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The Hummingbird: A Novel
The Hummingbird: A Novel
The Hummingbird: A Novel
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The Hummingbird: A Novel

Rating: 4 out of 5 stars

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From the author of the acclaimed debut novel The Curiosity comes an emotionally resonant tale about a woman who must take care of two wounded men – one, her soldier-husband, just home from the war in Iraq; the other, a dying World War II scholar-historian who harbors a long-buried secret.

Deborah Birch is a seasoned hospice nurse whose daily work requires courage and compassion. But her skills and experience are tested in new and dramatic ways when her easygoing husband, Michael, returns from his third deployment to Iraq haunted by nightmares, anxiety, and rage. She is determined to help him heal, and to restore the tender, loving marriage they once had.

At the same time, Deborah’s primary patient is Barclay Reed, a retired history professor and expert in the Pacific Theater of World War II whose career ended in academic scandal. Alone in the world, the embittered professor is dying. As Barclay begrudgingly comes to trust Deborah, he tells her stories from that long-ago war, which help her find a way to help her husband battle his demons.

Told with piercing empathy and heartbreaking realism, The Hummingbird is a masterful story of loving commitment, service to country, and absolution through wisdom and forgiveness.

LanguageEnglish
PublisherHarperCollins
Release dateSep 8, 2015
ISBN9780062369567
Author

Stephen P. Kiernan

Stephen P. Kiernan is the author of the novels The Curiosity, The Hummingbird, The Baker's Secret, Universe of Two, and The Glass Chateau. A graduate of Middlebury College, Johns Hopkins University, and the University of Iowa Writers' Workshop, he spent more than twenty years as a journalist, winning many award before turning to fiction writing. He has also worked nationwide on improving end of life medical care through greater use of hospice. Kiernan lives in Vermont.

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Rating: 4.2 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    A touching story written in a way that takes you right to the heart of Deb, a hospice nurse whose husband has returned from duty with a diagnosis of PTSD. Their struggles have put their lives in disarray yet Deb is determined to make it work. A new client helps her to deal with Mark in a unique way.I felt many emotions as I read through the pages of this sometimes predictable book but it ended with my feeling satisfied and pleased. I received a copy of this book free from the publisher in exchange for an honest review.
  • Rating: 5 out of 5 stars
    5/5
    The Hummingbird by Stephen P. Kiernan is an emotionally gripping very highly recommended novel with three distinct themes. It covers hospice care, PTSD, and a WWII Japanese bomber.Deborah Birch is an experienced hospice nurse in Portland, Oregon, who knows that it's not about her. She firmly believes that "every patient, no matter how sick or impoverished, gives lasting gifts to the person entrusted with his care." This is why she sweeps her thumb down the back of a wooden hummingbird that a patient carved for her before she sees a new patient. She has been called into assist retired professor Barclay Reed, an expert on the Japanese in WWII. Reed has terminal kidney cancer and no family. He is bitter and tests each new nurse - and he's had many.Deborah also believes that the measure of a vow does not lie in upholding it when things are easy, but, rather, your commitment is proven in times of difficulty. Her husband Michael is surely testing the strength of her vows. He has returned from his third deployment to Iraq a changed man. He is plagued by nightmares and anxiety. He is distant, cold, angry, and terrified. Deborah is desperate to find a way to help him recover and save their marriage.After Deborah makes a breakthrough with Professor Reed, she confides in him about the difficulties with her husband. He is sure that he knows the secret to helping Michael. Reed feels that to help Michael, first Deborah needs to understand the code of a warrior. Although Reed left his academic career amid a scandal, he has the book he was working on at his home. He has Deborah read the book aloud to him.The book is about WWII Japanese pilot Ichiro Soga, a descendant of samurais, who took off from a submarine in a light plane on a mission to bomb the forests in Oregon. Soga later atoned for the bombing. Reed is sure that the story will give Deborah the key to help Michael on the road to recovery. But, she must promise that she will decide if the story is true only after reading it and without consulting any outside sources. Between chapters of the novel is the professor's story of Soga. As the professor worsens (and perhaps Michael too), the story of Soga unfolds.Kiernan does an excellent job handling the three themes. The information and stories of past cases Deborah shares as a hospice nurse is heartbreaking, but her commitment to her work is clear; her patience is laudable. You can see her courage, care, and temperament demonstrated in her current job helping Professor Reed. Then there is Michael's PTSD and Deborah's commitment to help him. It is certainly another timely topic and a real problem that many families face. The final subject is Soga's story, which is based on a real person, Nabuo Fujita, and real historical information.The quality of Kiernan's writing is admirable. The novel flows smoothly and held my rapt attention beginning to end. But, most of all, Deborah is a wonderful, fully realized character. I like her.It's always a pleasure to read a book that gives a nod to the intelligence of the reader and that is the case here. We have three very different topics all making an appearance in this novel, and all three are interesting and worthy of a novel in their own right. The message of absolution and forgiveness is timeless and is integrated into all three storylines, albeit in different ways. The two are a part of the story, while the story of Soga is truly a story within the novel itself. It was an effective way to integrate Soga's journey into the present daily activity.Disclosure: I received an advanced reading copy of this book from the publisher and TLC for review purposes.
  • Rating: 5 out of 5 stars
    5/5
    Deborah Birch is a hospice nurse assigned to tend to Professor Reed in his final weeks or months. The Professor is known for being a bit...difficult. He's already gone through several hospice nurses, and Deborah doesn't hold out much hope that she'll last much longer. Even sweet Nurse Sara with her positive and upbeat personality only lasted three days with the Professor.So what chance does Deborah have with Professor Reed?But as it turns out, the Professor seems to have taken a liking of sorts to Nurse Birch. And at the end, he shares with her his yet unpublished final book about a little known story from WWII and a Japanese pilot by the name of Ichiro Soga.Through the sharing of his book, the Professor is helping Deborah to better understand her husband Michael, who is an ex-soldier suffering from PTSD. I really liked Nurse Deborah Birch. She is calm and level-headed and straight-forward. She is a woman of compassion and understanding, but she doesn't pull any punches.Professor Reed is cantankerous, but I actually really liked him as well. He reminded me a bit of a family friend that just passed away at 93 years of age. Presenting with biting remarks and a sharp mind that is hard to contend with, even in his advanced years, he can be a handful. (Actually now that I say that, I realize he reminds a little bit of my father, but "meaner".)I liked the author's writing. It is very easy to read, yet there is some depth to it. I was impressed with the research that must have gone into this story.My final word: I enjoyed this book. The characters were likable and fleshed out. The writing I found to be insightful and compassionate. It's an easy read, but not too easy. It includes an interesting peek into World War II, as well as hospice care and therapy, and the sufferings of our soldiers returning home with PTSD. I was a little nervous going in, but actually wound up liking the book quite a lot. I think I will be recommending this one to my book club.
  • Rating: 5 out of 5 stars
    5/5
    Excellent book. Does not sugar coat either death or war.
  • Rating: 3 out of 5 stars
    3/5
    In a Nutshell: Deborah Birch is a gifted hospice nurse experienced in guiding her patients and their families through the struggles of death and dying. Barclay Reed is a disgraced historian turned ornery old man who has summarily dismissed numerous nurses before turning to Deborah to see him through his final days. As Deborah struggles to care for the lonely, angry old man who challenges her to read the unpublished manuscript of the book that saw his career go down in flames, she also faces a challenge at home, that of her PTSD-afflicted veteran husband, Michael. As good as she is at helping those facing the hardest struggle of their lives, it may be that only an angry professor on his death bed can help her reach her husband before it’s too late.The Good: The professor’s book happens to cover a little-known piece of World War II history (spoiler alert!!!!) that is based on actual events. Though its appearance interrupted the rest of the narrative, the story was a compelling surprise to me. (Okay, that’s all with the spoilers.) Deborah’s first person narrative of her successes and struggles as a hospice nurse is a unique window on what has to be one of the most difficult yet valuable professions.The Bad: Deborah occasionally seems like a female character being written by a man, which... she is. She and her husband’s pet name for each other is “lover” and the way she lusts after her husband comes off very ...male. Also, I was consistently irritated that she was so attuned to her patients’ needs but so incredibly tone deaf to the “mood in the room” when interacting with her own husband. Some of Deborah’s experiences in hospice, are bit too textbook-y, as if Kiernan read up on a bunch of manuals about how to practically deal with death and dying and plugged them into his novel in too close to non-fiction format. The Verdict: Somehow I’ve now managed to read Stephen Kiernan’s whole catalog so far, and I can tell you that The Hummingbird is my least favorite of the three. The whole narrative seems a bit wooden at times which kept me from fully engaging with a book that should have been an emotional roller coaster. The Hummingbird has its high points, but it didn’t feel genuine enough to really reel me in.
  • Rating: 4 out of 5 stars
    4/5
    You might not think that hospice and war have much in common. But they do. Both concern death in one way or another. Even so, they are opposites on the spectrum. One's goal is to accept and die with dignity. The other's goal is the subjugate and force violent death. There is no winning a battle in hospice; the only release comes with death. In war, a soldier can survive, but the cost is high indeed. Stephen P. Kiernan's newest novel, The Hummingbird, showcases both hospice and war and the lessons to be learned from both.Deb Birch is a hospice nurse who has just been assigned to a new patient. Barclay Reed is an academic whose work was discredited due to accusations of plagiarism. His area of expertise is the Pacific theater in WWII and he's dying of kidney cancer. He's difficult and proud, a curmudgeon with everyone but he develops a grudgingly respectful relationship with Deb. Deb is very good at what she does, defusing difficult situations and finding ways for her patients to accept death with dignity. But she can't seem make this same connection with her husband. Michael is back from his third deployment in Iraq and unlike after previous tours, he doesn't appear to be healing at all from the horrors he was asked to witness and to commit. Their marriage, once so strong, is fraying under the stress. So daily Deb goes from work with a dying man to home and a husband who is dying inside. She is holding tight and trying to discover ways to walk judgment free beside her husband. Astonishingly, Barclay Reed and his unpublished manuscript about a Japanese pilot who dropped incendiaries on the Oregon forests during WWII might be giving her the tools to do just this.There are three distinct plot threads here: Deb caring for Reed, Deb and Michael's agonizing emotional distance as a result of his combat experiences, and the story of pilot warrior Ichiro Soga during and after the war. The tale of Soga inspires Deb's attempts to help Michael, which in turn offer Barclay Reed a vital lesson even in his waning days. In a few instances the lessons from one to the other are too easy. Even so, they do show us how we can learn from all human experiences, how to accept, how to forgive, and how to go forth to whatever awaits us with courage and peace. That the story of Ichiro Soga is based on a true WWII story, although fictionalized to serve this particular plot, is fascinating indeed. Deb is really the main character here though, caring as she does for the people in her life with secondary charactrs Reed and Michael adding dimensions to her as a caregiver.Kiernan has written a touching novel about healing, forgiveness, and peace. His rendering of PTSD and the ways in which we routinely fail our returning soldiers, so unprepared for regular non-combatant life, is heartbreaking and scary. Deb's job as a hospice nurse is one that has to be difficult, especially as she tiptoes around Michael, trying to reach him in ways similar to the ways she is trying to help Reed reflect back on the important things in his life. Just as these characters grapple with what and who we carry with us, out of guilt or love, throughout our lives, the reader will also carry the lessons they impart. An emotional and nicely done novel about the peace we can find in death or acceptance, this has something both for historical fiction fans and those interested in the post war lives of our soldiers.
  • Rating: 5 out of 5 stars
    5/5
    Deborah Birch, is a hospice nurse, in Portland, Oregon. She is very good at her job, but her home life is a mess. Her mechanic husband, has returned from Iraq, after serving three deployments. He is not the same man she married and he is tormented by many horrors. This may be the biggest challenge of her life.Adding to her woes, is her current patient, Barclay Reed, a retired history professor, who is a crabby, self-absorbed jerk, who is dying from kidney cancer. Their relationship deepens, as Deborah reads to him, an unfinished manuscript, that he wrote, about WWII. This sets them on a journey, of discovery, forgiveness and healing. It also sets Deborah on a path, of how to help her husband through his nightmares and demons.This novel was such a nice surprise. The writing was solid and it avoided any heavy-handedness or sappiness, that could have plagued such a story. The author handled it, with a sure and steady hand.
  • Rating: 3 out of 5 stars
    3/5
    I've also read "The Curiosity" by Mr. Kiernan and enjoyed that one very much. This one is about a friendship between a hospice nurse and her patient, a scandalized retired history professor. There's also an interesting Word War 2 story that is spread throughout the novel.The book is a little sappy in parts and I found the way characters talked and acted towards each other kind of head-scratching. But overall it's a very interesting book with a satisfying ending.If you enjoyed his last book, you'll enjoy this one.
  • Rating: 4 out of 5 stars
    4/5
    The academic life work of of a dying professor intertwines with the professor's hospice nurse's husband's war-time traumas. The author writes about a WW2 Japanese warrior and a contemporary Iraq war veteran, and how to heal, or how to start the healing of battle wounds long after the war is over.In between these war stories, the old academic is trying to make peace with his own life and the imminent end of it. Beautiful writing, kept me going.
  • Rating: 4 out of 5 stars
    4/5
    I really liked this book as it shows how people deal with dying in different ways. I especially admire anyone who can work in a hospice and can care for the critically ill on a daily basis. I thought this book could have delved a little deeper into the return of soldiers from Iraq and their reintro into society and lack of help.
  • Rating: 4 out of 5 stars
    4/5
    When the time comes -- and it does come for us all -- we should all hope for a hospice nurse as caring and committed as Deborah Finch. Perhaps Deb is not as skilled or entertaining as her flamboyantly gay colleague, Timmy. Nor as spiritual or quietly calming as Sara. But she is packed with compassion, tact, persistence and the ability to handle some of the hardest cases. The most challenging of all may be Barclay Reed, who has already run his way through Timmy and Sara. It's now left to Deb, who must call on every resource jousting with the cantankerous former professor. As if that weren't demanding enough, Deb is also at a loss as to how to support her damaged soldier husband, Michael, home from three tours in Iraq. As the novel progresses, so does the convergence of the lessons learned from one relationship to the other. Interspersed throughout is yet a third plot line involving a WWII Japanese pilot. To tell much more would involve too many spoilers. Suffice it to say, Kiernan manages to bring all three together to a satisfying conclusion. I found this beautifully written, with tremendous emotional impact. Kiernan wrote movingly and convincingly from a female perspective. Despite the subject matter, this was a lovely and ultimately hopeful meditation on how we all can tend to one another's distress.
  • Rating: 4 out of 5 stars
    4/5
    The Hummingbird is a poignant tale of war, redemption and the end stages of life. A hospice nurse, a troubled war veteran and a dying disgraced professor are compassionately portrayed, and their lives are beautifully connected. This is an unforgettable story that resonates with the struggles man faces of letting go of guilt, betrayal and of life itself.
  • Rating: 4 out of 5 stars
    4/5
    Deborah Birch is a caring hospice nurse and only wants to make things easier for the dying and their families. She is also a loving wife and has no idea how to help her husband, Michael, heal from the psychological wounds he suffers as a result of fighting in Iraq. Barclay Reed is a former college professor and dying from kidney cancer. Deborah enters at the end of Barclay's life in The Hummingbird by Stephen P. Kiernan.Deborah begins her time with each client by reviewing their records in the office and gently caressing her totem, a small wooden hummingbird. That hummingbird is a symbol and a reminder "to see the person behind the problem." Deborah has had difficult patients and difficult families to tend to in her years as a hospice nurse, but Barclay Reed is perhaps one of the most tragic. Mr. Reed, or Professor Reed as he has Deborah call him, is dying without friends or family. His 30+ year career ended in a huge scandal, so he isn't even leaving behind the legacy of his good name. To say the Professor Reed is somewhat cantankerous is a major understatement. He wants what he wants, how and when he wants it. Sadly, in his quest to get what he wants he has gone through three hospice agencies and several hospice nurses. Deborah is determined to provide him not only what he wants but what he needs. Over the course of Professor Reed's final weeks, Deborah learns more about the man and his final work that caused the scandal, The Sword. What is the lesson Deborah will learn from assisting Professor Reed?"If you think of a person, anyone, even someone you dislike, if you imagine for a moment how one day they will lose everything—family and home and pleasures and work—and people will weep and wail when they die, you cannot help it: You feel compassion for them. Your heart softens. What's more, every single human being is going to experience this same thing, without exception: Every person you love, everyone you hate, your own frivolous struggling self. It is the central lesson of hospice: Mortality is life's way of teaching us how to love." The HummingbirdYou might think a story about a soldier suffering from post traumatic stress disorder (PTSD) and a dying professor might be overly sad and morbid, but The Hummingbird is simply a darn good story. Mr. Kiernan takes the current happenings between Deborah, Professor Reed, and Deborah's husband Michael and alternates it with the story of a Japanese WWII pilot that firebombed Oregon and returned as a guest of the city years later. Michael is just as trapped by his sense of guilt over his actions as a sniper, as well as a sense of honor by serving his country as the Japanese pilot was in the past. Deborah must decide if she believes the Professor's story and if she can find something that might allow her to help her husband. I thoroughly enjoyed reading The Hummingbird and found it to be a riveting read. Seriously, I pulled an all-nighter just to finish the story and I'm way too old for all-nighters. I enjoyed the characters, the storylines, and the settings. Mr. Kiernan has a deft way of writing that pulls me into his stories with just a few pages. He deals with death, dying, and the trauma of war in a realistic yet sensitive manner. If you read The Curiosity then you'll definitely want to read The Hummingbird. If you haven't read The Curiosity, what are you waiting for . . . read it and then read The Hummingbird. I'm looking forward to reading more from Mr. Kiernan in the future.
  • Rating: 5 out of 5 stars
    5/5
    A couple of years ago, author and journalist Stephen P. Kiernan made his fiction debut with his novel The Curiosity. That book, about a man reanimated from death, showcased Kiernan's aptitude for a creative character driven story that defied the confines of traditional genres and left an indelible mark in the hearts and minds of readers. In his sophomore novel, The Hummingbird, Kiernan trades in the high concept premise of his debut for a more intimate narrative that is remarkably understated, but equally affecting.Deborah Birch is no stranger to death. As a hospice nurse, she helps people and their families to pass over with dignity, compassion, and peace. Shepherding her patients to the other side brings Deborah slices of insight about life, family, and love, all of which she relates to her own life and to those of future clients. But all of her past experiences have done little to prepare her for the challenges that she currently faces. Deborah's husband, Michael, is a war veteran who is struggling to acclimate to his life outside of the military. Three tours as a sniper in the Middle East have left him a shell of his former self and caused a rift between him and his wife. Anger issues caused from PTSD only magnify the fear and uncertainty in the couple's rocky relationship. Try as she might, Deborah can't seem to break through to the man she loves so deeply. The challenges are only intensified when Deborah enters the home of her latest patient Barcalay Reed. The former history professor is facing an incurable illness that will soon end his life. He spends his days alone in his sizable estate on the Pacific Coast, thinking back on his academic career and the disgrace that led to its demise. Ridiculous demands and an abrasive temper have made it impossible for Reed to keep a hospice nurse for more than one day at a time. As the fourth nurse from her company to attend to Reed's needs and with no surviving family to intervene, Deborah is his last hope. Slowly, a mutual trust and understanding begins to form. Reed is a bitter and jaded old man, but underneath that hardened exterior lies a fiercely intelligent man full of knowledge and wisdom about history and life. As Deborah and Reed grow closer, they begin to share about their lives. Deborah tells him of the problems with her husband, and Reed tells her of the last book he was working on. This book, about a Japanese pilot bomber in WWII, was deemed as fabricated plagiarism by Reed's colleagues and became a scandalous end to his distinguished career. As Reed approaches his final days, he has Deborah read from this book and wills her to come to her own opinion about its validity. Kiernan's quietly nuanced writing paints a breathtaking portrait of life, death, and human interaction. The novel alternates between the present day story of of Deborah and Reed with the story of the Japanese WWII pilot seeking redemption from his actions in the war. This alternating narrative device seems to be quite popular in literary fiction these days, but can sometimes make a novel disjointed and difficult to follow. Fortunately, the two stories of this book weave effortlessly with each other as the story of the past becomes a kind of metaphor for the one that is presently unfolding. Kiernan takes what could easily have been a sappy, sentimental tale and elevates it to a deeply moving experience that will stay with you long after the final page. With this poignant novel, Kiernan eclipses the success of his previous effort and reaches a maturity that cements his place as one of the top authors writing today.
  • Rating: 4 out of 5 stars
    4/5
    This was an early release book that I just received. The subject of this novel would not, at first glance, appear to have anything in common or be able to become a coherent novel. But everything meshed so well. I really didn't know what to expect and was so taken with the story I completed it in two days. I was completely unaware of the WWII story in Oregon so I always like to learn about historical events that seem to be buried. My mother was in hospice so it was an interesting retrospective as to how a nurse might feel taking care of patients in the last months of their lives. And my brother suffers from PTSD from Viet Nam but fortunately not as bad as Michael. I thought that Kiernan's writing expertly wove these themes together to make the story so relevant as to what is happening in the world today. Some readers may not care for the ending but I thought it "wrapped" up the story without being to sappy or righteous.
  • Rating: 3 out of 5 stars
    3/5
    This story follows Deborah as she's caring for her newest, prickly hospice patient, an author of an unpublished book called The Sword. The chapters are split between her story and the chapters of his book. She's also caring for her veteran husband suffering from PTSD.I have issues occasionally where a male author has a female lead. They just don't always ring true. Like when Debroah described how hard it was to watch her husband while,he lifted weights. Not because all the sweat and grunting was kind of off-putting, but because she was too intensely turned on and wouldn't be able to hold herself back. That just....ugh.The book is fine, but not amazing. I found THe Sword to be distracting and was most intrigued by the hospice story. That was incredibly interesting. I cared about the characters and was only thrown off slightly by the sometimes unrealistic portrayal of a woman.
  • Rating: 4 out of 5 stars
    4/5
    I was lucky enough to get this book through the Early Reviewer program. I picked it up last night and read it straight through way past my bed time. It's about Deborah Birch, a hospice nurse with a damaged veteran husband and a long forgotten piece of history set in World War 2. The hospice aspect was not depressing but very enlightening. The WW2 section was fascinating and based on fact. This book will be out in September. I can recommend it with out reservation.
  • Rating: 4 out of 5 stars
    4/5
    The Hummingbird is the second novel by distinguished journalist Stephen P. Kiernan. This story provides a very human, sympathetic view of a hospice provider, Deborah, and her husband who has PTSD from multiple deployments to Iraq, and her patient, a dying historian named Barclay Reed who is an expert on the World War II Pacific theater.The voice of Deborah is well-written and the hospice care descriptions in the novel were very moving and compelling. The interspersed chapters of Reed's story about a World War II Japanese reconnaissance pilot were meaningful but might be more fascinating to history readers.
  • Rating: 5 out of 5 stars
    5/5
    In The Hummingbird, Stephen Kiernan combines three separate plot threads to tell his story so seamlessly that shifts between plots are hardly noticeable. One side plot involves the problems that nurse Deborah Birch's husband is having in readjusting to civilian life after returning from his third deployment (a tour in which he served as a sniper) to Afghanistan. Another recounts Deborah's day-to-day experiences as a hospice nurse dealing with a particularly irritable and demanding patient. And the third side plot is a piece of World War II history called The Sword, written by Deborah’s irritable patient himself, a little book that she is reading aloud to him at his bedside. Taken together, the three threads tell a touchingly beautiful story that just might have happened exactly this way in a perfect world - a story with an ending that I was, of course, rooting for, but one that is, in reality, an unlikely one. But that's a minor criticism because I found myself willing to suspend my skepticism for the duration of the novel and, at the end, I felt so good about the way things worked out for Deborah Birch that I was ready to stand up and cheer. Stephen Kiernan had me all the way.Michael Birch is filled with guilt and rage and he barely communicates with his wife these days, much less touches her or allows her to touch him. Deborah knows that he is having nightmares and she fears what that combination of emotions might drive him to do. She has heard all the stories about returning veterans who suddenly explode into violence (or suicide) and she worries that Michael is capable of both. Perhaps Deborah is lucky that her new hospice patient, Barclay Reed, is proving to be such a challenging man because dealing with the retired historian demands so much concentration and creativity on her part that she has no time to worry about Michael's situation during her work day. And, as the days go by and Mr. Reed has not fired her as he did several other of his previous caretakers, she finds that both of them are enjoying all the verbal "jousting" that comprises their day together. But it is when Reed asks that she read to him from the last book he was working on before his illness that the two really begin to understand and appreciate each other.The Sword is Reed's recounting of a World War II incident that has largely been lost to time. It seems that (and this is factual, by the way) a lone Japanese submarine reached the coast of Oregon, complete with a small aircraft its crew could quickly assemble. Along for the ride was a specially trained pilot whose mission was to drop four firebombs in the Oregon forest in the hope that an uncontrollable forest fire would result - damaging American morale as much as it damaged the forest. But the real story only happened after the war when the pilot was invited back to Oregon by some of the very people involved in putting out the small fire caused by his bombing mission - starting a relationship between the him and one little Oregon town that would last for decades.So how does all of this come together? You'll have to read The Hummingbird to find out - and you will be glad that you did.
  • Rating: 5 out of 5 stars
    5/5
    Many thanks to librarything.com for the advanced uncorrected proof of The Hummingbird by Stephen P. Kiernan in return for my honest review.I generally will not read morbidly depressing stories, regardless of their literary merit. Thus, I was hesitant about reading The Hummingbird as the subject matter of the book alternated between Hospice care and the rehabilitation of an Iraqi war veteran severely damaged emotionally during his third deployment. However, this book surprised me in the very best of ways. This was a fascinating novel. I just loved it. Yes, the story was about death and the cruelties of war, but it was so well done, and despite the subject matter, was one of the most hopeful and inspiring stories that I have read in a very long time. It is a smart, thought-provoking book. The main character, suffering with her own personal family matters, was a tender and incredibly kind care-giver who dedicated her life to making terminally ill patients feel cared for and loved in their final days. There were a couple of issues though, I absolutely hated that the main character and her husband called each other "lover". It was distracting and somewhat irritating. Additionally, the main story is disrupted with excerpts from a book documenting a WWII Japanese pilot responsible for dropping incendiary bombs over the Oregon Coast, but who subsequently dedicated his life to making amends for his actions and being a symbol of peace. These excerpts initially were confusing and broke the flow of the main story, but subsequently became less distracting and even enhanced the novel. I highly recommend this book, and hope that you enjoy it as much as I did.
  • Rating: 5 out of 5 stars
    5/5
    Both excellent and unusual. To put together 3 story lines so uniquely is well, just plain wonderful .There was so much emotion left in me as the stories ended, I had to sit quietly and just feel. Powerful.Definitely a book to be read and acclaimed by many. It was a privilege to early review it.
  • Rating: 4 out of 5 stars
    4/5
    Deborah Birch is a hospice nurse who finds herself caring for and befriending a grumpy history professor as he dies of cancer. "Nurse Birch" and "Professor" resonate with one another despite the professor's sturdy defenses and stubborn self-reliance. As his vulnerability leads him down a path of accepting help, he shares an unpublished book he has written, "The Sword", which describes the failed and unacknowledged aerial attack on the Oregon coast by a Japanese pilot during WWII. Is the story true? Is it factual? Meanwhile, Deborah's husband, a three-deployment veteran of the wars in Iraq and Afghanistan, is clearly a wounded warrior with whom Deborah wishes deeply to reestablish connection. The professor's story, as well as the occasional pearls of wisdom he (sometimes inadvertently) shares with Deborah lead her to actions that provide the space for her husband's healing. A treatise on forgiveness and compassion, as well as a meditation on the meaning and power of the process of death, this novel captured my attention and held it. I rooted for Deborah as she strived to find a path into the professor's authentic self, and as she brought her authentic self to her relationship with her husband, challenging him to intentionally shed his terrors and meet her physical and emotional embrace. Two men to whom Deborah was saying: let me help you. "We live our lives on a whole planet, seeing and learning and going from place to place. But eventually there arrives a time for each of us, when our world becomes smaller: one house, one floor of that house, and near the end, one room, one little room to which our whole gigantic life has been reduced." This novel is a compassionate and poignant exploration of themes of death, forgiveness, resolution, redemption, and -- possible most important -- the healing power of human connection.
  • Rating: 5 out of 5 stars
    5/5
    I have to admit that it was the title that first drew me to this book as I love anything at all to do with hummingbirds. Although there was only a slight reference to the meaning of the title in the book, this gorgeous novel did not disappoint in any way.There are actually three stories in this book. The first deals with a very caring hospice worker, Deborah Birch, and her work with a patient, Barclay Reed, who is a professor and expert on the Pacific Theater of World War II. Deborah is assigned the tough cases and Professor Reed is certainly a tough nut to crack. Their developing relationship and journey toward the end of Professor Reed’s life is a beautiful and emotional one. The gift Deborah receives in return for her loving care is indeed a priceless one.The second story deals with Deborah’s husband, Michael. He’s a severely damaged war veteran dealing with the memories of the atrocities that he’s encountered and the ghosts that haunt him. Their story will break your heart as her husband struggles to heal and they try to piece their marriage back together.The third story is an extraordinary one about a World War II Japanese pilot who fire bombs a forest in the US and his journey towards redemption and forgiveness. It’s one that you won’t soon forget and I found it to be a very powerful lesson.I’ve read a few reviews saying that this book is sappy. I don’t like sappy books and didn’t find this one to be sappy at all. I thought it was beautifully written, moving, touching and emotional with strong insight into the human soul. The author has a true heart of a poet. I can’t wait to read his first novel, “The Curiosity”, although it sounds like a very different type of book.I won an ARC of this book through The Reading Room with the request that I give an honest review.
  • Rating: 4 out of 5 stars
    4/5
    The Hummingbird, by Stephen Kiernan is an emotionally moving novel about one woman’s search for wisdom and understanding. Barclay Reed was a history professor in the height of his career, but now retired and in hospice with cancer and under the care of Deborah Birch, his life experiences and wisdom become important players in Deborah’s quest to help her husband, Michael, who has served several times in Iraq and is struggling with his own emotions and memories forged by the ravages of war. Beautifully written, The Hummingbird transports readers to the time of World War II, and back to the present seamlessly as Kiernan shows how Deborah’s compassion for her dying patient breaks through generational and personality barriers to unlock the hope and wisdom Deborah needs to guide Michael through his own ordeal. The Hummingbird is a novel that shows how, in our moments of greatest need, we find ways to overcome obstacles. It is a truly heartwarming story of how life can be enriched even at the hour of one’s death. I would highly recommend The Hummingbird to all book discussion groups as the multilayered storylines offer a lot to digest and discuss.
  • Rating: 5 out of 5 stars
    5/5
    The story chronicles the lives of a hospice nurse caring for a cranky history scholar while coping at home with her husband and his PTSD. Very well written with no loose ends at the end! The author is well versed in history and hospice. He writes in both the male and female voice. Probably more of a woman's book but some men would enjoy it.
  • Rating: 4 out of 5 stars
    4/5
    Deborah is a hospice nurse who is currently taking care of a grouchy professor who is dying alone. She has been a hospice nurse for many years and she loves her job and the people that she takes care of and sees it as a part of life that she is honored to help her patients go through. On the home front, her husband Michael has just returned from his third tour of Iraq with severe PTSD. So while she is helping patients during the day, she is also trying to help him fight his demons during the night and trying to restore the marriage that they once had. Can the stories that the professor tells her about WWII during the day help her with her husbands problems? I found this book very difficult to put down once I started reading. I loved Deborah and the way she treated her patients. Even though the subject matter could have been very sad it was well handled and basically uplifting instead of being depressing. A must read and a great book for book clubs.
  • Rating: 4 out of 5 stars
    4/5
    The Hummingbird by Stephen P. Kiernan is a story of life and death through the eyes of a hospice nurse, Deborah Birch. There are two storylines, first the caregiver is working with a disgraced dying college professor accused of plagiarism while writing about a Japanese airman who dropped bombs on Oregon during World War II. The nurse is also dealing with her husband home from his third deployment from Afghanistan who is experiencing life threatening PTSD. Kiernan ties these storylines together beautifully as Nurse Birch gathers information on each person including the airman to help her administer help to her patient and her husband. I loved Kiernan’s The Curiosity but this book is completely different. The Curiosity is a book about a spectacle and it is fascinating. The Hummingbird offers a glimpse into the reality of dealing with damaged humans at critical times of their lives.
  • Rating: 3 out of 5 stars
    3/5
    The story of Deborah Birch, a hospice nurse married to a war veteran suffering from PTSD, is interwoven with a story written by her current patient, a curmudgeonly professor, about a Japanese pilot who launched the only mainland attack on U.S. soil during WWII. This is a light and enjoyable story. Readers will undoubtably learn something they didn't know about hospice care, Japanese culture, or war in general. My criticisms: The characterizations are a bit flat, people are a bit too good or too bad. The storyline is a bit predictable and convenient. Recommended for those looking for a "beach read."

Book preview

The Hummingbird - Stephen P. Kiernan

CHAPTER 1

ALL I KNEW at the beginning was that the first two nurses assigned to the Professor had not lasted twelve days, and now it was my turn.

When I drove to Central Office that morning to collect his medical records and case-management plan, I also checked the staffing file to see who had bailed on the old guy so quickly. Or maybe he had bailed on them.

Timmy Clamber was first, and a short stint for him was no great surprise. Sure, Timmy was the most medically skilled person on the agency’s home-care team. A lightning-fast diagnostician, he had worked for years as an EMT before deciding that hospice was his calling. But Timmy was also flamboyantly gay, his manner almost aggressively feminine. Some clients loved it: the perfect physique, the bitchy humor. Clackamas County’s wealthy women, when their time came, knew to ask for him by name. Once I was standing in the hallway and overheard him promising a client that he would not let anyone into her room at the end until he’d arranged her wig perfectly.

Darling, I will take it as a personal failure if every person who sees you does not shrivel with envy.

The woman in the bed, a sixty-nine-year-old with the wispy locks of post-chemo regrowth, gazed at Timmy with unconcealed adoration.

Obviously that style would not suit everyone. I opened the file to Timmy’s notes, the hasty scribbles of a man who hated paperwork because it took time away from providing care. The patient was Barclay Reed, white male, seventy-eight, primary diagnosis of kidney cancer, with advanced metastatic tumors in liver, right femur, and right lung.

Ouch, I said aloud. But I glanced around, and no one else had come into the cubicles yet that morning.

From the one wall of Central Office that was all windows, I saw a beautiful Monday in June, glorious sun after three days of drenching rain. Only a woman eager to get out of the house would arrive at the office this early on such a day. Someone who found work a welcome escape from difficulties at home. Someone like me.

The file said eight days, so the Professor’s decision to fire Timmy had not been immediate. Maybe it hadn’t been a culture clash at all. Whatever the reason, why the office sent Sara Schilling next was a mystery.

It’s not that I didn’t respect Sara. On the contrary, when my time comes—may it be many decades from now—I hope someone just like her is at my bedside. She was the embodiment of devotion and care. But like all saints, Sara was an innocent. I would have said that such an attitude would be impossible to sustain in our line of work. Seeing mortality confirmed on a daily basis will make a realist of anyone. But Sara had somehow managed to work in hospice for ten years and remain unmarred.

Years back I spent six months on central staff, trying to win a promotion to management by handling the necessary but dull work of resource planning. Every day of it I missed the patients and families, their pains and predicaments. Finally I quit seeking advancement and went back to doing what I loved. But in those office-bound days, Sara came in each morning humming a little tune. She’d switch on her computer, and while it booted up, she would turn to me—even if it was the tenth consecutive day of funereally depressing Oregon downpours—clasp her hands together and declare, What a beautiful day to be alive.

Sara had a pink cover for her cell phone. She decorated her cubicle with posters of cats hanging from tree limbs. At home the woman had six pet birds, named after each of the Seven Dwarves except Grumpy.

Of course there will be clients who find this sort of personality cloying. Where it matters though, in caregiving situations, Sara was more patient and comforting than I could ever hope to be.

Once I was called in to help with a difficult case, Alan, who had tumors the length of his spine. As they grew, they were cracking his vertebrae. Suffering on that order I would not wish on an enemy.

Managing Alan’s pain was challenging for Sara, which is why Central Office asked me to assist. I guess that’s my strong suit—reducing pain, I mean—which reveals more about me than I might immediately care to admit.

No surprise, Alan’s decline was driving his family into conflict. They were all loud, big people, the women bosomy and round faced, the men bearded and grim. They shouted for conversation, let their cell phones ring and ring before answering, left the TV turned up too high.

But of course the hearts of people like this break just like anyone else’s. Their father was nearing his final hour, as we were titrating morphine to see if we could mute the pain without making him unconscious. Meanwhile, we could hear everyone bickering in the living room at full volume. Someone in the kitchen slammed a drawer, and I saw Alan wince.

I’m tempted to go out there and slap sense into someone, I muttered. Whatever my skills, I was still plenty capable of running out of patience.

Sara smiled at me, her freckled face drawn in at the cheeks. I know you don’t mean that, she said. But I can see how you would feel frustrated.

Ah, the forbearance of the hospice worker, wonderful and annoying.

Sara went to the doorway, hands clasped just like at her desk in the morning, and cooed, Excuse me? Excuse me, everyone? It was like a dove flying into a den of bears; I was ready to see the feathers fly.

But she spoke so softly, everyone had to hush just to hear. I’d like to invite you all in now. He’s ready for visitors. I invite you to honor your father by joining hands around his bed. Perhaps there is a song he likes that you all might gently sing.

I could never get away with being so directive. In a crowd like that, I doubt I would even get everyone’s attention. But with Sara it worked. They rose as one and moved in her direction. Temporarily at least, she had ushered them from one stage of grief into the next. Not easy.

By the time I’d packed my gear, they were sardined into Alan’s bedroom, holding hands or draping meaty arms over each other’s brawny shoulders, and singing You Are My Sunshine in surprisingly good voices—to a man so riddled with illness the song probably felt like heaven already.

YET THE PROFESSOR’S FILE SHOWED that Sara had lasted only three days. There was no mention of the cause, nor any complaint. In my opinion that woman could charm a box of rocks for three days, and he had jettisoned her like snapping his fingers.

I flipped through the file to her notes. Sara used a fine-point pen, with tiny lettering right to the margins, so that she occupied no extra space. Barclay Reed, no surviving family, tenured professor at Portland State University, nationally recognized expert on World War II.

That explained Timmy’s short stint, anyway. I pictured some gung-ho former Marine taking one gander at his male nurse’s dangling earring and All Love Is Good Love forearm tattoo, and requesting someone else. Likewise, maybe Sara’s sweet nature, while often effective, proved too saccharine for him.

I read deeper in the file and discovered something more: We were his third home-health agency, and there were only three in the region. He had churned through both the others before coming to us. I imagined one discarded caregiver after another. Now he’d come to the end of the line. If Barclay Reed wanted hospice care, we were his last chance.

So why me next? Everyone knew Grace Farnham was the diplomat, the champion of tough cases. A dignified African American woman with divinity school courses on top of her RN, Grace had a southern baritone so oratorical she could read a list of prescriptions and it would sound like gospel. Normally if someone can’t find a satisfactory nurse, Grace is the answer to their prayers, not me.

She must have been assigned to someone actively dying, so Central Office would not pull her from the case. Nothing is harder on a family than a caregiver’s departure after weeks or months of sharing the challenging work, with a new face arriving to learn the issues and personalities just when no one has the patience left for it. One policy of our agency’s service I respected most, even though it sometimes ruined a weekend or birthday or Christmas, was its commitment to avoiding revolving doors.

After all, the medical part is just the beginning. Getting breathing comfortable and pain under control only enables the nonclinical things to take place—offering apologies, granting forgiveness, whispering prayers, expressing love. Once a patient and family have come to trust their hospice worker, they deserve to have that person help them for the whole hard ride.

Therefore, me. In addition to pain relief, I am known for sticking. For staying. For never giving up. It wasn’t true only of patients but reflected my whole life. Especially in those days, when anyone within twenty miles knew what kind of marriage I had been dealing with since Michael came home. He wasn’t a husband; he was a hand grenade.

People were sympathetic, but they sure stopped inviting us for supper. And I dropped all the healthy habits I’d developed while he was gone: the monthly book group with plenty of wine, the Sunday-evening yoga class, and once in a great while joining my girlfriends for a night of dancing to eighties hits at a club in Portland’s southwest corner. Michael’s anxiety, in that kind of crowd and noise, would register on the Richter scale.

Not that my husband was violent. But the energy he gave off—that he was suppressing an urge for violence, resisting the temptation—was somehow scarier. If he had taken up boxing, I could have relaxed, oddly enough, knowing he was expressing his grief and rage physically. If he had gone back to working out, so that I heard the clank of metal from the basement as he lifted weights till his muscles failed, and came upstairs calm and grinning from endorphins, I would have known he was on a healing path.

But there was no boxing or lifting. Only pursed lips, a furrowed brow, and a temper about the length of a firecracker’s fuse.

In my own defense, I say only that caregiving never felt like sacrifice to me. In fact, it usually made me feel so good that I believed service was its own reward. I am not suggesting there was no limit to what I could endure with Michael. But I believe the measure of a vow does not lie in saying it, or in upholding it when things are easy. The power of a promise is proven in times of difficulty, when keeping that pledge is hard. My husband was giving me ample opportunity to prove the strength of my vows.

The office clock chimed seven, which meant Sara would arrive soon. Happy to chat, dear, but not today. I arranged the papers on my desk, weighting them in place with a name plate my husband had made for me out of bumper chrome when I’d finished school: Deborah L. Birch RN MSW. My handprint stood out on the gleaming metal, so I wiped it with my sleeve.

Then I packed my car with supplies—pain meds, an oxygen tank—and returned for the paperwork. As always, the last thing I did before leaving the office was run my thumb down the back of the hummingbird.

It was my ritual. Years ago, a patient named Ryan carved the bird while he fought end-stage emphysema, always tucking it away when I made house calls. Ryan lived with the anxiety anyone would experience if they can’t get enough oxygen, so I cringe to think how much the knife work must have cost him in hours and energy. But on the last day, there it was at his bedside—with a slip of paper that read For Deb—a fine carving with a four-inch wingspan, meticulous feathered details, a tiny eye on each side of its skin-smooth head.

Was my patient saying that the Grim Reaper is beautiful? Or was he mocking death, making a last carving about speed and flight? Was the hummingbird a symbol of life’s unstoppable force, because the art will outlive the artist? I’ll never know what Ryan intended.

But it almost doesn’t matter because the carving has a strong and specific meaning to me. It is a solid reminder that every patient, no matter how sick or impoverished, gives lasting gifts to the person entrusted with his care.

If that sounds grandiose, so be it. Because I sweep my thumb down the back of that bird before each new patient, and not for good luck. I do it to remind myself that I receive something meaningful from every person. I gain much more than I give.

ON THE WAY TO THE CAR I checked Barclay Reed’s address: Lake Oswego. That was convenient. The lake sits a few miles outside Portland, not far past my house. Our house, that is, mine and Michael’s. Oswego is an interesting place. It’s clean, man-made because it’s a reservoir of some kind, and there are pleasant waterfront restaurants at one end. Pretty and friendly.

But so is the high school cheerleading captain, until you cross her. Lake Oswego is actually a closed place. Every inch of lakeshore has a home on it. They’re not mansions, in general, more like small works of architectural art. And there is no fence to keep people out. It’s more subtle than that: no boardwalk, no beach, no shady cove with public access. Any open lawn is adorned with a TRESPASSERS WILL BE PROSECUTED sign. Lake Oswego is a perfect little body of water, and perfectly private.

So even though I’d enjoyed a sunset margarita on the restaurant decks, and strolled the farmer’s market on summer Saturdays, I had never dipped one toe in that water. The patient’s address left no doubt about where his house stood: South Shore Boulevard. With a little luck, Mr. Barclay Reed had a dock. With lots of luck, he liked swimmers.

Since I was ahead of schedule, I indulged in a little detour past Michael’s shop. I suspect people still think of auto repair as the oil-stained grease-monkey work it was a generation ago. There’s plenty of that, sure. But Michael’s operation is totally high tech. The first thing he does when a customer drives in is attach the car to a computer. There are still girlie calendars hanging in the parts department. But instead of vocational school, his mechanics have engineering degrees. Instead of Muzak, there is public radio. The coffee is free, local, and delicious.

This approach has won him high-end customers in droves. Sure enough, as I passed that morning, three gleaming Ferraris stood in a row in the parking lot—green, white, and red like the flag of Italy.

Better still, Michael’s truck was parked beside the air pump. Just seeing it there untied a knot in my belly. So he was awake, and on the job. During Michael’s tours, his cousin Gary moved down from Seattle to manage the shop, organizing the finances maybe a little too well. He offered to stay on as long as Michael needed. So the returning soldier had not felt much pressure to dive right back into his old line of work.

He seemed more content to sit at the kitchen table, filling page after page with scribbled faces. Thirty-one of them, and he’d done enough drawing that I recognized a few: one with mouse ears, one in shades, one with a scribble at his side. Whoever those faces were, he wasn’t telling his wife.

But there was his rig, a tricked-out F-250 he had painted speeding-ticket red. I didn’t need to stop in, or say hi. And Michael didn’t need to know I was checking on him. I had all the reassurance I needed.

Every day he went to work was a step toward normalcy. Count that as one morning in the plus column. Now it was approaching eight o’clock. I turned up the radio and sped north to Lake Oswego.

WHAT DID IT FEEL LIKE to meet a new client? When I’d first finished my masters at Portland State, it was all anxiety: Am I worthy? Do I know enough? What if I screw up? But that line of thought rarely happened anymore. I now understood that I was completely unworthy, did not know nearly enough, and could be totally depended upon to screw up. What mattered was my intention. This job was not about Deborah Birch being perfect, because it was not about Deborah Birch at all. What a concept. How helpfully humbling.

And of course what I felt before a new client wasn’t excitement. Even the most engaging and interesting patients, when they turn to an agency like ours, are entrusting us with their mortality. It’s not like we’re tour guides. Or if we are, the sights are rarely pretty and the destination is some place completely unknown.

So the feeling before meeting for the first time is solemn, I guess, with a kind of confidence in competence. Almost like a bricklayer: This is hard work and I know how to do it. I’ll do the best I can and not stop till the job is done, brick by brick by brick.

The house sat on the lake side of the road, a ranch with cedar siding and white trim. Outside I saw the Beetle belonging to Cheryl, a longtime volunteer. Her husband took three years to die of ALS, nurses from our agency holding her hand every agonizing step. The process left Cheryl nearly bankrupt. Afterward, instead of indulging in bitterness, she became a volunteer and was soon our very best. Barclay Reed was lucky to have her.

The gardens were manicured, tidy almost to a fault. One leaf sat on the walkway, dry and curled; otherwise the place was spotless. I nearly bent to pick up that leaf. I was starting the shift into professional mode.

Before I’d rung the bell, Cheryl opened the front door. A squat woman wearing a red dress with pink polka dots, plus purple cat’s-eye glasses, she greeted me with a quick hug.

How’s everything going here this morning?

She looked at me over the top of her glasses. Deborah, you are about to have your hands full.

That’s nothing new, I said.

You’ll see. This patient’s a prize. She gathered her things into a giant white handbag, pecking my cheek on the way out.

Is the new one here yet? a voice yelled from inside the house. Has the latest victim arrived?

I glanced after Cheryl, who was climbing into her bug without a flicker of interest backward. Good morning, Mr. Reed. I’ll be right with you.

I haven’t got all day, he bellowed. I am dying in here, you know.

You sound pretty healthy to me, I thought, then stuffed it away. For many people, appearances of strength are the last thing they want to surrender. I followed the sound of his voice to a half-open door, on which I knocked.

Dispense with the formalities, would you please? he barked. You’ll be wiping my bottom soon enough.

And just like that, I had his number. I’d dealt with tyrants before. Often they turned out to be the ones who were most frightened. Fortunately, worry is a treatable condition. I might be able to help him.

I pushed the door open. The room smelled of old newspapers. The man on the bed had burst capillaries on his cheekbones like upside-down tree roots. His shock of white hair stood straight up. He appeared thin but not skeletal, with the distended stomach common to liver involvement.

Cheryl had left him propped up, a rolling tray to one side that held water and a newspaper, with a cluster of remote controls in his lap. Among them there was, I noticed, no telephone.

A woman, he exclaimed, rolling his eyes. Yet another woman.

Good morning, Mr. Reed. My name—

Doctor Reed, if you please. Or Professor Reed, ideally. What are your credentials, may I inquire?

Oh. Well, I’m a registered nurse with a graduate degree in social work.

My, my. And your last name?

Birch. Deborah Bir—

I shall call you Nurse Birch. Did you know that I have already eaten sixteen bananas today? What do you make of that?

For someone so sick, he certainly had spark. There was a forward set to his jaw, too, a ferocity, that made me like him. He was not going to go gently, and I admired his spirit. I don’t know. Sixteen seems like a lot of bananas. Should I make something of it?

Weak evasion, Nurse Birch. But the question, he pointed a bony finger, the central question is whether or not you believe me.

Does it matter?

Whether or not you believe me? It is the only thing that matters.

Then I do not believe you.

He folded his hands in his lap. Your reasoning?

A perfectly healthy person would have a hard time eating more than five or six. And someone of your age and intelligence would know better than to upset his stomach needlessly. I smiled at him. You did not eat sixteen bananas today.

He leveled his gaze at me. Are you calling me a liar, Nurse Birch, you there with your smug little Cheshire Cat grin?

I am calling you a tester, Professor Reed. You are testing me, and I am answering you directly and honestly. So now: How many bananas have you eaten today?

He peered down at his collection of remotes, stirring them absently. I have always detested bananas. I can’t abide them. The preferred fruit of baboons, after all.

Well, if I’m counting correctly then, Professor Reed, the number of bananas you did not eat today is exactly sixteen.

He drew himself up at that, giving me a long appraising glare. You, he said at last, crossing his arms on his chest. You may take my blood pressure.

TO SAILORS IN WARTIME there is but one deity, and he has a single manifestation: weather.

In July of 1588, the English navy defeated the superior Spanish Armada with the assistance of severe storms off the coast of Ireland. Weather wrecked twenty-four of King Philip II’s mighty one-hundred-and-thirty-ship fleet, ending Spain’s reign of the oceans and establishing England as a global naval power.

Likewise, Benedict Arnold capitalized on weather in October of 1776 to thwart the British navy on Lake Champlain. Outmanned and outgunned, Arnold sailed through a dense fog and escaped during the night. Eventually he grounded his ships, setting them ablaze to prevent the English forces from capturing even one. It is not difficult to imagine the glow of burning timbers, reflected off the water and refracted by fog, visible for miles—a torch to alert King George III to the colonists’ determination to win themselves liberty.

In September of 1942, for the crew aboard the I-25 submarine off the coast of Oregon, weather stood between them and their mission as solidly as a fortress’s battlements. Weather tested their stamina. Weather called into question if they would ever make it home.

Home. The dream of all sailors, of all times and races. The crew of the I-25 was no exception. But these were not American seamen, patrolling U.S. waters in a defensive posture with weekend passes waiting on shore. Home for the crew of the I-25 lay more than 4,800 miles away, in the Land of the Rising Sun.

The sub had orders from Japan’s Imperial Naval Command to conduct a surprise assault against the United States, and the weather was not cooperating. But the ship’s leader was a patient man. Lieutenant Commander Meiji Tagami, a graduate of the prestigious naval academy in Hiroshima, had captained the submarine since it had gone into service in November of 1941. The attack his orders called for was no Pearl Harbor. Given that the purpose was to incite widespread public distress, one might call it terrorism.

Thus far, however, the mission consisted of waiting. All that Labor Day weekend, the skies hung shrouded with clouds. Wind drove the waves to swells of ten feet or more. Rain poured relentlessly like a melancholy mood. Meanwhile the crew, ninety-four strong—plus one special passenger and his volatile cargo—had a perilous task to perform. It would require surfacing in daylight. It would call for prolonged vulnerability to American defenses. It would depend entirely on that one passenger, and he not even a seaman.

Beneath the waves an ocean is calm, without the churning that characterizes the surface. Thus there remained no point in leaving the undersea; rough waves on top would pound the sub broadside. No sailor could keep a foothold on the decks.

Moreover, the emperor’s strategy required clear skies. While some sailors believed His Majesty Hirohito possessed divine powers, so far none had seen his commands flatten the waves. It also did not matter how skilled or courageous that special passenger might be. Without weather as an ally, the mission would fail.

Nonetheless, the essence of the matter is this: In the autumn of 1942, the Japanese navy attacked the mainland of the United States. The plan was to set the forests of the Pacific Northwest on fire.

The U.S. Department of War, in keeping with information-suppression policies later propagandized as Loose Lips Sink Ships, prevented the populace from learning much about that mission. Today the record is public, but few Americans know what happened.

Yet the events, and their repercussions, warrant examination now because they contain illuminating instruction about the nature of warfare and the challenge of peace. They offer useful instruction to our troubled present time. An age later, they deserve the light of day.

CHAPTER 2

I WISH I COULD SAY I had won him with that first exchange. But then he refused to be bathed. The remotes controlled two televisions, both of which had satellite service and video players attached, but everything he tried to watch that day wound up boring him. He experienced some confusion in the afternoon. And when I tried to help by offering him applesauce, he slapped the bowl across the room.

It happened to spray on a bookshelf. It’s my job to be observant, especially on early visits, but I was just annoyed enough with the clean-up task, it wasn’t until I finished that I focused on the actual books. The author’s name was clearly visible on spine after spine: Barclay Reed, PhD.

I was still kneeling, paper towels in hand, and I bent closer. The publishers were all university presses, so I presumed these were scholarly works. But the titles hooked me even so:

Dying of Thirst: The Role of Oil Supplies in the Japanese Defeat

Lost Words: How Inaccurate Cable Translation Led to Pearl Harbor

Begging to Surrender: Japanese Peace Overtures in Early 1945

Wow. What a mind this man must have. What a body of knowledge. And what a contrary way of thinking.

I straightened with a mouthful of questions, but the Professor had fallen asleep. His head lolled to the side, mouth slightly open, though one hand still clutched a remote. I stood there, watching his chest rise and fall. The moment was a pre-vision, of course, my first glimpse of how I would see him last. How small a thing a human being is, really. How brief.

I hoped he wouldn’t fire me like he did the others. He’d won my heart already, the crusty coot.

While he slept, I tiptoed into the kitchen. Now I had a few minutes to collect the man’s back story.

The kitchen could have been an operating room, it was so spotless and spare. I prefer soup on the stove and bread in the oven, a rolling pin on the counter with flour stuck to it. A messy kitchen signals a full life.

But this room’s sparseness did not feel like impoverishment. Rather, it indicated a fastidious attention to order, not unlike the manicured gardens. I opened the refrigerator: one mustard jar, half a stick of butter. Otherwise the inside was as empty as if the fridge had just arrived from the store.

Some might call it snooping. But part of my job

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