Professional Documents
Culture Documents
Pianoforte
4 ?4 4 ?4
8
PLAY 0:00
q = 60
Memento
(2005)
0:04
0:12
Edgar Guzmn
(1981)
D D X X X X X X X X X X X X X X XX X. X X. X X. X X. X
... # XX XX ? XX XX . # # XX XX X X X. X X X. X X X. ? 8 . 'X X X ()
0:36
[ nX X X X X X nX X X X X X nX X X X X X nX X X X X X ' sempre X X X X
0:44
E. E. E. E.
X .. X .. X .. X ..
0:20
X X X X
? 8
X X X X X X XX X X X X D
... X X X X X X X X XXXXXX XX . X X X X D
X X X X D
X X X X
X X X X a j X # # # nX XX f
X X X X
0:52
X X X X
X. X. X. X. D
X X X X
XX X E XX X E XX X E XX X E X X X X J X X X X X X X X J X. X. X. X. ... E ### E E E. F
X # # # nX XX
X # # # nX XX X. X. X. X.
0:28
XX XX
X X X X J
E E E E
1:00
> w w w w X X XX p
... XX XX . X XX XX X X XX XX X X XX XX X X XX XX X [
XXX XXX XXX XXX
XX XX XX X X X X XX X X X X D
... XX XX .
XX XX
?
XXX XXX XXX ? 8 XXX
1:08
> w w w w
w ### w ww
D E .. EE . w SZp
* E EE
w w w w
? E 8 # E #E ? 8 #w SZ f ()
1:16
D X. X .
w w w w f
D
1:24
bEE
loco
E ### E EE P w w w w P D
> w w w w
poco
#w Sz D w
1:32
al niente
F #w
D D
X. p *
bXX X X J f
. . . . . . . .. . . . . . . . . F
1:36
?D D ? 8
. a bXX . p
&
D bww p
una corda loco
b XX
1:44
bww
X. n X.
> b XX XX XX bXX EE *
bww
> X #X bXX XX XX *
2:04
p X. XX. # X # # XX XX p
D
. . XX X
. . X X
tre corde . . . . . . . . . XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. XX. > X X X X X X X X X X X . X X X X X X X X # X XX XX bXX XX XX # #XX XX XX XX XX XX XX XX # # XX XX XX XX XX XX XX XX XX XX XX XX XX XX XX XX SZ p. . . . . . . . . . . . X XX XX XX XX XX XX XX XX XX XX XX # # #X XX XX XX XX XX XX XX XX XX XX XX XX SZ p * * in tempo
1:52
w b b bw ww b#X X XX E E EE
#j XX #X X
D X X XX
loco
legato
&
nX nX b X
b n#E E EE
X X
L.V.
E E EE
#j XX #X X
b X X X# X X X X X X b X bX XX & b Xb X X X# X X X Xb X b X X X# X X b X b X X X # X X ? X X X X X X Xb X b X X bX XX
b X X X# X X b X X X Xb X
f
&
8
&
8
nX nX nX # X # X
> . X X J
#j XX # j XX #X # X X X
(chromatic cluster)
&
XX ? 8 X b X# X f () bX b Xb X X X
.. X X.
. X X SZ
XX. X XX X .
D D E E a #> X J &
loco
SZ *
(# ) X
X ? b#X XX 8
2:20
tremolo rall...
X f
2:28
SZ
X b(# ) XX X X ()X
SZ
XX X #X X X X X X X
p X X D
D w ? w w *f
loco
? 8
2:32
& ? 8
#X a # X X XX #X # X #X
D D X
#w SZ f
bX X X# X
tremolo rall...
# X.
2:40
X.
2:56
X.
X.
X.
X.
nE
tremolo rall...
@ a X
D
legato
2:48
&
X
b Xb X X X # X @ X X #X XX
X
XX @
in tempo p
b XnX b X a X X# X # XnX
SZ
bj X a X b X X # #X X XX * X X
3:12
nX # X nX nX b X nX X # X
f bX . SZ
3:20
bX X
X# X
Xb X
X X X #X
loco
@ E
3:04
? 8 ( ) f sim. & p
XX
XX
XXXX
&
rall... X. X. X. X. X. X. X. # X. X. X. X. X. stacc ( nX ) ( X )
SZ
X J
nX nX # X nX b X nX X # X
bE . X. X. X. X. X. X. X. X. X. X. X. X. F * f
loco
tremolo rall...
D bX J a.
nb# bE E EE p
tremolo on strings
b# bw w ww D k X@a X p * ( b) X J E D
b# bE E .... EE a
a ? b bE E E E # #E E EE f k X@a X
&
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3:24
k ? X@ 8 X f
a D bX X X X bX SZ p
k X D X f SZ X X
& X ? 8 X ( )
bX X X X # X X bX ? X X #X X b X X X X X X #X X #X XXX
#X X
#X X
#X X
bX #X X X
X X X
3:32
bX
D
3
@ k X D X f * bX X X X X X E SZ w ### w ww f *
3:40
3:48
&
bX
?# # XX # XX f () &
X X X XX
X X X XX
una corda
D
XX XX X n X # XX nb XX # XX X X. X. X nn# X X. X n# X XX b n XX # XX b n XX
D
X X XX X X XX X X XX X X XX X X XX
X X X # X X # X # XX sempre * D
?
*
3:56
tre corde
X X X6X
X nXX X # XX X b XX XX b b XX n X # # X b X X n X # XX XX X. X X. X. n X. # X
. .
X X XX *
X X XX
X X XX
X X XX
X X XX
X X XX
X X XX
X X XX
#X #X
bw w ? w w 8 () F
#X X X X X X X X # X XX X bX
4:04
nX b X
? 8
X X bX X X X X X X X X X X X X X bX X X X X X X X X X X X X X X X D
L.V.
E E
. E E. *
nX
nX X b X X X X X X n X bX X
XX
4:28
E E
E E
E >
a bj X X XX p
w w ww XXXXXXX X. X. X
X X X X X X bX X X X X X X X X X X X X X X X bX X X X X X. X X X X X X X. X X XX X X. XX X X X X X X XX.
4:44
j X X X X X X X. XX X .
General dynamic
4:52
? X X X ? 8 X
X X. X X X
X.
XX X
X X.
X.
X X X X X
X X . # X X# X X bnX X. X X X X XX X X X .
5:00
5:08
XX. X X X
X bX X X
X X.
D X.
X X X # X X # XX b X X X. X X X . X XX X X X X X X XX.
XXX .
F ) ? bX SZ p w w ? 8 w SZ
(
X X X . X X XX
X X . XX X X
X X XX.
X X XX X . X X X X
X X X . X X XX
5:24
X X . XX X X
X X XX X . X X
5:32
X X X#X X #X X bX X . X X XX X X f p j X X X X X XX. X X SZ p *
5:16
XXX . X XX. X X b X X XX X X X . X X XX X . X X
5:48
X.
X XX X
bX
X X
X X X
X X X . X X XX
f w w w
E.
bX X D p
X X
?
SZ
6:04
? ? bX X p ?
(
5:40
#X X X p
5:56
#w X X D
#X X X X
4:3
#X X X
#X
[ & nX X X X X p
6:12
#X X X X nX #X X X bX
&
SZp
nw
D
5
p *
E.
6:16
6:24
&
X f & ? ? X f ()
6:32
bX X
nX
nX
#X
#X X X X X X
XX XXX X
*
X
bX X X X
c
*
o
X X X X
6:40 6:48
f * D D # #E E E #E EE p n n nX XX D b bX X n n nX X XX b b X p
7:16
& ?
(
X XX X # X X X #X
XXX
X XX X X XXX
XXX
X XX X
D D
? 8 #
D D E E # ## E E EE p
7:08
)
6:52
f * D
X # X #X
al niente
nE E # E # nE EE f * D
* D
7:00
&
D * D
D
gradually add upper pitches creating an increasingly dense cluster
? 8 nX nn XX b b X X n n nX X n n nX X n n nE XX b b X XX b b X EE ... p p *
damp the strings with the palm of the hand near to any node X X X X X X X X X X X X X X X X X X X X X X X X X X X X XXXX p f
b bE E ..
7:20
7:28
this stave for strikes on the strings with the palm of the hand
& D X X ? 8 X X f () X X X X
X X
X X
X X
X X
X X p sub *
X X f sempre
non cresc
X X X X X X X X
X X X X
X X X X X X
X X X X
X X
X X X X X X
X X X X X X
X X X X
X X X X X X X X X X
X X X X X X X X
X X
X X X D X
X X
X X X X
X X
7:32
7:36
ad lib.
7:44
7:56
8:04
8:20
FREE IMPROVISATION
*CLUSTERS ON KEYBOARD LOW REGISTER *TREMOLOS AND GLISSANDI ON STRINGS LOW REGISTER
*TREMOLOS AND GLISSANDI ON STRINGS LOW TO MEDIUM REGISTER *CLUSTERS, STRIKING THE STRINGS WITH THE PALM OF THE HAND LOW REGISTER *CLUSTERS ON KEYBOARD
LOW REGISTER