but what exactly is he a doctor of?"

The grotesque, I might have answered. The bizarre. The unspeakable. Instead I gave the same answer the doctor had given me when I’d asked him not long after my arrival at the house on Harrington Lane. Philosophy, I said with little conviction.

Philosophy! Erasmus cried softly. Not what I would call it, that be certain!

He jammed the hat upon his head and plunged into the fog, shuffling forward until it engulfed him.

A few minutes later I was descending the stairs to the basement laboratory, having thrown the bolt to the door and having found my shoes, after a moment or two of frantic searching, exactly where I had left them the night before. The doctor was waiting for me at the bottom of the stairs, impatiently drumming his fingers upon the rail. Apparently he did not think there was enough snap in my to. As for myself, I was not looking forward to the rest of the evening. This was not the first time someone had called at our back door in the middle of the night bearing macabre packages, though this certainly was the largest since I had come to live with the doctor.

Did you lock the door? the doctor asked. I noticed again the color high in his cheeks, the slight shortness of breath, the excited quaver in his voice. I answered that I had. He nodded. If what he says is true, Will Henry, if I have not been taken for a fool—which would not be the first time—then this is an extraordinary find. Come!

We took our positions, he by the table where lay the bundle of muddy burlap, I behind him and to his right, manning the tall rolling tray of instruments, with pencil and notebook at the ready. My hand was shaking slightly as I wrote the date across the top of the page, April 15, 1888.

He donned his gloves with a loud pop! against his wrists and stamped his boots on the cold stone floor. He pulled on his mask, leaving just the top of his nose and his intense dark eyes exposed.

Are we ready, Will Henry? he breathed, his voice muffled by the mask. He drummed his fingers in the empty air.

Ready, sir, I replied, though I felt anything but.

Scissors!

I slapped the instrument handle-first into his open palm.

No, the big ones, Will Henry. The shears there.

He began at the narrow end of the bundle, where the feet must have been, cutting down the center of the thick material, his shoulders hunched, the muscles of his jaw bunching with the effort. He paused once to stretch and loosen his cramping fingers, then returned to the task. The burlap was wet and caked with mud.

The old man trussed it tighter than a Christmas turkey, the doctor muttered.

After what seemed like hours, he reached the opposite end. The burlap had parted an inch or two along the cut, but no more. The contents remained a mystery and would remain so for a few more seconds. The doctor handed me the shears and leaned against the table, resting before the final, awful climax. At last he straightened, pressing his hands upon the small of his back. He took a deep breath.

Very well, then, he said softly. Let’s have it, Will Henry.

He peeled away the material, working it apart in the same direction as he had cut it. The burlap fell back on either side, draping over the table like the petals of a flower opening to welcome the spring sun.

Over his bent back I could see them. Not the single corpulent corpse that I had anticipated, but two bodies, one wrapped about the other in an obscene embrace. I choked back the bile that rushed from my empty stomach, and willed my knees to be still. Remember, I was twelve years old. A boy, yes, but a boy who had already seen his fair share of grotesqueries. The laboratory had shelves along the walls that held large jars wherein oddities floated in preserving solution, extremities and organs of creatures that you would not recognize, that you would swear belonged to the world of nightmares, not our waking world of comfortable familiarity. And, as I’ve said, this was not the first time I had assisted the doctor at his table.

But nothing had prepared me for what the old man delivered that night. I daresay your average adult would have fled the room in horror, run screaming up the stairs and out of the house, for what lay within that burlap cocoon laid shame to all the platitudes and promises from a thousand pulpits upon the nature of a just and loving God, of a balanced and kind universe, and the dignity of man. A crime, the old grave-robber had called it. Indeed there seemed no better word for it, though a crime requires a criminal . . . and who or what was the criminal in this case?

Upon the table lay a young girl, her body partially concealed by the naked form wrapped around her, one massive leg thrown over her torso, an arm draped across her chest. Her white burial gown was stained with the distinctive ochre of dried blood, the source of which was immediately apparent: Half her face was missing, and below it I could see the exposed bones of her neck. The tears along the remaining skin were jagged and triangular in shape, as if someone had hacked at her body with a hatchet.

The other corpse was male, at least twice her size, wrapped as I said around her diminutive frame as a mother nestles with her child, the chest a few inches from her ravaged neck, the rest of its body pressed tightly against hers. But the most striking thing was not its size or even the startling fact of its very presence.

No, the most remarkable thing about this most remarkable tableau was that her companion had no head.

"Anthropophagi, the doctor murmured, eyes wide and glittering above the mask. It must be . . . but how could it? This is most curious, Will Henry. That he’s dead is curious enough, but more curious by far is that he’s here in the first place! . . . Specimen is male, approximately twenty-five to thirty years of age, no signs of exterior injury or trauma. . . . Will Henry, are you writing this down?"

He was staring at me. I in turn stared back at him. The stench of death had already filled the room, causing my eyes to sting and fill with tears. He pointed at the forgotten notebook in my hand. Focus upon the task at hand, Will Henry.

I nodded and wiped away the tears with the back of my hand. I pressed the lead point against the paper and began to write beneath the date.

"Specimen appears to be of the genus Anthropophagi," the doctor repeated. Male, approximately twenty-five to thirty years of age, with no signs of exterior injury or trauma. . . . 

Focusing on the task of reporter helped to steady me, though I could feel the tug of morbid curiosity, like an outgoing tide pulling on a swimmer, urging me to look again. I nibbled on the end of the pencil as I struggled with the spelling of "Anthropophagi."

"Victim is female, approximately seventeen years of age, with evidence of denticulated trauma to the right side of the face and neck. The hyoid bone and lower mandible are completely exposed, exhibiting some scoring from the specimen’s teeth. . . . "

Teeth? But the thing had no head! I looked up from the pad. Dr. Warthrop was bent over their torsos, fortuitously blocking my view. What sort of creature could bite if it lacked the mouth with which to do it? On the heels of that thought came the awful revelation: The thing had been eating her.

He moved quickly to the other side of the table, allowing me an unobstructed view of the specimen and his pitiful victim. She was a slight girl with dark hair that curled upon the table in a fall of luxurious ringlets. The doctor leaned over and squinted at the chest of the beast pressed against her, peering across the body of the young girl whose eternal rest was broken by this unholy embrace, this death grip of an invader from the world of shadows and nightmare.

Yes! he called softly. "Most definitely Anthropophagi. Forceps, Will Henry, and a tray, please—No, the small one there, by the skull chisel. That’s the one."

I somehow found the will to move from my spot, though my knees were shaking badly and I literally could not feel my feet. I kept my eyes on the doctor and tried my best to ignore the nearly overwhelming urge to vomit. I handed him the forceps and held the tray toward him, arms shaking, breathing as shallowly as possible, for the reek of decay burned in my mouth and lay like a scorching ember at the back of my throat.

Dr. Warthrop reached into the thing’s chest with the forceps. I heard the scraping of the metal against something hard—an exposed rib? Had this creature also been partially consumed? And, if it had, where was the other monster that had done it?

Most curious. Most curious, the doctor said, the words muffled by the mask. "No outward signs of trauma, clearly in its prime, yet dead as a doornail. . . . What killed you, Anthropophagus, hmmm? How did you meet your fate?"

As he spoke, the doctor tapped thin strips of flesh from the forceps into the metal tray, dark and stringy, like half-cured jerky, a piece of white material clinging to one or two of the strands, and I realized he wasn’t peeling off pieces of the monster’s flesh: The flesh belonged to the face and neck of the girl.

I looked down between my outstretched arms, to the spot where the doctor worked, and saw he had not been scraping at an exposed rib.

He had been cleaning the thing’s teeth.

The room began to spin around me. The doctor said, in a calm, quiet voice, "Steady, Will Henry. You’re no good to me unconscious. We have a duty this night. We are students of nature as well as its products, all of us, including this creature. Born of the same divine mind, if you believe in such things, for how could it be otherwise? We are soldiers for science, and we will do our duty. Yes, Will Henry? Yes, Will Henry?"

Yes, Doctor, I choked out. Yes, sir.

Good boy. He dropped the forceps into the metal tray. Flecks of flesh and bits of blood speckled the fingers of his glove. Bring me the chisel.

Gladly I returned to the instrument tray. Before I brought him the chisel, however, I paused to steel myself, as a good foot soldier for science, for the next assault.

Though it lacked a head, the Anthropophagus was not missing a mouth. Or teeth. The orifice was shaped like a shark’s, and the teeth were equally sharklike: triangular, serrated, and milky white, arranged in rows that marched toward the front of the mouth from the inner, unseen cavity of its throat. The mouth itself lay just below the enormous muscular chest, in the region between the pectorals and the groin. It had no nose that I could see, though it had not been blind in life: Its eyes (of which I confess I had seen only one) were located on the shoulders, lidless and completely black.

Snap to, Will Henry! the doctor called. I was taking too long to steel myself. Roll the tray closer to the table; you’ll wear yourself out trotting back and forth.

When the tray and I were in position, he reached out his hand, and I smacked the chisel into his palm. He slipped the instrument a few inches into the monster’s mouth and pushed upward, using the chisel as a pry bar to spread the jaws.

Forceps!

I slapped them into his free hand and watched as they entered the fang-encrusted maw . . . deeper, then deeper still, until the doctor’s entire hand disappeared. The muscles of his forearm bulged as he rotated his wrist, exploring the back of the thing’s throat with the tips of the forceps. Sweat shone on his forehead. I patted it dry with a bit of gauze.

Would have dug a breathing hole—so it didn’t suffocate, he muttered. No visible wounds . . . deformities . . . outward sign of trauma. . . . Ah! His arm became still. His shoulder jerked as he pulled on the forceps. "Stuck tight! I’ll need both hands. Take the chisel and pull back, Will Henry. Use both hands if you must, like this. Don’t let it slip, now, or I shall lose my hands. Yes, that’s it. Good boy. Ahhhh!"

He fell away from the table, left hand flailing to regain his balance, in his right the forceps, and in the forceps, a tangled strand of pearls, stained pink with blood. Finding his balance, the monstrumologist held high his hard-won prize.

I knew it! he cried. "Here is our culprit, Will Henry. He must have torn it off her neck in his frenzy. It lodged in his throat

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