Professional Documents
Culture Documents
Gr e e ti ng
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Long Time No
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T o mo ko T a no , Re pr e s e n t a t i v e D i r e ct o r
NPO Heart Art Okayama
Undertaking related to Setouchi International Art Festival 2013, Takamatsu Heart Art Festival 2013
Org an ized b y : th e City of Tak amatsu
P lan coord in ator: NP O Heart A rt Ok ay ama
S u p p orted b y : S etou ch i In tern ation al art Festiv al Ex ecu tiv e Committee
Journey of Father eel Seasons of animals Everyone at the workplace
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We will become ocean a n i m a l s .
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Hirokis Words
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Twitter Fecebook
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Undecided
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ENTRANCEMENT
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Mona Lisa to continue
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NPO
Mayor Bill Foster will visit Creative Clay during Free Museum
Day, Saturday, Sept. 28, at 1:30 p.m., to accept a letter from
Mayor Hideto Onishi, of Takamatsu, Japan-St. Petersburg's
s i s t e r c i t y. T h e l e t t e r e x p re s s e s M a y o r O n i s h i ' s g r a t i t u d e
for the city of St. Petersburg's continued suppor t of Ar tlink
J a p a n , a n o n g o i n g a r t i s t i c c o l l a b o r a t i o n b e t w e e n C re a t i v e
Clay member artists and artists with disabilities living in
Japan. During the event, Creative Clay will exhibit ar twork
from their Artlink international collaboration, and visitors will
have an oppor tunity to par ticipate in a Japanese Ink Brush
Drawing Workshop (1 - 2 p.m.), led by Jonathan Hobbs, a
C re a t i v e C l a y t e a c h e r a n d f o r m e r re s i d e n t o f J a p a n . T h e
e x h i b i t a l s o w i l l f e a t u re h i s t o r i c a l o b j e c t s f ro m Ta k a m a t s u
on loan from the St. Petersburg Museum of History. Creative
Clay will be open on Free Museum Day from 10 a.m.- 3 p.m.
2010
Angel Rabbit
/ Mai Uehara + Naoto Shimizu
Seeing Angel Rabbit that Mai drew, a simple association of angel
equals sky crossed my mind. A hidden work or concealed idea kept
in the mind of a girl would be lifted in the sky and look down on the
audience below. The heart of Mai who looks up and those of the family
and friends would influence people around them and joined hearts
would move together to create a big wave. It would appear to embrace
as an angel would.It is my hope that Mais message would come across
and a new social value be created by keeping her balloon continuously
exhibited in various events inside and outside Kagawa Prefecture even
after the ArtLink Exhibition finished.
A u gu s t
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This year we will again exhibit the giant balloon Rabbit Angel.
For this project, people at Creative Clay in Saint Petersburg will be
sending messages to the citizens of Takamatsu through this project.
This project mirrors the art link statement Through art making as
creative means, the links between people, cultures and their sensibilities
will create new concepts. This experience is deeply purposeful where
citizens from both Takamatsu and Saint Petersburg will be able to further
deepen their friendships and ties between the two cities.
On beh alf of the project coordinators, I would like to send my
gratitude for your generous interest and cooperation for this event.
We look forward to viewing the heartfelt messages from the citizens
of Saint Petersburg this October at Takamatsu Artlink Project and the
widening of the circle of friendship between our cities.
2 , 2 0 1 3 Mayor
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balloon
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Creative City
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C r e a t i v e N e t w o r k
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Representative director of Association for corporate support of the Arts, Advisor for local capacity
building for the Ministry of Internal Affairs and communications
u n d e r s t a n d t h a t t h e y c a n b e c re a t i v e
beings expressing themselves. In some
instances their expressions overwhelm
professional artists. This is a great
opportunity. If art can give energy to the
elders, then I hope artists set a goal of
letting the elders become artists. I would
like to suggest Tano-san to develop a new
version of ArtLink to connect older people
and artists.
Tano: We are seeing that art goes beyond
generations and boundaries between an
ordinary and an extraordinary life. All fuse
into art: persons who create art and those
who appreciate it, visitors meeting people
on islands and stories they create. By
contrasting past against present, one can
see the charms of a town. Please tell us
what is happening.
O n i s h i : P e o p l e f ro m b i g c i t i e s f i n d a n
extraordinary life on an island. A trip to
an island itself is extraordinary, but the
first thing you notice on an island is that
you do not find anyone of your age, you
find older people. Talking to people in
an older generation is quite refreshing.
For the previous event, 70% of visitors
were women, 70% of visitors were young
people up to their 30s, and 70% of them
w e re f ro m b i g c i t i e s i n c l u d i n g To k y o .
Those people come to islands and fell in
love with them, and some of them return
to the islands for another visit. Even some
of them come back to live. I think the art
festival enhanced the appeal of the local
communities.
To talk about the fusion of the old
and the new, Takamatsu is going to sign a
cultural and tourism exchange agreement
w i th K ana z a wa . We t h in k Ka n a z a wa is
our role model in Japan. Both cities used
to thrive as a castle town and old culture
has been preserved, that is similarities.
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d e v e l o p . We h a v e s e t u p t h e C re a t i v e
City Promotion Bureau. The concept
of Creative City is a city of many
mechanisms that could spawn diverse
possibilities, instead of us showing a
definite vision. What is important in
t h a t p ro c e s s i s t o l e r a n c e . W h a t m i g h t
c o m e w i t h m a n y d i ff e r i n g i m p l i c a t i o n s
should not be simply rejected. We want
a community of people who could accept
to some degree. That way, we expect, we
might be able to see a bright future.
Kato: When I was first involved in
developing a concept for Culture/Ar t
C r e a t i v e C i t y Yo k o h a m a , w e d i d n o t
think so much about a goal. In a course
of discussion we decided to aim for
developing a creative neighborhood.
Noteworthy was that we established a tag
line that goes, All citizens are ar tists/
expressionists. That is because we feel
if everyone tells one another who they are
and what they want and recognizes each
other, then they are all artists. When that
happens, something good happens to
economy. What I mean is that obligatory
expenses could go down. For example,
when a person with a disability or an
elderly person expresses himself/herself,
they all cheer up. Knowing that, artists try
to find ways to let persons with disabilities
and/or older persons express themselves
cheerfully at an early stage and offer that
to a wide range of citizens so that persons
with disabilities would not get isolated
or older people do not get bed-ridden. It
should be practiced not just from a viewpoint of care but for circumstances that
t h e y s t a y h e a l t h y e x p re s s i o n i s t s . A s a
result, we might be able to reduce social
obligatory costs.
Onishi: I think you are talking about the
health of a city: the health of a person
K a t o : Ta k a m a t s u i s b l e s s e d w i t h i t s
geographical location and the castle in
the city faces the sea. My dream is to
e s t a b l i s h a C re a t i v e N e t w o r k t o c o v e r
the entire Seto Inland Sea, ranging from
Osaka, Owaji to Bepu in west at Kunisaki
Peninsula and take a luxurious cruise to
visit all of them. Fur ther more, we want
to adver tise it targeting not Japanese,
but people overseas. I want them to
appreciate the value of Seto Inland
Sea and become envious of Japanese.
I want that type of cruise that no one
else has implemented to build a network
throughout Seto Inland Sea. The network
would need hubs and Takamatsu can be
one hub because it is promoting this level
of creative activities. Our expectation is
high. I sense we have a chance while Mr.
Onishi is the mayor.(laugh)
Onish: It so happens that next year will
be the 80 th anniversar y since the Seto
Inland Sea National Park, Kirishima
National Park and Unzen National Park
were designated in 1934. The landscape
v i e w e d f r o m Ya s h i m a c o n v i n c e d t h e
government to designate the Seto
Inland Sea as a national park and an
area covering Shodoshima, Mt. Washu,
M i t o y o a n d To m o n o u r a w a s s e l e c t e d .
This is exactly the same area where the
Setouchi International Art Festival is held.
I hope I can take a broader view for our
under takings for next year, taking into
account interchanges throughout the
entire Seto Inland Sea.
Tano: Wow, that is a grand plan. I hope
that I can be involved in that even in a
small way. Thank you very much for your
time today.
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P3 art and environment
K AT O H T aneo
Representative director of Association for corporate support of the Arts, Advisor for
local capacity building for the Ministry of Internal Affairs and communications
1990 (AAF)
2012
NPO NPO
( 2 0 0 2 2 0 1 0 )
20122008
In 1990 he rolled out Asahi Art Festival (AAF) and kicked off Asahi Beer
Oyamazaki Villa Museum of Art and leads a wide variety of art and cultural
initiatives. He actively advocated cultural polices as the chairperson of
the Research Division of the Association for Corporate Support of the Arts
including New Compact. Since 2012 he is in the current post. He is a
director of art NPO Link, Art Resource Development Agency (ARDA), outside
a d v i s o r f o r J a p a n N P O C e n t e r, M a n a g i n g D i r e c t o r f o r Yo k o h a m a A r t F o u n d a t i o n
(2002-2010), and director for Chishima Foundation for Creative Osaka. He is
also serving an art and cultural advisor for the City of Hachinohe, the City of
S a i t a m a , O k i n a w a P re f e c t u re a n d Wa k i m o t o . H e i s a n c o a u t h o r o f m a n y b o o k s
including Soft Power that change the Globe(Seigensha Art Publishing, 2012).
In 2008 he received the Minister of Education Award for Fine Arts.
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3
Long Time No See
AAF
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NPO
2008
2009
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2010
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1990
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t r y i n g t o a c h i e v e s o m e t h i n g d i ff e r e n t
w o u l d p ro v i d e d i ff e re n t p e r s p e c t i v e s ,
a r t i s t s w h o w e re i n v o l v e d i n t h e p a s t
H a n a d a , N a o t o S h i m i z u , Ta k e s h i
f o r m t h a t i s d i ff e re n t f ro m t h e i r u s u a l
s t y l e a n d t h e re l a t i o n s h i p i t s e l f t a k e s
S e r i z w a c o n c l u d e d p o w e r f u l l y, W e
inte r a c t i o n i s q u i t e in te re stin g .
I n t h e A r t L i n k p h i l o s o p h y, p e r i p h e r a l
a m o r e b r o a d a n d d e e p w a y. T h e r e
s u c h w a y, a r t i s e s s e n t i a l f o r t h e
f o r t h c o m i n g f u t u re o f t h e g l o b e . I f e e l
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SE R IZAW A Takashi
( 2 0 0 2 )
2 0 0 3 2 0 0 5
2 0 0 9 2 0 1 2 2 0 1 2
H e es tabl i s hed P3 ar t and env i ronmenti n 1989. H e has rol l ed out numerous proj ects
primarily for moder n ar t museums and environmental plans. General director for
D emeter (2002, Obi hi ro) Secretar y general for A s ahi A r t Fes ti v al (2003- ) C urator
f o r Yo k o h a m a Tr i e n n a l e ( 2 0 0 5 ) , G e n e r a l d i re c t o r f o r M i x e d B a t h i n g Wo r l d ( 2 0 0 9 ,
2012, B eppu), D i rector general for D es i gn C reati v e C enter i n K obe
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H A R I MA Y a s u o
2 1 1995
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house for disabled persons to live. In 2004 he established an art center HANA for persons with disabilities,
/ SO GO Y oko
1999
PROFI LE
the first of its kind in Japan. Since 1991 he has been holding Wataboshi Musical Festival in Asia/Pacific area
once every two years. In 1995 he proposed Able Art Movement to create a new relationship between art
and a society in efforts of enhancing cultural competence of general public. Since 1999 he has been engaged
in research about care for careers as a civil research. In this initiative he is proposing to develop creative
relationship between citizens, diversified values and a community that embrace culture from perspectives of art
and care. In 2009 he was awarded Ministry of Education, Culture, Sports, Science and Technology Award,
She loves drawing illustration and is collecting her works
so that she can be a professional illustrator. She is very shy
and sometimes becomes uneasy, but depicts ver y delicate
relationship manifested in subtle dialog between parents and
child, siblings, and friends. She belongs to Ajisai, the Village
of Nazareth, Social Welfare Service Corporation.
/ K AT O N aoki
P o t t e r. H e h a s b e e n m a k i n g p o t t e r y w o r k s w i t h a m o t i f o f
g r e e n p e p p e r. S o s o m e t i m e s p e o p l e c a l l h i m M r. G r e e n
P e p p e r. R e c e n t l y h e i s m a k i n g b o n e s a n d s h e l l s . H e i s
hanging in there. Lives in Okayama Prefecture.
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/ KONDO Koshiro
/ SA TO H i r ok i
/ MATSUBARA J u n y a
/ KA WA KU B O A ki taka
CS
I pod
Ve r y a t h l e t i c , b e i n g g o o d a t m a r a t h o n , b o w l i n g ,
badminton, ping pong, swimming, skiing and others.
H e t o o k p a r t i n H o n o l u l u M a r a t h o n i n D e c e m b e r,
2013. He belongs to Wind Hill, a support facility for
persons with disabilities.
H e l o v e s M i c h e l a n g e l o , E l G r e c o , To s h u s a i S h a r a k u .
He loves renowned artists and produces oil paintings,
w h i c h a r e h o m a g e s . E l G r e c o s a n n u n c i a t i o n d r a w n
on a corrugated cardboard seems even divine.
/ TAKAMATSU Asuka
/ C H I B A N ao m i
/ KU Min fa
/ ITO Genki
2009
A r t i s t . S h e w a s b o r n i n Ta k a m a t s u , K a g a w a P r e f e c t u r e
i n 1 9 8 4 a n d l i v e s i n t h e s a m e c i t y. S h e g r a d u a t e d
from Onomichi City University Graduate School. She
is searching for the outline of a thing called art while
producing painting, but it is not yet confirmed.
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She attended open classes of Biwakei lead by Setsuko Yamada
since the end of the last Century. She took part in a theatrical
performance Musk and Spica as a performer which was directed
by Megumi Ohashi. At present she is carrying out activities in a
performer unit while exploring impromptu expressions unique to
the East together with local expressionists.
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Editor's Note
2013
Five pairs participants of the ArtLink met in a season when the Seto Inland
Sea was covered by spring haze. The seasons changed from summer to
fall. The expressions they generated for the ArtLink involved the families
and people around them and connection evolved three dimensionally.
The artists pay close attention to their partners expressions in their daily
life and their life itself. They tried to find true messages such as what the
partner truly likes, what the partner expects from them and what they
want to communicate to someone else. Each time they met, the actions
accumulated and formed overwhelming power, and ultimately crystalized
in shapes of the works they exhibited. We could sense natural
gentleness, strength, suppleness, just like islands of the Seto Inland Sea
have embraced and developed diverse cultures. Through the talk, I came
to realize we need a tolerant and mature society for any new culture to be
brought forth and person-to-person relationship for the creation of new
values. ArtLink helped a pair of two persons to form new world views. By
contributing to a community, their potential blossoms and profound charms
of art can be reflected in a day-to-day life.
We want to watch carefully how new values that five pairs of
participants of the ArtLink generated would take roots in the community.
We want to keep creating connectivity and relationship from person to
person in such ways as tides of the Seto Inland Sea and winds blowing
over the sea would do.
In closing I would like to thank everyone who was so supportive for
the Takamatsu ArtLink Project 2013.
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700-0982 2-5-22-102
TEL090-5698-4933
FAX086-221-3119
E-mailinfo@heart-art-okayama.net
URLhttp://www.heart-art-okayama.net
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