INTRODUCTION, THEME, and VARIATIONS

for oboe and double wind quintet

Johann Nepomuk Hummel

1825

Transcribed by Mark Scott

2007

Duration
14

Instrumentation
Solo Oboe

2 Flutes

Double Bass

2 Oboes
2 Bb Clarinets
2 Bassoons
2 Horns in F

Notes on this Edition

This edition of Hummels Introduction, Theme, and Variations was made at the request of Eugene
Corporon for performance in April 2007 by members of the University of North Texas Wind Symphony and
Kristin Polk, solo oboe. In transcribing, I used an orchestral score (published by Musica Rara, #1216) and
compared it to the wind version, as performed by the Consortium Classicum on The Wind Serenades of
Johann Hummel (MDG records, Germany). A second recording, made by oboist Alex Klein and the Czech
National Symphony Orchestra (Cedille Records, USA) provided an additional perspective on interpretation.
The resulting instrumentation is a modern version of the Harmoniemusik ensemble characteristic of
Hummels era, with the double bass added to extend its range. The double bass frequently found its way
into Harmoniemusik ensembles as a doubling of the second bassoon part, a practice which this arrangement
continues. As for arranging, the present edition makes full use of all eleven players in the accompaniment,
where modern chord spacings and Classical voice leading combine in a new rendering of Hummels
colorful work.

Performance Notes

The score is transposed.

Empty measures in the score represent the equivalent of a whole-rest in the current meter.

Accidentals function in a traditional manner, carrying through each bar unless cancelled.

The ensemble should play all grace notes before the beat, but the soloist may choose to play them on

the beat.

Where repeats are written, the soloist is free to ornament the music in late Baroque and early

Classical idioms.

Program Notes
Hummels Introduction, Theme, and Variations place high demands on the soloist in rendering them
in a pleasing and effective way, and their formal pattern is also very interesting. Elements of strict variation
technique combine with those of fantasy. The inclusion of the tempo di valse variation, along with two more
variations which follow it, is especially attractive. The work is a true enrichment of the solo literature for
oboe.
from the preface to the orchestral score

About the Composer

Johann Nepomuk Hummel was born in Bratislava on November 14, 1778. He grew up in Vienna,
where, as a nine year-old boy, he received lessons for two years from Mozart. In his early years, he went on
concert tours to Denmark and England, after which he became a pupil of Salieri and Albrechtsberger. He
was also taught the organ by Haydn, who post as Kappelmeister at Esterhzy he took over in the years
1804-1811. He became Hofkappelmeister at Stuttgart in 1816, and proceeded as such to Weimar in 1819,
where he remained until his death on October 17, 1837. Numerous concert tours led him to France,
Belgium, Holland, Poland, and Russia.
Hummel was greatly esteemed by his contemporaries as a brilliant pianist and a highly imaginative
improviser. Robert Schumann named him alongside Ignaz Moscheles and Chopin as a versatile and
cultured composer. Chopin himself always held Hummel in high esteem, and Carl Maria von Weber found
in Hummels piano playing a happy combination of tenderness and elegance. These characteristics may
be applied to all of Hummels compositions, which represent a transition from the decadence of the Classics
to the virtuosity of the Romantics. His works, numbering approximately 150, were widely known during his
lifetime. In addition, he also compiled an extensive piano method, which included more than 2000 musical
examples. Finally, in 1825, Hummel made a fragmentary sketch of a Mozart biography.
from the preface to the orchestral score

About the Transcriber

Born and raised in Houston, Texas, Mark Scott began studying composition and trombone
performance at the University of North Texas in August 2003. In Spring 2008, Mark will graduate with two
bachelors degrees from UNT, where he has studied with Cindy McTee and Jan Kagarice. While still an
undergraduate, Mark has become a student of Anshel Brusilow, conducting the University Symphony and
Repertoire Orchestras on a regular basis. Mark was a winner in the 2006 UNT Concerto Competition as a
composer, and a finalist as a trombonist in 2007. He has performed with the UNT Wind Symphony,
Symphonic Band, Five oclock Lab Band, Basketball Band, and plays professionally in the Lone Star Wind
Orchestra. As a composer, Mark has heard his works performed by the Richardson Symphony, UNT
Symphony Orchestra, Wind Symphony, Symphonic Band, and by students of euphonium virtuoso Brian
Bowman in the U.S. and abroad. Apart from composing, performing, and conducting, Mark enjoys playing
board games and spending time with friends and family. For more information on him and his music, please
visit www.dominantshadow.com.

Contact Information
Mark Scott
832.752.8151
mrobertscott@gmail.com

Web Site
www.dominantshadow.com
The Music of Mark Scott

INTRODUCTION, THEME, and VARIATIONS

for oboe and double wind quintet
Transposed Score
Duration: 14'

Johann Nepomuk Hummel, Op. 102 (1825)

Transcribed and Arranged by Mark Scott (2007)

b b 4
&b b 4

Solo Oboe

b 4
J
& b bb 4

Flute
2

b b 4
&b b 4

1
B b Clarinet
2

n n - . b . . . .

j
b b 4
&b b 4

. r - . . . .

b
&b

44

Adagio (q = 60)

- . - . # n . b - .
44 - .

#
J
a - .
f

. r . . . .
-

. #

. r . j
-

. r - . j

. r
- . . . .

r
. - . . A . n .

- .
. R
J

-
. R . J

? b b b 44
j
b

? b b b 44
j
b

. r

. R - . n
J

b 4
& b b 4 j

? b b b 44
b
J

. r j

. r . j
-

b 4
j
&b b 4

. r

. r - . j

j
. # .
R -

. R
J

. r - . J

44 j

&b

Double Bass

- . - . . . . n .
n . - .
n n

Bassoon
2

.
. . . . n
n
. R

F Horn

n
J

b b 4
& b b 4 J
f

Oboe

j
. r
- .

j
. r .

j
. r
- .

j
. r .

. r
n - . . A . n .

. n R - . . A . n .
3

b .

b .

-3-

b
& b bb

Solo Ob.

1
Fl.
2

1
Ob.
2

b
& b bb

. w

sf

b b J
&b b
b b
j
&b b
b
& b b b n j
Poco Animato (q = 66)

1
B b Cl.
2

1
F Hn.
2

1
Bn.
2

D.B.

&b
&b

b
b

b
&b b

. . . . . #
> . . . . . . . > . . . . . . . . . . . . . . . . . . . . . . J
.

j #

. . . . .
. . . . . . . .
. . . . . . . > . . . . . . p. . . . . . . . mf
.
>

f sub.

mf

f sub.

j
. . . . . .
mf

b
& b b n J
? b b
b b
J
? b b b j
b

. . . . . . . .

mf

> . . . . . . . > . . . . . . . . . . . . . . . . . . . . . .
f

f sub.

arco
j j j
J
-

? b b b j
b
5

mf

f sub.

pizz.

mf

> . . . . . . . n > . . . . . . . j j

J . . j - -
.
f

j
. . . . . .

mf

-
10

-4-

b
& b b b -

Solo Ob.

dolce

J -

b b
. . . . .
& b b . . . . . . J -

b
j
& b b b . . . . . . . . . . .
-

b
& b bb

b b
&b b

J n

mf

Fl.
2

j

mp

Ob.
2

poco rit.

1
B b Cl.
2

&b

&b

j . . . . . . . . . j
. . . . . .
. . . . . . . J
-
p

j
. . .
j

. . . . . . . . . . . . . . . . . . . . .

p
1

b
. . . . .
& b b - . . . . . . J p

F Hn.
2

b
j
& b b . . . . . - . . . . . .
p

? b b
b b -

Bn.
2

? bb b
b
-

D.B.

11

pizz.

12

. . . . .

mf

j
.j . . . . . .

. . . . . . . . . . . . . .
- .

. . . . .

? bb b
b
-

. . . . . . . .
. . . . . . . . . .
J
J

-
-

-
-

j

13

arco

j

j

mf

14

15

16

-5-

b b
&b b

j
j
. . . . . .

espressivo

mf

b
& b bb

mf

espressivo

Fl.

mf

nw

espressivo

Solo Ob.

b
& b bb

w
p

b b
& b b j -
. . . . .
. . . . . . . . . . . .
mf

Ob.
2

b
& b bb

. . . . . . . . . . . . .

mf

j
. . . . . -

A Tempo (q = 66)

1
B b Cl.
2

&b
&b

b
b

mf

b -
&b b

b
& b b -

mf

F Hn.
2

? b b
b b -

mf

Bn.
2

? bb b
b -

mf

D.B.

j
. . . . . . . .

j n #
. . . . . . . . . . . . . . .

? bb b
b -

17

mf

mf

mf

mf

18

w
p

w
p

. . . . . . .

19

nw
p

20

21

22

T
j

b n b

& b bb

Solo Ob.

1
Fl.
2

1
Ob.
2

1
B b Cl.
2

1
F Hn.
2

.
b
& b bb

-6-

b b
&b b

sf

. . . . J . J. J
J J
J J
J
J
J J
J J

j
.

j j
j j
j j
j j
. . J
.
.

sf

mf

b b
&b b

b
& b bb

sf

b J^

sf

b J^

sf

. .
J
J J
J

- . J
J J

. . .
J
. .

j
.

j j
j j n
j j
j j
. . . . J

j
. . . .
.

j
.

j
j j j j
j j j j b
.
. .
.
sf

j j j
- .
-

b
&b b

.
J

- . - . - . - .
J J
J J
J J
J
J J
sf

j
j
. .
J
J

b
&b b

j
.

j
j j

j j
j j
j j
- . - . - . - .
sf

b
&b
&b

mf

mf

? b b
b b

? bb b
b

mf

.
J

mf

? bb b
b J

J J
23

.
J

arco

mf

24

sf

mf

pizz.

D.B.

.
J

mf

Bn.
2

25

j
j
j j
. .

- - b

sf

- - n

sf

- n
-

sf

26

27

-7-

b w
& b bb

Solo Ob.

1
Fl.
2

1
Ob.
2

1
B b Cl.
2

1
F Hn.
2

- .
b .
& b b b J J

b b .
.
& b b J J b

b
& b bb

&b

.
J j
- .
j
j
.
- .

D.B.

b
f

? b b
b b

b A

b A
28

. . . # . . . n

# . . .
p

j
n -

. n . . #

? bb b
b

sf

b j
j
& b b . b .

b ^
J b

? bb b
b

n . n

j
b j
& b b . - .

Bn.
2

sf

# n # . n n

#
b j

b ^
J

b b
&b b

b
&b

# - . . . . . n . . . - . . . .
J
p

mf

. . . # . . . n . . . .

b
f

n - . . . . . - n . . . # . . . .
J
p

mf

n - . . # . . . n . . . - . . . .
J
mf

n # . . . n . . . - . . . .
J

pizz.

arco

mf

29

30

mf

31

32

-8-

Solo Ob.

b
& b bb n

n
b
& b bb n

b b
#
& b b n

n #

b b & b b N

b
& b b b N -

>
n
J

N .

Fl.
2

Ob.
2

1
B b Cl.
2

&b

&b

F Hn.
2

D.B.

n -

- b -

nw

Nw

-
J
J

b
& b b N - j j j

j
j b
-

? b b n
b b

? bb b
b

? bb b
b

34

n n n . . . .

n n n . . . .
-

n n n . . . .

33

n -

J J J

Bn.

b
&b b

-
p

mp
1

b -

b -

35

36

37

-9-

Solo Ob.

1
Fl.
2

1
Ob.
2

.
n

b b
& b b n

b
& b bb

A -

b . n
& b bb

b
& b bb

b b
&b b

&b

&b

B b Cl.

1
F Hn.
2

b
& b b nw
b
&b b

? b b
b b

n n n . . . .

.
. n n

.
. . . n n

? bb b
b

n n n . . . .

.
. n n

.
. . . n n

? bb b
b

n n n . . . .

.
. n n

.
. . . n n

Bn.

D.B.

A -

38

39

40

41

- 10 -

b
& b b b . n J .

Solo Ob.

1
Fl.
2

1
Ob.
2

1
B b Cl.
2

b
& b bb

b
& b bb

&

bb

&

. . n . .
. . . .

Bn.
2

D.B.

.
. n
. . . . n n n

. . . .

. . n . .

. .

. .

. n .
.
.

.
#

n # . n
n

# . . n # . n .

. . . .
. . n . . n

n
J

-
. . . . . .

j
? b b . .
b b . . . .
.
.

j
? bb b . .
b . . . .
.
.

? bb b
b . .
.
.
42

. .

. .

. . . . n

. .

. .

. . n . .

. .

. .

. . . . n

. .

. .

. .

n . .

. .

n . .

leggiero

. . . .

b
& b b n
bbb

n n n . . n

.
. n
n . n .
n n n

b b
&b b

&b

J
f

b b
&b b

F Hn.
2

. . . .

. . . .

. . . .

leggiero

. . . . . . . .
f

43

. . . .
44

45

- 11 -

b
& b bb

Solo Ob.

- . - . n - .
- .
n
j U
b
b
J
&b b

U .

nnnnb

- . - . n - -
b
. .
b

j U
&b b
J n

nnnnb

nnnnb

nnnnb

mp

1
Ob.
2

- . - . n b
j
. .
b
&b b
-
b
& b bb

- . - . .
j
- n n
.
molto rit.

1
B b Cl.
2

1
F Hn.
2

&

bb

- .

. . .
J

b
&b b

- . - . n .
j
.

b
&b b

- . n .
- . . j

U
? b b b - . . . n .
j

D.B.

- . - .

46

mp

j
- .
47

nn

nn

mf

n - . - . .

U
.
? b b
n

b b
J

? b b b - .
b

Allegretto (h = 88)

mf

mp

Bn.

- . - . .
j
# . #

&b

UU
U

. .
.

mf

mp

Fl.

nnnnb n

nnn
nnn

. . . . . .
mp

mf

. . . . . .

. . .

mp

nnnnb

. . .

nnnnb
.

.
nnnnb

mf

mp

48

49

mf

mp

mp

50

.
51

&b

Solo Ob.

- 12 -

. . . . .
n

&b

. .
. n

&b

&b

&b

Fl.
2

mf

Ob.

1
B b Cl.
2

&
&

.
.
.

mp

mf

. . .

&

. . .

&

. . .

. . .

. . . . . .

mp

mf

mp

. . .
. .

#
mp

. .

.

. .

. . .

. . .

. . .

. . . . . .

mf

mp

mf

mf

mp

mp

.
.
. . # .
.

F Hn.
2

mf

mp

mp

mp

.
-

Bn.
2

D.B.

?b
?b

.
52

.
53

.
54

.
55

. . .
.
. .

. . . .
. . .
.

56

57

58

- 13 -

&b

Solo Ob.

&b

&b

Fl.

&b

.
. . n .

mf

& b .

1
B b Cl.
2

&

mf

.
. . # .

. . >
mp

>
- . .
mp

. . .
mp

mf

#
&

mf

mf

Ob.
2

. . >

.
. # .
.

&

&

- .

b -

. . .

mp

F Hn.

- .

Bn.
2

D.B.

?b

?b
59

.
60

61

. . . .
. . .
.

62

-
63

. . .

mp

. .
. .
64

mp

.
mp

65

&b

Solo Ob.

&b

&b

. . >

- 14 -

# . n J . .
J

. . . # . >
J

. . . .
.
.

Fl.

. . . .
. .
J

. . .
.
J . .

&b

. .

>

& b . .
>

. . .

. . .

. . .

.
.

. .

. . .

.
.

. # . .

Ob.

1
B b Cl.

&

&

&

#
#

. . .

-
mp

. . .

.
.
mp

F Hn.
2

&
?

mp

. . .

. . .

. .

.
.
.

. . .

.
.
.

mp

. . .

Bn.
2

D.B.

?b

? b .
66

67

. .
.
68

.
69

.
.

70

.
71

. . .
.
. .
72

- 15 -

&b

Solo Ob.

&b

Fl.

. . >

&b

&b w

>

. . >

. . . # . >
# . n J . .
J
J

Ob.
2

# . n . .
J
J

& b . . . . . .

&

&

B b Cl.

.
# . >
#

. . .

. . >

&

. . >

&

. . . .
.
.

.
.

. . .

.
.

. . . # . >
# . n J . .
J
J

. . . -

. . >

. . . . . .

. . .

. . . . .

.

.

. . . # . >
j

J
J

. . . -

D.B.

. # .

. . .

Bn.
2

?b
.

73

74

?b
.

. . .
. . .

F Hn.

. . .

75

.
.

.
76

.
77

.
.
78

.
79

- 16 -

&b

Solo Ob.

. .. n

#
# n

J .

&b

..

&b

..

.
& b . .

..

&b

. . .

..

Fl.

Ob.

Variation 1

&

&

B b Cl.

#
#

&

&
?

. . .

D.B.

. . .
..

. . .

. . .

. . .

.. . . .

. . .

. . .

. . .

. . .

.
. .

. . .

mp

Bn.
2

..

mp

. . .
b

..

. . .

F Hn.
2

?b

. . .

?b

. . .
80

..

. . .

mp

.. .

81

82

mp

.. .
mp

83

84

85

&b

Solo Ob.

# n

.
n b

.. ..
.

stems down 1x
stems up 2x

- 17 -

&b

.. ..

&b

.. ..

&b

.. ..

&b

.. ..

&

# .

# . n .
J

Fl.

Ob.

B b Cl.
2

&

.. ..

.. ..

&

. . .

&

. . .

. . .

F Hn.

1
Bn.
2

D.B.

. . .

. . .

mp

mp

. .

. . .

. .

. . . .. ..

. .. ..
. .

. .

. . . .. ..

. .

.
. .
. . . .
.

? b .

.
. .
. . . .
.

88

. . .

87

? b .

86

. .

89

.
.

. . .

90

91

- 18 -

1.
# . # j j j

.
.

n
J
&b
J

Solo Ob.

1
B b Cl.
2

D.B.

..

&b

1.

..

&b

1.

..

&b

1.

..

# . # .
&

# .

&

&

.
.

. .

. .

. .

1.

j
.

.
. . ..

1.

j
.

. .
.

j
.

j
.

1.

j
.

1.

j
.

..
. . .

.
.

&

. n .

.
.

. .

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.
.

?b
.
?b

.
.

.
.
92

.
.

93

.
.

.
94

1.

1.

Bn.
2

..

F Hn.
2

&b

Ob.
2

1.

Fl.
2

j
.

1.

95

..

..

..

. . . ..

.
.
. .
.
96


2.

& b n

Solo Ob.

&b

2.

&b

2.

&b

2.

&b

2.

2.

Fl.
2

1
Ob.
2

1
B b Cl.
2

&
&

&

1
Bn.
2

- - - -

. .

. . . . n

- - - -

. .

. . . . n

- - -

.
.

- - -

. .

n . .

. .

j
.

. .
.

j
.

j
.

2.

j
.

2.

j

.

. . .

j
.

?b

97

.
. .

2.

b
p

j
.

2.

D.B.

2.

?b

&
?

2.

F Hn.
2

- 19 -

. .

. . . . #

- - - -

- - -

- -

. .

. . .

.
.
.

.
.
.

- - - -

. .

. . .

. .
.

98

99

.
.
.

100

101

102

- 20 -

&b

Solo Ob.

1
Fl.
2

1
Ob.
2

N
& b J
J

& b J
J

.
J

J
f

J
J

. -

& b J n J #

. J

j
j
& b - - -

j - .
- J

" ..

mf

"

..

"

..

"

..

"

..

G.P.

1
B b Cl.
2

j
. -
J

j
j

j
. J

j
j
# #

j
J . -

. -

"

. -

"

#
j
& j
&

&

D.B.

"
"

&

?b

?b

"

. . . .
. "

. .
.
. .
f
. . . . .
. . "

.
.
.
f

103

..

..

mp

104

105

106

sf

Variation 2

mp

..

..

mp

Bn.
2

F Hn.
2

.
mp

..

mp

..
.

.. .

mp

.
.

mp

107

108

&b

Solo Ob.

- 21 -

3
n n b b b
n


J
3
3
3
3
3
3
3
3
3
3

&b

&b

&b

&b

&

&

sf

Fl.

Ob.

B b Cl.

&

&

F Hn.

#
#

?b w

mf

D.B.

Bn.
2

mp

?b w

mp

mf

109

.
110

.
.

.
.

. . -

.
.
.

mf

mf

111

112

113

&b

Solo Ob.

3
3
.

b

.. ..

stems down 1x
stems up 2x

sf

&b

.. ..

&b

.. ..

&b

.. ..

&b

.. ..

- 22 -

N
3

sf

sf

n
3

sf

# n

J
3
3
3
3
3
p

mp

Fl.

Ob.

1
B b Cl.
2

&
&

#
#

1
Bn.
2

.. ..

.
.

. # .

.
.

. .

. .

.. ..

. .

. .
. .

. .

. n .

? b .
? b .

mp

.
114

.. ..

.. ..
.

.. ..
.

115

.
.

116

.
.

mp

.. ..

mp

mp

D.B.

&
?

.. ..

&

F Hn.
2

117

118

&b

Solo Ob.

- 23 -

b
3

.
.

.
3
3
3

sf

1.

2.

&b

1.

&b

1.

&b

1.

&b

1.

2.

..

..

2.

..

2.

2.

Ob.
2

1
B b Cl.
2

&
&
&

&
?

F Hn.
2

..

2.

. .. .

1.

1.

1.

..

2.

. .. .

.
2.

1.

1.

2.

.
.

.
.

Fl.
2

..
.
.
..

2.

Bn.
2

D.B.

?b
.
?b
.

119

.
.

.
.
120

121

1.

2.

1.

..
.
.
..

. -

2.

.
122

123

- 24 -

&b

Solo Ob.

1
Fl.
2

&b

. . . . n

b
p

&b

&b

& b -

. . . . n

1
B b Cl.
2

&
&

N -
J

-
J

-
J

n . .

- n
J

- #
J

. .

j
- -

j
- -

j
-

j
-

j
-

j
-

j
- #

j
- #

Ob.
2

-
J

&

# . .

&

#
. .

. .

b - N -
J
J
3
3

F Hn.
2

j
j
- -
3

Bn.
2

D.B.

?b

? b -

124

125

. . .
. . .
126

.
.

.
.
.
. .
.
127

128

- 25 -

cantabile, espressivo

&b

Solo Ob.

-
b
& J

-
b
& J

-
J

-
&b J

.
-

j & b -

.
-
J

Fl.
2

Ob.
2

3
.
3

" ..

. .

"

.. w

..
w

. . . "

..

. . . "

..

G.P.

1
B b Cl.
2

# j
& -
f

.
-
J

# j
& -

- .
J

&

F Hn.
2

j
-
f

&

3
j j
- .

- J .
b J

Bn.
2

D.B.

- .
J

?b
?b

.
f

. . . "
3

"

.
.
.
3
3

. . . . .
. . . . .

129

130

.
.

..
w
..

..

. . . "

..

"

..

"

..

. .
131

"

b N

#w

..

. .

Variation 3 (q = 76)

"
. . .
. . .

. . "
3

.
3
3
3
-

w
w
?

132

133

134

- 26 -

&b

Solo Ob.

& b N

&b

j
b

sf

mp

Fl.
2

1.
T .

.. .
2.

1.

2.

.. .

2.

1.

mp

1
B b Cl.
2

&b
&b

1.

1.

&
&

&

F Hn.
2

j

j

j

mp

mp

mp

mp

D.B.

.
1.

-1. -

2.

2.

-2. ..
..
..

pizz.

139

2.

j j

138

..

?b
137

..

1.

136

..

2.

..
.

?b

135

..

2.

1.

..
.

2.

1.

Bn.
2

.
1.

.
1.

Ob.
2

mf

2.

.. j j

2.

140

- 27 -

& b ..

Solo Ob.

sf

& b ..

& b ..

& b ..

& b ..

&

# .
.

&

# .
.

T
n

N .

Fl.

Ob.

B b Cl.
2

&

..

..

. . j

N #

mf

j
p

mf

mf

p
1

F Hn.
2

B b ..

&

D.B.

Bn.
2

? b ..

mf

. .
J

# n

145

146

mf

J #

mf

? b ..
141

142

143

144

- 28 -

&b

Solo Ob.

J ..

2.

1.

&b
&b
&b

..

"

1
B b Cl.
2

&
&

1.

..

"

1.

N
1.

&

F Hn.
2

&

p
1

D.B.

1.

B b Nw

Bn.
2

?b
?b

arco

mp

147

1.

1.

j
..

j"

2.

j ..

j "

j ..

j "

1.

2.

-
-

..

2.

2.

j ..
-

. .

.
R

. .

.
R

. .

.
R

Con Fuoco (q = 156)

"

J

2.

.
R

..
J

2.

. .

G.P.

..

2.

"

2.

1.

&b

..

2.

1.

J "
"

2.

1.

Ob.
2

Fl.
2

1.

..

..

R .

r
.

" ? # # n
J
f

j "
# # n
f

arco
2. pizz.
pizz.

j j .. j j "
# #
n
J
J

148

149

150

151

- 29 -

&b

Solo Ob.

. .

&b

..

. .

&b

1
B b Cl.
2

..

&b

&
&
&

#
#

R .
.
R

D.B.

. .
n

. .
J

ff

.
.
n . n J . n J

. .
n

..

r

.

..

r
.

>

ff

#
#

ff

&

>

?b j

?b
152

ff

n

- J
ff

n
- -

ff

-
ff

153

j
#

ff

. .
J

ff

Bn.
2

.
.
n . n . n

J
J
n

R .

F Hn.
2

ff

Ob.
2

ff

Fl.

&b

.
R

154

155

- -

- - - -
156

- 30 -

&b

Solo Ob.

1
Fl.
2

1
Ob.
2

&b

.
. . J

b
&
&b

solo -- a piacere

.
R

mf

. . .
. . J
b
&

molto rit.

1
B b Cl.
2

&

# -

D.B.

. .
. . .
. . . . .

&

&

&

. . . . -

b -

?b

?b
-

157

w
p

Bn.
2

F Hn.
2

w
p

158

159

160

161

- 31 -

Solo Ob.

.. n

&b

b
&

..

..

..

..

Fl.

&b

&b

&b

Ob.

mf

U
1
B b Cl.
2

&

# U

&

# U

F Hn.
2

1
Bn.
2

D.B.

&
?

U
?b
U

?b

Variation 4 (q = 136)

..

mp

&

..

mp

.
.

.
.

w
mp

..

..
.

.. .

..

mp

mp

.
.

mp

162

..

mp

163

164

.
.

165

- 32 -

&b

Solo Ob.

&b

&b

&b

&b

&

&

&

Fl.

Ob.

B b Cl.

#
#

.
.

.
.

w
mp

&
?

.
.

F Hn.
2

b .

mp

Bn.
2

D.B.

?b

? b .

166

.
.

167

.
.

168

.
.

169

1.

&b

Solo Ob.

.
. ..

2.

1.

..

&b

Fl.

1.

..

&b
1.

..

&b

Ob.

1.

1
B b Cl.
2

..

&b

&
&

#
#

1.

1.

&

F Hn.

1.

&
?

1.

2.

2.

2.

..

2.

..

2.

.
.. .
2.

.. .

.
..
.
.
2.

? b .

.
1.

170

..

..

.
.
..

..
..

2.

b . .

?b

2.

1.

Bn.

D.B.

. .
1.

- 33 -

2.

.
.
.

..
..

..

.. .

..
-

.
171

..

.. -

..

..

.
.
2.

172

173

&

Solo Ob.

&b

&b

&b

&b

&

&

- 34 -

Fl.

Ob.

B b Cl.

#
#

&

&

.
.

.
.

.
.

.
.

mp

F Hn.
2

? nw
b

?b

.
mp

Bn.
2

D.B.

? b w

.
174

.
175

176

.
.

.
.
177

&b

Solo Ob.

1.

&b

Fl.
2

&b
&b

.
. ..

1.

2.

..

1.

2.

..

2.

..

1.

&b

- 35 -

2.

1.

Ob.
2

2.

..

cantabile, espressivo

. . #
. R

. . . .

. .
.
. . . . . . . . # .

. R

. R . .

. . .

r
. . .

.
.
# .

accelerando

1
B b Cl.
2

&
&

#
#

&

.
.

&

.
.

Bn.
2

D.B.

2.

. .. .
.
.
1.

1.

..

.
.

. . . . . . . . .
f

2.

.. . . . #
.
.

?b
?b
-

.
.
178

1.

.
.

1.

2.

.. .

. . .
f

.
.
. ..
. . .
2.

.
1.

.
1.

.
..
.
. . . .

f
2.

.
..
2.

179

. .

.
. . .

.
. -

2.

F Hn.
2

1.

. .
f

180

.
.
p

. .

. . .
p

.
. . . .
p

.
. .

. . .

.
. .
.
p

181

182

183

&b

Solo Ob.

&b

&b

&b

&b

# >

. N
sf

# >

- 36 -

. N

sf

sf

Fl.

Ob.

In Two (h = 92)

j j

&

&

&

&

B b Cl.

j
#

? b .

# .

? b .

# .

j
#

j
#

F Hn.

1
Bn.
2

D.B.

184

185

186

187

.
.

# .

. .

. .

188

189

# N . n

b
.
&

Solo Ob.

&b

&b

&b

&b

&

&

&

&

?b
.

?b
.

190

191

- 37 -

Fl.

Ob.

B b Cl.

#
#

j #

j j

j #

mf

# .

Bn.
2

D.B.

F Hn.
2

mf

.
.

. .

. .

.
.

.
.

. # .

. .

.
.

.
.

.
# .

. .

192

193

194

195


&b

Solo Ob.

&b

&b

&b

&b

&

&

&

# -

&

- 38 -

>

J #

j
#

Fl.

Ob.

B b Cl.

#
#

j
#

j
#

# .

D.B.

mp

Bn.
2

mp

F Hn.
2

?b
?b

.
.

196

.
.
.
.
.

.
.

j
#

j b

#
.

# .

197

.
.
198

199

200

&b

Solo Ob.

- 39 -

&b

&b

&b

&b

mf

mf

Ob.
2

mf

Fl.
2

mf

poco rit.

1
B b Cl.

&

#
#

j j # J

mf

&

. .

> > > > b >

J J J J J
J

&

. .

# .

j
j j
j
b j j
> > >
>
>

?b

.
.

?b

&

F Hn.

Bn.
2

D.B.

> > >

j
j
j j j j
J
>
>

201

.
202

203

.
.

> > > > >

J
J J J J J

. . . .

. .
. .

. . . .

. .
. .

204

205

206

- 40 dolce

&b

Solo Ob.

mf

&b

Fl.
2

1
Ob.
2

&b
&b

b n b

.
bw

mp p

j j

N b

b .

mp

mp

&b
mp

Poco Meno Mosso (h = 84)

1
B b Cl.
2

&
&

# - n n n n n

J
mp

j
- n

mp

bw

- .

-
b

?b
-

mp

?b
-

208

209

210

&

mp p

F Hn.
2

&
?

mp

mp

D.B.

mp

207

Bn.
2

211

212

- 41 -

b .

w
&b

&b w

&b

Solo Ob.

Fl.
2

- b b .

b -

&b

&b

Ob.
2

&

&

&

B b Cl.

# n n

- n n

n j n

D.B.

n n

&

b -

Bn.
2

.
p

F Hn.

?b
?b

213

214

215

216

b -

b -

b -

b -

217

218

 b

&b

Solo Ob.

1
Fl.
2

&b

b

&b

& b b

&b w

1
B b Cl.
2

&
&

>

> .
J

>

b
J

>

b .

>

>

D.B.

. .

. .

n
n
n j
J
f

mp

&

Bn.
2

mp

&

mf

j j

>

J
mf

F Hn.
2

mf

1
Ob.

- 42 -

j
>
mf

>
J
mf

?b

?b

b
219

b
. . .

b .
.

. b .

b
. . .

b .

. b .

220

221

222

223

.
.

.
.
224

mf

mf

225

- 43 -

&b

Solo Ob.

1
Fl.
2

.
&b

>

&b

&b

sf

& b .

.
.

j

>

b .

>

sf

Ob.

&

&

B b Cl.

. .

mf

j
j
>
> b >

&

>
>

J
J

> > >

J
J
J

&

>
j b
J
>

>
b j j
J
>
>

?
b .

F Hn.

b -

. .

Bn.
2

D.B.

>
? b J >J
?b
.
226

227

> n >
J
J
mf

>
J
.

b .

b .

228

229

230

& b n

Solo Ob.

1
Fl.
2

b .
&b

.
&b

&b

&b

- 44 -

n b

b
-

b # . .

# . .
#

ff

# .

mf

n #

b # . .

mf

Ob.

1
B b Cl.

#
& #w
#

- -

# J

j n
J

>
mp

#
J

j

>

&

>

J

>J

&

j
>

>
J

&

F Hn.

n >

J
b

mp

n >
J

D.B.

?b
?b

.
.

n .

n .

231

232

Bn.
2

233

234

235

&b

Solo Ob.

- 45 -

.
.
.
. #

# # ^

&b w
p

.
.

. # . ^
#

# .

&b

Fl.
2

non legato

non legato

# ^

# #

&

&

# #

? #w
b

?b w

&b w

& b #w

Ob.
2

1
B b Cl.
2

&
&

w
p

F Hn.
2

#
v

^
^
#

Bn.
2

D.B.

?b w
p

236

237

238

v
^

239

- 46 -

& b # #

Solo Ob.

&b

&b

&b

&b

&

# -

# n

mf

mp

#
J
p

Fl.

Ob.

B b Cl.
2

&

j j
> . . .

j
j
. . .
>
pp

w
p

&

w
p

F Hn.
2

&
b

b > . . .
J
J

?b

> . . .
J J

D.B.

> . . .
J
J

pp

Bn.

> . . .
J
J
p

pp

?b
240

241

242

243

244

245

&b

Solo Ob.

# -

- 47 -

U
N
. .
J J J b J N n
pp

&b

&b

&b

&b

Fl.

Ob.

1
B b Cl.
2

&
&

&

&

#
#

F Hn.

D.B.

mp

?b

Tempo II (h = 88)

?b

mp

250

251

mp

mp

246

mp

Bn.
2

molto rit.

247

248

249

&b

Solo Ob.

. .

. .

- 48 -

1
B b Cl.
2

b
J J

&b

&b

J J

&b

b
J J

j j

Ob.
2

J J

&b

Fl.
2

&
&

&

#w

mp

v v n
v

v v
v

j
v v b
v

j
v v
v

j
v v b
v

j
v v
v

j
v v b
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j
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v

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b
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2

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mp
1

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2

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mp

-
-
252

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253

254

255

^ ^ ^
J b
256

^ ^ ^

J
257

- 49 -

&b

Solo Ob.

1
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2

ff

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n .
J

J
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b .
J

& b J

n .
J

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j .
b

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2

1
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2

b b b
n -

&
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n

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p

b
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n .

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n

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mp

v v

v
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j j j

j j
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b
J
258

n .

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n

n .

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n

mp

259

260

261

262

& b n

Solo Ob.

- 50 -

n -

w
w

nw

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&b

j
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Fl.

Ob.

molto rit.

&

&

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B b Cl.

#
#

j
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j
b

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2

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w
p

n -

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2

D.B.

?b
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?b
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263

264

265

266

267

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Solo Ob.

- 51 -

&b

&b

&b

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cadenza -- a piacere

B b Cl.
2

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43

3
4

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4

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3
4

43

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4

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4

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F Hn.

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mf

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268

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3
4

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Solo Ob.

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3
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mf

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34

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mf

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270

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271

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272

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273

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274

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275

276

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277

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&b

Solo Ob.

1
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2

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282

283

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- 54 -

N >

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2

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1
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2

&
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mp

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N >

mp

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286

287

288

289

290

291

292

293

294

- 55 -

&b

Solo Ob.

&b

>

# >

>
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p

sf

N >

sf

>

>

.
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2

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Ob.

Variation 5

1
B b Cl.
2

&
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>
#

# >

N >

sf

>
sf

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.. j j j j j

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2

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J
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J
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p

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296

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297

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298

299

300

301

302

303

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Solo Ob.

>
J

>

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J
J
- 56 -

stems down 1x
stems up 2x

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J n

Fl.

Ob.

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J
J
J
J
J
J

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&

# j
j
j
j
j
j
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j
j
j
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j
j
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F Hn.

. . .

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b JJ
J
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J
J

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2

D.B.

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304

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305

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306

307

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308

309

310

311

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Solo Ob.

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- 57 -

# .

Fl.

j
j
j
j
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mf

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2

1
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2

j
j
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j
j
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mf

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312

313

.
314

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mf

315

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316

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317

318

319

- 58 -

&b

Solo Ob.

&b

.


J

&b

mf

mf

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2

mf

j
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j
j
j
j

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j
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Ob.
2

Variation 6

1
B b Cl.

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>
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J
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.
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j
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321

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322

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324

J J J

J
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325

326

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Solo Ob.

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&

&

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&

.
b

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.

- 59 -

Fl.

Ob.

B b Cl.

#
#

F Hn.

? b j j j
J

J J J

J
J
J

329

330

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2

D.B.

327

328

j
j
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331

332

- 60 -

& b

Solo Ob.

&b

Fl.
2

&b

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&

.
p

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2

&

&

&

# .
p

F Hn.

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2

D.B.

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333

334

335

336

337

338

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Solo Ob.

mf

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.
&b

&b

&b

&

&

&

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#
3

- 61 -

3
N

n

3

J
3

sf

Ob.

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#
#

.
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mf

&
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D.B.

j j j

J J J J

mf

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2

mf

F Hn.
2

?b

mf

j
j
j

pizz.

?b

mf

339

340

341

342

343

344

mf

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Solo Ob.

n
3

- 62 -

&b

&

&b
&b

&b

Fl.
2

Ob.

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2

&

#
#

&

&

F Hn.

.
b

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2

D.B.

? b j j j
J J J
345

346

.
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j j j
J j
347

348

349

350

J n
& b
- 63 -

Solo Ob.

1
Fl.
2

&b

sf

.
&b

1
B b Cl.
2

&
&

.
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3
3
^

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.
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f
arco
> .

?b

352

353

354

355

.
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3

351

?b

f
2

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D.B.

> > ^

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&

> >

> >

> > ^

> >

> > ^

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> > ^

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2

&b

> > ^

ff

356

- 64 -

&b

Solo Ob.

&b

Fl.
2

&b
&b

Ob.
2

1
B b Cl.
2

&b

&
&

1
Bn.
2

D.B.

> > ^
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3

> > ^
^ ^
3

> > ^ ^ ^

.
>

>
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>

?b
?b

357

b b N
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3
3
3

b b N .

>

>

b b a .

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>
3

>

>

n >

v v v

n
v

v v v

n
v

358

# >

^ ^ ^

>

> > ^
#
v v
3
3

&

> > ^ ^ ^
#

# ^

^ ^

>
v
>
3

n >

> > ^ ^ ^

>

&

> > ^
^ ^

^
#

F Hn.
2

n >

359

360

361

~~~~~~~~~~~~~~~~~~~
.
n b # n

n n
&b
- 65 -

Solo Ob.

&b

mp

Fl.
2

&b

mp

. . . . . .

&b

mp

Ob.
2

&b

. . . . . .

mp

1
B b Cl.
2

&
&

. . . . . . . . . . . .

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&

mf

F Hn.
2

&
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mf

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mf

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p

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2

D.B.

?b

mf

?b

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mf

362

363

364

365

.
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mf

.
366

. . . . . .

mf

367

368

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Solo Ob.

&b

Fl.
2

&b

1
B b Cl.
2

^ ^

^ ^

v v

^ ^

&b

&

^ ^

^ ^
^ ^

^ ^

v v

^ ^

sf

> >

non legato

^ ^

^ ^

> >

non legato

p3

> >
non legato

&

p3

&b

&

Ob.

. >
#

- 66 -

^ ^

^ ^

F Hn.
2

&
?

v v

^ ^

v v

^ ^

Bn.
2

?b

v v

D.B.

?b

369

370

371

372

373

v v

374

375

&b

Solo Ob.

1
Fl.

&b

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1
Ob.
2

1
B b Cl.
2

1
Bn.
2

D.B.

^ ^ ^ ^
j
j

b
&
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>
v
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^ ^ ^ ^ ^ ^

# > j> 3
&
>
v v v v v v
3
3
&

.
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&

^ ^ ^ ^ ^ ^
^ ^ ^ ^ ^ ^

March 30, 2007

Denton, Texas

^ ^ ^ .

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^ ^

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ff

^ ^ ^ ^ ^ ^

^
^ ^ ^ ^ ^ .

ff

3
3
3
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b
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v v v v v v
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v
v v

ff

v v v v v v

v v v v v v
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ff

^
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v
v v v
v

ff

^ ^ ^ ^
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v v

ff

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- 67 -

&

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^ ^ ^ ^ ^ ^

^ ^ ^ ^ ^ ^

^
.
v v v v v
ff
^

ff

^ ^ ^ ^ ^ ^

^ ^ ^ ^ ^ ^
^ ^ ^ ^
j
v

?b

376

377

378

^ ^
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v v v

v v v v v .
ff

^
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v v v

ff

379

380

381

382

383