Indonesian Art

nineteen to now
12 MARCH 2013
Art from the 19th, 20th & 21st centuries
amsterdam
INDONESIAN ART SCULPTURES
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1
BROWSING
Browsing our catalogues is a great way to discover more about whats coming up in future sales; alternatively check the website at www.christies.com where its possible to see all lots free of charge. Of course once the sale is on view, visit our salerooms, open 5 days a week and weekends before an auction. Make the most of your browsing:
2
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There are four ways to buy offering you convenience and flexibility whether you are able to attend the auction in person or not. All of the following services are free:
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IN THE SALEROOM
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HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer price plus buyers premium on each lot (30.25% of the first Euro 20,000 of the hammer price plus 24.2% of the excess of the hammer price above Euro 20,000 up to and including Euro 800,000 plus 14.52% of any amount in excess of Euro 800,000). For lots marked with + or ! VAT is applied differently and the buyers premium will be higher. See Conditions of Sale paragraph 5. V.A.T. There is a GUIDE TO BUYING section at the back of this catalogue. If you still have any questions please call our Cashiers Department on +31 (0)20 575 52 11.
DESCRIPTIONS
cover basic catalogue information such as size, date or age, medium, type, attribution, quantity and so on.
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ESTIMATES
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TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot in greater detail; their contact details are listed opposite.
COLLECTION, INSURANCE AND STORAGE

We give you 7 days free storage, after which charges begin. Theres a page with more information on collection, insurance, storage and contact telephone numbers at the back of this catalogue.
CONDITION REPORTS
are available on request. These supplement the catalogue description and provide guidance on a lots condition.
WRITTEN BIDS
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SYMBOLS
next to the lot number can indicate a variety of things, such as where the lot can be collected after the sale or how much if any VAT is payable. There is a key to symbols in the all you need to know section at the back of this catalogue.
nineteen to now
12 MARCH 2013
Art from the 19th, 20th & 21st centuries
amsterdam
AUCTION DATE
Tuesday 12 March 2013 at 10.30 am (Lots 1199); 2.00 pm (Lots 200-371)

AUCTION NUMBER
In sending written bids or making enquiries, please use auction number 3024
VIEWING DATES
Friday Saturday Sunday Monday
8 March 9 March 10 March 11 March
10.00 am 5.00 pm 10.00 am 5.00 pm 10.00 am 5.00 pm 10.00 am 4.00 pm
OPENING HOURS:
Cornelis Schuytstraat 57, 1071 JG Amsterdam

Saturday & Sunday Monday to Friday General Enquiries
Lot 182
10.00 am 5.00 pm (only on viewing days)
9.00 am 5.30pm
+31 (0)20 575 52 55
Odette van Ginkel Head of Sale Impressionist & Modern Art
Peter van der Graaf Post-War & Contemporary Art
Elvira Jansen Post-War & Contemporary Art
Lambert van Tuyll van Serooskerken Impressionist & Modern Art
BIDS OFFICE
SALE ENQUIRIES
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CONDITIONS OF SALE
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First initial followed by last name @christies.com (e.g. Elvira Jansen = ejansen@christies.com)
This auction is subject to important notices, conditions of sale and to reserves.

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Lot 109
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nineteen to now | INTRODUCING
NINETEEN TO NOW
INTRODUCING
DEAR ART LOVER,

appy 2013 on behalf of the Christies Amsterdam staff. Last year the celebration of the 40th Anniversary Year of Christies Amsterdam has been a great success. One of the absolute highlights was the auction world record for an intimate Balinese oil by the Dutch artist Willem Gerard Hofker which fetched 781,000 (incl. premium). In this rst auction of the season we will have another two very lovely and comparable Balinese works by this artist on offer. Together they lead the Indonesian section in the sale with paintings and drawings by renowned artists like Rudolf Bonnet, Willem Dooijewaard and Auke Sonnega. More than eight Escher prints are to be sold as well as a pastel by Willy Sluiter rendering elegant skiing in Sankt Moritz. Finally a lot of attention is spent on sourcing numerous placeble sculptures by a.o. Verkade, Krop, Van Pallandt and Spronken. Again I sincerely look forward to welcoming you at the viewing days and the sale itself. And as one of my favourite authors Oscar Wilde pointed out rightly; We spend our days, each one of us, in looking for the secret of life. Well, the secret of life is in art . Come and see us and enjoy the art we have to offer you.
JOP UBBENS
CHAIRMAN CHRISTIES AMSTERDAM
LOT 1
LOT 346
LOT 107
PIET OUBORG
| nineteen to now
LOT 81
PIET OUBORG (1893-1956)

LOTS 8192
When Piet Ouborg rst arrived in the Dutch Indies in April 1916, western art on the islands was characterized by easy accessibility and tradition. Decorative painting was largely occupied with frivolous scenery and landscapes which became known as the souvenirs of Indie. Ouborg experienced the cultural climate within the small, enclosed Dutch communities dispersed over the vast archipelago as very restricting. Ergo, the artist more and more started to transgress the cultural boundaries and began collecting ethnographical artifacts and visiting and participating in celebrations and rituals. He was captured by traditional native cultures and societies, where he experienced a more authentic kind of existence, in which intangible things still had the right to exist, and became more and more convinced that the Wayang-puppets, ceremonies, and especially traditional ceremonial masks, presented a conduit towards the mystical and cosmic allencompassing. Over the years, Ouborg built a beautiful collection of such extraordinary expressive spiritual masks, and regularly made them the subject of his painting. Besides this, maybe even to a similar extent, he was captured by the capricious nature in Indonesia with the intense green of the all-consuming vegetation which he described as a frightening and vital force. Through a style that weavers between cubism and expressionism, he attempted to capture the underlying spirit and mysticism of the indigenous Indonesian cultures and the awe-inspiring nature. During the mid-1920s Ouborg became involved with the Bataafsche Kunstkring (Batavia Art Association) which was setup to promote the visual arts in the East Indies. Here Ouborg met the painters Jan Franken and Adolf Breetveld, who similar to Ouborg, orientated and familiarized themselves with the roaring art-developments in Europe. On his leaves to the Netherlands (19231924, and 1931), Ouborg visited as many exhibitions as possible. In general, painting in the Netherlands disappointed him. The LArt Vivant exhibition in Brussels (1931), however, which included the summum of the cole de Paris and surrealist and abstract painting including works by Miro, De Chirico, Arp, Dali, Picasso, and Kandinsky, left a large and lasting impression on him. Somehow these works expressed what he had looked for and felt during his quest among the cultures and rituals of Indonesia. After his return to Indonesia, invigorated by the new inspiration, Ouborg started a fruitful phase of experimentation. Eventually this developed in an abstract surrealist style of painting consisting of among others abstracted dream images and automatic drawings. Together, his experiences of the indigenous Indonesian cultures and nature, the exhibitions he visited during his leaves which featured the roaring art-developments in Europe, as well as the emptiness of the sea journeys in between, shaped Ouborgs painting into a very individual style. Christies is proud to be able to offer a collection of oil paintings and works on paper from his early, Indonesian, period.
LOT 83
LOT 84A
LOT 90
nineteen to now | INDONESIAN ART
Many factors have shaped painting in Indonesia: its natural environment, historical events, traditional features of culture, its religions and various beliefs, as well as other Eastern cultures from outside the archipelago including those of India and China. Later on Western, colonial inuences also had their part. However, these cultural rubbings had a far from one-way effect, but brought about mutual inuences. Rudolf Bonnets elongated gures for example were inuenced by the Balinese deformative sculptures, while simultaneously, Bonnet and other European artists in their active interaction with the local community encouraged the Indonesian painters to portray what they saw and felt during daily life without abandoning existing themes of religious and philosophical nature. Between 1900 and 1942 two different forms of paintings coexisted within the Dutch-Indies: the romanticist Mooi Indi art, and the Modern avant-garde art. The Mooi Indi art consisted of a group of painters of various descents. Their work, in an impressionist style, heralded the countrys idyllic scenery and its inhabitants, and represented their love and admiration for Indonesia. Meanwhile, painters,
who before their arrival in Indonesia, received an art education in Europe, introduced the modern avant-garde art. They did not only differ from the Mooi Indi art in their modern, expressionist, gurative or even surrealist style of painting but also in their active involvement with the local community and local artists as well as their attitude towards the colonial establishment. The modern avant-gardists provided inspiration for a generation of young Indonesian painters in the larger cities of Java (Jakarta, Bandung, Surabaya and Yogyakarta) which, after 1945, sought to redene and invigorate a national identity through art. They found this in the common, humble, yet proud and self-reliant individuals within the communitys day-to-day life. With the works of artists such as: Roland Strasser, Han Snel, Haji Widayat, Leo Eland, Ger Adolfs, Frits Ohl, Piet Ouborg, Rudolf Bonnet, Auke Sonnega, Isaac Israels, W.G. Hofker, Willem Dooijewaard and Abdul Aziz the Indonesian section in this Nineteen to Now sale is exceptional in its diversity and quality.
Lot 109 Willem Gerard Hofker (1902-1981) Ni Gusti Kompiang Mawar 200,000-300,000 Lot 118 Willem Dooijewaard (1892-1980) Balinese Dancer 30,000-50,000 Lot 114 Han Snel (1925-1998) Bali 10,000-15,000 Lot 115 Haji Widayat (1923-2002) Forest with Birds 18,000-22,000 Lot 120 Willem Gerard Hofker (1902-1981) Balinese Girl 80,000-120,000 Lot 137 Batuan School Activities on the water 2,000-3,000
INDONESIAN ART
LOTS 81 144
LOT 137
LOT 115
INDONESIAN ART
| nineteen to now
LOT 109
LOT 118
LOT 120
LOT 114
nineteen to now | NEO RAUCH
NEO RAUCH
LOTS 284 291
Neo Rauch (Leipzig, b.1960) is known for his puzzling, seemingly narrative works. This collection of drawings and lithographs is made in his recognizable style. Some are in black and white. But he favours an idiosyncratically mat, broken colouristic, that unites all his works. It originates in his predilection for an old-fashioned form of childrens books and especially from his joy in the shrill colours of cheap comics. The people in them are busy with something or other; they dont seem to entirely t in with their surroundings. Rauch has developed a highly individual style, a mix of realism, abstraction with a surrealist touch, and inuences from pop art and comic strips. His dreamlike compositions seem to be peopled by memories of the GDR. Graphic art is part of Neo Rauchs complete oeuvre, even if he has created far fewer prints than drawings. Like his drawings, his prints are hardly preliminary sketches or imitations of his paintings. Certainly, his graphic art does not arise independently from his paintings, but neither is it created in a dependence that lags behind them.1 The drawings have been a long time in the making. They can be everything a sketch, a design or an impression that nds no expression in my larger paintings. They are like creatures looming on the sidelines of my creation. I actually have learned only lately to appreciate them as a witness of time passing and my own development. The drawings are very rarely a preparation for a next step in a large painting, but they have been companions along the way. Quite often they are rarities and exceptions in my work: I nd different motives and different physiognomies in them then I might normally use. I have often been criticised for using a face of the Fifties, or of working somehow retrospectively. I refuse to be categorised and wish to stay in control of my art. I cannot and will not change my voice. 2
LOT 288
Neo Rauch addresses the fundamental issues of art in the modern era the relationship between plane and spatial illusion, between abstraction and guration in a new way. Solutions dont come into it. My pictures supposedly have a vital quality, like an animal, a living thing. There is no need to understand, only to feel that this creature is, to the greatest possible degree, at peace with itself. It is not always possible to realise, but thats how I imagine a functioning picture. As soon as I have the feeling that the thing has blood circulating through it, a nervous system, a skeleton, then questions as to the message become completely marginal. 3
1 Rudij Bergmann, Neo Rauchs Printmaking Art in Neo Rauch. The Graphic Works 1993 to 2012, Ostldern 2012, p. 19. 2 Interview by Ellen Alpsten in Standpoint, Secret Garden by Neo Rauch, September 23rd, 2009. 3 Interview by Rita Pokorny in The Art Newspaper, Issue 224, May 2011. Published online: 19 May 2011.
Lot 291 (part lot) Neo Rauch (b. 1960) Signal 6.000-8.000 Lot 286 (part lot) Neo Rauch (b. 1960) Tief 4.000-6.000 Lot 288 (part lot) Neo Rauch (b. 1960) berwindung 4.000-6.000
LOT 291 LOT 286
SERGE POLIAKOFF (19001969) Composition abstraite oil on canvas 46 x 55 cm. Painted in 1954 60,00080,000 JEAN (HANS) ARP (18861966) Petite gure appuye dite lgyptienne bronze with a brown patina 25 cm. high Conceived in 1938 and cast at a later date, this work is number four from the edition of ve plus one artists proof 40,00060,000 DAME BARBARA HEPWORTH (19031975) Maquette for large sculpture: Three forms (Two circles) serravezza marble 13.5 cm. high Executed in 1966, this piece is unique 150,000200,000
THE WHOLE SANDERS COLLECTION HARMONIZES WITH THE SCALE AND SIZE OF THE HOUSE, AND IS AN EXPRESSION OF OUR TIME AND ITS ARTISTS AND ALSO OF THE TASTE OF ITS OWNERS.
UPCOMING
A.M. HAMMACHER, APOLLO, NOVEMBER 1964.
THE PIET AND IDA SANDERS COLLECTION

Christies Amsterdam is proud to announce the sale of The Piet and Ida Sanders Collection on 15 and 16 April 2013. Their collection shows a wonderful and versatile overview from 20th Century and 21st Century art, including works from several artists, varying from Marino Marini to Anish Kapoor, and from Lucio Fontana to Gilbert & George. A large part of their collection was already donated to several important Dutch museums during their lifetime. Piet and Ida collected art out of a personal passion and the personal contact with the artists themselves was always very important to them. It was not unusual for them to visit several artists while they were travelling, or to have artists visit them when they were in The Netherlands. The art works not only had to be to their liking, but also had to physically t into their home, because they wanted to enjoy the art in their personal surroundings. Art for them was not merely to be enjoyed in museological settings, on the contrary, it was part of their life and lifestyle.
The Piet and Ida Sanders Collection Evening and Morning Sessions Amsterdam, 15 and 16 April 2013 Viewing 12-15 April 2013 Contact Alexandra Bots abots@christies.com + 31 20 57 77 957
MORNING SESSION AT 10.30 AM (LOTS 1-198)

l1 WILLY SLUITER (1873-1949)
San Moritz
signed, dated and inscribed with title Willy Sluiter 1921 (lower left), and with studio stamp (on the backing) pastel on paper laid down on board 102 x 76 cm. Executed in 1921.
7,000-9,000
US$9,500-12,000
Visit www.christies.com for additional information on this lot
2 JAN TOOROP (1858-1928)
Figures in the dunes

signed and dated Jth.Toorop 1926 (lower right) pencil, chalk and watercolour on paper 11 x 15.5 cm. Executed in 1926.
1,200-1,600
PROVENANCE:
US$1,700-2,200
Kunsthandel Simonis & Buunk, Ede.

To be included in the catalogue raisonn on the artists work, currently being prepared by G.W.C. van Wezel.
3 LEO GESTEL (1881-1941)
A view of Positano, Italy

1 4
signed and dated Leo Gestel 1924 (lower right) chalk on paper 61.5 x 43 cm. Executed in 1924.
1,500-2,000
US$2,100-2,700
4 ISAAC ISRAELS (1865-1934)
A lady at the beach

signed Isaac/Israels (lower right) watercolour on paper 50 x 33 cm.
5,000-7,000
US$6,800-9,500
2 5
5 JAN TOOROP (1858-1928)
Farmers working the land

signed and dated Jth. Toorop/1915 (lower right), and inscribed M (lower left) pencil and pastel on paper 10.5 x 16 cm. Executed in 1915.
1,200-1,600
US$1,700-2,200
6 LEO GESTEL (1881-1941)
A still life with flowers in a vase

signed and dated Leo.Gestel 17 (lower left) watercolour on paper 81 x 59 cm. Executed in 1917.
2,000-3,000
EXHIBITED:
US$2,800-4,100
Venice, XVI. Esposizione Internazionale dArte della Citt di Venezia, April-October 1928, no. 1504.
3 6
8
FOR ADDITIONAL IMAGES OF LOTS CONTAINING MORE THAN ONE ITEM, PLEASE VISIT CHRISTIES.COM
l7 HAN VAN MEEGEREN (1889-1947)
Strolling on the beach

signed H van Meegeren (lower left) oil on canvas 73.5 x 57.5 cm.
2,500-3,500
US$3,400-4,700
l8 ERASMUS BERNHARD VAN DULMEN KRUMPELMAN (1897-1987)
Girls playing near the river Aa

oil on canvas 158.5 x 92 cm., unframed
1,800-2,200
PROVENANCE:
US$2,500-3,000
Acquired by the grandparents of the present owner in the 1960s.
7 9 CONRAD BUFF (1886-1975)
Monument Valley (recto); studies of mountains (verso)

signed Conrad Buff (lower right) oil on cardboard 48.5 x 39 cm.
10
1,000-1,500
US$1,400-2,000
10 MARIUS BAUER (1867-1932)
The Amber Palace, Jaipur, India

signed with initials MB (lower right) oil on canvas 50.5 x 40 cm.
5,000-7,000
PROVENANCE:
US$6,800-9,500
Anonymous sale, Christies, Amsterdam, 15 November 2011, lot 103. Acquired at the above sale by the present owner.
We kindly thank the Bauer Documentatie Stichting for their help in cataloguing this lot.
l11 JAN WIEGERS (1893-1959)
A farm house in Twente

signed and indistinctly dated Jan Wiegers/40 (lower left) oil on canvas 74 x 59 cm. Painted in 1940.
11 8
6,000-8,000
PROVENANCE:
US$8,200-11,000
Anonymous sale, Christies, Amsterdam, 11 December 1991, lot 95. Acquired at the above sale by the present owner.
EXHIBITED:
Amsterdam, Stedelijk Museum, Jan Wiegers, 15 December 1960 - 25 January 1961, no. 12 (titled Twents Landschap).
12 FERDINAND DORSCH (1875-1938)
Gartenbild
signed, dated and indistinctly inscribed F Dorsch 20 ... (lower left); and signed again and inscribed with title (on the reverse) oil on plywood 47.5 x 42.5 cm. Painted in 1920.
1,500-2,000
US$2,100-2,700
12 9
9
IN ORDER TO GET A CLOSE-UP VIEW OF THE IMAGES, PLEASE VISIT CHRISTIES.COM SIMPLY TYPE IN THE SALE NUMBER, SELECT A LOT AND CLICK ENLARGE & ZOOM
l13 GER LANGEWEG (1891-1970)
A day at the fair

oil on canvas, unframed 32 x 40 cm.
2,000-3,000
US$2,800-4,100
l14 WILLY BOERS (1905-1978)
A still life with books and playing cards

signed and dated Willy/Boers/1934 (lower right) oil on canvas 60 x 80 cm. Painted in 1934.
1,500-2,000
13
US$2,100-2,700
l15 ANTO CARTE (1886-1954)
Le sonneur
signed and dated Anto. Carte/1917. (lower left); and inscribed Le Sonneur./Le vieux sonneur, bout de crainte et dagonie/Sonne sa mort, dans ses cloches nies./.Verhaeren./ (Les villages illusoires) (on a label attached to the reverse) oil on paper laid down on canvas 37 x 21.5 cm. Painted in 1917.
5,000-7,000
US$6,800-9,500
The present lot depicts a scene from the poem Le Sonneur from the work Les villages illusoires by the Belgian poet and critic Emile Verhaeren (1855-1916) from 1895, one of his most famous poems.
14 16 16 JOOP MOESMAN (1909-1988)
Untitled
signed and dated J.H. Moesman 1930 (lower right) gouache on paper 73.5 x 54 cm. Executed in 1930.
3,000-5,000
PROVENANCE:
US$4,100-6,800
Kunsthandel Van Lier, Blaricum, circa 1978.

LITERATURE:
17
Dick Adelaar and Her de Vries, Beste Vriend! Vuile Ploert: het surrealisme van J.H. Moesman in werken op papier, Utrecht 1997, p. 40 (illustrated). John Steen and Frits Keers, Moesman: Monograe/Catalogus van schilderijen en objecten, Zwolle, 1998, no. 37, p. 29 (illustrated)
l17 WIM BOSMA (1902-1985)
View of a harbour with shermen and a shing vessel from Urk

signed and dated Bosma/1936 (lower left) oil on board 55 x 76.5 cm. Painted in 1936.
2,000-3,000
US$2,800-4,100
l18 DIRK SMORENBERG (1883-1960)
Sailing boats at the Loosdrechtse Plassen

18
signed D. Smorenberg. (lower right) oil on canvas 50 x 60 cm.
1,500-2,000
15
US$2,100-2,700
10
ALL LOTS HIGHLIGHTED WITH RED ARTISTS NAMES ARE OFFERED WITHOUT RESERVE
l19 LOU LOEBER (1894-1983)
Schuitevoerder III
signed with initials and dated LL.40-46 (lower left); and signed and dated again and inscribed with title (on the reverse) oil on board 72 x 81 cm. Painted circa 1940-1946.
5,000-7,000
PROVENANCE:
US$6,800-9,500
Acquired directly from the artist by the present owner, circa 1975.
EXHIBITED:
Laren, Singer Museum, Lou Loeber: Utopie en werkelijkheid, 1993-1994, no. 41.
LITERATURE:
Marente Bloemheuvel, Lou Loeber: Utopie en werkelijkheid, Zwolle, 1993, no. 41, p. 62.
19
l20 HARMEN MEURS (1891-1964)
De schaft
signed and dated Harmen Meurs./1951. (lower right); and signed and dated again and inscribed with title (on the reverse and on the stretcher) oil on canvas 102 x 132.5 cm. Painted between 1951-1957.
3,000-5,000
l21 CONSTANT PERMEKE (1886-1952) 22
US$4,100-6,800
A standing nude
signed and dated Permeke/42 (lower left) chalk and pastel on paper 49 x 31 cm. Executed in 1942.
20
2,000-3,000
l22 HENDRICUS PETRUS BREMMER (1871-1956)
US$2,800-4,100
A still life with green apples

signed with monogram and dated 1910 (upper right) oil on painters board 20 x 26 cm. Painted in 1910.
2,000-3,000
l23 BART VAN DER LECK (1876-1958) 23 (part lot)
US$2,800-4,100
Goat - study for a tile

with the numbered estate stamp 185 (on the reverse) charcoal and pencil on tracing paper 18 x 20 cm.; and Two other drawings by the same hand, depicting a calf and a lamb.
(3)
1,000-1,500
24-25 No Lot
US$1,400-2,000
21
11
29
26
30
27
28 l26 ARIS KNIKKER (1887-1962)
31 28 WILLEM MARIS (1844-1910) 30 WILLEM ROELOFS (1822-1897)
A sunny day at the beach

signed Aris. Knikker. (lower right) oil on plywood 19.5 x 28 cm.
A cow near the waterfront

signed Willem Maris (lower right) oil on canvas 26 x 36 cm.
View of a canal with a punt

signed W. Roelofs. (lower right) oil on canvas laid down on board 23 x 40.5 cm.
1,000-1,500
US$1,400-2,000
1,500-2,000
PROVENANCE:
US$2,100-2,700
2,500-3,000
PROVENANCE:
US$3,400-4,100
Kunsthandel S.J. Sala, The Hague.

27 WILLY MARTENS (1856-1927) 29 WILLEM MARIS (1844-1910)
Kunsthandel Simonis & Buunk, Ede. Acquired from the above by the family of the present owners.
!31 WILLEM DE ZWART (1862-1931)
Motherly love
signed Willy Martens (lower right) watercolour and gouache on paper 22.5 x 31 cm.
Cows in a Dutch polder landscape

signed W. Maris. (lower right) oil on canvas 23.5 x 42.5 cm.
A willow by the waterside

signed W. de Zwart (lower right) oil on paper laid down on board 33 x 23 cm.
1,500-2,000
US$2,100-2,700
1,500-2,000
US$2,100-2,700
1,500-2,000
US$2,100-2,700
12
32 HJALMAR JOHNSSEN (1852-1901)
A Scandinavian waterway
signed and dated Hjalmar Johnssen 1901 (lower right) oil on panel 35 x 26.5 cm. Painted in 1901.
2,000-3,000
US$2,800-4,100
33 FRANOIS HUYGENS (1820-1908)
A still life with fruits and chestnuts

signed and dated FHuygens.1889. (lower right) oil on canvas 76 x 111.5 cm. Painted in 1889.
1,500-2,000
PROVENANCE:
US$2,100-2,700
Anonymous sale, Christies, Amsterdam, 20 September 2011, lot 263. Acquired at the above sale by the present owner.
34 JACOB SIMON HENDRIK KEVER (1854-1922)
A still life with Indian cress in a ginger jar

signed Kever (lower right) oil on canvas 43 x 39 cm.
1,500-2,000
PROVENANCE:
US$2,100-2,700
Larensche Kunsthandel, Afdeeling Amsterdam, 1911.

32 35
35 JOHN REINHARD WEGUELIN (1849-1927)
Lady in red
signed and dated JR Weguelin/1888 (lower left) oil on canvas 51 x 25.5 cm. Painted in 1888.
1,500-2,000
US$2,100-2,700
36 SARKIS DIRANIAN (1854-1918)
A reclining nude
signed Sarkis Diranian. (lower left) oil on canvas 33 x 46 cm.
33
36
1,800-2,200
US$2,500-3,000
37 DAVID OYENS (1842-1902)
The visit
signed with initials DO (lower centre) oil on panel 25 x 18 cm.
2,500-3,500
PROVENANCE:
US$3,400-4,700
Kunsthandel Oldenzeel, Rotterdam.
34
37
13
38 ALEXANDER HUGO BAKKER KORFF (1824-1882)
l41 CORNELIS RAAPHORST (1875-1954)
A moment of contemplation
signed with initials AB.K (lower right) oil on panel 24.5 x 18.5 cm.
Playing kittens
signed CRaaphorst (lower right) oil on canvas 60.5 x 90.5 cm.
5,000-7,000
3,000-5,000
PROVENANCE:
US$4,100-6,800
US$6,800-9,500
Anonymous sale, Christies, Amsterdam, 5 September 2007, lot 279. Acquired at the above sale by the present owner.
l39 CONSTANT ARTZ (1870-1951) 42 BERNARDUS JOHANNES BLOMMERS (1845-1914)
Ducklings on a sunlit riverbank

signed Constant Artz (lower left) oil on canvas 60.5 x 101 cm.
A new arrival
signed Blommers. (lower right) oil on canvas 28 x 37.5 cm.
4,000-6,000
PROVENANCE:
US$5,500-8,100
Anonymous sale, Christies, Amsterdam, 29 April 1998, lot 191. Anonymous sale, Christies, Amsterdam, 26 February 2008, lot 188. Acquired at the above sale by the present owner.
1,500-2,000
43 OTTO PILTZ (1846-1910)
US$2,100-2,700
Daily activities in Volendam

signed O. Piltz. (lower right) oil on panel 50 x 77.5 cm.
40 CHARLES ROCHUSSEN (1814-1894)
3,000-5,000
44 EVERT PIETERS (1856-1932)
US$4,100-6,800
Soldiers taking a break

signed with initials and dated CR. 50 (lower left) oil on panel 11.5 x 23 cm. Painted in 1850.
A shell sher in the surf

signed E. Pieters (lower left) oil on canvas 89 x 110 cm.
2,000-3,000
US$2,800-4,100
3,000-5,000
US$4,100-6,800
38
41
39
40
42
14
47 JOSEPH-FLIX BOUCHOR (1853-1937)
Shell shermen on the beach

signed E. Pieters. (lower right) oil on panel 16 x 60 cm.
Village dans les dunes - Zoutelande, Hollande

signed .F. Bouchor (lower right); and inscribed with title (on a label attached to the stretcher) oil on canvas 38 x 46.5 cm.
2,000-3,000
PROVENANCE:
US$2,800-4,100
Kunsthandel Simonis & Buunk, Ede. Acquired from the above by the family of the present owners.
2,000-3,000
US$2,800-4,100
48 ANTHONIE JACOBUS VAN WIJNGAERDT (1808-1887)
Portrait of a Volendam girl

signed and inscribed Willy Sluiter/Volendam (lower right) watercolour and gouache on paper 47.5 x 38 cm.
Cattle in a landscape
signed AJ Wijngaerdt fc (lower left) oil on panel 23.7 x 36 cm.
1,500-2,000
US$2,100-2,700
3,000-5,000
PROVENANCE:
US$4,100-6,800
Anonymous sale, Christies, Amsterdam, 27 April 1999, lot 120. Acquired at the above sale by the father of the present owner.
46
43
47
44
48
45
15
49 ANTON MAUVE (1838-1888)
A grazing goat
signed A Mauve f (lower left) watercolour on paper 22.5 x 29 cm.
1,200-1,600
EXHIBITED:
US$1,700-2,200
The Hague, Gemeentemuseum, Anton Mauve 1838-1888: herdenkingstentoonstelling, 17 December 1938 - 30 January 1939, no. 75A.
50 GERHARD ARIJ LUDWIG MORGENSTJERNE MUNTHE (1875-1927)
A bomschuit anchored in winter

signed G. Morgenstjerne Munthe (lower left) oil on canvas 56 x 69 cm.
49
3,000-5,000
US$4,100-6,800
l51 WILLEM GEORGE FREDERIK JANSEN (1871-1949)
The harbour of Dordrecht, with the Grote Kerk beyond

signed WGF Jansen (lower right) oil on canvas 50 x 70.5 cm.
53
1,500-2,000
US$2,100-2,700
50
A woman working on the spinning wheel

signed and dated J.W. Sluiter 96 (lower right) charcoal on paper 62.5 x 48 cm. Executed in 1896.
800-1,200
US$1,100-1,600
53 JOHANNES BOSBOOM (1817-1891)
54
Interior of the Hooglandsche Kerk, Leiden

signed J Bosboom. (lower left) ink and watercolour on paper 26 x 19 cm.
3,000-5,000
US$4,100-6,800
51
54 ALEXIS NYS (1844-1930)
Cte Hollandaise, Katwijk

signed Alexis Nys (lower right); and inscribed with title (on the stretcher) oil on canvas 152 x 112 cm.
2,000-3,000
US$2,800-4,100
55
l55 JOHAN HENDRIK VAN MASTENBROEK (1875-1945)
Activities on a quay in a Dutch harbour

signed J.H.v.Mastenbroek (lower right) watercolour and gouache on paper 31 x 46.5 cm.
2,500-3,500
US$3,400-4,700
l56 EDZARD KONING (1869-1954)
Town view by night

signed E. Koning (lower left) oil on canvas 38 x 55 cm.
56 52
1,200-1,600
US$1,700-2,200
16
57
60
61
58
59 (part lot)
62 (part lot)
57 PAUL RINK (1861-1903)
59 JAN TOOROP (1858-1928)
l61 KEES MAKS (1876-1967)
Milking time
signed and dated Paul Rink/1896 (lower left) chalk and watercolour on paper 29.5 x 63.5 cm. Painted in 1896.
A still life with a glass and a jar

signed and dated Jth Toorop/1886 (lower right) chalk on paper 9.5 x 15.5 cm.; and Four sketches depicting landscapes, framed together.
Prinseneiland, Amsterdam
signed C.J. Maks. (lower left) oil on painters board 31.5 x 54 cm. (2)
2,000-3,000
PROVENANCE:
US$2,800-4,100
1,500-2,000
US$2,100-2,700
1,800-2,200
US$2,500-3,000
Anonymous sale, Sothebys, Amsterdam, 26 April 1999, no. 7.

62 JOHAN HENDRIK WEISSENBRUCH (1824-1903)
Children in a summer meadow

signed E. Pieters. (lower left) watercolour and gouache on paper 39 x 54 cm.
l60 JAN ZOETELIEF TROMP (1872-1947)
Cows in a meadow
signed J.H. Weissenbruch (lower left) pencil and watercolour on paper 17.5 x 24.5 cm; and Another work on paper by the same hand, depicting a farm house in a landscape. (2)
Three little friends

signed J. Zoetelief Tromp (lower right) watercolour and gouache on paper 9 x 14.5 cm.
2,500-3,500
PROVENANCE:
US$3,400-4,700
2,000-3,000
US$2,800-4,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
Anonymous sale, Christies, Amsterdam, 24 April 2001, lot 81. Acquired at the above sale by the present owner.
Kunsthandel Simonis & Buunk, Ede.
17
65A
68
63
64
66
65
l63 BARBARA ELISABETH VAN HOUTEN (1862-1950)
67
65 FRANS VAN LEEMPUTTEN (1850-1914) l66 HENRY CASSIERS (1858-1944)
A still life with sunowers and gladioli

signed BE van Houten (upper left) oil on canvas 200 x 130.5 cm.
Horses on a path
signed and dated Frans Van Leemputten 1884 (lower left) oil on canvas 71 x 110.5 cm. Painted in 1884.
A view of Bruges
signed H Cassiers (lower right) oil on paper laid down on cardboard 57.5 x 57.5 cm.
4,000-6,000
l64 MARIE VAN REGTEREN ALTENA (1868-1958)
US$5,500-8,100
2,000-3,000
l65A JOHANNES HENDRIKUS JURRES (1875-1946)
US$2,800-4,100
2,000-3,000
67 JOHANN JUNGBLUT (1860-1912)
US$2,800-4,100
A still life with fruits, a jug and a bowl

signed with initials MEvRA (lower right) oil on canvas 54 x 70.5 cm.
A view of the Singel, Amsterdam

signed J. Jungblut (lower right) oil on canvas 73 x 109 cm.
Warriors on a mountain pass

US$2,800-4,100
signed Jurres (lower right) charcoal and pastel on paper laid down on canvas 122 x 83 cm.
2,000-3,000
3,000-5,000
l68 JEANETTE SLAGER (1881-1945)
US$4,100-6,800
800-1,200
US$1,100-1,600
A still life with owers in a vase

signed Jeannette Slager. (lower left) oil on canvas 74 x 56 cm.
1,500-2,000
US$2,100-2,700
18
69 72
70
73
71 (part lot)
74 (part lot)
l69 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951)
71 CARLOS DE HAES (1826/29-1898)
73 FRANS HELFFERICH (1871-1941)
A peasant loading a horse-drawn cart

signed J Scherrewitz (lower left) oil on canvas 50 x 91.5 cm.
Cypresses in a landscape
oil on panel 21.6 x 14.6 cm.; and Two other paintings and Seven etchings by the same hand.(10)
Working the eld

signed Frans Helfferich (lower right) oil on canvas 88 x 146 cm.
2,000-3,000
PROVENANCE:
US$2,800-4,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
1,500-2,000
US$2,100-2,700
Anonymous sale, Christies, Amsterdam, 30 October 1991, lot 129.

70 WILLEM ROELOFS (1822-1897)
The estate of the artist. By descent from the above to the present owner.
l72 FRANS OERDER (1867-1944)
74 CARLOS DE HAES (1826/29-1898)
Willows in a landscape
oil on canvas laid down on board 38.5 x 61 cm.; and An oil on board by the same hand, depicting a landscape. (2)
A polder landscape with a mill

signed and numbered W. Roelofs/143. (lower right) oil on canvas laid down on panel 17 x 38.5 cm.
A still life with chrysanthemums and oak leafs

signed Frans Oerder (lower left) oil on canvas 60 x 90.5 cm.
2,000-3,000
PROVENANCE:
US$2,800-4,100
2,000-3,000
US$2,800-4,100
3,000-5,000
PROVENANCE:
US$4,100-6,800
The estate of the artist. By descent from the above to the present owner.
Kunsthandel Borzo, s-Hertogenbosch.
19
75
78
76 79
77 80
l75 WILLI LORENZ (1901-1981)
77 FRANS LANGEVELD (1877-1939)
l79 BARUCH LOPES DE LEAO LAGUNA (1864-1943)
Boars in a winter landscape

signed Willi Lorenz (lower left) oil on canvas 60.5 x 91 cm.
A view on a rural hamlet

signed F. Langeveld (lower left) oil on canvas 71 x 116 cm.
Daily activities around the spinning wheel

signed B. Laguna (lower right) oil on canvas 75.5 x 101.5 cm.
2,000-3,000
US$2,800-4,100
3,000-5,000
US$4,100-6,800
3,000-5,000
US$4,100-6,800
l76 JOHAN HENDRIK VAN MASTENBROEK (1875-1945)
l78 COR NOLTEE (1903-1967)
l80 DANIEL MHLHAUS (1907-1981)
A view of the Zeeburgerpad, Amsterdam

signed, dated and inscribed (scratched) J.H. van Mastenbroek/29 juni 1901/Zeeburgerpad (lower right); and signed again (on the reverse) oil on canvas laid down on cardboard 28 x 40 cm. Painted in 1901.
Activities in the Rotterdam harbour

signed C. Noltee (lower right) oil on canvas 72.5 x 93 cm.
Amsterdam, Geldersekade met de Waag

signed D. Mhlhaus (lower left); and inscribed with title (on the stretcher) oil on canvas 70 x 100 cm., unframed
3,500-4,500
PROVENANCE:
US$4,800-6,100
1,500-2,000
PROVENANCE:
US$2,100-2,700
3,000-5,000
US$4,100-6,800
Anonymous sale, Christies, Amsterdam, 27 February 2008, lot 317. Acquired at the above sale by the present owner.
Acquired by the grandfather of the present owner in 1966.
20
INDONESIAN ART (LOTS 81-144)

l81 PIET OUBORG (1893-1956)
A COLLECTION OF WORKS BY PIET OUBORG PROPERTY FROM THE ESTATE OF THE ARTIST (LOT 81-92)
Bamboebosje
signed and dated P. Ouborg.1936 (lower right); and dated again and inscribed with title (on the stretcher) oil on canvas 66 x 80.5 cm. Painted in 1936.
4,000-6,000
EXHIBITED:
US$5,500-8,100
Batavia, Kunstkring, Piet Ouborg, 24 June - 31 August 1938. The Hague, Gemeentemuseum, Ouborg, 12 August - 4 October 1953, no. 39. Amsterdam, Stedelijk Museum, P. Ouborg, autumn 1954, no. 25. Amsterdam, Kunsthistorisch Instituut, Ouborg: schilderijen, gouaches en tekeningen, 15 October - 5 November 1971, no. 4. Amsterdam, Rijksmuseum, Nederlandse schilders en tekenaars in de Oost, 19 October - 10 December 1972, no. 124. Dordrecht, Dordrechts Museum, Ouborg, 27 September - 2 November 1975, no. 128.
Salembazi Weltevreden
signed and inscribed with title P. Ouborg (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse) oil on canvas 40 x 41 cm.
1,500-2,000
EXHIBITED:
US$2,100-2,700
Amsterdam, Rijksmuseum, Nederlandse schilders en tekenaars in de Oost, 19 October - 10 December 1972, no. 123. Zaandijk, Weefhuis, Piet Ouborg, 31 March - 29 April 1973.
81
A still life with a mask

signed P. Ouborg (on a label attached to the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse) oil on canvas 36 x 44 cm.
1,500-2,000
EXHIBITED:
US$2,100-2,700
The Hague, Gemeentemuseum, Ouborg, 12 August - 4 October 1953, no. 43.
Schets Tjikapoendoeng
inscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse) oil on canvas 37.5 x 50 cm.; Painted circa 1930; and Another oil on canvas by the same hand, depicting a view of Tjimahi. (2)
82
84 (part lot)
1,000-1,500
EXHIBITED:
US$1,400-2,000
Apeldoorn, Van Reekum Galerij, Piet Ouborg, 26 October 30 November 1980. Enschede, Rijksmuseum Twenthe, Piet Ouborg: een overzicht, 24 March - 27 May 1990.
l84A PIET OUBORG (1893-1956)
Kop met groene slendang

inscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the reverse) oil on canvas 50 x 38.5 cm.
1,500-2,000
US$2,100-2,700
83
84A
21
85 (part lot)
88 (part lot)
90 (part lot)
89 (part lot) 86 (part lot)

l85 PIETER OUBORG (1893-1956)
91 (part lot)
A moment of contemplation
authenticated by Jos the Gruyter (on the reverse) chalk on paper 26.5 x 37 cm., unframed Executed circa 1916; and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)
A still life with indiginous Indonesian masks

signed P Ouborg (lower right) ink on paper 48 x 64 cm.; and Three other works by the same hand, depicting Indonesian landscapes and buffaloes. (4)
1,000-1,500
US$1,400-2,000
1,000-1,500
US$1,400-2,000
Three poses of an Indonesian nude

authenticated by Jos de Gruyter (on the reverse) chalk on paper 65.5 x 50 cm., unframed; and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)
Garden in Tjitjoeroeg, Java

chalk on paper 29 x 21 cm.; Executed circa 1927-1928; and Three other drawings by the same hand, depicting a pond in Tjitjoeroeg, a garden in Tjimahi and a seated woman. (4)
1,000-1,500
US$1,400-2,000
1,000-1,500
LITERATURE:
US$1,400-2,000
A Indonesian dancer
signed Ouborg (lower right) chalk on paper 32 x 20 cm.; and Seven other drawings by the same hand, depicting nudes. (8)
L. ten Duis, A. Haase, Ouborg: painter, Eindhoven, 1990, no. 15, p. 20 (illustrated, dated circa 1927-1928).
800-1,200
87 (part lot)
US$1,100-1,600
Javanese mask
authenticated by Jos the Gruyter (on the mount) chalk on paper 37 x 27 cm., unframed Executed circa 1927; and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)
A still life with a mask

authenticated by Jos de Gruyter (on the reverse) chalk on paper 50 x 64.5 cm., unframed Executed circa 1916-1918; and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)
1,000-1,500
US$1,400-2,000
1,000-1,500
US$1,400-2,000
22
92 (part lot)
96
93
97
94
l94 HUGO VILFRED PEDERSEN (1870-1959)
Batik painter
signed Hugo. V.P (lower left) oil on canvas 98 x 140 cm.
1,500-2,000
PROVENANCE:
US$2,100-2,700
Ingang bij Pasir Malang

inscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse) oil on canvas 50 x 67.5 cm.; and Another oil on canvas by the same hand entitled Boom. (2)
Anonymous sale, Sothebys, Singapore, 22 October 2006, lot 31.

95 No Lot l96 JOHAN VAN AERSCHOT (20TH CENTURY)
1,000-1,500
EXHIBITED:
US$1,400-2,000
Danger ahead
signed, dated and inscribed J v. Aerschot/Java 1926 (lower right) oil on canvas 63 x 89 cm. Painted in 1926.
The Hague, Galerie Nouvelles Images/Schiedam, Stedelijk Museum (travelling exhibition), Piet Ouborg: van hobbyist tot gewijde, 30 June 1979 - April 1981, no. 71.
1,800-2,200
l93 FRANS BAKKER (1871-1944) l97 ARTHUR ELAND (1884-1948)
US$2,500-3,000
Activities in an Indonesian village

signed Frans Bakker (lower right) oil on canvas 45.5 x 70.5 cm.
Indonesian landscape with a fisherman in a boat

signed A. Eland. (lower right) oil on canvas 40 x 55 cm.
1,800-2,200
US$2,500-3,000
1,000-1,500
US$1,400-2,000
23
l!98 FERNANDO CUETO AMORSOLO (1892-1972)
Igorot From the Hills, Baguio

signed and dated FC Amorsolo/1928. (lower left); and inscribed with title (on the reverse) oil on panel 34 x 41 cm. Painted in 1928.
10,000-15,000
US$14,000-20,000
99 RADEN SARIEF BUSTAMAN SALEH (1811-1880)
British marine vessel in heavy weather

signed and dated Raden Saleh 1840 (lower right) oil on canvas 34.5 x 42.5 cm. Painted in 1840.
8,000-10,000
PROVENANCE:
US$11,000-14,000
Dr. Umberto Cosentino, So Paolo.
98
l100 HENDRIK PAULIDES (1892-1967)
Javanese dancer
lithograph, 1925, on wove paper, with margins, signed in pencil, numbered no. 2B, sheet timestained, sheet glued down onto the mount, foxing and staining in the margins S. 640 x 476 mm.; L. 565 x 367 mm.
800-1,200
US$1,100-1,600
l101 WILLEM GERARD HOFKER (1902-1981)
Ni Kenjoen met lamplicht (Carpenter 479)

soft-ground etching, 1946, signed in pencil, inscribed Bali/Epr. dartiste, sheet somewhat timestained, unexamined out of the frame, apparently in good condition S. 500 x 350 mm.; P. 355 x 250 mm.
800-1,200
US$1,100-1,600
l102 HENRY VAN VELTHUYSEN (1881-1954)
Activities in an Indonesian village by a river

signed H.v.Velthuysen (lower left) oil on canvas laid down on plywood 50.5 x 61 cm.
99
2,000-3,000
US$2,800-4,100
102
100
101
24
103
103 ISAAC ISRAELS (1865-1934)
Indonesian dancer and gamelan orchestra

signed Isaac Israels (lower right) oil on canvas 80.5 x 99.5 cm. Painted in 1922.
35,000-45,000
PROVENANCE:
US$48,000-61,000
In the possession of the family of the present owner since the 1930s.
LITERATURE:
A. Wagner, Isaac Israels, Venlo 1985, no. 174, p. 175 (illustrated p. 136).
l!104 WILLEM GERARD HOFKER (1902-1981)
Padoeraksa-tempel in Pagan, Denpasar, Bali

signed, dated and inscribed with title W.G. Hofker. 12 Juli 1938. (lower right) chalk, watercolour and gouache on paper 27.5 x 33.5 cm. Executed in 1938.
8,000-12,000
US$11,000-16,000
104
25
105
107
106
108
l105 RUDOLF BONNET (1895-1978) l107 RUDOLF BONNET (1895-1978)
Studie voor wandschildering De Boeginezen Makassar

signed R.Bonnet (lower right); and dated and inscribed with title 1946 (upper right). charcoal on paper 71 x 53 cm. Executed in 1946.
A young Balinese man wearing a hat

signed R. Bonnet (upper right); and inscribed and dated Bali 1976 (upper left) chalk and pastel on paper 48 x 40 cm. Executed in 1976.
6,000-8,000
PROVENANCE:
US$8,200-11,000
5,000-7,000
PROVENANCE:
US$6,800-9,500
Neka Gallery, Ubud, Bali.

LITERATURE:
H. de Roever-Bonnet, Rudolf Bonnet, Een zondagskind: Zijn leven en zijn werk, Wijk en Aalburg, 1993, no. 75, p. 111 (illustrated).
l108 RUDOLF BONNET (1895-1978)
Koenhartadi
l106 LUIGI NOBILI (20TH CENTURY)
A seated nude
signed Nobili (lower left) chalk on paper, unframed 44 x 59.5 cm.
signed R. Bonnet (lower right); and dated, inscribed with title and inscribed Bali 1973 (lower left) chalk and pastel on paper 60.5 x 34 cm. Executed in 1973.
12,000-16,000
PROVENANCE:
US$17,000-22,000
1,000-1,500
US$1,400-2,000
Rudana Fine Art Gallery, Ubud, Bali.
26
Ni Gusti Kompiang Mawar

signed, dated and inscribed W.G. Hofker/Bali 1940 (upper left); and signed again and inscribed Oeboed-Bali/Goesti Compiang (on the reverse) oil on canvas 53 x 52 cm. Painted in 1940.
200,000-300,000
PROVENANCE:
US$280,000-410,000
Acquired by the father of the present owner, 1969.

EXHIBITED:
Apeldoorn, Gemeentelijke van Reekum Galerij, 6-28 September 1969.

LITERATURE:
Compare with the cont drawing and etching of the same subject: B. Carpenter, Willem Hofker, Painter of Bali, Wijk en Aalburg, 1993, p. 89, p. 195.
The present lot bears an intimate quality because of the model, the date, the frame, and its provenance. Ni Gusti Kompiang Mawar was probably one of Hofkers most favorite models. The Balinese dancer and accomplished weaver was portrayed by him several times in oil, cont drawing and, upon returning to the Netherlands after World War II, in etching and mezzotint. The etching (g. 1) is based on the present lot. Hofker arrived on Bali in 1938, and lived there until 1943, when he and his wife Maria were interned by the Japanese. He has portrayed Kompiang Mawar several times during his stay on Bali. The present lot, dated 1940, is probably one of the rst, if not the rst known portrait of her by Hofker. The portrait of Ni Gusti Kompiang Mawar, dated 1943, (sold in these rooms on 20 November 2012 as lot 27 for 650,000 hammer price) which
shows Kompiang in a ceremonial dress, while elegantly gazing down, is comparable to the present lot. Although slightly more modest in size, the relaxed manner in which Kompiang is seated, loosely holding the basket, makes it into a most convincing painting within Hofkers oeuvre. The toned-down colours of her dress and the background further add to the intimate quality. This portrait of Kompiang was not only one of the rst portraits Hofker ever made of her, it was also the portrait of her he would hold on to the longest, until 1969. In a letter to the new owner, late 1969, he wrote: Bijzonder getroffen was ik dat Goesti Compiang Mawars beeltenis zoo onverwachts een begrijpend tehuis kreeg: herinneringen aan ons Indi.....! (Ive been especially touched by the fact that Gusti Kompiang Mawars portrait would, so unexpectedly, nd a new and understanding home: memories of our (Dutch East) Indies....!). In a second letter Hofker wrote he was working on the frame, which in the end would be delivered early 1970. Hofker used to make, or at least decorate, the frames around the works of art that we assume were most precious to him. In this case, Hofker coloured the hand-made frame, and used his spattering technique, that he started using in Bali together with his close friend Rudolf Bonnet. This Hofker frame, embracing Gusti Kompiangs portrait, enhances the sensation that the painting remained in a highly original state over many years. To be included in the forthcoming publication on W.G. Hofker, currently being prepared by Seline Hofker and Gianni Orsini. We kindly thank Gianni Orsini and Seline Hofker fig.1 W.G. Hofker, Ni Gusti Kompiang Mawar, etching, 1948. for their help in cataloguing the present lot.
27
110
112
111
l110 ROLAND STRASSER (1895-1974)
113
l112 AUKE SONNEGA (1910-1963)
Chinese farmer
signed and inscribed Strasser/China (lower right) oil on canvas laid down on board 75 x 51 cm.
Havenarbeider van Singaradja

signed, dated and inscribed with title Auke Sonnega./1950 (lower right) oil on canvas 130 x 86 cm. Painted in 1950.
4,000-6,000
PROVENANCE:
US$5,500-8,100
Anonymous sale, Christies, Amsterdam, 4 October 2005, lot 146. Acquired at the above sale by the present owner.
12,000-16,000
l113 WILLEM DOOYEWAARD (1892-1980)
US$17,000-22,000
l111 ROLAND STRASSER (1895-1974)
Playing the ute, North-Africa

signed W. Dooijewaard (lower right) oil on canvas 80 x 65 cm.
Fishermen and prau along the Indonesian coast

signed Strasser (lower left) oil on canvas 100 x 74 cm.
3,000-5,000
PROVENANCE:
US$4,100-6,800
4,000-6,000
US$5,500-8,100
Acquired directly from the artist by the family of the present owner.
28
l114 HAN SNEL (1925-1998)
Bali
signed, dated and inscribed with title Han Snel 77 (lower left) oil on canvas 95 x 105 cm. Painted in 1977.
10,000-15,000
PROVENANCE:
US$14,000-20,000
Acquired by the present owner in 1991.
115 HAJI WIDAYAT (1923-2002)
Forest with birds

signed and dated Widayat/76 (lower right) oil on canvas 99 x 125.5 cm. Painted in 1976.
18,000-22,000
PROVENANCE:
US$25,000-30,000
Neka Gallery, Ubud, Bali. Acquired from the above by the present owner.
114
116 HAJI WIDAYAT (1923-2002)
Flamboyan tua
signed, dated and inscribed with title Widayat/81 (lower right); and signed and dated again (lower left) oil on canvas 109.5 x 130.5 cm. Painted in 1981.
18,000-22,000
PROVENANCE:
US$25,000-30,000
l117 HAN SNEL (1925-1998)
Balinese Girls
signed, dated and inscribed Han Snel. Bali 76 (lower left) oil on canvas 70.5 x 50.5 cm. Painted in 1976.
3,000-5,000
PROVENANCE:
US$4,100-6,800
115
117
116
29
118
119
l118 WILLEM DOOIJEWAARD (1892-1980)
l!119 ROLAND STRASSER (1895-1974)
Balinese dancer
signed W. Dooijewaard (lower right) oil on canvas 100 x 50 cm.
Geisha
signed and inscribed Strasser/Kyoto (lower right) oil on canvas 114 x 53 cm.
30,000-50,000
PROVENANCE:
US$41,000-68,000
6,000-8,000
US$8,200-11,000
Acquired by the family of the present owner, circa 1930-1935.
Willem Dooijewaard was both painter and adventurer; seized by the urge to undertake extensive journeys in search of eclectic new experiences and painting subjects. He was willing to endure great hardship while traveling by foot or on horseback through the most insular and remote regions in order to depict his colourful exotic scenes. Dooijewaard shared his appetite for adventure and modern gurative style of painting with his close friend Roland Strasser. Both had a predilection for raw and real people and therefore refrained from using models as much as possible.
Together they made breathtaking journeys through the Dutch Indies, Central Asia and Japan. In these distant countries and amid their exotic peoples they created some of their most important works. The works by Dooijewaard and Strasser in this current sale can be considered prime examples of their versatile, exotic oeuvres, as well as a testimony to their explorative, even heroic journeys.
30
Balinese Girl
signed and inscribed W.G. Hofker./Bali (upper right); and dated oct 1943 (upper left); and signed, dated and inscribed again (on the reverse); and signed again (on the stretcher) oil on canvas 36 x 28 cm. Painted in 1943.
80,000-120,000
EXHIBITED:
US$110,000-160,000
Arti et Amicitiae, Amsterdam, July 1946.

LITERATURE:
B. Carpenter, Willem Hofker, Painter of Bali, Wijk en Aalburg, 1993, no. I-14, p. 203
To be included in the forthcoming publication on W.G. Hofker, currently being prepared by Seline Hofker and Gianni Orsini.
31
121
125
l121 GERARD PIETER ADOLFS (1897-1968)
126
Antiquair Werkplaats, Algiers

signed Ger. P. Adolfs. (lower left); and inscribed with title and inscribed No.E. (on the reverse) oil on plywood 40 x 50 cm. Painted in 1939.
5,000-7,000
LITERATURE:
US$6,800-9,500
E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk en Aalburg 2008, pp. 75, 384 (illustrated).
122 PUTU NGURAH WARDHANA (B. 1933)
Harvesting time, Bali

122 (part lot)
signed, inscribed and indistinctly dated PN. Wardhana/Bali (...) (lower left) acrylics on canvas 90.5 x 135.5 cm.; and Another acrylics on canvas by the same hand, depicting a temple ceremony, dated 1988.
(2)
2,000-3,000
PROVENANCE:
US$2,800-4,100

123 GERARD PIETER ADOLFS (1897-1968)
Chinees Antiquair
signed Adolfs. (lower left); and signed again, dated, numbered and inscribe with title 65/No 846 (on the reverse) oil on canvas 30 x 39.5 cm.
3,500-4,500
l124 LUCIEN FRITS OHL (1904-1976)
US$4,800-6,100
Street vendors
123
signed L Frits Ohl. (lower right) oil on canvas 61 x 81 cm.
1,200-1,600
125 ABDUL AZIZ (1928-2002)
US$1,700-2,200
Balinese girl with a basket of fruits

signed and dated Abdul Aziz/Bali/1981 (upper left) oil on canvas 51 x 40.5 cm. Painted in 1981.
2,500-5,000
PROVENANCE:
US$3,400-6,800

126 ABDUL AZIZ (1928-2002)
Balinese Girl
signed and dated Abdul Aziz/Bali 1982 (lower right) oil on canvas 35 x 30 cm. Painted in 1982.
124
1,200-1,600
PROVENANCE:
US$1,700-2,200
32
Scenery Maroc
signed Adolfs (lower left); and signed again, dated, inscribed with title and numbered 62 No. 611 (on the reverse). oil on canvas 40 x 30 cm. Painted in 1962.
Marktguren, Java
signed Adolfs (lower left); and signed again, dated, inscribed with title and numbered 48 No. 29 (on the reverse) oil on canvas 40 x 30 cm. Painted in 1948.
4,000-5,000
PROVENANCE:
US$5,500-6,800
5,000-7,000
PROVENANCE:
US$6,800-9,500
Acquired directly from the estate of the artist.

LITERATURE:

LITERATURE:
E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk en Aalburg, 2008, pp. 303, 404 (illustrated).
E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk en Aalburg, 2008, pp. 252, 388 (illustrated).
l129 LUCIEN FRITS OHL (1904-1976)
A busy street market

signed L. Frits Ohl. (lower right) oil on canvas 76 x 61 cm.
1,200-1,600
US$1,700-2,200
130 GERARD PIETER ADOLFS (1897-1968)
A squatting man
signed Adolfs. (lower left) gouache on paper 47 x 62 cm.
1,500-2,000
US$2,100-2,700
129
131
l131 LEO ELAND (1884-1952)
Indonesian villagers passing a Batak house

signed L Eland. (lower right) oil on canvas, unframed 80 x 59.5 cm.
1,500-2,000
US$2,100-2,700
Market vendor, Madura

signed, dated and numbered Adolfs 57 No. 49 (lower left) pastel on paper 65 x 51 cm. Executed in 1957.
1,500-2,000
PROVENANCE:
US$2,100-2,700
130
132
33
138
133
136
139
134
137
133 BALINESE SCHOOL (20TH CENTURY)
140
A crane and its youngster

inscribed Bali (underneath) hardwood 42 cm. high
Meditation
inscribed with MD Runda & Son/Sakah/Bali (on the side of the wooden base) hardwood 103 cm. high
1,000-1,500
US$1,400-2,000
2,000-3,000
137 BATUAN SCHOOL (EARLY 20TH CENTURY)
US$2,800-4,100
Balinese dancing girl holding a lotus ower

inscribed with monogram and Njana Tilem/Gallery/Mas-Bali (underneath) coromandel wood 32.5 cm. high
Activities on the water

pencil and ink on paper 73.5 x 48 cm.
2,000-3,000
138 DEWA KETUT TJENIK (20TH CENTURY)
US$2,800-4,100
1,000-1,500
135
US$1,400-2,000
Rural life on Bali

signed and inscribed Dewa Ketut Tjenik/Batuan Gianyar/Bali (on the reverse) watercolour on paper 25 x 32.5 cm., unframed
Garuda and Vishnu

black wood 26 cm. high
1,000-1,500
US$1,400-2,000
4,000-6,000
US$5,500-8,100
34
!139 DEWA PUTU BEDIL (1921-1999)
Riverside activities
signed D.W. PutuBedil (lower right) tempera on canvas 48 x 64.5 cm.
1,500-2,000
140 I NYOMAN LESUG (B. 1939)
US$2,100-2,700
Cows and birds in a forest

signed and dated I Nyoman Lesug/Ubud. Bali. 80. (lower right) acrylics on canvas 45.5 x 45.5 cm. Painted in 1980.
1,000-1,500
PROVENANCE:
US$1,400-2,000

141 WALASSE TING (1929-2010)
Green Lady with Pink Rose

with the artists stamp (upper right) acrylic on paper laid down on cardboard 56 x 68 cm.
5,000-7,000
PROVENANCE:
US$6,800-9,500
A gift by the artist to the family of the present owner.

141
142 WALASSE TING (1929-2010)
Two ladies
with the artists stamp (upper centre) acrylic on paper laid down on cardboard 48 x 61 cm.
6,000-8,000
PROVENANCE:
US$8,200-11,000
A gift by the artist to the family of the present owner.

l143 FRANS OERDER (1867-1944)
Coconut rope weaver

signed F.D. Oerder (lower right); and indistinctly inscribed Coconut rope .. (on the reverse) oil on canvas 38.5 x 23.5 cm.
2,000-3,000
US$2,800-4,100
l144 ARIE SMIT (B. 1916)
Farmer going home with his cow, Bali

signed, inscribed and inscribed with title Arie/Bali gouache on paper laid down on cardboard 34 x 37 cm.
1,000-1,500
US$1,400-2,000
142
143
144
35
SCULPTURES (LOTS 145-187)
145
147
146
145 JOSEPH MENDES DA COSTA (1864-1939)
148
l147 JOZEF CANTR (1890-1957)
Two monkeys
with indistinctly dated monogram 1905? (on the inside) glazed ceramics 14 cm. high
Torso of a nude
signed Jozef/Cantr (on the reverse) painted plaster 28 cm. high (excl. wooden base)
2,000-3,000
l146 MOISSEY KOGAN (1879-1943)
US$2,800-4,100
1,200-1,600
l148 LAMBERTUS ZIJL (1866-1947)
US$1,700-2,200
Three Graces
signed with initials and numbered M.K. 4/6 (on the side) bronze with a brown patina 14.5 cm. high (excl. wooden base)
Elephant
signed with initials and dated LZ18 (on the side of the base); and with foundry mark Bronsgieterij/Brom/Utrecht (underneath) bronze with a brown patina 11 cm. high Conceived in 1980 and cast in an unknown edition.
1,000-1,500
US$1,400-2,000
1,200-1,800
149-150 No Lots
US$1,700-2,400
36
l151 WILLEM COMMANDEUR (1917-1966)
Untitled
signed with initials and dated WC 51 (on the side) wood 60.5 cm. high Executed in 1951.
1,000-1,500
US$1,400-2,000
l152 THEO MACKAAY (B. 1950)
Untitled
signed, dated and numbered 11/15. t.mackaay.07 (along the lower edge) bronze with a brown and gold patina 85.5 cm. Conceived in 2007 and cast in an edition of 15.
151
2,000-3,000
US$2,800-4,100
l153 EMILE CORNELIS (B. 1946)
154
Woman with hat

bronze with a brown patina 43.5 cm. high Conceived in 2000 and cast in an edition of seven.
1,800-2,200
US$2,500-3,000
l154 THEO MACKAAY (B. 1950)
Untitled
signed, dated and numbered 14/15 t.mackaay.07 (along the lower edge) bronze with a dark brown patina 136.5 cm. (including the stone base) Conceived in 2007 and cast in an edition of 15.
152 155
2,000-3,000
US$2,800-4,100
l155 DAVID VAN DE KOP (1937-1994)
Untitled
welded steel 21 cm. high
1,000-1,500
US$1,400-2,000
l156 EMILE CORNELIS (B. 1946)
In love
with foundry mark (on the side of the bronze base) bronze with a brown patina 50.5 cm. high Conceived in 2002 and cast in an edition of seven.
3,000-5,000
US$4,100-6,800
153
156
37
160
157
161
l157 CRIS AGTERBERG (1883-1948) l159 PIETER DHONT (1917-1997)
Head of Darja Collin (1902-1967)

158
Mare and foal

bronze with a brown patina 33 cm. high Conceived in 1969 and cast in an edition of circa 100.
signed and with foundry mark Cris Agterberg/Metaalgietery Holland Adam (on the reverse) bronze with a brown patina 24 cm. high Conceived in 1927 and cast in an unknown edition.
2,000-3,000
LITERATURE:
US$2,800-4,100
3,000-5,000
PROVENANCE:
US$4,100-6,800
Acquired directly from the artist by the grandfather of the present owner.
LITERATURE:
J. Teeuwisse et al., Beeldhouwer Pieter dHont Leven en werk 19171997, Utrecht, 1997, p. 144, no. VP47I (illustration of another cast)
l160 ANTON RDECKER (1887-1960)
Marcel Brouwer, Joep Haffmans, Cris Agterberg, beeldhouwer en sierkunstenaar, Vianen, 2001, no. 78, p. 134 (another cast illustrated).
A watchful doe
signed with monogram (on the side of the bronze base) bronze with a brown patina 21 cm. high
158 C. SABOURET (20TH CENTURY)
1,000-1,500
l161 JAAP KAAS (1898-1972)
US$1,400-2,000
Ice hockey player

signed C. Sabouret (on the left leg), and with foundry mark Susse fondeur Paris (on the left skate) bronze with a dark brown patina 23 cm. high
159
A walking brown bear

bronze with a brown patina 30 cm. high (incl. the bronze base) Conceived in 1960 and cast in an edition of ve.
1,500-2,000
PROVENANCE:
US$2,100-2,700
Ossip Zadkine, Paris, A gift from the above to the father of the present owner, 1965.
2,000-3,000
LITERATURE:
US$2,800-4,100
J. Teeuwisse, Leven en werk van beeldhouwer-tekenaar Jaap Kaas, Utrecht, 1987, no. 64, p. 154, p. 100 (illustration of another cast).
PROVENANCE:
A gift from the artist to the family of the present owner.

Another cast of the present lot can be found in Artis Zoo, Amsterdam.
38
162
163
164
165
l162 KEES VERKADE (B. 1941)
Fietsers
signed and dated Verkade 1968 (on top of the bronze base) bronze with a dark brown patina 49 cm. high Conceived and cast in 1968.This piece is unique.
Vallen met Rolschaatsen

signed with initials and dated KV66 (on the side of the base) bronze with a dark brown patina 15 cm. high Conceived and cast in 1966.This piece is unique.
Oude garnalenvisser
signed with initials, dated and numbered KV69 10/10 (on the side of the bench) bronze with a dark brown patina 16 cm. high Conceived in 1969 and cast in an edition of 10.
Vliegen
signed with initials and dated KV74 (on the side of the base) bronze with a brown patina 19.5 cm. high Conceived and cast in 1974.This piece is unique.
6,000-8,000
PROVENANCE:
US$8,200-11,000
1,200-1,600
PROVENANCE:
US$1,700-2,200
1,000-1,500
PROVENANCE:
US$1,400-2,000
1,500-2,000
PROVENANCE:
US$2,100-2,700
To be sold with a certicate of authenticity signed by the artist.
39
166
168 (part lot)
170
171
167
l166 CHARLOTTE VAN PALLANDT (1898-1997)
169
172
Voorover leunend
signed with monogram (on the side) bronze with a brown patina 14.5 cm. high Conceived in 1965 and cast in an edition of ten.
Study for Voorover leunend

signed and dated Pallandt/1965 (lower left) chalk on paper 35 x 27 cm. Executed in 1965; and A study for Grote Staande by the same hand from 1958.
Ineke
signed with monogram and with foundry mark (on the side of the base) bronze with a brown patina 26 cm. high Conceived in 1949 and cast in an edition of eight.
2,000-3,000
PROVENANCE:
US$2,800-4,100
(2)
1,500-2,000
PROVENANCE:
US$2,100-2,700
2,000-3,000
PROVENANCE:
US$2,800-4,100
Acquired directly from the artist by the present owner.

EXHIBITED:
Amsterdam, Stedelijk Museum/Zwolle, Provinciehuis, Charlotte van Pallandt: Beelden en Tekeningen, 8 October 1981 - 29 January 1982, no. 44 (another cast exhibited).
LITERATURE:
Kunsthandel Lambert Tegenbosch, Heusden. Acquired from the above by the present owner, early 1970s.
l169 ARTHUR SPRONKEN (B. 1930)
Acquired directly from the artist by the present owner.

LITERATURE:
L. Tegenbosch, Charlotte van Pallandt: Beelden en tekeningen, Katwijk aan Zee, 1978, no. 15, pp. 58 and 150 (illustrated). L. Tegenbosch and M. Koekkoek, Charlotte van Pallandt: Beelden en tekeningen, Zwolle, 1994, no. 125, p. 135 (illustrated).
l167 ARTHUR SPRONKEN (B. 1930)
Horse
bronze with a green patina 25 cm. high (excl. the stone base)
L. Tegenbosch, Charlotte van Pallandt: Beelden en tekeningen, Katwijk aan Zee, 1978, no. 52, pp. 120-121 (illustrated). L. Tegenbosch and M. Koekkoek, Charlotte van Pallandt: Beelden en tekeningen, 1994, no. 52, p. 111 (illustrated).
l172 SLAVOLJUB RADOJCIC-CAJA (B. 1942)
5,000-7,000
l170 CRIS AGTERBERG (1883-1948)
US$6,800-9,500
Raskolnikow II
bronze with a brown patina 42.5 cm. high Conceived in 1965 and cast in an unknown edition.
A bronze gural candlestick

stamped with foundry mark Cris Agterberg/Utrecht-Holland bronze with a brown patina 41 cm. high
A horse
signed with monogram (on the neck of the horse) bronze with a green black patina 27.5 cm. high (excl. the stone base)
1,000-1,500
US$1,400-2,000
2,000-4,000
LITERATURE:
US$2,800-5,400
6,000-8,000
US$8,200-11,000
Marcel Brouwer, Joep Haffmans, Cris Agterberg, Beeldhouwer en Sierkunstenaar, Vianen, 2001, no. 11, p. 30 (another cast illustrated).
40
173
175
177
174
176
178
l173 REINHOUD DHAESE (1928-1996)
l176 FRANCO ADAMI (B. 1933)
l177 REINHOUD DHAESE (1928-1996)
Aracami
dated 1992 (underneath the base) welded copper on a litho stone 93 cm. high (incl. the stone base) Executed in 1992, this piece is unique.
Loiseau sage
signed, numbered and with foundry mark F. Adami 6/8 fonderia Guastini (on the side of the bronze base) bronze with a black patina 26 cm. high Conceived in 1991 and cast in an edition of eight.
You dont say

dated and inscribed with title 1987 (on the top of the base) welded tin on a litho stone 36 cm. high (incl. the stone base) Executed in 1987, this piece is unique.
3,000-5,000
PROVENANCE:
US$4,100-6,800
2,500-3,500
US$3,400-4,700
2,000-3,000
PROVENANCE:
US$2,800-4,100
Art Investment, The Hague.
Art Investment, The Hague.
l!174 EVERT DEN HARTOG (B. 1949)
l175 FRANCO ADAMI (B. 1933)
Kop in de wolken
signed, numbered and with foundry mark Hartog/4/8 Art Casting Belgium (on the side of the standing leg) bronze with a marbleized patina 51.5 cm. high (excl. the stone base) Conceived in 2006 and cast in an edition of eight.
Le juge
signed, numbered and with foundry mark F. Adami 3/8/ fonderia*** (on the side of the bronze base) bronze with a black patina 50 cm. high Conceived in 1993 and cast in an edition of eight.
Lift
signed, dated, numbered and with foundry mark K. Verkade 82/6/6/Guyot/Fondeur (on top of the base) bronze with dark brown patina 43.5 cm. high Conceived in 1982 and cast in an edition of six.
4,000-6,000
US$5,500-8,100
3,000-5,000
US$4,100-6,800
2,500-3,500
US$3,400-4,700
41
179
181
180
182
l179 HILDO KROP (1884-1970) l181 HILDO KROP (1884-1970)
Liggende vrouw
indistinctly signed Hildo K (on the reverse) glazed terracotta 12 cm. high, 57.5 cm. long (excl. the stone base) Executed in 1939.
Het sentimentele lied

signed with initials HLK (at the lower left side); and signed again (on the inside) glazed terracotta 21.5 cm. high Executed in 1926.
1,500-2,000
EXHIBITED:
US$2,100-2,700
1,200-1,600
EXHIBITED:
US$1,700-2,200
The Hague, Kunsthandel G.J. Scherpel, Hildo Krop 1884-1970: beeldhouwer en ceramist: herdenkingstentoonstelling, 26 February - 24 March 1984, no. 15a.
Amsterdam, Expositiezalen Mak van Waay, Hildo Krop: Stadsbeeldhouwer van Amsterdam: Herdenkingstentoonstelling, 1-30 July 1972, no. 102. The Hague, Kunsthandel G.J. Scherpel, Hildo Krop 1884-1970: beeldhouwer en ceramist: herdenkingstentoonstelling, 26 February - 24 March 1984, no. 8.
l180 BART VAN DER LECK (1876-1958)
l182 PABLO PICASSO (1881-1973)
Goat
signed with initials BvdL (on the side) a glazed pottery tile 12.5 x 12.5 cm.
Wood-owl (A.R. 542)

partially glazed white earthenware vase painted in colours, 1968, numbered 83/500, incised Edition Picasso and R. 146, with the Madoura Plein Feu and Edition Picasso pottery stamps on the underside, chip from the tail rim, surface dirt, otherwise generally in good condition 29 cm. high
1,500-2,000
US$2,100-2,700
3,500-4,500
US$4,800-6,100
42
183
185
184
183 CHARLES VAN WIJK (1875-1917)
186
l185 PIETER DHONT (1917-1997)
187
Homewards
signed Charles v. Wyk (on the base) bronze with a dark brown patina 56 cm. high
Het Gesprek
with foundry mark MS (underneath) bronze with a brown patina 53.5 cm. high Conceived in 1960 and cast in an edition of circa 10.
6,000-8,000
PROVENANCE:
US$8,200-11,000
3,000-5,000
LITERATURE:
US$4,100-6,800
Kleykamp, The Hague, Nalatenschap Charles van Wijk, 27 November 1917, nr. 5. Collection Meentwijck, Bussum.
EXHIBITED:
J. Teeuwisse et al., Beeldhouwer Pieter dHont Leven en werk 1917-1997, Utrecht, 1997, p. 136, no. VP251 (illustration of another cast)
The Hague, Pulchri Studio, 1895 (entitled Terugkeer). Amsterdam, Kunsthandel Voskuil, November 1902 (entitled Terugkeer). San Francisco, Panorama Pacic International Exhibition, 1915, nr. 188 (entitled Cessation from Labour). Katwijk, Katwijks Museum, Charles van Wijk (1875-1917) Beeldhouwer van een vrij en ongebonden volk, 3 July-25 September 1999, no. 5 (ill.).
LITERATURE:
An old lady spinning

signed Charles v. Wyk (on the base) bronze with a brown patina 36 cm. high
P.A. Haaxman Jr., Charles van Wijk, Elsevier Gellustreerd Maandschrift, (1909), p. 232. J. Slagter, Charles van Wijk 1875-1917, Elseviers Gellustreerd Maandschrift, (1917), p. 396 (ill.)
Visit www.christies.com for additional information on this lot
3,000-5,000
US$4,100-6,800
l187 TJIPKE VISSER (1876-1955)
Krijntje
signed Charles v. Wyk (on the reverse) bronze with a brown patina 22 cm. high
Fisherman playing the accordeon

signed with monogram and numbered 3/6 (on the side on the base) bronze with a brown patina 24.5 cm. high (incl. wooden base) Conceived in 1911 and cast in an edition of six.
1,500-2,000
LITERATURE:
US$2,100-2,700
2,000-3,000
LITERATURE:
US$2,800-4,100
H. Stork, Charles van Wijk: beeldhouwer van een vrij en ongebonden volk, Katwijk, 1999, no. 31, p. 67, 46 (another cast illustrated)
Tjipke Visser, Tjipke Visser: beeldhouwwerk 1902-1936, Amsterdam, 1936, p. 45. Herman Martin, Tjipke Visser, beeldhouwer [...], Drachten, 1958, p. 34.
43
188
191
192
l193 JAN RODE (1914-2007)
Beerta I
189
l188 SERGE CHARCHOUNE (1888-1975) l191 EDOUARD PIGNON (1905-1993)
Art Or l N5
signed and dated Charchoune XI 61 (lower right); and signed and dated again and inscribed with title (on the reverse) oil on canvas 33 x 55 cm. Painted in 1961.
Untitled
signed and dated Pignon/57 (lower right) oil on board 65.5 x 50 cm. Painted in 1957.
signed and dated Rode 66 (lower left); and inscribed with title (on the backing) oil on canvas 46 x 55 cm. Painted in 1966.
1,800-2,200
l194 ELIE LAMBERT (B. 1949)
US$2,500-3,000
5,000-7,000
PROVENANCE:
US$6,800-9,500
2,000-3,000
PROVENANCE:
US$2,800-4,100
Yarmouth
signed (scratched) Lambert (lower left); and inscribed with title and dated 87 (lower right) oil on canvas 90 x 115 cm. Painted in 1987.
Anonymous sale, Christies, Amsterdam, 5 June 1996, lot 98. Acquired at the above sale by the present owner.
l189 FELIX NUSSBAUM (1904-1944)
Kunsthandel M.L. de Boer, Amsterdam. Acquired from the above by the present owner.
l192 LOUIS ARMAND NALLARD (1918-2000)
2,500-3,500
US$3,400-4,700
Sunset seen from the deck of a ship

signed and dated Felix Nussbaum/1936 (lower left) oil on plywood 65.5 x 50.5 cm., unframed Painted in 1936.
Les Lampions - La Mouff

signed and dated Nallard 73 (lower left); and signed and dated again and inscribed with title (on the stretcher) oil on canvas 72 x 81 cm. Painted in 1973.
!195 GERARD VICTOR ALPHONS RLING (1904-1981)
A still life with watermelon

signed G.V.A. Rling (upper right) and signed again with initials and dated 45 (lower right) oil on board 22.5 x 26.5 cm. Painted in 1945.
10,000-15,000
190 no lot
US$14,000-20,000
1,500-2,000
PROVENANCE:
US$2,100-2,700
1,200-1,600
PROVENANCE:
US$1,700-2,200
Kunsthandel M.L. de Boer, Amsterdam. Acquired from the above by the present owner.
Arnot Gallery, New York, acquired directly from the artist.
44
193
196
194
197 (part lot)
195
198
l196 ELIE LAMBERT (B. 1949)
l197 REN PRINET (1861-1946)
!198 GERARD VICTOR ALPHONS RLING (1904-1981)
Blues and Royal [Band] having a break, Pontefrac[t] races

signed (scratched) Lambert (lower left); and signed again, dated and inscribed with title (on the reverse) oil on canvas 100 x 100 cm. Painted in 2006.
Woman and child at the seaside

with studio stamp (on the reverse) oil on panel 24 x 19 cm.; and Another painting by the same hand, depicting gures on a beach. (2)
A still life with pickled herring on a dish

signed (scratched) GVA Rling 47 (lower left) oil on board 20.5 x 29.5 cm. Painted in 1947.
2,500-3,500
2,500-3,500
US$3,400-4,700
1,000-2,000
PROVENANCE:
US$1,400-2,700
US$3,400-4,700
Arnot Gallery, New York, acquired directly from the artist.

199 no lot
45
AFTERNOON SESSION AT 2.00 PM (LOTS 200-371)
200
200
200
203
l200 MAURITS CORNELIS ESCHER (1898-1972)
204
Aarde, Lucht, Vuur, Water; the four elements (Eugne & Willy Strens New Years greeting-cards 1953-1956) (B. 382-385)
the set of four woodcuts in colours with letterpress, 1952-1955, on wove paper, from the edition of unknown size, the sheets loose, the sheets slightly timestained, otherwise generally in good condition S. 174 x 153 mm. (each), unframed in passepartout
Up and Down (Boven en Onder) (B. 352)

lithograph, 1947, on wove paper, signed in pencil, with wide margins, from the VAEVO edition of 400, the sheet glued down onto the mount, sheet mountstained, few pinholes in the upper area (margin), overall in good condition L. 505 x 205 mm.; S. 640 x 338 mm.
202
5,000-7,000
PROVENANCE:
US$6,800-9,500
1,500-2,000
PROVENANCE:
US$2,100-2,700
Anonymous sale, Christies, Amsterdam, 30 May 2006, lot 82. Acquired at the above sale by the present owner.
Eugne and Willy Strens. By descent from the above to the present owner.
201 no lot
Icosaeder
tin, 1963, designed by M.C. Escher, for N.V. De Vereenigde Blikfabrieken, metal, marked with artist monogram, slighty worn in places, spots of rust inside, overall in good condition 14 cm. high
Belvedere (B. 426)

lithograph, 1958, on wove paper, signed in pencil, numbered No 11/40, sheet lightstained, sheet glued onto the mount, upper edge glued to the passepartout in places, soft creasing and foxing in the margins, otherwise generally in good condition L. 465 x 296 mm.
800-1,200
US$1,100-1,600
6,000-8,000
US$8,200-11,000
Order and Chaos I (Orde en Chaos) (B. 366)

lithograph, 1950, on wove paper, signed in pencil, from the VAEVO edition of 400, with margins, the sheet laid down onto the mount with pieces of tape along the edges, the sheet somewhat timestained, otherwise generally in very good condition L. 280 x 280 mm.; S. 317 x 318 mm.
Puddle (Modderplas) (B. 378)

woodcut in colours, 1952, on wove paper, signed in pencil and inscribed eigen druk, with margins, the sheet attached to the passepartout with glue along the edges, few pieces of papertape along the reverse edges, soft skinning and few minor stains visible at the reverse, otherwise in very good condition B. 240 x 321 mm.; S. 328 x 405 mm.
4,000-6,000
US$5,500-8,100
7,000-9,000
US$9,500-12,000
46
205
206
208
207
209
Rippled surface (Rimpeling) (B. 367)

lithograph, 1950, on Japan, with margins, signed in pencil and inscribed eigen druk, sheet laid down at the reverse edges onto the passepartout with papertape, sheet mountstained, pinholes in upper right corner, small paper damage in centre left margin, otherwise in very good condition L. 260 x 322 mm.; S. 310 x 374 mm.
Belvedere (B. 426)

lithograph, 1958, on wove paper, signed in pencil, numbered 24/40, with wide margins, sheet somewhat timestained, few soft stains in left margin and in left half of the image, soft creasing in places, otherwise in good condition, unframed L. 465 x 298 mm.; S. 643 x 478 mm.
Order and Chaos II (Kompasroos) (B. 402)

lithograph, 1955, on wove paper, the sheet laid down onto the mount with tape along the reverse upper edge, the sheet somewhat timestained, minor creasing, two minor supercial scratches in the left margin, a small piece of papertape attached to the reverse lower left corner, otherwise generally in good condition L. 270 mm. diametre; S. 372 x 300 mm.
5,000-7,000
US$6,800-9,500
8,000-12,000
US$11,000-16,000
1,500-2,000
PROVENANCE:
US$2,100-2,700
Anonymous sale, Christies, Amsterdam, 29 November 2005, lot 328. Acquired at the above sale by the present owner.
47
213 210
211
214
215 (part lot)
212
l210 WILLEM HUSSEM (1900-1974) l213 WILLEM HUSSEM (1900-1974)
Untitled
signed with initials and dated WH 54 (lower right); and signed and dated again (on the reverse); and signed and dated twice again and numbered No 3 (on the stretcher) oil on canvas 54 x 65 cm. Painted in 1954.
Untitled
signed with initials and dated WH64 (on the reverse) oil on board 30.5 x 64.5 cm. Painted in 1964.
2,000-3,000
l214 JAN SIERHUIS (B. 1928)
US$2,800-4,100
2,000-3,000
l211 WILLEM HUSSEM (1900-1974)
US$2,800-4,100
Hommage aan El Grego

signed and dated Sierhuis 64 (lower right); and signed and dated again and inscribed with title and inscribed (on the reverse) oil and tempera on canvas 70 x 50 cm. Painted in 1964.
Untitled
oil on paper 17.5 x 32.5 cm. Executed in 1953.
215A
1,200-1,600
l212 WIM GERRITSEN (1897-1989)
US$1,700-2,200
1,500-2,000
l215 EUGNE BRANDS (1913-2002)
US$2,100-2,700
l215A EUGNE BRANDS (1913-2002)
Untitled
signed and dated Wim Gerritsen 57 (lower right) gouache on paper 53 x 73 cm. Executed in 1957.
Compositie met zwart fond

signed brands (lower centre) gouache on paper 37.5 x 29.5 cm. Executed in 1968; and Another gouache on paper by the same hand, titled Bloeiende kerseboom, 1968. (2)
Composition au noir magique

dated and inscribed with title I XII 94-2 (on the reverse) gouache, watercolour and collage on cardboard 37 x 28 cm. Executed in 1994.
1,500-2,000
PROVENANCE:
US$2,100-2,700
1,200-1,600
US$1,700-2,200
2,000-3,000
PROVENANCE:
US$2,800-4,100
Smelik & Stokking Galleries, The Hague. Kunsthandel M.L. de Boer, Amsterdam.
48
216
219
220 (part lot)
221 (part lot)
l216 CORNEILLE (1922-2010)
l219 CORNEILLE (1922-2010)
Untitled
217
Untitled
signed and dated Corneille 48 (lower right) gouache, watercolour and graphite on paper 49.5 x 64.5 cm. Executed in 1948.
signed and dated Corneille 67 (upper right) watercolour, felt pen and collage on paper 34.5 x 26.5 cm. Executed in 1967.
2,000-3,000
PROVENANCE:
US$2,800-4,100
7,000-9,000
US$9,500-12,000
Anonymous sale, Christies, Amsterdam, 26 February 2008, lot 287. Acquired at the above sale by the present owner.
l217 CORNEILLE (1922-2010)
l220 JAN SCHOONHOVEN (1914-1994)
Untitled
signed with initials and dated JJS 40 (lower right) ink on paper 10 x 14.5 cm. Executed in 1940; and Five other similar works on paper by the same hand.
La tranche de pastque
signed and dated Corneille 67 (lower left); and inscribed with title (lower right) gouache and ink on paper 40.5 x 32.5 cm. Executed in 1967.
(6)
2,000-3,000
US$2,800-4,100
2,500-3,500
PROVENANCE:
US$3,400-4,700
l221 GERRIT BENNER (1897-1981)
Galerij Kaleidoskoop, Ghent.

Three horses
signed Bnr (lower right) pastel and gouache on paper 74 x 99 cm.; and Another work on paper by the same hand, titled Two horseback riders. (2)
Untitled
signed with initials JJS40 (lower right) ink and watercolour on paper 14.5 x 10 cm. Executed in 1940; and Five other similar works on paper by the same hand.
3,000-5,000
(6)
PROVENANCE:
US$4,100-6,800
218 (part lot)
2,000-3,000
US$2,800-4,100
Kunsthandel Nanno Meijer, Groningen.
49
222
225 (part lot)
223 226 (part lot)
224
l222 CORNEILLE (1922-2010)
227
l225 MAX PAPART (1911-1994)
Portrait of a woman
signed and dated Corneille51 (upper right) pastel, chalk and pencil on paper 59 x 48 cm. Executed in 1951.
Untitled
signed Max Papart (lower centre) a painted layered mixed media collage 6 x 7.5 cm.; and Six other works on paper by the same hand.
(7)
2,000-3,000
PROVENANCE:
US$2,800-4,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
CoBrA Museum voor Moderne Kunst, Amstelveen (on loan, 1996).

Nahan Galleries, New Orleans/New York.

Fragmenten
signed and dated 2.58 brands (upper left) oil on paper laid down on panel 24 x 44.5 cm. Executed in 1958.
Untitled
signed with initials E.B. (lower left) gouache on paper 50.5 x 58.5 cm.; and Another gouache on paper by the same hand.
2,500-3,500
PROVENANCE:
US$3,400-4,700
(2)
1,500-2,000
l227 STEPHEN GILBERT (1910-2007)
US$2,100-2,700
Anonymous sale, Sothebys, Amsterdam, 21 May 1992, lot 199.

Viool en vlinders
signed and dated 12.53 brands (lower right); and signed thrice and dated twice again and inscribed with title twice and numbered cat. nr. 270 (on the reverse) oil on paper 22 x 23 cm. Executed in 1953.
Untitled
signed and dated Stephen Gilbert VI.52 (on the stretcher) oil on canvas 15.5 x 21.5 cm. Painted in 1952.
2,000-3,000
US$2,800-4,100
2,000-3,000
US$2,800-4,100
50
228
230 (part lot)
232 (part lot)
229
l228 WILLY BOERS (1905-1978)
231
l230 LILI ORSZG (1928-1978)
233
Untitled
signed and dated Willy Boers 1957 (lower right) gouache on paper 43 x 32 cm. Executed in 1957.
Untitled
oil on paper, in two parts 35 x 50.5 cm. (overall) (2)
Untitled
US$2,800-4,100
signed and dated J.J. Schoonhoven 1958 (on the reverse) ink on paper, unframed 50 x 32.5 cm. Executed in 1958; and Two other inks on paper by the same hand. (3)
2,000-3,000
1,200-1,600
US$1,700-2,200
l231 BENGT LINDSTRM (1925-2008)
2,000-3,000
l233 WIM STRIJBOSCH (1928-1968)
US$2,800-4,100
T89-15
signed and dated Schoonhoven 1989 (lower right); and inscribed with title (lower left); and signed, dated and inscribed with title again (on the reverse) ink on paper 50 x 32.5 cm. Executed in 1989.
La vague
signed, dated and inscribed with title Lindstrom 1960 (on the reverse) oil on panel 120 x 95 cm. Painted in 1960.
Untitled
signed and dated Wim Strijbosch 58 (upper right) oil on canvas 120 x 59 cm. Painted in 1958.
1,200-1,600
US$1,700-2,200
3,000-5,000
US$4,100-6,800
1,500-2,000
US$2,100-2,700
51
l234 PAT ANDREA (B. 1942)
Le secret
signed and dated Pat Andrea 1991-96 (lower right); and dated again and inscribed with title and twice with the artists stamp (on the backing) pencil, watercolour, gouache and ink on paper 46.5 x 54.5 cm. Executed in 1991-1996.
1,200-1,600
US$1,700-2,200
l235 AARON VAN ERP (B. 1978)
Drei Landrzte
signed, dated and inscribed with title Aaron 2003/4 (on the reverse) oil on canvas, unframed 114.5 x 160 cm. Painted in 2003-2004.
234 238
4,000-6,000
US$5,500-8,100
l236 FIE NORSKER (B. 1974)
The treasure
signed, dated and inscribed with title Fie Norsker 2008 (on the reverse) oil on canvas, unframed 120 x 140 cm. Painted in 2008.
1,000-1,500
US$1,400-2,000
l237 G-KAREL VAN DER STERREN (B. 1969)
Untitled
signed and dated G.K van der Sterren 97 (on the reverse) oil on canvas 47.5 x 47.5 cm. Painted in 1997.
235 239
2,000-3,000
PROVENANCE:
US$2,800-4,100
Anonymous sale, Sothebys, Amsterdam, 26 November 2002, lot 302.
238 MICHAEL PARKES (B. 1944)
Untitled
signed Parkes (lower right) oil on plywood 61 x 78 cm.
5,000-7,000
US$6,800-9,500
l239 ANUTOSH (B. 1970)
Divina aqua mystica

signed, dated, inscribed with title and inscribed Anutosh 1999 (on the reverse); and dated and inscribed with title again 98 (on the overlap) oil on canvas, unframed 140 x 200 cm. Painted in 1998-1999.
236 240
1,200-1,600
US$1,700-2,200
l240 MARTIN BRADLEY (B. 1931)
Growing inner man

signed and dated Martin Bradley 1975 (lower left); and inscribed with title (upper left) oil on canvas 98 x 98 cm. Painted in 1975.
1,000-1,500
US$1,400-2,000
l241 HERMAN KRIKHAAR (1930-2010)
Last dance
signed with monogram and dated 90 (lower right) oil on canvas 300 x 200 cm. Painted in 1990.
1,000-1,500
US$1,400-2,000
237
241
52
l242 BENGT LINDSTRM (1925-2008)
Femme au chat
signed Lindstrom (lower centre) acrylic on paper laid down on canvas 105 x 74 cm. Painted in 1984.
4,000-6,000
US$5,500-8,100
l243 JAN CREMER (B. 1940)
Untitled
signed and dated cremer 84 (lower right) oil on paper laid down on board 114.5 x 73.5 cm. Executed in 1984.
2,000-3,000
LITERATURE:
US$2,800-4,100
W.A.L. Beeren (a.o.), Cremer, I Paint, I Write, I Paint, Amsterdam 2000, pp. 233 (illustrated).
242
245
l244 LUCEBERT (1924-1994)
Untitled (eenoog als nar)

signed and dated Lucebert XI 69 (lower right) oil, gouache and charcoal on paper 58.5 x 45.5 cm. Executed in 1969.
2,500-3,500
US$3,400-4,700
l245 LUCEBERT (1924-1994)
Late bloei
signed and dated Lucebert 89 (lower right); and dated again and inscribed with title (on the stretcher); and dated twice again (on the turnover edges) oil on canvas 119.5 x 90 cm. Painted in 1989.
6,000-8,000
PROVENANCE:
US$8,200-11,000
Galerie Nouvelles Images, The Hague. Acquired from the above by the present owners.
243
246
Paysage Chinois I
signed and dated cremer 88 (lower right); and dated again and inscribed with title (on the backboard) oil on paper laid down on board 132.5 x 92.5 cm. Executed in 1988.
2,000-3,000
LITERATURE:
US$2,800-4,100
W.A.L. Beeren (a.o.), Cremer, I Paint, I Write, I Paint, Amsterdam 2000, pp. 279 (illustrated).
l247 LUCEBERT (1924-1994)
A head
signed and dated lucebert 87 (lower left) acrylic on canvas 79 x 60 cm. Painted in 1987.
3,000-5,000
PROVENANCE:
US$4,100-6,800
Cobra 50th Anniversary Sale, Christies, Amsterdam, 21 April 1998, lot 114. Acquired at the above sale by the present owner.
244 247
53
250
252
248 (part lot)
249
251 (part lot)
253 (part lot)
l248 ANTON HEYBOER (1924-2005)
The blind animal

four etchings in colours, 1982-1983, on wove paper, each signed and dated in pencil twice, the edges deckled, unexamined out of the frame, generally in very good condition 990 x 700 mm. (each) (4)
Natuur objectief, aardvaderen subjectief

etching in colours, 1964, on wove paper, signed and dated in ink, numbered eigen druk, with margins, sheet is discoloured, sheet curls up, torn pinholes in the corners, some soft staining to the extreme edges, some soft folds, spots of foxing on the reverse, unframed 1010 x 648 mm.; and Another etching with colours titled Genezende kwetzing by the same hand. (2)
l254 ERIK ANDRIESSE, MARLENE DUMAS, CAREL VISSER, TOON VERHOEF, KEES DE GOEDE, MARIEN SCHOUTEN, HAN SCHUIL, LAWRENCE WEINER, ROB BIRZA, CO WESTERIK, ROB VAN KONINGSBRUGGEN, PETER STRUYCKEN
A Dinner-service
all dinner plates signed (underneath) painted and glazed ceramic dinner plates 26.5 cm. (diameter) Conceived and executed from 1986-1990 in an edition of 250 and 15 artists proofs by Royal Mosa BV, Maastricht. (48)
2,000-3,000
l249 THEO WOLVECAMP (1925-1992)
US$2,800-4,100
1,200-1,600
PROVENANCE:
US$1,700-2,200
2,000-3,000
US$2,800-4,100
Abstract composition (recto); Abstract composition (verso)

signed Wolvecamp (lower right) gouache and watercolour on paper 31.5 x 47.5 cm.
2,000-3,000
PROVENANCE:
US$2,800-4,100
The rst sets of this service were commissioned by Museum Fodor together with the Amsterdam Chamber of Commerce, Amsterdam, from 1986 until 1990. Each set was designed by a different artist. Not all sets were produced in an edition of 250. For example: only 150 sets were produced for the Marlene Dumas design.
Untitled (Man and his life)

signed and dated anton heyboer augustus 1987 (along the lower edge) oil, acrylic and ink on canvas 90 x 100 cm. Painted in 1987.
l255 PAULA SWINNEN (B. 1964)
Anonymous sale, Christies, Amsterdam, 12 December 1990, lot 520.
l250 THEO WOLVECAMP (1925-1992)
1,000-1,500
US$1,400-2,000
Branch design coffee table with leaves, birds and dragonies

signed and dated Paula Swinnen 2012 (on top of one of the branches); and signed and dated again (underneath the tail of the bird on the glass plate) partially polished bronze with a brown patina, wood and a glass plate 53 x 155 x 88 cm. Executed in 2012, this piece is unique.
Untitled
with the dated estate stamp (on the reverse) oil on canvas 24 x 18 cm.
Verleiding
US$2,100-2,700
etching with colours, 1960, on wove paper, signed and dated in ink, numbered eigen druk, with margins, two torn pinholes in the upper edge, sheet wrinkled in places, sheet curls up, there is some staining in places, spots of foxing, unframed 322 x 505 mm.; and Three other etchings titled 4+3=7 (1960); Pzyche=kuizheid; De macht van recht van spreken is zonder kunst (1960). (4)
1,500-2,000
6,000-8,000
US$8,200-11,000
1,500-2,000
PROVENANCE:
US$2,100-2,700
54
254
257
255
259
256
258
l256 MARTIN KIPPENBERGER (1953-1997) l258 CAREL VISSER (B. 1928)
Keiner hilft keinem (nobody helps nobody)

signed with initials, dated and numbered M.K 93 28/30 (on an inner side of the inatable) felt pen and ink on an inatable handtrainer with the original manual 15 x 17 x 17 cm. Executed in 1993, this is number twenty-eight from an edition of thirty
Schuifdak
rubber tire, glass car windows and a metal roof 40 x 368 x 170 cm. Executed in 1985.
4,000-6,000
PROVENANCE:
US$5,500-8,100
2,000-3,000
l257 FORTUYN/OBRIEN
Groninger Museum, Groningen (on loan until 2010).

LITERATURE:
US$2,800-4,100
F. Haks, Notities bij vijf nieuwe beelden, in exh. cat. Carel Visser, Kasteel Wylr, 1985 (illustrated).
259 FLETCHER BENTON (B. 1931)
Eden (from the series House & Garden)

textile, foam rubber and a metal frame 75.5 x 63 x 35 cm. Executed in 1994, this piece is unique.
Folded square alphabet U

US$2,100-2,700
painted steel ca. 290 cm. high
1,500-2,000
PROVENANCE:
10,000-15,000
US$14,000-20,000
Galerie Bloom, Amsterdam. Anonymous sale, Sothebys, Amsterdam, 8 June 2004, lot 295. Acquired at the above sale by the present owner.
EXHIBITED:
Please note that the present lot will not be on view during the viewing days.
260 FLETCHER BENTON (B. 1931)
Prato, Museo dArte Contemporanea Luigi Pecci, Casa e giardino, 1994.
Work bench table #2

signed, dated, inscribed with title and inscribed Fletcher Benton 2003 (on top of the table) corten steel with tools, gloves and metal 183 cm. high Executed in 2003, this piece is unique.
1,500-2,000
US$2,100-2,700
260
55
l261 HERMAN BROOD (1946-2001)
Untitled
signed brood (lower left) acrylic and spraypaint on canvas, unframed 100 x 80 cm.
1,000-1,500
US$1,400-2,000
l262 RONALD VERSLOOT (B. 1964)
We
signed with initials and dated RFV 2003 (on the reverse); and with an artists label (afxed to the stretcher) acrylic and linocut on canvas 80 x 60 cm. Painted in 2003; and Another acrylic and linocut on canvas by the same hand, titled In & out.
261 264
(2)
2,000-3,000
PROVENANCE:
US$2,800-4,100
Galerie Akinci, Amsterdam. Acquired from the above by the present owners.
l263 HERMAN BROOD (1946-2001)
Untitled
signed brood (along the upper right edge) acrylic and spraypaint on canvas, unframed 120 x 100 cm.
1,000-1,500
US$1,400-2,000
l264 ROSEMIN HENDRIKS (B. 1968)
Untitled
charcoal on paper 139.5 x 150 cm.
2,000-3,000
US$2,800-4,100
262 (part lot)
265
Self-portrait
screenprint in colours, 1980, on wove paper, signed and dated in pencil, numbered 2/20, with margins, with pink neonlight tube, electricity tted, in good working order, the extreme edges deckled and discoloured, soft staining and surface dirt in the lower margin, otherwise apparently in good condition, unexamined out of the frame S. 750 x 560 mm. Executed in 1980.
1,500-2,000
US$2,100-2,700
l266 ERIK VAN LIESHOUT (B. 1968)
Zonder titel (echte mama)

signed with initials and dated EVL 2006 (on the reverse) cont, gouache and marker on paper 42 x 29.5 cm. Executed in 2006; and Another cont, gouache and watercolour on paper by the same hand, titled Zonder titel (Paris Hilton), 2005. (2)
2,000-3,000
PROVENANCE:
US$2,800-4,100
Acquired directly from the artist by the present owners.

263 266 (part lot)
56
267
269
268
l267 ROBERT ZANDVLIET (B. 1970) l269 JIR KOLR (1914-2002)
270
l270 ARMAN (1928-2005)
Untitled
egg tempera on paper 31 x 22.5 cm. Executed in 2006.
Sentiment A
signed and dated twice Jir Kolr 81 (on the reverse of the board) paper collage on board and plaster, in three parts 125 x 75 x 20.5 cm. Executed in 1981.
Pinceaux blues
signed and numbered Arman 45/100 (on one of the wooden handles) paint brushes in Plexiglas 67.5 x 57.5 x 25 cm. (including the Plexiglas base) Executed in 1990, this is number forty-ve from an edition of one-hundred
1,500-2,000
EXHIBITED:
US$2,100-2,700
6,000-8,000
PROVENANCE:
US$8,200-11,000
Amsterdam, Galerie Onrust, In the face, 2006.
2,500-3,500
US$3,400-4,700
l268 MIMMO ROTELLA (1918-2006)
Galerie Maeght, New York. Anonymous sale, Sothebys, Amsterdam, 15 December 2009, lot 98.
271 - 272 no lot
Untitled
signed Rotella (lower left) collage and decollage on cardboard 46 x 36.5 cm.
2,000-3,000
US$2,800-4,100
57
l273 JAAP HILLENIUS (1934-1999)
Het rode water

signed and dated Hillenius 1979 (lower left); and signed again and inscribed with title (on the stretcher) oil on canvas 140 x 170 cm. Painted in 1979.
6,000-8,000
PROVENANCE:
US$8,200-11,000
Anonymous sale, Sothebys, Amsterdam, 3 December 2001, lot 308.

l274 KLAAS GUBBELS (B. 1934)
De schaakspeler
signed and dated K. Gubbels 58 (lower right) oil on burlap 100 x 85 cm. Painted in 1958.
3,000-5,000
EXHIBITED:
US$4,100-6,800
Arnhem, Gemeentemuseum Arnhem, Merkwaardig veel tafels: Bericht over Klaas Gubbels, 17 April-23 May 1971.
l275 TON BOUCHIER (B. 1950)
Untitled
273
signed Bouchier (upper right) oil on canvas 100 x 100 cm.
1,000-1,500
US$1,400-2,000
274
276
278
Coffeepot
signed with the artists initials, dated and numbered 2004 K. G. 5/6 (on the side of the metal base) corroded iron 183 cm. high Executed in 2004, this is number ve from an edition of six
3,000-5,000
l277 TEUN HOCKS (B. 1947)
US$4,100-6,800
Zonder titel
signed and dated teun hocks 2002/2003 (lower right); and signed and dated again and inscribed with title, numbered and inscribed 3/3 (on the backing) oil on a toned silver print 122.5 x 98 cm. Executed in 2002-2003, this is number three from an edition of three
2,000-3,000
US$2,800-4,100
Coffeepot
275 277
signed and dated KGubbels 96 (lower right) oil on canvas 40 x 45 cm. Painted in 1996.
1,500-2,000
PROVENANCE:
US$2,100-2,700
Galerie Espace, Amsterdam.
58
279
l279 HANS VAN HOEK (B. 1947)
Dark landscape - Banks of a winding brook

signed and dated 1986 H v Hoek (on the reverse) oil on canvas in the artists frame 197 x 352 cm. (including the frame) Painted in 1986.
4,000-6,000
PROVENANCE:
US$5,500-8,100
Waddington Galleries, London. Anonymous sale, Christies, Amsterdam, 8 June 2000, lot 331. Acquired at the above sale by the present owner.
EXHIBITED:
Eindhoven, Van Abbemuseum, Hans van Hoek - Paintings and Studies, 13 September-25 October 1987 (illustrated). London, Waddington Galleries, Hans van Hoek, 6-30 September 1989, cat.no. 3 (illustrated).
l280 JEROEN HENNEMAN (B. 1942)
Theedoek (Unlimited 90)

signed and dated Henneman 69 (lower right); and signed and dated again and inscribed with title and inscribed (on the backboard) polyester coated dish towel, plastic pegs and a clothes line in a shaped wooden, metal and perspex box 85 x 80.5 x 22.5 cm. (including box) Executed in 1969.
2,000-3,000
PROVENANCE:
US$2,800-4,100
280
282
A gift from the artist to the present owner.

l281 REN DANIELS (B. 1950)
Elba, St. Helena

the set of three etchings with aquatint, 1987, on wove paper, each signed with initials and dated in pencil, numbered 24/45, from the edition of forty-ve plus 10 H.C., published by Bbert, Rotterdam, with the original titled cardboard box, some, wear, tear and staining on the box, the sheets with margins, framed, unexamined out of the frame, generally in very good condition 760 x 620 mm. (the box) (4)
1,500-2,000
l282 DENMARK (MARC ROBBROECKX) (B. 1950)
US$2,100-2,700
Men only vol. 54 no.13, 1990

signed and dated K.2.1990 Denmark (lower right); and signed and dated again and inscribed with title (on a label afxed to the reverse) printed magazine paper and copper wire in a Plexiglas casing 40 x 35 cm. (including the casing) Executed in 1990.
281 (part lot)
283 (part lot)
1,500-2,000
l283 DENNIS OPPENHEIM (B. 1938)
US$2,100-2,700
Study: making of cunts - wooden shoes

signed and dated Dennis Oppenheim 1995 (lower centre) gouache on paper 59 x 80 cm. Executed in 1995; and Another work on paper by the same hand, titled Study for wind mills project, 1995. (2)
3,000-5,000
US$4,100-6,800
59
284
287 (part lot)
290
285
288 (part lot)
286 (part lot)
289 (part lot)
291 (part lot)
60
l284 NEO RAUCH (B. 1960)
Untitled
signed and dated Rauch 02 (lower centre) watercolour and ink on paper 16 x 11.5 cm. Executed in 2002.
6,000-8,000
PROVENANCE:
US$8,200-11,000
A gift from the artist to the present owner.
Untitled
three-colour collotype, 1996, signed and dated in pencil, numbered Probierdruck, unexamined out of the frame, generally in very good condition 540 x 730 mm.
1,500-2,000
US$2,100-2,700
Tief
three-colour collotype, 1995, on wove paper, signed and dated in pencil, numbered Werkstatt besides the edition of twenty, unexamined out of the frame, generally in very good condition 930 x 590 mm.; and Another ve-colour silkscreen by the same hand, titled Himmelsbrand, 2001, numbered e.a. besides the edition of thirty-ve. (2)
292
4,000-6,000
LITERATURE:
US$5,500-8,100
Neo Rauch: Das grasche Werk 1993 bis 2012, Ostldern 2012, no. 189, pp. 62-63 (illustrated).
Neujahrsblatt
single-colour tusche lithograph, 2011, on wove paper, signed and dated in ink, from an edition of 220, unexamined out of the frame, generally in very good condition 315 x 210 mm.; and Two other single-colour chalk lithograhs by the same hand, both titled Neujahrsblatt, both from an edition of twohundred, one from 2005, the other from 2009. (3)
4,000-6,000
LITERATURE:
US$5,500-8,100
293 294
Neo Rauch: Das grasche Werk 1993 bis 2012, Ostldern 2012, no. 11/296, pp. 174-175 (illustrated).
l292 HANS BROEK (B. 1965)
berwindung
eight-colour tusche lithograph, 2005, on wove paper, signed and dated in pencil, numbered 29/35, with margins, unexamined out of the frame, generally in very good condition 395 x 540 mm.; and Another seven-colour tusche lithograph by the same hand, titled Mission, 2005, 29/30. (2)
Untitled
signed and dated Rauch 08 (lower centre) colour crayon on paper 29.5 x 21 cm. Executed in 2008.
Urban drift
signed, dated, inscribed with title and inscribed Hans Broek summer 2003 (on the reverse) oil on canvas, unframed 199 x 324 cm. Painted in 2003.
2,000-3,000
PROVENANCE:
US$2,800-4,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
4,000-6,000
PROVENANCE:
US$5,500-8,100
Galerie Eigen + Art, Leipzig/Berlin.
Galerie Tanya Rumpff, Haarlem.

l291 NEO RAUCH (B. 1960) l293 HANS VANDEKERCKHOVE (B. 1957)
Galerie Eigen + Art, Leipzig/Berlin.

LITERATURE:
Neo Rauch: Das grasche Werk 1993 bis 2012, Ostldern 2012, no. 518, pp. 96-97 (illustrated).
Signal
four-colour silkscreen, 1997, on wove paper, signed and dated in pencil, numbered 18/25, unexamined out of the frame, generally in very good condition 990 x 685 mm.; and Another three-colour collotype by the same hand, titled Schrze, 1996, 12/20. (2)
Brilliant trees
signed, dated and inscribed with title Hans Vandekerckhove 1999 (on the reverse) oil on canvas 189.5 x 189.5 cm. Painted in 1999.
Guter Rat
single-colour chalk and tusche lithograph, 2009, on wove paper, signed and dated in pencil, numbered 20/35, unexamined out of the frame, generally in very good condition 465 x 345 mm.; and Another single-colour chalk lithograph by the same hand, titled Reaktor, 2006, 27/35. (2)
6,000-8,000
LITERATURE:
US$8,200-11,000
1,000-1,500
l294 HUGO HEYRMAN (B. 1942)
US$1,400-2,000
Neo Rauch: Das grasche Werk 1993 bis 2012, Ostldern 2012, pp. 78-79 (illustrated).
Untitled (Parkeerplaatsen)
signed with initials HH (lower left) oil on canvas 118 x 118 cm.
4,000-6,000
LITERATURE:
US$5,500-8,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
Neo Rauch: Das grasche Werk 1993 bis 2012, Ostldern 2012, no. 09/218, pp. 126-127 (illustrated).
Mineta Move Art Gallery, Brussels.
61
l295 STEVAN KOCIC (B. 1969)
One ew over the cuckoos nest

signed and dated S. Kocic 2012 (on the reverse) oil on canvas, unframed 200 cm. (diameter) Executed in 2012.
2,000-3,000
US$2,800-4,100
296 HORACIO GARCIA ROSSI (B. 1929)
Untitled
signed Garcia Rossi (lower right) acrylic on cardboard 33.5 x 33.5 cm.; and Another acrylic on cardboard by the same hand, 1973, unframed.
295
298 (part lot)
(2)
2,000-3,000
US$2,800-4,100
l297 YVARAL (JEAN-PIERRE VASARELY) (1934-2002)
Quadrature camin
signed Yvaral (upper left); and signed twice again, dated, inscribed with title and numbered 1972 No. 1171 (on the reverse) oil on canvas 160 x 110 cm. Painted in 1972.
6,000-8,000
US$8,200-11,000
298 HORACIO GARCIA ROSSI (B. 1929)
Untitled
signed and dated Garcia Rossi 73. (lower right) acrylic on cardboard, unframed 36.5 x 36.5 cm. Executed in 1973; and Another acrylic and collage on cardboard by the same hand, 1972. (2)
296 (part lot)
299
2,000-3,000
US$2,800-4,100
Progression polychrome JV
signed Yvaral (lower centre); and signed again twice, dated, inscribed with title and numbered 1973 No. 1413 (on the reverse) oil on canvas 100 x 100 cm. Painted in 1973.
4,000-6,000
US$5,500-8,100
Horizon structure RB
signed Yvaral (lower centre); and signed twice again, dated, inscribed with title and numbered 1976 No. 1659 (on the reverse) oil on canvas 64 x 64 cm. Painted in 1976.
297 300
3,000-5,000
US$4,100-6,800
62
301 DALE FRANK (B. 1959)
Untitled
signed with initials and dated D.F. 91 (lower right) acrylic on board 90 x 59.5 cm. Painted in 1991.
2,000-3,000
PROVENANCE:
US$2,800-4,100
Solander Gallery, Canberra.
l302 RONALD DE BLOEME (B. 1971)
Das Einsetzen der rmel I

signed, dated, inscribed with title and inscribed Ronald de Bloeme 2001 (on the reverse) enamel on cloth, cotton and nylon, unframed 160 x 170 cm. Executed in 2001.
3,000-5,000
PROVENANCE:
US$4,100-6,800
l303 SCRIVO (B. 1942)
301
304
Lifes different roads # 011172

signed Scrivo (lower centre); and signed again, dated, inscribed with title and with the artists studio stamp (on the stretcher) acrylic on canvas 80 x 60 cm. Painted in 1972.
3,000-5,000
PROVENANCE:
US$4,100-6,800
Galerie Barbara Botz, Puerto Andratx, Mallorca.

EXHIBITED:
Puerto Andratx, Galerie Barbara Botz, July-August 2008.
304 DALE FRANK (B. 1959)
Untitled
signed with initials and dated D.F. 91 (lower right) acrylic and varnish on board 90 x 59.5 cm. Painted in 1991.
2,000-3,000
PROVENANCE:
US$2,800-4,100
302 305
Solander Gallery, Canberra.
l305 RONALD DE BLOEME (B. 1971)
Das einsetzen der rmel III

signed, dated, inscribed with title and inscribed Ronald de Bloeme 2001 (on the reverse) enamel on cloth, cotton and nylon, unframed 150 x 160 cm. Executed in 2001.
3,000-5,000
PROVENANCE:
US$4,100-6,800
l306 COLE MORGAN (B. 1950)
Orange Compression
signed and dated Cole Morgan 94 (lower right); and signed and dated again and inscribed with title (on the reverse) mixed media on canvas 100 x 100 cm. Executed in 1994.
4,000-6,000
US$5,500-8,100
303
306
63
307
309
311
l309 DAVID HOCKNEY (B. 1937)
One Night (from Illustrations for Fourteen Poems from C.P. Cavafy) (MCA Tokyo 56)
etching and aquatint, 1966, on Crisbrook handmade wove paper, signed and dated in pencil, numbered 49/75, published by Editions Alecto Limited, London, unexamined out of the frame, generally in very good condition I. 345 x 220 mm. S. 373 x 250 mm.
1,000-1,500
US$1,400-2,000
l310 MARLENE DUMAS (B. 1953)
Purple pose
lithograph in colours, 1999, on wove paper, signed and dated in pencil, a colour trial proof aside from the edition of fty, published by Marcel Kalksma, Amsterdam, the full sheet, apparently hinged in the corners and in the centre of the righ and left edges, the sheet undulates slightly, the upper and lower edges are deckled, unexamined out of the frame, generally in very good condition 1220 x 675 mm.
2,500-3,500
PROVENANCE:
US$3,400-4,700
Marcel Kalksma, Amsterdam. Acquired from the above by the present owner.
l311 TON BOUCHIER (B. 1950)
Untitled
signed Bouchier (lower right) oil on canvas 130 x 60 cm.
308
l307 TOM BOGAARD (B. 1965)
310
l308 MARLENE DUMAS (B. 1953)
1,000-1,500
US$1,400-2,000
Knock-out
signed and dated Bogaard 2000 (on the reverse) oil on canvas, unframed 179.5 x 110 cm. Painted in 2000.
Snowake
lithograph in colours, 1999, on wove paper, signed and dated in pencil, a colour trial proof aside from the edition of fty, published by Marcel Kalksma, Amsterdam, the full sheet, apparently hinged in the corners and in the centre of the right and left edges, the sheet undulates slightly, the upper and lower edges are deckled, unexamined out of the frame, generally in very good condition 1220 x 675 mm.
1,200-1,600
US$1,700-2,200
This painting will be included in the book Pugilist in Art being prepared by Drs. Jop Ubbens.
2,500-3,500
PROVENANCE:
US$3,400-4,700
Marcel Kalksma, Amsterdam. Acquired from the above by the present owner.
64
312
312 CHANT AVEDISSIAN (B. 1951)
Untitled
signed Chant Avedissian (lower centre) gouache and silver paint on cardboard 50 x 70 cm. Executed in 1998, this is number ve from an edition of ten
314
5,000-7,000
PROVENANCE:
US$6,800-9,500
l313 INEZ VAN LAMSWEERDE (B. 1963) AND VINOODH MATADIN (B. 1961)
Sasja 90-60-90
signed IVL VMatadin (on an artists label afxed to the reverse) pigment print, unframed 41 x 35.5 cm. Executed in 1992, this is the artists proof
1,000-1,500
US$1,400-2,000
313
l314 CLINE VAN BALEN (B. 1965)
Sarah
signed, dated, inscribed with title and numbered Cline van Balen 1998 5-10 (on a sticker afxed to the backing) c-print, mounted on aluminium 36 x 28.5 cm. Executed in 1998, this is number ve from an edition of ten
1,000-1,500
US$1,400-2,000
315
l315 JUDITH SAMEN (B. 1970)
Untitled (Fladenbrotmtzen)
signed, dated and numbered JSamen 3/3 96 (abzug v. 00) (on the reverse); and signed, dated and numbered again (on the backing) c-print on foamboard 127 x 94 cm. Executed in 1996 and printed in 2000, this is number three from an edition of three
1,000-1,500
l316 JUDITH SAMEN (B. 1970)
US$1,400-2,000
Untitled (Morgenbad)
signed, dated and numbered JSamen 97 1/3 (on the reverse) c-print on foamboard 96.5 x 96 cm. Executed in 1997, this is number one from an edition of three
800-1,200
US$1,100-1,600
316
65
317
322
318
320
319
317 SOL LEWITT (1928-2007)
321 (part lot)

l321 AD DEKKERS (1938-1974)
323
Five geometric gures

signed and dated lewitt 1985 (on the reverse) ve glazed ceramic tiles, framed 26.5 x 26.5 cm. (each) Executed in 1985.
Lijnrelief N. II - Lijnrelief N. III

each signed with initials, dated, and numbered A D 73 10/50 (on the reverse) white perspex 39.5 x 39.5 cm. (each) Each executed in 1973, these works are number ten from an edition of fty
(5)
(2)
5,000-7,000
l318 GNTHER UECKER (B. 1930)
US$6,800-9,500
2,500-3,500
LITERATURE:
US$3,400-4,700
C. Blotkamp, Ad Dekkers, The Hague 1981, pp. 202-203 (illustrated).
Nagelbild
signed and dated Uecker 90 (lower right) a nail and pencil on paper 9.5 x 14 cm. Executed in 1990.
l322 REINIER LUCASSEN (B. 1939)
2,500-3,500
l319 LUC PEIRE (1916-1994)
Little Fontana Blauw 2

US$3,400-4,700
signed lucassen (lower right); and inscribed with title (upper centre); and signed again and dated 90-92 (on the reverse); and inscribed with title again (on the stretcher) oil and marble powder on canvas 80 x 70 cm. Painted in 1990-1992.
Ariane
signed and numbered Peire 685 (on the reverse); and signed again (on an artists label attached to the stretcher) oil on canvas 54 x 72.5 cm.
4,000-6,000
PROVENANCE:
US$5,500-8,100
3,500-5,500
l320 JOOST BALJEU (1925-1991)
US$4,800-7,400
l323 LYNN CHADWICK (1914-2003)
Untitled
signed and numbered Joost Baljeu 4/XII (lower right); and dated and indistinctly inscribed 1959 (lower left) gouache on paper, unframed 18.5 x 38 cm. Executed in 1959.
Candle holders
each signed Chadwick (on the outside of a leg); and each stamped with foundry mark ARTCURIAL/Blanchet Fondeur and numbered 153/350; 135/350; 99/350 (on the inside of a leg) bronze with a dark brown patina, in three parts 25 cm. high, 31 cm. high and 33.5 cm. high Conceived in 1983 and cast in an edition of 350.
2,000-3,000
US$2,800-4,100
(3)
4,000-6,000
LITERATURE:
US$5,500-8,100
D. Farr and E. Chadwick, Lynn Chadwick Sculptor, Aldershot 2006, pp. 432-433, nos. C141 and C142 (another cast illustrated).
66
324
325
l324 ANS MARKUS (B. 1947)
326
Queen Beatrix
signed AMarkus (lower right) oil on canvas 79.5 x 228 cm.
2,500-3,500
l325 HANS VAN DER KROEF (B. 1946)
US$3,400-4,700
Hollands glorie
signed with monogram and dated 87 (lower centre) oil on canvas 80 x 95 cm. Painted in 1987.
1,000-1,500
PROVENANCE:
US$1,400-2,000
Anonymous sale, Christies, Amsterdam, 4 June 1997, lot 113 Acquired at the above sale by the present owner.
LITERATURE:
Martin van Amerongen e.a., Hans van der Kroef, Gezien door de ogen van Martin van Amerongen, Amsterdam 1991, p. 53 (illustrated).
l326 HERMAN BERSERIK (1921-2002)
Tzum - Fries Landschap

signed, dated and inscribed with title Berserik 1984 (lower centre); and with the artists label (on the stretcher) oil on canvas 29 x 39 cm. Painted in 1984.
2,500-3,500
327 ANDY WARHOL (1928-1987)
US$3,400-4,700
Queen Beatrix of the Netherlands (from Reigning Queens (F.S. 339))

screenprint in colours, 1985, on Lenox Museum Board, signed in pencil, numbered 28/40, published by G.C.P. Mulder, Amsterdam, with the artists copyright stamp on the reverse, the full sheet, some surface scufng, otherwise in very good condition, framed S. 998 x 797 mm.
327
15,000-20,000
US$21,000-27,000
67
333 (part lot) 331
328
332
l328 VIKTOR IV (1929-1986)
334
l332 LITA CABELLUT (B. 1961)
Untitled (Amsterdam is the rst in the demonstration to end the war in Vietnam)
incised with signature and date 19 XII 1966 VIKTOR IIII (along the upper left edge); and signed and dated again twice and inscribed (on the reverse) acrylic and spray paint on burnt found wood 149.5 x 90 cm. Executed in 1966.
E. or
signed and dated Lita Cabellut 2000 (on the reverse); and inscribed with title (on the stretcher) oil and mixed media on canvas, unframed 30.5 x 49.5 cm. Painted in 2000.
2,000-3,000
US$2,800-4,100
3,000-5,000
US$4,100-6,800
329
l329 ARMANDO (B. 1929) 333 JOHN M. ARMLEDER (B. 1948)
Gefechtsfeldbesichtigung, a diptych
each signed, dated and inscribed with title 4-9-87 armando (on the stretcher) oil on canvas, in two parts 34 x 53.5 cm. (overall) Painted in 1987.
Painting - Pour painting

signed and dated John Armleder 1992 (lower right) ink, lacquer and gold leaf on cotton 29 x 29 cm. Executed in 1992; and Another similar work by the same hand.
4,000-6,000
US$5,500-8,100
(2)
1,500-2,000
US$2,100-2,700
l330 MICHAEL JACKE (B. 1956)
Untitled
welded metal 161 cm. high
2,000-3,000
PROVENANCE:
US$2,800-4,100
l334 WIM DE HAAN (1913-1967)
Untitled
oil and mixed media on burlap 110 x 152 cm.
Galerie Slewe, Amsterdam.
3,000-5,000
EXHIBITED:
US$4,100-6,800
l331 LITA CABELLUT (B. 1961)
N. or
signed and dated Lita Cabellut 2000 (on the reverse); and inscribed with title (on the stretcher) oil and mixed media on canvas, unframed 50 x 50 cm. Painted in 2000.
330
Enschede, Rijksmuseum Twenthe, Wie doet mij de tekens verstaan, Wim de Haan 1913-1967, 23 November 1985-6 January 1986. This exhibition later travelled to Stedelijk Museum de Lakenhal, Leiden, Wie doet mij de tekens verstaan, Wim de Haan 1913-1967, 1 February-24 March 1986 (illustrated, pp. 70, 72). Kortenhoef, Kerk Oecumenische Streekgemeente, Vrijheid in gevangenschap, 1989.
LITERATURE:
2,500-3,500
US$3,400-4,700
J. Brand, P. Cleveringa and M. de Haan-van der Chijs (ed.), Wim de Haan, Zwolle 1999, cat.no. S 59-10, p. 168.
A PRIVATE DUTCH COLLECTION (LOTS 335-371)
335
337
339
336
338
340 (part lot)
l335 JOE TILSON (B. 1928)
l337 GIUSEPPE SPAGNULO (B. 1936)
l339 CHRISTIAAN PAUL DAMST (B. 1944)
Somerton maze
signed and dated Tilson. 1976. (lower right); and inscribed with title (lower left) graphite, watercolour, wax crayons and pastel on paper 77 x 57 cm. Executed in 1976.
La geometria distrutta la geometria sovrapposta

signed, dated and inscribed with title G. Spagnulo 80 (on the reverse) acrylic, sand and dcollage on paper 26.5 x 19 cm. Executed in 1980.
Untitled
signed, dated and numbered .67. chr. paul. damst 6. (on the backing) wooden cloth pegs on board in the artists frame 81.5 x 51 cm. (including the frame) Executed in 1967.
1,000-1,500
PROVENANCE:
US$1,400-2,000
1,000-1,500
PROVENANCE:
US$1,400-2,000
1,000-1,500
PROVENANCE:
US$1,400-2,000
Galerie A, Amsterdam.
l338 ULRICH RCKRIEM (B. 1938)
l340 CHRISTIAAN PAUL DAMST (B. 1944)
De vormgeving van het absolute

etching in colours from two oblong plates, on wove paper, 1970, signed and dated, the sheet appears not to be hinged, lower edge shows slight wear and tear, soft handling marks in the margins in keeping with the artists working process, unexamined out of the frame, generally in very good condition S. 655 x 990 mm.
Untitled
signed, dated and numbered 47/100 U. Rckriem 1977 (on an accompanying certicate) two wooden blocks 7 x 100.5 x 9 cm. Executed in 1977, this is number forty-seven from an edition of one-hundred (3)
Box of stones
signed, dated and with artists stamp Chr Paul Damst 1978 (on the backing) slate and graphite on paper in artists frame 61.5 x 72.5 cm. Executed in 1978; and Another similar work by the same hand, titled Box of stones. (2)
1,000-1,500
PROVENANCE:
US$1,400-2,000
800-1,200
PROVENANCE:
US$1,100-1,600
1,000-1,500
PROVENANCE:
US$1,400-2,000
69
341
342 (part lot)
345 (part lot)

341 SOL LEWITT (1928-2007) l344 HERMANN NITSCH (B. 1938)
Horizontal composite (black)

silkscreen, on wove paper, signed in pencil, numbered 12/40, published by Sol LeWitt, with wide margins, the sheet is slightly wrinkled, most notably in the left and right margins, a soft stain of 2 x 0.5 cm. in the upper centre margin, a pinpoint-sized black accretion in the upper left quadrant, apparently in good condition, unexamined out of the frame I. 302 x 850 mm. S. 452 x 990 mm.
Untitled
signed Hermann Nitsch (on the reverse) blood, band aids, plastic and marker on paper 29.5 x 21 cm.; and Two other similar works on paper by the same hand, the one with handkerchiefs and a band aid, the other with handkerchiefs. (3)
1,200-1,600
PROVENANCE:
US$1,700-2,200
343 (part lot)
800-1,200
PROVENANCE:
US$1,100-1,600
Anonymous sale, Christies, Amsterdam, 4 December 2001, lot 502.

342 SOL LEWITT (1928-2007) 345 SOL LEWITT (1928-2007)
Postcard
signed with initials SL (lower right) marker on the recto of a postcard (Sandro Botticelli, The Madonna of the Pomegranate, circa 1487) 70.5 x 14.5 cm.; and Three other markers on the recto of postcards (Goya, Maria Luisa; Pinturicchio, Our Lady with the Child and Saints; Jacopo Bassano, Il Presepio) by the same hand. (4)
Postcard
each signed and dated S. Lewitt 06 (lower right) ink on the recto of two postcards, each depicting Majnun bending over Lailas tomb (Antologia da principe Iskander, Perzia-Chiraz 1410-11) 15 x 10.5 cm (each); and Two watercolours and graphite on the verso of postcards (Museo Civico, Spoleto, and Chiesa di S. Gregorio - Cripta, Spoleto) by the same hand; and One ink on the verso of a postcard (Max Ernst, La femme visible, 1925) by the same hand, sent as a New Years card for 2006 to the present owners. (5)
2,000-3,000
PROVENANCE:
US$2,800-4,100
Chester Gallery, Chester, Connecticut.

343 SOL LEWITT (1928-2007)
1,500-2,000
PROVENANCE:
US$2,100-2,700
Postcard
signed with initials SL (lower centre); and dated 18.1.1993 (lower right) ink on the verso of a postcard 10 x 14 cm. Executed in 1993; and Three other similar inks on postcards by the same hand. (4)
344 (part lot)
1,200-1,600
US$1,700-2,200
70
346 (part lot)
348
350
349
351
347 (part lot)
l346 HERMANN NITSCH (B. 1938)
348 SOL LEWITT (1928-2007)
350 SOL LEWITT (1928-2007)
Wachsbild
signed and dated Hermann Nitsch 1989 (lower right on the wood box) wax in a wood frame box 24 x 22 x 3 cm. Executed in 1989, this work is from an edition of twenty, published by edition Hundertmark; and One other multiple on canvas by the same hand, 1994, 14/20, from Edition Hundertmark; and One unique piece, O.M.Theater, a blood cloth from OrgienMysterien-Theater, 1984. (3)
Irregular grid
signed and dated S Lewitt 99 (lower right) gouache on paper 29 x 27.5 cm. Executed in 1999.
Irregular form
signed and dated S Lewitt 97 (lower right) gouache on paper 28.5 x 28.5 cm. Executed in 1997.
4,000-6,000
PROVENANCE:
US$5,500-8,100
3,000-5,000
PROVENANCE:
US$4,100-6,800
1,000-1,500
PROVENANCE:
US$1,400-2,000
349 ALLAN KAPROW (1927-2006) l351 REN DANIELS (B. 1950)
Repair
l347 BEN AKKERMAN (B. 1920)
De kelder, de zolder
the multiple, 1987, fabric, wooden box, screenprint and pencil, signed, dated and inscribed with title in pencil on the inner lid, from the edition of 700 published by Publishing House Bbert, Rotterdam, in very good condition 190 x 96 x 35 mm.
Untitled
pencil and ink on paper 25.5 x 25.5 cm.; and Seven similar works on paper by the same hand. (8)
the multiple, 1987, a right shoe from Vibram, size 8, with band aids in a perspex box, signed on a paper label in the box, numbered 10/15, in very good condition 150 x 400 x 150 mm.
600-800
PROVENANCE:
US$820-1,100
700-900
PROVENANCE:
US$950-1,200
1,500-2,000
US$2,100-2,700
71
352
354
356
353
352 SOL LEWITT (1928-2007)
355 (part lot)

l355 JOSEPH BEUYS (1921-1986)
357 (part lot)

358 MEL BOCHNER (B. 1940)
Irregular form
signed and dated S. Lewitt 97 (lower right) gouache on paper 28.5 x 19 cm. Executed in 1997.
Wirtschaftswert (Kraft Bienenhonig)

signed Joseph Beuys (along the upper edge); and inscribed with title (lower centre) a plastic cup of bees honey 6 x 4.5 cm.; and Four other multiples by the same hand, Hygienic bag, two Postkarte, 5DM and 7000 Eichen, framed together, and Hirschkuh. (5)
A word square for Jenny Licht

signed Mel Bochner (lower right) wax crayon and ballpoint on paper 27.5 x 21 cm. Executed in 1971.
2,500-3,500
PROVENANCE:
US$3,400-4,700
700-900
PROVENANCE:
US$950-1,200
1,000-1,500
PROVENANCE:
US$1,400-2,000

l353 HERBERT ZANGS (1924-2003)
l359 WOLF VOSTELL (B. 1932)
l356 GNTER TUZINA (B. 1951)
Untitled
signed and dated Zangs 58 (on the reverse) mixed media on board 20.5 x 19 cm. Executed in 1958.
Grn schwarz
signed, dated twice and inscribed with title G.R. Tuzina 83 + 84 (on the reverse) oil and wax crayon on cotton, unframed 77 x 54.5 cm. Executed in 1983-1984.
Untitled
signed Vostell (lower left in the fold) papercollage and stamps 30 x 24 cm.
800-1,200
PROVENANCE:
US$1,100-1,600
700-900
PROVENANCE:
US$950-1,200
Galerie Parade, Amsterdam.

l354 JANNIS KOUNELLIS (B. 1936)
1,000-1,500
PROVENANCE:
US$1,400-2,000
360 JENNY HOLZER (B. 1950)
Galerie van Krimpen, Amsterdam.

l357 NARCISSE TORDOIR (B. 1954)
Untitled
small smoke element on asbestoss igned Kounellis (lower left) 19.5 x 15 cm.
Raise boys & girls the same way

signed Jenny Holzer (centre) colour crayon on paper 24 x 17 cm.
Untitled
US$1,400-2,000
signed and dated tordoir 86 (on the reverse) acrylic and dcoupage on board in artists frame 48 x 48 cm. Executed in 1986; and Two other dcoupages on board and One collage on paper by the same hand. (4)
1,000-1,500
PROVENANCE:
600-800
PROVENANCE:
US$820-1,100
2,000-3,000
PROVENANCE:
US$2,800-4,100
121 Art Gallery, Antwerp.
72
361
358
364
362
359
363 (part lot)
365 (part lot)
361 SOL LEWITT (1928-2007)
364 RAY JOHNSON (1927-1995)
White over colours (Triangle)

signed and dated S. Lewitt 92 (lower right) gouache on paper 8 x 21 cm. Executed in 1992.
Buddha University (How to draw a daisy stalactite)

dated Jan. 11, 1982 (lower right) ballpoint over a xerox and ink, ballpoint, pencil and a stamp on an envelope 40.5 x 23 cm. (overall) Executed in 1982.
1,000-1,500
362 CARL ANDRE (B. 1935)
US$1,400-2,000
700-900
PROVENANCE:
US$950-1,200
One-line drawing (postcard)

signed, signed with the artists monogram and dated Carl Andre 22Feb97 (on the reverse) ink on paper 8.5 x 13 cm. Executed in 1997.
1,500-2,000
PROVENANCE:
US$2,100-2,700
365 DOUGLAS GORDON (B. 1966)
Galerie Parade, Amsterdam.

EXHIBITED:
Larger than life; Life Size; Smaller than Life (Texte zur Kunst, nr. 84)
signed and numbered Dgordon 91 (on a Texte zur Kunst label afxed to the reverse of one of the c-prints) c-prints, in three parts 40 x 30.5 cm. (each) Executed in 2011, this is number ninety-one from an edition of one-hundred; and The following works: Louise Lawler, Discernible difference (Texte zur Kunst, nr. 79), 20082010, 52/100; Louise Lawler, Looking back (Texte zur Kunst, nr. 46), 1985-2002, 25/150; Louise Lawler, A spot on the wall, 19891998, 36/55; Mark Leckey, Artwork for Jack too Jacks Your were young once (Texte zur Kunst, nr. 64), 2006, 16/100; John Baldessari, Sediment:Throat, nose and spider (Texte zur Kunst, nr. 80), 2010, 62/120. (6)
New York, UBU Gallery, One-line drawing, 8-31 July 1997.
360
l363 CAREL VISSER (B. 1928)
Untitled (a diptych)
each signed, dated and numbered C. Visser. 71. (lower right) ink, collage and dcollage on paper, in two parts 49.5 x 65 cm. (each) Executed in 1971. (2)
1,000-1,500
US$1,400-2,000
2,000-3,000
US$2,800-4,100
73
l366 CORNEILLE (1922-2010)
Untitled
signed and dated Corneille 56 (lower left) ink on paper 21 x 15 cm. Executed in 1956.
1,200-1,600
US$1,700-2,200
l367 PIERRE ALECHINSKY (B. 1927)
Untitled
signed and dated Alechinsky 1978 (lower right) ink on a page of the register of the Union House Hotel, Kingston, New York 39.5 x 26 cm. Executed in 1978.
1,200-1,600
PROVENANCE:
US$1,700-2,200

366 369
l368 REMY BLANCHARD (1958-1993)
Untitled
signed and dated Blanchard 1982 (lower right) oil on paper 65 x 50 cm. Executed in 1982; and Another work on paper with acrylic and lacquer by the same hand, 1982.
(2)
1,000-1,500
PROVENANCE:
US$1,400-2,000
Galerie Riekje Swart, Amsterdam.
l369 JAN SIERHUIS (B. 1928)
Moeder en kind
signed and dated Sierhuis 67 (upper left); and signed and dated again and inscribed with title (on the reverse) acrylic on paper laid down on canvas 64.5 x 49.5 cm. Executed in 1967.
1,000-1,500
US$1,400-2,000
367
370
l370 PIERRE ALECHINSKY (B. 1927)
Untitled
signed and dated Alechinsky 1978 (lower right) ink on a page of the register of the Union House Hotel, Kingston, New York 39.5 x 26 cm. Executed in 1978.
1,200-1,600
PROVENANCE:
US$1,700-2,200
l371 WIM T. SCHIPPERS (B. 1942)
Obstakel
signed, dated and inscribed with title Wim T Schippers 1960 (on the reverse) ink on paper 21 x 19 cm. Executed in 1960.
600-800
PROVENANCE:
US$820-1,100
END OF SALE
368 (part lot)
371
74
Index
A
Adami, F. 175-176 Adolfs, G. 121, 123, 127, 128, 130, 132 Aerschot, J. Van, 96 Agterberg, C. 157, 170 Akkerman, B. 347 Alechinsky, P. 367, 370 Amorsolo, F.C. 98 Andre, C. 362 Andrea, P. 234 Andriesse, E. 254 Anutosh, 239 Arman, 270 Armando, 329 Armleder, J. 333 Artz, C. 39 Aziz, A. 125, 126
F
Fortuyn/OBrien, 257 Frank, D. 301, 304
M
MacKaay, T. 152, 154 Maks, K. 61 Maris, W. 28, 29 Markus, A. 324 Martens, W. 27 Mastenbroek, J.H. van, 55, 76 Matadin, V. 313 Mauve, A. 49 Meegeren, H. van, 7 Mendes da Costa, J. 145 Meurs, H. 20 Moesman, J. 16 Morgan, C. 306 Morgenstjerne Munthe, G.A.L. 50 Mhlhaus, D. 80
G
Gerritsen, W. 212 Gestel, L. 3, 6 Gilbert, S. 227 Goede, K. de, 254 Gordon, D. 365 Gubbels, K. 274, 276, 278
Smorenberg, D. 18 Snel, H. 114, 117 Sonnega, A. 112 Spagnulo, G. 337 Spronken, A. 167, 169 Sterren, G.K. van der, 237 Strasser, R. 110, 111, 119 Strijbosch, W. 233 Struycken, P. 254 Swinnen, O. 255
H
Haan, W. de, 334 Haes, C. de, 71, 74 Haese, R. d, 173, 177 Hartog, E. den, 174 Helfferich, F. 73 Hendriks, R. 264 Henneman, J. 280 Heyboer, A. 248, 251, 252, 253, 336 Heyrman, H. 294 Hillenius, J. 273 Hocks, T. 277 Hoek, H. van, 279 Hofker, W.G. 101, 104, 109, 120 Holzer, J. 360 Hont, P. d, 159, 185 Houten, B.E. van, 63 Hussem, W. 210, 211, 213 Huygens, F. 33
T
Tilson, J. 335 Ting, W. 141, 142 Tjenik, D.K. 138 Toorop, J. 2, 5, 59 Tordoir, N. 357 Tuzina, G. 356
B
Bakker Korf, A.H. 38 Bakker, F. 93 Baldessari, J. 365 Balen, C. van, 314 Baljeu, J. 320 Batuan School, 137 Bauer, M. 10 Benner, G. 221 Benton, F. 259, 260 Berserik, H. 326 Beuys, J. 355 Birza, R. 254 Blanchard, R. 368 Bloeme, R. de, 302, 305 Blommers, B.J. 42 Bochner, M. 358 Boers, W. 14, 228 Bonnet, R. 105, 107, 108 Bosboom, J. 53 Bosma, W. 17 Bouchier, T. 275 Bouchor, J.F. 47 Bradley, M. 240 Brands, E. 215, 215A, 223, 224, 226 Bremmer, H.P. 22 Broek, H. 292 Brood, H. 261, 263 Buff, C. 9
N
Nallard, L.A. 192 Nitsch, H. 344, 346 Nobili, L. 106 Noltee, C. 78 Norsker, F. 236 Nussbaum, F. 189 Nys, A. 54
U
Uecker, G. 318
V
Vandekerckhove, H. 293 Velthuijsen, H. van, 102 Verhoef, T. 254 Verkade, K. 162, 163, 164, 165, 178 Versloot, R. 262 Viktor IV, 328 Visser, C. 258, 363 Visser, T. 187 Vostell, W. 359
O
Oerder, F. 72, 143 Ohl, L.F. 124, 129 Oppenheim, D. 283 Orszg, L. 230 Ouborg, P. 81-92 Oyens, D. 37
I
Israels, I. 4, 103
W
Wardhana, P.N. 122 Warhol, A. 327 Weguelin, J.R. 35 Weiner, L. 254 Weissenbruch, J.H. 62 Westerik, C. 254 Widayat, H. 115, 116 Wiegers, J. 11 Wijk, Ch. van, 183, 184, 186 Wijngaerdt, A.J. van, 48 Wolvecamp, T. 249, 250
J
Jacke, M. 330 Jansen, W.G.F. 51 Johnson, R. 364 Johnssen, H. 32 Jungblut, J. 67 Jurres, J.H. 65A
P
Pallandt, Ch. van, 166, 168, 171 Papart, M. 225 Parkes, M. 238 Paulides, H. 100 Pedersen, H.V. 94 Peire, L. 319 Permeke, C. 21 Picasso, P. 182 Pieters, E. 44, 45, 58 Pignon, E. 191 Piltz, O. 43 Prinet, R. 197 Putu Bedil, D. 139
K
Kaas, J. 161 Kaprow, A. 349 Kever, J.S.H. 34 Kippenberger, M. 256 Knikker, A. 26 Kocic, S. 295 Kogan, M. 146 Kolr, J. 269 Koning, E. 56 Koningsbrugge, R. van, 254 Kop, D. van de, 155 Kounellis, J. 354 Krikhaar, H. 241 Kroef, H. van der, 325 Krop, H. 179, 181
Y
Yvaral, J. 297, 299, 300
C
Cabellut, L. 331, 332 Cantr, J. 147 Carte, A. 15 Cassiers, H. 66 Chadwick, L. 323 Charchoune, S. 188 Commandeur, W. 151 Corneille, 216, 217, 219, 222, 366 Cornelis, E. 153, 156 Cremer, J. 243, 246, 265
Z
Zandvliet, R. 267 Zangs, H. 353 Zijl, L. 148 Zoetelief Tromp, J. 60 Zwart, W. de, 31
R
Raaphorst, C. 41 Rdecker, A. 160 Radojcic, C.S. 172 Rauch, N. 284-291 Regteren Altena, M. van, 64 Rink, P. 57 Rochussen, Ch. 40 Rede, J. 193 Roelofs, W. 30, 70 Rling, G.V.A. 195, 198 Rossi, H.G. 296, 298 Rotella, M. 268 Rckriem, U. 338
L
Lambert, E. 194, 196 Lamsweerde, I. van, 313 Langeveld, F. 77 Langeweg, G. 13 Lawler, L. 365 Leck, B. van der, 23, 180 Leckey, M. 365 Leemputten, F. van, 65 LeWitt, S. 317, 341, 342, 343, 345, 348, 350, 352, 361 Lieshout, E. van, 266 Lindstrm, B. 231, 242 Loeber, L. 19 Lopes de Leao Laguna, B. 79 Lorenz, W. 75 Lucassen, R. 322 Lucebert, 244, 245, 247
D
Damst, C.P. 339, 340 Daniels, R. 281, 351 Dekkers, A. 321 Denmark, 282 Diranian, S. 36 Dooijewaard, W. 113, 118 Dorsch, F. 12 Dulmen Krumpelman, E.B. van, 8 Dumas, M. 254
S
Sabouret, C. 158 Saleh, R.S.B. 99 Samen, J. 315, 316 Scherrewitz, J.F.C. 69 Schippers, W.T. 371 Schoonhoven, J. 218, 220, 229, 232
Schoute, H. 254
E
Eland, A. 97 Eland, L. 131 Erp, A. van, 235 Escher, M.C. 200-209
Schuil, H. 254 Scrivo, 303 Sierhuis, J. 214, 369 Slager, J. 68 Sluiter, W. 1, 46, 52 Smit, A, 144 75
All You Need to Know
PAYMENT & SUCCESSFUL BIDS All you need to know on how, when and where to pay SYMBOLS USED IN THE CATALOGUE Lot offered without reserve. This lot will be sold to the highest bidder regardless of the pre-sale estimate printed in the catalogue. ! For each Lot the Buyers Premium is calculated as 37.75% of the Hammer Price up to a value of 20,000, plus 31.7% of the Hammer Price between 20,001 and 800,000, plus 22.02% of any amount in excess of 800,000. + 21% VAT applies to both the Hammer Price and the Buyers Premium. The Buyers Premium is calculated for each lot as 51.25% of the Hammer Price up to a value of 20,000, plus 45.2% of the Hammer Price between 20,001 and 800,000, plus 35.52% of any amount in excess of 800,000. On occasion, Christies has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This lot is owned in whole or in part by Christies. ~ Import restrictions may apply or a CITES Licence might be required as this lot contains material from endangered species. l RTISTS RESALE RIGHT REGULATIONS A (DROIT DE SUITE/VOLGRECHT) If a lot is affected by this right it will be identified with the symbol l next to the lot number. The buyer agrees to pay to Christies an amount equal to the resale royalty. Resale royalty applies where the price realised (Hammer and premium) is 3,000 Euro or more. The amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows: oyalty: For the portion of the Hammer Price R and Premium (ex VAT in Euro) 4.00% 3.00% 1.00% 0.50% 0.25% up to 50,000 between 50,000.01 and 200,000 between 200,000.01 and 350,000 between 350,000.01 and 500,000 in excess of 500,000
IMPORTANT NOTICES CHRISTIES INTEREST IN PROPERTY CONSIGNED FOR AUCTION From time to time, Christies may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol next to its lot number. On occasion, Christies has a direct financial interest in lots consigned for sale, which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue with the symbol next to the lot number. This symbol will be used both in cases where Christies holds the financial interest on its own, and in cases where Christies has financed all or part of such interest through third parties. When a third party agrees to finance all or part of Christies interest in a lot, it takes on all or part of the risk of the lot not being sold, and will be remunerated in exchange for accepting this risk. The third party may also bid for the lot. Where it does so, and is the successful bidder, the remuneration may be netted against the final purchase price. If the lot is not sold, the third party may incur a loss. Where Christies has an ownership or financial interest in every lot in the catalogue, Christies will not designate each lot with a symbol, but will state its interest at the front of the catalogue. ALL DIMENSIONS ARE APPROXIMATE. Picture lots are sold framed, unless otherwise stated. Measurements: height precedes width. CONDITION REPORTS Christies catalogues include references to condition only in descriptions of multiple works (such as prints, books and wine). For all other property, only alterations or replacement components are listed. Please contact the Specialist Department for a condition report on a particular lot. Condition reports are provided as a service to interested clients. Prospective Buyers should note that descriptions of property are not warranties and that each lot is sold as is. PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIES Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarize themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as endangered or threatened if those articles are less than 100 years old. Please note that it is the clients responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christies does not accept liability for errors or for failing to mark lots containing protected or regulated species.
COLLECTION AND STORAGE CHARGES To avoid further transport with the risks involved, Buyers are urgently requested to pay and collect their paid purchases at the place of sale on 13-15 March 2013, and 18-22 March 2013 from 9.00a.m. - 5.00 p.m. If instructed by the Buyer, Christies can arrange for the transport of the acquired works at the Buyers risk and expense. Furniture and large items not cleared before 22 March 2013 will be removed by Crown Fine Art to their warehouse at Gyroscoopweg 19, 1042 AC Amsterdam, tel. +31(0)20 658 3380, fax +31(0)20 658 3399, where lots will be available as from 25 March 2013. From the moment of transfer, Crown Fine Arts general terms and conditions will apply. A copy of these terms and conditions can be requested from Crown Fine Art. Crown Fine Arts warehouse is open for collection on every weekday between 8.00 a.m. and 5.00 p.m. Transfer and storage charges to the transporter will be payable by the Buyer from 25 March 2013 to Crown Fine Art. Please note storage charges, if applicable, will be calculated as follows: * A fixed administration fee of 11 per lot (with a maximum of 33 per buyer) excl. VAT * Storage charges of 3.25 per day for larger lots and 2.25 per day for smaller lots excl. VAT. In accordance with Christies Conditions of Sale (Section B.9) printed at the back of this catalogue, the risk of loss or damage to purchased Lots shall be borne by the Buyer from the moment when the Buyers bid is accepted as the highest bid by Christies at the auction. This means that Buyers have a legal obligation to pay for their purchases in full in accordance with the conditions of business, even if the Lots are subsequently lost or damaged. Buyers are advised to arrange their own insurance cover as soon as practicable after the sale. ...HOME JAMES! As an additional service to Buyers, Christies can arrange delivery for purchased lots via Crown Fine Art within the Netherlands. The charges per delivery (i.e. one or multiple lots shipped to the same address) are as follows: Deliveries within postal code areas starting with 10 or 11: For small items (i.e. those that can be carried by one person): 85 (incl. VAT) per delivery. For large items (i.e. those that require two persons): 150 (incl. VAT) per delivery. Deliveries to all other areas in the Netherlands: For small items: 150 (incl. VAT) per delivery For large items: 250 (incl. VAT) per delivery Full payment of the purchased lots is required before actual delivery can take place. It is the clients responsibility to ensure that they arrange adequate insurance cover for their property. If required, Crown Fine Art can arrange insurance and will be pleased to provide a quotation on request. For items that need to be hoisted up, please ask for a separate quotation. Please contact Crown Fine Art at +31 (0)20 658 33 80, if you are interested in the above service, and if you would like to discuss further details such as time of delivery and insurance cover. Deliveries will be within one week after payment of the purchased lots (and transport charges) has been received, in a time slot of 2 hours.
15 July 2010
76
A GUIDE TO CHRISTIES CATALOGUING PRACTICE Some of the terms we use in catalogue descriptions might be unfamiliar to you. Weve outlined below these expressions and their explanations. PICTURES, DRAWINGS, PRINTS AND MINIATURES The following expressions with their accompanying explanations are used by Christies as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or of the extent of any restoration. Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request. Name(s) or Recognised Designation of an Artist without any Qualification In our opinion a work by the artist. * Attributed to In our opinion probably a work by the artist in whole or in part. * Studio of / Workshop of In our opinion a work executed in the studio or workshop of the artist, possibly under his supervision. * Circle of In our opinion a work of the period of the artist and showing his influence. * Follower of In our opinion a work executed in the artists style but not necessarily by a pupil. * Manner of In our opinion a work executed in the artists style but of a later date. * After In our opinion a copy (of any date) of a work of the artist. Signed /Dated / Inscribed In our opinion the work has been signed/dated/inscribed by the artist. With signature / With date / With inscription In our opinion the signature/date/inscription appears to be by a hand other than that of the artist. The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with circa) on which the matrix was worked and not necessarily the date when the impression was printed or published. Measurements are taken where possible, from the platemark (P), otherwise they record the size of the sheet (S) or the borderline of the subject (L). * This term and its definition in this explanation of Cataloguing Practice are a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Christies and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term.
77
A GUIDE TO BUYING AT CHRISTIES CONDITIONS OF SALE Christies Conditions of Sale and limited warranty are set out later in this catalogue. Bidders are strongly encouraged to read these as they set out the terms on which property is bought at auction. ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as a representation or prediction of actual selling prices. Estimates do not include the buyers premium or VAT. Where Estimate on Request appears, please contact the Specialist Department for further information. RESERVES The reserve is the confidential minimum price the consignor will accept and will not exceed the low pre-sale estimate. Lots that are not subject to a reserve are identified by the symbol next to the lot number. BUYERS PREMIUM Christies charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 30.25% of the Hammer Price of each lot up to and including 20,000, plus 24.2% of the Hammer Price between 20,001 and 800,000, plus 14.52% of any amount in excess of 800,000. Buyers premium is calculated on the basis of each lot individually. PRE-AUCTION VIEWING Pre-auction viewings are open to the public free of charge. Christies specialists are available to give advice and condition reports at viewings or by appointment. BIDDER REGISTRATION Prospective buyers who have not previously bid or consigned with Christies should bring: Individuals: government-issued photo identification (such as a driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation or if located in the Netherlands original excerpt of Chamber of Commerce not older than 4 weeks. For other business structures such as trusts, offshore companies or partnerships, please contact Christies Credit Department at +31 (0)20 575 52 11 for advice on the information you should supply. A financial reference in the form of a recent bank statement or a reference from your bank. Christies can supply a form of wording for the bank reference if necessary. Persons registering to bid on behalf of someone who has not previously bid or consigned with Christies should bring identification documents not only for themselves but also for the party on whose behalf they are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, new clients are encouraged to register at least 48 hours in advance of a sale. Prospective buyers should register for a numbered bidding paddle at least 30 minutes before the auction. Clients who have not made a purchase from any Christies office within the last two years and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference. For assistance with references, please contact Christies Credit Department at +31 (0)20 575 52 11. REGISTERING TO BID ON SOMEONE ELSES BEHALF Persons bidding on behalf of an existing client should bring a signed letter from the client authorising the bidder to act on the clients behalf. Please note that Christies does not accept payments from third parties. Christies can only accept payment from the client, and not from the person bidding on their behalf. BIDDING The auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Christies in advance of the auction. The auctioneer may also execute bids on behalf of the seller up to the amount of the reserve. The auctioneer will not specifically identify bids placed on behalf of the seller. Under no circumstances will the auctioneer place any bid on behalf of the seller at or above the reserve. Bid steps are shown on the Absentee Bids Form at the back of this catalogue. 78
ABSENTEE BIDS Absentee bids are written instructions from prospective buyers directing Christies to bid on their behalf up to a maximum amount specified for each lot. Christies staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. Absentee bids submitted on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate.The auctioneer may execute absentee bids directly from the rostrum, clearly identifying these as absentee bids, book bids, order bids or commission bids. Absentee Bids Forms are available in this catalogue, at any Christies location, or online at christies.com. Absentee bids must be received at least 24 hours before the auction begins. TELEPHONE BIDS Telephone bids cannot be accepted for lots estimated below 2,200. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at +31 (0)20 575 59 50. Arrangements to bid in languages other than Dutch and English must be made well in advance of the sale date. Telephone bids may be recorded. By bidding on the telephone, prospective purchasers consent to the recording of their conversation. AUCTIONEERS DISCRETION The auctioneer can acting reasonably; (a) refuse any bid; (b) move the bidding backwards or forwards in any way he or she may decide or change the bidding order; (c) withdraw or divide any lot; (d) combine any two or more lots; (e) in the case of a mistake (whether or not made by Christies) or a dispute as to the successful bidder (whether during or after the auction, including after the fall of the hammer) restart or continue the bidding, cancel the sale of the lot or resell or reoffer a lot. If any dispute arises after the auction the auctioneers decision is final. SUCCESSFUL BIDS The fall of the auctioneers hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot. The results of absentee bids will be mailed after the auction. Successful bidders will pay the price of the final bid plus premium plus any applicable VAT. PAYMENT Buyers are expected to pay for purchases immediately after the auction. Payment can be made in cash, cheque, or by bank transfer in Euros to Christies Stichting Derdengelden: ABN Amro Bank N. V. (BIC/SWIFT code ABNANL2A), Gustav Mahlerlaan 10 1082 PP Amsterdam. Account No. 54.76.17.100; IBAN: NL79ABNA0547617100. By credit card in person at our cashiers counter (telephone or mail transactions are not possible); Eurocard Mastercard, VISA, American Express (please note a surcharge will apply). It is Christies Company policy not to accept single or multiple payments in cash or cash equivalents of more than 7,500 or the equivalent value in another currency. As of 1 January 2002, all cash payments made at Christies Amsterdam will require formal identification. If you are active as a private person, this identification may be a valid passport, European identity card or driving licence. If you act on behalf of one or more other persons, identification, as above is required for this or those person(s) in addition to your personal identification. If you act on behalf of a company, please bring an original extract of the registration with the Chamber of Commerce (not older than three months) of your company in addition to your personal identification. Source: Dutch Law Mention Unusual Transactions and Dutch Law Identification Service rendering. Cheques and drafts should be made payable to Christies Amsterdam B.V. Only Certified Bank Cheques i.e. those cheques that are drawn on the bank, can be accepted as form of payment in cases of immediate collection. Identification as above is required and the limit of 7,500 applies. For further information call the Cashier at +31 (0)20 575 52 11. Please note that Christies will not accept payments for purchased Lots from any party other than the buyer, unless otherwise agreed between the buyer and Christies prior to the sale. LOCAL TAXES AND VAT If a Lot is marked + or !, it will have a special VAT status and will be subject to higher rates as follows:
!: Lot is imported from outside the EU. For each Lot the Buyers Premium is calculated as 37.05% of the Hammer Price up to a value of 20,000, plus 31.1% of the Hammer Price between 20,001 and 800,000, plus 21.58% of any amount in excess of 800,000. + : 19% VAT applies to both the Hammer Price and the Buyers Premium. The Buyers Premium is calculated for each lot as 51.25% of the Hammer Price up to a value of 20,000, plus 45.2% of the Hammer Price between 20,001 and 800,000, plus 35.52% of any amount in excess of 800,000. VAT REFUNDS FOR BUYERS OUTSIDE THE EU VAT charged on both the Hammer Price and the Premium may be refunded provided the following conditions are met: - Property must be exported from the EU within 2 months of the date of the sale. - Christies must be provided with proof of export bearing the original customs stamp from the point of export from the EU. Netherlands tax authorities will not accept photocopies. - The purchase invoice must be addressed to a party resident outside of the EU. Christies remains liable to account for VAT on all Lots unless the conditions listed above are satisfied. Therefore Buyers will generally be asked to initially deposit all amounts of VAT invoiced. To apply for a refund the appropriate export evidence must be sent to Christies accounts department clearly marked VAT REFUND. There will be an administration charge of 35 payable to Christies for this service. An immediate refund of VAT is possible if shipping is arranged by Christies within 2 months of the date of the sale. SHIPPING A shipping form is enclosed with each invoice to buyers outside of the Netherlands. It is the buyers responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christies can arrange property packing and shipping at the buyers request and expense. Buyers should request an estimate for any large items or property of high value that require professional packing. For more information please contact the Shipping Department at +31 (0)20 575 52 52. INSURANCE AND STORAGE Buyers are advised to arrange their own insurance cover as soon as practicable after the sale. Please note that (subject to availability of space at our premises) all uncollected purchases may be transferred to third party storage at your expense if you fail to arrange timely collection or to issue instructions for shipping. VAT BUYERS FROM WITHIN THE EU Buyers who are resident outside The Netherlands, but within the EU, and who have obtained a valid VAT identification number that has been made known to Christies before or immediately after the sale, and who furthermore comply with all other conditions specified by Christies, will be eligible for a VAT rate of 0 %. The buyer guarantees to Christies the correctness of all information provided. Lots that are sold in accordance with the above, shall be ineligible to be resold under the Margin Scheme. EXPORT/IMPORT PERMIT Overseas buyers are advised to familiarise themselves with any restrictions or licence requirements relating to their intended purchases. In case of doubt, buyers are advised to consult their local customs authority or a reputable international shipper. Export licences in the Netherlands can usually be obtained within two to four weeks. Sellers and Buyers are advised that the Ministry of Education, Culture and Sciences may designate cultural objects as protected cultural objects, in which case restrictions with regard to the exportation and transfer of title of these objects apply. Sellers and Buyers are further advised that certain objects may fall within the scope of EUregulation no 3911/92, as a consequence of which an export licence from the Ministry of Education, Culture and Sciences may be required if the objects are to be exported to a country outside of the EU. An export licence issued by the Ministry of Agriculture, Nature and Food Quality, Department CITES will be required for the export of any item made of, or incorporating (irrespective of percentage) animal material such as ivory, whalebone, tortoiseshell, rhinoceros horn etc. and this generally takes up to 8 weeks. Clients are advised to check with the regulating body in the country of importation regarding items within this category - some countries have an absolute ban on the importation of certain materials.
Conditions of Sale
These Conditions of Sale and the information set out in the All You Need to Know section of the catalogue set out the terms governing the legal relationship of Christies and the seller with the buyer. You should read them carefully before bidding.
The following Conditions of Sale apply to the legal relationship between Christies Amsterdam B.V. (hereinafter: Christies) and the participants in the auctions held by Christies and related activities. By participating in the auction, the persons who bid at the auctions held by Christies (hereinafter: Intending Buyer(s)) accept the applicability of these Conditions of Sale. Christies therefore request Intending Buyers to read carefully both the Conditions of Sale and the definitions of some of the terms used in the catalogue. For ease of reference, the Conditions of Sale are divided into sections: Section A gives a background to some of the terms used in the Conditions generally; section B to (Intending) Buyers; and section C contains some general provisions. (A) BACKGROUND TO TERMS USED IN THESE CONDITIONS 1. In the conditions set out below, some terms are used regularly that need explanation. They are as follows: - The Buyer means the person with the highest bid accepted by the auctioneer, assuming this highest bid is at least equal to the Reserve, if any; - The Buyers premium means the charge payable by the Buyer as a percentage of the Hammer Price, at the rates set out in Article B.4.; - Condition report means additional information on a particular lot in the catalogue, as supplied by Christies; - The Consignment Agreement means the written agreement between Christies and the Seller containing the instruction from the Seller to Christies to sell the Lots during one or several auctions; - Forgery means a Lot constituting an imitation originally conceived and executed as a whole with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source where the correct description as to such matters is not reflected by the description in the catalogue and which at the date of the auction had a value materially less than it would have had if it had been in accordance with the description in the catalogue. Accordingly, no Lot shall be capable of being a Forgery by reason of any damage and/or restoration work of any kind (including repainting); - The Hammer Price means the amount of the highest bid accepted by the auctioneer in relation to a Lot; - Margin Scheme means that the Buyers Premium includes VAT as set out in Article B.4; - Lot means any object or set of objects accepted by Christies for the purpose of selling the same at the auction and described in the catalogue under one lot number; - Proceeds of Sale means the Hammer Price less the commission and V.A.T. chargeable thereon and less all costs payable to Christies; - Purchase Price means the Hammer Price plus the Buyers premium and all other costs payable to Christies (including the resale royalty) plus any applicable VAT; - The Reserve means the amount below which Christies agree with the Seller that the Lot cannot be sold; - The Seller means the person offering an object or a set of objects to Christies for sale at one of the auctions held by Christies; (B) THE BUYER 1. THE BUYER (a) The Buyer is the person accepted as the highest bidder by Christies acting as agents for the Seller. The decision whether or not to accept a bid shall be made by Christies. Subject to the provisions of the section marked Auctioneers Discretion set out in the Buying at Christies, the purchase agreement between the Seller and the Buyer comes into being at the moment when Christies accept a bid as the highest bid. (b) When making a bid, a bidder is accepting personal liability to pay the purchase price, including buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christies before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christies, and that Christies will only look to the principal for payment. (c) Anyone wishing to bid at an auction must fill out and sign a registration form before the beginning of the auction. 2. CHRISTIES ACTING AS REPRESENTATIVES (a) In effecting sales Christies are acting as representatives for the Seller. Christies do not warrant to the Intending Buyers that the Sellers have the right of disposal of the objects sent in, nor that the objects are not charged with real rights or leased out, nor that all legal requirements relating to any export or import of the objects have been complied with. (b) Christies are not obliged to disclose the name of the Seller to the Intending Buyer or the Buyer. (c) Christies recommend Intending Buyers to attend the auction and to make bids themselves. (d) If an Intending Buyer gives Christies instructions to bid on his behalf, by using the form printed after the catalogue entries, Christies shall - without charging any additional fee - use reasonable efforts to do so, provided the instructions are received not later than 24 hours before the auction. If Christies receive commission bids on a particular Lot for identical amounts, and at auction these bids are the highest bids for the Lot, it will be sold to the person whose bid was received first. Commission bids are accepted by Christies subject to other commitments at the time of the sale, and the conduct of the sale may be such that Christies are unable to bid as requested. Christies do not accept liability whatsoever for failure to make a commission bid or for failure to correctly execute a commission bid. Intending Buyers should therefore always attend personally if they wish to be certain of bidding. (e) If an Intending Buyer makes arrangements with Christies not later than 24 hours before the auction, Christies shall - without charging any additional fee use reasonable efforts to contact the Intending Buyer to enable him to participate in bidding by telephone. Christies does not accept liability whatsoever for failure to make a telephone bid or for failure to correctly execute a telephone bid. 3. DESCRIPTIONS IN THE CATALOGUE AND VIDEO IMAGES (a) All statements of Christies in the catalogue and condition reports as to the (presumptive) designer, author, writer, origin, date, age, genuineness, source, provenance, condition or estimated Hammer Price of any Lot are statements of opinion only and shall never imply any guarantee by Christies. All illustrations in the catalogue serve merely as guidance for Intending Buyers; they do not provide any decisive information as to pattern, colours and degree of damage of any Lot. (b) Lots may be in imperfect condition. The absence of any reference in the catalogue to defects in a Lot does not imply that such Lot is free from defects, nor does reference to particular defects imply the absence of others. (c) Intending Buyers will have to form an opinion regarding the matters discussed in paragraph (a) and paragraph (b) above by personal inspection or otherwise during the previews. (d) Without prejudice to the provisions in paragraph (a) and paragraph (b) above, neither Christies nor their employees or representatives give any guarantee as to the correctness or completeness of any information supplied either verbally or in writing about any Lot. (e) If within one year after the auction the Buyer proves that a Lot bought by him is a Forgery, the sale of the Lot shall be cancelled and the Purchase Price shall be refunded by Christies to the Buyer. The Buyer should note that this refund can be obtained only if the following conditions are met: (i) the Buyer has notified Christies in writing within one year from the date of the auction that in his view the Lot is a Forgery; (ii) the Buyer has within fourteen days after the date of the notification referred to hereabove under (i) returned the Lot to Christies in the same condition as it were in when the Buyer took delivery of the Lot; and (iii) the Buyer has at latest upon return of the Lot produced evidence satisfactory to Christies that the Lot is a Forgery and that he is able to transfer the title to Christies, free from any third party claims. The right to a refund as contained in this paragraph shall not exist if either (a) the catalogue description at the auction date corresponded to the generally accepted opinion of scholars or experts at that time, or fairly indicated that there was a conflict of opinions; or (b) it can be demonstrated that a Lot is a Forgery only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the auction was unreasonably expensive or impracticable or likely to have caused damage to the Lot. In no circumstance shall Christies be obliged to pay the Buyer any more than the Purchase Price for the Lot. The Buyer shall have no claim for interest. Christies shall be entitled to rely on any scientific or other process to establish that the Lot is not a Forgery, whether or not such process was used or in use at the date of the auction. The right to a refund as contained in this paragraph is not capable of being transferred and is solely for the benefit of the Buyer. The right to a refund as contained in this paragraph does not apply to coins, medals and jewellery. (f) At some auctions there will be a video screen. Mistakes may occur in its operation, and Christies shall not be liable to the Intending Buyer regarding either the correspondence of the image to the Lot being sold or the quality of the image as a reproduction of the original. 4. STANDARD CHARGES FOR PURCHASERS (a) Buyers Premium Christies charges a Buyers Premium calculated at 30.25% of the Hammer Price for each lot up to and including 20,000, plus 24.2% of the Hammer Price between 20,001 and 800,000, plus 14.52% of any amount in excess of 800,000. Buyers premium is calculated on the basis of each lot individually. Buyers Premium is calculated on this basis for each lot individually. The Buyers Premium does not include shipping or storage charges. These will be charged separately if shipping or storage is requested by the Buyer. (b) Artists Resale Right Regulations (Droit de Suite/ Volgrecht): If the Artists Resale Right Regulations apply to the lot the buyer also agrees to pay to us an amount equal to the resale royalty provided for in those Regulations. Lots affected are identified with the symbol l next to the lot number. 5. V.A.T. If a Lot is not marked + or ! in the catalogue, Christies will offer such Lot for sale under the Margin Scheme. If a Lot is marked + or !, it will have a special V.A.T. status and will be subject to higher rates as follows: !: Lot is imported from outside the EU. For each Lot the Buyers Premium is calculated as 37.05% of the Hammer Price up to a value of 20,000, plus 31.1% of the Hammer Price between 20,001 and 800,000, plus 21.58% of any amount in excess of 800,000. +: 19% VAT applies to both the Hammer Price and the Buyers Premium. The Buyers Premium is calculated for each lot as 51.25% of the Hammer Price up to a value of 20,000, plus 45.2% of the Hammer Price between 20,001 and 800,000, plus 35.52% of any amount in excess of 800,000. The Buyer must furnish Christies with all relevant information concerning his V.A.T. position. The Buyer warrants this information to be correct. Changes in the V.A.T. status of a Lot may be communicated by a sale room notice.
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Conditions of Sale
6. REGISTRATION OF BIDDERS Prospective buyers who have not previously bid or consigned with Christies should bring: Individuals: government-issued photo identification (such as a driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a photocopy of the company register or if located in the Netherlands an original excerpt of Chamber of Commerce not older than 4 weeks. For other business structures such as trusts, offshore companies or partnerships, please contact Christies Credit Department at +31 (0)20 575 52 11 for advice on the information you should supply. A financial reference in the form of a recent bank statement or a reference from your bank. Christies can supply a form of wording for the bank reference if necessary. Persons registering to bid on behalf of someone who has not previously bid or consigned with Christies should bring identification documents not only for themselves but also for the party on whose behalf they are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, new clients are encouraged to register at least 48 hours in advance of a sale. Prospective buyers should register for a numbered bidding paddle at least 30 minutes before the auction. Clients who have not made a purchase from any Christies office within the last two years and those wishing to spend more than on previous occasions, will be asked to supply a new bank reference. For assistance with references, please contact Christies Credit Department at +31(0)205755211. 7. PAYMENT The Buyer shall pay the Purchase Price to Christies within seven days after the auction, failing which he shall be in default. The Buyer shall owe interest on the Purchase Price to Christies at a rate equal to the legal interest plus two percentage points from the moment he is in default. The Purchase Price includes V.A.T. The Buyer shall pay the Purchase Price in full even if a subsequent V.A.T. refund may be granted. Christies does not accept payment from third parties. This also applies to agents. 8. RELEASE OF LOTS (a) Without prejudice to the provision of article B.2.(a), the title to the objects belonging to the Lot shall not pass to the Buyer until he has fully paid the Purchase Price as well as any and all other moneys due from the Buyer to Christies as a result of any other purchase agreements. Until such time, Christies shall have a lien (retentierecht) on the objects belonging to the Lot. (b) The Buyer must take away the Lot(s) purchased by him at his expense within seven days of the auction, failing which he shall be in default. The period of seven days mentioned here may be deviated from in the auction catalogue. (c) The Buyer shall be liable for the costs of removal, storage or other costs of any Lot which has not been taken away by him within the period referred to in paragraph (b) above. Christies shall have a lien (retentierecht) on the Lot in respect of said costs. (d) The Buyer may request Christies to pack a purchased Lot or to cause the same to be packed. Such packing shall be done entirely at the discretion of Christies and at the expense and risk of the Buyer. (e) Christies does not provide a packing, postal or delivery service. Christies can suggest the names of companies that provide these services if requested to do so. However Christies does not accept responsibility for any loss or damage which may occur during packing, storage or transportation of the Lot(s).
(f) Collection of purchases Christies shall be entitled to retain items sold until all amounts due to Christies, or to Christies International plc, or to any of its affiliates, subsidiaries or parent companies worldwide, have been received in full in good cleared funds or until the buyer has performed any other outstanding obligations as we, in our sole discretion, shall require, including, for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to our satisfaction. In the event a buyer fails to complete any anti-money laundering or antiterrorism financing checks to our satisfaction, Christies shall be entitled to cancel the sale and to take any other actions that are required or permitted under applicable law. Subject to this, the buyer shall collect purchased lots within seven calendar days from the date of the sale unless otherwise agreed between us and the buyer. 9. RISK OF PURCHASED LOTS The risk of loss or damage to purchased Lots shall be borne by the Buyer from the moment when the Buyers bid is accepted as the highest bid by Christies at the auction. This means that Buyers have a legal obligation to pay their purchases in full, even if the Lots are subsequently lost or damaged. 10. DEFAULT OF THE BUYER (a) If the Buyer is in default, Christies shall be authorised to sell the Lot(s) purchased by the Buyer without further notice, either by private or by public sale. The Buyer shall continue to be liable for the part of the Purchase Price remaining unpaid after such sale, while the Buyer shall never be entitled to any surplus proceeds which may be realized upon re-auctioning. (b) If, as a result of the Buyers default, Christies are sued by the Seller or by third parties or if any property belonging to Christies or the sold Lot(s) is/are seized by the Seller or by third parties, or if Christies suffer damage or incur expenses in any other way as a result of the Buyers default, Christies shall be entitled to recover from the Buyer all damage suffered and expenses incurred by Christies as a result thereof. Christies shall moreover be authorized to disclose the identity of the Buyer to the Seller or to the said third parties if the Buyer is in default. (c) If the Buyer is in default, Christies may reject at any future auction any bids made by the Buyer. 11. LIABILITY (a) Without prejudice to the provisions set forth elsewhere in these Conditions of Sale, Christies are liable for damage suffered by the Buyer only, if the occurrence of the damage is the consequence of gross negligence or intent of Christies or their employees or representatives. (b) In the cases referred to in paragraph (a) above the extent of the liability of Christies for damage suffered by the Buyer shall be limited to the amount of the Buyers premium. (c) The limitation of liability as contained in this article may also be invoked by the employees and representatives of Christies. 12. EXPIRATION (a) The right of the Buyer to annul, rescind or cancel the purchase agreement or to cause same to be annulled or rescinded shall expire after one year from the day on which the purchase agreement is concluded. If the Buyer decides to exercise any of the rights set forth above, he shall be obliged to deliver the objects belonging to the purchased Lot to Christies forthwith, in the same condition that they were in when the Buyer took delivery of them, without prejudice to the provisions of Article B.3.(e) in case the Lot is claimed to be a Forgery. (b) The annulment, nullification, rescission or cancellation of the purchase agreement shall not affect the Buyers obligation to pay the Buyers premium and to reimburse the expenses incurred by Christies.
C. GENERAL PROVISIONS (APPLICABLE TO BOTH BUYERS AND SELLERS) 1. Neither Christies nor their employees nor their representatives are liable for any damage suffered by the Seller or the Buyer, as the case may be, as a result of default of the Buyer or the Seller, respectively. 2. Christies are authorised, without reason given, to refuse any person admission to the auction premises and the auction, and also to exclude any person from making bids for a Lot. 3. Christies are authorised to combine several Lots, to combine different objects from one and the same Seller into one Lot, to refuse any bid, to continue the bidding, to withdraw or to divide a Lot, and in the event of a dispute about the bidding to put up the Lot for sale once again immediately. 4. All notifications and communications to Christies shall be made in writing. 5. The legal relationship between Christies and the Buyer shall be governed by Netherlands law. 6. Any dispute between Christies and the Buyer shall be adjudicated by the competent court of Amsterdam, on the understanding that a Buyer who is a natural person and who is not acting in pursuance of a profession or a sale shall have the right, within a period of 32 days after Christies have invoked this clause against him in writing, to choose to have the dispute adjudicated by the court that has jurisdiction by law. 7. This text is a translation in the English language of the Dutch Conditions of Sale. The Dutch text shall be the authentic text in all cases. A copy of the Dutch text is on public display at our sale premises and is available on request. 8. The copyright in all images, illustrations and written material, relating to a Lot is and shall remain at all times the property of Christies and shall not be used by the Buyer nor anyone else without the prior written consent of Christies.
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Written Bids
If you cant attend an auction in person dont miss out, leave a written bid and well do the rest bid now its quick, convenient and condential.
Nineteen to Now
TUESDAY 12 MARCH 2013 AT 10.30 AM AND 2.00 PM
Absentee Bids Form

Christies Amsterdam
Absentee bids must be received at least 24 hours before the auction begins. Christies will confirm all bids received by fax by return fax. Tel: +31 (0)20 575 950 Fax: +31 (0)20 575 59 74 on-line www.christies.com
Cornelis Schuytstraat 57, 1071 JG Amsterdam

CODE NAME: AMS SALE NUMBER: 3024
to fax this form, please trim here.
(Dealers billing name and address must agree with taxexemption certificate. Invoices cannot be changed after they have been printed.)
BID ONLINE FOR THIS SALE AT CHRISTIES. COM
3024
Client Number (if applicable) Billing Name (please print) Address Post Code Daytime Telephone Fax (Important) Evening Telephone Email Sale Number
BIDDING INCREMENTS Bidding generally opens below the low estimate and advances in increments of up to 10%, subject to the auctioneers discretion. Absentee bids that do not conform to the increments set below may be lowered to the next bidding interval. 100 to 1,000 by 50 1,000 to 2,000 by 100 2,000 to 3,000 by 200 3,000 to 5,000 by 200-500-800 5,000 to 10,000 by 500 10,000 to 20,000 by 1,000 20,000 to 30,000 by 2,000 30,000 to 50,000 by 2,000-5,0008,000 50,000 to 100,000 by 5,000 100,000 + by 10,000 The auctioneer may vary the increments during the course of the auction at his or her own discretion. Auction Results: +44 (0)20 7627 2707
Please tick if you prefer to receive information about our upcoming sales by e-mail
Signature If you have not previously bid or consigned with Christies, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at +31 (0)20 575 52 11 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christies, please attach identification documents for yourself as well as the person/entity on whose behalf you are bidding, together with a signed letter of authorisation from the person/entity. New clients, clients who have not made a purchase from any Christies office within the last two years, and those wishing to spend more than on previous occasions will be asked to supply a bank reference. We also request that you complete the section below with your bank details: Name of Bank(s) Address of Banks(s) Account Number(s) Name of Account Officer(s) Bank Telephone Number
Please also refer to the information contained in Buying at Christies at the back of this catalogue. I request Christies to bid on the following lots up to the maximum price I have indicated for each lot. I understand that if my bid is successful, the purchase price payable shall be the aggregate of the final bid and a VAT inclusive premium calculated at 30.20% of the Hammer Price for each lot up to and including 20,000, plus 24.2% of the Hammer Price between 20,001 and 800,000, plus 14.52% of any amount in excess of 800,000. Buyers Premium is calculated on this basis for each lot individually. Lots marked with a + or ! VAT is applied differently. I understand that Christies provides the service of executing absentee bids for the convenience of clients and that Christies is not responsible for failing to execute bids or for errors relating to execution of bids. On my behalf, Christies will try to purchase these lots for the lowest possible price, taking into account the reserve and other bids. Absentee bids submitted on no reserve lots will, in the absence of a higher bid, be executed at approximately 50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of the low pre-sale estimate. If identical absentee bids are received for the same lot, the written bid received first at Christies will take precedence. Absentee bids in another currency will be converted into Euros using the official exchange rate on the day of receipt of the absentee bid. The results of absentee bids will be mailed after the auction. An invoice will be sent to you on the following business day after the sale. Please contact the Telephone Bid office at least 24 hours in advance of the sale to make arrangements for telephone bidding. Tel: +31 (0)20 575 5950. All bids are subject to the terms of the Conditions of Sale printed in this Christies catalogue. AML 22/10/10
PLEASE PRINT CLEARLY

Lot number
(in numerical order)
Maximum Price
(excluding buyers premium)
Lot number
(in numerical order)
Maximum Price (excluding buyers premium)
If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS Please quote number below:
ONLINE ONLY AUCTION

February 26March 5 Sold to Benet The Andy Warhol Foundation for the Visual Arts
CONTACT
Amelia Manderscheid amanderscheid@christies.com +1 212 468 7113 christies.com/warhol
Andy Warhol (19281987) I Love Your Kiss Forever Forever (see F. & S. II.5) (detail) lithograph in colors, printed on two sheets Executed in 1964. $3,0005,000 The Andy Warhol Foundation for the Visual Arts, Inc.
AUCTION 16 April 2013 VIEWING 12-15 April 2013
ENQUIRIES Alexandra Bots +31 (0)20 575 59 57 abots@christies.com
CATALOGUES Amsterdam +31 (0)20 575 5255 New York +1 800 395 6300 London +44 (0)20 7389 2820
Post-War & Contemporary Art

since 1766
AMSTERDAM Cornelis Schuytstraat 57 1071 JG Amsterdam
Impressionist & Modern Art

AUCTION 29 May 2013 CONSIGNMENT DEADLINE end of March 2013 ENQUIRIES Sarah de Clercq +31 (0)20 575 5281 sdeclercq@christies.com CATALOGUES Amsterdam +31 (0)20 575 5255 New York +1 800 395 6300 London +44 (0)20 7389 2820 AMSTERDAM Cornelis Schuytstraat 57 1071 JG Amsterdam
since 1766
Impressionist/Modern Art
and Picasso Editions

AUCTION 21 June 2013 CONSIGNMENT DEADLINE 12 April 2013 ENQUIRIES Michelle McMullan +44 (0)207 389 2137 mmcullan@christies.com CATALOGUES Amsterdam +31 (0)20 575 5255 New York +1 800 395 6300 London +44 (0)20 7389 2820 CHRISTIES SOUTH KENSINGTON 85 Old Brompton Road London SW7 3LD
since 1766
Spring Calendar March - May 2013
March
12 26-27 9
Tuesday Nineteen to Now including Indonesian Art 10.30 am, 2.00 pm Viewing: 8-11 March Tuesday & Wednesday The Decorative Arts Sale: Including Fine Paintings 2.00 pm & 10.30 am & 2.00 pm Viewing: 22-25 March (sale 3025) (sale 3024)
April
Tuesday Jewels & Watches 10.30 am & 2.00 pm Viewing: 5-8 April Monday The Piet and Ida Sanders Collection 7.00 pm Viewing: 12-15 April Tuesday The Piet and Ida Sanders Collection 10.30 am Viewing: 12-15 April Tuesday Post-War and Contemporary Art 2.00 pm Viewing: 12-15 April Tuesday Fine Wine & Vintage Port 10.30 am & 2.00 pm (sale 3029) Decorative Arts (sale 3045) (sale 3026)
15 16 16 23
(sale 3045)
(sale 3027)
May
7 29
Tuesday Old Masters and 19th Century Art 2.00 pm Viewing: 3-6 May Wednesday Impressionist & Modern Art 2.00 pm Viewing: 25-28 May (sale 3028)
(sale 3030)
PLEASE NOTE THESE DATES ARE SUBJECT TO CHANGE FOR CONFIRMATION TEL: +31 (0)20 575 52 55
Jewels and Watches
The Paper used in this catalogue has been manufactured at a mill which has been awarded the ISO 14001 for Environment Management and is a registered mill within EMAS (the EU EcoManagement and Audit Scheme)
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Printed in England Copyright, Christies Amsterdam B.V. (2013)

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nineteen to now

Art from the 19th, 20th & 21st centuries

Its easy to buy at Christies

HOW MUCH YOU WILL PAY

TALK TO OUR SPECIALISTS

COLLECTION, INSURANCE AND STORAGE

VIEW THE LOT PERSONALLY

Art from the 19th, 20th & 21st centuries

Tuesday 12 March 2013 at 10.30 am (Lots 1199); 2.00 pm (Lots 200-371)

Friday Saturday Sunday Monday

8 March 9 March 10 March 11 March

10.00 am 5.00 pm 10.00 am 5.00 pm 10.00 am 5.00 pm 10.00 am 4.00 pm

Cornelis Schuytstraat 57, 1071 JG Amsterdam

10.00 am 5.00 pm (only on viewing days)

+31 (0)20 575 52 55

Odette van Ginkel Head of Sale Impressionist & Modern Art

Peter van der Graaf Post-War & Contemporary Art

Elvira Jansen Post-War & Contemporary Art

Lambert van Tuyll van Serooskerken Impressionist & Modern Art

This auction is subject to important notices, conditions of sale and to reserves.

These auctions feature

nineteen to now | INTRODUCING

DEAR ART LOVER,

CHAIRMAN CHRISTIES AMSTERDAM

PIET OUBORG (1893-1956)

nineteen to now | INDONESIAN ART

nineteen to now | NEO RAUCH

A.M. HAMMACHER, APOLLO, NOVEMBER 1964.

THE PIET AND IDA SANDERS COLLECTION

MORNING SESSION AT 10.30 AM (LOTS 1-198)

Visit www.christies.com for additional information on this lot

2 JAN TOOROP (1858-1928)

Figures in the dunes

Kunsthandel Simonis & Buunk, Ede.

3 LEO GESTEL (1881-1941)

A view of Positano, Italy

4 ISAAC ISRAELS (1865-1934)

A lady at the beach

5 JAN TOOROP (1858-1928)

Farmers working the land

6 LEO GESTEL (1881-1941)

A still life with flowers in a vase

l7 HAN VAN MEEGEREN (1889-1947)

Strolling on the beach

l8 ERASMUS BERNHARD VAN DULMEN KRUMPELMAN (1897-1987)

Girls playing near the river Aa

Acquired by the grandparents of the present owner in the 1960s.

7 9 CONRAD BUFF (1886-1975)

Monument Valley (recto); studies of mountains (verso)

10 MARIUS BAUER (1867-1932)

The Amber Palace, Jaipur, India

l11 JAN WIEGERS (1893-1959)

A farm house in Twente

12 FERDINAND DORSCH (1875-1938)

l13 GER LANGEWEG (1891-1970)

A day at the fair

l14 WILLY BOERS (1905-1978)

A still life with books and playing cards

l15 ANTO CARTE (1886-1954)

Kunsthandel Van Lier, Blaricum, circa 1978.

l17 WIM BOSMA (1902-1985)

View of a harbour with shermen and a shing vessel from Urk

l18 DIRK SMORENBERG (1883-1960)

Sailing boats at the Loosdrechtse Plassen