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    An Episode of Fiddletown
    An Episode of Fiddletown
    An Episode of Fiddletown
    Ebook64 pages58 minutes

    An Episode of Fiddletown

    By Bret Harte

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    About this ebook

    America has always had a fascination with the Wild West, and schoolchildren grow up learning about famous Westerners like Wyatt Earp, Buffalo Bill, Wild Bill Hicock, as well as the infamous shootout at O.K. Corral. Pioneering and cowboys and Indians have been just as popular in Hollywood, with Westerners helping turn John Wayne and Clint Eastwood into legends on the silver screen. HBO’s Deadwood, about the historical 19th century mining town on the frontier was popular last decade.


    Not surprisingly, a lot has been written about the West, and one of the best known writers about the West in the 19th century was Francis Bret Harte (1836-1902), who wrote poetry and short stories during his literary career. Harte was on the West Coast by the 1860s, placing himself in perfect position to document and depict frontier life. 
    LanguageEnglish
    PublisherKrill Press
    Release dateNov 25, 2015
    ISBN9781518312038
    An Episode of Fiddletown
    Author

    Bret Harte

    Bret Harte (1836–1902) was an author and poet known for his romantic depictions of the American West and the California gold rush. Born in New York, Harte moved to California when he was seventeen and worked as a miner, messenger, and journalist. In 1868 he became editor of the Overland Monthly, a literary journal in which he published his most famous work, “The Luck of Roaring Camp.” In 1871 Harte returned east to further his writing career. He spent his later years as an American diplomat in Germany and Britain.

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      Book preview

      An Episode of Fiddletown - Bret Harte

      AN EPISODE OF FIDDLETOWN

      ..................

      Bret Harte

      LASSO PRESS

      Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.

      This book is a work of fiction; its contents are wholly imagined.

      All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.

      Copyright © 2015 by Bret Harte

      Interior design by Pronoun

      Distribution by Pronoun

      TABLE OF CONTENTS

      Introduction

      An Episode of Fiddletown

      An Episode of Fiddletown

      By

      Bret Harte

      An Episode of Fiddletown

      Published by Lasso Press

      New York City, NY

      First published 1910

      Copyright © Lasso Press, 2015

      All rights reserved

      Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

      About Lasso Press

      Lasso Press brings the Wild West back to life with the greatest Western classics ever put to paper.

      INTRODUCTION

      ..................

      AMERICA HAS ALWAYS HAD A fascination with the Wild West, and schoolchildren grow up learning about famous Westerners like Wyatt Earp, Buffalo Bill, Wild Bill Hicock, as well as the infamous shootout at O.K. Corral. Pioneering and cowboys and Indians have been just as popular in Hollywood, with Westerners helping turn John Wayne and Clint Eastwood into legends on the silver screen. HBO’s Deadwood, about the historical 19th century mining town on the frontier was popular last decade.

      Not surprisingly, a lot has been written about the west, and one of the best known writers about the west in the 19th century was Francis Bret Harte (1836-1902), who wrote poetry and short stories during his literary career. Harte was on the west coast by the 1860s, placing himself in perfect position to document and depict frontier life.

      AN EPISODE OF FIDDLETOWN

      ..................

      IN 1858 FIDDLETOWN CONSIDERED HER a very pretty woman. She had a quantity of light chestnut hair, a good figure, a dazzling complexion, and a certain languid grace which passed easily for gentle-womanliness. She always dressed becomingly, and in what Fiddletown accepted as the latest fashion. She had only two blemishes: one of her velvety eyes, when examined closely, had a slight cast; and her left cheek bore a small scar left by a single drop of vitriol—happily the only drop of an entire phial—thrown upon her by one of her own jealous sex, that reached the pretty face it was intended to mar. But when the observer had studied the eyes sufficiently to notice this defect, he was generally incapacitated for criticism; and even the scar on her cheek was thought by some to add piquancy to her smile. The youthful editor of THE FIDDLETOWN AVALANCHE had said privately that it was an exaggerated dimple. Colonel Starbottle was instantly reminded of the beautifying patches of the days of Queen Anne, but more particularly, sir, of the blankest beautiful women that, blank you, you ever laid your two blank eyes upon—a Creole woman, sir, in New Orleans. And this woman had a scar—a line extending, blank me, from her eye to her blank chin. And this woman, sir, thrilled you, sir; maddened you, sir; absolutely sent your blank soul to perdition with her blank fascination! And one day I said to her, ‘Celeste, how in blank did you come by that beautiful scar, blank you?’ And she said to me, ‘Star, there isn’t another white man that I’d confide in but you; but I made that scar myself, purposely, I did, blank me.’ These were her very words, sir, and perhaps you think it a blank lie, sir; but I’ll put up any blank sum you can name and prove it, blank me.

      Indeed, most of the male population of Fiddletown were or had been in love with her. Of this number, about one-half believed that their love was returned, with the exception, possibly, of her own husband. He alone had been known to express skepticism.

      The name of the gentleman who enjoyed this infelicitous distinction was Tretherick. He had been divorced from an excellent wife to marry this Fiddletown enchantress. She, also, had been divorced; but it was hinted that some previous experiences of hers in that legal formality had made it perhaps less novel, and probably less sacrificial. I would not have it inferred from this that she was deficient

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