Professional Documents
Culture Documents
7 Special Events
8 Ticket Info
12 Festival
Schedule
14 Member
Information
15 Program
Guide
82 Foundation
& Festival Staff
Scene from ALIEN ABDUCTION, featured in this year’s Animation: The Illusion of Life program, (page 26)
Welcome
Catch Them All!
with director Jessica Yu noted ab bove,
filmmaker
mmaker Jennifer Phang will joinjo us for
her critically-acclaimed Sun
Sundance film
HALF-LIFE;
LIFE; first-time
first-tim director Hein Seok
brings us an intimat
intimate documentary on
Korean “comfort
K mff women” in HOUSE
OF SHARING;
O RING THE FISH FALL IN LOVE
offers a delectable story about an n Irania
Iranian
woman who cooks her way into the
heart of a former lover; and the beautiful
actress Sheetal Sheth return
ac returns to our
festival for THE WORLD UNSEEN, as an
Indian woman living ng in Sou
South Africa during
uring
the
he Apartheid.
arthei Others inclu
include
clude SSHAME E,
SHADOWSOWSWS IN THE PALAPALACE,
LACE, FAMILY
F Y
INC.,YOURS URS TRULY MISS CHINATOW
UR ATOWN,
AGAINST THE GRAIN GRAIN,
AIN, and WINGS GS OF
DE
DEFEAT.
Ther
here is so
om much to offer. From our openingg nnight T bbeauty of our foundation
The on is that
at we have
film, the hilarious PING PON
film PONG PLAYA, A directed
ected byy created
ed a place where everyone
eve e is welcome to
Academy Award winnerr Jes
Aca Jessica Yu, to our closing share an
andd discover stories that
at cconnect
nnect
ect us as hum
human
n
night film, the charming Japanese drama ALWAYS beings.
eings.
2: SUNSET ON THIRD STREET, EET, more
m than 140
short and feature
atu films are packed into this festival. I want to
o givee a special sh
shout out to my hu husba
band and
We hope you “Catch
“Cat them all.”
all ” love of my life,
ife LLouis Song
Song, for
or sac
sacrificing so much
m
muc
uch to
allow
w me to continu
continue
nue growing the Foundation. n. And
A d
I’m personally excited to see so many films
lms to ourr dear George ge Lin – this fest
festival
tival is dedicated
ed tto
o
made by or about women this season. Along you!
— LEE AN
ANN KIM
SDAFF
SDA
DAFF exec
executive
i Director
ctor
WHAT WE DO
• Annual Film Festival in San Diego & Riverside
• Year-long Philippine Cinema Showcase in Chula Vista
• Quarterly Film screenings
• Student scholarships, high school digital storytelling internship (Reel Voices), & film review competition
• Special community film screenings & programs
“ The SDAFF is not just about the great films, but about the great community that embraces them .”
– Jeffrey Wong, FilmThreat.com
“The San Diego Asian Film Festival is a rich and enriching contribution to the cultural landscape of San Diego”
– Actor, George Takei
BLOWFISH: Unplugged
Saturday, Octob
October
er 11, Noon
oon – 6PM
oo
UltraStar
Star Missi
Mission Valley
V Cinemas, Lobby
Experience some of So-Cal’s
-Cal’s mo
most talented
ed unplugged musicians
usic
To guarantee
uarantee seating,
sea patrons
rons must show up at least 15 minutes
utes before sho
showtimee.
FREE PROGRAMS:
• Ni Hao, Kai
Kai-Lan
ai-Lan
Lan – World premiere
pre of Hallow
Halloween
oween episo
episode.
• Free Films at 4:0
4:00
0 (any program listed
d at 4PM Oct 13
13-16
16 iis free to the public).
blic)
• Reel Voices (Oct 12, Noon).
• Reel
el in the Vote (Oct 14, 6 pm).
• First FFilms at Riverside (first program each day O
Oct 21-23 is free to UCR
U Students).
Stud
REFUND POLICY
No refunds for unused tickets, 4-pack
4-packs, or all-festival
-festival passes.
es. Exchanges are only ava
available when
n a progra
gram if oversold.
Advocate
We believe our members deserve a trusted health care partner and advocate.
Family
We believe our members are important, and health care should be personal.
Neighbor
We believe it’s important to live, work and play in the same community as our members.
SHP 47A © 2008SHC
Toyota
MAJOR
MAJO
OR GRAN
G ANTS
TS SPOTLIGHT
OTLIGHT SPONSORS
OTL SP
LARGEE THEATER
ER SPONSORS
ONSORS
SMALL
ALL THEATER SPONSOR
SPONSORS PRESENT
RESENTING
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SPO
ONSO
SORS
RS
REELL IN THE
REE TH VOTE
V
SCREENING
NIN SPONSORS
ON
Hom
m Family
F Foundation
ion
SD Chinese
ese Women’s Assn. Pinkerton Government Service Wa
awanes
esa Insu
surrance
OPENING
G NIGHT
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PA TY
SPECIAL
AL EVENT
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REEL VOICES
ES EDUCATIONAL
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FESTIVAL SCHEDULE OCTOBER 9-16 & OCTOBER 21-23
THURSDAY, OCT 9 Theater 7 - HA
HARRAH’S
H’S RINCON
RINCO
CON Project Showcase
5:45PM PLEASE VOTE FOR ME Theater 7 - H
HARRAH’S RINCON
N
Theate
eater 1 - FUJ
UJITSU 12:00PM Celebrity Pan
Panel
nel (panel)
(paanel)
Theater
t 1 - FFUJITS
UJITSU
SU 12:15PM CRICKET IN COURT
COU OF AKBAR
6:10PM OH SAIGO
GON Theater 2 - WEL
WELLS FARGO
Theater 2 - WEL
WELLS FARGO 12:15PM M
Masala Bite
tes
Theater 2 - W
WELLS FAR
FARGO 12:40PM HELLCAT
ATS
7:0
:00PM PING
G PONG PLAYA
PLAY Theater 6 - SHARP
(Opening
ng Nigh
Night
ght Film) 12:25PM DRAWING
WIN PAP AP
PER
Theater 7 - HARRA
RAH’S RIN
NCON Theater 7 - HAR
RRAH’S RINCON 1:00 PM THE WO
WORLD UNSEEN
Theat
eater 1 - FUJITSU
7
7:45PM
M S
Scene in San Di
Diego 1:10PM
M FAMILLY INC.
Theater 6 - SHA
HARP
ARP Theatter 6 - SHARP
SHAR 2:00PM
M ASSEMBLY
Theater 7 - HARRAH’S RINCON
8:00PM PUBLIC ENEMYEMY RET
RETURNSS 2:10P
PM All in thee Fam
Family
Theater 1 - FUJITSU Theater 2 - WELLSS FARGO 2:30PM From Comics to Film (panel)
Theater 2 - WELLS FARGO
8:15PM FOSTER
OSTER CHILD (JOHNOHN JOHN)
N) 2:20PM Animation:
Thea
eater 2 - WELLSS FARGO
RGO The Illusion of Life 3:20PM MYSTIC BAL
BALL
Theaater 1 - FUJITSU Theater 6 - SHARP
SH
9:45PM
9:4 ASSEMBLY
Theater 7 - HARRAH’S
H’S RINCON
N 2:35PM
35PM SAN
AN
NTA A MESA
M 3:30PM YOU TRULY,
YOURS
Theat
ater 7 - HARRAH’S RINCON MISS CHINATOWN
FRIDAY, OCT
T 10
1 Theater 1 - FUJITSU
J
5:00PM Around
roundd the World 2
2:50PM
M AN AME
MERICAN IN CHINA
Theater 2 - WELLS FARGO
Theate Theater 6 - SHARP 4:30PM
4: ACCU
ACCURACY
AC Y OF DEATH
Theate
eater 7 - HARRAH’S
ARRAH’S RINCON
5:30PM AGAINST THE GRAIN 4:
4:40PM KILLING OF A CHINESENESE COOKIEE
NE
Theater 7 - HAR
HARRAH’S RINCON Thea
eater 1 - FU
UJITSU
TSU 5:00PM O
OCEAN OF PEA
PEARLS
ARLS
Thea
eater 2 - WELLSS FA
FARGO
5:45PM
PM HALF-LIFE 4:50PM
:50 M KISSING
NG COUS
COUSINS
COOUSIN
Theater 6 - SHARP Theater 2 - WELL
LLS FARG
GO 5:20PM
5:2 STORY OOF SPIRITS
RI
Theater
he 1 - FUJITSU
FUJIT
6:00PM
M H
HOLLYWOOD CHINESE 5:05PM M FATHEER
MY
Th
heater 1 - FUJITSU Theater 7 - HARRAH’S
Th AH RINCON
R 5:30PM UNSPOKE EN PASSION
Theater
eater 6 - SHARPP
7:20PM
PM I Hear
Heart U
Hea 5:20P
0PM WHITE SILK
WHI KDDRE
DRESS
Theate 2 - WELLS FARGO
Theater Theate
ter 6 - SHARP
HARP 7:00
0PM CHOCOLATE
OL
Theater
er 7 - HA
HARRAH’
H’S RINCON
7:30PM CHOCOLATE 7:00PM
7: SECRETT
Theater 7 - HARRAH’S RINCON
CON Theater 1 - FUJITSU
FUJITS
I 7:10
0PM Cinephile’s
inephile’s Jo
Journey
Theater 1 - FUJITSU
Th F
8:15PM Manila and Beyond
eyo 7:20P
7: PM Love Is Qu
Queer
Theater 1 - FUJITSU Theater
er 7 - HARRAH’S
ARRAH’S RINC
RINCON
N 7:30PM ALWAYS 1:
SUNSET
NSET ON THIRD STREET
8:30PM L: CHANGE THE WORLD
ORL 7:45PM BLACKK BELT
BEL Theater
hheater 2 - WELLS FARGO
GO
Theater 6 - SHARP
Thea Theater
er 2 - WEL
W LLS FARGO
7:4
:45PM DOROR
DOR ORO
8:30PM Blo
Blowfish: Int
Intersection of 8:05PM
M Figh
ght Night Theater 6 - SHARP
Sig
ights and Sounds (Offsite
ite) Th
Theaterr 6 - SHARP
9:25PM
PM OPEN CITY
9:50PM DIRTY HANDS 9:30PM MAGAZINE
ZINE GAP ROADROA Thea
eater 7 - HARR
RRAH’S
RAH’S R
RINCON
Theater 7 - HA
HARRAH’S RINCON Theater 1 - FUJITS
ITSU
10:00PM
0PM BIG MAN JAPAN
APA 9:50PM
M VEXILLE
XILLE
LE
Theater 2 - WELLS
LL FARGO Theater
er 2 - WELLS
LS FARGO
RGO
GO
8:00PM
0PM SHADOWS
OWS IN THE PALACE
LACE 9:55PM SHADOWS IN THE HE PALACE 99:20PM
M Animation: the Illusion
noof Life
Theater 1 - FUJITSU
Theat U Theater 7 - HARRAH’S
Thea RAH’S RINCON
N
9:30PM
9: MY FATHER
TUESDAY,
SDAY, OCT 14 TH
THURSDAY,
HURSDAY, OC
OCT 16
4:00P
PM FOLLOW
LLOW YOUR HEART T ((free) 4:00PM PLEA
EASEE VOTE
EAS VOTE FOR ME (free)
Theater
ater 1 - FUJI
UJITSU Theater
Th er 1 - FUJITSU
5:30PM WINGSGS OF
O DEFEEAT 5:15PM HELLCAT
H ATTS
Theater 6 - SH
SHAR
ARP Thheater 6 - SHAR
RP
6:00PM
M REEL IN
N THE VOTE
VOT (free) 6:00PM BLA
LACK
ACK BELT
BEL
Theate
eater 1 - FFUJITSU
T T ter 1 - FUJITSU
Theate U
6:15PM ALW
ALWAYS 1: 7:00PM ALWAYS
YS 2
SUNSET ON N THIRD ST
STREET (CLOSING NIGHT
NIGH
HT FILM
Theater 7 - HARRAH’S RINCON WITH POST RECEP PTION)
Theater 7 - HARRAH
Thea RRAH
H’S RINCON
N
7:30PM HOUSE OF SHARING
Theater 6 - SHARP
Th 7:1
7:15PM MY FATHER R
Theater 2 - WELLS FFARGO
7:45PM 200 POUNDS BEAUT UTYY
Theater 2 - WELLS
LLS FARGO
ARG 7:40PM
M SLINGSHOT
GSH
SHOT
HOT
OT (TIRADOR
(TIRADOR)
(TIRAD
Theater
ter
er 6 - SHA
HARP
8:30PM LOVERS
Theater
heater 1 - FUJITSU
UJIT 8:10PM ACCURACY
CU OFF DE
DEATH
Theater
eater 1 - FUJITS
TSU
9:00PM
00PM O
OPEN CITY
Theate
T ter 7 - HARRAH’S
RRAH’S RIN
RINCON
WEDNESDAY,
DNE Y, OCT 15
4
4:00PM FAMILY,
AMILY, INC.
I ((free)
OCTOBER 21-23, 2008
(University Village Cinemas, Riverside)
Theater
heater 2 - WELLS FARGO
RGO
*firrst
*first
rst show
s on each day FREE for
5:00
5:00PM UNDER THE SKIN N UCR sstudents*
Theater 1 - FUJI
Th
Theate FUJITSU
ITSU
U
TUESDAY,
SD OCT 21
5:1
5:15PM SLEEPWA
EEEPWALKING IN (RIVERSIDE)
THE
H MEMEKONG 5:30PM OH SAIGON*
Theater
h 6 - SHARP
6:15PM HOLLYWOOD CHINESE
Memberships
berships aare year-long,
ng, starting from the date of sign-up. Start today bby joining
ning
ng o
online at H
HYPERLINK
YP RLINK www.sdaff.org orr se
send your check made
payable
ayable to SDAFF tto:
Mark
ark Cumberland
C Shan
an Huang Nick
c CCichon
Ray Hom
H Tramy Huynh John Dacapias
D
Louis Song
ngg an
and Lee Ann Kim Mija Kim RB
B Fr
Francisco
ran
Eric Lallana
Er lana Jerry
erryy Fuu
Charles and LLinda Tu
Karen Lim
K Jim Gottlie
ieb
Lani Lutar Punvipaa Gr
Grice
ce
SUPPORTERS ($250)
Kyong
ong Macek
M Myee Hoang
Miguel Avila
Tracy
acy M
Mitsunaga Valerie Hongg
Vale
Stephen
hen Chin
Laurel
aurel Nishida
N John Hu
Hunter
nter
Albert Lee
Shirley Omori Kenji Ima
Benjamin Lee
Jeremy Pizzola Leslie Ima
ma
Rich Lee
Trent Reid Matthew Ima
Thomas Lee
Art Rivera Dale Inahara
hara
Joe Mendoza
Wendy Urushima Simmons Rebecca Johnson
Joseph Ongsiapco
Mark Stabb Hajime and Clare Kanoya
Roberto Pelia
Sam Kim
DIRECTOR: Jessica Yu
PRODUCERS: Anne Clements, Joan Huang
WRITERS: Jessica Yu, Jimmy Tsai
CAST: Jimmy Tsai, Smith Cho, Roger Fan, Andrew Vo
Christopher “C-Dub” Wang (Jimmy Tsai) dreams of becoming a professional basketball player. Unfortunately, he also
constantly blames his inability to make the NBA on his genetics, struggles to hold down a low-paying job at the mall
and spends most of his free time playing video games and daydreaming of easy money. In short, C-Dub is every Asian
American parent’s worst nightmare. Thankfully for the Wang family, C-Dub’s older brother Michael (Roger Fan) is a doctor
and national ping pong champion, who generates business for his family’s ping pong school and store.
When Michael and Mrs. Wang are both hurt in a car accident,C-Dub is forced to step up and take over teaching duties
at the ping pong school. The stakes are taken even higher when C-Dub must shake off his reputation as a chronic
underachiever and defend his family’s honor by replacing his brother in the national ping pong tournament.
Sharply directed by Oscar-winning documentary filmmaker Jessica Yu (“In the Realms of the Unreal”), making her narrative
feature directing debut, PING PONG PLAYA is the rare sports comedy that will have you rolling with laughter, while
effectively tackling important Asian American identity issues.
*Mature content
Screening Sponsored by
One of the top-grossing romantic comedies in South Korean history, 200 POUNDS BEAUTY is based on
a best-selling Japanese comic book series that centers on the life of Hanna, an extremely overweight singer
with an unbelievable voice. Although she had dreamed of becoming a pop singer, her appearance always Co-presented by: Korean American
stood in the way. Instead, she is hired as a faceless singer, providing vocals for pop star Ami, who lip-syncs Coalition of San Diego
because she can’t carry a note to save her life.
As Hanna is targeted with countless jokes about her full figure, she remains lighthearted and works hard to
please Ami’s music producer, Sang-jun, with whom she has developed a secret crush. Ami sees that Sang-jun
is being kind to Hanna, and in a fit of jealousy, humiliates Hanna in front of him, causing her to run away. Fed
up of being ill-treated due to her weight, Hanna undergoes an extreme makeover which changes her life and
her identity.
While 200 POUNDS BEAUTY will make you laugh, it ultimately pokes fun at society’s obsession with plastic
surgery, while challenging viewers to seek the meaning of one’s true beauty.
Accuracy of Death
Co-presented by: Japan Society of San
Diego and Tijuana,
ACCURACY OF DEATH is a charming tale about the Grim Reaper and his talking dog that celebrates the San Diego Japanese Language & Culture
idea that life is worth living. Taiwanese/Japanese heartthrob Takeshi Kaneshiro (“The Returner,” SDAFF ‘03) Meet-up Group
plays an angel of God who is assigned to spend a week with the unfortunate humans chosen for a sudden
demise. His task is to decide whether the person deserves a second chance, or if he is to “proceed.”
Stretched across 30 years, the charismatic but lonely Grim Reaper encounters three lost souls. In 1988, he
considers the case of a young office lady who lives an unlucky life she hardly considers worth living. In 2008,
he has to judge the worthiness of a yakuza trapped in the middle of a gang war. And in the future, he meets a
feisty hair stylist who has managed to alienate her entire family.
Kaneshiro, who has appeared in films by Wong Kar-Wai, Zhang Yimou, and John Woo, takes an unpromising
part and turns in an amazing performance. By the time the movie ends, he has single-handedly sold the
audience on the idea that death is an inevitable part of being alive and there’s never a need to fear the reaper.
Back by popular demand is one of the most charming and heartwarming films you will see. ALWAYS:
SUNSET ON THIRD STREET played to sold-out audiences at SDAFF ‘06, and we brought it back as a
Co-presented by: Japan Society of San
companion to our closing night film, ALWAYS 2.
Diego and Tijuana
Based on a popular manga and set in post-war Japan in the late 1950’s, rebuilding began in Tokyo where
construction of the magnificent Tokyo Tower was underway and houses across the city were acquiring their
first washing machines, refrigerators and the most holy of holies—televisions. The story centers on Mr.
Chagawa, who dreams of writing the Great Japanese Novel. His dreams are no more deluded than those
of Mutsuko, a countryside schoolgirl who thinks she’s taken a job with a thriving car manufacturer only to
discover that she’s working in a one-garage mechanic’s shop. Then there’s Hiromi who opens a bar down the
street and is saddled with the abandoned child of the nightspot’s previous owner.
Winner of 13 of Japan’s 14 Academy Awards, ALWAYS – SUNSET ON THIRD STREET is a movie that
guarantees you’ll cry at the end, so be prepared for this emotional and visually lavish journey.
TRT: 86 min.
How do you coaxx life out of thin air? Find out in this program
pro dedicated
icat entirely
tirely to
o the
th
Magical
al Art of
o Animatioon.
SAT Oct 11, 2:20PM
WED Oct 15, 7PM
THU Oct 23, 9:20PM (RIVERSIDE)
*Mature contentt / *Cast andd ccre
crew scheduuled to attend
PREKISSTORIC TIMES
Director:
cto Leonardo do
oMMatsu
Maatsuda I
USA I 5 min. I Video I 20
2008
A lovable caveman finally meets
his dream cavewoman, only to
find a more evolved and greedyedy
adversary
ry standing in his way.
medium:: tr
traditional 2D.
*Mature content
*Mature content
Featuring a brilliantly deadpan comedic performance by Matsumoto, Japan’s most popular comedian, BIG
MAN JAPAN delivers big-time laughs mixed with sharp satire.
Catch Them All! | 29
FEATURES
*Mature content
The fact that actual karate masters portray the main characters guarantees a great martial arts flick—no
wires, no stunts, and no elaborate special effects. It’s a no-frills fistacuffs that is all simply quick and brutal.
Hosts for the evening: Friday October 10, 2008 Tickets: SPECIAL!
Dan aka Dan of 9pm-2am $10 at the door $7 Discounted Guest List:
afterschoolspecial and Hula Canes Bar & Grill $7 w/ festival ticket stub please RSVP to blowfish@
from A.J.’s Playhouse 93.3 3105 Ocean Front Way 21+ only sdaff.org by noon, 10/09.
San Diego, CA 92109
(858)488-1780
Featured Performers:
BLOWFISH UNPLUGGED
Experience the Local-Motion of some of SoCal’s most
talented unplugged musicians.
ACTS TBA
Hundreds of thousands of families in China are affected by autism. These families often face a desperate
situation. With little to no knowledge of the developmental disorder, they do not know how to teach or cope
with their children. They are also largely excluded by a society that does not understand or accept them.
CHILDREN OF THE STARS is a very personal documentary on a group of families seeking help for their
severely autistic children. Among them is the Wei family. Their five-year-old boy is violent, cannot speak, and
does not seem to even recognize his parents. No schools would accept him, causing his family so much
shame and despair, they even considered family suicide.
But they regained hope, when accepted into a program at a little charity school in Beijing called “Stars and
Rain.” Here, they would join other families to learn behavioral techniques that will enable them to teach and
manage their son.
A deeply moving journey, CHILDREN OF THE STARS follows the progress of the Wei family over three
months, resulting in an extraordinary story of parental love.
*Mature ccontent
ten
PASSAGE
Director:
t r: Angela
A How | 21 min.
m |
Video | 2007
2
A chance
ce encounter betw
between
two strangers
angers pushes both
bo
to co
comee to terms withh past
decis
decisions made.
KNEES
Dir
Director:
irector:
r: M
Minhyun PaPark | 16 mi min.
|V
Vide
deo | 2007
Afterr witnessing the death
Af dea of
the manan who saves hhisis life, a boy
withdraw
with ws to a life of isolation
so
and ssadneess.
DEAR HEIDI
Director:
Dire or: Joh
John Ferrie | 24 mmin.
| Video
V eo o | 2008
World Premiere re A young,
ambitio
bitious attorney
rney is suddenlyy
fired
red from
fro his job an nd finds
himself examiningining his
h lifee
choices whenn he turnss to his
ex-girlfriend for comfort.
*World Premiere
North Indian classical music, a centuries-old musical tradition of great depth and richness, has influenced
generations of composers around the world. Although many of these musicians consider it the highest form
of musical expression, North Indian classical music remains unfamiliar to most Western ears. Furthermore,
the rapid influx of Western culture in today’s era of globalization now threatens this music with tragic
obsolescence.
In an unusual reversal of this cultural current, Andrew Mendelson, a 32-year-old native Texan, has dedicated his
life to the study of the sitar under his guru. A CRICKET IN THE COURT OF AKBAR is a documentary that
follows Mendelson as he travels to India to compete for the grand prize in the Tournament of Champions,
the Sur Sadak gold medal. As he prepares to vie for the championship as the only American competitor, he
struggles to reconcile his western identity with his embrace of the sitar. The film offers a variety of experts
from India and the United States with insight into the timely issue of global cultural exchange and the timeless
appeal of the musical tradition.
*Mature content
Dance of the Dragon
Co-presented by: SingMa Club of San
Diego, CSUSM Jam Control World Dance
Korean country boy Tae (Jang Hyuk), has dreamed of being a famous ballroom dancer since his first encounter Org, San Diego Alliance for Asian Pacific
with the beautiful art form when he was a young boy. Twenty years later, self taught with the aid of dance Islander Americans
videos, Tae knows the only way to take the next step is to leave Korea for Singapore where he can be trained
by Emi Lim (Fann Wong), a former ballroom dancing champion renowned for her ability to take dancers to
great heights.
As the only student in the class without a partner, Tae sometimes partners with Emi in training. Before long
it becomes apparent that he has developed feelings for her. Tae struggles with life in his new environment so
far away from home, but none loom larger than Cheng (Jason Scott Lee) – Emi’s boyfriend and former martial
arts champion. Threatened by the new student, Cheng warns Tae to stay away from ‘his girl.’
DANCE OF THE DRAGON is an enchanting tale of love, passion, courage, and hope, with the demanding and
visually stunning disciplines of ballroom dancing and martial arts woven as backdrops into the plot.
Q:You worked on this film for over five years. finished two years ago. The money challenge
Q&A with Harry Kim, What was it like to film David Choe’s life is not so unusual, it sucks for every indie
director of DIRTY during this time period, especially when his filmmaker to have to invest all your time,
career really took off? money, and energy into a film that 99% of the
HANDS: THE LIFE AND time would probably not pay you that back.
David was always hustling before and after But in the end, you made a movie. I’m just
CRIMES OF DAVID his career took off. If anything, David was in grateful that this one isn’t sitting in my closet
CHOE a slump in the period right before he went gathering dust but that people are actually
to prison. So that really made things happen watching it and they like it.
by Gene Huh and actually turned out good for both of us.
After the Los Angeles premiere, my mom told Q. What inspired you to become a
Q: How did you decide to make this film? Dave’s mom that she was glad that Dave went filmmaker?
to prison because it made my movie happen.
It started off as a 10-minute doc that I did as There was this college film festival/ student
a school project. As a thesis, I was going to Q: Did you encounter any unusual challenges screening held at Pitzer when I was back in
do this 30-minute thing on David mixing my in making this documentary? college. As you can guess, they were pretty
cinematographer, Johnny Granado’s footage bad. At that point, I said hey...I could do better
and mine. But when he ended up going to jail Like being in the Congo and marrying a than this shit. So I just started doing it.
and coming out sermoning for Jesus, I had to 15-year old pygmy girl? Hitchhiking across
keep shooting and chasing to see where it the U.S. and rafting down the Mississippi in
would lead me. an inflatable Wal-Mart fun tube? Yeah, there
was a chance I could have died. I would have
also given one of my kidneys to have this film
FEATURES
*Mature content
Dororo
Co-presented by: Japan Society of San
Diego and Tijuana, UCSD Multi-Asian
Set during the turbulent Sengoku period of Japanese history, DORORO is the story of Hyakkimaru (Satoshi Student Association
Tsumabuki), a young man who had 48 body parts sacrificed to 48 demons before birth by his power-
hungry father, Kagemitsu Daigo (Kiichi Nakai). As a result of this demonic pact, Kagemitsu becomes the
most powerful man in Japan and his limbless son is left to die. However, a doctor discovers Hyakkimaru and
saves him. The doctor then raises Hyakkimaru as his adopted son, until one day Hyakkimaru comes to the
realization that his destiny is to regain his humanity and reclaim his body parts by slaying the 48 demons.
Thankfully for Hyakkimaru, has incorporated awesome weaponry into Hyakkimaru’s appendages, including
arms that transform into swords. Hyakkimaru is soon joined by a tomboyish female orphan named Dororo
(Kou Shibasaki), the self-proclaimed greatest thief in the world.
A strong performance by dashing lead actor Tsumabuki (“Josee, the Tiger, and the Fish,” SDAFF ’04) is
supported by a cast of Japanese stars. All of these elements come together to make DORORO a wonderful
fantasy film that should not be missed.
*World Premiere
*Director scheduled to attend
Drawing Paper
Screening Sponsored by
Sang-won has the dream of being a professional singer, so she becomes a member of her vocational high
school band, Magnolia. The members of Magnolia begin to practice with the band of a neighboring boy’s high
school as recommended by their seniors. As they work together, feelings develop, and friends quickly become
competitors for the affection of a boy. Through the relationships of Sang-won, Soi, and Su-ah, the three girls
learn the need to make their own decisions. In the process of their growing pains, they discover their true
love.
Set in a vocational girls’ high school, this coming-of-age film interweaves the themes of friendships between
schoolgirls, their lives, and their strong determination to hold onto their dreams of making music in spite
of the harsh realities of growing up in Korea. Performing in traditional schoolgirl attire in the spirit of
Oreskaband, DRAWING PAPER features the young cast actually doing a decent job creating their own music
in the all-girl band. The unabashed hopefulness in the lyrics that Sang-won sings harkens back to the age of
innocence, and what it was like to fall in love with music for the first time.
*Mature content
When filmmaker Emily Ting was asked by her father to return to Asia and take over the family business, she
didn’t exactly know how to say ‘no.’ Promising herself she would try it out for just one year, she traded in her Co-presented by: Burkett and Wong,
friends, her filmmaking pursuits, and her love of New York for a grueling new life as CEO-in-training in one of Chinese School of San Diego, Harbor
Hong Kong’s most notorious toy companies. Two years later, she’s still there – with no end in sight. Presbyterian Church
From picking up the slack left behind by a runaway brother to steering a sinking company on the brink of
bankruptcy, Emily finds herself getting more and more stuck in a life she didn’t choose for herself. But her
biggest challenge yet is in trying to reconnect with an absentee father whose passion for his business far
outshines his relationship with his family.
In an attempt to come to terms with her new life, Emily turns the camera on herself and her family and the
result is an incredibly honest and at times bittersweet family portrait that examines the price we end up
paying when business and family become one.
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Atieh’s singular passion is food, and her small but popular restaurant on the sleepy Caspian coast is her pride
and joy. But when Aziz, her former fiancé, appears after being gone for 20 years, the women believe he has
intentions of closing the restaurant. Atieh prepares his favorite dishes, one after the other, in a desperate
effort to convince him otherwise. Loosely based on the Persian fable of Shahrazad and the “Thousand Myths
(A Thousand and One Nights),” director Ali Raffi uses the language of food to paint a richly textured portrait
of life and love on the northern coast of Iran.
*Mature content
FOLLOW YOUR HEART is Duncan Jepson’s first venture in filmmaking. By day, Jepson is a corporate lawyer
in Hong Kong. His daring documentary explores the life and ideals of a new generation of Chinese, focusing
on the beliefs, work and family of a number of China’s successful independent hip hop artists. The group,
spread across China, believes in Old School values: self-expression, freedom, and truth to oneself. The film
investigates the dynamic between the inflexible political environment and a modernizing ancient culture,
the issues that are affecting Chinese youth such as “Chinese-ness,” geography, freedom, family, information,
consumerism, wealth, and individuality. Finally, the film sets out to describe the high optimism of this new
generation and the future that they want to build.
*Mature content
Foster Child
FOSTER CHILD re-screens at the
Philippine Cinema Showcase Oct
17-19 at the Chula Vista UltraStar
The emotional bonds between foster-parents-for-hire and the abandoned babies they care for are examined Cinemas (555 Broadway). For info, go
in the highly acclaimed drama FOSTER CHILD by prolific filmmaker Brillante Mendoza. Based on a true story, to www.philippinecinemashowcase.
it’s a glimpse into the life of a poor foster family in Manila, comprised of mother Thelma (played by the multi- org
award winning actress Cherry Pie Picache), husband Dado, and sons Gerald and Yuri. The film sees Thelma on
the day she’s forced to part with a precious three-year-old named John-John, who has just been adopted by an
American family.
Mendoza gives viewers a rare glimpse into the slums of the Philippines. Like his fixed cameras lens, viewers
are forced to take in and contemplate – if only for an hour and a half – on the Third World living conditions
so many Filipino families must endure. What’s more, the film refers to the alarming number of foster homes
interspersed throughout the island nation.
The world premiere of FOSTER CHILD was held at the Cannes International Film Festival and culminated in
a rousing standing ovation at the Directors’ Fortnight. -Adapted by Paul Ventura, HIFF
In recent years, films adapted from comic books have dominated the global box offices - from gigantic
blockbuster summer movies such as “The Dark Knight,” “300” and “Iron Man” to critically-acclaimed
films such “Oldboy,” “A History of Violence” and “Road to Perdition.” Due to the strong representation
of Asian Americans within the comic book industry, this trend will surely have an effect on the Asian
American arts community.
Join acclaimed artist Jim Lee (“X-Men,” “Batman: Hush”) and writer/filmmaker Greg Pak (“Planet
Hulk”, “Robot Stories,” SDAFF ’03) for a lively discussion on the comic book creation process and the
adaptation of comics for the big screen from an Asian American perspective. Martin Wong (co-editor of
Giant Robot magazine) will moderate this panel.
Book signing with Greg Pak immediately following program at Barnes & Noble (upstairs from theater)
*Mature content
*Mature content
Set in a world where global warming is more than just a theory, HALF-LIFE tells the story of the Wu family, a
suburban family reaching the breaking point. The Wu family - Saura (Julia Nickson), older sister Pam (Sanoe
Lake), and eight-year-old Timothy (Alexander Agate) - have their lives shaken up by the arrival of Wendell
(Ben Redgrave), an outwardly pleasant young man who has entered into a relationship with Saura. The
directionless Pam responds to the problems at home by seeking solace in the company of a young gay man
Scott (Leonardo Nam), whose religious parents remain in complete denial of their son’s open sexuality. In
the meantime, young Timothy becomes aware of the supernatural powers he possesses. As the natural
disasters escalate and the air quality deteriorates, the tension within the family continues to boil until it
reaches the story reaches its surreal conclusion.
Deftly blending CG animation with live action, HALF-LIFE is a bold and original debut feature film from
director Jennifer Phang. A selection at the 2008 Sundance Film Festival, HALF-LIFE stamps Phang as an
aggressive filmmaker wiling to take risks and definitely an independent director to watch.
Moderated by
Lee Ann Kim
MON OCT 13 6PM
Screening Sponsored by
musician in an unsuccessful rock band, cheating on her. To drown her sorrows, Ah-mi begins to drink heavily
and recklessly until she meets a kindhearted young accountant. Despite her desire for independence, Ah-mi
lives with her older sister,Young-mi (Mi-sook Lee), and Young-mi’s teenaged daughter, Kang-ae (So-hee An).
Young-mi, an attractive and successful 41-year-old interior designer, has just entered into an affair with a young
actor, but must also deal with a piece of unwelcome news from her doctor. Kang-ae is busy getting love
advice from an exotic female friend as she tries to gain attention from her apathetic boyfriend.
Based on the comic book series “10, 20 and 30” and directed by Chil-in Kwon (SINGLES), HELLCATS is a Co-presented by: San Diego Women’s
sweet, romantic comedy that takes a realistic view of the modern Korean single woman. Terrifically acted Film Festival
and confidently directed, this is a film that transcends the “chick flick” genre to create an intelligent and
entertaining film that will appeal to all audiences.
Hollywood Chinese
Co-presented by: New Americans
Museum of San Diego
From 1916, when the first Asian American feature-length film was produced, to “Brokeback Mountain” 90
years later, HOLLYWOOD CHINESE comprehensively documents the contributions Chinese American
have made to American cinema. Featuring interviews with notable artists such as Ang Lee, Wayne Wang, Joan
Chen, David Henry Hwang, Nancy Kwan, Justin Lin, B.D. Wong, Lisa Lu, and James Hong, this fine documentary
blends the first-person accounts of the earlier pioneers with interviews with some of today’s most influential
stars. The film also contains rare footage, including clips from reels that director Arthur Dong re-discovered
from the 1916 film, “Curse of Quon Gwon,” the earliest known Asian American film. All the important eras in
Asian American film are covered, including the yellow-face era of exploitation films.
With HOLLYWOOD CHINESE, Award-winning filmmaker Arthur Dong has succeeded in creating an
entertaining and extraordinarily informative documentary film. Truly a landmark achievement in Asian
American film, HOLLYWOOD CHINESE is a film that should seen by all persons with interest in American
film.
Catch Them All! | 45
FEATURES
the Japanese government. So in the to let them know that I am not just going
summer of 2005, I decided to travel to shoot the film and disappear from their
to Korea to visit the House of Sharing lives.
- a compound where eight survivors
live together. Once I got to know the I struck by how charming and funny these
grandmothers, it was very clear as to what women are, but you can see their pain
kind of story I wanted to tell. through their art.
Seeing the original paintings hanging in the
Was it difficult to gain their trust and get museum at the House of Sharing was one
Q&A with director them to open up to you? of the most profound experiences I had
Hein Seok When I first arrived, I asked the director if when I first arrived.
By Lee Ann Kim I could volunteer at the museum located
How did you come across this story? within the compound. During the first I think that after the most avid painters
I learned about existence of comfort month, I did not shoot at all. I was very like Duk-kyung Kang and Soon-duk
women fifteen years ago. And to this day, concerned about invading their privacy. I Kim passed away, the program slowly
their stories are some of the most heart wanted to make sure the grandmothers disappeared. Not all of the grandmothers
wrenching I have ever come across. were comfortable with me. After a month, wanted to paint and some found it very
Through various media outlets, I followed I started shooting at the Wednesday difficult to visualize their pain.
the survivors’ constant and unsuccessful demonstrations and gradually progressed
efforts to obtain a formal apology from from there. I guess my main challenge was
*Mature content
Amir, 29, is a heartbreaker—literally. As a relationship termination specialist, Amir spends his days delivering
bad news to unsuspecting lovers across Los Angeles. Though Amir claims he is just the messenger, the job Co-presented by: Intuit Indian Network
has made him hard-hearted and as a result, he is the last bachelor in his group of friends. When Amir returns
to his family’s Bay Area home for Thanksgiving, he is reunited with Zara, his charming and beautiful cousin
San Diego Indian American Society
from Britain who he has not seen in twenty years. The two cousins do not get along right away. As the days
go by, Zara grows sympathetic towards Amir’s sad state of perpetual bachelorhood. Over time, Amir starts
to soften from Zara’s influence. An undercurrent of sexual tension develops between them as the charade Qualcomm, Inc.
comes dangerously close to going too far. Will Amir fall for his own cousin?! Or will he become one of his
own victims?
KISSING COUSINS bursts with razor sharp wit and smartly written dialog. Memorable cameos by David
Alan Grier (“In Living Color”) as Amir’s fellow bachelor buddy, and Jaleel White (“Family Matters”) as his
antagonistic brother-in-law round out the excellent cast.
48 | The 9th Annual San Diego Asian Film Festival
FEATURES
A group of fanatical eco-terrorists have decided to unleash a biological weapon on the planet. When the virus Co-presented by: Japan Society of San
wipes out an entire village in Thailand the authorities call upon L (Kenichi Matsuyama), the greatest detective Diego and Tijuana
in the world, to save humanity. Assisting him are two young children, a boy who was the only survivor of the
Thai village attack and the daughter of the creator of the virus antidote. Of course, L’s reliable partner Watari
is available as always to provide able support.
A spinoff of the wildly popular “Death Note” series of manga (Japanese comics), anime TV show and live
action films, director Hideo Nakata (RING) takes L, the quirky, sweet-toothed, slightly goth hero of “Death
Note” and places him in a position where he must save the world. A huge box office success in Japan, this film
has clearly established Kenichi Matsuyama as a superstar and matinee idol. L: CHANGE THE WORLD is fun
for everyone and definitely required viewing for fans of the “Death Note” franchise.
soon,
this COME TO B-SIDE—YOUR SOURCE FOR
GREAT INDEPENDENT FILM TITLES AND
THE SAME GROUP THAT BROUGHT YOU
THE WEBSITE AT THIS FESTIVAL.
will
NEVER GO WITHOUT GOOD MOVIES AGAIN.
www.bside.com
©2008 B-Side Entertainment. All rights reserved. All images are the rights of their respective owners.
GET TESTED.
www.asianliver.com
*Mature content
LOVERS begins as a young photographer, Jeremy, arrives in Shanghai on the night of his first solo exhibition in
the city. Elsewhere on that same winter’s night, a young woman, ‘Qiu Sen,’ quickly and silently snaps photos of
a random couple while stalking closely behind them. She is eventually led into a small street corner art gallery
advertising Jeremy’s exhibition.
As she follows the couple inside, her life will pause for a moment. In that moment, Jeremy will see her—and
she will see him. When their eyes lock, they will fall for each other for the second time….
The film asks the question, what would you do if you had a chance to heal the wounds of a loved one you
hurt deeply? Or would the emotional baggage and pain of past mistakes be too much to overcome? Set
against the beautiful, glowing backdrop of modern Shanghai, LOVERS deals with the subjects of love both lost
and found, and the fragility of a second chance.
*Mature content
High above the commerce and crowds of Hong Kong winds Magazine Gap Road, a secluded enclave of
wealth and privilege. Samantha is a curator for a private museum in a world where her past - a life spent in
the Japanese flesh trade - is her most well-kept secret. One day, it catches up with her in a single phone call
from Kate, another escort, who’s in trouble. For Samantha, helping Kate means going back to the world she
escaped and risking everything - her budding romance with a wealthy antiques collector, the deadly men who
run Hong Kong’s high-class prostitution ring, and most importantly, her own fears that beneath the veneer of
respectability, she will always be for sale.
MAGAZINE GAP ROAD is a follow up to director Nicholas Chin’s short film “Tai Tai” (Official Selection
at Cannes 2002) and touts an accomplished cast and crew including Beijing actress Qu Ying, Jessey Meng
(“Mummy III”), cinematographer Chan Yuan Kai (“Ashes of Time”) and Oscar award-winning editor Jean Tsien.
It is an understated film set away from the crowded Hong Kong that most audiences have seen and takes
them to a world of Hong Kong high society.
52 | The 9th Annual San Diego Asian Film Festival
SHORTS
Manila and Beyond Co-presented by: Miramar College
Diversity/International
C
ternational Education
Ed
TRT: 69 min. Committee
A collection of stories celebrating Pinoy Pride and the diverse
se Filipino Am
American
experience.
FRI Oct 10, 8:15PM
TUE Oct 21, 9:15PM (RIVERSIDE)
*Mature content / *Directors scheduled to attend
*Mature conten
content
ontent
ten / *Direct
ctors scheduled to attend
THE MEANING OF TEA, gorgeously filmed by Gordon Arkenberg, explores the romance and complexities
surrounding tea, a universally beloved and widely consumed beverage. The film travels through eight countries,
unveiling many reasons behind tea’s mysterious appeal. From afternoon tea in the Midwestern United States
to tea estates in India, from the traditional tea ceremony of Japan to modern tea life in Morocco, the film
explores the rituals and ceremonies of tea celebrated and enjoyed by a myriad of unique cultures. The
common thread weaving together these individual stories is the question of whether there is any inherent Co-presented by: San Diego Alliance for
meaning to be found in tea, particularly in an era increasingly dominated by mass marketing and fast food.
Asian Pacific Islander Americans
The film also examines the role certain modern forces pay in threatening the survival of tea and its cultural
significance. By visiting places where tea is still revered and by investigating its role in these societies, THE
MEANING OF TEA suggests the profoundly positive role tea may play in our future.
(1996), I was stationed in Korea. Were there any scenes that particularly touched
I was very fortunate to have a you?
Korean solider as my roommate.
I asked for his help, and he helped At the very end of movie where the hand is
find the orphanage, then posted over the heart—I broke down and cried tears
an ad in the Kwangju newspaper, of joy and honor!
which somehow got on a SBS Q:What about your adoptive parents, how did
documentary in late 1996. they react to your search and the movie? Have
About three years later, I was they seen it?
Bates, whose life was that 2003 documentary, the movie company Three things: 1) Regardless of the situation,
contacted me in 2005 to make a movie. praise God for everything! 2) Greatest gift
the basis of the movie, God gave to all is that “Love conquers ALL
MY FATHER By Lee Ann Kim Q: How close was the movie to your real
experience?
and love never fails” and, 3) ADOPTION
reaps more blessings then one can really
Q: How did the movie come about? Was it from comprehend - adoption works!
all the publicity in Korea for your search? It’s a movie not an autobiography. So the
movie is NOT always accurate but a lot of
Yes, the movie came about due to my “experience” were very close such as me Meet Aaron Bates in person at the 5:05PM
search [for my biological parents] and going to military and while I was in the Oct 11 screening of MY FATHER
publicity. During my first military year military, going to search for my parents.
FEATURES
Mystic Ball
SUN Oct 12, 3:20PM
THU Oct 23, 5PM (RIVERSIDE)
*Mature content
* Director scheduled to attend
October 12th screening
The Spiritual Kick understand other than a feeling to discover, the chinlone solo artist Su Su Hlaing. Known
as the “Golden Princess,” she seems to have
he answered a calling, braved the elements
of Director Greg and became the first foreigner to play elevated the game into a somewhat Zen
Hamilton’s MYSTIC BALL chinlone at the highest level and to open realm of fantasy.
By Dr. Craig D. Reid doors to a side of Burmese culture that is
often ignored or hidden. When asked about the film’s theme,
At first glance chinlone (“cane-ball” in Hamilton thoughtfully posits that it is about
Burmese), a spiritual kicking art created by “I first saw someone doing chinlone in a transcending limitations, loneliness and one’s
Burmese ancients over 1500 years ago, looks Toronto park in 1981,” Hamilton reminisces. culture into another culture. “It’s finding
like David Beckham juggling a soccer ball with “I never played soccer, wasn’t familiar with it, one’s place in the world. The film shows that
his feet while using martial arts contortions but when I saw chinlone, I was immediately somebody went out of their own way in spite
and spins. But in actuality, the driving force of fascinated that he was kicking the ball behind of others around them, and found that deep
this traditional game, this nationwide treasure his back without looking.” passionate interest in life.”
that exists within the borders of Myanmar but
outside the political boundaries of a country Made out of rattan and held together by the Although in chinlone it is not a goal to be a
in turmoil, is that the challenge of chinlone is rattan’s tension, the chinlone ball’s patented national or world champion, Hamilton would
ultimately about beauty and elegance. ching-bingling sound, as a result of 200 like to be a champion for chinlone in his
possible kicking maneuvers, is also part of the quest to spread the word of the art. “I am
MYSTIC BALL recounts Greg Hamilton’s mantra-like tonality that can ultimately trance searching for a sponsor or patron. I want to
25-year journey on a path deemed closed the player into a feeling of overwhelming get the players out on tour so the world can
to foreigners; the art of chinlone.Yet with happiness. One of the sparkling enigmas that see them and respond to them. This is my
his purity of love for something he did not Hamilton features prominently in the film is next journey.”
Bring out the kids for the world premiere screening of one of Nick Jr.’s most popular shows - Ni Hao, Kai-Lan.
Trick or treat, it’s Halloween! Kai-lan and her friends dress up to go trick or treating with YeYe (grandpa).
Kai-lan is a dinosaur, Tolee’s a panda, Hoho’s the Monkey King, and Rintoo is his favorite — a dragon! But
just when they set out to trick or treat, Rintoo sprains his ankle. YeYe helps him and tells him that he needs
to stay in bed and rest. Rintoo realizes that means he can’t go trick or treating, and he starts to cry. It’s up
to Kai-lan and the viewer to figure out how make things better for Rintoo. Kai-lan has a great idea — they
can make Rintoo’s bed into a huge dragon costume, attach some wheels, and zoom around the backyard to
go trick or treating, without Rintoo ever getting out of bed! Rintoo is thrilled, and everyone has an amazing
Halloween.
Ocean of Pearls
USA | 94 min. | Video| 2008
DIRECTOR: Sarab Neelam
WRITER:V. Prasad
EXECUTIVE PRODUCERS: Jeff Dowd,
Jim Burstein
CINEMATOPHER: Lon Stratton
CAST: Omid Abtahi, Heather McComb,
Ron Canada, Navi Rawat, Ajay Mehta,
Brenda Strong
*Mature Content
As a Sikh man with a full beard and turban, Dr. Amrit Singh (Omid Abtahi) is often faced with the realities of Co-presented by: South Asian Bar
racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant Association of San Diego, Arthouse
center dwindle because of his appearance, Amrit makes a wrenching decision. He goes against a tradition he’s
Movies Meetup Group, Qualcomm, Inc.
maintained his whole life and cuts his hair. Despite his resolve to abandon tradition, he hides this decision
from his girlfriend and family, which marks the beginning of a series of compromises as he deals with hospital
politics and health care injustices. When the condition of patient Mary Stewart (Brenda Strong, “Desperate
Housewives”) turns grim, Amrit begins to reexamine the value of the religious traditions he’d turned his back
on. When a family secret is finally revealed, Amrit begins to understand the meaning behind the Sikh tradition.
Among the first feature-length narrative films portraying the Sikh experience, the award-winning OCEAN OF
PEARLS is a powerful look at one man’s balancing act between faith, family, and getting ahead.
2008 Grand Jury Award, Audience Award Los Angeles Asian Pacific Film Festival
On April 30, 1975, the final day of the Vietnam War, Doan Hoang’s family departed Saigon on the last
helicopter out of the country. On that day, a nation was reunified, but Doan’s family was torn asunder, as
brother was separated from brother and Doan’s half-sister,Van, was left behind. Twenty-five years later, Hoang
began shooting documentary footage of her family’s story, uncovering family secrets along the way, finally
culminating with the Hoang family’s return to Vietnam five years later.
In this astonishing look at a family divided by war, Hoang’s camera is omnipresent, providing the type of
intimate access to the Hoang family that only a family member could obtain. The result is the creation of a
powerful documentary film depicting the raw emotion and natural human reactions of a family’s struggle to
overcome the ramifications of wartime decisions.
Open City
S. Korea | Korean w/ English subtitles |
112 min. | 35mm | 2007
DIRECTOR/WRITER: Sang-ki Lee
CAST:Ye-jin Son, Myeong-min Kim
*Mature content
Screening Sponsored by
The big budget and star-studded Korean film OPEN CITY is an urban crime story loaded with action and
sexual tension. Set in the gritty streets of Seoul, the story is a cat and mouse game involving a network of
professional pickpockets. Sexy actress Son Ye-jin shows off in the lead role as Baek Jang-mi (White Rose), the
boss of a dangerous gang of pickpockets affiliated with the Japanese Yakuza. Jang-mi aspires to expand her turf
by conquering Seoul’s hot spots like Dongdaemun and Myeong-dong, but she’ll need the help of a young and
handsome detective (Kim Myung-min) who falls for her beauty.
Co-presented by: San Diego Dragon Boat
OPEN CITY delivers as the slick action thriller with relentless violence, a pretty realistic portrayal of the Team
underground crime world and bonus—beautiful women in off-the-runway fashions.
An exciting showcase of some of the most insane dance performances and unforgettable power moves,
PLANET B-BOY depicts the global resurgence of breakdancing and the personal stories of those bustin’ the
moves. The film follows a dancer in Las Vegas looking for his big break, a Korean son who seeks his father’s
approval and a 12-year-old boy in France confronting his family’s racism. From the outskirts of Paris to the
suburbs of Seoul, the film serves as a reminder of hip hop’s influence on different and diverse cultures.
Forgotten by the mainstream and written off as an embarrassing 80s fad, breakdancing had a long climb
back to being accepted by the masses, but on the streets and in underground clubs from Tokyo to the USA
it never died, bubbling under the surface with a huge cult following and exploding each year in international
competition. Following four crews of ‘B-Boys’ from different nations as they prepare to battle it out at
the 2005 world championships, this frenetic documentary shows off the dizzying spectacle of the art form,
showcasing the skill and acrobatics of break dancing’s idiosyncratic characters.
Winner of the Sterling Audience Award at the AFI Silverdocs Film Festival, PLEASE VOTE FOR ME is one of
the most insightful and enjoyable documentaries of the year. In a school of Wuhan, China, it’s time to elect a
class monitor. Three eight-year-old contenders are chosen to square off: an incumbent known for his harsh
dictatorship, the smart yet shy girl, and the class clown. With their parents coaching and strategizing as the
free election approaches, the children face their fears and their challengers in a no-holds-barred series of
classroom debates. The election elicits betrayals, tears, and laughter, revealing the hardships of campaigning
and the lessons of dealing with defeat.
In this immensely entertaining snapshot of a culture going through change and the growing pains of their
children, Weijun Chen’s expertly crafted film will have you on the edge of your seat as the winner is
announced.
–Natalie McMenemy, AFI FEST
Screening Sponsored by
The original PUBLIC ENEMY told the story of a corrupt, burnt-out cop, Chul-Joong Kang, whose professional
passions are reignited when he crosses paths with a pampered, spoiled thrill killer. This time around, Kang is
ready to retire after a lifetime of fighting crime, injuries, and a zero credit rating. He can’t afford a house, and
caring for his family is out of the question.
On the other end of the social spectrum is Lee Won-Sul, a successful businessman with hundreds of
investments, a country house, and a doting family. He’s much-loved, highly respected and a great man in all the Co-presented by: San Diego Multicultural
ways the irascible, corner-cutting, deadbeat Kang is not. Asian Professionals
So when Kang comes up with a link between Lee and some recent murders, people tend not to believe him.
The more he tries to prove that everyone’s favorite fella is a slimy crook commanding an empire of crime, the
more he’s dismissed as jealous, crazy, and downright dangerous. -Adapted by New York Asian Film Festival
Against the backdrop of the 2008 Beijing Summer Olympics and escalating international condemnation and
demonstrations over Chinese policies from Tibet to Darfur, THE RED RACE presents a detailed insight into
the Chinese passion for gymnastics.
The Lu Wan District Youth Athletic School in Shanghai seems to value competitive sports over reading
and writing for its students. Many of the children come from rural provinces and live with grandparents or
surrogate caretakers. Their parents hope to give them opportunities not available in the countryside. Some
children voice hope that they will eventually become successful enough to build homes for their families.Yet
the path won’t be easy. The trainers often “teach” by humiliation and punishment, and reward with candy.
These are the realities that the young children must face, as must the parents who send them knowing that
their chances for success are slim and the journey will be grueling. As the film progresses one question
persists: at what price is the New China? -Gail Silva, Silverdocs
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Although the Reel Voices students These seven awesome students have reinforced my
are only about half generation younger than me, belief that the casualness of youth filmmaking can
their skills and style of media communication define create an even more conscious and critical type of
the rapid changes in video/culture/media that have filmmaker.
come to pass since I was their age.
This is where these students shine. They opened
It’s unnecessary to comment on how much YouTube their minds, and over the course of the program,
and MySpace have influenced teen filmmakers. we all restlessly traveled the Reel Voices journey. A
These forums have become casual dialects of young great ride that ended way too soon!
mediamakers--mediamakers who tend to worry less
about how well their projects are produced, and No matter how much filmmaking changes, we
instead how large their guaranteed audience will can always count on what’s real – what has heart
grow the moment it is “posted” to the world. This and soul – and listening to the voices of a new
reality is as empowering as it is problematic, isn’t it? generation is a great way to begin that discovery.
Navigate YouTube and the thousands of young Thanks Mike, Mari, Joska, Harrison, Elle, Al, Ryan, Aki.
voices and faces, and try to find the “real voices” I learned something from each of you and I think we
- it can be frustrating! Each of us can feel, see, all grew together this summer. Hope it was fun.
and hear when something is “REAL.” That is what
these students have shown me, and now you - the -AKIRA CHAN is the teaching assistant for Reel Voices.
audience.
DICK, DICK & JANE: THE THE BEHOLDER: BEAUTY THE ALMOST LOST OUT OF BOUNDS
MODERN AMERICAN THROUGH THE EYES OF GENERATION Director: Harrison Tongg | 9 min.
FAMILY APRIL MITCHELL Director:
irector: Joska Charles | 9 min.| | Video | 2008
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on beauty.
*Mature Content
This is a personal tale about Hector come from the typical plight of immigrant
SANTA MESA: GONE (Jacob Kiron Shalov), a 12-year old, workers trying to make a better financial
BUT NOT FORGOTTEN orphaned Filipino-American kid life in America.
By Dr. Craig D. Reid electrocuted by culture shock after being
shipped off to Manila to live with a long “I recall a conversation [my mom and I]
Crossing a bridge spanning the Pasig had when I was 16 where she said her
lost relative; a grumpy old grandma (local
River from metro Manila to the rickety, mom would tell her, ‘The hardest thing
star Angie Ferro) who does not speak
shanty-like outskirts of the Philippine that you will ever have to accept is that
English and would be just as happy to
capital, to a neighborhood foreigners this is your life and what you do with it,
never have met him.
never discover, first generation Filipino- is up to you.’ It is the underlying point of
American Ron Morales inadvertently the film.”
“I saw a lot of Hector in me,” Morales
created a historical record of a fading
shares. “When I first cast Hector, I
landscape in his directorial debut film During his most recent trip back to the
envisioned him to be a mix, further
SANTA MESA. Philippines, Morales sadly notes that
bringing out the loss of Filipino heritage.
When it comes to Filipino culture, we Santa Mesa no longer exists, the houses
A country built on its railroad system, are torn down and everyone has been
are both lost because I was raised in an
where squatter colonies arose relocated to a place three hours outside
all-white neighborhood and have seen a
along these rail lines. When Morales the city. Morales’ film has now become a
decline in my culture.”
serendipitously stumbled upon one of historic cinematic record of the country’s
these colonies and combined it with quickly vanishing railway squatter colony
Morales explains that he and his family
him trying to understand his family past, system, another enigmatic part of Filipino
are not tight, they have become distant
SANTA MESA evolved. culture that will soon be lost of forever.
and don’t know each, which has probably
TRT:
RT: 113 min.
A collection
n of short films produced by film
filmmakers in
n Am
America’s
’s Finest City.
Cit
Catch Them
hem All! | 6
69
FEATURES
Arguably the world’s most popular Mandarin-language recording artist, Jay Chou has successfully forayed into
acting through roles in “Initial D” and “Curse of the Golden Flower.” With his directorial debut film SECRET,
Chou establishes himself as a gifted performer and a skillful auteur, directing a script based on his own original
story. Not bad for a Taiwanese pop superstar.
Chou plays Lun, a music student at a secondary school who one day meets Yu while she is playing an evocative
tune on the piano. “What’s the melody you played the first day we met?” asks Lun. “That’s my secret,” Yu
whispers back. What evolves is an innocent and seemingly typical young romance between the two talented
pianists. But the real intrigue of the film begins when Lun discovers an old photograph of Yu with his father
(Anthony Wong), which triggers him to investigate the mystery of Yu and the secret melody she plays.
SECRET is a fun, for-all-ages film with a surprise twist that your girlfriend, parents, or teenage kids will all
enjoy.
*Mature content
Screening Sponsored by
Set during the Chosun Dynasty, SHADOWS IN THE PALACE begins with the death of a maid-in-waiting who
has hung herself within the palace walls. While performing the autopsy, imperial medic Chun-ryung (Park
Jin-hee) begins to suspect murder and starts her own investigation into the matter. Standing in her way are
the barren queen and the royal concubine who has mothered a child for the previously heir-less king, among
others. As she begins to unravel the vast array of deceptions, Chun-ryung is soon confronted by a secret
more powerful than she could have ever imagined.
This is the first feature film directed by Mee-jung Kim, a young woman who served as assistant director
on the 2005 Korean blockbuster “King and the Clown.” Notable for her all-female crew, Mee-jung Kim has
succeeded in creating a masterfully genre-bending film that combines elements of the historical costume
drama, murder mystery, and even Asian horror genres with a deft touch. Not just a beautiful and wildly
entertaining movie, SHADOWS IN THE PALACE is truly a remarkable film that boldly crosses lines.
*Mature Content
SLEEPWALKING THROUGH THE MEKONG follows Los Angeles band Dengue Fever on their journey to
Cambodia to perform 60s and 70s Cambodian rock ‘n’ roll in the country where it was created and very
nearly destroyed. The odyssey is a homecoming for singer Chhom Nimol and a transformation for the
rest of the band as they perform with master musicians and record new songs along the way. More than a
rockumentary, the film serves up a portrait of modern Cambodia as the band tours through Phnom Penh
and beyond, crossing a great cultural chasm with the same spirit of Cambodia’s original rock pioneers. It
is a celebration of this long-overlooked music and reveals the power of music to weave a common thread
between extremely different cultures.
Shot in 10 days, the real star of this film is the unique and intoxicating Cambodian music that also heals
the generations of wounds from the brutal reign of the Khmer Rouge. SLEEPWALKING THROUGH THE
MEKONG is a testament to the power of this music. It’s no wonder Variety calls this “An engagingly different
rock ‘n’ roll documentary...”
Catch Them All! | 71
FEATURES
Slingshot (Tirador)
THU Oct 16, 7:40PM
*Mature content
*Director & cast scheduled to attend
SLINGSHOT will also screen at the Chula
Vista UltraStar (555 Broadway) as part
of the Philippine Cinema Showcase
October 17-23. For more info: www.
philippinecinemashowcase.org
Q&A with Brillante is complete..Making the actors shoot in the and spirit of the snatchers.
Mendoza, director of actual location of the stories and telling them
to hang out in the area as much as they could Q: I know your most recent film, “Serbis,” was
Slingshot (Tirador) is what I call “ immersion.” How do I make selected to compete at Cannes. Congratulations!
By Lee Ann Kim them hang out in the area when we don’t
even have trailers for anyone? If our budget It was an humbling experience. It’s too good
Q:You have a wonderfully, distinctive style as a could afford it, we rent a room or a house to be true but it happened and I’m extremely
filmmaker. While watching SLINGSHOT and in the vicinity that could serve as a as resting happy about it.
FOSTER CHILD, sometimes I had to ask myself “is place for the actors in between takes and in
this real life?” How difficult was it to shoot these between filming days. That’s actually how my Q:You’re an incredibly prolific, cutting edge
films in such tight quarters in Manila? actors practically become the characters they filmmaker. How do you feel your work fits into the
are portraying. And, that’s how dedicated and film industry in the Philippines?
Most of my films are set in real time and professional these actors are.
in actual locations. That’s why I am able to At the moment the prevailing attitude of
capture even the heat! We don’t have huge Q:What inspired the stories and characters of the moviegoing public towards my films is
studio lots in the Philippines where sets can SLINGSHOT? of curiosity. It is perhaps the tragedy of any
be built for particular movies. Besides, an filmmaker and producers as well to make films
independent filmmaker like me would not have The idea came about not because of that are patronized out of curiosity. We hope
the money to build sets. So what I do is to find fascination with snatchers but more on the that this attitude will be cured.
the most perfect location for the story I want desires to discover and learn about other
to tell, then bring the actors there, make them people’s lives and culture that I have never Meet Brillante Mendoza and his lead actor
live there or nearby if possible, then shoot the been deeply aware of before. Tirador is a look Coco Martin at the screening of SLINGSHOT
film continuously and chronologically until it not only into the life but into the heart, mind (TIRADOR) on Thu, Oct 16 at 8PM.
FEATURES
In Vietnam, legend has it that a person who dies far from home will wander the earth forever until they are
commemorated—until their story is told. THE STORY OF SPIRITS documents Tien Nguyen’s escape from
Vietnam with her father and her three siblings while her mother and unborn sister stayed behind following
the fall of Saigon in 1975.
Thirty years after her disappearance, a mother’s ghost returns, channeled through her husband’s new
wife. This sudden appearance however, leads her daughter to question her lifelong belief that her mother
abandoned her children. As her questions turn to doubt, the daughter embarks on a journey to shatter years
of family deception and silence. She traces the path of a woman that she has never known, from their wealthy
life in Saigon, to 1975 when the family fled to America without her mother, to her mysterious disappearance
at sea, and finally, to her father’s struggle living with the ghost of his dead wife. Using in-depth interviews with
her family in California, Michigan, New Jersey and ultimately Vietnam, she is able to piece together one story,
but several conclusions.
A Thousand Years of
WED Oct 15, 7:30PM
Good Prayers
Winner of 4 prizes at the San Sebastian Film Festival, including Best Film and Best Actor
Best known for directing “The Joy Luck Club,” filmmaker Wayne Wang is arguably one of the most prolific Co-presented by: Chinese Consolidated
Asian American independent filmmakers today. Adapted from a short story written by Chinese émigré,Yiyun Benevolent Association,
Li, A THOUSAND YEARS OF GOOD PRAYERS is among Wang’s latest Asian-themed films that explore the Pan Asian Lawyers of San Diego,
bonds of family and Chinese identity in the modern world. San Diego Chinese Historical Museum
The story begins with a dignified and quiet Mr. Shi (Henry O), who arrives in Spokane, Washington to visit
his divorced daughter,Yilan, whom he has not seen in12 years. Fearful that her father will meddle in the
affair of her failed marriage,Yilan finds excuses to leave her father alone in her apartment. In desperation,
he begins to visit a local park and befriends an older Iranian woman living with her son. These two lonely
souls communicate perfectly, despite their language barrier. Yilan eventually is forced to face her father, and is
surprised by what she discovers.
Mario Barth guides the viewer inside the Horitoshi family, masters of the ancient art of Tebori, a traditional
Japanese technique of tattoo that dates back for centuries. The Japanese government has outlawed Tebori
tattoos due to their underworld ties. For the first time ever, viewers will be able to see the small and secret
society of the Horitoshi Family, as well as their rich culture, exotic land, the history and mythology of Japanese
tattooing.
While in Tokyo, Barth participates in underground festivals, rituals and gets tattooed on camera. Barth has
gained much respect from the Horitoshi family throughout his career and is the only Westerner welcomed
to immerse into this highly guarded world, which until now, the average person would have zero access. It is
only through Barth’s accomplishments and stellar reputation that the viewer is given the key to this veiled
community.
*Mature content
Unspoken Passion
Water flows through this beautiful Filipino film like the life force it is — pouring down upon or flooding
into the key moments in the lives of two young men who meet as boys in a rural town and end up as male
prostitutes in Manila. Whether it’s the river where they play as boys, the holy water sprayed at a religious
festival, the filthy water that seeps through the Manila slums, the steaming water in the bathhouses where the
young men ply their trade, or just the ever-present rain, these guys are always getting wet.
Ken Escudero as Enzo and Wil Sadejas as Adong play the friends as young men. Their lifelong bond seems
broken when Adong elopes with Melay (Ashley Silverio), leaving Enzo heartbroken and alone in the river,
where the two had been happily skinny-dipping until she came along. Enzo soon embarks on a search for his
friend that takes five years. They finally meet again when they are unwittingly booked as performers in the
same gay sex show. Will the unspoken passion shared by these beautiful young men be forced into the open?
- Frameline
In the year 2067, Japan makes key breakthroughs in robot technology and isolates itself off from the rest of
the world. A decade later, the Americans believe Japan is a threat, and send in a special forces unit led by
Vexille (voiced by Meisa Kuroki) to investigate. After infiltrating Japan’s security, they discover something
shocking: technology which has managed to blend human tissue with robot engineering, resulting in androids
virtually indiscernible from real humans. Ambushed and left for dead,Vexille is rescued by local rebel Maria
(Yatsuko Matsuyuki) who shares a common desire to take back their humanity and end the cybernetic
tyranny. Together, they team up with a ragtag crew of insurgents to prevent the rest of the world from
meeting the same sinister fate.
Director Fumihiko Sori’s vivid depiction of dystopian Japan pays homage to “Bladerunner,” even down to
its ass-kicking femme fatales. Heavily inspired by “Ghost In The Shell,” “The Matrix,” “Star Wars,” and “Road
Warrior,” VEXVILLE is packed full of jaw-dropping action sequences and eye-popping visuals that rival the best
of Hollywood films. An official selection in prestigious Toronto Int’l Film Festival, Anime Insider calls VEXVILLE
“A must see!”
*Mature content
The White Silk Dress
Co-presented by: SD Viet Meetup Group
SDSU Vietnamese Student Association
Prior to the collapse of French colonial rule in Vietnam, Dau (Trong Anh Ngoc) and Gu (Nguyen Khanh
Quoc) are lovers as well as servants from two different households in the picturesque Vietnamese town of
Ha Dong. Both have suffered harshly at the hands of their cruel masters and lack the means to get married in
the accepted sense. However, when Gu’s master is assassinated, Dau and Gu flee south and eventually ending
up in the central Vietnamese seaside town of Hoi An. There, they raise a family with Dau eventually giving
birth to four girls. Unfortunately, their loving family life becomes threatened when Gu learns how his wife Dau
has been secretly earning money to support their family and as the horrors of the war begin to hit closer to
home.
Considered controversial by some, THE WHITE SILK DRESS was the Vietnamese representative at the 80th
Academy Awards in the Best Foreign Language film category and the winner of the Audience Award at the
Pusan International Film Festival. A tribute to the strength and heart of Vietnamese women, this evocative and
elegant epic film will be sure to leave a lasting impression.
Catch Them All! | 75
FEATURES
In the West, World War II Japanese kamikaze pilots are commonly remembered as a symbol of suicidal
fanaticism. In Japan, the kamikaze pilots are held in reverence as patriots for committing the ultimate sacrifice
in defense of their nation. Few outside of Japan realize that by the spring of 1945, all Japanese combat aircraft
were reassigned to kamikaze missions and that hundreds of kamikaze pilots survived World War II.
When director Risa Morimoto discovered that her late uncle was one these kamikaze pilots who survived
the war, she was inspired to go to Japan and film interviews with other survivors. Through these interviews,
we learn that the desperate Japanese military government, unwilling to face the inevitable defeat, forced young
men to take on missions with no chance of survival. By blending these extraordinary interviews with rare
combat footage and interviews with American military men who survived kamikaze attacks, WINGS OF
DEFEAT pains a very different picture of kamikaze pilots, one that shatters the commonly held mythology.
*Mature content
REEL IN THE VOTE is supported by grants from the CA Independent Voters Project, Episilon Systems Solutions,
Hom Family Foundation, and Zero Divide, as well as marketing support from Katz & Associates
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The most exciting music experience in San Diego!
The Mozarts: All in the Family
October 3, 6, 7
Asian Silk Road
November 14, 17, 18
The Creation: Haydn’s Masterpiece
February 9, 10, 13
Jung-Ho Pak
Mendelssohn: A Midsummer Artistic Director and Conductor
Night’s Dream
March 6, 9, 10 HANDEL’S
Handel: 250 Years Masterpiece Messiah
December 12, 13, 14
April 6, 7, 17
Our famous period performance
Beethoven: Rebel with a Cause of the Messiah with images of
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