-&+&./$#0& "'1#2, What uoes sounu auu to oui enviionment.
30&.0#&4 '( )&**'+ 5%/+, Aftei stuuying sounu piopeities (how sounu tiavels, what objects amplify sounu, what objects uampen sounu, etc.) Stuuents iuentify a noise in theii suiiounuings that they wish to amplify. Stuuents will then builu "low- tech" sounu amplifieis out of founu objects. Stuuents will builu these amplifieis on- site, anu be encouiageu thioughout the builuing piocess to consiuei how theii amplifiei sculptuie can visual ieflect the noise oi sounu they aie amplifying (shape, textuie, coloi). Lastly stuuents will cieate an abstiact uiawing oi painting focusing on how they have alteieu the lanuscape both visually anu sonically.
Biego Stocco: Still fiom Nusic Fiom A Tiee viueo 2u1u Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 2 -./6&* 711.'1.#/$&, S th anu 6 th uiaue
"#<& 7%%'4/+2&*, 0ne Week, 2 Bouis A Bay, Summei Intensive
=2#&+2& 3>?&2$#0&*, Stuuents will: 1) Leain how sounu waves tiavel, anu how objects eithei inteifeie oi amplify how the sounu tiavels thiough space 2) uain a physical kinesthetic unueistanuing of physical science. Sounu waves can be seen anu felt, anu manipulateu without the use of electiicity.
S) uain an unueistanuing that technology uoes not iefei specifically to items that iun on electiicity, anu that one can "engineei" something out of natuial anu founu mateiials.
/F C9/$ 6' J3K 4/+$ $' %&/.+L #F What Bo We Know. EF Sounu. MF Ait Woik. NF Naking things. ##F What Bo We Wonuei. EF Aitists that use sounu to make ait MF Low Tech Non-electiic Amplifiei ###F Baily uoals: EF Bow uoes sounu tiavel. MF Bow uo aitists use sounu to make ait. NF What is anothei way to think of an amplifiei. #0F Reflection: What uiu we leain.
/F =2#&+2& )/>P #F What uo you see. What uo you heai. EF Papei Clip + Bium MF Tuning Foik in Watei NF Rubbei Banu QF Foik IF Netal Rulei ##F Bow Boes Sounu Nove Thiough 0bjects: EF Watei MF Woou NF Netal QF Plastic IF ulass ###F Reflection: What uiu we leain. NF C&6+&*6/G 78H8*$ R $9
/F C9/$ #* ='8+6 /.$L C9/$ #* S+*$/%%/$#'+ 7.$L #F Lets Look At: EF Aitists that make new sounus oi altei sounus: /F Biego Stocco >F Alloia Calzauilla MF Aitists that use sounus that exist in space: /F Boug Aitken >F Zimoun 2F }ulianne Swaitz NF Sounu as visual ait: /F Bisney's Fantasia ##F Lets Exploie: EF Finu a sounu outsiue MF Biaw a sounu NF What will youi amp L00K like. ###F Reflection: What uiu we leain. QF "98.*6/G 78H8*$ R $9
/F K*#+H 7.$ /+6 =2#&+2& $' B/D& "9#+H*P #F Stuuents woik on site builuing amplifieis EF Bow can we change the sounu people aie heaiing MF Bow can we make oui amp look like the sounu NF Bow can we make oui amps stanu on theii own IF T.#6/G 78H8*$ U $9
/F -.'81 @&(%&2$#'+ /+6 VW9#>#$#'+ Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. S #F What have you leaineu about: EF Sounu. MF Naking Amplifieis. NF Naking Ait 0utuoois. ##F Bow uoes youi sculptuie change: EF What we see. MF What we heai. ###F Biaw each othei's sounu EF Is youi paitnei's uiawing like youis. MF What's uiffeient. #0F What things uo you want people to know about youi sculptuie. EF Biu you wiite these things uown in youi sketchbook MF Bo you have uiawings in youi sketchbook that will help. NF Bow can you !"#$%$& them. 0F Exhibition fiom 11-12pm
EY Yesteiuay, along with piesentations anu sounu uiawings stuuents wanueieu the site anu selecteu a specific sounu that they heaiu anu wanteu to amplify. The sounu hau to be continuous, anu in a location wheie it coulu be amplifieu by the auuition of a stiuctuie (how to extiact the sounu is pait of the challenge). We uiscusseu as a class why we chose these sounus anu how we thought they might look visually.
Pottonwattamie County Conservation Plantastic Camp http://www.pottcoconservation.com/calendar/details.aspx?ID=58
Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 7 2) Stuuents will be ietuining to theii sites to begin constiuction. I will have mateiials piepaieu foi stuuents to begin expeiimenting. The science teachei will be piesent foi the class as well. In science the stuuents weie intiouuceu to the concept of sounu waves, how sounu tiavels, anu what mateiials make foi natuial amplifieis. Science anu ait teacheis will ciiculate talking to stuuents inuiviuually on theii plans iegaiuing constiuction of theii amplifiei. The Science teachei will be looking into shape anu mateiials foi puiposes of amplification; I will be looking into these same aspects foi puiposes of visually peisonifying the sounu. The types of questions we will be asking stuuents aie:
Is youi amplifiei #())(* oi +()$,. Bow uoes youi amplifiei -!.+(/$01 the sounu. What types of mateiials aie you using /2&3.2) oi 42/42,! anu why.
Biiu Amp Teachei Example Zachaiy Shiff 2u1S Sewei uiate Amp Teachei Example Zachaiy Shiff 2u1S Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 8 I will also be helping stuuents with things they may have physical uifficulties with, if theii sculptuie is mean to hang I will help them cut anu tie iope. If they neeu something cut oi glueu I will be theie to make suie it happens.
Working with artists the bike needs petrol Wordpress- http://workingwithartists.files.wordpress.com/2012/04/the-bike-needs-petrol-i-need-to-fill- it-up.jpg
S) Stuuents will neeu to team up at times to achieve ciaft challenges anu also bounce iueas off of one anothei. Pait of the class stiuctuie will ieflect this: At 1S minute inteivals, stuuents will be askeu to get into gioups of thiee anu visit each otheis site. While stuuents aie in gioups woiking out challenges togethei both the Science teachei anu I will ciiculate togethei as a unit, asking anu answeiing questions wheie neeueu, making suie we visit all of the stuuents sites. We will then split up anu ciiculate inuepenuently.
4) With 1S minutes iemaining in class, stuuents will gioup togethei as a class, anu we will walk the site fiom one amplifiei to the next, each stuuent will explain theii amplifiei in an infoimal in-piogiess ieflection. Stuuents have been keeping sketchbookslab books with notes anu uiawings, they will use this time to show these to us anu uesciibe theii piocess.
S) Ticket to leave: Befoie leaving the class each stuuent will neeu to tell me one NEW thing they leaineu.
V0/%8/$#'+A7**&**<&+$, T'.</$#0& 7**&**<&+$, Bigh peifoiming stuuents aie: Asking questions of one anothei, Nimicking the sounus they heai Besciibing sounus using uesciiptive visual language Pioviuing specific eviuence oi ieasons foi theii uesign choices Conceineu with the sounu's amplification Asking theii peeis foi help Conceineu with both the function anu appeaiance of theii amplifiei
=8<</$#0& 7**&**<&+$, Exhibition: Fiiuay will focus on summative assessment anu ieflection. Stuuents will have been keeping sketchbooks uocumenting theii piocess. Stuuents will be askeu to uiaw one anothei's sounu anu compaie notes. Stuuents will also be askeu to consiuei what pages fiom theii sketchbooks will help in unueistanuing theii woik, anu what pages they can euit out. This iefining anu piesenting piocess is key in summative self-assessment: looking back on the piocess anu ueteimining whethei youi woik is successful.
Example of a stuuent's sketchbook fiom Zachaiy's Comic Book Ait Satuiuay Stuuios Class, 2u1S Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 11 VW/<1%&* '( ='8+6 :./4#+H*,
Six Specific Sounu Biawings Teachei Example Sketches Zachaiy Shiff 2u1S Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 12 Z'2/>8%/.G, Bollow: Baving a hole oi empty space insiue Soliu: Not hollow, containing no spaces oi gaps Natuial: Existing in oi causeu by natuie Nanmaue: Naue oi causeu by human beings Peisonify: Repiesent human chaiacteiistics on inanimate objects Sounu Waves: Bow sounu moves thiough the aii volume: Powei of the sounu Reveibeiation: Repeating seveial times, echo Amplituue: Amount of volume Amplifiei: Bevice foi incieasing volume Exhibit: Publicly Bisplay Ait Woik Sounu Ait: Novement in ait focuseu on sounu manipulation Installation: Aitistic woik that occupies a space anu thiee-uimensions
S+$&.6#*2#1%#+/.G ;'++&2$#'+*, Nusic: 0nueistanuing how sounu can elicit emotion; stuuying how to manipulate sounu to change the listenei's expeiience
Physics: 0nueistanuing how sounu moves thiough space anu objects uiffeiently.
Engineeiing: Builuing a uevice by hanu to amplify a sounu.
Ait: 0nueistanuing how to utilize the space one is suiiounueu by. 0nueistanuing how sculptuies anu installations effect the vieweilisteneis expeiience within the space.
B/**/298*&$$* 7.$* =$/+6/.6*, B&$9'6*[ B/$&.#/%*[ /+6 "&29+#X8&*, 1.1 0se a vaiiety of mateiials anu <&6#/[ !"# %&'()*%+ ,#'-"./+ ,0'*1+ )'2.3+ ,*'-+ 4'#2"5/ 12.6/ "! )')%#/+ 3%&32*%/+ '.6 -'#./+ anu unueistanu how to use them to piouuce uiffeient visual effects 1.2 Cieate aitwoik in a vaiiety of $4'\6#<&+*#'+/% ]M:Y /+6 $9.&&\6#<&+*#'+/% ]N:Y <&6#/[ !"# %&'()*%7 89 : 6#';2.<+ )'2.32.<+ ,"**'<%+ )#2.3('12.<+ ;%'42.<= >9 : )*'/32, ?('**%'@*%A ('3%#2'*/ /5,0 '/ ,*'- '.6 )')%#+ ;""6+ "# !"5.6 "@B%,3/ !"# 2++!4%)25! '.6 ,"./3#5,32". 1.S Leain anu use appiopiiate vocabulaiy ielateu to methous, mateiials, anu techniques 1.4 Leain to take caie of mateiials anu tools anu to use them safely V%&<&+$* /+6 5.#+2#1%&*, Zachaiy Shiff NAT AE, TiNN, Summei 2u1S Shiff, TiNN, Summei, 2u1S. Pg. 1S 2.3 For texture, explore the use of textures in 2D and 3D works Iuentify a wiue vaiiety of types of textuies, !"# %&'()*%+ /(""30+ #"5<0+ '.6 @5()-+ in the enviionment anu in aitwoik Cieate iepiesentations of textuies in uiawings, paintings, iubbings, oi ielief 2.4 For shape and form, explore the use of shapes and forms in 2D and 3D woiks Iuentify simple shapes of uiffeient sizes, !"# %&'()*%+ ,2#,*%/+ /C5'#%/+ 3#2'.<*%/+ anu foims, !"# %&'()*%+ /)0%#%/+ ,".%/+ ,5@%/+ in the enviionment anu in aitwoik 3>*&.0/$#'+[ 7>*$./2$#'+[ S+0&+$#'+[ VW1.&**#'+ 3.3 Create 2D and 3D artwork from memory or imagination to tell a story or embody an idea or fantasy :./($#+H[ @&0#*#+H[ VW9#>#$#+H, 4.2 Select works for exhibition and work as a group to create a display Critical Response 5.3 Describe similarities and differences in works, and present personal responses to the subject matter, materials, techniques, and use of design elements in artworks 5.4 (Grades 3 and 4) Explain strengths and weaknesses in their own work, and share comments constructively and supportively within the group 58.1'*&* /+6 B&/+#+H, 6.2 Investigate uses and meanings of examples of the arts in childrens daily lives, homes, and communities @'%&* '( 7.$#*$* #+ $9& ;'<<8+#$G, 7.1 Investigate how artists create their work; read about, view films about, or interview artists such as choreographers, dancers, composers, singers, instrumentalists, actors, storytellers, playwrights, illustrators, painters, sculptors, craftspeople, or architects Inventions, Technologies, and the Arts 9.1 When using art materials or handling and viewing artifacts or musical instruments, ask and answer questions such as What is this made of? How does this instrument produce sound? Would I design this differently? Who first thought of making something like this? Interdisciplinary Arts: 10.1 Integrate knowledge of dance, music, theatre, and visual arts and apply the arts to learning other disciplines
=9'.$ +/../$#0& '( 9'4 $9#* )&**'+ 9&%1* *$86&+$* #+ $9& 6#*2#1%#+& '( /.$F C9/$ 6'&* #$ >.#+H #+$' ('28* ('. G'8. 7@" ="K:V^"L , It is my belief that this lesson tiuly puts the aitist anu makei at the centei of the STEAN mouel. It is my belief that this lesson plan cleaily exhibits how aitists neeu to use othei uisciplines to cieate woik. I also believe that this lesson plan helps auvocate foi the ait's necessity anu value in schools. Aitists touay aie tiuly using eveiy pait of theii biain, hanus, anu the iecouises aiounu them to cieate. Aitists that woik with sounu neeu to know how to manipulate that sounu anu how to employ the use of uiffeient types of mateiials to achieve this goal. Aitists that woik with constiucting instiuments in space neeu to know, not only how to engineei those instiuments to peifoim theii intenueu function, but also how to constiuct a stiuctuie that can stanu on its own. Lastly, aitists neeu to become moie awaie of the auuitoiy woilu that suiiounus them as well as the visual. As aitist anu philosophei Seth Kim-Cohen states, "Fiom biith to ueath, the eai nevei closes.|it isj evei-open." 1 This is a fact aitists shoulu become moie awaie of, as sounu effects the vieweis expeiience iegaiuless of the aitists intention. It is my hope that this lesson helps stuuents latei unueistanu aitists like }ohn Cage anu how he blenueu the Nusic anu visual Aits uisciplines.
1 Seth Kim-Cohen, In The Blink Of An Ear, Toward a Non-Cochlear Sonic Art (New York: Continuum, 2009), xvii