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-nson John, The Female Transvestite in Early Monasticism. The Origin and
Development of a Motif, Viator.Medieval and Renaissance Studies, 5 (1974), 1-32
-Bakhtin Mikhail, Rabelais and his World, transl. Hlne Iswolsky, Bloomington,
Indiana Univ. Press 1984
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-enjamin Jessica, Disrupting Sexual Difference: Meaning and Gender in the
Comedies, John Drakakis (ed.), Alternative Shakespeares, Methuen 1985, 166-190
-Bullough L. Vern and Bonnie Bullough, Cross Dressing, Sex, and Gender,Univ. of
Pennsylvania Press 1993
Busst A.J. L., he Image of thw Androgyne in the Nineteenth Century, Ian
Fletcher (ed.), Romantic Mythologies, Routledge and Keagan Paul 1967, 1-95
-Dijkstra Bran, he Androgyne in Nineteenth-Century Art and Literature, Comparative
Literature, 26: 1 (Winter 1974), 62-73
-Ferris Lesley (ed.), Crossing the Stage: Controversies on Cross-Dressing, London and
New York, Routledge 1993
-Friedli L., Passing Woman A Study of Gender Boundaries in the eighteenth century,
G.S.Rousseau Porter Roy (eds), Sexual Underworlds of theEnlightenment, Chaper
Hill, Univ. of North Carolina Press 1988, 234-260
-Garber Marjorie, The Occidental Tourist. M.Butterfly and the Scandal of
Transvestism, Andrew Parker Mary Russo Dorris Sommer Patricia Yaeger
(eds), Nationalisms and Sexualities, Routledge, New York and London 1992, 121-146
---------------------, Vested Interests. Cross-Dressing and Cultural Anxiety, Routledge,
New York and London 1992
Howard Jean, Crossdressing, the Theatre, and Gender Struggle in Early Modern
England, Shakespeare Quarterly, Washington, 39:4 (Winter 1988), 418-440
Kahn Madeleine, Narrative Transvestism. Rhetoric and Gender in the EighteenthCentury English Novel, Ithaca, Cornell Univ. Press 1991
Orgel Stephen, Nobodys Perfect: Or Why did the English Stage Take Boys for
Women?, South Atlantic Quarterly 88, 1 (Winter 1989), 7-29
Richardson A., Escape from the Seraglio. Cultural Transvestism in Don Juan
Levine Alice Keane Robert (eds), Rereading Byron, New York, Garland 1993, 175185
Russo Mary, Female Grotesque: Carnival and Theory, Teresa de Lauretis (ed.),
Feminist Studies/Critical Studies, Bloomington, Indiana Univ. Press 1986, 213-229
Talbot Mary-Alice (ed.), Holy Women of Byzantium. Ten Saints Lives in English
Translation, Harvard Univ. Press, Dumbarton Oaks 1996,
Nuns Disguised as Monks, 1-64
Wolfson S., Their She Condition: Cross-dressing and the Politics of Gender in Don
Juan, LH, 54:3 (Fall 1987), 585-617
Yannakakis Eleni, The Solo of Madness: Approaching the Limits of the Genre in
Skarimbas To , , 3 (1991), 253-289
eitlin
Froma,
Travesties
of
Gender
and
Genre
in
Aristophanes
---------------, Playing the Other: Theatre, Theatricality, and the Feminine in Greek
Drama, Representations II (Summer 1985), 63-94