You are on page 1of 213

Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.

htm#sokui

Establish a basic
Elemental techniques skill level through
illustrated tips.

Basically, you have to learn Shorinji Kempo at a branch where an


official instructor can teach you each techniques. Shorinji Kempo is not
suitable for self learning. Especially, you need your partner to learn
Juho to know how it works and what kind of pain each Juho technique
causes.
However, it may be worth you practice some techniques by yourself at
home after you have been taught them at the branch. This page may be
helpful for you to remind you of some tips of each techniques. Practice
those techniques as many times as possible, to make these techniques
part of your inherent ability.
Listed below, basic movements and technical words and tips for some
important techniques.
English names given to each techniques may different from the WSKO's
authorized technical term. I put them just for your ease of
understanding. If you find out the difference between the names used in
this page from the WSKO's terminologies, please let me know by email,
thank you.

  Today's basic technique


Recently introduced explanations about the basic techniques are
listed in the menue below, please select and click to see the
explanation.

The above function does not work well in Netscape, please use Internet
Explorer, or use the index list below.

Index Comments
Foot positions and basic way of standing
Basic stance
and how to sit.
Basic postures of Byakuren chool and Giwa
Basic postures
shool.

Body movement How to move your body and dodge.

Basic steps Basic way of carring your body.

Body parts Body parts used in offense and defense.

Elemantal techniques Basic movement in Goho,


Goho such as punch,
in Goho kick and guard.

1 of 4 23/06/2009 11:01
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#sokui

Tips and explanation Important tips about specific techniques.

Basic stance Back


Basic stance is called Sokui ho in Shorinji Kempo. Listed below are some of basic
stances.

How to sit.
Click here to see how to sit down on the floor for Zazen.
Zazen
The basic style for meditation is shown.

Example of several foot position.

Foot
Foot position Name Name
position

Kaisoku Heisoku ,
open stance closed stance

Mae kagi
ashi ,
Gyaku choji , front foot
right angle
regular stance
stance,
a transitional
stance.

Ushiro kagi Yoko kagi


ashi , ashi ,
rear foot right front foot step
angle stance, a over stance, a
transitional transitional
stance. stance.

kawashi
Hachiji ashi ,
ashi , cross leg
kanji "eight" stance, a
figure stance. transitional
stance.

Listed below are basic way of standing.

Stance Name Stance Name Stance Name

2 of 4 23/06/2009 11:01
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#sokui

Zenkutu dachi , Koukutu dachi ,


Nekoashi dachi ,
front weight rear weight
front kick position
position position

Ku no ji dachi ,
Kiba dachi , Fukko dachi ,
standard standing
low weight position knee position
position

Basic postures Back


Tai gamae,
gamae or posture, is a position useful in guarding yourself and initiating
offence.

Eight postures of Byakuren school

Gyaku Byakuren
Gassho Manji Midare Hasso Taiki Aiki
taiki chuudan
gamae gamae gamae gamae gamae gamae
gamae gamae

Nine postures of Giwa school

Gyaku Tachi Yoko


Kesshu Ichiji Niou Chudan Gedan Fukko
gedan muso muso
gamae gamae gamae gamae gamae gamae
gamae gamae gamae

Fujin hou, Relative positioning


There are three types of positionings as shown below.

You face your opponent as


Seitai gamae shown in the left figure.

3 of 4 23/06/2009 11:01
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#sokui

When your opponent stands


with his left (right) foot
Tai gamae forward, you stand with your
left (right) foot forward.

When your opponent stands


with his left (right) foot
Hiraki gamae forward, you stand with your
right (left) foot forward.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this
site.

4 of 4 23/06/2009 11:01
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#kamae

Establish a basic
Elemental techniques skill level through
illustrated tips.

Basically, you have to learn Shorinji Kempo at a branch where an


official instructor can teach you each techniques. Shorinji Kempo is not
suitable for self learning. Especially, you need your partner to learn
Juho to know how it works and what kind of pain each Juho technique
causes.
However, it may be worth you practice some techniques by yourself at
home after you have been taught them at the branch. This page may be
helpful for you to remind you of some tips of each techniques. Practice
those techniques as many times as possible, to make these techniques
part of your inherent ability.
Listed below, basic movements and technical words and tips for some
important techniques.
English names given to each techniques may different from the WSKO's
authorized technical term. I put them just for your ease of
understanding. If you find out the difference between the names used in
this page from the WSKO's terminologies, please let me know by email,
thank you.

  Today's basic technique


Recently introduced explanations about the basic techniques are
listed in the menue below, please select and click to see the
explanation.

The above function does not work well in Netscape, please use Internet
Explorer, or use the index list below.

Index Comments
Foot positions and basic way of standing
Basic stance
and how to sit.
Basic postures of Byakuren chool and Giwa
Basic postures
shool.

Body movement How to move your body and dodge.

Basic steps Basic way of carring your body.

Body parts Body parts used in offense and defense.

Elemantal techniques Basic movement in Goho,


Goho such as punch,
in Goho kick and guard.

1 of 4 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#kamae

Tips and explanation Important tips about specific techniques.

Basic stance Back


Basic stance is called Sokui ho in Shorinji Kempo. Listed below are some of basic
stances.

How to sit.
Click here to see how to sit down on the floor for Zazen.
Zazen
The basic style for meditation is shown.

Example of several foot position.

Foot
Foot position Name Name
position

Kaisoku Heisoku ,
open stance closed stance

Mae kagi
ashi ,
Gyaku choji , front foot
right angle
regular stance
stance,
a transitional
stance.

Ushiro kagi Yoko kagi


ashi , ashi ,
rear foot right front foot step
angle stance, a over stance, a
transitional transitional
stance. stance.

kawashi
Hachiji ashi ,
ashi , cross leg
kanji "eight" stance, a
figure stance. transitional
stance.

Listed below are basic way of standing.

Stance Name Stance Name Stance Name

2 of 4 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#kamae

Zenkutu dachi , Koukutu dachi ,


Nekoashi dachi ,
front weight rear weight
front kick position
position position

Ku no ji dachi ,
Kiba dachi , Fukko dachi ,
standard standing
low weight position knee position
position

Basic postures Back


Tai gamae,
gamae or posture, is a position useful in guarding yourself and initiating
offence.

Eight postures of Byakuren school

Gyaku Byakuren
Gassho Manji Midare Hasso Taiki Aiki
taiki chuudan
gamae gamae gamae gamae gamae gamae
gamae gamae

Nine postures of Giwa school

Gyaku Tachi Yoko


Kesshu Ichiji Niou Chudan Gedan Fukko
gedan muso muso
gamae gamae gamae gamae gamae gamae
gamae gamae gamae

Fujin hou, Relative positioning


There are three types of positionings as shown below.

You face your opponent as


Seitai gamae shown in the left figure.

3 of 4 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engyogo.htm#kamae

When your opponent stands


with his left (right) foot
Tai gamae forward, you stand with your
left (right) foot forward.

When your opponent stands


with his left (right) foot
Hiraki gamae forward, you stand with your
right (left) foot forward.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this
site.

4 of 4 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#taisaba

Body movement, or Taisabaki Back


Taisabaki means "body movement" to dodge punches and kicks and the way of changing body direction.

Listed below are some of the basic way of moving the upper body to dodge your opponent's attack.

Name Movement Explanation


Step your right leg to
your right a little and
Yoko furimi sway your body to the
Side sway right.

Step your right leg to


your right a little and
sway your body to the 45
Ryusui degree of angle to the
right with your left
Sway forward
shoulder leading your
upper body's right turn.

Putting your weight to


Sorimi your rear leg, sway back.
Sway back

Draw your middle body


Hikimi back to put it out of your
opponent's reach.
Drawing body

Listed below are some of the basic way of changing the body direction.

Name Movement Explanation


Pull your rear leg behind
your left leg to turn right and
Han tenshin shift your body to the left.
Simple shift You can dodge your
opponent's strait punch or
kick with this technique.

Pull your front leg behind


your right leg to turn left and
Gyaku tenshin shift your body to the right.
Reverse shift You can dodge your
opponent's strait punch or
kick with this technique.

1 of 3 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#taisaba

Put your front leg slightly


forward to turn right.

Han tenkan
Half turn

Put your rear leg a step


forward to turn left.

Put your front leg in front of


Zen tenkan your rear leg and turn right
Full turn 180 degree of angle to face
your opponent on your back.

You can turn 180 degree in


Nisoku zentenkan two steps. This technique is
Two steps full turn important to throw your
opponent with Juho.

Ukemi Back
Ukemi is a guarding technique to save your body from falling down and hit your body to the floor. There
are several types of Ukemi techniques but the basic two techniques are shown below. Click on each
figure to see the detail explanations.

Mae ukemi To save your body from falling down damage,


Front turn guard make your body turn forward.

Ushiro ukemi To save your body from falling down damage,


Backward turn guard make your body turn backward.

Basic steps Back


Listed below are some of the basic steps of Shorinji Kempo.

2 of 3 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#taisaba

Name of the techniques Movement Explanation

Fumikomi ashi,
Put your front leg a step forward.
Front leg forward step

Mae yose ashi,


Draw your rear leg toward your front leg.
Rear leg forward step

Sashikomi ashi, Put your front leg a step forward and then draw
Forward steps your rear leg toward your front leg.

Sashikae ashi, Put your rear leg a step forward beyond your front
leg. As shown in the left FIg. first, draw your right
Forward steps changing leg near your front leg and then put it in front of
legs the left leg in 45 degree of angle.

Tobikomi ashi,
Jump forward jumping with rear leg.
Rear leg jump forward

Mae kumo ashi, Jump forward jumping with front leg. As shown in
Front leg jump forward the left Fig. land on your rear leg first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

3 of 3 23/06/2009 11:02
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#unsoku

Body movement, or Taisabaki Back


Taisabaki means "body movement" to dodge punches and kicks and the way of changing body direction.

Listed below are some of the basic way of moving the upper body to dodge your opponent's attack.

Name Movement Explanation


Step your right leg to
your right a little and
Yoko furimi sway your body to the
Side sway right.

Step your right leg to


your right a little and
sway your body to the 45
Ryusui degree of angle to the
right with your left
Sway forward
shoulder leading your
upper body's right turn.

Putting your weight to


Sorimi your rear leg, sway back.
Sway back

Draw your middle body


Hikimi back to put it out of your
opponent's reach.
Drawing body

Listed below are some of the basic way of changing the body direction.

Name Movement Explanation


Pull your rear leg behind
your left leg to turn right and
Han tenshin shift your body to the left.
Simple shift You can dodge your
opponent's strait punch or
kick with this technique.

Pull your front leg behind


your right leg to turn left and
Gyaku tenshin shift your body to the right.
Reverse shift You can dodge your
opponent's strait punch or
kick with this technique.

1 of 3 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#unsoku

Put your front leg slightly


forward to turn right.

Han tenkan
Half turn

Put your rear leg a step


forward to turn left.

Put your front leg in front of


Zen tenkan your rear leg and turn right
Full turn 180 degree of angle to face
your opponent on your back.

You can turn 180 degree in


Nisoku zentenkan two steps. This technique is
Two steps full turn important to throw your
opponent with Juho.

Ukemi Back
Ukemi is a guarding technique to save your body from falling down and hit your body to the floor. There
are several types of Ukemi techniques but the basic two techniques are shown below. Click on each
figure to see the detail explanations.

Mae ukemi To save your body from falling down damage,


Front turn guard make your body turn forward.

Ushiro ukemi To save your body from falling down damage,


Backward turn guard make your body turn backward.

Basic steps Back


Listed below are some of the basic steps of Shorinji Kempo.

2 of 3 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engmove.htm#unsoku

Name of the techniques Movement Explanation

Fumikomi ashi,
Put your front leg a step forward.
Front leg forward step

Mae yose ashi,


Draw your rear leg toward your front leg.
Rear leg forward step

Sashikomi ashi, Put your front leg a step forward and then draw
Forward steps your rear leg toward your front leg.

Sashikae ashi, Put your rear leg a step forward beyond your front
leg. As shown in the left FIg. first, draw your right
Forward steps changing leg near your front leg and then put it in front of
legs the left leg in 45 degree of angle.

Tobikomi ashi,
Jump forward jumping with rear leg.
Rear leg jump forward

Mae kumo ashi, Jump forward jumping with front leg. As shown in
Front leg jump forward the left Fig. land on your rear leg first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

3 of 3 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engpart.htm#teashi

Body parts for offense and defense Back


Shorinji kempo uses almost all parts of the body for offense and defense. Sometimes, a wooden or iron
stick is used. However, the main "arms" used are our own body, that is, hand, arm, leg and so on.

1. Hand : There are many variations other than illustrated below. But the following are enough for usual
techniques.

kind name Part Description


Bend your four fingers onto your palm and attach your
thumb to a pointing finger tightly. This is a most
Seiken commonly used part. Seiken means "ordinary grip" or
"right grip".
A backside of Seiken shown in the left figure. Used in
backhand brow. Bend your wrist outside when use
Uraken. There is a possibility that you may break a back
Uraken of your hand if you hit something hard with Uraken
fist bending your wrist inside.

Flat fist, as shown in the left figure.


Hiraken

Use little finger side of Seiken grip.


Shouken

Use wrist side of Hiraken.


Naishou

Open hand.
Hirate

open Shutou means "hand used as a sword". Use little finger


hand Shutou side as shown in the left figure.

This part is used in Juho to press a critical or vital point


Choujide of a joint or arm.

Kumade means "a palm of a bear". Using this part will


others let you hit your opponent without cutting his skin.
Kumade

2. Arm : Although there are many other way of use, the following are mainly used in usual techniques.

Name Part Description

Wantou means "arm used as a sword". Use little


Wantou finger side as shown in the left figure.

1 of 2 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engpart.htm#teashi

Nai wantou means "inside Wantou". Use thumb


Nai wantou side as shown in the left figure.

Elbow.
Hiji

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

2 of 2 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engkihon.htm#kihontuki

Elemental techniques in Goho Back


Listed below are some of the basic punching, kicking and guarding techniques of
Shorinji Kempo. Detail explanations are given for those who would like to practice
them at home. Click on each figures to see detailed explanation.

Name of the Explanation


Movement
techniques
Jun duki, Jun duki,
duki or a jab in boxing, is used to
front hand activate sequence of techniques because it can
punch(04.9.19) be delivered without big movement of the body.

Gyaku duki, Gyaku duki is a powerful blow in nature,


back hand because it travels long distance to earn enough
punch(04.10.2) energy. However, because of this, it is rather
easy to anticipate or to dodge.

Jun geri, Jun geri is useful to stop your opponent's


front leg attack. You can deliver Jun geri with small
kick(03.3.2) action.
Speed is very essential for this technique.

Gyaku geri, Gyaku geri is a powerful straight kick. But,


rear leg it is rather easy to dodge it because it
kick(04.10.17) travels long way. Apply it after you make your
opponent unable to guard or dodge, that is,
after putting him in unstable condition.
Mawasi geri, Mawashi geri is a hook kick to hit your
round kick opponent horizontally. To deliver Mawashi
(04.10.31) geri,
geri lift your knee aimed at the target and
then give your foot circular momentum by
turning your hip.
Yoko geri, Yoko geri is used to kick an opponent standing
side kick just your left or right side. To give this kick
(04.8.9) enough power, you have to push out your hip
toward the target.

Uwa uke, Uwa uke is mainly used to block a punch aiming


upper at your face. Try to move your body so that you
guard(04.6.13) will not be hit even if you do not use your arm
to block it.

Shita uke, Shita uke is used to block a body blow or kick


lower aiming at your body. Try to move your body so
guard(04.7.4) that you will not be hit even if you do not use
your arm to block it.

1 of 2 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engkihon.htm#kihontuki

Uchi uke, Uchi uke is a blocking technique using your


inside arm from outside to inside of your center. It
guard(03.5.30) can be used to block a punch or kick. Try to
move your body so that you will not be hit even
if you do not use your arm to block it.
Harai uke, Harai uke is used to block a kick such as
sweep Mawashi geri.
geri To give Harai uke enough power
guard(03.6.14) to block a powerful Mawashi geri,
geri you have to
twist your hip to transfer the body power to
your arm.
Ren uke is used to block sequential punch of
Ren uke, your opponent. Apply Uwa uke and then Shita
uke sequentially. Shita uke must be
Sequential
accompanied with Uchi uke to gauard your face
guard(03.6.28) in case your opponent's second punch comes to
your face.
Furiko duki(
duki Furiko zuki ) is a method to
Furiko duki, practice straight punch.
Pendulam punch
training(03.7.13)

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this
site.

2 of 2 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engtech.htm#yogo

Tips and explanations Back


Basic technical explanations and tips are listed below.

Direction of force in Nuki waza Back


By understanding the right direction of the force you have to apply in Nuki waza, you can easily escape
from a grip.

Those animals developed thumb can


grab things tightly. That means if you
can make a force of the thumb
grabbing your wrist weaken, you can
easily escape from the grip.
Thumb can resist against the forces
shown by red arrows in the left figure,
but can not resist forces shown by
green arrows.
Shorinji Kempo utilize this fact, using
(1) direction are Kote nuki and
others, using (2) direction are Kiri
nuki and others.
Another way of escaping is applying force in the direction of locking techniques
and make your opponent release his grip because of the pain the locking
techniques causes.

Meuchi Back
Once your opponent is prepared for your next move, it may have become difficult to execute a technique,
that is, your waza on him. Especially if your opponent is stronger than you, some special techniques are
called for. You should try to make it difficult for your opponent to concentrate on the essential elements
that determine the effectiveness of your techniques.

This category of techniques is called Meuchi and consists of flapping at eyes with fingertips. Delivering
Meuchi, you can create a window of opportunity to getting rid of his concentration. You do not have to
actually flap at your opponent's eye balls, just waving your finger tips in front of the eyes is sometimes
enough.

Use Meuchi whenever you try to execute Juho.

Kagite Back
Kagite is a typical guard style used for preventing your
opponent from controlling you once your opponent has
seized your wrist.
Once one of your hands is in your opponent's grip, do not try to
free your hand by pulling it directly back towards you.Your
opponent, with greater strength, will hold fast to your hand.
Rather, treating your hand-arm-body system as a lever, try to

1 of 3 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engtech.htm#yogo

Do not try to pull the hand position the fulcrum of that system close to your body. The
grabbed. leverage gained will magnify your strength. This is a simple
physical principle.
Open your hand as illustrated in the left figure. By opening your
Point in the right description hand, your wrist becomes thicker and this makes your opponent
to see Kagite. a little bit difficult to fasten the grip. However, this gives your
opponent a chance to grip your finger at the same time.
Therefore do not be in Kagite style for long. Move to the next
technique as soon as possible.
Remember, to effect this guard style, put your body and not
your opponent's grip, near the fulcrum.

Sankaku shuhou or Triangle guard position Back


Sankaku shuhou is a guard technique against your opponent's
offense, trying to twist your arm in a direction shown in the left
Fig.
Do not pull your wrist toward you, but rather put yourself near to your
wrist seized and put it as close as your side body. Your arm will make a
triangle shown in the left figure below.
As you can see, your opponent's grip has already weakened just after
Point in the you take Sankaku shuhou guard position.
right description to
see Sankaku
shuhou.

Nisoku tenkai Back


As illustrated at left, Nisoku tenkai,
which means two steps full turn, is a
way to turn 180 degree in two steps.
The quickness and economy of
movement this allows is important in
throwing techniques.

Tips on Boshikyu Back


Usig Boshikyu,
the aim is to
control and push the
Boshikyu , or thenar,
back of your
refers to the part of your
opponent's hand in
palm just at the base of
such a way that your
your thumb.
arm and your
opponent's arm form a
straight line.
One man training:(Figs. below)

(1)Put the palm of your left hand against the back of your right hand so that both palm faces you.
Your left hand is to execute this maneuver on your right hand, which plays the part of your
opponent's hand.

2 of 3 23/06/2009 11:03
Elemantal technics of Shorinji Kempo http://kenseikai.world.coocan.jp/gihou/kihon/engtech.htm#yogo

(2)Hook the middle and ring fingers of your left hand around the fleshy base of your right thumb.

(3)Using the leverage afforded by your palm, press the Boshikyu of your left hand against the back
of your right hand to fold your right wrist. You shall be able to easily fold your right wrist as far as it
will go and, thereby, point the fingers of you right hand at your chest. This will make your arms form
a straight line

(4)Twist your left hand to check a direction of the force you should apply to give the maximun pain.
You can feel how the leverage gives your left hand control over your right hand.

In step 3, it is important to press your Boshikyu against the back of


your opponent's hand and not twist your opponent's wrist with your
thumb. Beginners sometimes try to twist their opponent's wrist, however this
allows your opponent to escape from your grip. It does not work to your
advantage at all, especially when your opponent is stronger than you.

Yubidori Back

This technique is used to lock an opponent's wrist and thumb.


Use your Boshikyu firmly attached to the back of his hand
and twist his thum in the direction shown in the right Fig.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

3 of 3 23/06/2009 11:03
uwauke geri http://kenseikai.world.coocan.jp/gihou/uwaukeri/enguwaukeri.htm

Uwa uke geri

This is a very essential movement. You must practice it as many times as you can so
that it comes out instinctively.
Stop motion illustration is added.(2005.12.18)

When your opponent try to punch your


face, step back aside with Uwauke and
counterattack with middle kick.
Practice both left and right, and
also step back and forward.

The opponent You stepping You Step back to Prepare for the
try to hit your back aside, counterattack keep distance. next movement.
face. guarding your with middle
face with kick almost at
Uwauke.
Uwauke the same time
with Uwauke.
Uwauke

Tips:
Although Uwauke is an early stage
technique, it is not easy to do it in a refined Click
style. here to
It is important to slide up your arm as shown see stip
in the left figure. Do not try to wipe off his motion
hand as shown in the left figure. illustration.
Counterattack shall be done almost at the same
time with Uwauke.
Uwauke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:26
Sodenuki http://kenseikai.world.coocan.jp/gihou/sodenuk/engsodenuk.htm

Sode nuki

What it means

The first one character part of is pronounced "Sode


Sode",
Sode meaning "sleeve" and the
last one character part is pronounced "nuki
nuki",
nuki meaning "escape" or "make it free".
Thus this technique means "escape method when seized by sleeve".

Techniques

When your opponent seized your


right(left) upper sleeve from over
your hand by his left(right) hand,
use Sodnuki to escape.

Put your right let your Take Kagite Deliver meuchi.


meuchi
hand forward to opponent seize guard position.
your right upper
sleeve.

Turn your right


Follow with left
hand
Hit his face middle punch.
counterclockwise. Push down your
with your right (And prepare for
Make your hand to escape.
Uraken.
Uraken the next
opponent's wrist
movement.)
bent.

Tips
Make sure that your opponent's wrist bent after you turn
your elbow counterclockwise.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:40
Uwauke duki http://kenseikai.world.coocan.jp/gihou/uwautuk/enguwautuk.htm

Uwauke duki
(Uwa uke zuki)

What it means

The first two characters part of is pronounced "Uwa


Uwa uke",
uke a name of the
Shorinji Kempo guard technique, the last one character part is pronounced "zuki
zuki",
zuki
meaning "a punch". Thus this technique means "Guard with uwa uke and counterattack
with a punch.

Techniques

This technique is a very fundamental one, practice as many time as possible so that
your body moves automatically.

When your opponent try to hit your


head or face, guard it with Uwa uke,
uke
and counterattack with middle punch.
Try as many variation as possible.

Your opponent You step Middle punch Kumade duki


try to hit you forward with right with your left
by Shuto uchi.
uchi diagonally hand. hand.
right and guard
your head with
Uwauke.
Uwauke

Prepare for the


next movement.

Tips Click here to


Please refer to Uwauke about its detail and how to see
practice it effectively. stopmotion
( updated explanation, 2004.6.13) illustration.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:25
Uchiuke Duki http://kenseikai.world.coocan.jp/gihou/uchiutuki/enguchiuket.htm

Uchiuke duki
(Uchi uke zuki)

What it means

The first two charactors of are pronounced "Uchi Uke" meaning "Inside guard" and
the last one charactor is pronounced "duki" meaning a punch.

Techniques

When your opponent try to punch your


face, you step aside with Uchi uke
and counterattack with middle punch
followed by middle kick.

The opponents You make his Make sure that You punch You kick Step back and
try to punch punch miss your you guard your his body his body. prepare for the
your face. face by face with Uchi with the next movement.
stepping uke so that he opposite
forward at 45 can not hit you hand.
degree angle. any more.
Apply Uchi uke
at the same
time.

TIPS:
Do not wipe off your opponent's hand with your
hand. You have to step forward at 45 degree angle to
make his punch miss you even if you do not use your
hand to block his punch.

Click here
to see stop
motion figures
of the left
animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998.
The same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999,
2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated
with the structure of this site and the information available on this site.

1 of 1 23/06/2009 10:26
Eri nuki http://kenseikai.world.coocan.jp/gihou/erinuk/engerinuk.htm

Eri nuki

What it means

The first one character part of is pronounced "Eri


Eri",
Eri meaning a lapel, a red part

of . The last one character part is pronounced "nuki


nuki",
nuki meaning "escape" or "make
it free". Thus this technique means "escape method when seized by a lapel".

Techniques

When your opponent seized your


neckband , use Eri nuki to escape.

Make a space in let your Deliver meuchi.


meuchi Strike down your
front of your opponent seize right elbow on
chest to your lapel. to your
opponent's left
hand.

Hit his face


Turn your right Make your
Push down your with your right
hand opponent's wrist
hand to escape. Uraken and left
counterclockwise. bent.
middle punch.

Tips
Make sure that your opponent's wrist bent after you turn
your elbow counterclockwise so that he has to let your lapel
free because of pain caused by keep holding your lapel.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:40
Oshikiri nuki http://kenseikai.world.coocan.jp/gihou/osikinuk/engosikinuk.htm

Oshi kiri nuki

Use Oshi kiri nuki when your opponent seizes


your upper arm/arms with his hand/hands. Turn
your forearm to set it inside of your opponent's
hands and then push it out.
Apply Oshi kiri
nuki,
nuki when your Try Johaku nuki when
opponent seizes your opponent seizes
your upper arms your upper arms as
with his arms shown in the right
bending, pushing his elbow Fig.
outside as in the left Fig.

Your opponent Take Kagite Turn your right Push your right
seizes your guard position forearm forearm out to
upper arms with so that you do clockwise to put kill your
his hands. not lose the your right arm opponent's left
control. inside of your wrist.
opponent's left
hand.

Stretch out your


Hit your
right hand to Apply Johaku
opponent's back Prepare for the
release it from nuki to your
neck with next movement.
your opponent's left hand.
Wantou uchi.
uchi
grip.

1 of 2 23/06/2009 10:40
Oshikiri nuki http://kenseikai.world.coocan.jp/gihou/osikinuk/engosikinuk.htm

Tips
Push your forearm
out to cut your
opponent's lock. Try
to push it out a
little bit backward.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:40
Shitauke geri http://kenseikai.world.coocan.jp/gihou/sitaukeri/engsitaukeri.htm

Shitauke geri

This is a very essential movement. You must practice it as many times as you can so
that it comes out instinctively.

When your opponent try to punch your


body, step forward aside a little
with Shitauke and counterattack with
middle kick. Practice both left and
right, and also step back and
forward.

Take Hassou You stepping guarding your Counterattack


gamae to let your forward aside, body with with Gyaku geri
opponent think of Shitauke.
Shitauke middle kick.
punching or
kickking your
body.

Tips:
Although Shitauke is an early stage technique, it is not easy to do it in a
refined style.
It is important to slide down your arm. Do not try to wipe off the offending hand or
leg.
Counterattack shall be done almost at the same time with Shitauke.
Shitauke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:26
Uragaeshi nage http://kenseikai.world.coocan.jp/gihou/uragang/enguragang.htm

Uragaeshi nage

You will learn Uragaeshi nage at early stage of learning Shorinji Kempo. This
technique can be easily practiced once you know its tips.

Apply this technique with Gyaku gote or


Maki gote to bring your opponent down in
reverse position, his chest facing the
ground,

You are applying At the moment push your left Then turn his
Gyaku gote or your opponent's hand to make him wrist clockwise
Maki gote.
gote hip hits the turn around the and pull.
floor, point where his
hip is
contacting the
floor.

He will be Step forward


Fix his shoulder
forced to roll your right foot
with your left
down with his and apply
hand.
back facing up. Uragatame.
Uragatame

1 of 2 23/06/2009 10:40
Uragaeshi nage http://kenseikai.world.coocan.jp/gihou/uragang/enguragang.htm

Tips
It is essential that you
should turn your opponent
exactly when his hip hits
the floor. After his back
lies on the floor, it is
impossible to turn him
around.
As you can see in the right
animation, turn him making
the + mark in the animation
as a pivot of turning. Make
his head go through under
your hands.
After his body turned, twist
your opponent's wrist
clockwise and pull it low.
By this action your opponent
will be forced to roll to
the chest down position.
It is important to make
enough space to make him
turn and roll by moving your
feet. Try as many time as
possible to get the tips.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:40
Shitauke jungeri http://kenseikai.world.coocan.jp/gihou/sitaujkeri/engsitaujkeri.htm

Shita uke jun geri

This is a very essential movement. You must practice it as many times as you can so
that it comes out instinctively.

When your opponent try to punch your


body, withdraw your body a little
with Shitauke and counterattack with
jun geri.
geri Practice both left and
right.

Take Hassou Your opponent Counterattack Prepare for the


gamae to let your trys to punch with jun geri.
geri next movement.
opponent think of your body, you
kickking or withdraw your
punching your body and apply
body. shita uke.
uke

Tips:
Although Shita uke is an early stage technique, it is not easy to do it in a
refined style.
It is important to slide down your arm. Do not try to wipe off the offending hand or
leg.
Counterattack shall be done almost at the same time with Shita uke.
uke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:26
Sodemaki http://kenseikai.world.coocan.jp/gihou/sodemk/engsodemk.htm

Sode maki

When your opponent seized your


right(left) upper sleeve from under
your hand by his left(right) hand,
use Sodemaki.
Sodemaki

Put your right let your Deliver meuchi put your left
hand forward to opponent seize and, hand on to your
your right upper opponent's left
sleeve. hand.

Turn your right


Kick his body
hand clockwise.
Pull down your while keeping Prepare for the
Make your
hands. his hand in "S" next movement.
opponent's hand
shape.
in "S" shape.

Tips
Keep your opponent's hand tightly fixed to your right hand's angle
by pushing it with your left hand. Make sure your opponent's hand is in
"s" shape.

1 of 2 23/06/2009 10:41
Sodemaki http://kenseikai.world.coocan.jp/gihou/sodemk/engsodemk.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:41
Tukiten ichi http://kenseikai.world.coocan.jp/gihou/tukit1/engtukit1.htm

Tsukiten ichi

This technique is used, when your


opponent has thrown consecutive
punches to your face and body, to
counterattack them with your kick.

Your opponent You sway and Your opponet You kick back. Prepare for
trys to throw a guard it with throws middle Kick almost at next movement.
punch to your Uwauke.
Uwauke punch. You the same time
face. guard it with of guarding.
Shitauke.
Shitauke
Guard your face
at a same time.

<Tips>
Speed is essential for this technique. The animation
above makes several stopping for better understanding.
Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:27
Sodedori http://kenseikai.world.coocan.jp/gihou/sodedo/engsodedo.htm

Sodedori

What it means

The first one character part of is pronounced "Sode


Sode",
Sode meaning "a sleeve" and
the last one character part is pronounced "dori
dori",
dori meaning "catch or lock". Thus this
technique means "lock your opponent's hand when he seizes your sleeve".

Techniques

When your opponent seized your


right(left) upper sleeve from over
your hand by his left(right) hand,
use Sodedori.
Sodedori

Put your right let your Deliver shuto put your left
hand forward to opponent seize giri,
giri as shown hand on to your
your right upper below, ormeuchi
meuchi opponent's left
sleeve. and, hand.

Turn your right


hand clockwise. While keeping
Make your Pull down your
his arm in " " kick his body.
opponent's arm hands shape,
in " " shape.

Tips
Keep your opponent's
hand tightly fixed to your
right hand's angle by Click here to see stop
pushing it with your left motion figures of the left
hand. Make sure your animation.
opponent's hand is in " "
shape.

1 of 2 23/06/2009 10:41
Sodedori http://kenseikai.world.coocan.jp/gihou/sodedo/engsodedo.htm

While keeping your


opponent's arm in " " shape
twist his palm as shown in
the left figure and push its
little finger root.
You must do this with your
right upper arm while
bending your joint. This is
based on the same principle
as Johaku dori.
dori

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:41
Kote nuki http://kenseikai.world.coocan.jp/gihou/kotenuki/engkote.htm

Kote nuki

Kote nuki works well when your


opponent seizes your right (left)
hand with his right (left) hand as
illustrated in the right figure.

The opponent Deliver Meuchi take Kagite Turn your palm Turn your elbow Hit into his
seizes your right away and, guard style. down and push out till your face with the
right wrist by Move to Kote out your elbow wrist is hand just
his right hand. nuki.
nuki from inside released released.
out, not moving completely.
the pivot.

Wrong:
This will not work
well, if you try to
escape when his arm is
not stretched
straight. He can
follow your movement
if his arm has freedom
to bend.
Never try to escape by
pulling your hand.

Tips :
Stretch his elbow
straight. It is the
most inportant check
point in Kotenuki.
Kotenuki As
far as his arm is
straight, you can
easily apply
Kotenuki.
Kotenuki
When you push out your
elbow, do not move the
pivot but turn your
wrist like cutting his
thumb.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,

1 of 2 23/06/2009 10:27
Kote nuki http://kenseikai.world.coocan.jp/gihou/kotenuki/engkote.htm

2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the
structure of this site and the information available on this site.

2 of 2 23/06/2009 10:27
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sodemkte/engsodemkte.htm

Sodemaki tenbin
(Sodemaki tembin)
What it means

The first two character part of is pronounced "Sode


Sode maki",
maki a name of the
Shorinji Kempo technique, the last two characters part is pronounced "tembin
tembin",
tembin
meaning "a balance" and also a name of the critical spot in an elbow joint. Thus this
technique means "lock your opponent's hand at the critical spot "tembin
tembin"
tembin in case
your opponent tries to escape from "Sode
Sode maki".
maki

Techniques

When your opponent tries to escape


from your Sodemaki.
Sodemaki lock your
opponent's arm at the critical spot
Tembin,
Tembin

Put your right let your Deliver meuchi put your left
hand forward to opponent seize and, hand on to your
your right upper opponent's left
sleeve. hand.

Use your right


Turn your right Your opponent
Fix his elbow elbow to lock
hand clockwise. tries to escape
between your his arm and lift
Make your by twisting his
body and your your left hand
opponent's hand body, turing
right elbow. for effective
in "S" shape. back.
force.

Click here
Tips
to see stop
Keep your opponent's elbow tightly fixed at your side
motion figures
body.Apply this technique hard and quickly. Slow attack
of the
will let your opponent have a chande to escape.
animation
below.

1 of 2 23/06/2009 10:41
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sodemkte/engsodemkte.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003,2004,2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:41
Katate Yorinuki http://kenseikai.world.coocan.jp/gihou/yorinuk/engrtyrink.htm

Katate Yorinuki

Use Yorinuki to free your hand from your


opponent's grip when he seized your hand as shown
in the right Fig.

Your opponent You deliver Pull your body Turn your palm Keep pushing Punch.
seizes your Meuchi and near to the down and push out your elbow
hand. guard in point your hand your elbow out until your hand
Kagite.
Kagite is seized. from under, is completely
twisting your freed.
hand clockwise.

<Tips>
When starting Yorinuki turn your palm down and
then twisting your hand clockwise, push your
elbow toward your opponent's body.
Get back to safe position as soon as you escape.
Do not pull your hand toward you when you try to
escape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,
2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the
structure of this site and the information available on this site.

1 of 1 23/06/2009 10:27
Johaku dori http://kenseikai.world.coocan.jp/gihou/johakudo/engjohakudo.htm

Jo(u)haku dori

Johaku dori locks your opponent's hand, when he


seized your upper arm as shown in the right Fig.

Your opponents You deliver Lock his hand Take down his Try to twist a Kick.
seizes your Meuchi and with your fold hand with your little to push
upper arm. guard in arm and the arm. down his hand.
Kagite.
Kagite opposite hand.

<Tips>
You must make your
opponent's hand and arm to
form the figure as shown in
the left Fig.
Try to fix your your
opponent's hand as firm as
possible so that it may not
slip away.

Effective form How to fix your opponent's hand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,
2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the
structure of this site and the information available on this site.

1 of 1 23/06/2009 10:41
Ryoute Yorinuki http://kenseikai.world.coocan.jp/gihou/rtyorinuk/engrtyrink.htm

Ryo(u)te Yori nuki

Ryoute Yori nuki is used when both your hands


are seized with your opponent's both hands. Use
Yori nuki to free your hand from your opponent's
grip. It is applicable when he seized your hand
as shown in the right Fig.

Your opponent Guard in Kagite Pull your body Apply meuchi Middle punch.
seizes your both position. near to the with your right
hand. point your hand hand.
is seized. Apply
Yorinuki to
your right hand.

Use your right


Apply yorinuki Step down your
Upper punch with hand in the same kick in his
to your left leg in front and
your left hand. way as uchiuke,
uchiuke head.
hand. ichiji kamae.
kamae
and

<Tips>
Before you apply second Yorinuki,
Yorinuki make your body close to your
opponent and set your left hand close to you so that you can easily
turn your elbow in Yorinuki movement. You may step forward your
right foot when applying second Yori nuki,
nuki but in advance phase
you must be able to apply second Yori nuki without stepping
forward your right foot as shown in the animation.
Do not pull your hand toward you when you try to escape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:27
Technique explanation Kusshin duki http://kenseikai.world.coocan.jp/gihou/kusintu/engkusintu.htm

Kusshin duki
(Kusshin zuki)

This technique is used to


counterattack your opponent's hook
punch with your punch.

Your opponent Duck guarding Go under your Prepare for


trys to punch your face. opponent's hand next movement.
in your face. and
counterattack
with a punch.

Tips
Guard your face and body while ducking.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:39
Introduction to Maki nuki http://kenseikai.world.coocan.jp/gihou/makinuki/engmakinu.htm

Maki nuki

This technique is used when your


opponent seizes your right (left)
wrist with his left (right) hand as
shown in the right figure.

He seizes your You deliver Take Kagite Turn your right Push out your Hit his face
right wrist Meuchi at style and move palm down and elbow till your with your hand
with his left once. to Maki nuki push out your wrist becomes just freed.
hand. at once. right elbow free.
horizontally.

Tips:
Try to move your hand to the position
shown in the left figure by sliding your palm
around his wrist. Then push out your elbow
counterclockwise. Do not move the pivot while
pushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,
2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the
structure of this site and the information available on this site.

1 of 1 23/06/2009 10:28
Ude maki http://kenseikai.world.coocan.jp/gihou/udemak/engudemak.htm

Ude maki
What it means

The first one character part of is pronounced "Ude


Ude",
Ude meaning "an arm", the
last one character part is pronounced "maki
maki",
maki meaning "wind or wrap". Thus this
technique means "Use your arm as if wrap your opponent's hand with your arm and lock
it.

Techniques

Ude maki can be applied when your opponent seizes


your lower lapel. Apply Erinuki technique to the
earlier stage of this technique. And then use
another hand not to let your opponent's hand slip
away. Lock your opponent's hand in S character
shape.

Let your opponent Your opponent Deliver meuchi Use the same
seizes your lower seizes your with your left technique as
lapel. lower lapel with hand and strike Erinuki to your
his left hand. down your right right hand.
elbow onto your
opponent's left
wrist.

Attach your left Make sure your Pull your right Use your both
hand onto the opponent' arm is elbow down. hand to make
back of your in S character your opponent
opponent's left shape. immobilized.
hand. Turn your
arm
counterclockwise.
Raise your right
elbow.

1 of 2 23/06/2009 10:42
Ude maki http://kenseikai.world.coocan.jp/gihou/udemak/engudemak.htm

Click here to see


stop motion
illustration.

Tips
Turn your arm so
that it goes by your
ear and your
opponent's grip
becomes ineffective.
Make sure that your
opponent's hand is in
S character shape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:42
Gyakugote http://kenseikai.world.coocan.jp/gihou/gyakugo/engyakugo.htm

Gyaku gote

What it means

The first one character part of is pronounced "gyaku


gyaku",
gyaku meaning "reverse", and the last two
characters part is pronounced "gote
gote",
gote meaning "wrist". Thus this technique means "lock your opponent's
hand in reverse".

Techniques

You will learn Gyaku gote at early stage of learning Shorinji Kempo. This technique is most suitable for
learning how to use Boshikyu,
Boshikyu because without using Boshikyu properly it will not work well.
You can take your opponent down by Gyaku gote,
gote moreover if you can do Nisoku tenkai smoothly you can
throw him away.
Practice this technique as many times as possible to master this most Shorinji Kempo like technique.

When your opponent seizes your right His arm looks


(left) wrist with his right (left) hand like this in the
like the grip same as Kote nuki,
nuki take left figure when
his wrist locked and throw him down. you can lock his
wrist and arm
successfully.

He seizes your You Hook your left Use your Use Nisoku immobilize
wrist. deliverMeuchi
Meuchi hand to his Boshikyu to tenkai to him by
and take hand and make lock his hand throw him applying
Kagite style. your wrist as shown in down. Yubi gatame.
free from his the tips
grip. bellow.

Tips:
Unlike Kote nuki,
nuki use your right arm in the direction that
your arm push the base of his index finger to turn his wrist
bent.
Use your left hand's Boshikyu to bend his wrist together with
your right arm.
Push out your left elbow to make his right elbow come close
to you.
To look at the stop motion illustration of the right
animation, click here.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro
Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005

1 of 2 23/06/2009 10:28
Gyakugote http://kenseikai.world.coocan.jp/gihou/gyakugo/engyakugo.htm

continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

2 of 2 23/06/2009 10:28
Katamuna otoshi http://kenseikai.world.coocan.jp/gihou/munaotosi/engkatamu.htm

Katamuna otoshi

Although this technique may relatively be easy to learn, it is very effective. The principle of this
technique is very useful and it can be applied in various situations. Many Juho use this technique to
lock a wrist.

Katamuna otoshi is applicable when your


opponent grabs your clothes at your chest
as illustrated in the right figure and
push the hand toward you.

He grabs your You deliver Add left hand to Make your both When your elbow Kick his body so
clothes at your Meuchi and grab his left arms straight and comes higher that he will not
chest and push attach your hand from over turn them than his, turn attack you any
forward. right hand to his fist. counterclockwise. your elbow over more.
his left hand Turn his fist 180 it and push down
from under his degree. your elbow
fist. without moving
the pivot.

Tips: Catch his fist grabbing your clothes as shown


below, from under and from top. After fastening your
grip of both hands, turn them 180 degree of angle to
make the base of his little finger turns up. At this
point, his arm and hand must be look like the right
most figure below.
You have to learn that this "S" figure is essential for
success of Katamuna otoshi.
otoshi After you make his hand
and arm "S" figure, turn his palm clockwise ( looked
from his palm side) in the vertical plane.
Ask an instructor how to make his hand and arm "S"
figure.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003,
2004, 2005 continues to do so, and reserves all rights associated with the structure of this site and
the information available on this site.

1 of 1 23/06/2009 10:42
Katate Okurigote http://kenseikai.world.coocan.jp/gihou/okurigo/engokurigo.htm

Katate Okurigote

When your opponent has seized your


wrist as shown in the right Fig., use
this technique to lock his wrist.This
sequence to techniques is same as
that of Maki nuki to the stage at
which you make his grip lose power.

Your opponent You throw Put your left Push out your Using your both Firmly lock his Kick and try
try to seize Meuchi at once hand on his right elbow arm, pull down left wrist by Yubidori to
your right hand and turn your left hand. from under and his left hand your both hand. immobilize him.
by his left right hand press his left to your left You have to
hand. counterclockwise thumb. Use your knee. learn from an
like Maki nuki.
nuki left Boshikyu instructor
to lock his about the tips.
wrist.

TIPS:
Use your left Boshikyu as
shown in the right Fig. And use
your right arm to make his left
thumb lose its power.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro
Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 10:28
Eri juji http://kenseikai.world.coocan.jp/gihou/erijuji/engerijuji.htm

Eri juji

What it means

The first character of sounds "Eri


Eri"
Eri meaning the red part of .
The last two characters sounds "Juji
Juji"
Juji meaning a cross. This comes from the shape
that your arm and your opponent's arm makes in the stop motion illustration below,
upper right most fig with green background color.

Comments

Although this technique may relatively be easy to learn, it is very effective. The
principle of this technique is very useful and it can be applied in various
situations. Many Juho use this technique to lock a wrist.

Techniques

Eri juji is applicable when your


opponent grabs your clothes at your
chest as illustrated in the right
figure and push the hand toward you.

He grabs your You deliver attach your left Hit his left
clothes at your Meuchi and hand to his left wrist with your
chest and push hand from over right hand from
forward. his fist. under his wrist,
to bend it.

Turn your both


turn your elbow
arms Kick his body so
over it and push
counterclockwise. Keep his arm in that he will not
down your elbow
When your elbow S shape.(note 1) attack you any
without moving
comes higher than more.
the pivot.
his,

(note 1) You may grab his palm with your both hands, while in this figure you grab
his palm with one hand and use another hand to hold his elbow to make it sure that
his arm makes S shape.

Tips: Catch his fist grabbing your clothes as shown


below, from over. After fastening your grip, turn

1 of 2 23/06/2009 10:42
Eri juji http://kenseikai.world.coocan.jp/gihou/erijuji/engerijuji.htm

them counterclockwise to make the base of his little


finger turns up.
You have to learn that this "S" figure is essential
for success of Eri juji.
juji After you make his hand and
arm "S" figure, turn his palm clockwise ( looked from
his palm side) in the vertical plane.
Ask an instructor how to make his hand and arm "S"
figure.

Click here to see stop motion figures of the


folowing animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this
site.

2 of 2 23/06/2009 10:42
Okuri maki tenbin http://kenseikai.world.coocan.jp/gihou/okurimat/engokurimat.htm

Okuri maki tenbin

When you apply Okuri gote to your


opponent and he tries to escape by
twisting his body, use Okuri maki
tenbin.
tenbin

Your opponent You throw Put your left Your opponent


seizes your Meuchi at once hand on his left twists his body
right hand with and turn your hand and apply to escape from
his left hand. right hand Okuri gote.
gote Okuri gote,
gote or
counterclockwise to try to
like Maki nuki.
nuki decrease its
effect,

You tightly Press and lock


fasten his elbow his elbow
Kick in his Prepare for the
in between your without giving
body. next movement.
right elbow and him any moment
your side body. to escape.

TIPS:
Do not pause after fasetning his elbow, move as quick as
possible.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:28
harai uke geri http://kenseikai.world.coocan.jp/gihou/harakri/engharaukri.htm

Harai uke geri

This technique is used, when your


opponent kick your body with Mawashi
geri,
geri to block it with Harai uke and
kick back.

Let your Your opponent You guard his Counterattack Prepare for the
opponent tries tries to kick Mawashi geri with a middle next movement.
to kick your your body. with Uchi kick
body by raising harai uke.
uke
your right
guard..

<Tips>
Speed is essential for this technique. Practice as many
times as you can to achieve smooth movement.
Do not stretch your elbow when blocking his kick. There is a
chance to damage your arm if your elbow is hit when it is
straight.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:43
Introduction to Ude juji http://kenseikai.world.coocan.jp/gihou/udeju/engudeju.htm

Ude ju(u)ji gatame

Although you will learn Ude juji gatame in early stage, it includes essence of
Shorinji Kempo such as how to use Boshikyu.
Boshikyu When this technique works well you can
throw a big man very easily.

Ude juji gatame is an offensive


technique. You seize your opponent's
right (left) hand with your right
(left) hand and twist his hand
counterclockwise to make his palm
face you. Then lock his elbow with
your left (right) arm and throw him
down.

You seize his Slide your arm Lock his elbow Put his waist Apply Tachi
hand and twist along with his and push out onto your waist gassho gatame
it. Deliver arm twisted till your right hand. and throw him to immobilize
Meuchi to make it comes to his backward. him after he
him unable to elbow. falls down.
counterattack. Twist his hand
to make his palm
turn up.

Tips:
You must twist his hand using your
Boshikyu to make his palm turn up
and even make it face to you. This
will make him difficult to punch you
with his free hand.
Do not lift your hand up to throw
him back.

1 of 2 23/06/2009 10:29
Introduction to Ude juji http://kenseikai.world.coocan.jp/gihou/udeju/engudeju.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:29
Furiten ni http://kenseikai.world.coocan.jp/gihou/furit2/engfurit2.htm

Furiten ni

This technique is used, when your


opponent has thrown consecutive
punches to your face, to
counterattack them with your kick.

Your opponent You sway and Your opponent Counterattack Prepare for the
tries to throw guard it with throws upper with a side next movement.
a punch, Furi Soto oshi uke.
uke punch, Furi kick
duki,
duki to your duki again. You
face. guard it with
Uchi otoshi
uke.
uke

<Tips>
Speed is essential for this technique. The animation
above makes several stopping for better understanding.
Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:43
Explore techniques "Mae yubi gatame" http://kenseikai.world.coocan.jp/gihou/maeyubg/engmaeyubg.htm

Mae yubi gatame

Mae yubi gatame,


gatame or Front Finger lock, is a
technique to lock your opponent's finger as
shown in the right Fig..
This technique is useful after you take down
your opponent with Gyaku gote.
gote

Tips
Apply this technique after you throw
down your opponent with Gyakugote.
Gyakugote
You must make your opponent's elbow
straight by pushing it with your knee
as in the left figure.
Twist your opponent's right hand with
your Boshikyu counterclockwise, and
make your opponent's middle finger
bend by pushing it with your right
hand's finger.
(A)Make your palm and fingers
straight.
(B)Then, try to bend your palm with
your fingers straight. You can see
that the angle X is large.
(C)Next, bend your fingers in such a
way that you make a fist. You will
see that this time the angle Y is
much smaller than the angle X.

Maeyubi gatame uses this fact.


Holding your opponent's hand in (B)
shape and then forcing its fingers in
(C) shape while keeping the angle X
large will give your opponent severe
pain.
Right animation shows the above
explanation.
Do not forget to keep the angle X
large.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in

1 of 2 23/06/2009 10:29
Explore techniques "Mae yubi gatame" http://kenseikai.world.coocan.jp/gihou/maeyubg/engmaeyubg.htm

1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:29
Technique explanation Keriten3 http://kenseikai.world.coocan.jp/gihou/kerit3/engkerit3.htm

Keriten san

This technique is used to


counterattack your opponent's
sequence of punches and kick with
your kick. The movement is essential
and useful in various situations.

Your opponent You sway back Your opponent Your opponent You
trys to punch and guard your throws his kicks your counterattack
in your face face with punch to your body. You guard with kick at
with his front Uwauke.
Uwauke body. You guard it with once.
hand. it with Jujiuke,
Jujiuke
Shitauke.
Shitauke blocking with
both hands
crossed.

Tips
Speed is essential. Illustrative animation stops at the
end of each movements for better understanding. Do not pause
at each end of the movements when you execute this technique.
Try to counterattack almost at the same time you block your
opponent's kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:43
Explore Techniques "Tachigassho gatame" http://kenseikai.world.coocan.jp/gihou/tachiga/engtachiga.htm

Tachi gassho(u) gatame

Tachi gassho gatame is


used to lock and hold your
opponent after you have
ececuted a throw, such as
Ude juji.
juji
Your oponent will be locked
in the position shown in the
right Fig. with his velly
facing the ceiling.

<Tips>It
<Tips> is important to keep your opponent's arm
straight while removing your opponent's control over
that arm by twisting it.
.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:29
Tukiten san http://kenseikai.world.coocan.jp/gihou/tukit3/engtukit3.htm

Tukiten san

This technique is used, when your


opponent has thrown consecutive
punches to your face and body, to
counterattack them with your kick.

Your opponent You sway and Your opponent Guarding the counterattack
tries to throw guard it with throws middle following punch with a kick.
a punch to your Uwauke.
Uwauke punch. You with Uwauke,
Uwauke
face. guard it with
Shitauke.
Shitauke
Guard your face
at a same time.

<Tips>
Speed is essential for this technique. Practice as many
times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:43
Uchiuke geri http://kenseikai.world.coocan.jp/gihou/utiugeri/engutiugeri.htm

Uchi uke geri

When your opponent try to punch your


face,you guard your face with Uchi
uke and counterattack with a side
kick.

Satrt. Your opponent try Make sure that Counterattack


to punch your you guard your with a side kick.
face. face with Uchi
uke.
uke

TIPS:
Try not to move widely because this technique is not
Tenshin geri which use foot work to make your opponent's
punch miss your face.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:29
Sanbou uke namikaeshi http://kenseikai.world.coocan.jp/gihou/nami/engnamiuke.htm

Mawashi geri sanbou uke namigaeshi

This technique is used to guard your low, middle


and upper zone of the body at the same time from
your opponent's kick. It consists of Uchi uke for
upper, Juji uke for middle and Hiza uke for low
kick and your counterattack with kick.
Sanbou uke means defending three zones at the same
time.

First guard He continutes He continues to You Prepare for the


your face with to offend with offend with counterattack next movement.
Uchi ukefrom
uke middle punch. upper kick. You with high kick.
the opponent's You block it block it with
punch. with Shita Juji uke and
uke.
uke Hiza uke.
uke

Tips:
When you guard with Hiza uke or knee
guard, try to prepare for the next
movement, high kick, with the leg used
for Hiza uke.
uke
Speed is the most important for this
technique. Try to kick back as soon as
you block the kick with Hiza uke.
uke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:44
Tenshin geri http://kenseikai.world.coocan.jp/gihou/tensige/engtensige.htm

Tenshin geri

What it means

The first one character part of is pronounced "Ten


Ten",
Ten meaning "roll, move or
change", the next one character part is pronounced "shin
shin",
shin meaning "body" and the
last one characters part is pronounced "geri
geri",
geri meaning "a kick". Thus this technique
means "shift your your body to make your opponent's punch or kick miss you and
counterattack with a kick".

Techniques

This technique is a very fundamental one, practice as many time as possible so that
your body moves automatically.

When your opponent try to hit your


face, dodge it by shifting your body,
and counterattack with middle kick.
Try as many variation as possible.

Your opponent You step aside, and shift your Counterattack


try to hit your body so that with your right
face with his his punch miss kick.
right hand. your face.

Tips,
Tips
There are many Click here to see
variation to shift stop motion figures
your body. Ask of the animation
instructers to learn below.
them.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on

1 of 2 23/06/2009 10:30
Tenshin geri http://kenseikai.world.coocan.jp/gihou/tensige/engtensige.htm

this site.

2 of 2 23/06/2009 10:30
Katate Oshinuki http://kenseikai.world.coocan.jp/gihou/kataosinu/engosinuk.htm

Katate Oshinuki

Katate Oshinuki is used to free your


right(left) hand from your opponent
gripping it with his left(right) hand
from under your wrist.

Your opponent Counterattack Attach your left Try to let your Throw
seizes your with left Shuto hand to his left right elbow hit Kumadeduki.
Kumadeduki
right wrist by to prevent his elbow to make it his arm.
his left hand. further attack. stretched and
turn your
forearm
vertically.

Tips
If your
opponent's left
arm is not
straight,
Oshinuki can not
work well. Try to
stretch his arm
by attaching your
left hand to his
elbow.
Turn your forearm
in vertical plane
so that your
elbow hit his
arm.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:44
Han tenshin geri http://kenseikai.world.coocan.jp/gihou/hantenge/enghantenge.htm

Han tenshin geri

What it means

The first one character part of is pronounced "Han


Han",
Han meaning "half" and
the middle two characters part is pronounced "tenshin
tenshin",
tenshin meaning "turning body or
moving the position". And the last one character part is pronounced "geri
geri",
geri meaning
"kick". Thus this technique means "counter attack with a kick using half turn defense
technique".

Techniques

When your opponent tries to kick your


body, turn your body using half turn
defense techniques, or Han tenshin,
tenshin
and counterattack with middle kick.

Take left middle Stepping your By Han tenshin Counterattack


position, let right leg back make your with a middle
your opponent to your left leg opponent's kick kick.
think of kicking and make half miss your body.
your body. turn, Han Guarding your
tenshin.
tenshin face with Soto
uke and your
body with Uchi
otoshi.
otoshi

Tips:
It is important to make your opponent's kick miss your
body by Han tenshin body movement. Counterattack shall be
done almost at the same time with Han tenshin.
tenshin

Click here to
see stop motion
figures of the
left animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:

1 of 2 23/06/2009 10:30
Han tenshin geri http://kenseikai.world.coocan.jp/gihou/hantenge/enghantenge.htm

1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:30
Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojujnk/engmorojujnk.htm

Morote Ju(u)ji nuki

What it means

The first two characters part of is pronounced "Moro


Moro te",
te meaning "both
hands", the last three characters part is pronounced "Jujinuki
Jujinuki",
Jujinuki a name of Shorinji
Kempo technique. Thus this technique means "Juuji
Juuji nuki applicable in case your
opponent seizes your hand with his both hands.

Techniques

This technique is used when your


opponent seizes your wrist with his
both hands. The principle of escaping
is same as Juji nuki.
nuki

Your opponent You take deliver Lift up your


seizes your Kagite guard Meuchi.
Meuchi elbow and put
wrist with his position and it over his
both hands and arm.
try to push it
forward.

Push down your Hit his face to


Prepare for the
elbow near to prevent his Middle punch.
next movement.
your body. further attack.

1 of 2 23/06/2009 10:44
Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojujnk/engmorojujnk.htm

Click here to
see stop motion
figures of the
animation below.

Tips:
First turn your
elbow up and
after your elbow
becomes higher
than his arm,
then push out
your elbow over
his arm. Do not
try to pull your
wrist.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:44
Yoko tenshin geri http://kenseikai.world.coocan.jp/gihou/yokotenge/engyokotenge.htm

Yoko tenshin geri

What it means

The first one character part of is pronounced "Yoko


Yoko",
Yoko meaning "side or
aside", the next two characters part is pronounced "ten
ten shin",
shin meaning "Change the
position of the body" and the last one character part is pronounced "geri
geri",
geri meaning
"a kick". Thus this technique means "shift your your body to make your opponent's
punch or kick miss you and counterattack with a kick".

Techniques

When your opponent try to kick your


body, dodge it by shifting your body,
and counterattack with a middle kick.

Your opponent He steps kick your body Guard your body


try to kick forward, and with his right with left Uchi
your body with leg. You shift harai uke and
his right kick. your body to apply right
the right with Soto uke at
your right foot the same time.
stepping right.

Counterattack
Pull back your Prepare for the
with your left
left foot. next movement.
kick.

Tips,
Tips
There are many Click here to see
variation to shift stop motion figures
your body. Ask of the animation
instructers to learn below.
them.

1 of 2 23/06/2009 10:30
Yoko tenshin geri http://kenseikai.world.coocan.jp/gihou/yokotenge/engyokotenge.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:30
Nidan nuki http://kenseikai.world.coocan.jp/gihou/nidnk/engnidnk.htm

Nidan nuki
What it means

The first two characters part of is pronounced "Nidan


Nidan",
Nidan meaning "two steps",
the last one character part is pronounced "Nuki
Nuki",
Nuki meaning "escape or unlock". Thus
this technique means "First try Yori nuki ( 1st step) and when your opponent twist
your hand not to apply Yori nuki,
nuki then apply this technique as a second step."

Techniques

When you try to apply Yori nuki and


your opponent twist your hand making
you unable to apply Yorinuki,
Yorinuki then
apply this technique as a second
step.

Put your both let your Your opponent You flip your
hands forward to opponent seize twist your right palm and
your hands. You hand and push it
try to guard in so that you can
Kagite not apply Yori
position. nuki.
nuki

turn your elbow


over your wrist
Turn your body
cutting your Apply Yori nuki
and pull your Ura ken punch.
opponent's thumb to another hand.
hand off.
with your
forearm.

Tips
Keep your opponent's elbow
tightly fixed at your side Click here to
body.Apply this technique hard see stop motion
and quickly. Slow attack will figures of the
let your opponent have a chande animation below.
to escape.

1 of 2 23/06/2009 10:44
Nidan nuki http://kenseikai.world.coocan.jp/gihou/nidnk/engnidnk.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:44
Juji uke geri http://kenseikai.world.coocan.jp/gihou/jujkeri/engjujkeri.htm

Ju(u)ji uke geri

This technique is used, when your


opponent tries to kick your body with
Mawashi geri,
geri to counterattack it
with your kick. Juuji uke is a guard
technique against Mawashi geri with
Uchi uchiotoshi uke and Uchiharai
uke at the same time.

Start. Your opponent You guard it Counterattack Prepare for the


tries to kick with Juuji with a kick next movement.
your body with uke.
uke
Mawashi geri.
geri

<Tips>
Speed is essential for this technique. The animation
above makes several stopping for better understanding.
Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:30
morote hiki nuki http://kenseikai.world.coocan.jp/gihou/mhikink/engmhikink.htm

Morote hiki nuki


What it means

The first two character part of is pronounced "Moro


Moro te",
te meaning "both
hands", the middle one character is pronounced "hiki
hiki",
hiki meaning "pull" and the last
one character is pronounced "nuki
nuki"
nuki meaning "escape" or "unlock". Thus this technique
means "Free your hand from your opponent's both hands by pulling out your hand".

Techniques

This technique is same to Kiri nuki


in principle. The difference is that
Morote hiki nuki is used in case
that your opponent seizes your hand
with his both hands where Kiri nuki
is applicable when your opponent
seizes your hand with one hand.

Put your right let your opponent Guarding in Attach your left
hand forward to seize it with his Kagite position hand on to your
both hands. deliver Shuto to right hand and
his neck.

Turn your right


hand in Pull down and out
character shape Punch in his Prepare for the
your right hand
while pulling face. next movement.
completely.
down your right
hand.

<Tips>
Cut your opponent's thumb in a direction Click
in which you will get minimum resistance, here to see
that is toward the fingertip of the stop motion
thumb. If you try to move your hand in a figures of
wrong direction you can not free your the
hand, because your opponent seizes your animation
hand with his both hand. You can not win below

1 of 2 23/06/2009 10:44
morote hiki nuki http://kenseikai.world.coocan.jp/gihou/mhikink/engmhikink.htm

unless you use the technique in two to


one situation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:44
Tsubame gaeshi http://kenseikai.world.coocan.jp/gihou/tubamega/engtubame.htm

Tsubame gaeshi

For this technique speed is essential. Practice as many time as you can to achieve maximum speed.

When your opponent try to hit your


face, You guard your face with Uchi
uke and step in to counterattack his
neck by your hand just used for Uchi
uke.
uke Block and counterattack must go
almost at the same time.

Let your opponent Your opponent Slide your arm Middle punch Punch in his Kick and step
try to hit your trys to punch used for Uchi uke shall follow. face. back to prepare
face by making your face. You at once to hit for the next
your upper guard block it with his neck. movement.
absent. Uchi uke.
uke

Tips:
Do not wait a moment after Uchi uke.
uke Without speed
this technique works wrong giving your opponent a
chance to deliver a following punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro
Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003、 2004, 2005
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 10:30
Kintekigeri hizauke namikaeshi http://kenseikai.world.coocan.jp/gihou/kinnami/engkinnami.htm

Kinteki geri hizauke namigaeshi


What it means

The first two characters part of is pronounced "Kinteki


Kinteki",
Kinteki a name of
critical point, the next one character part is pronounced "geri
geri",
geri meaning "a kick",
the middle two characters part is pronounced "Hiza
Hiza uke",
uke meaning name of the
Shorinji Kempo technique using a knee as a guard against a kick, and the one before
the last character is pronounced "nami
nami",
nami meaning "wave", and the last one is
pronounced "Gaeshi
Gaeshi",
Gaeshi meaning "a counterattack". Thus this technique means
"counterattack like wave coming back and forth, defense and then offense, right after
Hiza uke guard against kinteki kick.

Techniques

This technique is used to guard your kinteki


critical point from your opponent's kick. You
counterattack with a kick into your opponent's
kinteki critical point.

Start. Your opponent You block it with You counterattack


offend with Hiza uke.
uke with your right
Kinteki geri.
geri kick.

Click here to see a stop motion explanation

Tips;
When you guard with Hiza uke or knee
guard, try to prepare for the next movement
with the leg used for Hiza uke.
uke
Speed is the most important for this technique.
Try to kick back as soon as you block the kick
with Hiza uke.
uke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:44
Explore the technique "Chidori gaeshi" http://kenseikai.world.coocan.jp/gihou/chidoriga/engchidoriga.htm

Chidori gaeshi

When your opponent try to hit your face, You guard


your face with Uchi uke and step forward in 45
degree of angle to counterattack his face or eyes
by your hand just used for Uchi uke.
uke Block and
counterattack must go almost at the same time.

Let your opponent Your opponent Use your arm used Middle punch Kick down his Hit his neck
try to hit your trys to punch for Uchi uke at shall follow. rear leg by your bone.
face by making your face. You once to hit his right Sokuto
your upper guard block it with face. geri,
geri side kick.
absent. Uchi uke.
uke

Tips:
Do not wait a moment after Uchi uke. Without
speed this technique works wrong giving your opponent
a chance to deliver a following punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro
Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 10:30
Gyakugeri hizauke namikaeshi http://kenseikai.world.coocan.jp/gihou/hizanami/enghizanami.htm

Gyaku geri hiza uke namigaeshi


What it means

The first two characters part of is pronounced "Gyaku


Gyaku geri",
geri a name of
the Shorinji Kempo technique, the middle two characters part is pronounced "Hiza
Hiza
uke",
uke meaning name of the Shorinji Kempo technique using a knee as a guard against a
kick, and the one before the last character is pronounced "nami
nami",
nami meaning "wave",
and the last one is pronounced "Gaeshi
Gaeshi",
Gaeshi meaning "a counter attack". Thus this
technique means "counter attack like wave coming back and forth, defense and then
offense, right after Hiza uke guard against Gyaku geri.
geri

Techniques

This technique is used to guard your low, middle


zone of the body at the same time from your
opponent's kick, Gyaku geri.
geri You counterattack
with a kick. Apply Juuji uke at the same time.

Start. Your opponent You counterattack Prepare for the


offend with with a kick. next movement.
Gyaku geri.
geri You
block it with
Juuji uke and
Hiza uke.
uke

Click here to see a stop motion explanation

Tips;
When you guard with Hiza uke or knee
guard, try to prepare for the next movement
with the leg used for Hiza uke.
uke
Speed is the most important for this
technique. Try to kick back as soon as you
block the kick with Hiza uke.
uke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:44
Introduction to "Kiri nuki" http://kenseikai.world.coocan.jp/gihou/kirinuki/engkirin.htm

Kiri nuki

Kiri nuki works well when an


opponent seizes your right (left)
wrist with his left (ritgt) hand as
illustrated in the right figure. Kiri
nuki let your hand escape from his
grip.

The opponent Deliver Meuchi Take the guard Turn your wrist When your wrist
seizes your right away. style Kagite counter is set free,
wrist by his and move to clockwise as if counterattack
left hand. Kiri nuki at you cut his with that hand.
once. thumb by your
wrist.

Caution: Tips:
Do not try to pull Try to turn your
your wrist straight wrist slightly to make
down. Pulling it the palm face you and use
straight down will end your wrist and arm as if
up in "force to force you cut his thumb. After
competition". his grip is unlocked turn
your parm down and draw
your wrist to your body.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:31
Maki gote http://kenseikai.world.coocan.jp/gihou/makigo/engmakigot.htm

Maki gote

You will learn Maki gote at early stage of learning Shorinji Kempo.
Practice this technique as many times as possible to master this most Shorinji Kempo
like technique.

When your opponent seizes your right


(left) wrist with his both hands, take
his wrist locked and throw him down. AVI movie
It is also applicable when your opponent 314KB
seizes your wrist with his left or right
hand only.

Your opponent You take Kagite Putting down Using Two step
seizes your position and your leg turn, throw your
right wrist with grab his hand forward, push opponent down.
his both hands. with your left out your right
hand, and kick. elbow and use
your left
Boshikyu to
lock his right
wrist.

Kick in body to
Prepare to the
prevent further
next movement.
attack.

Tips:
Tips
Use your left hand's Boshikyu to bend your
opponent's right wrist together with your
right arm.
Push out your right elbow and pull it down to
make his right wrist to be locked with the
help of your left Boshikyu.
Boshikyu

1 of 2 23/06/2009 10:45
Maki gote http://kenseikai.world.coocan.jp/gihou/makigo/engmakigot.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:45
Juji nuki http://kenseikai.world.coocan.jp/gihou/jujinuki/engjujin.htm

Ju(u)ji nuki

This technique is used when your


opponent seizes your right (left)
wrist with his left (right) hand as
illustrated in the left figure. It is
the same grip as Kiri nuki,
nuki but Juji
nuki is used when he trys to push the
grip toward you.

Your opponent You take guard Lift up your Put your elbow Push down your Hit his face to
seizes your style Kagite elbow without over his arm. elbow near to prevent his
wrist and try with Meuchi.
Meuchi . moving the your body. further attack.
to push it And move to pivot.
forward. Juni nuki.
nuki

Tips:
First turn your elbow
sideways and after your
elbow becomes higher
than his arm, then push
out your elbow over his
arm to the position in
figure(3), now just
pushing down your elbow
without moving the pivot
will make your wrist
free.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000,
2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the
structure of this site and the information available on this site.

1 of 1 23/06/2009 10:31
Katate oshi gote http://kenseikai.world.coocan.jp/gihou/osigote/engoshig.htm

Katate oshigote

This technique is a little bit complicated, but if you can follow your instructor, it can be
easily learned. The way your opponent's wrist is locked is same as Gyaku gote,
gote it is different
in the use of your hands to lock his wrist.
This technique also requires the skill to use your Boshikyu.
Boshikyu

When your opponent seizes your right (left) wrist


with his left (right) hand as illustrated in the
right, lock his hand using your left hand's
Boshikyu and throw him down.

He seizes your You deliver Meuchi Attach your left Throw him down Immobilize him
hand. and take kagite hand to his left using your hands with Kanuki
style. hand from under as illustrated katame.
katame
and hook it to the below.
base of his thumb.

Tips:
First twist your right hand
clockwise as shown in the left
animation and set his grip near to
you.
Then attach your left hand to the
back of his hand from under his
hand.
Turn your hands clockwise, with your
left hand's help pushing the back of
his left hand.
After your right hand becomes free,
put it on to your left hand and now
use your both hands to lock his
wrist.
Because you can use both hands in a
way that both hands can cooperate
easily, sometimes Oshi gote is
easier than Gyaku gote for the
beginner.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001,
2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the structure
of this site and the information available on this site.

1 of 1 23/06/2009 10:45
Gasshou nuki http://kenseikai.world.coocan.jp/gihou/gashonuk/enggashonuk.htm

Gassho(u) nuki
What it means

The first two character part of is "Gasshou


Gasshou",
Gasshou the last one character part is
pronounced "nuki
nuki",
nuki meaning "escape". Thus this technique means "escape from your
opponent's grip using Gasshou type movement".

Techniques

This technique is basically same to Kiri nuki . It can be said that Kiri nuki
applied to both hand is Gasshou nuki.
nuki

This technique is used when your


opponent seizes your both wrists with
his both hands.

Start, You must guard Make your both pull down your Punch.
in Kagite palm slap hands quickly,
position. together and turning your
palm.

Tips: Click here


Do not pull down your elbow while pulling down to see stop
your wrists. Try to use your hand as if cutting motion
your opponent's thumb with it. figures of
the animation
below.

1 of 2 23/06/2009 10:31
Gasshou nuki http://kenseikai.world.coocan.jp/gihou/gashonuk/enggashonuk.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:31
Ryoute Oshigote http://kenseikai.world.coocan.jp/gihou/rtosigote/engrtosigote.htm

Ryoute oshigote

What it means

The first two characters part of is pronounced "Ryou


Ryou te",
te meaning "both
hands", and the latter three characters part is pronounced "oshi
oshi gote",
gote a name of
the Shorinji Kempo technique. Thus this technique means "Oshigote
Oshigote"
Oshigote in case your
opponent seizes your both hands.

Techniques

This technique is same to Oshi gote.


gote When your opponent seizes your both hands with
his both hands, apply this technique. You must fully understand Oshi gote before
learning Ryoute oshigote.
oshigote

When your opponent seizes your both wrists with his both
hands, apply the same technique as Oshigote and lock his
hand using your left hand's Boshikyu and throw him down.

Your opponent Guard in kagite Attach your left Push your right
seizes your both position. hand to his left elbow out and lock
hands. hand from under his left wrist.
and hook it to the
base of his thumb.

Throw him down


Immobilize him
Lock his wrist after making a
with Kanuki
completely. space for him to
katame.
katame
fall down.

1 of 2 23/06/2009 10:45
Ryoute Oshigote http://kenseikai.world.coocan.jp/gihou/rtosigote/engrtosigote.htm

Click here to
see stop motion
figures of the
animation below.
Tips:
First twist your
right hand
clockwise as
shown in the left
animation and set
his grip near to
you.
Then attach your
left hand to the
back of his hand
from under his
hand.
Turn your hands
clockwise, with
your left hand's
help pushing the
back of his left
hand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:45
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/kirkaenk/engkirkaenk.htm

Kirikaeshi nuki
What it means

The first two character part of is pronounced "kiri


kiri kaeshi",
kaeshi meaning
"counter" or "use your opponent's movement in your counterattack", the last one
characters part is pronounced "nuki
nuki",
nuki meaning "escape". Thus this technique means
"escape from your opponent's grip in the way that is most fitting to his offense".

Techniques

When your opponent grabs your wrist


with his both hands and trys to twist
it toward your back, apply
Kirikaeshi nuki.
nuki

Put your left When seized, Turn your left Push out your
hand forward to deliver Meuchi hand left elbow to
let your and put your counterclockwise free your hand
opponent seize left elbow and make your seized.
your left hand. affixed to yous left palm go
side body. over your
opponent's left
wrist.

Tips Click here


Move your left hand to see stop
counterclockwise and make sure motion figures
your left palm go over your of the
opponent's left wrist. animation
below.

1 of 2 23/06/2009 10:31
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/kirkaenk/engkirkaenk.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:31
Kotemaki gaeshi http://kenseikai.world.coocan.jp/gihou/kotemaga/engkotemaga.htm

Kotemaki gaeshi

What it means

The first two characters part of Kotemakiis pronounced "kote


kote",
kote meaning a wrist or
a hand, the middle one character part is pronounced "maki
maki",
maki meaning wind or rotate,
the last one character part is pronounced "gaeshi
gaeshi",
gaeshi meaning make-it-reverse or a
counterattack. Thus this technique is a counterattack technique winding up your
opponent's hand using your hand seized with your opponent's hand. Please find out the
similarity of the technique to " Katate oshi gote"
gote and "Sodemaki
Sodemaki gaeshi".
gaeshi

Techniques

When your opponent seizes your right (left) wrist


with his left (right) hand from under your wrist.
Lock his hand using your left hand's Boshikyu and
throw him down.

Your opponent You deliver Meuchi Attach your left Throw him down
seizes your hand and take kagite hand to his left using your hands
from under your style. hand from under as illustrated
wrist. and hook it to the below.
base of his thumb.

Pull his hand to Immobilize him


Continue. make him lay down using Kannuki
with his back up. gatame.
gatame

1 of 2 23/06/2009 10:45
Kotemaki gaeshi http://kenseikai.world.coocan.jp/gihou/kotemaga/engkotemaga.htm

Click here to see stop


motion figures of the
animation below.
Tips:
Attach your left hand to the
back of his hand from under
his hand and pull his hand a
little and make a space under
your palm.
Turn your hands clockwise,
with your left hand's help
pushing the back of his left
hand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:45
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sanknk/engsanknk.htm

Sankaku nuki
What it means

The first two characters part of is pronounced "Sankaku


Sankaku",
Sankaku meaning "a
triangle" and the last one character part is pronounced "nuki
nuki",
nuki meaning "escape or
unlock". Thus this technique means "guard your arm with Sankaku guard position and
unlock his grip". Sanakaku guard position is named because your arm makes a
triangle.

Techniques

When your opponent grips your hand


with his both hands and try to twist
your arm to your back, use this
technique. First guard your arm with
Sankaku guard position and then
apply this Sankaku nuki.
nuki

Put your right let your Push out your Deliver your
hand forward to opponent seize elbow and push elbow to your
it. When seized, it down. opponent's body.
take Sankaku
guard position.

Tips
Click here to see
Use your arm as if
stop motion figures
you cut your opponent's
of the animation
thumb down.
below.

1 of 2 23/06/2009 10:32
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/sanknk/engsanknk.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:32
Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojugot/engmorojugot.htm

Morote Ju(u)ji gote

What it means

The first two characters part of is pronounced "Moro


Moro te
te", meaning "both
hands", the last four characters part is pronounced "Jujigote
Jujigote",
Jujigote a name of Shorinji
Kempo technique. Thus this technique means "Juuji
Juuji gote applicable in case your
opponent seizes your hand with his both hands.

Techniques

This technique is used when your


opponent seizes your wrist with his
both hands. The principle of escaping
is same as Juji gote.
gote

Your opponent You take Attach your Turn your hands


seizes your Kagite guard left hand to counterclockwise.
wrist with his position and your opponent's
both hands and deliver left hand.
try to push it Meuchi.
Meuchi
forward.

Use your both


Push down your
hands to make
elbow near to
your opponent
your body.
immobilized.

1 of 2 23/06/2009 10:46
Morote Juji nuki http://kenseikai.world.coocan.jp/gihou/morojugot/engmorojugot.htm

Click here to
see stop motion
figures of the
animation below.

Tips:
First turn your
elbow up and
after your elbow
becomes higher
than his arm,
then push out
your elbow over
his arm. Do not
try to pull your
wrist.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:46
Ryoute Yorinuki http://kenseikai.world.coocan.jp/gihou/rtokurigo/engrtokurigo.htm

Ryo(u)te Okuri gote


What it means

The first one character part of is pronounced "Ryou


Ryou",
Ryou meaning "both", the
next one characters part is pronounced "te
te",
te meaning "a hand", and the last three
characters part is pronounced "okurigote
okurigote",
okurigote a name of one of the Shorinji Kempo
technique. Thus this technique means "Okurigote
Okurigote applied when your opponent seizes
your both hands ". This is a variation of "Okurigote
Okurigote".
Okurigote

Techniques

Ryoute Okuri gote is used when both your hands


are seized with your opponent's both hands.
Practice Katate Okuri gote before you try this
technique. Okuri gote is applicable when he
seized your hand as shown in the right Fig.

Your opponent Guard in Kagite Apply Yorinuki Apply meuchi


seizes your both position. to your right with your right
hand. hand. hand.

Tightly hold
Use your right
Apply Okuri your opponent's
hand in the same kick in his
gote to your hand with your
way as Katate body.
left hand. right
Okuri gote.
gote
Boshikyuu.
Boshikyuu

<Tips>
You may use Maki nuki to free your hand instead of Yori nuki
depending on the situation. Do not pull your hand toward you when
you try Yori nuki.
nuki
Keep your hands low and close your body when locking your
opponent's hand with Okuri gote.
gote

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:32
Uchiage geri http://kenseikai.world.coocan.jp/gihou/utiaged/engutiaged.htm

Uchi age duki


(Uchi age zuki)

This technique is a very fundamental one, practice as many time as possible so that
your body moves automatically.

When your opponent try to hit your


head or face, guard it with Uchiage
uke,
uke and counterattack with middle
punch.
Try as many variation as possible.

Start in left You guard your Counterattack Right upper


chuudan.
chuudan face with with your punch.
Uchiage uke middle punch.
against your
opponent's
upper punch.

Tips
Uchiage uke is one of the quickest
guard of Shorinji Kempo. Try as many
times as possible with variations. When
practicing Uchiage uke,
uke try to raise
your elbow first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:46
Okuri Yokotembin http://kenseikai.world.coocan.jp/gihou/oyokotmb/engoyokotmb.htm

Okuri yoko tenbin


(Okuri yoko tembin)

What it means

The first one character part of is pronounced "okuri


okuri",
okuri meaning "deliver or
send". However, it is easier to understand that it takes a part of Okurigote
, a Shorinji Kempo technique. The second one character part is pronounced "yoko
yoko",
yoko
meaning "side", and the last two characters part is pronounced "tembin
tembin",
tembin a name of
the critical point at the arm joint. Thus this technique means "Apply tembin press
technique , that is, push your opponent's arm sideways, actually downward, at the
critical spot "tembin
tembin"
tembin in case your Okurigote technique does not work well.

Techniques

When your Okurigote technique does


not work well, use this technique to
lock his arm and throw him down.

You (right) put your Your opponent (left) You take Kagite Attach your left
right hand forward to seizes your right guard position and hand to your
let your opponent wrist. deliver Meuchi.
Meuchi opponent's left hand
seize it. and,

apply Okuri gote. But Strike your Turn your body Deliver your left
assume your opponent's left arm counterclockwise punch to his face.
opponent's wrist is joint down and push and throw him down.
too strong to be up your left hand.
locked.

TIPS:
Use your left Boshikyu in the
same way as Katate okurigote and
keep your left arm in Kagite
angle. And attach your right arm
at his left Tembin critical
point and push it downward to
make him down.

1 of 2 23/06/2009 10:32
Okuri Yokotembin http://kenseikai.world.coocan.jp/gihou/oyokotmb/engoyokotmb.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:32
Jujigote http://kenseikai.world.coocan.jp/gihou/jujigo/engjujigo.htm

Ju(u)ji gote

Juji gote is used in the situation


that your opponent seizes your hand
from under your wrist. This technique
uses "S character shape locking" same
as Katamuna otoshi.
otoshi

You put your right You guard in Turn your left Turn your both
hands upright Kagite position so hand over his hands
position so that that he can not wrist and attach counterclockwise
your opponent take any advantage your left palm on and put your right
easily seizes your and apply meuchi.
meuchi to the back of his elbow over his
hand. hand. left elbow and
bend his arm in
"S" shape.

Hit sanmai to
Pull down and Prepare for the
prevent his
control him. next movement.
further attack.

Tips
Attach your left hand so
that he may escape away. Turn
your right elbow to the
position over your opponent's
right elbow. Use your left
Boshikyu to suppress his left
hand.
Try to make S character shape
figure with his right hand. Use
your right elbow to bend his
left arm to make S character
shape.
Juji gote never works if his
arm is not bent in S character
shape.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on

1 of 2 23/06/2009 10:33
Jujigote http://kenseikai.world.coocan.jp/gihou/jujigo/engjujigo.htm

this site.

2 of 2 23/06/2009 10:33
Uchiage geri http://kenseikai.world.coocan.jp/gihou/utiageg/engutiageg.htm

Uchiage geri

This technique is a very fundamental one, practice as many time as possible so that
your body moves automatically.

When your opponent try to hit your


head or face, guard it with Uchiage
uke,
uke and counterattack with a kick.
Try as many variation as possible.

Your opponent You guard your counterattack Prepare for the


is going to hit face with with a right next movement.
your face with Uchiage uke kick.
his left hand. and

Tips
Uchiage uke is one of the quickest
guard of Shorinji Kempo. Try as many
times as possible with variations. When
practicing Uchiage uke,
uke try to raise
your elbow first.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:46
Ryaku juji gote http://kenseikai.world.coocan.jp/gihou/rkjuji/engrkjuji.htm

Ryaku ju(u)ji gote

What it means

The first one character part of is pronounced "Ryaku


Ryaku",
Ryaku meaning "simple
or not-in-the-strict-way", the next two characters part is pronounced "juji
juji",
juji
meaning "a cross" and the last two characters part is pronounced "gote
gote",
gote meaning
"hand or wrist". Thus this technique means "lock your opponent's hand in the same way
as Juji gote , but in much simpler way". This is a variation of "Juji
Juji gote".
gote

Techniques

Ryaku jujigote is used when your left(right)


hand is seized with your opponent's right(left)
hand. Practice Juji gote before you try this
technique.

Start. Your opponent Attach your Push out your


seizes your left right hand on to left elbow to
hand with his his right hand's bend his arm in
right hand. back. "S" shape.

Push down your


Kick to prevent
left elbow and Prepare for the
his further
lift up your next movement.
attack.
right elbow.

Tips
Push out your right elbow to lock Click here to
his right hand. see stop motion
figures of the
animation below.

1 of 2 23/06/2009 10:33
Ryaku juji gote http://kenseikai.world.coocan.jp/gihou/rkjuji/engrkjuji.htm

Your right hand


must be kept in
the figure shown
left. This will
help you to make
his arm bent in
"S" shape.

If your right hand


is rather
straight, this
technique will not
work effectively.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:33
Explore techniques "Kannuki gatame" http://kenseikai.world.coocan.jp/gihou/kanukiga/engkanukiga.htm

Kannuki gatame

Kannuki gatame is a
technique to lock an
opponent's wrist as
shown in the right
Fig..

It is important to use your left Boshikyu.


Boshikyu
Ask your instructor for better understanding.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:46
Jujigote http://kenseikai.world.coocan.jp/gihou/rtjujigo/engjujigo.htm

Ryo(u)te Ju(u)ji gote

Ryoute Juuji gote is used in the


situation that your opponent seizes
your both hand from under your wrist.
This technique uses "S character
shape locking" same as Katamuna
otoshi.
otoshi
You can apply this technique in case
your wrist is seized by one hand.

You put your both You guard in Kagite Because your both Turn your right hand
hands upright position so that he hands are not free, counterclockwise
position so that your can not take any use a kick for attaching your left
opponent easily advantage. atemi.
atemi hand on to his left
seizes your both hand.
hands.

Put your right elbow


over his left elbow
Hit sanmai to
and turn your left Pull down and Prepare for the next
prevent his further
hand in the direction control him. movement.
attack.
of your right tumb is
pointing.

Tips
Turn your right elbow to
the position over your
opponent's right elbow. Attach
your left hand so that he may
escape away. Use your left
Boshikyu to suppress his left
hand.
Try to make S character shape
figure with his right hand. Use
your right elbow to bend his
left arm to make S character
shape.
Juuji gote never works if his
arm is not bent in S character
shape.

1 of 2 23/06/2009 10:38
Jujigote http://kenseikai.world.coocan.jp/gihou/rtjujigo/engjujigo.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:38
Kirigote http://kenseikai.world.coocan.jp/gihou/kirigote/engkirigote.htm

Kiri gote

What it means

The first one character part of is pronounced "Kiri


Kiri",
Kiri meaning "cut" and the
last one character part is pronounced "gote
gote"
gote in this case, it is also pronounced
"kote
kote",
kote meaning "wrist or back of a hand". Thus this technique means "lock your
opponent's wrist in the way such as cutting it with your hand".

Techniques

This technique is used in case your


opponent seizes your right (left)
hand with his right (left) hand to
twist your hand into your back. Guard
in Kagite position and lock his arm
in "S" shape.

Your opponent You deliver And guard in Attach your Lock his arm in
seizes your Meuchi
Meuch i and Kagiteposition.
Kagite left hand from "S" shape and
right hand with turn your right under his right kick to prevent
his right hand hand clockwise. hand so that it his further
to twist it may not slip attack..
into your back. away. Turn your
right hand
vertically to
make his arm
"S" shape.

<Tips>
When you succeed to turn your
opponent's hand in the position
shown in the middle of the left
upper Fig, attach your left
hand with its palm facing up to
his hand.
You have to make "S" shape with
his hand and arm to effectively
apply this technique.

1 of 2 23/06/2009 10:38
Kirigote http://kenseikai.world.coocan.jp/gihou/kirigote/engkirigote.htm

How to use your left hand.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:38
Kaishin duki http://kenseikai.world.coocan.jp/gihou/kaisindu/engkaisindu.htm

Kaishin duki

What it means

The first two character part of is pronounced "Kaishin


Kaishin",
Kaishin one of the Shorinji
Kempo's moving technique, meaning "open space in front of your body" and the last one
character part is pronounced "zuki
zuki",
zuki meaning "a punch". Thus this technique means
"counterattack with a punch while dodging your opponent's punch by shifting aside".

Techniques

This technique is base on the body


maneuvering technique to make your
opponent' punch miss your face or
body. Counterattack with a punch.Try
many variations.

Your opponent You step aside Counterattack Follow with left


tries to throw a widely to make with a right kumade duki,
duki
punch, his punch miss upper punch palm punch.
your body.

<Tips>
Make sure your Click here
opponent's punch does not to see stop
hit you even if you do not motion figures
guard with your hand, that of the
is, step aside enough to animation
make such safe positioning. below.
Try as many times as you
can to achieve smooth
movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:

1 of 2 23/06/2009 10:47
Kaishin duki http://kenseikai.world.coocan.jp/gihou/kaisindu/engkaisindu.htm

1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:47
Explore techniques "Ura gatame" http://kenseikai.world.coocan.jp/gihou/uragat/enguragat.htm

Ura gatame

Ura gatame is a
technique to lock an
opponent's arm and
shoulder as shown in
the right Fig..

Use your boshikyu and your


abdomen to press and lock your
opponent's arm. Try to stretch your
opponent's arm so that this technique
works well.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:38
Hangetsu geri http://kenseikai.world.coocan.jp/gihou/hangetge/enghangetge.htm

Hangetsu geri

What it means

The first two characters part of is pronounced "hangetsu


hangetsu",
hangetsu meaning the half
moon and , the last one character part is pronounced "geri
geri",
geri meaning "a kick".
hangetsu comes from the shape of your hand used in the guard phase of Hangetsu
geri.
geri Thus this technique means "guard with your hand forming the half moon shape
and counterattack with a kick.

Techniques

When your opponent try to punch your


face,you guard your face with
Hangetsu uke and counterattack with
a kick.
Try left/right, open/close positions
as many variations as possible.

Satrt. Your opponent try Make sure that Counterattack


to punch your you guard your with a kick.
face. face with
Hangetsu uke.
uke
And pull down
your opponent's
hand.

TIPS:
Make sure your right Click here to
hand used for guard see stop motion
hooked to your opponent's figures of the
hand and force your animation below.
opponent in unstable
position.

1 of 2 23/06/2009 10:47
Hangetsu geri http://kenseikai.world.coocan.jp/gihou/hangetge/enghangetge.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:47
juuji gatame http://kenseikai.world.coocan.jp/gihou/jujiga/engjujiga.htm

Ju(u)ji gatame

What it means
The first two characters part of sounds "Juuji
Juuji"
Juuji which means that this
technique is used in combination with such as "Eri
Eri juuji"
juuji or "Juuji
Juuji gote".
gote The last
one character sounds "gatame
gatame",
gatame meaning "Lock" or "make something unable to move".
Thus, this technique is used right after Eri juuji or Juuji gote and instead of let
your opponent go away but make him unable to move or run by locking his hand.

Techniques

Juuji gatameis
gatame applicable right
after Eri juuji or Juuji gote.
gote This
technique take your opponnet down as
shown in the right animation.

Apply Juuji take him down


gote or Eri with Juuji
juuji,
juuji and gatame.
gatame

(note 1) Make sure that his arm makes S shape.

Tips:
You have to learn how to make "S" figure shown below
when learning Eri juji or Juuji gote.
gote After you make
his hand and arm "S" figure, turn his palm
counterclockwise as shown below.
Use Boshikyuu when turning his palm.

1 of 2 23/06/2009 10:38
juuji gatame http://kenseikai.world.coocan.jp/gihou/jujiga/engjujiga.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:38
Gedan gaeshi http://kenseikai.world.coocan.jp/gihou/gednga/enggednga.htm

Gedan gaeshi

What it means

The first two characters part of is pronounced "gedan


gedan",
gedan meaning "low" and the
last one character part is pronounced "gaeshi
gaeshi",
gaeshi meaning "a counterattack or return".
Thus this technique means "Counter attack against your opponent's lower kick
(actually a middle kick) with a kick".

Techniques

This technique is used, when your


opponent kick your body , to block it
with Harai uke and kick back.

The counter kick in the above animation is corrected from left middle kick (wrong) to
right middle kick (correct). (03.02.08)

Let your Your opponent You guard his Prepare for


opponent tries tries to kick kick with Uchi next movement.
to kick your your body with harai uke,
uke and
body. Sashikomi counterattack
geri..
geri with your right
middle kick.

<Tips>
Speed is essential Click here to
for this technique. see stop motion
Practice as many times figures of the
as you can to achieve animation below.
smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:

1 of 2 23/06/2009 10:47
Gedan gaeshi http://kenseikai.world.coocan.jp/gihou/gednga/enggednga.htm

1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:47
Tukiten san http://kenseikai.world.coocan.jp/gihou/sotoudu/engsotoudu.htm

Soto uke duki


(Soto uke zuki)

This technique is used, when your


opponent has thrown upper punch to
your face, to counterattack them with
your punches and kick.

Your opponent You dodge and Throw a middle Upper punch. And a kick,
tries to throw guard it with punch while three
a punch to your Soto uke.
uke guarding your consecutive
face. face with Soto counterattack,
uke.
uke san renkou.
renkou

<Tips>
Speed is essential for this technique. The animation
above makes several stopping for better understanding.
Practice as many times as you can to achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The
same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001,
2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated with the structure
of this site and the information available on this site.

1 of 1 23/06/2009 10:39
Chudan gaeshi http://kenseikai.world.coocan.jp/gihou/chudaga/engchudang.htm

Counterattack against middle kick


with kick. Speed is the key factor
for this technique.

You try to make He trys to kick Preparing for At the same Step back and
your opponent your middle. the time with Shita prepare for the
kick your body counterattack, uke,
uke next movement.
by setting your you guard your counterattack
guard loose. body with Shita with your high
uke. kick, or middle
kick.

Tips:
Prepare for the counterattack when you guard your body
with Shita uke.
uke

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:47
Sotouke geri http://kenseikai.world.coocan.jp/gihou/sotouge/engsotouge.htm

Soto uke geri

This technique is used, when your


opponent has thrown upper punch to
your face, to counterattack with a
kick.

Ready. Your opponent You guard your Counterattack


tries to throw face with Soto with a kick.
a punch to your uke.
uke
face.

<Tips>
Speed is essential for this technique. The animation
above makes several stopping for better understanding.
Practice as many times as you can to achieve smooth movement.
Try left and right also. You may use Kumo ashi sagari after
the kick as shown below.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:39
Soto oshi uke duki http://kenseikai.world.coocan.jp/gihou/osiudu/engosiudu.htm

Soto oshi uke duki

What it means

The first one character part of is pronounced "Soto


Soto",
Soto meaning "out or
outside" and the next two characters part is pronounced "oshi
oshi uke",
uke meaning "push
guard". And the last one character part is pronounced "zuki
zuki",
zuki meaning "a punch".
Thus this technique means "counterattack with a punch while guarding with Soto oshi
uke,
uke or outside push guard.

Techniques

This technique is used, when your


opponent has thrown furi duki,
duki or a
swing punch to your face, to
counterattack it with a punch. Soto
oshi uke is used to guard your face
against your opponent's furi duki.
duki

Your opponent You step forward Counterattack Follow with left


tries to throw a and guard it with a right kumade duki,
duki
punch, Furi with Soto oshi middle punch palm punch.
duki,
duki to your uke.
uke
face.

<Tips>
Since furi duki is a Click here
powerful swing punch, you to see stop
have to use your body motion figures
movement to prevent it of the
hitting your face. Practice animation
as many times as you can to below.
achieve smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in

1 of 2 23/06/2009 10:39
Soto oshi uke duki http://kenseikai.world.coocan.jp/gihou/osiudu/engosiudu.htm

1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:39
Explore techniques "Gyaku tensin geri" http://kenseikai.world.coocan.jp/gihou/gyatensge/enggyatesige.htm

Gyaku tenshin geri


What it means

The first one character part of is pronounced "gyaku


gyaku",
gyaku meaning "reverse",
and the middle two characters part is pronounced "tenshin
tenshin",
tenshin meaning "shift a body"
in Shorinji kempo, and "gyaku
gyaku tenshin"
tenshin is a name of the Shorinji Kempo technique of
shifting your body to make your opponent's punch or kick miss your body, and the last
one character part is pronounced "geri
geri"
geri meaning "a kick". Thus this technique means
"Gurad your body with tenshin shifting-body technique and counter attack with a
kick".

Techniques

Gyaku tenshin geri is used to


counterattack your opponent's punch.
Use Gyaku tenshin to dodge the punch
and counterattack with kick.

You stand with Your opponent Guarding your Prepare for the
Hassogamae
Hasso gamae step forward body with Shita next movement.
guard position. and punch in uke,
uke
your body. You counterattack
dodge it with with Mawashi
Gyaku tenshin. geri.
geri

<Tipps>
Click here to see
Be sure to dodge the punch with
stop motion
Gyaku tenshin and prepare for
illustration.
counterattack with kick at once.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:47
Technique explanation Keriten1 http://kenseikai.world.coocan.jp/gihou/kerit1/engkerit1.htm

Keriten ichi

This technique is used to


counterattack your opponent's
sequence of punch and kick, mawashi
geri,
geri with your kick and throw him
with sukui nage.
nage

Ready. You step forward to guard your face with Guard your body with
Your opponent trys to dodge his punch and right hand soto uke.
uke uchi harai uke
punch in your face against your
with gyaku duki.
duki opponent's mawashi
geri and hold his
leg.

Counterattack with a Stepping forward your Throw him with sukui Prepare for the nest
kick. leg used to kick, nage.
nage movement.

Tips
Speed is essential. Illustrative animation stops at the
end of each movements for better understanding. Do not pause
at each end of the movements when you execute this technique.
Try to counterattack almost at the same time you block your
opponent's kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998.
The same Keijiro Hayashi maintained and improved this site during the years: 1998, 1999,
2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights associated
with the structure of this site and the information available on this site.

1 of 1 23/06/2009 10:48
Tsukiten ni http://kenseikai.world.coocan.jp/gihou/tukit2/engtukit2.htm

Tsukiten ni

What it means

The first one character part of is pronounced "Tsuki


Tsuki",
Tsuki meaning "punch" and
the middle one character part is pronounced "ten
ten",
ten meaning "sky, upper or heavn".
And the last one character part is pronounced "ni
ni",
ni meaning "two or second".
In Shorinji Kempo, tsuki ten is a name of the group technique of Tennou ken,
ken
Thus this technique means "A second technique of Tsuki ten group technique".

Techniques

This technique is used, when your


opponent has thrown consecutive
punches to your face, to
counterattack them with your kick.

Your opponent You sway and He throws a Counterattack


tries to throw guard it with punch to your with your right
his left punch Uchiage uke.
uke face with his kick.
to your face. right hand. You
guard it with
Uchi otoshi
uke.
uke

<Tips>
Speed is essential Click here to
for this technique. see stop motion
Practice as many times figures of the
as you can to achieve animation below.
smooth movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all

1 of 2 23/06/2009 10:48
Tsukiten ni http://kenseikai.world.coocan.jp/gihou/tukit2/engtukit2.htm

rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:48
Explore the technique "Hangetu gaeshi" http://kenseikai.world.coocan.jp/gihou/hangetga/enghangetga.htm

Hangetu gaeshi

What it means
The first two characters part of
is pronounced "Hangetu
Hangetu",
Hangetu meaning "half
moon" and the last one character part
is pronounced "gaeshi
gaeshi",
gaeshi meaning
"counter" or "return". This technique
is given the name because it uses
"Hangetu
Hangetu uke"
uke as a defenc technique.
"Hangetu
Hangetu uke"
uke is named so because the
shape of your palm in Hangetu uke
looks like a half moon as shown in the
left figure.

Techniques

When your opponent try to hit your face, You


guard your face with Hangetu uke and
counterattack his face with your hand just
used for Hangetu uke.
uke Block his following
punch by pressing your hand onto his hand at
the same time.

Let your opponent Your opponent trys At the same time,


try to hit your to punch your use your left open
face by making face. You block it hand to block your
your upper guard with Hangetu uke.
uke opponent's middle
absent. punch.
You are supposed
to be in Midare
gamae.
gamae

Punch with Prepare for next


Middle kick.
kumade.
kumade movement.

Tips:
Without speed this technique works wrong giving
your opponent a chance to deliver a following punch.
Use your left hand, press it onto your opponent's
left forearm, so that he will not be able to initiate

1 of 2 23/06/2009 10:48
Explore the technique "Hangetu gaeshi" http://kenseikai.world.coocan.jp/gihou/hangetga/enghangetga.htm

his right punch.

Click here to
see stop motion
figures of the
left animation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:48
Haraiuke danduki http://kenseikai.world.coocan.jp/gihou/haraudandu/engharaudandu.htm

Harai uke danduki

What it means

The first two characters part of is pronounced "Harai


Harai uke",
uke one of the
Shorinji Kempo's guard technique, meaning "sweep guard" and the last two characters
part is pronounced "dan
dan zuki",
zuki meaning "a consequential punch".
In Shorinji Kempo, dan duki is a technique using the same hand used just before,
such as conseqtive punches using the same hand or "guard with one hand and punch with
the same hand",
Thus this technique means "Use harai uke against your opponent's kick, and
counterattack with a punch using the same hand just used for harai uke".
uke

Techniques

Apply harai uke against your


opponent's kick and deliver uraken
with the same hand used for harai
uke.
uke Smooth and quick movement is
essential.

You start from Your opponent You guard your Step your right
Ichiji gamae.
gamae steps forward body with harai foot forward
and try mawashi uke.
uke and
geri.
geri counterattack
with right
uraken.
uraken

Follow with Step forward


Right side Prepare for
left middle and deriver
kick. next movement.
punch. right punch.

<Tips>
Speed is essential Click here to
for this technique. see stop motion
Practice as many times figures of the
as you can to achieve animation below.
smooth movement.

1 of 2 23/06/2009 10:49
Haraiuke danduki http://kenseikai.world.coocan.jp/gihou/haraudandu/engharaudandu.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004,2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:49
Suigetsu gaeshi http://kenseikai.world.coocan.jp/gihou/suigetga/engsuigetga.htm

Suigetsu gaeshi

What it means

The first two characters part of is pronounced "Suigetsu


Suigetsu",
Suigetsu a name of a
critical point in a body, the last one character part is pronounced "gaeshi
gaeshi",
gaeshi
meaning "counterattack". Thus this technique means "Counterattack into your
opponent's body at Suigetsu critical point.

Techniques

When your opponent try to hit your


face, You guard your face with Uchi
uke and step aside in front to
counterattack his body with your
hiraken.
hiraken Block and counterattack
must go almost at the same time.

Let your opponent Your opponent You block it with Strike his body
try to hit your tries to punch Uchi uke.
uke at Suigetsu
face by making your face. critical point
your upper guard with your right
absent. hiraken swing
punch.

Draw your right


hand to your Push him down
Prepare for the
opponent's back with your both
next movement.
and hit his neck hands.
with it.

Tips:
Click here to see a stop
Do not wait a moment after Uchi uke.
uke Without
motion illustration of
speed this technique works wrong giving your opponent
Suigetsu gaeshi.
gaeshi
a chance to deliver a following punch.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on

1 of 2 23/06/2009 10:49
Suigetsu gaeshi http://kenseikai.world.coocan.jp/gihou/suigetga/engsuigetga.htm

this site.

2 of 2 23/06/2009 10:49
Explore the technique "Mikaduki gaeshi" http://kenseikai.world.coocan.jp/gihou/mikadga/engmikadga.htm

Mikaduki gaeshi
(Mikazuki gaeshi)

What it means

The first three characters part of is pronounced "mikazuki


mikazuki",
mikazuki a name of the
critical point in your face, the last one character part is pronounced "gaeshi
gaeshi",
gaeshi
meaning "a counterattack". Thus this technique means "counter attack at your
opponent's Mikaduki critical point.

Techniques

When your opponent try to hit your face, You guard


your face with left (right) Uchi uke and step
forward in 45 degree of angle to counterattack his
face at Mikaduki critical point with your right
(left) Hira kenswing
ken punch. Block and
counterattack must go almost at the same time.

Let your Your opponent Push down his Hit his face at
opponent(right) tries to punch right hand with Mikaduki with
try to hit your your face with your left hand ( your right hira
face by making his right hand. Kake te uke ) kenswing
ken punch.
your upper guard You block it with
absent. Uchi uke.
uke

With your right


Shutou hit his Kich with your Pull back with Prepare for the
neck at Keichuu right foot. kumoashi sagari.
sagari next movement.
critical point.

Tips:
Do not wait a moment after Uchi Click here
uke. Without speed this technique to see stop
works wrong giving your opponent a motion
chance to deliver a following punch. figures.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all

1 of 2 23/06/2009 10:49
Explore the technique "Mikaduki gaeshi" http://kenseikai.world.coocan.jp/gihou/mikadga/engmikadga.htm

rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:49
Jungeri chi ichi http://kenseikai.world.coocan.jp/gihou/junchi1/engjunchi1.htm

Jungeri chi ichi

Jungeri chi ichi(1) is a technique


used to counterattack your opponent
by a kick when he has attacked you
with his low kick.

Start, Your opponent You guard his Counterattack


steps forward and kick with Ken with a kick.
draw your uke,
uke "fist
attention to his guard".
hand.

Prepare for
Upper punch. Middle punch.
next movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:49
Gyakugeri chi ichi http://kenseikai.world.coocan.jp/gihou/gyakuti1/enggyakuti1.htm

Gyakugeri chi ichi


What it means

The first two characters part of is pronounced "gyaku


gyaku geri",
geri a name of
the Shorinji Kempo technique, the middle one character part is pronounced "chi
chi",
chi
meaning "ground", and the last one character is pronounced "ichi
ichi",
ichi meaning "one or
first". Thus this technique means "Guard against your opponent's gyaku geri low kick
at your kinteki critical point and counterattack with a kick".

Techniques

Gyakugeri chi ichi(1) is a technique used to


counterattack your opponent by a kick when he attacks
you with his low kick at kinteki critical point. The
differnce with Jungeri chi ichi is that your
opponent's kick is gyaku geri in case of Gyakugeri chi
ichi while in case of Jungeri chi ichi it is jun
geri.
geri

You(right) stand Your opponent You guard his Counterattack


with your right steps forward and kick with Ken with a kick.
foot forward. draw your uke,
uke "fist
attention to his guard".
hand.

Prepare for
Upper punch. Middle punch. next
movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:50
Explore techniques "Fukko chi 2" http://kenseikai.world.coocan.jp/gihou/fukochi/engfukochi.htm

Fukko chi ni

Fukko chi ni is used when you are


sitting down and your opponent tries
to kick and punch in your face.

You are sitting He walks towards Guard your face Counterattack Stand up using
down and your you and tries to with uchi uke with your right your left hand to
opponent stands kick your face against the hand punch. hook up his left
upright. with mawashi following punch leg to throw him
geri.
geri Guard it in your face. down.
with your right
hand.

<Tipps>
Try to draw up your knee as soon as possible to keep your
freedom of your body movement.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years: 1998,
1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this site.

1 of 1 23/06/2009 10:54
Haraiuke chi ni http://kenseikai.world.coocan.jp/gihou/haraiuti2/engharaiuti2.htm

Harai uke chi ni


What it means

The first two characters part of is pronounced "harai


harai uke",
uke a name of the
Shorinji Kempo defense technique, the middle one character part is pronounced "chi
chi",
chi
meaning "ground" and the last one character is pronounced "ni
ni",
ni meaning "two or
second". Thus this technique means "Second classification of counterattack technique
against your opponent' kick, guard with harai uke".
uke

Techniques

This is a technique used to


counterattack your opponent by a
punch when he has attacked you with
his middle mawachi geri.
geri

You (right) stand Your opponent You step aside Your opponent
in Kesshu gamae.
gamae comes close to with your left step forward with
you and try to foot and guard his left foot,
deliver left your body with and delivers
mawashi geri to uchi harai uke.
uke right upper
your body. punch. You turn
your body a
little and gurad
your face with
uchi uke.
uke

You strike your


opponent's body Prepare for next
with your right movement.
middle ;unch.

Tips;
Use your hip's turning power to guard
Click here to see
against your opponent's mawashi geri.
geri When
the stop motion
guarding with uchi harai uke,
uke your arm mast
illustration
be bent a little to avoid possible injury at
your elbow joint.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in

1 of 2 23/06/2009 10:54
Haraiuke chi ni http://kenseikai.world.coocan.jp/gihou/haraiuti2/engharaiuti2.htm

1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003,2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:54
Jungeri chi san http://kenseikai.world.coocan.jp/gihou/junchi3/engjunchi3.htm

Jungeri chi san

Jungeri chi san(3) is a technique


used to counterattack your opponent
by a kick when he has attacked you
with his kick followed by upper blow
and middle punch.

Start, your opponent You guard his Guard upper blow Use Shitauke to
steps forward to kick with following the guard succeeding
kick you. Uniharai uke, kick with middle punch and
"wipe off guard". Uwauke.
Uwauke counterattack
with kick.

<Tips>
Speed is essential. Exercise as many times as you can so
that you can perform the techniques automatically.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years: 1998,
1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this site.

1 of 1 23/06/2009 10:54
Sokutou geri hikiashi nami kaeshi http://kenseikai.world.coocan.jp/gihou/sokutonami/engsokutonami.htm

Sokutou geri hiki ashi nami gaeshi


What it means

The first three characters part of is pronounced "Sokutou


Sokutou geri",
geri a
side kick, the middle two characters part is pronounced "hiki
hiki ashi",
ashi meaning
"withdraw a foot", the next one character part is pronounced "nami
nami",
nami meaning "wave".
and the last one character part is pronounced "gaeshi
gaeshi",
gaeshi meaning "counterattack".
Thus this technique means "Guard against Sokutou kick by withdrawing your foot and
counterattack like wave coming back and forth.

Techniques

When your opponent tries to kick your


nee with Sokutou kick, guard your
foot by withdrawing it and
counterattack with a kick.

Put your right Your opponent Withdraw your and counterattack


leg forward to kick at your right foot to with your right
let your opponent right knee with escape from your kick at onece.
kick your leg. Sokutou kick. opponent's kick,

Tips
When withdrawing your foot, prepare
for the next counterattack.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003,2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:54
Dangeri sanbouke namikaeshi http://kenseikai.world.coocan.jp/gihou/dangenami/engdanami.htm

Dangeri sanbouke dangerigaeshi

This technique is used to guard your low, middle


and upper zone of the body at the same time from
your opponent's Dangeri kick.
Sanbou uke means defending three zones at the same
time.

Your opponent kick your lower He tries to kick Without putting Middle kick.
steps in to body and you in your face and down your leg,
guard with Hiza you guard your counterattack
uke,
uke knee upper body with with your kick.
guard. Sanbou uke.
uke

Tips:
When you guard with Sanbou uke,
uke
try to prepare for the next movement,
Dangeri.
Dangeri
Speed is the most important for this
technique.

Dangeri is a technique kicking twice


using the same leg without putting down
the leg used for the first kick.
Because the second kick is started
while you are standing on one foot, you
have to use the momentum of pulling
back your leg from the first kick and
the power generated by twisting your
waist to start the second kick.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:54
Tuki nuki http://kenseikai.world.coocan.jp/gihou/tukink/engtukink.htm

Tsuki nuki
What it means

The first one character part of is pronounced "Tsuki


Tsuki",
Tsuki meaning "push or punch",
the last one character part is pronounced "nuki
nuki",
nuki meaning "escape or unlock". Thus
this technique means "unlock your opponent's grip by pushing down your hand".

Techniques

When your opponent push down your


hand after griping your wrist to put
in a situation that you can not use
Yori nuki,
nuki try this technique.

The animation above shows a case that your opponent grips your both hands. In this
case, use Tsuki nuki for your front hand and apply Yori nuki for another hand.
There are many variation such as your opponent grips your right hand with his right
hand, or with his both hands. Try as many variations as possible.

Put your both let your Twist your hand Deliver your
hands forward to opponent seize and push out elbow to your
your hands. your elbow and opponent's body.
push down your
hand.

Tips
Click here
Move your hand as if you
to see stop
cut your opponent's thumb
motion figures
holding your wrist. Twist
of the
your hand and push out your
animation
elbow.
below.

1 of 2 23/06/2009 10:54
Tuki nuki http://kenseikai.world.coocan.jp/gihou/tukink/engtukink.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:54
Introduction to Morote maki nuki http://kenseikai.world.coocan.jp/gihou/moromakink/engmoromakink.htm

Morote maki nuki


What it means

The first two characters part of is pronounced "Moro


Moro te",
te meaning "both
hands", the last two characters part is pronounced "maki
maki nuki",
nuki a name of the
Shorinji Kempo technique. Thus this technique means "a variation of Maki nuki in
case your opponent seizes your hand with his both hands".

Techniques

A variation of Maki nuki,


nuki applicable
when your opponent seizes your right
(left) wrist with his both hands.

Your opponent You turn your Take kagite Push our your
seizes your right hand guard position right elbow and
right wrist counterclockwise and deliver turn your right
with his both and make your meuchi.
meuchi hand
hands. right hand go counterclockwise.
outside.

Deliver uraken Middle punch. Prepare for the


punch into his next movement.
face.

1 of 2 23/06/2009 10:55
Introduction to Morote maki nuki http://kenseikai.world.coocan.jp/gihou/moromakink/engmoromakink.htm

Click here to see stop


motion figures of the
animation below.

Tips:
Make sure that in
kagite position, your
right hand is outside of
your opponent. Then push
out your elbow
counterclockwise. Do not
move the pivot while
pushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:55
Morote oshi nuki http://kenseikai.world.coocan.jp/gihou/moroosink/engmoroosink.htm

Morote oshi nuki


What it means

The first two characters part of is pronounced "morote


morote",
morote meaning "both
hands",and the last two characters part is pronounced "Oshi
Oshi nuki",
nuki a name of
Shorinji Kempo technique. Thus this technique means "Oshi
Oshi nuki applicable in case
your opponent seizes your hand with his both hands".

Techniques

This techniqe is a variation of Oshi nuki.


nuki When
your opponent seizes your right ( left ) hand
with his both hands and try to twist your hand
clockwise ( counterclockwise ), apply this
techniqe.

Your opponent( You take kagite Attach your left Turn your right
right) seizes guard position hand to your elbow forward so
your right hand and deliver right hand push that it hits
with his both meuchi.
meuchi it out through your opponent's
hands. your opponent's arm.
hands.

hit your
With your right opponent's neck Prepare for the
arm at the critical next movement.
point.

1 of 2 23/06/2009 10:56
Morote oshi nuki http://kenseikai.world.coocan.jp/gihou/moroosink/engmoroosink.htm

Click here to see stop


motion figures of the
animation below.
<TIPS>
Your opponent will try to
twist your hand clockwise
to take Gyaku tembin .
Use his power to twist
your hand and turn your
right palm up and step
forward to take kagite
guard position.
Attach your left hand to
your right hand and push
it our through your
opponent's hands. And
then turn your right palm
counterclockwise 90
degree of angle.
Push out forward your
right elbow to free your
right wrist from your
opponent's grip. Your
elbow shall draw vertical
circle and your wrist
must not be moved while
pushing out your elbow.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:56
morote wa nuki http://kenseikai.world.coocan.jp/gihou/morowa/engmorowa.htm

Morote wa nuki
What it means

The first two character part of is pronounced "Moro


Moro
te",
te meaning "both hands", the middle one character is
pronounced "wa
wa",
wa meaning "circle" and the last one character
is pronounced "nuki
nuki"
nuki meaning "escape" or "unlock". Thus this
technique means "Free your hand from your opponent's both
hands forming a circle ". See the left Fig.

Techniques

This technique is same a combination of Yori


nuki and Kote nuki.
nuki This technique is
applicable when your opponent seizes your right
( left ) hand with his both hand and tries to
twist your hand to your back.

Your opponent Attach your left


Let your Guard in Kagite
tries to twist hand to your
opponent seize position and
your right hand right finger
your right hand. deliver Meuchi.
Meuchi
to your back. top.

Push out your Reced with Shita Prepare for the


Upper punch.
right elbow. uke.
uke next movemant.

1 of 2 23/06/2009 10:56
morote wa nuki http://kenseikai.world.coocan.jp/gihou/morowa/engmorowa.htm

<Tips>
Apply yori nuki to your
opponent's left hand and kote
nuki to the right hand
respectivly, but at the same
time. When your right hand has
difficulty to unlock your
opponent' left grip, turn your
right palm to your chest a
little.
Ask your instructer for the
tips.

Click here to see stop


motion figures of the animation
below

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:56
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/utinuki/engutinuki.htm

Uchi nuki
What it means

The first one character part of is pronounced "Uchi


Uchi",
Uchi meaning "hit or strike",
the last one character part is pronounced "nuki
nuki",
nuki meaning "escape or slip away".
Thus this technique means "when sezeid your hand, hit his wrist and escape".

Techniques

When your opponent seizes your hand,


hit the critical point on his wrist
with your Choji in the other hand and
escape from the grip.

Put your right let your You deliver Make the Choji
hand forward to opponent seize Meuchi with the in your left
your right left hand. hand aim at your
wrist. opponent's
critical point
in his left
wrist.

Strike it with Hit your


your Choji.
Choji opponent's face
with your left
Uraken.
Uraken

Tips
Ask your
instructor about Click here to see
Choji and the stop motion figures of
critical point the animation below.
in the wrist.

1 of 2 23/06/2009 10:57
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/utinuki/engutinuki.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:57
Morote Gyakugote http://kenseikai.world.coocan.jp/gihou/morogyakugo/engmorogyakugo.htm

Morote gyaku gote

What it means

The first two characters part of is pronounced "Moro


Moro te",
te meaning "both
hands", the last three characters are pronounced "Gyaku
Gyaku gote",
gote a name of Shorinji
Kempo's technique. Thus this technique means "Gyaku
Gyaku gote applicable when your
opponent seizes your hand with his both hands.

Techniques

When your opponent seizes your right


(left) wrist with his right (left) hand
like the grip same as Kote nuki,
nuki take his
wrist locked and throw him down.

He seizes your You Hook your left Use your


right wrist with deliverMeuchi
Meuchi hand to his Boshikyu to
his both hands. and take Kagite right hand and lock his right
style. make your wrist hand.
free from his
grip.

Use Nisoku immobilize him


tenkai to throw by applying Yubi
him down. gatame.

Tips:
Because your opponent seizes your hand with his both hands,
you have to apply this technique correctly. Unless you can
apply morote wa nuki properly, you will not be able to
free your hand nor apply morote gyaku gote.
gote

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:57
Gasshou gyakugote http://kenseikai.world.coocan.jp/gihou/gashogya/enggashogya.htm

Gasshou gyaku gote

What it means

The first two character part of is pronounced "Gasshou


Gasshou",
Gasshou meaning "put
palms together", the last three characters part is pronounced "Gyakugote
Gyakugote",
Gyakugote a name of
the Shorinji kempo juho techniques. Thus this technique means "Throwing technique
similar to Gyaku gote,
gote but you attach your palm onto your opponent's palm".

Techniques

This technique is similar to Gyaku gote.


gote However locking way is absolutely different
each other. In Gyaku gote,
gote your opponent's wrist is bend inside, however, in
Gasshou gyaku gote,
gote your opponent's wrist is bend outside.
Nisoku tenkai technique used in Gasshou gyaku gote is same to that of Gyaku gote.
got

When your opponent seizes your right (left)


wrist with his right (left) hand like the
grip same as Kote nuki,
nuki take his wrist
locked and throw him down.

He seizes your You Hook your left Use your


wrist. deliverMeuchi
Meuchi hand to his hand Boshikyu to
and take Kagite and lock his hand as
style. shown in the
tips bellow.

immobilize him
Use Nisoku
by applying
tenkai to throw and
Tachi gasshou
him down.
gatame.
gatame

Tips;Attach
Tips; your left hand as shown
below. Push his boshikyuu with your
boshikyuu and turn his hand
counterclockwise

1 of 2 23/06/2009 10:57
Gasshou gyakugote http://kenseikai.world.coocan.jp/gihou/gashogya/enggashogya.htm

Click here to
see stop motion
figures of the
animation below.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:57
Gyaku Gasshou nage http://kenseikai.world.coocan.jp/gihou/gyagashonag/enggyagashong.htm

Gyaku gassho(u) nage

What it means

The first one character part of is pronounced "gyaku


gyaku",
gyaku meaning "reverse",
the middle two characters part is pronounced "gasshou
gasshou",
gasshou meaning palm to palm
grapple, and the last one character part is pronounced "nage
nage",
nage meaning "throw". Thus
this technique means "Throwing technique similar to Gyaku gote,
gote which shall be
applied when your hand is seized palm to palm position like arm wrestling".

Techniques

This technique is similar to Gyaku gote.


gote However it is applicable when your opponent
seizes your hand in the same way as arm wrestling.
Nisoku tenkai technique used in Gyaku gasshou nage is same to that of Gyaku gote.
gote

When your opponent seizes your right (left)


hand with his right (left) hand like the
grip same as arm wrestling, take his hand
and lock it, and throw him down.

He seizes your Meuchi Hook your left


You deliverMeuchi Use your
hand, as if and take Kagite hand to his hand Boshikyu to lock
playing arm style. and his hand as shown
wrestling. in the tips
bellow.

Use Nisoku immobilize him by


tenkai to throw and applying Tachi
him down. gasshou gatame.
gatame

Tips;Attach
Tips; your left hand as shown below. Push the back of his hand
with your boshikyuu and turn his hand counterclockwise

Click here to see


detail figures.

1 of 2 23/06/2009 10:57
Gyaku Gasshou nage http://kenseikai.world.coocan.jp/gihou/gyagashonag/enggyagashong.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:57
Nigiri kaeshi http://kenseikai.world.coocan.jp/gihou/nigirika/engnigirika.htm

Nigiri kaeshi
What it means

The first one character part of is pronounced "Nigiri


Nigiri",
Nigiri meaning "grasp", the
last one characters part is pronounced "kaeshi
kaeshi",
kaeshi meaning "return" or
"counterattack", The first one character can make with the character meaning
"hand", this means "shake hands". Thus this technique means "lock your
opponent's hand in the situation such as griping each other's hand in shaking hand
form".

Techniques

This technique is a kind of a variation of Gyaku gote.


gote The differnce is starting
position, this technique is rather an offensive technique while Gyaku gote is a
defensive technique. Basic principles are same to Gyaku gote,
gote therefore you will
feel easy to master this technique if you have had good training in Gyaku gote.
gote

Start in shaking hands position, take your


opponent's wrist with your left hand and lock
it in the same way as Gyaku gote.
gote

Start in You Hook your left


shaking hands Meuchi
deliverMeuchi hand to his
position. and make your hand and
opponent's arm
stretched.

use your
Boshikyu to Use Nisoku immobilize him
lock his hand tenkai to throw by applying
as shown in the him down. Yubi gatame.
gatame
tips bellow.

Tips:
Use your left hand's Boshikyu to bend his wrist
together with the help of your right hand.

1 of 2 23/06/2009 10:57
Nigiri kaeshi http://kenseikai.world.coocan.jp/gihou/nigirika/engnigirika.htm

You must place the grip near to your body. Push


out your left elbow to make his right elbow
come close to you in the same way as Gyaku
gote.
gote

Click here
to see stop
motion figures
of the
animation on
the left.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:57
Gyakute nage http://kenseikai.world.coocan.jp/gihou/gyaktenag/enggyaktenag.htm

Gyakute nage

What it means

The first one character of is pronounced "gyaku


gyaku",
gyaku meaning "reverse" , the
middle one character is pronounced "te
te",
te meaning "a hand" and the last one character
is pronounced "nage
nage",
nage meaning "a throw". Thus this technique means "lock your
opponent's hand in reverse and throw him down.

Techniques

This technique is a variation of Gyaku gote.


gote
When you apply Gyaku gote to your opponent and
it is very hard to take him down with Gyaku
gote,
gote apply this technique as soon as you feel
difficulty to take him down with Gyaku gote.
gote

Your opponent You Apply Gyaku Apply Gyaku


seizes your Meuchi
deliverMeuchi gote.
gote gote.
gote (continue)
right wrist with and take Kagite As soon as you
his right hand. style. find difficulty
to take him
down,

Lock his hand


Make your right hook it onto with your both
hand go under your opponent's hands and turn Apply Yubi
his right hand back of the your body to gatame.
gatame
and right hand. make a space to
take him down.

1 of 2 23/06/2009 10:58
Gyakute nage http://kenseikai.world.coocan.jp/gihou/gyaktenag/enggyaktenag.htm

Click here to see


stop motion figures
of the animation
below.

Tips:
Do not hesitate to
apply this technique
whenever you find
difficulty in taking
down your opponent.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:58
Kote nage http://kenseikai.world.coocan.jp/gihou/kotenag/engkotenag.htm

Kote nage
What it means

The first two characters part of is pronounced "Kote


Kote",
Kote meaning " a wrist",
the last one character part is pronounced "nage
nage",
nage meaning "a throw". Thus this
technique means "lock your opponent's wrist and throw him down".

Techniques

When your opponent tries to hit your body, guard it


with Shita uke and lock your opponent's hand and
then apply Kotenage.
Kotenage However you can apply Kotenage
in more offensive situation. You can use this
technique while your opponent is just standing
still.

Take Hasso You guard his Attach your left And kick him
gamae position right middle hand used for with your right
to let your punch with left Shita uke to leg.
opponent(left) Shita uke.
uke his right hand.
initiate middle
punch.

Pull up your
opponent's hand Turn his right Throw him down Apply kick,
to make his hand locking his by moving his punch or locking
position wrist. hand largely. technique.
unstable.

Tips
Turn your both hands very largely while twisting your
opponent's wrist as shown below. This technique uses swinging
power of your both hands with a help of the turning energy of
your body.

1 of 2 23/06/2009 10:58
Kote nage http://kenseikai.world.coocan.jp/gihou/kotenag/engkotenag.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:58
Ryuu nage http://kenseikai.world.coocan.jp/gihou/ryunag/engryunag.htm

Ryu(u) nage

What it means

The first one character of is pronounced "ryuu


ryuu",
ryuu meaning "a dragon" , the last
one character is pronounced "nage
nage",
nage meaning "a throw".

Techniques

This technique is a variation of Gyaku gote.


gote
When you apply Gyaku gote to your opponent and
it is very hard to take him down with Gyaku
gote,
gote apply this technique as soon as you feel
difficulty to take him down with Gyaku gote.
gote

Your opponent You Apply Gyaku Apply Gyaku


seizes your Meuchi
deliverMeuchi gote.
gote gote.
gote (continue)
right wrist with and take Kagite As soon as you
his right hand. style. find difficulty
to take him
down,

Step forward hook it to your Lock his hand Apply Yubi


your left foot a opponent's upper with your both gatame.
gatame
little and turn arm. hands and turn
your right hand your body to
clockwise and make a space to
make it go under take him down.
his right elbow,
and

1 of 2 23/06/2009 10:58
Ryuu nage http://kenseikai.world.coocan.jp/gihou/ryunag/engryunag.htm

Click here
to see stop
motion
figures of
the animation
below.
Tips:
Do not
hesitate to
apply this
technique
whenever you
find
difficulty in
taking down
your
opponent.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:58
Katate Okurigote http://kenseikai.world.coocan.jp/gihou/morookurigo/engmorookurigo.htm

Morote Okurigote nage


What it means

The first two characters part of is pronounced "morote


morote",
morote meaning "both
hands", the middle three characters part is pronounced "okurigote
okurigote",
okurigote a name of the
Shorinji Kempo technique, the last one character part is pronounced "nage
nage",
nage meaning
"a throw". Thus this technique means "Throwing down technique, the essence of which
technique is same to Okurigote , applicable when your opponent seizes your hand with
his both hands".

Techniques

When your opponent seizes your wrist


with his both hands, use this
technique to lock his wrist and throw
him down.

Your opponent is You take kagite deliver left Turn your right
going to seize guard position, middle punch to hand
your right wrist and prevent his counterclockwise
with his both further movement. like Maki nuki
hands. and attach your
left palm onto the
back of his left
hand.

Make a big swing


Lock his wrist Kick his body to
Apply Okurigote of your opponent's
with your both prevent his
technique and shoulder to throw
hands. further movement.
him down.

1 of 2 23/06/2009 10:58
Katate Okurigote http://kenseikai.world.coocan.jp/gihou/morookurigo/engmorookurigo.htm

Click here to see


stop motion figures of
the animation below.
Tips;
This sequence to
techniques is same as
that of Maki nuki to
the stage at which you
make his grip lose
power. To throw him down
make the movement of
your arms as large as
possible, that is, swing
his arm hard locking his
wrist with Okurigote
technique.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:58
Techniques, Okuri dori http://kenseikai.world.coocan.jp/gihou/okurido/engokurido.htm

Okuri dori
What it means

The first one character part of is pronounced "okuri


okuri",
okuri an abbreviation of
Okuri gote,
gote a name of the Shorinji Kempo technique, the last one characters part is
pronounced "dori
dori",
dori meaning "fix or immobilize". Thus this technique means "lock your
opponent's hand with the okurigote technique".

Techniques

This is an offensive version of Okuri gote.


gote
Catch your opponent's right (left) hand with
your right (left) hand in a way you can apply
gote You can apply Okuri yubi dori
Okuri gote.
technique in the last stage of this technique.

Catch your Attach your left turn his arm


opponent's right (right) hand with a large and
(left) hand with and, quick swing.
your right
(left) hand in a
way you can
apply Okuri
gote

Lock his arm in Okuri gote


style.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:58
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/okurigasho/engokurigasho.htm

Okuri gasshou
What it means

The first one character part of is pronounced "okuri


okuri",
okuri an abbreviation of
Okuri gote,
gote a name of the Shorinji Kempo technique, the last two characters part is
pronounced "gassho
gassho",
gassho meaning "setting two hands palm to palm". Thus this technique
means "When your palm and your opponent's palm is clasped palm to palm, apply
"Okurigote
Okurigote"
Okurigote technique.

Techniques

When your right(left) hand and your


opponent's left(right) hand are clasped
plam to palm with the fingers pointing up,
attach your left(right) hand to the back of
your opponent's left hand, and apply
Okurigote technique.

Let your opponent(left) clasp your You bend your Deliver Meuchi.
Meuchi
right hand in palm to palm style. right wrist to
your side.

Attach your left Use your left Lock your


hand on to the Boshikyuu like opponent's left
back of your Okurigote.
Okurigote wrist.
opponenti's left
hand.

Click
here to
see stop
Tips
motion
Use your Boshikyuu.
Boshikyuu
figures
of the
animation
below.

1 of 2 23/06/2009 10:58
Sodemaki tembin http://kenseikai.world.coocan.jp/gihou/okurigasho/engokurigasho.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:58
Uwauke duki http://kenseikai.world.coocan.jp/gihou/uwaunag/enguwaunag.htm

Uwauke nage

When your opponent try to hit your


head or face with Ura ken,
ken guard it
with Uwa uke,
uke and counterattack with
Uwauke nage.
nage

The opponent ( You step forward You hit his body Seize his right
left ) tries to and guard your with right hand. hand with your
hit your face with face with Uwa left hand and hold
ura ken.
ken uke.
uke his elbow with
your right hand as
shown in the tips
below.

Throw him by
Withdraw your left Kick him so that
turning quickly Prepare for the
leg and lock his he can not easily
while locking his next movement.
arm. attack you again.
arm.

Tips
Hold your opponent's
right elbow with your left
hand from under his arm. Use
your left hand to turn his
right arm counterclockwise to
make the back of his hand
face you.
Withdraw your left leg and
turn your body to throw him.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:59
Uwauke gyakute nage http://kenseikai.world.coocan.jp/gihou/uwagyatng/enguwagyatng.htm

Uwauke gyakute nage


What it means

The first two characters part of is pronounced "Uwa


Uwa uke",
uke a name of
the Shorinji Kempo guarding technique, the middle one character part is pronounced
"gyaku
gyaku",
gyaku meaning "reverse", the next character is pronounded "te
te",
te meaning "hand",
and the last one character part is pronounced "nage
nage",
nage meaning "throw". Thus this
technique means "lock your opponent's hand in reverse direction right after guarding
with Uwa uke".
uke

Techniques

When your opponent try to hit your


head or face with Ura ken,
ken guard it
with Uwa uke,
uke and counterattack with
this technique.

Your opponent ( You step forward You hit his body Seize his right
left ) tries to and guard your with right hand. hand with your
hit your face with face with Uwa left hand and make
ura ken.
ken uke.
uke your right hand go
under his right
hand to attach it
to your left hand.

Use your right


elbow to lock his
hand. Turn your Prepare for the
Throw him down. Kick.
body by next movement.
withdrawing your
left foot.

1 of 2 23/06/2009 10:59
Uwauke gyakute nage http://kenseikai.world.coocan.jp/gihou/uwagyatng/enguwagyatng.htm

Tips
Hold your opponent's right
hand with your both hands. Use
your right elbow to turn his
right hand.
Withdraw your left leg and
turn your body to throw him.

Click here to see stop


motion illustration

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:59
Uwauke se nage http://kenseikai.world.coocan.jp/gihou/uwaseng/enguwaseng.htm

Uwauke se nage
What it means

The first two characters part of is pronounced "Uwa


Uwa uke",
uke a name of the
Shorinji Kempo guarding technique, the middle one character part is pronounced "se
se",
se
meaning "back (of a body)", the last one character is pronounced "nage
nage",
nage meaning
"throw". Thus this technique means "Guard with uwa uke and throw your opponent by
setting him on your back". Actuallly this name comes from Judo technique "Seoi
Seoi
nage",
nage that is, "apply Seoi nage
nag after guarding with Uwa uke".
uke

Techniques

When your opponent try to hit your face with


hira ken,
ken guard it with Uwa uke,
uke and
counterattack with Judo technique Seoi nage
nag as
shown right.

Start. Your opponent ( You step forward Hit his body with
left ) tries to and guard your right fist.
hit your face with face with leftUwa
Uwa
hira ken.
ken uke.
uke

Apply any
Make your body go Throw him down
Seize his right technique to
under his body and with Judo
hand with your control him after
make it set on technique Seoi
both hands. he was thrown down
your back. nage.
nage
on the floor.

Gurading technique against "Seoi


Seoi nage"
nage

The best guard against Seoinage is "do not let your


opponent grab your hand", but in case, unfortunately,
you are set onto his back, try this technique shown
right to avoid crashing down on to the floor.

Put your left hand Let your When your body Twist your body
on to your opponent(right) decline enough, for safe landing.
opponent's back. throw you. use your back

1 of 2 23/06/2009 10:59
Uwauke se nage http://kenseikai.world.coocan.jp/gihou/uwaseng/enguwaseng.htm

muscle power to
bend your back.

TIPS of guarding technique


Make your chest attached to
your opponent's back. And make sure
to use your back muscle to make
your body turn.

Click here to see detail


explanation.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:59
Katatenage http://kenseikai.world.coocan.jp/gihou/katatenage/engkatatena.htm

Katate nage

This technique is rather an aggressive one


to grasp the opponent's hand with your
both hands and throw him by locking the
hand.

Take the Lock his hand by


Put your left (right) leg forward
opponent's right twisting it
and make your upper body as low as
(left) hand by counterclockwise
you can make the locked hand go
your both hands. (clockwise) so
over your head. Use Nisoku tenkai,
tenkai
that he cannot
two step full turn. Pull down his
counter attack
hand to throw him.
you.

Kick his body to


Keep locking his Prepare for the
good job. disable his
hand. next movement.
counter attack.

<Tips>
When you go under your
opponent's hand, you may be in
danger of losing your balance
unless you make your body as This is the worst way.
low as possible and move as You almost lose your balance.
quickly as possible.

Lock And twist it


the opponent's right hand by counterclockwise.
your both hands.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:

1 of 2 23/06/2009 10:59
Katatenage http://kenseikai.world.coocan.jp/gihou/katatenage/engkatatena.htm

1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:59
Gyaku katate nage http://kenseikai.world.coocan.jp/gihou/gkkatnag/enggkkatnag.htm

Gyaku katate nage

What it means

The first one character part of is pronounced "Gyaku


Gyaku",
Gyaku meaning "reverse"
or "opposite direction", the last three characters part is pronounced "Katate
Katate nage",
nage
a name of Shorinji Kempo's technique. This case "Gyaku
Gyaku"
Gyaku comes from "Gyaku
Gyaku gote",
gote
also a name of Shorinji Kempo's technique. Thus this technique means "Katate
Katate nage
applied when your opponent seizes your hand in the same way as Gyaku gote".
gote

Techniques

When your opponent seizes your right


(left) hand with his right (left) hand,
apply this technique. You can throw your
opponet in the same way as Katate nage.
nage

Let your opponent Your opponent Deliver Meuchi Attach your left
seize your right seizes your right with your left hand on to your
hand. hand with his hand. opponent's right
right hand. hand.

Put your left leg


forward and make Kick his body to
Twist out your Swing his hand
the locked hand disable his
opponent's right up, so that he
go over your counter attack.
hand with your can not
head. Use Nisoku Prepare for the
both hands. counterattack.
tenkai,
tenkai two step next movement.
full turn.

<Tips>
When you go under your
opponent's hand, you may
be in danger of losing
your balance unless you
make your body as low as This is the worst way.
possible and move as You almost lose your balance.
quickly as possible.

1 of 2 23/06/2009 10:59
Gyaku katate nage http://kenseikai.world.coocan.jp/gihou/gkkatnag/enggkkatnag.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:59
Bukkotsu nage http://kenseikai.world.coocan.jp/gihou/bukotng/engbukotng.htm

Bukkotsu nage

What it means

The first two characters part of is pronounced "bukkotsu


bukkotsu",
bukkotsu the name of a
critical point at your throat, the last one character part is pronounced "nage
nage",
nage
meaning "throw". Thus this technique means "Press into Bukkotsu critical point to
throw your opponent down.

Techniques

Press bukkotsu critical point to


Click here
throw your opponent down.
to see the
movie

Let your opponent Your opponent You grab your Turn


seizes your sleeve seizes your sleeve opponent's left counterclockwise
and lapel. and lapel. sleeve and seize to make space for
his left collar him to fall down,
with your right and pull down your
hand. And push left hand to throw
into his Bukkotsu him down.
critical point at
his throat with
your right thumb.

Kick into his


body.

1 of 2 23/06/2009 10:59
Bukkotsu nage http://kenseikai.world.coocan.jp/gihou/bukotng/engbukotng.htm

Tips
Hold your opponent's left collar
with your right hand and use your
right thumb as shown in the left
figure.
Withdraw your left leg and turn your
body to throw him.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:59
Explore techniques "Tachi ichiji gatame" http://kenseikai.world.coocan.jp/gihou/taitijiga/engtaitijiga.htm

Tachi ichiji gatame

Tachi ichiji gatame is a technique to


lock your opponent's arm as shown in
the right Fig..
You can make your opponent unable to
escape while you are standing and
locking his arm with one hand.

This technique is applicable right after Uragaeshi nage.


nage Your opponent shall be
locked as shown below with his belly facing the floor.

Tips
It is important to use
your Boshikyu.
Boshikyu
Do not let your
opponent's arm bend,
make it straight and
twist and push it down
toward his shoulder.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 11:00
Explore techniques "Sekoshi ichiji gatame" http://kenseikai.world.coocan.jp/gihou/sekoiti/engsekoiti.htm

Sekoshi ichiji gatame


What it means

The first one character part of is pronounced "se


se",
se meaning "back", the
next one character part is pronounced "koshi
koshi",
koshi meaning "over", and the next two
characters part is pronounced "ichi
ichi ji ", meaning "figure of one, or straight", and
the last one character is pronounced "gatame
gatame",
gatame meaning "lock". Thus this technique
means "lock your opponent's arm making straight line with your hand over his back".

Techniques

Sekoshi ichiji gatame is a technique


to lock your opponent's arm and
shoulder over his back. This
technique is supposed to be used when
you have to fight with another person
while locking your opponent.

Start from Ura Step your right Also step your Push your left
gatame position. leg over your left leg over hand down to
opponent's back. his back. immobilize your
opponent.

Use your boshikyu to turn your opponent's hand,


and push down his arm so that his shoulder be fixed
onto the floor.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 11:00
Techniques, Okuri yubi dori http://kenseikai.world.coocan.jp/gihou/okuriy/engokuriy.htm

Okuri yubi dori

This is an offensive version of Okuri


gote.
gote Catch your opponent's right
(left) hand with your right (left)
hand in a way you can apply Okuri
gote.
gote Lock his thumb after you lock
his arm in Okuri gote style.

Catch your Attach your left turn his arm in


opponent's right (right) hand a large and
(left) hand with and, quick swing.
your right
(left) hand in a
way you can
apply Okuri
gote

Lock his arm in Twist his thumb


Okuri gote with your left (
style. right) hand.

Tips
Twist your
opponent's thumb
as shown in the
right figure.

1 of 2 23/06/2009 11:00
Techniques, Okuri yubi dori http://kenseikai.world.coocan.jp/gihou/okuriy/engokuriy.htm

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 11:00
Sodemaki gaeshi http://kenseikai.world.coocan.jp/gihou/sodema/engsodema.htm

Sodemaki gaeshi

When your opponent seized your


right(left) sleeve from under your
hand by his left(right) hand, use
Sodemaki gaeshi.
gaeshi

Let your When seized, Deliver meuchi, Turn your right


opponent seize take stable and attach the hand clockwise
your right position. same hand from and rock your
sleeve. under your opponent's wrist
opponent's left same as
back. Oshigote.
Oshigote

Step forward
Before he trys
your right leg
Take down your to get up, take Control him with
and turn your
opponent. kannuki kannukigatame.
kannukigatame
right hand
position.
completely.

Tips
Fix your opponent's
hand in the angle your
right elbow makes. Rock
it in the same way as
katake oshigote.
oshigote

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:

1 of 2 23/06/2009 11:00
Sodemaki gaeshi http://kenseikai.world.coocan.jp/gihou/sodema/engsodema.htm

1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 11:00
Johaku nuki http://kenseikai.world.coocan.jp/gihou/johanuk/engjohanuki.htm

Jo(u)haku nuki

Use Johaku nuki when your opponent


seizes your upper arm/arms with his
hand/hands. The right animation shows
the movement of Johaku nuki when he
seizes your upper arms.

Your opponent Take Kagite Turn your right stretch it down. Hit your
seizes your guard position arm opponent's face
upper arms with so that you do counterclockwise with uraken.
uraken
his hands. not lose the and,
control.

Apply the same Hit your You may apply


Stretch down Throw middle Johaku nuki to
movement to your opponent's face
your left arm. punch. your left arm
left arm. with uraken.
uraken
first and then
to the right
arm, depending
on the
condition.

Tips
Turn your arm so
that it goes by your
ear and your
opponent's grip
becomes ineffective.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:39
Kusshib geri http://kenseikai.world.coocan.jp/gihou/kusinge/engkusinge.htm

Kusshin geri

This technique is used to


counterattack your opponent's hook
punch with your kick.

Your opponent Duck guarding Go under your Kick your Prepare for
trys to punch your face. opponent's opponent. next movement.
in your face. hand.

Tips
Guard your face and body while ducking.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

1 of 1 23/06/2009 10:39
Ryuusui geri http://kenseikai.world.coocan.jp/gihou/ryusui/engryusui.htm

Ryu(u)sui geri
What it means

The first two characters part of is pronounced "ryuu-sui


ryuu-sui",
ryuu-sui meaning "running
water", and the last one character part is pronounced "geri
geri",
geri meaning "kick". Thus
this technique means "Sway your body in ryuu-sui form and counterattack with a
kick". See the following explanation about ryuu-sui.
ryuu-sui

Techniques

You must tilt your body forward and your right shoulder and hip to right leg must be
in smooths line along which water can run down very smoothly. Thus the name
"ryuusui
ryuusui"
ryuusui comes from this form.

When your opponent try to hit your


face with his hand, you bend down to
make his punch miss and counterattack
with your kick.

Forward dodge style;

The opponent You step Guard your face Counterattack Step back and
try to hit your forward at a 45 with Soto uke with middle prepare for the
face with his degree angle and your body kick. next movement.
left hand. and bend to with Shita uke
make his punch preparing
miss you. against his
kick that may
follow.

Backward dodge style;

Twist you waist Put your left


and upper body leg back with
The opponent You move your Juuji ashi
to right and Counterattack
try to hit your weight onto sagari moving
make your with your left
face with his your right technique.
opponent's kick.
left hand. foot. Prepare for the
punch miss your
face. next

1 of 2 23/06/2009 10:24
Ryuusui geri http://kenseikai.world.coocan.jp/gihou/ryusui/engryusui.htm

movement.。

<これがコツ>
Forward dodge style ;Do not afraid of being hit. Bend
down forward and aside to let his punch miss your face.
It is better keep your back straight.
Backward dodge style; Make sure that your left leg and
your left waist and shoulder make smooth line.
In case of
forward
dodging
style, guard
your body wit
your right
shita uke and
To see a stop motion left Niou uke
explanation click against
below. possible
Forward dodge style consecutive
Backward dodge style attack.

In case of backward dodge


style, it is important to
twist your waist and
upper body to right. Do
not step right largely.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005 continues to do so, and reserves all
rights associated with the structure of this site and the information available on
this site.

2 of 2 23/06/2009 10:24
Byakurenken http://kenseikai.world.coocan.jp/gihou/byakuren/engbyaku1.htm

Byakurenken 1st
When your opponent tries to punch in your
face, block the punch with uchiuke and using
the hand used for the block to counterattack.
This technique is called Tubamegaeshi.
Byakurenken 1st is a hokei to practice the
consequential movement by oneself.

Take taikigamae Move diagonally to Hit the opponents Right middle


with your left leg the left and block neck with your left punch.
forward. upper punch with hand.
uchiuke.

Step your left leg in


Uchiharai with
Kick with left leg 45 degree of angle
Recede and right arm, turning
and put it down in in front of your
shitauke. back your body.
the same position. right leg and turn
Repeat again.
your head back.

Tips,
Speed is essential. Do not pause after uchiuke.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 11:27
Enbu-1 http://kenseikai.world.coocan.jp/gihou/sogo/engenbu1.htm

Enbu-1
Enjoy Shorinji Kempo enbu, a sequence of techniques, in GIF animation.

Enbu starts with Uwauke against Shitauke against Juniuke against Counterattack with
gassho rei. junduki. middle punch. gyakugeri. kick.

Uwauke against Shitauke against Middle kick to Kotenage. Kick.


junduki middle punch. Hold weaken the opponent's
the brow with right power.
hand to initiate
Kotenage.

Gyakugedan kamae Being held at your Guard against leg Apply Kick.
to let the opponent sleeve. sweep. Sodemakikaeshi.
grab your sleeve.

Uwauke against Shitauke against Sanbou uke against Counterattack with Enbu ends with
junduki middle punch. upper Mawashi geri. kick. Gassho rei.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro Hayashi
maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and
reserves all rights associated with the structure of this site and the information available on this site.

1 of 1 23/06/2009 11:28
Enbu "tenchiken 1st" http://kenseikai.world.coocan.jp/gihou/tenchike1/engtenchik1.htm

Tenchiken 1st
This consists of basic offending and defending
techniques.

In the illustration below, an opponent is added for better understanding of the each movement.

Stand in Kesshu form. Drawing back your Step forward in 45 Draw your right leg a Guarding with right
right leg, stand in left degree of angle, throw little forward. Throw Sotouke, punch into
Chudan gamae. left punch in the face. your right punch to the the body with left
body. Kagiduki, or hook
punch.

Guarding your body


Draw your left leg Guard your face with Guard your body with
with Shitauke,
wide, and guard your Uchiuke and body right Uchiharai uke, Counterattack with
prepare for the next
face with right with Shitauke at the apply left Soto uke at right kick.
movement in left
Uwauke. same time. the same time.
Ichiji gamae.

<Tips>
Practice as many times as you can.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro Hayashi
maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and
reserves all rights associated with the structure of this site and the information available on this site.

1 of 1 23/06/2009 11:26
Enbu "tenchiken 2nd" http://kenseikai.world.coocan.jp/gihou/tenchike2/engtenchik2.htm

Tenchiken 2nd
This consists of basic offending and defending
techniques. It includes rengeki, two punches,
kicks or mixed, punch and kick, in sequence
without no pause in between.

Stand in left ichiji Upper left furiduki Right middle punch Duck and guard your Stepping forward your
gamae. stepping diagonally right after the upper face with uchiage right leg, throw right
forward. furiduki. uke. Throw left upper punch.
middle kagi duki at
the same time.

Guard your face with


Right middle kick and Prepare for the next
Throw left middle soto uke and uchi Draw back your right
put your right leg movement in left
punch right away. uhiotoshi uke at the leg.
where it was. ichiji gamae.
same time, niou uke.

<Tips>
Practice as many times as you can. Do not lose a rhythm of rengeki.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same Keijiro Hayashi
maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and
reserves all rights associated with the structure of this site and the information available on this site.

1 of 1 23/06/2009 11:26
Enbu "tenchiken 3rd" http://kenseikai.world.coocan.jp/gihou/tenchike3/engtenchik3.htm

Tenchiken 3rd
This consists of basic offending and defending
techniques. Changing the direction of offense
is one of the feature of it.

Stand in left ichiji Upper left Right middle Mawashi geri in Stepping forward
gamae. furiduki stepping punch in the the direction of 60 your right leg in
diagonally direction of 30 degree of angle to the triangular
forward. degree of angle to the right. direction to the
the right. right, throw right
shutou giri.

Draw back your Right middle kick Prepare for the


Throw left middle Turn back, using
left leg and shita and put your right next movement in
punch right away. zentenkan.
uke. leg where it was. left ichiji gamae.

Tips
Change the direction of offense as shown in
the left figure; furiduki(1), gyaku duki(2),
mawasi geri(3), shutou giri(4).

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 11:26
Enbu "tenchiken 4th" http://kenseikai.world.coocan.jp/gihou/tenchike4/engtenchik4.htm

Tenchi ken 4th


This consists of basic offending and defending
techniques. It includes four consecutive
offense, two with rengeki and two with tuki.

Stand in left ichiji Jump with your Right kick and, left kick Stepping forward
gamae. left leg. immediately. your left leg,
throw left shutou
giri.

Draw back your Left middle kick Prepare for the


Throw right middle Turn right, using
right leg and shita and put your left next movement in
punch right away. hantenkan.
uke. leg where it was. rightichiji gamae.

Tips
For tobi ren geri,
use your leg as shown in
the left figure. Second
kick may be mawashi
geri instead of choku
geri.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 11:27
Enbu "tenchiken 5th" http://kenseikai.world.coocan.jp/gihou/tenchike5/engtenchik5.htm

Tenchiken 5th

This consists of
sequence of
Uchiharai uke and AVI movie
consecutive kick 335KB
techniques. 8 sec

Start with right Ichiji gamae so that you can practice Tenchiken 5th right after
Tenchiken 4th.
4th

Right Ichiji Step aside your Kick with right Step forward High kick with
gamae.
gamae left foot and leg and put it your right leg left leg and put
Uchiharai uke on the same in Kagiashi it in front of
with right hand. spot. position and you.
Uchiharai uke
with left hand.

Uchiharai uke
Turn left using
with right hand
the momentum of Stepping forward Soto uke with
and step Side kick to
pulling back your right foot, right hand and
forward left your front with
right leg and upper punch with middle punch
leg in right leg.
stand with your your right hand. with left hand.
Kagiashi
left foot.
position.

Swaying back Uchiharai uke Prepare to the


Gedan gamae,
gamae or
and Uchiharai Stepping forward with left hand next movement
lower hand
uke with right your right foot, and Zen tenkan,
tenkan with left
position.
hand. or full turn. Ichiji gamae.
gamae

Tips
Stand still in Kakuritu position, or single foot standing
position.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this

1 of 2 23/06/2009 11:27
Enbu "tenchiken 5th" http://kenseikai.world.coocan.jp/gihou/tenchike5/engtenchik5.htm

site.

2 of 2 23/06/2009 11:27
Enbu "tenchiken 6th" http://kenseikai.world.coocan.jp/gihou/tenchike6/engtenchik6.htm

Tenchiken 6th
This consists of basic
offending and defending AVI Movie
techniques. It includes 315KB
uchi harai uke and Performing 8
sokuto geri and others. sec.

Stand in left Pull forward Sokuto geri Put the leg in


ichiji gamae your right leg, with your left front of your
position. uchiharai uke leg to your right foot.
Tenchiken 6th with your left right. Uchiharai uke
is continued arm. with right arm
from Tenchiken and soto uke
5th. with left hand.

Step forward
diagonally to
Sokuto geri to Tsuru ashi Left middle
your right and
your right. dachi. punch.
right upper
punch.

Uchi harai uke Left ichiji


Modori duki
with left hand gamae,
gamae kesshu
with right Right kick.
and left han dachi and
hand..
tenkan.
tenkan gassho rei.
rei

Tips
Modori duki is a punch used while you move
backward.
In the above animation, each movement is stopped
a while for the better understanding. When you
practice, do not stop at each movement. You must
move very smoothly and quickly.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights

1 of 2 23/06/2009 11:27
Enbu "tenchiken 6th" http://kenseikai.world.coocan.jp/gihou/tenchike6/engtenchik6.htm

associated with the structure of this site and the information available on this
site.

2 of 2 23/06/2009 11:27
Giwa ken 1st http://kenseikai.world.coocan.jp/gihou/giwa1/enggiwakn1.htm

Giwa ken 1st


Giwa ken is made of basic movements for the
beginners. It is useful for training beginners
and also useful for senior people as an
exercise.

Prepare to start in Draw your right leg Stepping forward in 45 Draw your right leg a
Kesshu gamae. Keep back and take Chudan degree of angle to little forward and
your breath steady. gamaeposition. dodge your opponent's deliver your right
punch, throw your left middle punch.
upper punch.

Turning your body


Draw your right leg back, or Zentenkan,
back, Soto uke with Step your left leg in try Uchiharai uke
your right hand and Kick with your left leg the position 45 degree with your right hand.
Uchi uke with your and put the leg in the right of your right leg Take Gedan gamae
left hand, or Niou uke. previous position. and turn your head position.
Take Ichiji gamae back. Start the same
position. movements from right
hand.

<Tips>
Try as many time as you can so that you can do it fluently.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 11:26
Giwaken 2nd http://kenseikai.world.coocan.jp/gihou/giwa2/enggiwakn2.htm

Giwaken 2nd
Giwaken 2nd is usually practiced in
consequence with Giwaken 1st. This causes
Giwaken 2nd to start in hidari mae chuudan
gamae. Han tenkan, or half turn, is used in
Giwaken 2nd. However, you may apply Zen
tenkan, or full turn, arbitrary after you master
han tenkan.

Hidari mae Step your left foot Right middle Right kick.
chuudan gamae diagonally forward, punch.
and uchi uke.

Put your right foot Turn your face


in the previous Left kick, and put right, and step your
Start again with
position, and the leg in the left leg forward,
right uchi uke.
recede a little and previous position. turn right using han
left shita uke. tenkan technique.

Tips
The animation on the top of this page is simplified, one han tenkan is
omitted. Giwaken 2nd shall be completed in the position after you apply
four right han tenkan.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in 1998. The same
Keijiro Hayashi maintained and improved this site during the years: 1998, 1999, 2000, 2001, 2002, 2003
continues to do so, and reserves all rights associated with the structure of this site and the information
available on this site.

1 of 1 23/06/2009 11:26
Ryuouken 1st http://kenseikai.world.coocan.jp/gihou/ryuokn1/engryuokn1.htm

Ryuou ken 1st

Until 13 Sept. 2002, in this web page, it was explained that an upper punch should be
followed by a middle punch, however it was found to be incorrect according to the
latest honbu guide line. Therefore this page was revised to meet with latest honbu
guide line.
(Revised 14. Sept. 2002)

Ryuou ken 1st is a pair basic standard formation. You can learn
basic movements of Kote nuki and the following techniques. The
same formation for single person is defined as Tan En Houkei,
Houkei
or single standard formation. The movement is not exactly same
to the right hand side person in the right animation. In case
you are to have an examination, follow the movement as described
below.
Numbers Movement
(1)Step forward your left foot and take kagite guard position with your
1,2 right hand. Set your left hand at chuududanposition.
chuududan
(2)Deliver meuchi with your left hand and return it in chuudan position.
(3)Pull your right foot a little bit forward and apply kotenuki to your
right hand.
3,4 (4)With your right hand which you are supposed to have freed from your
opponent's grip deliver urakento
uraken your opponent's face, put your left hand
in front of your chest.
(5)Stepping aside to the right deliver middle punch with your left hand.
5
Set your right hand in front your chest. ( revised 2005.10.3)
(6)Dodging to the left, upper punch with your right hand. Set your left
hand in front of your chest.
6,7
(7)Take right ichiji gamae position, and mawashigeri with your right leg.
Put your right foot where it was, after the kick.
(8)Setp back your right foot guarding your body with your left shita uke.
uke
8 Thus take left ichiji gamae. Use happou moku and prepare for the next
movement.
(9)Pull your right foot forward to your left foot and stand in kesshu
9
position. Chousoku,
Chousoku happou moku and gasshou rei.
rei

Prepare to start in Draw your right leg Do not let him seize When he seized on the
Kesshu gamae.
gamae Keep back. Take Chudan your hand for the second time, take
your breath steady. gamae.
gamae first time. Use Kagite guard
Shita uke to guard position at once and
your hand. deliver Meuchi with
left hand.

1 of 3 23/06/2009 11:25
Ryuouken 1st http://kenseikai.world.coocan.jp/gihou/ryuokn1/engryuokn1.htm

Stepping aside to
Apply Kote nuki.
nuki Dodging to the left,
Throw Uraken in his the right, punch his
Push your right throw your right
face. body with your left
elbow completely. punch in his face.
hand.

Put your right leg Guarding with left Take Ichiji gamae
Kick his face or in the former Shita uke,
uke draw position and prepare
body with Mawashi position and ready your right leg for the next
geri. for the next behind your left movement.
movement. leg. Gassho rei.
rei

Click here to see


Tan en houkei of
the stop motion
Ryuou ken 1st.
illustration

The following is the explanation before the revision.

Ryuou ken 1st is a pair basic


standard formation. You can learn
basic movements of Kote nuki and the
following techniques. The same
formation for single person is
defined as Tan En Houkei,
Houkei or single
standard formation. The movement is
the same of the right hand side
person in the right animation.

Prepare to start Draw your right Do not let him When he seized on
in Kesshu gamae.
gamae leg back. Take seize your hand the second time,
Keep your breath Chudan gamae.
gamae for the first take Kagite guard
steady. time. Use Shita position at once
uke to guard your and deliver Meuchi

2 of 3 23/06/2009 11:25
Ryuouken 1st http://kenseikai.world.coocan.jp/gihou/ryuokn1/engryuokn1.htm

hand. with left hand.

Stepping aside to Dodging to the


Apply Kote nuki.
nuki the right a left a little,
Throw Uraken in
Push your right little, punch his throw your right
his face.
elbow completely. face with your punch in the
left hand. middle.

Put your right leg Guarding with left Take Ichiji gamae
Kick his face or in the former Shita uke,
uke draw position and
body with Mawashi position and ready your right leg prepare for the
geri. for the next behind your left next movement.
movement. leg. Gassho rei.
rei

<Tips>
Do not try to pull your hand when seized. Use his force
to pull to take Kagite guard position.

(C)Copy right, K.Hayashi. This site was written and developed by Keijiro Hayashi in
1998. The same Keijiro Hayashi maintained and improved this site during the years:
1998, 1999, 2000, 2001, 2002, 2003 continues to do so, and reserves all rights
associated with the structure of this site and the information available on this
site.

3 of 3 23/06/2009 11:25

You might also like