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Unraveling Oliver: A Novel
Unraveling Oliver: A Novel
Unraveling Oliver: A Novel
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Unraveling Oliver: A Novel

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“Searing, searching, finally scorching. Think Making a Murderer via Patricia Highsmith: an elegant kaleidoscope novel that refines and combines multiple perspectives until its subject is brought into indelible, tragic focus.” —A. J. Finn, #1 New York Times bestselling author of The Woman in the Window

“Pitch-black and superbly written.” —Ruth Ware, New York Times bestselling author of The Woman in Cabin 10

“Top-notch grip lit…incredibly brilliant.” —Marian Keyes, New York Times bestselling author

Oliver Ryan has the perfect life. Elegant and seductive, he wants for nothing, sharing a lovely home with his steadfast wife, Alice, who illustrates the award-winning children’s books that have brought him wealth and fame. Until one evening, after eating the dinner Alice has carefully prepared, Oliver savagely assaults her and leaves her for dead.

But why?

The people who know Oliver can only speculate about the reasons behind his brutal act: his empty-headed mistress Moya, vain and petulant; Veronique, the French chatelaine who tragically lost everything the summer she employed him in her vineyard; Alice’s friend Barney, who has nursed an unrequited love for her since childhood; Oliver’s college pal Michael, struggling with voiceless longings that have shamed him for years. What none of them understands is the dark secret that lies behind his immaculate façade.

The revelations that come to light as the layers of Oliver’s past are peeled away are as brutal as his singular act of violence. His decades of careful deception have masked a life irrevocably marked by abandonment, envy, and shame—and as the details of that life are laid bare, Oliver discovers that outrunning his demons is harder than it looks.

With its insight into the mind of a psychopath emerging from the wreckage of his own misbegotten past, Unraveling Oliver is a chilling page-turner, brilliantly crafted and unexpectedly moving, by a stunning new voice in fiction. Liz Nugent "presents a fresh look at a man hiding his violent personality in this intense character study" (Publishers Weekly, starred review). As powerful as Patricia Highsmith’s unforgettable noir classic, The Talented Mr. Ripley, Unraveling Oliver will enthrall you from its mesmerizing opening line to its equally shocking last page.
LanguageEnglish
Release dateAug 22, 2017
ISBN9781501167768
Author

Liz Nugent

Liz Nugent has worked in Irish film, theater, and television for most of her adult life. She is an award-winning writer of radio and television drama and has written critically acclaimed short stories both for children and adults, as well as the bestselling novels Unraveling Oliver, Lying in Wait, and Little Cruelties. She lives in Dublin and has won four Irish Book Awards, as well as the James Joyce Medal for Literature. Visit her at LizNugent.com or follow her on Twitter at @LizzieNugent.

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Rating: 3.7718893124423962 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    How well do you really know anyone? Would you know if your friend... your co-worker or your husband was secretly a sociopath? Liz Nugent has woven a story that will leave you pondering those questions. The first line of the book and the cover sold me on reading it. I wasn't as impressed with it as I thought I would be and that was a bit of a disappointment but it did have some good twists on the plot. I just wish that it hadn't reviewed the back life of every character in the book and taken so long to get there.
  • Rating: 2 out of 5 stars
    2/5
    This is not a psychological thriller and if you are expecting one, you will be sorely disappointed. This story is all about character development - and I think the author is pretty clear about that from the description that was given. As mentioned by the blurb, the story is told from multiple perspectives - friends, neighbours, acquaintances, and Oliver all give their impressions. I think the problem with this novel was that the most interesting part of it was that first line. The story just didn't have the juiciness I was expecting. The author puts in a lot of effort to make the reader understand Oliver's character, and to a certain degree, I think there is success. There were times when I really did feel sorry for him and what he has gone through. However, there just seemed this disconnect between the power of that initial line in the story and the events and perspectives that followed it. I also really didn't care for the other perspectives. They were really just boring, and the only person I really cared about was Oliver. In the end, this novel just wasn't unique or interesting enough for my liking. For those reasons, I'm giving this a 2/5 stars.

    I received this novel as an advance copy from NetGalley in exchange for an honest review.
  • Rating: 4 out of 5 stars
    4/5
    Found Unraveling Oliver by Liz Nugent to be addictive reading, even though I'm getting tired of this kind of psychological fiction where the reader doesn't find out what happened in the past until the end but events of the past are constantly referred to throughout the course of the novel.
  • Rating: 4 out of 5 stars
    4/5
    Oliver, a self-centered man with few feelings for anyone else, was one hell of a bad guy.However, can you blame him? He was sent to boarding school when he was six by a father who gave him no paternal support and left him with the knowledge that his mother was a prostitute. His father never visited or communicated with him in any way other than to exact the sheer amount of hatred he felt for his son.When Oliver beats his wife of several decades, years later, and puts her into a coma, the book goes back and takes a look at Oliver's life. Told from many viewpoints, including the priest who ran the school, and none from his real father, it tells a very eye opening story.I could not believe some of the thoughts and actions of this man. And I can say, I was hooked from the very beginning. How can someone be this mean? Can I really feel sorry for him? Was this nature or nurture?A story that I found I could not put down as the real reason Oliver slapped Alice is not revealed until the end. A story that I just had to get to the bottom of this guy.Thanks to Gallery, Threshold, Pocket Books, Scott Press and Net Galley for providing me with a free e-galley in exchange for an honest, unbiased review.
  • Rating: 4 out of 5 stars
    4/5
    A very quick and enjoyable read - only took me 5 train journeys! I'm not sure how memorable this will prove to be but is certainly entertaining. Although I didn't find it hard to remember who the different characters were, there was little variation in tone as the story shifted between different perspectives.
  • Rating: 4 out of 5 stars
    4/5
    Oliver Ryan is an author who one day, out of the blue, beats his wife, Alice, into a coma. The book is told from different viewpoints, including Oliver's, as we unravel what led up to what seemed like a very unexpected attack. This is a really cleverly plotted book, as it all unfolds gradually, leading up to a moment of realisation when it becomes clear why Oliver has reacted the way he has. It took a little getting into as I got used to each voice but it didn't take too long before I was engrossed in what is quite a short read. A very good psychological story and I hope Liz Nugent writes more of the same.
  • Rating: 4 out of 5 stars
    4/5
    Familiarity certainly breeds contempt in Oliver, and as shocking as his explosion of violence towards his long suffering wife is, equally shocking is his nonchalance, lack of remorse, and absence of conscience. He is sorry, but only that he lost control.How much of this is nurture, how much nature, is left for us to decide as the author sits us in the psychoanalyst's chair to explore his past and present, through Oliver's eyes as well as those of various associates, delving into a detached, horribly frustrated childhood and complex adult relationships, with a seemingly normal marriage and successful career hiding convoluted external arrangements and affairs, and of course a secret which could bring his carefully constructed house down.That he leaves his wife in a coma is interesting as the author could just as easily had her die, yet the coma means she remains a live presence that he still can't shake from his hatred and resentment, and there is sadness in the clear understanding that he never loved her, even hated her, despite and maybe even because of her devotion to him, yet manipulated and controlled her as a useful prop, as with everything and everyone around him.What would the neighbours think of his violence? Oliver really couldn't care less, but reveal a secret which would publicly expose him as a plagiarist and a charlatan, well that's worth killing for.
  • Rating: 5 out of 5 stars
    5/5
    This was such a well thought out book---with so many points of view crossing each other with their differences which the reader gets to watch--seeing what they miss about events. Very cleverly developed - things kept happening that I wasn't expecting and that was....great!
  • Rating: 5 out of 5 stars
    5/5
    Thank you to Simon & Schuster and NetGalley for providing me with an e-copy of Unraveling Oliver by Liz Nugent in exchange for an honest review. The story begins with Oliver Ryan, a best-selling children's author, violently beating his wife, who is also the illustrator of his books. From that point on, the novel goes back in time. Each chapter is narrated by a different person, each involved in the life of Oliver. Unraveling Oliver peels back the layers of Oliver's life, leading up to the domestic violence, revealing how his life brought him to sink to such a level.. I highly recommend this book, especially if you like reading psychological suspense. There is much to enjoy here. A captivating read.
  • Rating: 4 out of 5 stars
    4/5
    I received a complimentary copy from Goodreads' FirstReads in exchange for a review.From outward appearances, they seemed to be a golden couple living the perfect life. Oliver Ryan was a handsome and charismatic best-selling author of children's books and Alice, his loving wife, the gifted illustrator of his books. Then, one evening, the unthinkable happened. So begins this compelling psychological thriller.I enjoyed this debut novel. I was drawn in from the very first line, "I expected more of a reaction the first time I hit her." The writing style is very readable. Also, chapters are short and written from the alternating perspectives of the main characters, which really helps in getting to know them.The title of this novel is apt. It starts with a climax and then the story and Oliver's character "unravels" as his family, friends, and acquaintances give their take on him and the turn of events.
  • Rating: 5 out of 5 stars
    5/5
    This is one of the best books I have read for a very long time.This book is set in Ireland and France told by several peoples point of view. Oliver is a successful writer and one day he snaps and beats up his wife.This is the story of how Oliver became the person he is.As the reader you go from hating him to feeling sorry for him, book is well written with a twist at the end.Twist for meIt is Oliver's daughter but he doesn't want to tell her as he wants to protect her.
  • Rating: 5 out of 5 stars
    5/5
    I don't know if Oliver was insane or just delusional but this book I most say it was the best story as yet that I have had the privilege of reading and could not put down for a second you just had to read on until the end and so I will say loved this wonderful book characters well thought out and wonderful story lines as well excellent book and my heart felt thanks to the author Liz Nugent for the privilege of reading one of her books so with all that said keep smiling and happy reading to all with love from wee me. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
  • Rating: 3 out of 5 stars
    3/5
    'Unraveling Oliver' is a good, not great start for new novelist Liz Nugent. In it, Oliver, a youngish childrens' book author, inexplicably punches and later assaults his mousy wife, leaving her for dead. This happens very early in the book, which then transitions into chapters written in the voices of his acquaintances, relatives, lovers, ex-schoolmates, neighbors, and others whose lives he touched, for better or worse. It's an interesting approach.Enough breadcrumbs are dropped throughout the chapters to allow for an educated guess on where it's all heading. Oliver isn't quite the man people think he is, or even the man he himself thinks he is. He's worse. I like the fact that the author took her time painting the picture of this guy so that readers kept an open mind as more of his personal history and personality were revealed. The "unraveling" in the title definitely has a couple different meanings.The writing was decent, the plot and construction of the book were very good, but the ending wasn't very satisfying.
  • Rating: 4 out of 5 stars
    4/5
    3.5 Finished this yesterday and have thought about it on and off since then. The opening is such a grabber, an act of violence seemingly out of the blue, but in intimate situations things seldom work that way. So what caused this, what led up to this? We hear from the many people influenced by the life of Oliver, the people closest to him, the people who knew him in various stages of his life. What makes a man who could act so violently.Makes one think. I felt different ways about Oliver, in different time frames, I actually felt sorry for him for much of this book. Still not sure how I ended up feeling about him by the end, dislike, tinged with pity and an understanding of how he came to be what he was. Not that it excuses anything, he was still the cause of some horrific damage.A good psychological study that will give one much to think about and discuss. Quite good for a first novel and I look forward to her next.
  • Rating: 4 out of 5 stars
    4/5
    "It was a very dark tale about neglect, abandonment, grief and lost children."A compelling whydunnit which opens with an internationally successful children's author beating his illustrator wife into a coma. Through half a dozen voices who have encountered him over the years (not friends, "Friends are just people who remind you of your failings"), Oliver's life is deftly revealed to give understanding to, though certainly not justification for, his actions.
  • Rating: 3 out of 5 stars
    3/5
    Oliver Ryan has it all, nice house, devoted wife and a glittering career as an author. With Alice his wife as the illustrator, he has created a series of children’s books that have captivated the world. He has had film deals, awards, and accolades galore as well as a comfortable life. After Alice is found on her dining room floor beaten into a coma, that way of life is about to come to an abrupt end because Oliver has a secret that no one knows, a secret that he will go to almost any length to protect.

    As Alice remains in intensive care, people look for the motives behind Oliver’s actions. Shocked friends and family begin to untangle his past life, the extramarital affairs, the deceptions behind his school days and his writing profession. They realise that the Oliver they thought they knew is utterly different to the one that they find before themselves now.

    This is quite a short, sharp ‘why done it’ that is as unsettling as it is shocking at the beginning. I liked the way Nugent used the different people’s perspectives as Oliver’s past was unravelled before our eyes. There were no surprising twists, just the moment where a chance holiday brought the plot full circle, and you had that Ah! moment. Neatly done.
  • Rating: 4 out of 5 stars
    4/5
    Multiples narratives try to understand why Oliver would brutally attach his wife one evening after dinner. It takes many points of view to assemble the whole of Oliver. A fascinating character study.
  • Rating: 4 out of 5 stars
    4/5
    A special thank you to NetGalley and Simon & Schuster Canada for an ARC in exchange for an honest review.Liz Nugent's dark and compelling thriller opens with the perfect hook: "I expected more of a reaction the first time I hit her." Told from multiple points, Nugent's debut is a chilling exploration into the nature of evil. Oliver Ryan is a handsome, charismatic, and successful children's author. He is married to Alice, who illustrates his award-winning books. She is a devoted wife, and their life is one of envy and privilege until one evening, Oliver knocks her into unconsciousness and beats her into a coma hovering between life and death. Those who know the couple are shocked and are trying to understand what could have driven Oliver to attack his wife so savagely. With each chapter, the story unfolds, and the layers of Oliver's character are peeled away to reveal his manipulation, deception, and shame.Nugent has a fresh approach to this genre—there is no question of whodunit, and there is no doubt as to what the crime was. Instead she takes the reader on a ride to figure out what could have driven someone to commit such a horrific act. For a debut, this is a solid effort, and I can't wait to see what Nugent writes next.
  • Rating: 4 out of 5 stars
    4/5
    Unraveling Oliver by Liz Nugent is a 2017 Scout Press publication.This is one of those books I’ve been meaning to read for years. I’ve bumped to the top of the heap several times, but it always slipped back down again. Now that it has reached my new five-year cut off mark, I had to either read it or delete it. I didn’t even have to think about it- there was no way I was going to delete this one. This book starts off with a startling pronouncement and hooks one into the story right away. Employing several points of view and cover a few different timelines, the story is about a man who was shunned by his father but made a profound bond with a family in France. Later, he marries Alice and becomes a famous author. But then he perpetrates an incredible act of violence upon Alice, causing his story to finally unravel- while Oliver himself chimes in to tell his side of the story.This must be my month for character studies. While categorized as a thriller, the story has no guessing games, no clever twists, or chills and thrills. In fact, it is a no frills show from start to finish. This didn't stymie my interest, though, as the book is easy to read and hard to put aside. Is Oliver’s narrative reliable? Would his life be different if he had been raised differently? Was he born a sociopath or did her descend into the definition of evil through the events that lead up to his act of violence against his wife? For such a short novel, there is a lot to unpack. The approach the author takes, though, is perhaps a bit too spare. The contributing characters are nearly as staid as Oliver in his matter-of-fact narrative, which prevents the reader form becoming emotionally engaged, though this method does sharpen the absence of Alice's voice. The revelations are well-timed, and the story is thought-provoking, but not quite what I was anticipating. I’m still glad I finally got around to reading this book, though. I wasn't as impressed as most people were, but the novel did pack a good punch, I must admit. Overall, a solid enough crime novel, but an even better character study! 3.5 stars
  • Rating: 2 out of 5 stars
    2/5
    I won a copy of this book from Goodreads.I’m not exactly sure how I feel about this book. I didn’t really like it but for some reason I couldn’t stop reading it. I just couldn’t put it down even though I didn’t really like any of the characters or care about what was going to happen. I guess that means I liked the writing? Also Eugene. I did like Eugene, so I suppose I liked one character.There was nothing really shocking or surprising about this novel. I pretty much seen everything coming. I was very underwhelmed and a bit disappointed. I may try something else by Liz Nugent since I liked the writing in this one. Maybe this story just wasn’t for me.
  • Rating: 5 out of 5 stars
    5/5
    The book, just as the title leads you to suspect, is about Oliver “unraveling”, coming unglued, losing it. Whatever you’d like to call it. The book is told from alternating perspectives and it bounces from past to present. At first I had to really try and make sure I kept everyone straight, even had to flip back a chapter or two once or twice to refresh my mind but this all sorts itself out fairly quickly.I enjoyed the story, thought it was told well.
  • Rating: 4 out of 5 stars
    4/5
    This book is an unusual crime-related novel in that we know from the beginning who committed the crime and what occurred: Oliver has beaten his wife into a coma. There are no detectives, police investigation, evidence collection, or a trial. Instead, it is a psychological portrait of a sociopath. Oliver and seven of his friends, neighbors, and acquaintances reveal his background, history, family issues, and other personal details, which ultimately resulted in his abuse of his wife. The hook lies in gradually revealing fragments of the story that describe Oliver’s behavior over time. Each narrator provides another piece of the puzzle, and keeps the reader turning the pages to find out more.

    The author does an admirable job of writing the eight first-person accounts using different voices. The writing is straight-forward, and the overall tone is sad and tragic. The characters are well-formed but be forewarned that the protagonist is extremely unpleasant, and his narrative contains statements of questionable accuracy and outright lies. Even though I do not read much crime fiction, I found myself applauding the author for constructing the story in such an engrossing manner. Unraveling Oliver is the author’s debut. It won the Crime Fiction prize in the 2014 Irish Book Awards.
  • Rating: 2 out of 5 stars
    2/5
    The opening line - “I expected more of a reaction the first time I hit her.” - is one of the best and will probably be one of the most talked about opening lines in fiction this year. Unfortunately, for me, the story's execution did not live up to that opening line. We meet Oliver in the first chapter as he tells us, in an analytical way, what he has just done to his wife, Alice. This chapter packs a punch. I immediately wanted to know more about Oliver and Alice. I wanted to understand their relationship and see the escalation leading to this event. I sort of got that, eventually, in a round about way. The second chapter is someone else's POV. Then yet another person. And so on. We have a whole lot of viewpoint characters, with their narrations all in first person. The bulk of these chapters takes us away from the immediacy of the story, and often away from Oliver. For instance, we meet one woman who plays a small but significant role in the outcome, but her narrating chapters are often long and personal to her, not Oliver or even Alice. We meet the woman's father when he was a young man, and we go through her childhood, all with far more detail than necessary. We don't get back to the present until late in the book, when the pieces finally start coming together and we see how Oliver's choices led him to where he was at the story's opening. But the great revelation had several problems for me. First, it was easy to figure out where the whole thing was going, so I already knew the twist. The rest is impossible to talk about without giving spoilers. I'll just say that, given Oliver's notoriety, the other person involved would have had to live in a cave to miss the sensation surrounding him. And Alice had to be the least curious, biggest doormat of a wife I've ever come across.And that leads me to another issue I had. We get very little sense of Alice as a person. We spend time with Oliver's ex-girlfriend, getting to know her well. We spend time with Alice's ex-boyfriend, though we learn far more about him than we do about Alice. We spend time with a man who hadn't seen Oliver in decades. We spend time with Oliver's ex-girlfriend's brother. Yet Alice does not have a narrating part, which I think is unfortunate. Yes, she is in a coma in the present timeline, but most of the story and the narrating parts occur in the past. Alice feels like a meek shadow throughout. I have no idea how she felt about her husband. Did she really love him? Did she suspect him of being a sociopath? Her viewpoint would have added tremendous depth and insight. So, in the end, I was as uninspired as Alice's character. Like Oliver, I expected more of a reaction.*I received an advance ebook copy from the publisher, via NetGalley, in exchange for my honest review.*
  • Rating: 3 out of 5 stars
    3/5
    When a novel opens with the line: I expected more of a reaction the first time I hit her, you know the author is banking on shock and surprise to keep your attention. It can be a mistake if the rest of the novel falls flat, but in the case of Unraveling Oliver, author Liz Nugent never slows down. Oliver is a world famous children’s book author and Alice is his docile and loving wife. She also illustrates his books. As shown by the first line, he hits her. Not too far into the novel he has beaten her into a coma, leaving everyone around them to wonder what could have provoked him into such a rage?From this brutal beginning Nugent begins the process of, yes…unraveling Oliver. She goes back to his lonely, painful childhood and how he translated that childhood into a beloved series of children’s books. While the many twists and turns of Oliver’s life stretch the fabric of Unraveling Oliver a little thin, it is still a good fall thriller read.
  • Rating: 4 out of 5 stars
    4/5
    Really interesting and well written story decomposing the central "evilness" of Oliver, built up from the point of view musings of many participant characters. Very good read.
  • Rating: 4 out of 5 stars
    4/5
    In Unraveling Oliver by Liz Nugent, Oliver Ryan's inexplicable act of violence against his wife of more than twenty years is explored through the eyes of their acquaintances and Oliver.

    Oliver Ryan is a well-liked author of children's books that his wife Alice illustrates. She is devoted to her husband, quiet and unassuming whereas he revels in the attention he receives due to his successful career. Oliver is a bit of a  mystery even to his closest friends and acquaintances but with each subsequent chapter, a chilling portrait begins to emerge.

    Initially, Oliver comes across as a very sympathetic character due to his heartrending past.  His relationship with his father is quite complex and continues to haunt him well into adulthood. Oliver suffers a few tragic losses that leave him with emotional scars that he never quite recovers from.  On the surface, his life is picture perfect.  His children's books have become a franchise that extends well beyond the publishing world. Alice is devoted to him and although her illustrations are a huge part of his success, she would never dream of encroaching on his limelight. However, underneath Oliver's charming, charismatic facade, He is devious, sly and extremely self-centered as he ruthlessly manipulates people and events to suit him.

    Written from several different points of view,  Unraveling Oliver is a captivating character study that raises some very intriguing questions. Oliver is certainly quite intriguing but there is much more to his character than originally meets the eye.  Liz Nugent carefully conceals the motive for Oliver's attack on Alice until the novel's twist-filled, somewhat shocking conclusion. An excellent debut that mystery lovers are going to enjoy.
  • Rating: 5 out of 5 stars
    5/5
    Dark and despairingOliver Ryan, known as Vincent Dax, successful Children's writer, all but abondoned child, grows up in a boarding school with no love and no friends, until he meets Michael Condell and his sister Laura.Who Oliver really is is unveiled chapter by chapter until we come to know him--and thoroughly dislike him.His egocentric outlook, his destructiveness born of his abandonment and his desire for a father's love and acknowledgement, are the ingredients that meld together forming him. The stewpot of his angst.I think Barney is my hero and it's sad that Alice never will know him.Unravelling Oliver almost unravelled me. Brilliantly written, each chapter presents the various characters and their viewpoint on Oliver's Life. Surprise begets more surprise.A gritty, emotionally charged, psychological novel that provides little pleasure but lots of fascination. I was compelled to finish it even as I was repelled by Oliver. And that compulsion is what had me giving this 5 stars rather than 3.A NetGalley ARC
  • Rating: 5 out of 5 stars
    5/5
    I had not heard of Liz Nugent's debut book, Unraveling Oliver, until I read about it in a publisher's newsletter. It was quickly added to my TBR list after I read the premise - and the accolades. It was Ireland's Crime Novel of the Year in 2014. That cover image is absolutely perfect - cracks in a picture, peeling back of layers, what lies beneath that facade?The first line of the book is killer...."I expected more of a reaction the first time I hit her."Oliver Ryan is a successful children's book author and is happily married to his devoted wife Alice. So what would possess him to beat her into a coma? And that is the question at the heart of Unraveling Oliver. Who is Oliver really? What does the polished exterior he presents to the world hide?Through Oliver's own ruminations and additional points of view from neighbours, friends and others from his life, we slowly see how and why he's come to be the way he is over fifty years. Each point of view was really well written. And can I say, I unexpectedly felt pity for him as I learned more and more. Nugent does a brilliant job of manipulating the reader's thoughts and emotions as the story progresses.The publisher has promoted Unraveling Oliver promoted as a psychological suspense novel. I agree that it's an addicting, chilling exploration of a darkly drawn character. But, we know the end already and are working our way back to the beginning of the end. A clever, unique book, one I really, really enjoyed.I chose to listen to Unraveling Oliver - and I found myself even more drawn into the story. Sam O'Mahony was the narrator. He has a lovely Irish accent that was easy to listen to and clearly understood. His understated interpretation of Oliver suited the character perfectly. His matter of fact tone is at odds with the horrible things Oliver does, but matches his mindset perfectly. He never raises his voice beyond a calm tone, which makes the revelations all the more chilling.I'm eager to get my hands on her next book - Lying in Wait.

Book preview

Unraveling Oliver - Liz Nugent

1


OLIVER

I expected more of a reaction the first time I hit her. She just lay on the floor, holding her jaw. Staring at me. Silent. She didn’t even seem to be surprised.

I was surprised. I hadn’t planned to do it. Usually when you hear about this kind of thing, it is the 1950s, and the husband comes home drunk to his slovenly wife from the pub and finds that his dinner is cold. On the contrary, it was November 12, 2011, a wintry Saturday evening on a south Dublin avenue, and Alice had prepared a delicious meal: lamb tagine, served on a bed of couscous, with pita bread and a side dish of mint yogurt. Though the lamb was a tad lukewarm by the time she presented it, I really couldn’t fault it. I had washed the meal down with two glasses of Sancerre while Alice prepared the raspberry roulade for serving. I certainly wasn’t drunk.

But now, here she lay, the lower half of her body nearly hidden behind the legs of our mahogany dining table, her arms, head, and torso curled inward like a question mark. How had she fallen into that shape? There must have been considerable force behind my closed fist. If the glass had been in my hand, would I have stopped and put it down before I hit her? Or would I have smashed it into her face? Would it have shattered on contact and torn her pale skin? Could I have scarred her for life? It’s very hard to know. The words that come to mind are circumstances beyond our control. I emphasize the word our because, although I should not have done it, she really should not have provoked me.

The phone rang. Maybe I should have ignored it, but it might have been important.

Hello?

Oliver. It’s Moya. How are things?

These rhetorical questions irritate me. How are things, indeed.

Sorry, Moya, I’ve just punched Alice in the face, and she’s lying on the floor. And we’ve had a marvelous dinner.

Of course, I didn’t say that. I made some ham-fisted attempt at an excuse and bade her farewell. I waited for the reciprocal adieu.

There was a moment’s silence and then:

Don’t you want to know how I am? Where I am?

I was short and to the point. No.

Another silence. And then, whispered, Oh, right, okay, is Alice there?

Go away, you stupid, irritating woman.

I didn’t say that either. I told her that now was not a good time. She tried to inveigle me into a conversation, prattling about her new life in France. Even amid the turmoil, I could tell that she wanted me to be jealous. Bloody Moya. I ended the conversation politely but firmly.

I thought that the decent thing for me to do was to leave the house immediately. Not permanently, you understand. I thought there was more chance of Alice getting up off the floor if I wasn’t looming over her. I went to get my coat from its peg in the hall. It was a little difficult to fasten the buttons. My hands suddenly seemed to be too large for my gloves.

• • •

Two hours later, I was on my third brandy in Nash’s. Nervously I buttoned and unbuttoned my shirt cuffs. It is a habit from childhood, a thing I do when I am distressed. Even John-Joe commented on my rattled demeanor when he served me. Brandy would not have been my normal tipple. But I had had a shock, you see. Now I was drunk.

I wanted to phone Alice to see if she was all right, but I had left my cell phone in the house in my hurried exit, and I thought that perhaps borrowing somebody’s phone would make a bigger deal of the situation than it warranted. Don’t get me wrong, I knew it was serious. A significant error of judgment had been made. She should not have ended up on the floor.

I am aware that I am not the easiest of people. Alice has told me so. I have no friends, for example. I used to, many years ago, but that really didn’t work out. We drifted apart and I let them go—voluntarily, I suppose. Friends are just people who remind you of your failings. I have several acquaintances. I have no family either to speak of. Not in the sense that matters.

Over the years, Alice has never pried, has never been too curious. In fact, I would describe her as habitually obedient with just an occasional rebellion. I am not, have never been, violent.

I went to the bar and bought a packet of cigarettes. Strong ones. I was worried that my hands were still unsteady. Isn’t brandy supposed to help at a time like this? Or is that an old wives’ tale? Old wives.

Outside in the beer garden (a yard with half a roof beside the front door), I lit my first cigarette in years. Barney Dwyer, a neighbor from the Villas, approached from the public bar. Barney spent more time in the beer garden than inside the pub.

Thought you quit? he said.

I did.

Jaysus, he said, a swagger in his voice, sucking on a Rothmans, they couldn’t break me.

Here we go. Barney prided himself on his forty-a-day habit. When the smoking ban was introduced, most of us did our best to quit. I am proud to say that I was the first to succeed. I became known as the man with a will of iron. Barney, on the other hand, made no such attempt. If Barney had never smoked, he would have started the day the ban was introduced. A contrary bugger if ever there was one. Thin head, big ears.

Welcome back, he said.

"I’m not back. I’m just having the one. It’s been a bad day."

Jaysus, Oliver, it’s never just the one. You’re back on the smokes. Face it.

I threw my almost-smoked cigarette on the ground. Stamped on it. Tossed the packet containing nineteen cigarettes at Barney.

Keep them, I said. Go on, kill yourself.

• • •

My wife had finally brought out the worst in me. It was most unexpected. I had always been fond of her, in my way. She was a marvelous cook, for example, after all the gourmet cuisine courses I made sure she attended. Also, she could be very athletic in bed, which was nice. It is terribly sad to think of such things now, considering her current state.

We met at the launch of a book she had illustrated back in 1982. My agent wanted me to meet her. He had suggested that she could do the illustrations for a children’s book I’d written that he was pushing around to publishers. I resisted the idea of illustrations initially. They would just distract from my text, I thought, but my agent, I admit it, was right. The drawings made my books far more marketable. We were introduced and I like to think there was an immediate . . . something. Spark is not the right word, but an acknowledgment of sorts. Some people call that love at first sight. I am not so naïve.

Neither of us was in the first flush of youth. Both in our late twenties, I think. But she was lovely in a soft way. I liked her quietness and she made little or no demands on me. She just accepted whatever attention I gave her and then withdrew into the background without complaint when I didn’t require her presence.

The wedding happened very quickly. There was nothing to be gained by waiting around. Her frail mother and half-witted brother stood behind us at the altar. No family on my side, of course. We didn’t bother with the palaver of a hotel reception. We had a rowdy meal in a city-center bistro owned by a former college friend, Michael. Barney was there. Back then I quite liked him. He was very emotional at the wedding, more than anybody else. One couldn’t blame him, I suppose.

We rented a spacious flat in Merrion Square for a few years. I insisted on a big place because I needed privacy to write. I can only write behind a locked door.

Those were good times. We made a bit of money when nobody else did. It made financial sense that we would collaborate on what was becoming quite a successful series. During the day we would retreat to our separate corners to work. Me, producing my books. She, cleverly matching pictures to my words. She was good at it too. Her work flattered mine appropriately.

I became quite well-known as a critic and occasional scribe for the weekend newspapers and for an infrequent guest spot on televised talk shows. In those days, everyone was more discreet and low-key about their achievements, their successes. Not like current times—I can’t tell you how often in the last decade I was approached about partaking in a reality show. Heaven forbid. Alice avoided all of that, which suited me really. She didn’t like the limelight, and she underestimated her own contribution to the success of my books, insisting that my work was more important, that she was just a doodler. She was timid and didn’t even want it known that we were a husband-and-wife team in case she would be forced onto television. Rather sweet, and it meant that for a lot of the time I could continue my life as a seemingly single man. It had its rewards. Truthfully, she couldn’t have been a better partner.

Alice’s mother died suddenly in 1986, at the end of our fourth year of marriage. Thanks be to God. I can’t stand old people. Can’t stand it even more now that I am getting to be one.

I used to make excuses to avoid visiting her and her doily-draped furniture. Used to pretend to be too busy to eat with them when she came to visit us. It was never pleasant to witness her struggling with her dentures, the half-wit dribbling by her side. Her death was a mixed blessing. We got the house. But we also got Alice’s imbecilic brother. The house is quite a pile on Pembroke Avenue. The brother goes by the name of Eugene.

Alice begged me to let her keep him. Until now, that was the biggest upset in our marriage. Bad enough to have a child, but this was a twenty-seven-year-old, two-hundred-pound dolt we were talking about. Eventually I had him accommodated in a home for the mentally handicapped, or special needs, or whatever they are calling them this year, at considerable personal expense.

When we got engaged, I made it very clear that children were not on the agenda. Well, I said I didn’t want children, and she agreed. I should have got that in writing. She must have been extraordinarily besotted with me to sacrifice something so fundamental to her in order to marry me. Maybe she thought I would change my mind, because it seems that lots of men do. Or maybe she knew that if I didn’t marry her, I’d marry the next quiet one that came along.

Of course, five years into our marriage, Alice began to whine and grew more shrill with each passing month. I reminded her of our agreement. She claimed that at the time, that was what she had wanted too, but now she desperately wanted a child. I am nothing if not a man of my word.

I couldn’t depend on her to protect herself, so I took control. I made a ritual of bedtime cocoa with a little crushed pill as an added extra. Alice thought that was so romantic.

I haven’t exactly been a saint within our marriage. Women, by and large, are attracted to me, and I do not like to disappoint them. Women you would never expect. Even Moya, for God’s sake. I eventually resent the ones who try to cling.

In later years, I had begun to satisfy myself with some tarts that operated near the canal. I never objected to them, even before I became a client. They were objects of curiosity. They were cheaper and more desperate, mostly addicts with raddled bodies and ropey veins but perfectly adequate for my needs. I would order them into a shower before any congress was allowed and I always provided a new toothbrush. Some of them took it for a gift. Pathetic. They are usually too emaciated to be good-looking. One would think that they might make an effort to make themselves attractive. Alas, they were only selling their various orifices; the packaging was immaterial. But still, they held a fascination for me. After all, my mother was one, or so my father said.

• • •

Returning to the house on the night Alice pushed me too far, I fumbled with the key in the door. I stepped into the dining room. She wasn’t on the floor, thank God. She was sitting in the kitchen, nursing a mug of tea. Her hand rubbed at her face. She looked at me without affection. I noticed that her jaw was quite red on the right-hand side. No bruise. Yet. I looked at her. Smiled.

The wooden box in which I had locked away my darkest secrets lay open on the table in the hall, its lid agape, lock smashed, contents violated.

Liar! she said, her voice breaking.

It was clear that she intended to ruin me.

The second time I hit Alice, I just couldn’t stop. I am very sorry about that indeed. I have been in control of my life since I was eighteen years old, and to lose control is a failing. Needless to say, I am not allowed to visit her in the hospital. It is silly really. It is February 2012, so it’s been three months now. In her condition, she wouldn’t know if I was there or not.

It turns out that I am a violent man after all. It comes as a shock to me. I have been psychologically assessed. I decided to tell them almost everything. Apparently, I have been harboring bitterness, resentment, and frustration since my childhood. Now, there’s a surprise.

What will the neighbors think? What will anybody think?

I really couldn’t care less.

2


BARNEY

Alice O’Reilly was Avenue and we were Villas. That made all the difference in our neighborhood. It still does. The houses on the Avenue are four times the size of ours, and their back gardens run along the gable wall of our terrace. Villas is a stupid name for our houses, as if we were somewhere foreign in the sunshine with beaches on our doorstep, when they’re really only pebble-dashed council houses.

The Poshies (as we used to call them) from the Avenue didn’t mix much with us. They went to different schools and hung out in different gangs, but Alice’s family was different from the rest. They weren’t snobby at all and didn’t look down their noses like the rest of them on the Avenue. My little sister Susan used to be invited to tea at the O’Reillys, and my ma would boast about it to the other mams. I didn’t pay much attention when we were children, but I kind of knew it was a big deal when Alice came over because my ma would make us polish our shoes. It used to annoy me, to be honest. As if Alice was ever going to be inspecting our shoes. She was quiet, not especially pretty, and seemed sort of ordinary, if you ask me.

Her mother, Breda, was quite religious, and Alice wasn’t allowed out that much. She was never at any of the dances or social occasions in the neighborhood, not at ours and not at the posh tennis club ones either, so I heard. And that was probably because of Eugene. If you ask me, I’d say it was the age of the mother that caused Eugene to be the way he was. Alice’s ma was the oldest of all the mothers around. She was probably forty when Alice was born, and Eugene was born four or five years after that. We didn’t notice much until he got a bit older. He was about seven by the time he’d learned to walk, and his speech was strange too. I’d say that’s probably why the other posh ones in the Avenue didn’t want to be associating with the O’Reillys—in case poor old Eugene dribbled on their furniture. I don’t remember exactly when the da died, but it wasn’t long after Eugene was born. I certainly don’t remember ever seeing him. The da was a civil servant of some kind, I think. High up, like. I think he was in the Land Registry office, on good money too, I’d say.

Some of the fellas in our gang used to tease Eugene and make fun of him, but Alice was always there to defend him, and somehow no one ever wanted to upset Alice. She was a strange one herself, shy and mannerly, never said boo to a goose. She seemed to spend a lot of time with her head in a book. We all thought she’d end up in the convent; there was so many nuns visiting that house that we thought the mother had plans in that direction. Susan reported that their house was full of holy pictures. Most of them had been painted by Alice. Susan had dinner there a few times; she said Alice had to spoon-feed Eugene like a baby. The food was awful, she said, everything boiled to blandness and mush. We were surprised. We thought them on the Avenue would be having cucumber sandwiches on silver plates and all. Looking at it now, I’d say the plain food was for Eugene’s sake. He would never tolerate anything out of the ordinary, unless it was a cookie or a fancy cake, but sure you’d only have them at Christmas, or if it was a birthday. Breda probably thought it was a great Catholic sacrifice for them all to make. I distinctly remember that on the rare occasion when Alice came to ours for dinner, she had a big appetite and always complimented my mother on the food. Mam was delighted.

Susan and Alice were in the same class but different schools, so at the odd time they’d be doing their homework together out of the same books and all. Alice definitely wasn’t as smart as Susan, not going by her reports anyway. Susan was the cleverest in our family, showing me up with her As and Bs. Alice would be getting steady Cs with an A or a B in art. If you ask me, it wasn’t a lack of intelligence. She never had any time to be doing homework because looking after Eugene was a full-time job. The ma had arthritis, which got worse as she got older, but I think she realized that it wasn’t fair to Alice to have her taking care of Eugene for the rest of her life, so she made Alice pick something to do in college. Once Alice told us that, I was pretty sure we wouldn’t see much of her again. No one in the Villas ever went to college. I was kind of sorry for Susan because she was going to be losing a good pal.

Alice surprised us all by being accepted into art college. I couldn’t believe she was going there of all places. Firstly, you’re either good at drawing or you’re not. She said it was about technique and all, but if you ask me, the stuff she was drawing before she went in was as good as the stuff she drew when she finished. Nowadays, nearly all the young ones are coloring their hair and cross-dressing, and you hardly know if they’re boys or girls, and maybe that’s what passes for fashion these days, but back in the seventies, the art students were the only ones at that lark. Some of them were vegetarians. That says it all.

I said she wouldn’t last a week, but I guess she must have done all right, because she was there three or four years. I was wrong about her disappearing too. She still lived at home because of Eugene, and it was Susan who pulled away from the friendship more than Alice, because Susan started going out with Dave.

Alice was certainly good with her hands. I remember a sculpture thing that she made for Susan’s birthday: some kind of ceramic swan-shaped yoke. I told her there and then that it was so good, she could sell it. She smiled at me.

That was the first time I realized that she wouldn’t be going near any convent. The smile was a bit cheeky. The years in the art college must have shaken the nun out of her. Though she still dressed very modestly, I’m not sure that she had many boyfriends, or indeed any, during her college years. Maybe those fellas scared her with their drugs and loud music.

Susan ran off to London after Dave within a few years and got a job as a hospital cook; married there, eventually. She never came back here to live after that. Still there now, married to DIY Dave, with four grown-up children. Chiswick. The w is silent.

I had finished my apprenticeship as a mechanic and was working in my uncle Harry’s garage at that stage. I had a few bob in

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