Professional Documents
Culture Documents
REVISITED
“ SADJA-GRAMA
”
SCHEME
1
AS PER BHARATA Muni,
SADJA-GRAMA
SCHEME IS THE
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SADJA-GRAMA
LOWER UPPER
LIMIT LIMIT
OCTAVE
S S'
R3 G2 M4 P4 D3 N2 S' 4
3 4
2 2
4 3
4
THESEVEN
SWARAS 5
ARE GIVEN IN
SADJA-GRAMA
LOWER UPPER
LIMIT LIMIT
OCTAVE
S R G M P D N S'
R3 G2 M4 P4 D3 N2 S' 4
3 4
2 2
4 3
4
(D) 16
(D) 18
(P) 13
(S’)22
(M) 9
(G) 5
(R) 3
(S) 0
R3 G2 M4 P4 D3 N2 S' 4
3 4
2 2
4 3
4
THESE ARE THE
“SEATs”
FOR EACH SWARA 7
SADJA-GRAMA
LOWER UPPER
LIMIT LIMIT
OCTAVE
S S'
R3 G2 M4 P4 D3 N2 S' 4
3 4
2 2
4 3
4
SWARA-RANGE “SEAT” OF
SWARA
FROM TO THE SWARA
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What does
my research work
Reveal ?
11
‘Ancients’ of the
WEST as well as the EAST
Worshipped Numbers
From ‘1’ to ‘12’
As ‘SACRED’
12
When Numbers
From ‘1’ to ‘12’
Are analyzed mathematically
Only ‘22’ fractions
Can be formulated
13
I had transformed these
22 fractions
into the Tonal domain
And assigned values
In an octave calibrated
Into 22 equal segments
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continued
16
continued
Traditional Traditional
SRUTI SRUTI
SERIAL FRACTION Sadja-grama SERIAL FRACTION Sadja-grama
VALUE VALUE
values values
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The first thought
That would appeal to a
‘Rational’ mind is that
It is a mere
“CO-INCIDENCE”
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I researched further
In the realms of
What is known as
‘Madhyama-grama’ and ‘Murchanas’
To discover and get
Convinced that Some
“MASTER-HAND”
Had conceptualized this ‘DESIGN’
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I HOPE
MY VIEWER IS WITH ME
ON THIS
VERY ‘SIGNIFICANT’
DEVELOPMENT ??
21
I AM
TALKING ABOUT
BETWEEN TWO
TOTALLY UNRELATED
ENTITIES ??
22
THE ‘22 - FRACTIONS”
BASED ON AN
ANCIENT CULTURE
( AND DETERMINED BY USING
CONTEMPORARY MATHEMATICS )
Vis-à-vis
ANCIENT INDIAN ‘SHASTRAs’
OF MUSIC ??
23
To know more details
On my relevant research work
on ‘Madhyama-grama’
And ‘Murchanas’,
Please read my blog
Exclusively made for these subjects.
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CONTACT ME
Tele: 91 20 30441256
Mobile: 9890266845, 9850121834
E-Mail: snnambirajan@rediffmail.com,
nambi@22sruti.com
Web site: http://www.22sruti.com
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