20110708

The Acceptance of Experimental Musical Instruments by John Cage

and SUZUKI, Akio

1.

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2.

Luigi Russolo 1885-1947 1915

Edgar Varse 1883-1965
1913 3 11

-
1985113

20

Brown 1981; Brown 1986

Veglio di una citta 1914

http://www.ubu.com/sound/russolo_l.html

1915

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sound-mass

New Instruments
and New Music (1936)Varse 1936: 197

1950

Pierre Schaeffer 1910-1995 Dserts195054

Pome lectronique1957-58

1950

Chadabe 1997; Dun 1992/1996; Holmes 2002; 2006 2001

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John Cage 1912-1992

Cage 1958, Cage 1961: 83-85

Cage 1958: 84
20

3.

creative musical instruments

experimental musical instruments
unusual musical instrumentsHarry
Partch 1901-1974

1700 Bartolomeo Cristofori 1655

1731
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1940
2007

Richard Bunger 1942-

1967
1973
1978

[]

life
Cage 1972: 8

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1940

1973

Charles 1990: 46-47;

Salzman 1978: 56
Cage 1961: 3 12

Cage 1961: 5; Charles 1990: 53

pantonalityCharles 1990: 53

50

Cage 1972: 8

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4.

SUZUKI, Akio 1941-

http://www.tokaibane.com/products/coil_kat_04.html

2003
33:00

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1985

2010 7 4 nu things

2008

2007 4 3-15
2007 4 7

1977

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5.

Brown, Barclay. 1981. The Noise Instruments of Luigi Russolo. Perspectives of

New Music, 20.1-2 (Fall-Winter 1981): 31-48.
---. 1986. Introduction to The Art of Noises. in: Russolo, Luigi. 1986. The Art of

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Noises (Monographs in Musicology). With the introduction by Barclay Brown.

English translation of L'arte dei rumori (1913/1916). New York: Pendragon Press.
1978
M
Cage, John. 1958. Edgard Varse. Firstly appeared in the Fall 1958 issue of
Nutida Musik (Stockholm). Cage 1961: 83-85.
---. 1961. Silence. Middletown, CT: Wesleyan University Press.
1996
---. 1972. How the piano came to be prepared. Cage 1979: 7-9.
---. 1979. Empty Words. Middletown, CT: Wesleyan University Press.
Chadabe, Joel. 1997. Electric Sound: the Past and Promise of Electronic Music .
New Jersey: Prentice-Hall, Inc.
Charles, Daniel. 1990. About John Cage's Prepared Piano. Rpt. in Kostelanetz

1993: 46-54. Rpt. of Bonito Oliva, Achille, Gabriella De Mila, and Claudio
Cerritelli, eds. 1990. Ubi fluxus ibi motus 1990-1962. Milano: Mazzotta; 453-457.
Dunn, David. 1992/1996. A History of Electronic Music Pioneers. Reprinted in:
Kostelanetz, Richard, Joseph Darby, and Matthew Santa, eds. 1996. Classic
Essays On Twentieth-Century Music: a Continuing Symposium . New York:
Schirmer Books: 87-123.
2006
Holmes, Thomas B. 2002. Electronic and Experimental Music . 2nd Editioin. New
York: Routledge.
Kostelanetz, Richard, ed. 1993. Writings about John Cage . Ann Arrbor, MI: The
University Press of Michigan.
2007
62007 67-93
20082008
137-165
1985
1985 12 112-119 1913
Salzman, E. 1978. Cage's Well-Tampered Clavier. Rpt. in Kostelanetz 1993: 5557. Rpt. of John Cage: Sonatas and Interludes for Prepared Piano. A Book of
Music for Two Prepared Pianos. Musical Quarterly. 64.2 (1978): 261-263.

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1985
1985 4 230-235
---.2003VHS Augen ME0182002 8 24

2001 in JAPAN
Varse, Edgard. 1936-1962. The Liberation of Sound. Excerpts from Lectures by
Edgard Varse, compiled and edited with footnotes by Chou Wen-Chung. In:
Schwartz, Elliott and Barney Childs, ed. 1988 Contemporary Composers on
Contemporary Music . expanded ed. NY: Da Capo: 195-208.

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