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2010 12 -

An Attempt at Interpretation of Christian Marclay - Listening by Means of Seeing

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[Figure1-3]

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1.
Christian Marclay 1955-

1955

1977
1978
NY
DNA
No Wave *** 1 ***
DJ
John Zorn 1953-

[Figure1-1] 2011

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Marclay and Gordon 2005: 10; Licht 2003: 91


Recycled Records
[Figure1-2]
Imaginary Records
Christian Marclaqy at the St. Regis 1981 [Figure1-3]
80
90

*** 2 ***

*** 3 ***

(*** 4 ***

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2.
2.1.

DJ

Record Without a Cover


1985 [Figure2.1-1]

10

*** 5 ***

Marclay 2005a: 121

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Record Without a Cover 1985

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6 ***

2.2.

*** 7 ***

1980-86
Mosaic1987 [Figure2.2-1]
Feruguson 2003: 21 1
Mosaic1987

*** 8 ***
80
80

Endless Column1988 [Figure2.2-2] Ring1988 [Figure2.2-3]


5 cubes1989 [Figure2.2-4] Untitled (melted records)
1989 [Figure2.2-5]
hangman's
nooseHangman's Noose1987[Figure2.2-6]

Candle1988[Figure2.2-7] Chorus II1988

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850 Records1987
Footsteps1989[Figure2.2-8]

2.3.

Chorus II1988[Figure2.3-1]

22

Ghost Quartet
1990[Figure2.3-2]
White Noise1993
[Figure2.3-3]
Amplification
1995[Figure2.3-4] 6

Pictures at an Exhibition 1997[Figure2.3-5]*** 9 ***

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3.
3.1.
20

12

17

20

2008 2002
NAKAGAWA 2003

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3.2.

the embedded ubiquity of soundKahn 2003: 59

Kahn
2003: 70bio-turntablist
63

*** 10 ***

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4.
4.1.
CD

1996

4.2.

Marclay2008

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White Noise1993[Figure2.3-3]Chorus II1988


[Figure2.3-1]

Christian Marclaqy
at the St. Regis1981[Figure1-3]Body Mix

*** 11
***

Maclay 2005c: 138

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Maclay 2005c: 137

Maclay 2005c: 138

Doorsiana
1991[Figure4.2-1]If You Can't Lick1992[Figure4.2-2]
Alma Mia
Alma mia1991[Figure4.2-3]

Dictators1990[Figure4.2-4]
Incognita1990[Figure4.2-5]
Guitar Neck1992[Figure4.26]
Road to Romance1992[Figure4.2-7]

1.

2.

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5.

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Christian Marclay: Festival, Issue 1 . Created on the occasion of the exhibition


Christian Marclay: Festival curated by David Kiehl and Limor Tomer, July 1 September 26, 2010. New York: Whitney Museum of American Art.
Criqui, Jean-Pierre, ed. 2007. Christian Marclay: Replay. Zurich: JRP / Ringer.
Ferguson, Russel. 2003. The Variety of Din. Marclay et al. 2003: 19-58.
Gonzlez, Jennifer. 2005. Survey. Gonzlez et al. 2005: 22-81.
Gonzlez, Jennifer, Kim Gordon, and Matthew Higgs. 2005. Christian Marclay .
London: Phaidon.
Higgs, Matthew. 2005. Focus Video Quartet (2002). Gonzlez et al. 2005: 82-91.
1990
339-385
Kahn, Douglas. 1994. Christian Marlay's Lucretian Acoustics. Marclay 1994: 2334.
---. 2003. "Sourround Sound. Marclay et al. 2003: 59-88.
Kwon, Miwon. 2003. Silence is a Rhythm, Too. Marclay et al. 2003: 111-133.
Licht, Alan. 2003. CBGB as Imaginary Landscape: The Music of Christian Marclay.
Marclay et al. 2003: 89-110
---. 2007. Sound Art: Beyond Music, Between Categories . Book & CD. Foreword by
Jim O'Rourke. New York: Rizzoli.2010SOUND ART

Marclay, Christian. 1994. Christian Marclay . Exhibition Catalogue. Berlin: daad


galerie.
1996
12
18-32
Marclay, Christian. 1998. CHRISTIAN MARCLAY. Interview by Jason Gross.
http://www.furious.com/perfect/christianmarclay.html (accessed 11/1/2010).
Marclay, Christian. 2003. The Bell and the Glass. Ed. by Susan Rosenberg.

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Published for the installation and performances at the Philadelphia Museum of Art,
May 17 to July 6, 2003. Philadelphia, PA: Philadelphia Museum of Art in
collaboration with Relche.
---, Thomas Y. Levin, Taddeus A. Squire, and Ann Termkin. 2003. The Bell and the
Glass. With a Conversation by Christian Marclay, Thomas Y. Levin, Taddeus A.
Squire, and Ann Termkin. Marclay 2003: 44-55.
Marclay, Christian and Douglas Kahn. 2003. Christian Marclay's Early Years: An
Interview. Leonardo Music Journal , 13: 17-21.
Marclay, Christian, Russell Ferguson, and Miwon Kwon. 2003. Christian Marclay .
Accompanyying the exhibition Christian Marclay. Presented at the UCLA Hammer
Museum, Los Angeles, CA: Steidl / UCLA Hammer Museum.
Marclay, Christian and Kim Gordon. 2005. Interview, Kim Gordon in conversation
with Christian Marclay. Gonzlez et al. 2005: 7-21.
Marclay, Christian. 2005a. Artis's Writings - Interview Cut-Up, 1991-2004.
Gonzlez et al. 2005: 106-131.
Marclay, Christian. 2008. Interview with Christian Marclay . January, 2008, Berlin.
http://www.geraeuschen.de/9 (accessed 11/1/2010).
2002
53.2: 66-78
NAKAGAWA, Katsushi. 2003. On Kosugi Takehisa's Catch Wave. SASAKI, Kenichi and OTABE, Tanehisa: The Organizing Committee of the 15th International
Congress of Aesthetics, ed. The Great Book of Aesthetics. The 15th International
Congress of Aesthetics, Japan 2001, Proceedings. CD-ROM.
2008

---.2011
22.22011 4

Parkett, 70 (May, 2004). Feauturing Christian Marclay, Wilhelm Sasnal, and Gillian
Wearing. Parkett Series. Zurich: Parkett-Verlag.
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70

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Marclay2005a:110
81

2
80 90
2003 UCLA Hammer Museum
Marclay et al. 20032005 Phaidon
Gonzalez et al. 2005
3

Marclay1994; Marclay et al.


2003; Parkett 70 (May, 2004); Gonzalez et al. 2005
Marclay et al. 2003 Gonzalez et al. 2005

Criqui 2007 90

Marclay 2005a: 116

Marclay 2005a: 121


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quoted in Licht 2003: 98

Gonzalez 2005: 33

Marclay and Kahn 2003

8
Record Without a Cover 1985

9
Accompanying Musical 1995Musical Chairs 1996Arranged
and Conducted1997Wall of Sound1997

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10
19

Kahn 2003: 60
11

Christian Marclay at the St. Regis , 1981 / 1955, 1988 / Again, 1988 / Ghost,
1988 / Live!, 1988 / Yellow, 1988 / Forever, 1989 / Multiplication, 1989 / Skull,
1989 / Untitled, 1989 / Fire, 1990 / Silence, 1990 / Whisper, 1990 / Remember,
1991 / Mort, 1992 / Sounds, 1995 / Speech, 1995 / Blind Faith, 1997 / Blue
Candle, 1997 / Bubbles, 1997 / Echoes, 1997 / Fingerprints, 1997 / Great Sounds,
1997 / Swiss Savage, 1997 / Smoke Rings, 1999

Alma Mia, 1991 / David Bowie, 1991 / Doorsiana, 1991 / Footstompin', 1991 /
Magnetic Fields, 1991 / Stay Hard, 1991 / Sweethog, 1991 / Black or White,
1992 / Furious, 1992 / If You Can't Lick, 1992 / Pardonnne moi ce caprice
d'enfant, 1992 / Slide Easy In, 1992 / Voice of Venice, 1992 / Body Mix series at
the Margo Leavin Gallery , 1993

Dictators , 1990 / Incognita, 1990 / Arms and Legs, 1992 (


) / Guitar Neck,
1992 / Road to Romance, 1992 / Untitled (Large Circle); (Small Circle), 1992 (
)
12
2009 10 11
Video Quatet(2002)

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J 20

Higgs 2005: 90

Gonzlez 2005: 61-63, Higgs 2005: 83-91; Marclay2007

Figure1-1 1980Marclay et al. 2003


Figure1-2Recycled Records1985Gonzlez et al. 2005
Figure1-3Christian Marclay at the St. Regis 1985Marclay et al. 2003
Figure2.1-1Record Without a Cover 1985Gonzlez et al. 2005
Figure2.2-1Mosaic1987Gonzlez et al. 2005
Figure2.2-2Endless Column1988Gonzlez et al. 2005
Figure2.2-3Ring1988 Marclay et al. 2003
Figure2.2-45 cubes1989Marclay et al. 2003
Figure2.2-5Untitled (melted records)1989Marclay et al. 2003
Figure2.2-6Hangman's Noose1987Marclay et al. 2003
Figure2.2-7Candle1988Marclay et al. 2003
Figure2.2-8Footsteps1989Marclay et al. 2003
Figure2.3-1Chorus II1988Gonzlez et al. 2005
Figure2.3-2Ghost Quartet1990Marclay et al. 2003
Figure2.3-3White Noise1993Gonzlez et al. 2005
Figure2.3-4Amplification1995Gonzlez et al. 2005

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Figure2.3-5Pictures at an Exhibition (Whitney Museum, New York) 1997


Gonzlez et al. 2005
Figure4.2-1Doorsiana1991Gonzlez et al. 2005
Figure4.2-2If You Can't Lick1992Marclay et al. 2003
Figure4.2-3Alma mia1991Parkett, 70
Figure4.2-4Dictators 1990Gonzlez et al. 2005
Figure4.2-5Incognita1990Gonzlez et al. 2005
Figure4.2-6Guitar Neck1992Gonzlez et al. 2005
Figure4.2-7Road to Romance1992Gonzlez et al. 2005

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