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All Good Children
All Good Children
All Good Children
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All Good Children

Rating: 4 out of 5 stars

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It's the middle of the twenty-first century and the elite children of New Middletown are lined up to receive a treatment that turns them into obedient, well-mannered citizens. Maxwell Connors, a seventeen-year-old prankster, misfit and graffiti artist, observes the changes with growing concern, especially when his younger sister, Ally, is targeted. Max and his best friend, Dallas, escape the treatment, but must pretend to be "zombies" while they watch their freedoms and hopes decay. When Max's family decides to take Dallas with them into the unknown world beyond New Middletown's borders, Max's creativity becomes an unexpected bonus rather than a liability.
LanguageEnglish
Release dateOct 1, 2011
ISBN9781554698264
All Good Children
Author

Catherine Austen

Catherine Austen worked in the conservation movement before becoming a freelance writer. She lives in Quebec with her husband, Geoff, and their children.Her novels with Orca include Walking Backward and All Good Children. For more information, visit www.catherineausten.com.

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Rating: 3.88 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    A friend recommended All Good Children by Catherine Austen. Both she and her son (in grade 8) loved it. When she first told me about it, I thought it sounded similar to Ashes, Ashes by Jo Treggiari, which I read last year. Both are young adult, science fiction, dystopias and both novels were chosen for the "Forest of Reading" a program that encourages Ontario school children to read and vote on a selection of books by Canadian authors. I was NOT impressed with Ashes so I was wary about trying All Good Children, but in the end I'm very glad I read it. All Good Children is a terrific dystopian vision, well written and thought provoking.Max lives with his little sister Ally and his mother in New Middletown, one of the "safest" cities in the world. But it's safe because it is under the total control of Chemrose pharmaceutical company. Surveillance cameras are everywhere. There are strict rules and class divisions. The wealthy select "Ultimate" children by selecting the best genes and only those who can afford it and maintain a high enough grade point average are allowed into academic school - the rest of the population is forced into trade schools which are looked down upon. Most of the world's population is geriatric, and everything in New Middletown revolves around Chemrose, their drugs and their geriatric hospital. Max's mom is a nurse who works at the hospital, their father is dead and they struggle on the single income to stay in the protected city and not end up like the many who live in cars or camping outside the city gates. When Chemrose develops a drug that makes their elderly patients more sedate and controllable they begin using it on children as well. School officials call the new drug "Nesting" - New Educational Support Treatment - and parents and teachers applaud the effect it has on their kids - stripping them of any rebelliousness or creativity, making them docile, obedient pets. Max and Ally notice the change eerily sweeping through the schools, starting with the elementary students, who have begun to act like zombies. Ally describes them as being "all slowed down inside." Soon, Max's high school class is slated to get the treatment. Thankfully, Max's mom, who is a nurse, protects him and his best friend, Dallas, but they can only watch in horror as their peers become hollow shells. They have to act "good" in order to avoid suspicion. But this is especially hard for Max who is a passionate, outspoken teenager. The characters are very well portrayed, everyone is three-dimensional with multiple sides to their personality. Max is loud, passionate and opinionated, he likes playing sports and getting into fights, but he is also an artist, a painter, and he cares deeply about his little sister (even when he's picking on her) and his friends and classmates. He is also one of the only African American main characters I've come across in young adult genre fiction. Most YA titles seem to star the same skinny white girl, so I applaud Austen for writing a black protagonist with a complex personality. I was equally taken with Max's friend and neighbour, Xavier. Xavier is beautiful and sweet, but socially awkward. He doesn't understand people or social cues and innuendo flies right over his head, but he talks non-stop to anyone who will listen about conspiracy theories. He's a genius at computers and information, and he loves old sci-fi movies.All Good Children raises important questions about medicating for moods and behaviour. People like the results of the drug because those kids were "bad" or "annoying," not stopping to think that their own behaviour and personality will be the next to come under harsh scrutiny. How much liberty will you sacrifice for safety? What is "bad" behaviour and who gets to decide, and how far should they be allowed to go to make people conform to it? If someone is antisocial and you perceive them as miserable, do you have the right to alter their brain chemistry so that they participate and do what you tell them? In the real world, we see many hyperactive children being medicated so that they behave in school, so the world envisioned by the author is exaggerated, but not unbelievable. I appreciated that the author took time to show that not ALL of the parents and teachers were okay with what was happening. Max's mom, who is a nurse, is just as horrified and disturbed as her children are, so is Max's football coach, but neither feels they can speak out against the majority of their peers and the powerful corporations that control their lives. Recommended to fans of dystopian fiction."I'm struck by the sight of a woman kneeling beside a two-year-old child and a bucket of chalk. They've covered twenty square feet of concrete with cloudy pastels . . . 'That's glorious,' I say. 'You should color the whole world like that.' . . . She smiles at me, sincere and well-wishing, and offers me pink and yellow chalk. . . . She has no idea they're going to zombify her kid once he gets to preschool, no idea she'll want them to. I leave them to their rainbows." (p. 168)
  • Rating: 4 out of 5 stars
    4/5
    I was so pleased with myself when I finished this book and emailed my friend who works as a school librarian and is a voracious reader of fiction for kids and teens; she has recommended so many good books to me: "Hey, I just finished this great dystopian novel by Catherine Austen, called All Good Children. It's being published in September - I think you'll really like it, it has evil people, kids vs. adults, good stuff." Her reply: "Oh yeah, I read that a few years ago, it is really good - maybe you've got a sequel or something?"So that's when I discovered it was a reprint, it was originally published in 2011. And here I thought I was ahead of the game. Regardless, this is a great read, with a truly engaging narrative voice - Austen is good at getting inside a teenager's head. Filled with highly realistic, lovingly flawed adult, children and teen characters, it even comes with a delicious, all-too-believable conspiracy. Good random pop-culture references, too: Stepford Wives, Invasion of the Body Snatchers, etc. Highly enjoyable.
  • Rating: 4 out of 5 stars
    4/5
    I liked the general premise of the novel but the execution fell short. I had a hard time believing that the majority of parents and teachers wanted all children to be stripped of their will. I had a hard time feeling very connected to the characters - for instance, I didn't feel Max's grief over the death of his father, even though he talks about it. Overall entertaining but not compelling.
  • Rating: 4 out of 5 stars
    4/5
    It started off a bit slow, but I liked Max straightaway. He was too much of a cheeky punk for me not to like. It finally picked up around 60 pages in, and that's when I couldn't put it down.The world building was excellent, complete with extinct animals, and believable slang. For someone like me who appreciates characterization, I recommend this book. It could be creepy at times, which I like in a dystopian, and I found myself moved by Max and his best friend Dallas' struggle to remain sane in a world where every child mindlessly did what they were told, and none of the adults stood up for them.Max's artwork plays an important role, and the ending was quite moving.I wouldn't mind a sequel.*This review also appears on my goodreads account, as well as Instagram, and Amazon
  • Rating: 4 out of 5 stars
    4/5
    This review was written for LibraryThing Early Reviewers."All Good Children" is a futurist YA novel about classroom management gone way, way wrong. It's hard to quit reading, especially when tension starts to build as the story develops. I liked the first person narration by 10th grader Max Connors - he is irreverent and very engaging and funny. There are some important themes explored here - loyalty to friends, the deep intrinsic value of individuality and creative thought, and protecting free will at all costs. At times, the main plot line seems pretty ridiculous - would a protected community actually allow their children to be subjected to something called "New Education Support Treatment"? Hmm...well, parents and teachers do get really tired of disobedient, unmotivated kids...so...maybe it's not completely unbelievable. In any case, it's handled in a way that will appeal to readers who prefer light dystopian fiction.
  • Rating: 3 out of 5 stars
    3/5
    In the acknowledgements, Ms. Austen thanks authors Ira Levin and Dav Pilkey, stating that "I swear I did not intend to write this as 'George and Harold Meet Teen Zombie Nerds in Stepford'." But there you go. . . cannot think of a better description.
  • Rating: 4 out of 5 stars
    4/5
    Very close to 5 stars. I would have liked just a little bit more conflict at the end - not a lot, but a little.
  • Rating: 3 out of 5 stars
    3/5
    For being a book geared toward the young adult readers I thought this was a good book. It had the feel of the movie , Disturbing Behavior featuring Katie Holmes and James Marsden. I liked the references that the author put in the book with Body Snatchers and the Stepford Wives both being metaphors. The younger readers may not get this reference or even be familiar with the movies but for the older adult readers like me who are into reading young adult books, I got it and liked it. I was glad that Max was so defiant in his quest to figure out what was happening to all of the students. It made me really stand up and cheer for him. While the idea is scary and I could actually see it happening in today's society, I wanted there to be a stronger voice as the bad guy(s). Yet I understood the mildness of the story as it was geared to a certain reading audience. This is a quick read. I am intrigued by this author and plan to check out more books by the author.

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  • Rating: 4 out of 5 stars
    4/5
    Excellent book, terrifying plot, terrific writing. Got this at the library for my 13 yo daughter and she and I both loved it.
  • Rating: 5 out of 5 stars
    5/5
    What if all the children in school were good little children? They followed the rules. They were quiet and obedient. That would be fantastic, right? Or would it? What if they never laughed or cheered at a football game, like normal kids do? It might seem great at first, but if my children were perfect, I’d get a bit worried.Author Catherine Austen’s MG/YA novel, ALL GOOD CHILDREN, is set in a future world where parents have children that are known as “freebies,” “best of threes,” or “the ultimate” depending on how they’re conceived. If a family has enough money, they can keep at it until they get the perfect embryo. Something strange is happening in New Middletown, however. The kids in grades one and two are acting weird, and ninth and tenth grade students are due to be vaccinated and will soon act like perfect little angels too. Fifteen-year-old Max Conners doesn’t want the shot because everyone that gets it changes into what he and his friend Dallas call “zombies.” Ally, his six-year-old sister who already had the vaccination is proof. But what can a teen do to stop the insanity? ALL GOOD CHILDREN paints a disturbing picture of authority gone wild, taking extreme measures to control children and teens, under the pretense of improving their behavior so they can learn better. Yeah, if you want little robots that obey instructions without an original thought in their heads. The author has created characters that are so real I wanted to help them face each challenge. I recommend ALL GOOD CHILDREN for school libraries, as well as public libraries and your own personal library. This is a story you will remember for a long time.###
  • Rating: 4 out of 5 stars
    4/5
    In Catherine Austen's All Good Children, the future isn't pretty... except for a few. Max Connors is lucky enough to be one of the privileged who live within the gates of Chemrose Corporation's crime-free protected city, New Middleton. Max, a genetically selected, but not primo, teen is gifted and bored. He uses his artistic talents and caustic smarts to commit minor acts of vandalism and an assorted variety of bothersome mischief. He is careful to maintain his grades and fly just under radar, though, so he won't be sent away to trade school as a throwaway.For his senior year of school, Max must miss the first week so that he and his family can attend an aunt's funeral. Upon their return, Max notices that the students in his school no longer seem like themselves, but instead act like brainless zombies, obedient and cliche-spewing. Slowly, Max realizes that students are being inoculated, grade by grade, not with flu shots, but with an experimental medicine designed to make students submissive. Max, along with his best friend, Dallas, and younger sister, Ally manage to avoid the shots when Max's mother, who works as a nurse, volunteers to give the inoculations. Can the three children maintain their act as "good," model citizens or should they escape and face the outside world, full of mutants, crime and chaos?If you enjoyed Neal Shusterman's Unwind, Cory Doctorow's Little Brother, or Lauren DeStefano's Wither, you might also like this book. I
  • Rating: 4 out of 5 stars
    4/5
    Oh how I like me some interesting Dystopian fiction. I like it even more when said Dystopia is caused by chemical corporations. And Catherine Austen gets double points for the portrayal of a teenage boy that well, feels like a teenage boy.But I get ahead of myself. Maxwell Connors lives in New Middletown with his mother and sister. New Middletown is centered around Old folk homes, which are big business in the future. Built, owned and managed by Chemrose. The people who live in New Middletown are all employed by the corporation. Their children go to schools run by the corporation. And everybody, whether living in a large house or a small apartment, pay rent to the corporation. Maxwell and his little sister, Ally, miss the first week of school due to their aunt’s death. When they get back, they notice that the kids in Ally’s class are acting weird. They no longer play, scream, or even fight. Most terrifying of all, they are perfectly behaved and worse, it is spreading.In her acknowledgments, Austen quips that she, “did not intend to write this as George and Harold Meet Teen Zombie Nerds in Stepford.” That pretty much sums it up. Max and his friend Dallas jump off the page as real teenage boys. Not too sensitive, not perfect with the overwhelming need to do stupid things. Yet Max loves his sister. He works hard at school despite his ‘tude and is obsessed with art, a love which he honed through illegally “decorating” the buildings in his neighborhood.I don’t want to give too much away, but at one point Max and his friend put two and two together and realise what is going on with the younger kids and that they are going to be next. The struggle to hold on to their identity in a sea of friends-turned-zombies is both moving and terrifying. Austen grows this tension until it reaches an insane pitch.The world she builds is also rich with detail. It is the world how it might be in a few years- where it works pretty much the same- the opening scene has Maxwell being frisked by an airport security guard. But the uniformity, the disparity between those allowed to live in the city and the those who are not, the hierarchy created by those who can afford the best genes for their children and those who can’t all ring prophetic. Austen takes not only at the environmental devastation caused by the large chemical corporations (there is a city on the banks of the St. Lawrence that has been turned into Freaktown because of a chemical spill), but she also takes aim at our current education system and the whole idea of streaming our children. These aspects might be exaggerated in All Good Children but they are still very identifiable.My only quibble with the book would be the abrupt ending. Austen slowly grows the tension until the reader is vibrating with it, but then never tones it down. I would have liked a slower descent to match the slow ascent.Still, an excellent read for those who liked the Hunger Games, Matched, The Maze Runner, and well, all the other dystopian lit out there. It also won the Sunburst prize for speculative fiction as well as the CLA award for Young Adult fiction, just in case you need a gold sticker on the cover to appreciate a book.
  • Rating: 4 out of 5 stars
    4/5
    All Good Children was a surprisingly great read. The Dystopian thread was smart and well paced. I doubt that Austen will get the attention her book so much deserves, but word of mouth and blogger buzz hopefully will spark interest.Granted this is nothing like her first novel Walking Backwards, AGC seeks a mature audience, as sexual situations and strong language are highly present, even sometimes very unnecessary for a young adult book.
  • Rating: 4 out of 5 stars
    4/5
    This book deals with another future scenario gone horribly wrong.Max is a teen who is living in a highly sheltered community. The city is gated and you must have a place to live to get in. He is told how lucky he is to be where he is. The city is full of geriatrics. They are all sent to a nursing home to live out their days in peace and comfort.Things begin to change when the kids are given vaccines that alters their personality. The teachers and administrators are thrilled and call it nesting. Max and his friends call them zombies. Then it is Max's grades turn to get the vaccine.This is very interesting. I can't help but think about how for some there is a push to medicate active children so they are more manageable. (Just a thought.)I take this as a cautionary tale. There is sex talk and repeated use of the "F" word.
  • Rating: 5 out of 5 stars
    5/5
    Best Book of 2011: All Good Children by Catherine AustenNew Middleton’s children are becoming frightfully obedient and their parents and teachers couldn’t be happier. Something is wrong. Max, our delinquent yet loveable rebel cannot allow himself to become another zombie and he’ll do anything to prevent it.All teens have got issues, but within their brains amazing things happen. Mood swings and rebellion are accompanied with creativity and innovation. This book describes the thoughts and feelings of a 15 year old boy in a very real way. With no father figure, he branches out to fill the void and prove he is a man. Austen shows great power in her research of teenage psychology.It goes along perfectly and proves many points in my Alternate Parent series I am currently on with BigWorldNetwork.com. Every article I write is answered with great examples in Austen’s book. From brain development to hormonal fluctuations, this is book is full of solid themes and great characters.Another amazing factor is the integration of racial backgrounds. There are very few minority main characters in the YA genre and there need to be more. Yay to breaking free of objectified white women. It also furthers my belief that kids should not be forced to take behaviour modifying drugs. Moulding children is one thing, but forcing them to become something they are not is selfish and unmoral. I love Austen’s take on this. She speculates what would happen if children suddenly became emotional robots and it isn’t pretty. There is a bit of anti-American propaganda, but I’m ok with it.I have a son who has behavioural issues, but I wouldn’t change him for anything. He is arrogant, stubborn and vengeful, but he is also smart, artistic, logical and sensitive. I love him. I definitely saw apart of myself in Max’s mother.Congrats to Austen on a book well done!
  • Rating: 5 out of 5 stars
    5/5
    In the town of New Middletown things aren't what they seem. Th children have undergone "The New Education Support Treatment". Now the kids are obedient. If I can say this, they are too obedient". My husband laughed when I told him I had a few students that could use a little bit of the treatment.. Max comes across as quite rebellious at times. I was reminded (due to my advanced age) of the movie "The Stepford Wives". If you are too young to remember this movie then I would suggest you look it up. In this book there is never any doubt how much Max loves his family and the length he will go to just to protect them. When his mom is threatened with the removal of her kids, major decisions must be made. It was scar to see the parallel between the government control on schools, education, and families in the book and that of our very own society today.I would recommend this book to all dystopian lovers. I think this could hold its own in a competition with some of the most popular dystopian novels today.
  • Rating: 4 out of 5 stars
    4/5
    Can you imagine? A world where creativity is frowned upon and everyone is expected to simply line up, take their assignment and live life as they are told? Nah...never happen...right? I wouldn't be so sure. The world introduced by Ms. Austen isn't so far fetched. I mean, there are advantages to what they were trying to introduce....a more manageable society with potentially less crime and people living up to their supposed potentials. Not so bad.....well, except for that "supposed" part. I mean, whose to say what anyone is truly capable of achieving, good or bad, throughout the course of their natural life....but I for one would rather live in a world that the option to find out exists, as would Max. Max is not your typical "hero" in any sense of the word. He is simply a young man trying to find himself that expresses his frustrations and beliefs through his creative side, for better or worse. In this society, art is viewed more as a "worse". The freedom of expression that lies within its unframed borders is a scary prospect to the powers that be. I mean, if you're going to create a robot like civilization, you can't very well have people thinking for themselves....it'd never work; hence the battle begins for both our free will and our very lives. The storyline here is not merely that of our wills or freedom of speech though....it also has undercurrents of racism, prejudice, and discrimination. It's amazing how such a forward thinking group of people can have such backwards thoughts about human kind as a whole....a fact which is addressed rather tactfully as events progress. Over half of the population can't read or write....how scary is that? Again though, how far is it from the truth depending on where you look today? It's not all doom and gloom though as the author injects a bit of real life humor into the story with the personalities given to each character as well as how they act out from time to time. In short, a fictional look at a reality that may not be so far away with the possible repercussions we could face should the same steps of "progress" be taken. It's enjoyable from a make believe stand point, but also gives you something to really think about. We are so dependent on technology as a civilization and expect things to go just so....how much of a leap is it really to a time when we dictate the path that others must follow in their lives for the sake of smooth sailing?
  • Rating: 5 out of 5 stars
    5/5
    Wow I did not know what to expect going into this story but was completely blown away with this book. Ok so I admit that through parts of it I was wondering where the story may be leading, the side characters became a little flat for me. But after finishing the story I realized that of course when people are being drugged to "behave" that of course they are going to become flat characters. Once this realization hit and I looked back over the story, color me impressed! I really enjoyed the idea, I loved the characters and/or what the characters ended up representing. For some reason my favorite part of the story was very close to the beginning when Max is explaining how due to a contamination in a town how the birth defects rose. The outcome of those defects truly sparked a lot of questions and interests inside of me. I found it facinating how all children are based on certain factors, like how well bred they were because of how rich the parents were. Ok ok I know that sounds like it could be set in todays world, but it's completely different here, a whole new level. I found it very interesting that the term "recall" was used for one of the lowest grades of people. Altogether a fascinating twist on people, life, our world and interactions with each other. It was a fantastic mix of Science Fiction and Dystopian. It brought up several of the same feelings and ideas in me that Divergent by Veronica Roth did.
  • Rating: 4 out of 5 stars
    4/5
    Max, Ally and his mother live in a city called Middleton. Middleton is one of the few places left in the US with a decent school system, safe streets, healthy people, and little crime. But the administrators of Middleton think it could be even better. What if they found a way to get rid of misbehavior in children. Now, we're not talking about just the big ones like arson and fighting, but even the little ones, like giggling in class and expressing an opinion. As this is slowly taking effect on the children of all ages, few seem to speak out against it. Max's mother is one of those few and they begin to hatch a plan to escape from the city.While, our main character is Max, I fell in love with his little sister Ally. Not the brightest in the bunch, she makes up for it in pure personality. Max, a fantastic graffiti artist, seems to be going through a fairly typical teenage angst stage that didn't seem overly original. The supporting characters tended to remain fairly flat throughout the book until they were effected by the new behavior "cure". Then they just turned into what Max calls zombies....a very appropriate name.The plot centers around Max and his family and a few of his friends, especially his best friend Dallas, and their lives as they make plans to escape without being zombified. The plan they hatch is intricate and simple at the same time and keeps the story moving as we watch the town slowly become more and more suspicious of the family. There were times when the story seemed to drag a little, but perhaps that was done on purpose to show you how hard it was for the family to make it through. As a concept the story was amazing.3.5/5
  • Rating: 3 out of 5 stars
    3/5
    I was pretty disappointed with this book. It sounds like an excellent story and it really is interesting. It's not like it doesn't have a good story to read, it just doesn't hit the mark with what a great dystopian novel should have. At least in my opinion.I really liked the idea that the school systems, already dealing with a lot of other issues in the world like poverty, expensive cars and gas and terrible wages, must do something to help force their students to behave and actually care about things other than creativity and getting into trouble. Teachers and parents are simply giving up because they're frustrated and in my opinion, lazy and they'd rather not fight with kids over things that kids do. So they decide to start drugging these children. The sick part? It really is a way to make money. So, is this story believable? Yes, to me it is. I can see it happening. However I just really disliked the way this story was executed. I think a big turn off for me simply was the writing style. It seemed to vary a bit in different parts, some of which really made me want to skip over. Also, I guess I expected the 'zombie' thing to be a bit more creepy than irritating and sad. This is a quick read though if you're looking for a slight dystopian novel to read.
  • Rating: 3 out of 5 stars
    3/5
    I got an advanced reading copy of this book through Librarything's Early Reviewer program. This was a great book, well written and engaging, a little scary too. There was only one major flaw with the story that kept me from absolutely loving this book.Max, his sister, and his mother live together in Middleton. Middleton is supposedly one of the few cities left where humanity is doing pretty well. When Max and his family come back from a funeral in Atlanta, Max notices something strange about Ally's classmates. Ally's classmates don't play, they don't laugh, they are like perfect little robots. Then Max finds out about a vaccination initiative in the school system. The children are being given vaccines that make them easier to teach; they are less likely to question things and obey everything. For now Max and his sister are safe, but it won't be long until the vaccines are given to older kids as well. Then Max and his family will have to make a choice; stay and fight, be vaccinated, or flee.Max is a fun character. He is super smart but also a prankster and kind of obnoxious. He loves his family though, and despite all the trouble he gets in to, you can really tell. His little sister, Ally, is adorable and also a lot of fun. His mother is a strong woman but is caught between protecting her family by keeping her job and protecting her family by going against the system.The story is easy to read and very well written, the plot was engaging and the tension was constantly building as more and more kids are vaccinated and zombiefied. It was a hard book to put down and really drew me in.Parts of this story are very creepy; both from a kid's point of view and from a parent's point of view. The parents aren't given a choice; the vaccination is mandatory (much like most current day vaccinations) but without any science to back them up. When kids have bad reactions to the vaccination it is brushed off and ignored. When Max's mom tries to speak out against the vaccinations it is implied that she is mentally unfit to take care of her children and that if she continues to be a problem they will be taken away from her. As I said very subtly creepy and terrifying.The book brings up a lot of issues about race (Max and his family are black), freedom of speech, and free will. There is lots to ponder and think about here.I have one absolutely huge problem with this book that made the story very hard for me to accept. While there are a couple mummers of adults being upset by the vaccinations (one teacher bemoans the lack of creativity in his new zombified class, and Max's mom speaks out against it during an info session at school) the vast majority of adults seem pleased by it. I find this incredibly hard to believe. Knowing how protective parents are of their kids, I can not believe there isn't more retaliation. I mean happy laughing young children are turned into blank-faced robots. Seriously? Is any parent going to tolerate that? Throughout the book most of the adults are happy that their children are so much easier to handle and take so much less energy to deal with. Really? I understand this is aimed at a middle grade crowd, but how many parents out there would accept their children being turned into robots...and not only accept it but be happy about it? I just can't accept this premise for the story; especially in the given society where people are doing fairly well and not desperately trying to eke out a living.Another minor problem I had with this book was another thing I had trouble finding believable. How could you get a drug that would react with the majority of kids in such a way that it would make them all talk and act the same? All the kids in this book parrot each other after being vaccinated and are eerily the same. I understand a drug making kids more open to suggestions; but having them all act the same and like robots because of a drug is a bit of a stretch.So far one major flaw, why are the parents/adults so accepting of their kids being brainwashed? Especially when it occurs in such and abrupt way over such a small amount of time. If you can suspend your disbelief of this major assumption, then this is a great book. It wraps up nicely, there could be a sequel to it, but most things are concluded well...no cliffhangers or anything.Overall a fascinating idea and world. It is super creepy to consider schools requiring parents to zombify/vaccinate their children. I enjoyed the characters, the book was well written, and the premise was interesting. I just couldn't suspend my belief enough to buy into the fact that normal parents would applaud their children having their personalities and creative taken away; there would be more of an uproar. I also had trouble believing that a drug could make all children act and talk exactly the same way. So, while this was well-written and interesting I had a lot of trouble buying into the premise of the story. Still it was a great read; I would recommend for fans of dystopian stories.
  • Rating: 4 out of 5 stars
    4/5
    All Good Children is a great book. The world that Austen has created really is a whole lot like ours could be in, oh, 50 years (or less). The majority of the population is desperately poor and living in cars they cannot afford to fuel. The (what we now call) middle class minority works in some capacity with the booming elder care industry. Everyone has an RIG that connects them constantly to entertainment, work, communication, whatever (ie, it's what iPad aspires to be). A chemical spill has created a whole region's worth of people born with physical deformities...that compete on a reality TV show. The cities are dangerous places, and everyone has moved to gated communities (actual communities rather than housing developments) for their own safety. That they've given up a whole host of civil liberties in exchange for that safety bothers almost none of them. They even give up the right to know what vaccinations are being administered in their children's schools and why their children suddenly have no discernible personalities. It's cool though, because they're just so darn well-behaved. Max is not well-behaved. He never has been, and if he has anything to do with it, he never will be. He, along with his best friend Dallas, struggle to maintain their own thoughts and personalities while pretending to be perfectly "good children." Their struggle was awful, but their friendship was great. The fact that Max's mom is Black and his father was white is not a constant issue, but it is an important one. In their own community, it is a non-issue (or it's supposed to be), but outside is another story. Without the visual aid of their father, Max's mom is always eyed with suspicion while traveling with Max and his sister Ally. Though it is published by Orca, it is not technically a hi-lo (high interest, low reading level). It's appropriate in both areas of measurement for the 12 and up set. It is, however, about a couple high school seniors and could be used as reading material for the same. I think it will be great for reluctant readers and dystopian lovers alike. Book source: ARC provided by the publisher through the LibraryThing Early Reviewers program
  • Rating: 4 out of 5 stars
    4/5
    So, All Good Children. I liked this book.All Good Children is set in the future, in a dystopian world, but not too far away from ours. The story follows Max, a teen boy who is now looked down on because he is not super well off. He lives in a town called New Middleton, which is boasted about as being one of the best places to live in the US. But obviously, as readers, you can see very large cracks in this so-called perfect town. Max channels most of his time into his graffiti art; when he is not on his computer "RIG" or going to school. But then Max starts to notice that strange things are happening to younger students. They become slower, not all there, like their hearts aren't in anything, as well as being perfectly "good children." Max ultimately calls them zombie-fied. But the problem comes when his grade is "treated", and he has to pretend to be "treated" as well. And that gets harder and harder, as his family becomes in danger, and he must choose his fight against the loss of freedom. Will he stay under cover with his friends, or run away, never to come back? When the time comes, will he even have a choice?I will admit, this book took a little while for me to get into. I am not sure why, but I guess the beginning just wasn't very action packed. And as a girl, all the talk of sports was a little tiring. But, the plot was well thought out and the main characters were developed, and by the middle, I had to keep reading to find out what would happen to Max, Dallas, and his family. I thought the writing was spot on for a teenage boy, and the thoughts of Max in the book were well thought out too. Though my one big criticism was that (and maybe this only applies because i am a teenage girl) there was no teen girl in it. No love interest, no strong female character, just Max's mom (who Max got mad at all the time) and Ally, his little sister. There was a girl named Pepper i guess, but I was disappointed in how that turned out.Nonetheless, this was a very well written, detailed, and original dystopian novel, that outshines others in the genre that I have read. Kudos, Ms. Austen!
  • Rating: 4 out of 5 stars
    4/5
    My Summary: Life hasn't been what you'd call 'easy' for Max - ever since his father died three years ago, his mother, his sister, and himself have been forced to uproot their lives. Going from being filthy rich to just scraping by, Max is pretty angry about the way his life is - especially because people in New Middletown treat him like he's worthless now. Max strikes back with his art - sprawling graffiti scenes painted on every surface that will hold paint. Most would call him a trouble-maker, but Max manages to do all this while maintaining an A+ average at an academic school, so he gets away with a lot.Until strange things start happening to the kids in New Middletown, and Max can't shake the suspicion that it's being caused by the parents in the city. As everyone he cares about begins to change - into what he calls 'zombies - Max must fight to protect the only things he has left: his family and his art. My Thoughts: I really, really enjoyed this novel for a number of reasons: the first of which being that it's a dystopian, but it's not too far in the future, so it's easy to envision Max's world. The second reason being that it begs the question: when does government control and involvement in our lives go too far?I also really enjoyed the writing. The author did a great job with imagery, painting a desolate landscape inside my head. And she didn't shy away from emotion, either: unlike with a lot of protagonists, you can really see how much Max cares about his mom and little sister, along with his best friend Dallas - you can feel his desperation towards not being able to help or protect the people he loves. His emotions come across very strongly to the reader, which I love; how many times have you read a book where something happens and the protagonist goes, "oh no... this sucks"? I know I've had a quite a few, and this novel was a refreshing change from that.Final Thoughts: I strongly recommend this novel to anyone who is a fan of realistic dystopians, and to anyone who hasn't really ventured very far into the genre and would like something not too crazy to start off their exploration. Check it out! I know I'm looking forward to a lot more from author.

Book preview

All Good Children - Catherine Austen

ACKNOWLEDGMENTS

PART ONE

TREATMENT

ONE

The airport security guard is not amused when I drop my pants in front of her. Actually, they fall down when I remove my belt. I don’t want to look like a recall, so I play along: fold the pants, strip off my T-shirt, cue my charming adolescent smile. I’m ready for my pat-down now.

The guard stares at me, blank and bored, hands planted on her fat hips. Broken body scanners, delayed f lights, exhausted travelers, near-naked teens—they all blend in her muddy eyes. Are you carrying any liquids or electronics? she asks.

Beside me, my sister Ally giggles through her own pat-down. She runs across the room to find her shoes and teddy bear. Our mother shields her from the sight of me.

Lady, I’m almost naked, I say. I point to my shorts and add, I could take these off, too, if it’ll get me through faster. I know it looks like I might be hiding something.

The guard frowns, blinks, reaches her gloved hands up to my neck as if she’s going to throttle me. She probably hears that joke twice a day. Did you place your electronics in the bin? she asks. Her fat fingers scurry over my bare shoulders, down my breastbone, around my back, as if contraband could be hiding beneath my skin.

My mother’s voice booms across the room. Why is that woman touching my child’s body? Is she blind? He is fifteen years old. He’s a citizen— And on and on until every traveler stares at me and my molester.

I pretend this is a normal encounter. I nod to passersby. My mother confiscated my electronics last week, I tell the guard as she strokes my naked thighs. I’m grounded. Actually, I’m about to be airborne. But metaphorically I’m grounded. I was a bad boy.

She groans to her feet, pats my ass none too gently and motions me onward. I dress in front of a thousand eyes that glitter like glass under the terminal lights.

I follow my angry mother to the boarding gate. New chairs, same wait. Same blend of stale gum and subtitled news: New York City is still drowning; Phoenix is still parched; transnational corporations are still profiting from disaster. I withstand it all.

I would strip again if it got me home faster, but we’re stuck for another hour. Five hundred heads lean into five hundred projections: reading, playing, messaging, leering. Not me. My RIG lies at the bottom of Mom’s purse, a Realtime Integrated Gateway to a world my mother won’t let me access.

Mom and Ally chant together face to face—Rock! Paper! Scissors! and Wild Wild West!—feeble finger-plays Mom learned on the bus to kindergarten when she was young. Now and then she glances at me and asks, What were you thinking? as if she really wants to know.

Our flight is called at last. I grab the window seat as a reward for withstanding so royally. My heart pounds in anticipation. This will be the second flight of my life, and it’ll be even better than last week’s, because it’s taking me home.

A giddy sense of freedom washed over me when that first plane lifted off the ground. I held my RIG to the window and watched dead grass and pavement recede into an abstract of greens and browns scarred by rivers and roads. Ally squeezed my leg and squealed, It’s like we’re riding a pterosaur! Even our mother smiled.

My world was shining then, as we blazed toward Aunt Sylvia’s funeral, all expenses paid. I didn’t pretend to be sad—I barely knew my aunt. I was ecstatic, literally on top of the world. I flew away from the first week of school, left my dull gray uniform in New Middletown and rose above a planet that looked like God’s own palette.

It was glorious until cruising altitude, when Mom received a notice about a prank bomb threat sent to my school from our apartment complex that morning. She snatched the RIG right out of my hand. You logged in as Lucas? she shrieked.

What makes you think it was me? I asked.

She rolled her eyes and huffed, as if no other child would break a rule.

It was a joke, I told her. "He left his RIG in the lobby. His password is Lucas1."

You used to be that boy’s friend!

I shrugged. He’s a throwaway.

I shouldn’t have said that. It’s what all the academic students call the trade kids, but I would have gotten my RIG back last week if I’d just held my tongue. Mom dragged me through funeral homes and legal offices, down the unguarded streets of an ungated city, with my RIG bouncing blindly in her handbag, recording nothing.

Atlanta was the first city I’d ever visited outside of New Middletown. It was beautiful in its crazy patchwork sprawl, but seriously marred by poverty. Winds whipped down the avenues into alleyways where people lived in paper boxes. Beggars and thieves lurked around corners or banged on the windows of limousines jammed in traffic until police officers dragged them away. It was hostile and hopeless and deeply unnerving.

But behind the cars and crowds was the most amazing graffiti I’ve ever seen—huge, vibrant, angry. Ally snuck me her RIG so I could record a few images: a tidal wave crashing into a lopsided skyline, a line of prisoners with empty eye sockets, a salt flat littered with honeybee carcasses.

One day I’ll paint a piece like that.

My mother took her time burying her sister. By the third day, not even the art could make the noise and dirt and stink bearable. My cousin Rebecca should have settled everything, but she immigrated to Canada ten years ago and wasn’t allowed back. She inherited a small fortune from her mother, but the government seized it. They gave Mom nothing but funeral expenses—hence the family airplane ride, the week of hotel breakfasts, the evenings stretched out like years on Atlanta’s lilac sheets.

Now we’re heading home with boxes of worthless fragments from Rebecca’s childhood—hand-written letters, framed photographs, report card printouts. It’s like inheriting a recycling bin. But among the memorabilia were sixteen color markers packaged in plastic and three gray scrapbooks I’ve already filled from seam to corner with abstracts of Earth.

I’ll post a collage when I get my RIG back: Out of School Withstanding on a Perilous Planet.

Ally grips my hand when our plane takes its turn at the top of the runway. The fuselage rattles, wing flaps flutter, wheels blindly spin. We grip our armrests and fall silent. It doesn’t feel close to fast enough. The plane screams and roars. It seems almost silly to try to get off the ground. But suddenly, improbably, we rise. I laugh out loud. We rise above the patchwork city into a pure white blazing light. I wish I could tell my friends, Look up. See that silver speck slicing the sky? That’s me! But I’ll have to wait until I’m home to post about it. By then, no one will care. Once you’re in the past tense, you’re history, and no one has time for history anymore.

There’s a complimentary snack in my seat pocket. The chips taste like mold. I eat them fast, more disappointed with every crunch. Mom passes hers and I eat those, too, until I’m deeply miserable. Can I have my RIG now?

No.

Ally unfolds her seat tray, lays down her chips and rests her teddy’s head on them.

Aren’t you going to eat your snack? I ask.

She grabs the bag fast as lightning and stashes it on her lap.

I’ll eat them if you don’t want them, I say.

A fat man across the aisle ogles my mother and says, Kids. They’re never satisfied.

When I see men like this, I’m thankful for genetic testing. Whatever my future may hold, I’ll never end up a fat bald white man. This one takes up two seats and he’s still crammed tight. I point to the chips resting on his belly. Are you going to eat those?

Please ignore him, Mom tells the man.

He covers his chips with his fat white hands and winks at her.

Ally taps my shoulder and asks, in a voice soft and high, If you’re not going to look out the window, can we trade places?

No. I fake a stretch and sneak the chips from her lap. I keep my eyes on the clouds as I crack open the bag. I dip into it languorously and pop a few in my mouth. Ally doesn’t notice. Want a chip? I offer.

No, thank you. I have my own. She reaches under her tray. A look of panic floods her face. She lifts her teddy, feels her legs, scans the floor, gropes the filthy carpet.

Lost something? I ask.

I can’t find my chips!

What did they look like?

She stuffs her hand down the back of her seat. They were in a red bag!

I move the chips to the center of the window frame. With white writing?

Yes! Did you see them?

Give her back her chips, Max, Mom says.

Ally looks from Mom to me to the chips in my hand.

Here. Have these, I offer.

Are you sure? Ally asks. We could do Eenie Meenie for them.

Nah. Just take them.

She smiles at the half-eaten bag. Thanks, Max. You’re nice.

My mother sighs.

The fat man clears his throat. Lovely children. Are they your own?

Mom’s face is five shades darker than mine and Ally’s, and now it turns darker still. She looks him up and down and rolls her eyes. That should end the conversation, but the man is deeply defective. And their father? he asks, leering at my mother’s breasts.

Our father’s dead, I say. He died in the flu epidemic three years ago. Drowned in his own body fluids.

Max, please, Mom says.

So she’s single now, I add.

The fat man squirms and mumbles something about being sorry.

The man in the seat beside him peeks around his gut. I groan. It’s Arlington Richmond, my best friend Dallas’s father. He hates me. He hates my whole family. He didn’t mind us when Dad was alive, but his feelings cooled when half our income died. I salute him and turn back to the sun.

I wish I could message Dallas that his dad is surveying me at thirty thousand feet. But I can’t connect with anyone without my RIG. On the upside, I can’t access my homework. We were lucky to miss the first week of school, I whisper to Ally.

She frowns. I like school.

Mom kisses the top of her head. Ally takes Mom’s face in her hands and kisses it back—her cheeks, her nose, her eyelids, over and over until the sweetness turns unsettling. Enough, pumpkin, Mom says.

The Freakshow theme song rises out of the airplane chatter ahead of me. I jerk to attention and peer between the seats.

A teenage boy whips his head around and grunts. Either I have very strong chip breath or he has supreme peripheral vision. He slips in his earpiece and holds my stare. He has ultimate written all over him. Even sitting down, he looks like a giant. His parents must have tested a dozen eggs before they found him.

I am not an ultimate. I’m a best-of-three. Only the rich keep at it until they get a perfect embryo. There are a lot of rich people in New Middletown, so I’m used to competing with ultimates like this kid. They usually win.

Most people are freebies, conceived and birthed at home with just the barest screening for deformities. They talk about ultimates and best-of-threes like we’re genetically engineered, but we’re not. We’re conceived in fertility clinics, but there’s no splicing or even much planning involved. It’s more like gambling than engineering. Parents pay for a certain number of random embryos. They don’t know what they’ll get until they read the genes and choose one to grow in the womb. The unhealthy are terminated and the unchosen are put in cold storage to sneak out sometime in the future when infertility reaches crisis proportions. Or maybe they’re sold or experimented on or grown for parts— depending on which conspiracy theory you believe—but they’re not genetically engineered.

I’m the cream of a crop of three. It’s hard to get cocky about that. The kid ahead of me is the cream of a much richer crop. His eyes sparkle as he surveys me over his shoulder. If it isn’t the stripper, he says, snickering. Nice shorts, recall.

I salute him rudely and lean back, kicking his chair out of spite. Sorry, I say. Then I kick it again. The security guard glares from his station.

Be good, Max, Ally says. My sister is not an ultimate or a best-of-three. She’s a freebie, naturally conceived six years ago by my baffled parents. Mom says she’s a gift from God. Ally has a big heart and a small brain, which suggests that God should take a good look at creation before he hands out any more gifts.

We can’t all be you, I tell her.

Dr. Richmond snickers.

Mom glances across the aisle. Arlington? What a surprise. How are you?

The fat man turns from Mom to Dr. Richmond as if he has a stake in their conversation.

I’m fine, Karenna. I’m just heading back from the Global Ed Conference in Texas. I was supposed to take the speed rail, but Mexicans bombed the station. Did you hear about it? Are you coming direct from Atlanta? You have family there, don’t you? It must have cost a fortune to take the kids for the weekend.

Not at all, Mom says, not bothering to explain about the funeral or the lost week of school.

You should take Dallas to your next conference, I say. He’d love flying. At least you won’t have to put up with it much longer."

Mom checks her watch. Twenty minutes? That was fast.

I mean it won’t be long until we get Maxwell’s behavior straightened out at school, Dr. Richmond says.

I snort but not loudly. Mom holds a stiff smile.

The new support program’s coming, he adds. I’m sure you saw the results with your little girl last week. It provides the motivation lacking in kids like yours.

Mom’s smile vanishes. Kids like mine?

The fat man shakes his head at Dr. Richmond and waits for an apology.

I’m sure they’re good children, Dr. Richmond says.

They’re just different, aren’t they?

A recording tells us to buckle our belts, store our baggage, raise our seat trays. Dr. Richmond leans back out of view. Mom stares hard at the place where he used to be. The fat man tucks his chips in his breast pocket.

I slip my empty packages onto Ally’s tray, then store my own tray, pushing it into the seat ahead of me until the ultimate growls.

Where did these come from? Ally asks, holding my chip bags.

I shrug. They must be yours.

She turns them over, puzzled, before tucking them in her seat pocket. Then she leans into my chest and holds her teddy up to the window.

I kiss her head and love her like crazy, my gullible good-hearted sister.

The plane tilts in preparation for landing. I see the military escort beside us and the runway lights below. It looks like we’re heading to prison. Holiday’s over, I whisper.

It’s a half-hour shuttle from the Bradford Airport across the National Forest to New Middletown, but Mom still won’t give me back my RIG. I’m stuck staring at the beauty of the Pennsylvania Wilds. I kick Ally’s foot just for something to do.

You will never get that RIG back if you don’t stop right now, Mom says so loudly that other passengers look our way. I stare out the window like I’m not involved.

There are no cars for rent at the New Middletown station, so we take a taxi home. The driver’s id reads Abdal-Salam Al-Fulin. I’ve barely buckled up before he asks, Did you hear about the speed-rail bombings in the southwest? Over three hundred dead. There’s nowhere safe anymore.

We show a guard our ids and drive through the gates of my glorious town. I feel pretty safe right here, I say, but I know I’ll feel a lot safer once I get out of this taxi.

Ally watches a wildlife show in the backseat beside Mom, who stares out the window. Mom was RIG-addicted before Dad died. She uploaded our lives as they happened. Now she lets the world blur by.

I love driving in this city, the driver tells me. Every road is a straight line.

It’s energy efficient, I tell him. New Middletown is the most environmentally smart city in the northeast. But they chopped down ten square miles of forest to build it. We’re big on irony here.

I don’t like the forest, the driver says.

I shrug. It’s beautiful. I’ve never actually stepped foot in the forest, but I like driving by and seeing all the different shades of green. New Middletown is monotonous. Everything in town is the same age, same style, same color. What we lack in personality we compensate for with security. Half the city is bordered by forest and the other half is walled. There are only six roads into town and all of them are guarded. We don’t sprawl. We stand tall and tight. There are no beggars or thieves in New Middletown. If you don’t have a place to live and work here, you don’t get in. This driver probably hates the forest because he has to live there in a tent.

Over the past twenty years, Chemrose International has built six cities just like this to house the six largest geriatric centers in the world. Everyone who lives or works in New Middletown pays rent to Chemrose. The whole town revolves around New Middletown Manor Heights Geriatric Rest Home and its 32,000 beds.

I never get lost here, the driver says as he joins a line of cars traveling north along the city spine, past hospitals, labs and office towers.

I’m surprised you get much business, I say.

The city spines are entirely pedestrian, and each quadrant is like a self-contained village, with its own schools, clinics, gardens, rec centers, even our own hydroponics and water treatment facilities. We don’t have much call for taxicabs.

I don’t get much business, the driver admits. Mostly I take people away.

To where?

He shrugs. You go to school here?

Sure. Academic school.

Lucky boy. What you going to be when you’re grown?

An architect. I don’t hesitate. We pick our career paths early in academic school.

You going to build things like that? the driver asks me. He points to the New Middletown City Hall and Security Center, which glimmers in the distance on our left. It stands at the intersection of the city spines, in the exact center of town, rising to a point in twenty-eight staggered stories of colored glass.

I hope so, I say.

He snorts. I don’t like it. It looks like it’s made of ice. He turns onto the underpass and City Hall disappears from view.

That’s the artistic heart of town, I say.

He snorts again. I don’t see any art in this city. Never. I don’t hear any music. I don’t hear any stories. I don’t see any theater.

You can see all that from any room in any building,

I tell him. We have our own communications network.

He sighs. You like living here?

Of course. Who wouldn’t? People line up to get in here.

Like me, he says. I line up and wait, I come inside, I drop you off, I leave.

Times are tough, I say.

Not for everyone, he mutters. He drives up to ground level and heads away from the core.

Chemrose spent eight years and billions of dollars building this city just before I was born. They laid down the spines and connecting roads like a giant spider building a web. People swarmed here. But they didn’t all get in. Shanties and carparks spread outside the western wall, full of hopefuls who come inside for a few hours to clean our houses or drive us home. They were hit hard by the Venezuelan flu, which wiped out half the elderly and 10 percent of everyone else in the city, including my father. The epidemic cost Chemrose a fortune in private funding and public spirit. Mom kept her nursing job, so we’re fit. We moved from a four-bedroom house to a two-bedroom apartment that sits on the fringe of our old neighborhood. Ally and I are still in academic schools, so we have hope, which is a rare commodity these dangerous days. Most people are a lot more damaged.

Maybe I will find a bed here when I am old, the driver says with another snort.

Turn left here, I say.

We cruise through the northeast residential district, past the white estate homes where I used to live, through a maze of tan-on-beige triplexes and brown-on-tan row houses, and into our black-on-brown apartment complex. Unit six, I say.

The driver circles the complex like a cop, slow and suspicious, passing five identical buildings before he gets to ours, the Spartan—as in the apple, not the Greeks. The apartments are memorials to fallen fruit: Liberty, Gala, Crispin, Fuji, McIntosh. This is where you live? the driver asks. He looks up, unimpressed.

The apartments reek of economy. No balconies, no roof gardens, no benches. Just right angles and solar panels and recycling bins. I used to mock the people who lived here. Now I withstand the mockery of others.

I hold out my hand to Mom. She stares at me curiously. RIG, I say. She rolls her eyes but gives me what I want. I power up, empty the trunk, drag two suitcases to the door. Thanks for the ride, I tell Abdal. Good luck.

Good luck to you too, he shouts.

Before I even cross my threshold, my neighbor, Xavier Lavigne, heads down the dirty hallway toward me. I told Mr. Reese that our history assignment is a lie, he says, and I showed him a report from the free media, but he said I have to go to a disciplinary committee hearing now. That’s Xavier’s version of hello. He speaks nonstop conspiracy theory to anyone who doesn’t walk away, and he speaks it in seventeen languages, including binary code. He gets caught every week for illegal Internet access, but only because he posts his hacked information into his essays. His brilliant brain is defective. He thinks I’m his best friend because I’m not cruel to him, just slightly mocking. Minimal standards of friendship are part of his defect. I don’t invite him in, and he doesn’t hold it against me.

"Hey, Xavier. Did you

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