CULTURE JOURNAL

Special Edition

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Aristotle

Fragos:

Works

and

analyses

from

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collection

Cycle of undefined range ....................................................................................... 190

3.............................................................................................................. 197

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, 2005 .................................................................................................. 209

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Thomas Stearms Eliot (1888-1965) St. Louis, Missouri .

Harvard
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1915 The Waste Land 1922.
: Prufock and Other Observations(
) (1917), Four Quarters ( ) (1944).

82

In this decayed hole among the mountains

In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the winds home.
It has no windows, and the door swings,
Dry bones can harm no one.3
(T. S. Eliot, The Waste Land, 5. What the Thunder Said)
decayed hole ( )
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, W. H. Auden4 Lullaby ()
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Lullaby
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Wystan Hugh Auden (1907-1973) York, Greshams School, Holt

Norfolk Christ Church . : Poems,

() (1930), On This Island ( ) (1937), Another Time ( ) (1940).

85

Lay your sleeping head, my love

Human on my faithless arm5
(W. H. Auden, Poems, Lullaby)

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Time and fevers burn away6
(W. H. Auden, Poems, Lullaby)
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Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful7
(W. H. Auden, Poems, Lullaby)

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86

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(mortal ()
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Grave of vision Venus sends
Of supernatural sympathy
Universal love and hope8
(W. H. Auden, Poems, Lullaby)
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Not a whisper, not a thought
Not a kiss nor look be lost9
(W. H. Auden, Poems, Lullaby)

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87


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89

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Dylan Thomas10 Poem in October ( )
,

.
It was my thirtieth year to heaven
Woke to my hearing from harbor and neighbor wood11
(Dylan Thomas, Collected Poems, Poem in October)
30
.
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth12
10

Dylan Thomas (1914-1953) Swansea .

Eighteen Poems ( ) 1934.

: The Map of Love ( ) (1939), Deaths and Entrances ( )
(1946), Collected Poems ( ) (1953). Portrait of the Artist as
a Young Dog ( )
Under Milk Wood ( )
.
11

12

90

(Dylan Thomas, Collected Poems, Poem in October)

, Thomas
.


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My birthday began with the waterBirds and the birds of the winged trees flying my name13
(Dylan Thomas, Collected Poems, Poem in October)
.
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There I could marvel
My birthday14

13

91

(Dylan Thomas, Collected Poems, Poem in October)

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. sound of light ( ) light of sound (
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Robert Frost,

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Frost,
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95

 , Robert
Frost15 Fire and Ice (
)
. fire ()
ice () ,
.
From what Ive tasted of desire
I hold with those who favor fire16
(Robert Frost, The poetry of Robert Frost, Fire and Ice)
,

,

.
I think I know enough of hate
To say that for destruction ice
Is also great17
15

Robert Frost (1874-1963) .

Lawrence , ,
Dartmouth College Harvard. 1912 1913
A Boys Will ( ).
North of Boston ( ) 1914
Ezra Pound. , John
F. Kennedy 1961, The Gift Outright (
). .
16

17

96

(Robert Frost, The poetry of Robert Frost, Fire and Ice)

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( . .2012)
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97

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Wallace Stevens18 of Modern Poetry ( )
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Wallace Stevens (1879-1955) Reading .

Harvard .
1914.
Harmonium () 1923 1931
. : Ideas of Order ( ) (1935), Owls Clover (
) (1936), The Man with a Blue Guitar ( )
(1937), Parts of a World ( ) (1942), Transport to Summer (
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The poem of the mind in the act of finding
What will suffice19
(Wallace Stevens, The Collected Poems of Wallace Stevens, of Modern Poetry)

, .
It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed20
(Wallace Stevens, The Collected Poems of Wallace Stevens, of Modern Poetry)

.
.
.speak words that in the ear,
In the delicatest ear of the mind, repeat,,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
19

20

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99

Emotions becoming one.21

(Wallace Stevens, The Collected Poems of Wallace Stevens, of Modern Poetry)

. Stevens
/
. Stevens

.
.
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind22
(Wallace Stevens, The Collected Poems of Wallace Stevens, of Modern Poetry)

Stevens
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100

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It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing the poem of the act of the mind23
(Wallace Stevens, The Collected Poems of Wallace Stevens, of Modern Poetry)

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)

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I knew a woman, lovely in her bones 25
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.
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(Id have them sing in chorus, cheek to cheek)26
24

Theodore Roethke (1908-1963) Saginaw

. The Lost Son ( ) (1948), Praise to the End!

!) (1951) The Waking ( ) (1953),
Pulitzer . ,
Words for the Wind ( )
(1958) The Far Field ( ) (1964)
.
25

26

103

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,
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She taught me Touch, that undulant white skin;27
(Theodore Roethke, Words for the Wind, I Knew a Woman)
Roethke
,

.
She played it quick, she played it light and loose;
Her several parts could keep a pure repose
Or one hip quiver with a mobile nose28
(Theodore Roethke, Words for the Wind, I Knew a Woman)

,
27

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104

 . ,
.
Let seed be grass, and grass turn into hay (
)


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( ) Roethke

.
Who would count eternity in days?
These old bones live to learn her wanton ways29
(Theodore Roethke, Words for the Wind, I Knew a Woman)

.
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189

Aristotle Fragos: Works and analyses from the collection

Cycle of undefined range

Nikolidakis Symeon, Philoligist, simosnikoli@yahoo.gr

Sissas Konstantinos , Philologist

Abstract

Telis Fragos is one of the most modern literary figures of Messinia having written a
multitude of works. He is the holder of many awards with the most important of them
the title of Dr. of Literature. Up today, he has published six poem collections and two
novels. In the present paper, an effort is being made to locate the basic characteristics
of Telis Fragos poetic creation while some indicative analyses of poems from the
collection Cycle of undefined range are being carried out.

1. Biography and analysis of works

Aristotle Fragos was born in Kalamata on 19.5.1946. He is married to Vasiliki,

maiden name Antonea, and has a girl named Iliana Fragou. He graduated the 6-grade
High School at his birthplace and after that he traveled to Western Germany, to
Gppingen, in particular, where he lived for about eleven years. During his residence
there, he attended some specialized schools of economy and was qualified in sales
technique regarding the bank domain. Afterwards, he worked for the German
financial Bank Group Kreissparkasse as a bank clerk, at the beginning, and as a
branch sub-director later on.

He has been a permanent resident of Kalamata since 1977. Ever since 1982 he was
actively involved with literature. At that time, he published his first poem collection
Dead Street. Afterwards, he published Blossom City in 1983, Sleep Chemistry
in 1992, May Melody in 1996, Color Whispers in 1999 and Polymnia in 2004.

190

The outcome of his collaboration with the Panhellenic Association For Young
Literary Men of Thessaloniki was the publication of his first novel Paper Gods in
2004. In July 2008, his 8th book (2nd novel) under the title Rain Games was
published. In January 2010, his 9th book (7th poems collection) under the title Cycle
of undefined range was published.

He is a member of the Greek Literary Men Society, the International Greek Literary
Men Association, the Popular Library of Kalamata and he is an elected president of
the Messinia Authors Society for the period 2011-2013.

He is the holder of various awards with the most important of them the title of Dr. of
Literature, which he received during the Olympic Literature, held in 2005 in China by
The International Poetry Translation and Research Centre. He was then
acknowledged the best poet for 2005.
As regards the other awards, an indicative reference should be made to the 1st award
and gold medal for the poems collection Polymnia from the International Greek
Literary Men Association in 2005. He received the 2nd award in the 25th International
Competition announced by the International Greek Literary Men Association in 2006.
Besides, in 2006, he participated as an honored guest at an event held by the 4th
General Lyceum of Kalamata when he presented his poems. He also participated in
the poetry symposium Festivali Nderrkombetari I Poezise Ditet E Naimit in
Tetovo, Fyrom. In 2007, his contribution to Letters was awarded by the Municipality
of Athens Cultural Organization with an honorary award. Additionally, he
participated in a European Poets Conference and competition conducted by the
literary Magazine Antares in Galati, Romania and received the 1st award and a
medal. In 2007, he also received a 1st award for his poem Iniohos in a poets
competition held by the International Greek Literary Men Association and
participated, as one of the three official guest poets, in a poetic evening held by the
Philologists Association of Messinia at the Conservatory of Kalamata. In 2008, he
received the 3rd award as well as a purse in a pahnellenic literary competition which
was administered by the Naturalist Association of Patra and received the 1st award
for his novel RAIN GAMES by the International Greek Literary Men Association.

191

In 2009, his writing (novel Rain Games, published in 2008) was presented in the hall
of Michailas Averof of the Greek Literary Men Society.

Many of his poems were translated into English, German, Chinese, Albanian and
Romanian. They were also published in the New York Herald Tribune by the poet
Nick Spania on 11th-12th February 1984, in the Chinese Literary magazine The
World Poets Quarterly in 2005, in the Anthology Festivali Underkombetar I Poezise
Ditet E Naimit (Edition X) issued due to the literary festival in Tetovo, Fyrom and in
the literary magazines of Romania: Plumb (Bacau), Antares (Galati) in 2006 as well
as in the Romanian Anthology Cetatea Culturala in Clui-Napoce in April 2007.
Additionally, there were publications in the Romanian Anthologies: POEZIA (Iasi),
POESIS (Satu Mare), 2006, in the Italian Anthology Sull Ultima Riga Del Foglio
in 2010, in the German Anthology Gedicht Und Gesellschaft 2011 annually issued
by Frankfurter Bibliothek, in the Diary of Messinia 2011, in the Anthology
Diasporic Literature issued by the Australian Homogeny to honor the World Poetry
Day (21.3.2012), in the Korean literary magazine The International Literary Art
Magazine (The Moonlight of Korea) 2012.

The fact that he has repeatedly written and is still writing articles in the daily local
press concerning social issues is remarkable. He is also engaged with artistic wooden
compositions in the sense that he actually uses useless woods washed up by the sea in
winter to make compositions as he primarily turns them to raw material with
insignificant or slightest interventions. They were called Trash Pieces of Art by a
local newspaper when they were exhibited in public at the cultural center of Kalamata
in 2000 when the poems collection Colors Whispers was being simultaneously
presented.

One other thing that is noteworthy is his attempt to translate 130 poems into Greek
from the poems collection: Gelassen Atmet Der Tag = The day breathes calmly
written by the German-Jewish poet Rose Auslaender, Ruth Schmertzers nickname
(1901-1988).

192

2. Characteristics of his poetry

In the collection Cycle of undefined range which is the center of the poetic subjects
speculation from 2004 until 2008, an intense and compact lyricism is observed. As he
is motivated by everyday life, he reshapes images while, at the same time, he reflects
on a transitional level with various everyday images which satisfy, hurt or bother him.
He is innovative while being in an open dialogue with the reader. He turns the reader
into an initiate of a transitional reality leading him to speculate with him, to feel his
quests and agonies trying to find together a solution to everyday issues.

Moving on the verge of poetry and prose and being armed with the free verse, free of
any form of verse convention, he innovates and reshapes words, notions and
situations. His thoughts come out of his mind and unconsciously pass on the paper
without any superficiality. The elaborated speech in connection with the often
purposeful lack of punctuation and the use of counter-poetic words underlines the
poets communicative touch with the reader. This dialogue expands to the poems
since it often reflects on the Other and forms the means through which the response
of the simple man is shown.

The conjunction among the past, present and future underline the continuation of
society and life. Being aware of the literature history from the ancient times until
today, he harmoniously co-matches the heroes and symbolizes them by composing an
atmosphere of continuation and inter-dependence which is obvious and forms the
objective of modern literature. His style is clearly personal, not easy to be imitated
and forms the poets identity.

The purposeful prose speech and realism often add an ironic touch to the poems
aiming at the criticism of the wrong things in society and at the presentation of
speculations about life and the human being.

193

The local elements are obvious in his poems. Without the characterization of the
localist, the lover of the land of Messinia praises his country and integrates it to a
transitional, love level by forging the beauty and his love for it.
The issues he deals with form every simple persons speculation. He manages to
transmute the everyday aspect into poetry, the small pleasures into the center of his
poetic creation. Love and romance have an idiosyncratic role in his poetry since they
are praised, always within the framework of moral and spiritual perfection. The
language is simple demotic Greek and the style is elegant, lyric and spontaneous. His
poems are characterized by emotional charge, musicality and evocativeness.

There are three categories of poems in his collection: first of all, there are poems
related to social consideration dealing with issues of everyday life, as it has already
been mentioned, in which the problems faced by society are transmuted into poetry.
The second category contains love poems in which love is idealized by the poetic
subject the woman is praised and put in the center of consideration both for the human
being and society. The third category comprises of poems for poetry. In this
category, the poet introduces the reader to his mental work showing the manner in
which a poem is composed. He invokes the muse of poetry and introduces his
speculations, considerations and the difficulty in writing a poem. To write a poem is
as difficult as to get inspired about it. Words react with meaning, images with thought
and compose a circle in which the powers of logic with illogic, truth with myth, today
with yesterday and tomorrow are in contradistinction.
His prose poems, moving within the same framework, show the poets
experimentation in a new kind armed with the poetic verse shortness, while the
strength of prose composes a form of poetry allowing the reader to self-actualize. The
poetic touch provides the reader the possibility to make his own reading and
understand, from his own viewpoint, the notion through a mental trip on the verge of
poetry and prose. The poets secrets are unveiled while he is armed with the dynamics
of his writing within a society in which the standard is identical to what is correct and
moral.

194

The moral messages conveyed are of a special nature. They form a standard for the
young within a society in which there are multiple and everyday challenges. The
antidote to this society is poetry in which the eyes of truth and the power of love
compose, in connection with poetry, a cycle of undefined range in which today gives
hope for tomorrow letting the reader draw his own conclusions.

3. Indicative analyses of poems from the collection Cycle of undefined range

In Aristotle Fragos poetry, the elements of speculation and meditation are observed
to be given in a harsh way to the reader, but through the poetic speech and after a
thorough reading the messages which the poet wants to convey are obvious. There is
pace and speed which both work harmoniously giving a different nuance. Realism is
prevalent while, through protest and the intense love element, he tends to unmask the
lie and present the truth. The verse acquires a breath and a movement becoming more
direct to the reader in this manner.
When reading his poem The poem not found all the above characteristics are
evident. Reiteration is also observed. The poets agony in the quest for a poem is
intensely disseminated. This agony is combined to the quick description, a detailed
description of images and his vivid life. He makes an effort to display the content and
its characteristics, yet it is difficult for the magic image to be conceived in mind as it
is continuously escaping. Afterwards, the questions posed tend to touch off the
readers imagination and stir his interest in the lost poem. It is about a quest of the
poem that can not be found. Finally, it is characterized as ragged; lost as it moves
around in cities, avenues, squares and rubbish dumps contaminating the urban area.
The conclusion to be drawn is that the poem will eventually end up to a lamentation.
The poem is coherent and the conclusion is finally drawn by the poet. His poetry and
similarly the questions that find no answer are driven by a meticulous, literal and
figurative speech. Aristotle Fragos is the protagonist in his poems. The narration is
carried out in first person and it is characterized by an inner focus. Particularly, in his
poem The poem of my own he states in a sense of responsibility that he is
determined to write a poem of his own which is different unlike all the others since
none of the existing poems seems to touch him. He underlines that his own poem will
195

be completely irrelevant from the rest of the poems already been written. It will be
simple, light and relaxing, not meant to be tiring for the reader. There are a lot of and
evident similes used by Fragos in the poem. His new poem is light so that in the air
rustle it flaps like a swallow in the sky. The reader is given a sense of participation in
this procedure when such images are used. His speech is simple and colloquial. He
wants to be comprehensible and convey messages but, in the end, it is pin-pointed that
nothing is going to be revealed. He is true to his viewpoints and this is perceived by
the words I am bound and I swore silence.

There are messages conveyed to the readers through the poems. Agony is observed,
specifically, in the poem Now in which the intense element of love which has been
betrayed, disdained and tends to be forgotten little by little like friendship, too, is
discussed about.
The overall distinct elements in his poetry depict Aristotle Fragos vivid character that
is his participation as he forms the central persona in them. He talks about his
experiences and memories. He wishes to convey messages to the readers in order to
be comprehensible. In some poems his speech is colloquial, yet the words are rather
poetic at some parts. The reader through his reading puts color to the words which are
appropriately placed in his poems. The style is simple and plain while metaphors,
similes and reiterations are prevalent in his poems providing a different nuance.
Realism and the element of love are profound and clear. Another characteristic of his
poetry which is located in his poem I forgot to tell you is the cycle made by the
poet since he opens and closes the poem with exactly the same expression and
consideration. He makes and effort to covey the true and real element to the reader
while he disapproves of the lie. Both his aim and objective are the truth, something
which is pursued. His origins are obvious through his poetry. Therefore, Aristotle
Fragos could be placed in the urban environment since his descriptions in his poetry
provide similar elements and characteristics. The urban environment into which
Fragos is integrated is absolutely justified by the description in his poem Pericles
Evgenides, in the such a little piece of color and at the end of the poem
Language of the eyes.

196

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