Eternity

- a Pre-Thales-Root for Western Philosophy -

jwr47
Fountain next the plague monument in Karlovy vary, created 2005 by the Czech sculptor Jan Kotek
he bi!"aced bronze sculpture represents eternal life, day and night#
$ girl%s "ace &ith open eyes symbolizes the day, the boy%s "ace &ith closed eyes the night# 'n top o" the heads "ruit and
t&o snakes representing eternal po&er# he (!staged cascading &ater"all symbolizes an eternal circulating cycle
)
#
) Karlovy *ary Fountain by Jan Kotek, Czech sculptor +Karlovy *ary, 2005, - Karlsbader .latz ! /ernkastel!Kues
Fig. 1: Eternal life, Day and Night
Karlovy Vary Fontain by !an Kote"
Analyzing linguistic statistics
Pre-Thalic philosophical ideas
0istorians usually start their history o" &estern philosophy &ith hales
2
# $ccording to /ertrand
1ussell, 23estern philosophy begins &ith hales#
(
2# $ start o" analysis at the "irst &ritten
documentations ho&ever misses earlier developments, &hich may be de"ined as pre!halic ideas#
4t has been assumed &e cannot analyze non!existing documents, but one method remains untested5
the analysis o" linguistic statistics "or patterns such as a high concentration o" vo&els# 4" this is true
&e may derive some philosophical in"ormation "rom linguistic statistics#
0igh concentrations o" vo&els indicate sacred &ords such as 6eternity7, 6very old7, 6custom7,
6marriage7, etc# he negation o" such &ords indicates 6ne&ness7, 6not eternal7, 6unmarried7#
8xamples "or such sacred &ords &ith high concentrations o" vo&els are 6Je&7 +0ebre&, and
6ye&
9
7, &hich is one o" the longest!living plants in 8urope
5
#
*o&els are sounds in spoken language, such as an 8nglish ah: ;<=> or oh: ;?@>, pronounced &ith an
open vocal tract so that there is no build!up o" air pressure at any point above the glottis# $ series o"
vo&els there"ore are pronounced &ith an open vocal tract, &hich may have been used to indicate
sacredness#
he approximants ;A> and ;&> are semivo&els +as in yes and west, respectively, and in this analysis
&e &ill include ;A> and ;&> as vo&els, &hich allo&s us to consider 6Je&7 and 6ye&7 as sacred
&ords#
he seBuential position o" the vo&els in &ords depends on the tongue%s position, &hich has been
de"ined by the parameters height and backness# he 4.$ vo&el chart positions
4n high or raised vo&els, such as [i] and [u], the tongue is positioned high in the mouth,
&hereas in lo& vo&els, such as [a], the tongue is positioned lo& in the mouth
C
#
4n "ront vo&els, such as [i], the tongue is positioned "or&ard in the mouth, &hereas in back
vo&els, such as [u], the tongue is positioned to&ards the back o" the mouth
D
#
he "ront vo&els, in &hich the tongue is positioned as "ar in "ront as possible in the mouth, range
"rom +sorted "rom 6closed7 to 6open7,5 ;i> ;y> ;e> ;E> ;F> ;G> ;a> to ;H>#
he back vo&els, in &hich the tongue is positioned as "ar back as possible in the mouth, range "rom
+sorted "rom 6closed7 to 6open7,5 ;I> ;u> ;J> ;o> ;K> ;L> ;<> to ;M>#
4n central vo&els the tongue is positioned hal"&ay bet&een a "ront vo&el and a back vo&el# hese
range +sorted "rom 6closed7 to 6open7, "rom ;N> ;O> ;P> ;Q> ;?> ;R> ;S> to ;T>#
$nalyzing the &ords Je& and ye& it starts &ith t&o closed "ront vo&els ;i> ;e>, respectively ;y> ;e>
and ends &ith a semivo&el ;&>, sounding like a back vo&el#
hese &ords are kno&n "or sacredness as 6very ancient7# 4n contrast the negation 6ne&7 +in Uutch
6nieuw7, o" 6jew7 and 6yew
8
7 describes the opposite 6not very old7, 6not sacred7#
2 c# C29 V c# 59C /C
( 1ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster# Zee5 ;2>
9 he &ord yew +axus baccata, is "rom .roto![ermanic ()wa*, possibly originally a loan&ord "rom [aulish (ivos,
compare 4rish +o, 3elsh ywen, French if +see 8ih&az "or a discussion,#
5 he &orld%s )0 oldest living trees5 \langerny& ,ew
C 0eight ! +vo&el,
D /ackness ! +vo&el,
] ^oh +rune, symbolizing eo, ^o +3ikip_dia50o& to &rite using 1unes,
The number of vowels
he number o" vo&els in alphabets varies bet&een ( +A-I-, and D +A-E-H-I-O-Y-)#
The 7-vowel Egytian alha!et
4t is commonly said that the 0ebre& alphabet has no vo&els, but Fabre d%'livet states that the
language derived "rom 8gyptian, including seven vo&els5 $leph, 0eh, Cheth, *av &ith point hire",
*av &ith point hale-, lod and .in ! to &hich Fabre d%'livet adds an eighth 2implied consonantal
vo&el2 o" varying value
"
#
#e$etriu%&% %tate$ent a!out the Egytian% %inging 7 vowel%
.. !. $. Vin/ent +)DWD!)]C],, had in )]5W announced his discovery o" a [reek vase in the /erlin
museum that seemed to corroborate Uemetrius%s statement about the 8gyptians singing a hymn o"
the "our archaic vo&els A E I O
'(
#
4n "act the 8gyptians sang seven vo&els 5
+`D), 4n 8gypt the priests, &hen singing hymns in praise o" the gods, employ the seven
vo&els, &hich they utter in due succession a and the sound o" these letters is so euphonious
that men listen to it in pre"erence to "lute and lyre# o do a&ay &ith this concurrence,
there"ore, is simply to do a&ay entirely &ith the music and harmony o" speech#b/ut
perhaps this is not the right time to enlarge on these matters
))
#
The i)eal Tria) A-I-O*
0ailly uses the same vo&el!tone arrangement as 1elle and &oiree, but changes the vo&el omega to
'c in order to make it better distinguishable "rom the omicron# 4n point o" "act, he does not pretend
to de"inite kno&ledge o" &hat the vo&els should be, beyond the 2i)eal tria) A+ I+ O*+ rototye
of every vo,al %y%te$, &hose simplest modulations complete the septenary#
'-
2
W he dystery o" the Zeven *o&elsa 4n heory and .ractice
)0 'n the Zymbolism o" the *o&els $!8!4###
)) Uemetrius 'n style, the [reek text o" De-etris De elo/tion
)2 he dystery o" the Zeven *o&elsa 4n heory and .ractice
Sacred words
Further study revealed there &ere three categories o" vo&el &ords5
)# &ords "or long time +6aion7
)(
,, eternity
)9
, high age, custom, la&, marriage, etc#
2# ego!pronouns +"irst!person singular nominative case personal pronoun,
(# divine names
The .e/uen,e of 0owel% for AI12 an) IA
The .e/uen,e of 0owel% for AI12 3Eternity)
3ords representing 6eternity7 such as $ion all seem to start &ith a lo& vo&el ;a> V or an 6$7, to be
"ollo&ed by a "ront vo&el such as ;i> ! 647 and eventually to be closed by a back vo&el such as ;o> V
or e#
The .e/uen,e of 0owel% for Ego-4ronoun% an) )ivine na$e%
his vo&el seBuence contrasts to the ego!pronouns such as Aau, &hich usually start &ith a "ront
vo&el such as ;i> ! 647, eventually to be "ollo&ed by a lo& vo&el ;a> V or an 6$7 and eventually to
be closed by a back vo&el such as ;u> V or c#
4n Ju!piter +originally 4'c!piter, the lo& central vo&el ;o> or 6'7 has been skipped#
4t seems that there &as a sa/red na-e consisting in the vo&el!seBuence that begins &ith the high
sound of see, moves through the intermediate late or far, and ends &ith the deep vowel go or youa
and that this name, in its variant "orms, &as applied to the highest o" the gods, &hichever that might
be#
The wor)% 5 or 5w
'6
4n old!8nglish the &ord 5 or _& is an 6all!vo&el
)C
7 &ord, describing la&, scripture and ceremony,
custom, marriage# Uerived terms are _&nian +to marry, &ed
)D
, and Gubreche +2adultery, adulterer2
f 6law*brea"er7,#
he +4.$, near!open "ront unrounded vo&el g is called 2s/ 2ash tree2 a"ter the $nglo!Zaxon
rune#
he eBuivalent &ords in other languages are all vo&el!&ords 3o, ewa, 3we, 3, 4, 3wa, 3ha, 3a, 35
he .roto![ermanic (aiw5, (aiwa6 +6la&7,, "rom .roto!4ndo!8uropean (oiw* +6custom,
tradition, la&7, is# Cognate &ith 'ld Zaxon 3o, 'l Frisian ewa, 3we, 3, 4, 'ld [erman 3wa,
3ha, 3a, 3 +[erman Ehe,#
4n Uutch the &ord 6e/ht7 +[erman Ehe, indicates the introduction o" a consonant 6c7#
4n 'ld Xorse and 4celandic the vo&el G + _ , represents 6ever, at any time7#
4n [reek 789 translates as5 al&ays, unceasingly, perpetuallya on every occasion
)]
# he %ord7s 8rigin
is de"ined as 6o" uncertain origin7, but &e may be sure o" the vo&el concentration# here"ore 789 is
a sacred &ord as &ell as 2#
)( .ion in [reek properly means 2eternity#2 ! 'n the 9ree" &ords "or 8ternity and 8ternal
)9 he di""erence bet&een long time +&ith a beginning and en end, and eternity is discussed in 3here did all this
2"orever2 and 2eternal2 come "romh
)5 i "or iternity and G +he Creation \egend encoded in a Zingular *o&el,
)C 4ncluding the semivo&el 637
)D be&eddian , je&eddian
)] Ztrong%s 9ree" 5 )09# klm + aei , !! ever, unceasingly
$eon is a \atin transliteration "rom the "oine [reek &ord n opqr +ho aion,, "rom the archaic opsqr
+ai&on,# 4n 0omer it typically re"ers to li"e or li"espan# $ion +[reek5 tpqr, is a 0ellenistic deity
associated &ith time, the orb or circle ###
The ego-ronoun%
'"
he 8nglish ego!pronouns
20
are 647 and in ancient documents 6Y
2)
7, &hich are closed "ront vo&els#
'ther languages ho&ever use longer vo&el &ords such as iou $romanian ieu \engadocian ieu 'ld
.rovenual Aau, eau 1omansch#
he "ollo&ing 68go!Uescendants7 &ith some additional vo&els illustrate the abundant vo&el
combinations "or the ego!pronoun
22
5
$ragonese5 yo
$romanian5 iou
$sturian5 yo
Catalan5 Ao
Ualmatian5 Au
8nglish5 ego +loan&ord,
French5 Ae
Friulian5 Ao
[alician5 eu
4nterlingua5 io
4stro!1omanian5 io
4talian5 io
Xeapolitan5 i
Xor&egian dialects
2(
)# Xorthern5 E+g,, :+g,, :i+g,
2# 3estern5 I +pronounced vi=v,
(# 'slo5 ;< +vAe=v,, j= +vAw=v,, jei
+vAwi=v,
Xor&egian and Uanish dialects5 5
->
Xor&egian /okmxl5 +dialect,
25
)# 45 a "irst!person singular personal pronoun
2# 45 +rare, archaic, you5 a second!person plural nominative pronoun
'ccitan +[ascon,5 Ao
'ccitan +\engadocian,5 ieu
'ld .rovenual5 eu, ieu
.atois o" *illar!Zt!.ancrace5 iyu mz, m{ iyu
2C
.ortuguese5 eu
1omanian5 eu
1omansch5 Aau, eau
Zardinian5 eo
Zicilian5 iu
Zlavic5 | +Aa,
Zpanish5 yo
*ulgar \atin5 eo
3alloon5 dAi
4n the French city o" Ximes the ego!pronoun ,io even uses both the 6Y7 and 6i7 simultaneously
2D
#
Zometimes the 4 and You!de"initions seem to be blurred in Xor&egian /okmxl5 +dialect,
2]
)# 4 5 a "irst!person singular personal pronoun
2# 4 5 +rare, archaic, you5 a second!person plural nominative pronoun
)W he Zacred *o&els in &ronons
20 "irst!person singular nominative case personal pronoun
2) John %y/lif7s /ible "rom )(]] uses uppercase Y "or the 'ronon#
4 +personal pronoun, ! Johnson%s Uictionary 'nline ! 4# pronoun personal# ### +)]2C,, claims that the ego!'ronon 6&as
&ritten y by Zhakespeare +and %y/liffe:,#
22 4n Uutch and [erman the 6c7 consonants have been introduced in a similar &ay as in 6echt7 +[erman Ehe,
2( he Uerivation o" 8uropean 8go!.ronouns "rom the .48!Zky![od Uyaus
29 "irst!person singular personal pronoun,+dialectal, mostly "ound in rEndelag, northern Xor&ay, and parts o" &estern
and southern Xor&ay,#
25 From 'ld Xorse :r, variant o" ;r, "rom .roto![ermanic (j<6, "rom .roto!4ndo!8uropean =>?@ #
2C .atois o" *illar!Zt!.ancrace 5 .ersonal pronouns5 Cas suAet Cas r}gime atone toniBue direct indirect
Zg# )~p a +l{, iyu mz, m{ iyu 2~p t, t{ tz, t{ t (~p d u+l,, al ei+l, sz lu ei F eilo la eilo X o, ul, la ! lu ! .l# )~p n
n 2~p y v v (~p d +z, sz l i F eil +eilaz, l eil ! he 0ermetic Codex 44 ! /ipolar donotheism
2D 6Yiou7 - 6Uou7 in the dialect o" Ximes Buoting $ntoine 0ippolyte /igot +)]25 ! )]WD,
2] From 'ld Xorse :r, variant o" ;r, "rom .roto![ermanic (j<6, "rom .roto!4ndo!8uropean =>?@ #
Divine names
The Ti$eline of 0owel .y$!oli%$
-"
Xo& he imeline o" *o&el Zymbolism "or the translations o" the divine name+s, may be sketched
as "ollo&s
(0
5
+)),000 /C8 Atum-Iu, born son o" .tah documented by dassey in $ncient 8gypt
()
,
),900 /C8 yehua +inscription dated at $menhotep 444 ! circa )900 /C8 ! "ound at Zoleb,
),)00 /C8 Yawhanan +Yhanan, +oldest likely theophoric name, in paleo!0ebre&,
W00 /C8 Ia-u-a +4a!u, +in Ahal-aneser BBB%s texts ! 4n the $ssyrian black obelisk
(2
,
W00 /C8 YH? +Kuntillet $Arud%s &ritings, dated "rom the ninth century /C8,
C00 /C8 Yah +"rom the /abylonian king Xebuchadnezzar, ca# C00 /C8,
5(W /C8 ;ehovah +"rom5 Cyrus, &ho used the name Jehovah in 8zr )52,
((
#
500 /C8 Y0 3Yah) - Yahu +0ebre&, and Ia - 4a +[reek, +numerous &itnesses,
(50/C8 +Zinging, A-E-H-I-O-Y-
(9
in De-etris 'n style + De elo/tione ,
(5

(00 /C8 ! 4ntroduction o" the Zubstitute $donay +\ord, "or the [reat Xame !
50 /C8 IA
(C
3Uiodorus Ziculus translates the etragrammaton to 4$e# ,
50 /C8 @ABCDE% +Zupreme /eing &ith seven [reek vo&els in %reatise on 4nterpretations% ,
200 C8 Iaoue +explained by Clement o" $lexandria as 2the one &ho is and &ho &ill be2
(D
# ,
200 C8 IAF +o in [reek, ;Iah> in \atin, +explained by 4renaeus o" \yons, )(0!202,
920 C8 Ia!e +"or Zamaritans, V resp# AGa "or the Je&s
(]
# +by heodoret o" Cyrus,
500 C8 IOA +et, +by Church Father Aevers o" $ntioch +9C5!5(], and in Codex Coislinianus,
))W5 C8 Ieue +ranslation o" the Uivine Xame by !oa/hi- of Fiore,
)200 C8 Ieue +ranslation o" the Uivine Xame by .ope 4nnocent 444,
)2D] C8 Yohoua +ranslation o" the Uivine Xame by 1amn dart,
)(0( C8 Yohouah +ranslation o" the Uivine Xame by .orchetus de Zalvaticis,
)955 C8 Ieoa+ Ihehoua+ ;ehovah
H"
+ranslation o" the Uivine Xame by Xicholas o" Cusa,
)9D9 C8 Hiehouahi +ranslation o" the Uivine Xame by darsilio Ficino,
)50W C8 Ihevhe +ranslation o" the Uivine Xame by JacBues \e"vres d% taples ,
)555 C8 Ioua +ranslation o" the Uivine Xame by Z}bastien Chateillon,
)9W0 C8 Iehoua, +$ccording to John .ic della dirandola a derivation "rom Boa CBoe ! Jupiter,
)9]0 C8 Iohauah +used in 'ur Father{
90
by Johannes 3essel [ans"ort ! )9]0,
)5(5 C8 Iehouah +instead o" Boa D by the Fren/h translator &ierre 1obert 8liv;tan ,
)5C] C8 Iehue +resp# the verbal "orm 4ehoua or 4ihue
9)
, by $rchbishop [ilbert [}n}brard
)W0) C8 @IJK8
>-
L Iaoouee+ Ia!e+ IMouiee
>H
as a translation "or Y030 in Je&ish 8ncyclopedia
2W Zee the overvie& in he 0ermetic Codex 44 ! /ipolar donotheism
(0 f Uetailed documentation in he *o&els in the Uivine Xame+s,
() $tum!4u may be an undocumented record#
(2 /lack 'belisk o" Ahal-aneser BBB
(( he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux
(9 he dystery o" the Zeven *o&els
(5 Uemetrius, o" .haleron, b# (50 /#C# Zpurious and doubt"ul &orks
(C he Xame te
(D he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux
(] uaestiones in 8xodum cap# * V Buoted in he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux
(W he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux $D ! 4s [alatino the "irst &ho introduced the name
Jehovah in )5)]h
90 he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux
9) not derived "rom Boe +Jupiter:,, but "rom "rom $ramaic yihweh, respectively 0ebre& Behoa
92 0o&ever, there are other eBually reputable scholars &ho can provide evidence that the underlying [reek o" Jave is
2o2 and not 2ol2#
9( \ondon .apyri# lvi, 99C!9]2
Alternative #ivine Na$e% with Oon%onant%
he divine names &ith consonants usually seem to be younger than the purely vo&el names#
he 3alloon &ord dji seems to be the only ego!pronoun using a consonant 6d7# 4n Zavoyard!
French
99
ho&ever various Zavoyard subdialects exist &hich are using ego!pronouns ranging "rom
#E+ )eu+ )<+ )=+ )ji+ )je+ )o+ )ye+ )yeu+ )Pe+ )Peu+ )P<+ )Pou+ P)=+ Pe+ Peu+ P=+ Phe+ Pheu+ Ph=+
Ph<+ Phou+ Pou+ Pouhn or even #&# csually 6U87 is a most "reBuently used ego!pronoun#
8specially the ego!pronouns )yeu and )Peu ho&ever made me consider to correlate the ego!
pronouns &ith the divine names +in French #ieu,# $nd o"ten the ego!pronouns matched the "ormula
o" generating a divine name by inserting a consonant 6U7 in "ront o" the ego!pronoun5
Uieu 6U7 - 6ieu7 +old .rovencal and 'ccitanv\engadocian,
Uiou 6U7 - 6iou7 +dialect o" Ximes, see5 6Yiou7 - 6Uou7 in the dialect o" Ximes,
Uiu 6U7 - 6iu7 +Zicilian,
Ueu 6U7 - 6eu7 +.ortuguese,
Uio 6U7 - 6io7 +4talian,
etc#
The ego-ronoun% at the Ano$aly near Ohur+ .witPerlan)
>6
4n 20)2 4 invested a trip to the Z&iss mountains near the 1hine%s bi"urcation at Chur# $t this
bi"urcation a linguistic anomaly seemed to have been survived all /arbarian 4nvasions and
migration o" peoples# $t this point &e may "ind three or "our di""erent ego!pronouns and
incidentally also their corresponding divine names#
The we%t-!ran,h IE*
he &est!sided branch used the ieu!core corresponding to the French version o" .rovencal ego!
pronoun ieu, &hich may have mutated to the modern French ego!pronoun 6e7 and the divine name
Dieu#
The %outh-!ran,h IO*
he south!sided branch used the iou!core corresponding to the 4talic version o" the original 1oman!
italic ego!pronoun iou, &hich may have mutated to the modern 4talian ego!pronoun 6io7 and the
divine name Iou-iterQ
The ea%t-!ran,h IA*
he east!sided branch used the iau!core corresponding to the Zlavic version o" the ego!pronoun iau,
&hich may have mutated to the modern ego!pronoun 6Aa
!"
7 "or the Jauer!languages and the $sian or
eastern divine name DyausQ '" course the Jauer have been named a"ter their most important &ord,
the ego!pronoun 6au7#
99 he 8go!pronouns and Uivine Xames in Zavoy!French!dialects Buoting Uictionnaire*iretFrancaisZavoyard
95 he 8tymological Fieldlines ! 1econstruction o" the .48!rinity!Concept ! .ublished5 '( R -> R -('-
9C 4ndo !8uropean % ego %, Alavi/ Aa 1unic ek, and Celtic
The north-!ran,h IH3*)
he north!sided branch "or symmetry has been concentrating on another vo&el, the letter 607, or
eta, &hich &ould have generated a basic vo&el core and ego!pronoun ihu# he letter 0 obviously
may have caused some problems "or its consonant behavior and its a"ter introduction the 0 may as
&ell have been produced an ego!pronoun in a [erman dialect!"orm 6407, &hich "urther north
mutated to 6ich7 and in the Xetherlands 6ic7 and 6ik7#
;anu% un) ;uiter
>7
'" course 4 also investigated the various vo&el!seBuences I*, respectively IO* in ;u-iter and
Iove +&hich is an all!vo&el &ord Ioue i" the * is to be interpreted as an c,# Jupiter &as the chie"
deity o" 1oman state religion# $s the sky!god, he &as a divine &itness to oaths, the sacred trust on
&hich Austice and good government depend# $s a remarkable "act the &ord vow correlates to
vowels#
9eorg %issowa stressed Jupiter%s uniBueness as the only case among 4ndo!8uropean religions in
&hich the original god preserved his name, his identity and his prerogatives# 8specially Jupiter
managed to preserve its vo&els# he Jovian cult &as common to the Btali/ 'eo'le under the names
Bove, Diove +\atin, and Bve, Dive +'scan, in cmbrian only Bve, B'ater in the Bgvine #ables,#
The Tetragra$$aton YH?H
he #etragra--aton Y030 basically represents a string o" vo&els Y, 2 x 0 and the semivo&el 3#
he )st!century Je&ish historian and philosopher !ose'hs said that the sacred name o" [od
consists o" 2"our vo&els2
9]
# he yod ;i> ;y> and the semivo&el &a& +&, in particular are more o"ten
vo&els than they are consonants
9W
#
he most &idely accepted pronunciation o" the etragrammaton +Y030, among non!Je&s is
,ahweh, &hich basically is a vo&el name, consisting o" long vo&els
50
5
$le" represents5 mostly
0e represents5 mostly or e
3a& represents5 or
Yod represents5 , ^ or _
9D he book documents the historical impact o" 1omanv[reek trading and the religious boundary conditions o"
Janusvan as the &orld%s support pillars, their successors Jou! respectively Jeu!piterveus, &ho gradually have been
replaced by younger successors# ! Zynthesis o" the Uata in %eus% by $rthur /# Cook +)W25,
9] Josephus, he Je&ish 3ar , *52(5 V see ;)C>
9W see -atres le/tionis "or details
50 see -atres le/tionis "or details
Tran%lation% for the Oreator% na$e
4n 0ebre& the Creators name is to be &ritten as a series o" consonants &hich by the help o" the
dothers o" 1eading +Eatres le/tionis, are to be understood as vocals, &hich complicates the vo&el
deciphering and the naming o" [od in vo&el!combinations5
Yehua, Ya&hanan +Yhanan,, 4a!u!a +4a!u,, Y03, Yah, Jehovah, Y0 +Yah,, Yahu +0ebre&,,
@EBC +Baho in \atin,, 4a - 4a +[reek,, 4$e
5)
, et
52
, 4aoue, 4$ +o in [reek and
;4ah> in \atin,, 4abe
5(
+"or Zamaritans,, resp# $a "or the Je&s
59
, 4'$ +et,, 4eue, 4eue,
Yohoua, Yohouah, 4eoa, 4hehoua, Jehovah
55
, 0iehouahi, 4hevhe, 4oua, 4ehoua + Boa CBoe
! Jupiter,, 4ohauah, 4ehouah +instead o" Boa,, 4ehue
5C
, ol
5D
f 4aoouee, 4abe, 4ouiee
5]
#
$s a rule the names both "or the Creator and the ego!pronoun "or his creature consists o" a series o"
various vo&els# '"ten the divine name contains multiple or even all available vo&els5 ol#
The Na$e IH0H a% a vowel-,o$!ination IAO*E
6"
he 2unpronounceable Xame ! 40*02 has been de"ined as a vo&el!combination 4$'c8#
2he sonic, '', 0c, or 48c is one o" our very oldest [od!names# dost o" the 2Zecret Xames2
o" the [ods &ere vo&el combinations alluding to the "undamental "orces behind \i"e "rom one
angle or another# he 2unpronounceable Xame ! 40*02 &as the vo&el combination 4$'c8#
Xot pronounced, but breathed# hat is uttered &ithout closing the mouth# 4ts \atinised "orm o"
course is 4$' ! Y'!380, or Jove#2
5) he Xame te
52 he Xame te
5( he b in 4abe may have been understood as the 6&7 or 6uu7 +double u,
59 uaestiones in 8xodum cap# * V Buoted in he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux
55 he Xame '" [od Yeho&ah# 4ts Ztory, /y [}rard [ertoux $D ! 4s [alatino the "irst &ho introduced the name
Jehovah in )5)]h
5C res'. Behoa or Bihe not derived "rom Boe +Jupiter:,, but "rom "rom $ramaic yihweh, respectively 0ebre& Behoa
5D 0o&ever, there are other eBually reputable scholars &ho can provide evidence that the underlying [reek o" Jave is
2o2 and not 2ol2#
5] \ondon .apyri# lvi, 99C!9]2
5W source5 %illia- [# 9ray ! #he Fangage of the 9ods
Alphabets
"$
he vo&el set in the [reek alphabet had been designed seemed to start &ith a lo& vo&el ;a> V or an
6$l"a7, to be centered by a or the "ront vo&el Yod ;i> ! 647 and eventually to be closed by a back
vo&el such as a long ;u> ;o> V respectively Y or e# he "ront vo&el Yod ;i> ! 647 is antipodal to the
long ;u> ;o> V respectively Y or e#
he [reek alphabet +no& &ith seven vo&els5 A-E-H-I-O-Y-) lost its symmetrical vo&el structure
+colored, at the introduction o" the long vo&els 0 and e +Cth century /C,# he \atin alphabet lost
its symmetrical vo&el structure +no& A-E-I-O-*!Y, at the introduction o" the speci"ic [reek letters
Y and +)9C /C,#
C)
The 6 ;ewi%h vo,al%
he Je&ish alphabet had been designed to generate 5 long vocals , , , , "rom 9 consonants +
ale'h, he, waw and yod,5 the letters $leph and the three letters o" the etragrammaton
C2
# he
letter Gayin had been considered as a consonant# he Eatres Fe/tionis merely allo&ed to generate
long
C(
vocals and there"ore only the long vo&els may be considered as hieroglyphs#
The 6 SreeT vowel%
'riginally the [reek alphabet + started &ith "ive vo&el symbols $!8!4!'!c by altering the
.hoenician consonants HIle'h
C9
to a vo&el vava he to vev, Gayin to vov
C5
, wa to vuv and yod to the iota
;i>
CC
#
$ [reek "ragment o" \eviticus +2C52!)C, discovered in the Uead Zea scrolls +umran, has UIV
+24ao2 &ith a long ;o>,, the [reek "orm o" the 0ebre& trigrammaton YH?#;C(>
CD

C]

The 6 Watin vowel%
\atin started &ith 5 vo&els $, 8, 4, ', *# he primary diacritic &as the apex used to mark long
vo&els, &hich had previously been &ritten double# 0o&ever, in place o" taking an apex, the letter i
&as &ritten as a long 4!vo&el
CW
5
X Y Z [
\

8ssentially the "ive long "undamental vocals ^+ _+ `+ a+ b had been available in 0ebre& +in the letters
$leph and the three letters o" the etragrammaton,, in [reek initially in A+ E+ I+ O+ Y +and later
more speci"ically in A+ H+ I+ Y+ , and in \atin in cd e f\ , in &hich the \ong i-vowel had been
&ritten as i" the vo&el had been set in a special archaic "orm o" an J''er Kase
7L
#
C0 8tymology o" the i!&ord
C) 8ncryption and Uecryption o" the $lphabetical 0ieroglyphs ! .ublished5 )8 R (7 R -('H
C2 Xotes to Ze"er Yetzirah
C( in modern printed texts -atres le/tionis are sometimes used even "or short vo&els, &hich is considered to be
grammatically incorrect +"rom5 -atres le/tionisM
C9 a glottal stop in .hoenician
C5 because the pharyngeality altered the "ollo&ing vo&el
CC .hoenician alphabet
CD /ezalel .orten, .r/hives fro- Ele'hantine: #he life of an an/ient !ewish -ilitary /olony, )WC], cniversity o"
Cali"ornia .ress, pp# )05, )0C#
C] etragrammaton
CW \atin al'habet
D0 his might have been the main reason "or 8nglish language to capitalize the ego!pronoun 4
The 6 Watin vowel% in Ser$an alha!et
4n Jose" 0einrich%s Zchreib!\ese!Fibel +dated )]D9, the basic [erman $lphabet uses 5 vo&els $, 8,
4, ', *, to &hich the Y is added as a special character#
The symbolism of the vowels
The Wong i-vowel
4n \atin the \ong i-vowel had been &ritten as i" the vo&el had been set in a special archaic "orm o"
an J''er Kase# his might have been the main reason "or 8nglish language to capitalize the ego!
pronoun 4#
I &as used by the [oths and 8nglish instead o" their ia, our yea, &hich have nearly the same
"ormation, and &as &ritten y by Zhakespeare# he $rabs say y "or me
D)
#
The Tetragra$$aton&% vowel% 3an) %e$ivowel%) Y+ H+ ?
he symbolism o" the etragrammaton%s vo&els Y, 0, 3 has been investigated by Cabbalists, &ho
claim that the Yod represents a male and one o" the other letters +0 or 3v*vc, represents a "emale
element
D2
, rendering the &ord to an androgynous structure in &hich the male and "emale elements
are antipodes#
Zometimes the letter 607 has not been interpreted as a vo&el or e, but le"t as a vo&el
symbol 6h7 +probably interpreted as an 6eta7 or7 6G7,, "or example5 0$, 408, etc###
D(
1alph 3aldo 8merson%s &ork Natre reveals some prophetic visions on linguistic roots and
especially antipodal symbolism# 8merson describes ho& antipodes need to be Aoined to procreate
li"e
D9
#
The #elhi, letter gEh
he letter 687 is a mysterious character "ound at a Uelphic omphalos
D5
#
The Olau)ian letter gYh
he vo&el 6Y7 is a Kladian letter, &hich later has been added to the 1oman alphabet, &hich
originally had been restricted to the standard $84'c!set#
Claudius may have been inspired by his ancestor .''is Kladis the Kensor, &ho made earlier
changes to the \atin alphabet
DC
#
Claudius did indeed introduce his letters during his o&n term as censor, using arguments preserved
in the historian #a/its%s account o" his reign, although the original proclamation is no longer extant#
he letter , a hal" 0 has been documented as "ollo&s
DD
5
he value o" this letter is unclear, but perhaps it represented the so!called sons -edis,
a short vo&el sound +likely NOP or NQP, used be"ore labial /onsonants in Fatin &ords
such as o't-svo'ti-s# he letter &as later used as a variant o" y in inscriptions "or
short [reek 'silon +as in 8ly-'i/s,# 4t disappeared because the sons -edis itsel"
disappeared "rom spoken language#N1P
D) Xotes to 8tymons o" 8nglish 3ords +)]2C, ! .ublished5 )6 R (7 R -('H
D2 [ender in Kabbalah by Judith \aura
D( Xotes to Ze"er Yetzirah ! .ublished5 )7 R (7 R -('H
D9 /lack races in 3hite Xoise +analyzing 8merson%s &ork 2Xature2, V cpl# 2W#]#20)9
D5 he 8!4nscription at the 'mphalos o" Uelphi ! Xotes +),
DC 1yan, F# # +)WW(,# 2Zome 'bservations on the Censorship o" Claudius and *itellius, $#U# 9D!9]2# .-eri/an
!ornal of &hilology +he $merican Journal o" .hilology, *ol# ))9, Xo# 9, ''> +9,5 C))VC)]# doi5)0#2(0Dv2W592]#
JZ'1 2W592]# NRP
DD Claudian letters
$ccording to Zuetonius the emperor Claudius +reigned 9)V59, published a book, &hich may have
explained the true +religious h, cause "or introducing an intermediate vo&el sound named sons
-edis representing ;O> - ;Q>:
Novas etia- /o--ents est litteras tres a/ n-ero veter- Sasi -aTi-e ne/essarias
addiditU de Sar- ratione /- 'rivats adh/ vol-en edidisset, -oT 'rin/e's non
diffi/lter o'tinit t in s SoSe 'ro-is/o essent. ETstat talis s/ri'tra in 'lerisSe
libris a/ dirnis titlisSe o'er-
7V
.
/esides this he ;Claudius> invented three ne& letters and added them to the alphabet,
maintaining that they &ere greatly neededa he published a book on their theory &hen he
&as still in private li"e, and &hen he became emperor had no di""iculty in bringing about
their general use# hese characters may still be seen in numerous books, in the ;state>
registers, and in inscriptions on public buildings#
ior)er vowel%
3e may observe that ;O> - ;Q> are the extremes o" the "ront vo&els respectively the back vo&els,
&hich may have been combined in the [reek Y, respectively the Claudian letter +sons -edis,
representing ;O> - ;Q>. hey may be considered as border vo&els, representing the border colors o"
the rainbo& +red, and ultraviolet blue,# $ mixture o" 50 red and 50 blue is purple, &hich has
been de"ined in e#g# ETods 25 : 4 and W Khroni/les R:14 , as &ell as in the Fa-entation for #yre
DW
#
he only colors &hich +in analogy to e#g# ETods WX : 4 and W Khroni/les R:14 , had been
speci"ied in Fa-entation for #yre are white, 0le, &r'le and 1ed
]0
. he colors ho&ever &ill
not be "ound in a number o" medieval Uutch and [erman /ibles, &hich erroneously speci"y
6,ellow7 instead o" 60le7
])
#
D] Zuetonius # 2Uivus Claudius2# .erseus .roAect# 1etrieved )C day 20)(# ;9>
DW Zource5 8zekiel 2D
]0 Zee the overvie& in he 0ermetic Codex 44 ! /ipolar donotheism
]) $nalysis o" the ranslation 8rrors in ETods WX*4
Some post-Thales historical records
The planets and the rainbow%s colors
Ohal)ean lanet%
/asically the planetary system consisted o" the seven Chaldean planets and the stars# $ccording to a
common representation o" the Chaldean planets re"erred to seven [reek vo&els
]2
5
doon $, dercury 8, *enus 0, Zun 4, dars ', Jupiter Y and Zaturn e
he symbolic sources "or the vo&els may help to understand ho& religion evolved "rom the seven
visible planets by designing the names te, te and the most important &ords o" all
languages +the ego!pronouns),# he theory also explains &hy the name te starts &ith te
and &hy this triad may be considered as the most archaic o" all vo&el trinities
](
#
4lato&% Ti$aeu%
8>
.lato%s imaeus reduces the seven planetary orrery @ECjBA +Jehova
]5
, to a basically simpler
"ive 6s&i"tness7!system IAOY, &hich may be represented by 5 basic vo&els# he other 2 planets
+dercury and *enus, represented by the vo&els E respectively H, are additional elements, &hich
didn%t play a substantial role in the "undamental la&s o" harmony#
his subordinate role may also explain &hy the [reeks illustrated the insigni"icance o" the planets
dercury +0ermes, and *enus +$phrodite, by their illegal positions in the pedigree Zaturn +Kronos,
f Jupiter +eus, f dars +$res,#
he vital elements in the universe%s harmony are the Zun, the doon, Zaturn +Kronos,, Jupiter +eus,
and dars +$res,, in that order represented by @ECj, &hich initially V be"ore the birth o" eus !
seems be have been originated as the rigrammaton @EQ
The !or)er ,olor% re) k !lue of the rain!ow
4n ancient times only the border colors red - blue o" the rainbo& really represented de"ined
symbols# he third biblical color purple cannot be traced in the rainbo&%s spectrum and must be
mixed "rom red and blue#
he number o" the rainbo&%s colors +in "act an in"inite number o" colors may be de"ined, varied
"rom time tot time# Xe& colors had to be invented "or additional vo&els, &hich may also have been
added "or ne&ly discovered planets#
]2 Xotes to .lato%s imaeus and Zymposium ! .ublished5 )7 R (7 R -('H
]( he Zeven emples o" 0arran ! 8xplaining the vo&el symbols in te V (7 R (l R -('H
]9 Zome Xotes to Zabian .hilosophy and imaeus ! .ublished5 (7 R (6 R -('H
]5 64n the Je&ish!8gyptian magic!papyri it appears as YZ[\]^_#7 +source5 Xames '" [od ! Je&ishencyclopedia,
Overview
Zeveral three"old
]C
up to ultimately seven"old
]D
concepts have been initiated, &hich may have
resulted in a synthesis!concept "or various important structures as it has been sketched in the
"ollo&ing overvie&
]]
5
[reek
*o&el
]W
Zcale
W0
.itch 0ymn o" Zt# John
+Zol"ege
syllables,
W)
0ebre& vo&els
+as de"ined by
[od&in
W2
,
detals
o"
antiBuity
W(
.lanet,
)(0!200
C#8#
W9
Uay
o" the &eek
W5
Color
WC
$ +alpha, *t
+Uo,
C *t Bueant laxis $leph silver \una
+moon,
donday 1ed
8 +!psilon, me U mesonare "ibris Cheth mercury dercury 3ednesday 'range
0 +eta, ni 8 nira gestorum 0eh copper *enus Friday Yello&
4 +iota, Fa F oamuli tuorum 4od gold Zun Zunday [reen
'!micron .ol [ .olve polluti *av &ith point halem iron dars uesday /lue
c +Y, Wa $ Wabii reatum Zuggestions5
! $in or
! *av &# point hirek
tin Jupiter hursday 4ndigo
e+!mega, .I / .ancte Iohannes lead Zaturn Zaturday *iolet
#able 1: Korrelations between vowels, 'it/h, -etals, 'lanets, days of the wee" and the
rainbow7s /olors
Pillars
he Celts and the Je&s assumed pillars might protect them against a collapsing sky, &hich has been
reported as a message to $lexander5
WD
23e "ear no man5 there is but one thing that &e "ear, namely, that the sky should "all on
usa but &e regard nothing so much as the "riendship o" a man such as thou#2
mero)u,tion% of YaTin an) ioaP
/lavatzky de"ines Yakin as male, but he hree &illars o" dasonry
W]
de"ines Yakin as a
"emale and /oaz as a male symbol#
'bviously both hollo& pillars are at least bipolar antipodes# 4n heosophy some o" the symbols
WW

"or /oaz and Jachin have been painted red and violet!blue V suggesting a representation o" the red
- blue blood#
]C 1econstruction o" the .48!rinity!Concept
]D $ Zhort reatise o" *o&el!Zymbolism
]] overvie& in he 0ermetic Codex 44 ! /ipolar donotheism
]W source5 .orphyry - darcus
W0 according to the 0ymn o" Zt# John +Zol"ege syllables,, an eighth!century plainsong hymn to John the /aptist !
Joscelyn[od&in!dysteryo"theZeven*o&els+)WW),
W) eighth!century plainsong hymn to John the /aptist ! Joscelyn[od&in!dysteryo"theZeven*o&els+)WW),
W2 Joscelyn[od&in!dysteryo"theZeven*o&els+)WW), ! see $ppendix 2#
W( he detal!.lanet $""inities ! he Zeven"old .attern by Xick Kollerstrom
W9 Buoted "rom Joscelyn[od&in!dysteryo"theZeven*o&els+)WW),
W5 $dolphe /ertet +)])2!)]D5, Buoted by Joscelyn[od&in!dysteryo"theZeven*o&els+)WW),
WC according to Xe&ton +8'ti/"s, )D09,a Zource "or this de"inition5 +3ikipedia, Zol"ge
WD he 3orld%s .illar in the 3ords V published (0 v 5 v20)9
W] he hree &illars o" dasonry ! /oynton dasonic \odge
WW $pocalyptic seal +)W)), and Jachin and /oas and
$dam Kadmon in center o" Jachin and /oaz# $ndrogyne o" male and "emale, as above so belo&#
races o" red paint are clearly visible at the knots o" the 4achim pillar in the 3rzburg Kilian!
church
)00
, &hich contradicts /lavatzky%s attribute 6&hite75
;a,hin an) ioaP +$eb#,# $ Kabbalistic and dasonic symbol# he t&o pillars o" bronze
+Yakin, male and &hitea /oaz, "emale and red,, cast by 0iram $bi" o" yre, called 6the
3ido&{s Zon , "or Zolomon{s supposed +dasonic, emple#
)0)

0ebre& religion used the pillars J and / "or the antipodal symbols# 4n 1oman concepts the 4 and c
+f 4c!piter, and in [reek concepts 8
)02
and c +resulting in the sky!god eus, have been used#
he pillar o" Jachim represents the solar, masculine, active, positive, expansive principle
o" lighta the pillar o" /oaz represents the lunar, "emale, passive, negative, containing
principle o" darkness#
)0(

he pillars had a size nearly six "eet +)#] metres, thick and 2D "eet +]#2 metres, tall# he eight!"oot
+2#9 metres, high brass chapiters or capitals on top o" the columns bore decorations o" brass lilies#
Organ ie% in ?prP!urg 3'-H()
4 also considered the idea o" organ pipes to generate t&o vo&el tones symbolizing the vo&els 4 and
c# 4n the organ pipe model o" the pillars in the 3rzburg5
the high +"emale, tone may be derived "rom a /oaz pillar &ith 9 elementary rods in series
a lo&er +maleh, tone may have been produced by the 4achim pillar &ith ] elementary rods in
series#
he 4achim pillar has been eBuipped &ith a singular more complicated 9 level knot, &hereas the
/ooz pillar uses t&o dual level knots# 4t is unclear ho& these may have been serialized, but the basic
nodes have been kno&n "rom other churches
)09
#
)00Zymbolism in the 3rzburg 8piscopal 1esidence
)0)Cardi"" 0lavats"y $rchivea #heoso'hy
)02he 8!4nscription at the 'mphalos
)0(!a/hin and /oaz
)09he columns named J and /
W: Ba/hi- 'illar `1WRLM R: 0oo6 and Ba/hi-
Wycliffe%s upper case letter &
'$(
)*'+,-.
1ussell says 3ycli"" had not been a regular priest and became a heretic around )(D2!)(DC# 0e
translated the *ulga in 8nglish )(D]!)(DW#
)0C
'" course 3ycli""e
)0D
+)(20 V )(]9, kne& the important &ork o" Aetonis and he may
have kno&n the &ork o" Kladis as &ell# 0e may have understood the symbolism o" the
sound bet&een u and i and the androgynous creation legends# Uid he redesign a ne&
religious concept by choosing the capital &!letter as a new Ego*'ronon in English instead o"
the predecessor 6ic7h
he capital letter Y "or the 8nglish ego!pronoun has not been documented in 1ussell%s &ork
)0]
#
1eligious symbolism &ould also explain &hy the 8nglish 8go!pronouns Y and 4 have been
&ritten as capitals# 3ycli""%s & denotes the androgynous and the modern pronoun I re"ers to
the male symbolism# 4n 3ycli"%s /ible the personal pronoun o" the "irst person singular has
been de"ined as an upper case character 6&7#
he Chech heretic re"ormer Jan 0us +c# )(CWV)9)5, had been educated as 3ycli""e%s pupil and had
been "orced to move to /ohemia, &here the 0ussites prepared the environment "or other +f
\uther%s, re"ormations
)0W
#
/rederic0 III%s device A-1-I-2-3 )*'!+(.
Frederick 444%s device $!8!4!'!c has not been documented in 1ussell%s &ork
))0
#
he alphabetically sorted vo&el seBuence $!8!4!'!c in the ancient 1oman alphabet served
as a symbolic device "or the 0absburg emperor Frederick 444 +)9)5VW(,, &ho habitually
signed buildings such as /urg 3iener Xeustadt or [raz Cathedral as &ell as his table&are
and other obAects and signature &ith $84'c, &hich may have been chosen as Aust another
vo&el acronym o" the sacred Xame Y0*0
)))
#
Frederick%s personal motto has never been explained, leading to many di""erent
interpretations being presented, although it has been claimed that shortly be"ore his death he
said it stands "or .lles Erdrei/h ist asterrei/h ntertan +8nglish5 .ll the world is sbje/t to
.stria.,
Frederick 444%s impressive sarcophagus is made o" the unusually dense red marble!like stone "ound
at the $dnet Buarry#
)05he 0ermetic Codex 44 ! /ipolar donotheism
)0C1ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster#
)0D he Y!.roceedings +he Y!Key to the 8nglish 8go!.ronouns,
)0]1ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster#
)0W1ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster#
))01ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster#
)))he $#8#4#'#c!device o" Frederick 444
4onathan Swift%s &ahoo
''5
)',5".
he "undamental concept had been introduced by the name &ahoo &hich !onathan Awift had chosen
"or the human!like beings in his "amous satirical book 9llivers #ravels `17WbM# 4n this satire the
name Yahoo probably had been understood as an alternative variant o" Yah&eh# 4 also understood
the author already had been charged "or 6de"amation o" [od and the human being75
8specially the Yahoos in the "ourth book o" [ullivers ravels had been accused by *ictorian critics
as a -de"amation o" [od and the human being6 +0lwer*Fytton,, &hich had to ban this tool -"rom
any decent household6 +8# [osse,
))(
#
4ndeed &ahoo may be understood as
))9
5
)# Yahoo + 9lliver7s #ravels , , creatures "ound in the book 9lliver7s #ravels by Jonathan Z&i"t
2# +in 1eligion, $n alternate "orm o" Yahu and the Je&ish god Yah&eh#
Jonathan Z&i"t%s naming people 6Yahoo7 has not been documented in 1ussell%s &ork
))5
# 0o&ever
1ussell re"ers to $ntiphon +.lato%s hal"!brother,, &ho remembers a dialogue in &hich dan is
de"ined as a &eak image o" the Creator, but no& merely seems to be 6interested in horses7#
0orses also re"er to Z&i"t%s 0ouyhnhnms and in "act Jonathan Z&i"t may have chosen $ntiphon%s
horses as his ultimate topic o" interest#
))2$ \etter!/ased 0udan V uploaded C#W#20)9
))(page 20C in Uie Klassi"er der englis/hen Fiteratr ! Katalog der - $uthors c&e /ker, 0orst /reuer and 1ol"
/reuer, 8/ V 8C'X aschenbuch *erlag,# Uocumented +in [erman, in *on Uen crsprngen Uer Yahoos
))9Zource5 Yahoo
))5 1ussell, /ertrand +)W95,# #he $istory of %estern &hiloso'hy# Xe& York5 Zimon and Zchuster#
Philosophically inspired 6ovels
nu%il&% qThe nan ?ithout rualitie%h 3'"-' - '">-)
4nitially dusil had planned to create a "ictive biography, in &hich a sibling love had to be playing a
central but not an evidently do-inant role# 4n his philosophically inspired novel -he dan 3ithout
ualities7 dusil chose the chapter 6he Ziamese &ins7 as a central core# 4nside ourselves &e all
may identi"y the t&in sister as a mental ctopian hal", respectively as a mani"ested alter 8go idea o"
ourselves
))C
#
dusil symbolizes the color contrast o" clothing as the signi"icant di""erence bet&een both mythical
6Ziamese &ins7, represented by the siblings clrich and $gathe, by their clothing colors# 4n his
design papers dusil had named these primary colors red, green, blue and yello& as 6bordered
areas75
63e might dress ourselves in an opposite pattern, $gathe delightedly responded# Yello& one
o" us, and the other blue, or red opposite to green# $nd our hair might be colored violet or
purple7#
he Buotation does not meet [oethe%s nor Xe&ton%s theory# 0o&ever searching the &eb 4 identi"ied
the "our color system o" 8&ald 0ering, explaining dusil%s expression# he 9 color system also has
been applied to setup the Xatural Color Zystem +XCZ,
))D
#
Philosophically inspired Paintings
From the &eb and during my travels 4 collected a number o" photographs o" philosophically
inspired paintings, &hich usually depict saints andvor sacred persons in purple, red, &hite - blue
&hereas in contrast yello& is used to characterize &icked persons such as the traitors Judas and Zt#
.eter# he list has been sorted according to the publication date5
$ \i"etime%s Coloring /ook +)W59!20)9, ! .ublished5 W v )5 v 20)2
\amentation "or yre ! .ublished5 )) v 09 v 20)2
he Zymbolism o" the Colors .urple, 3hite, 1ed - /lue +f Josephus, V .ublished5 0W v 09 v 20)2
he Zuperman $rchetype%s Colors ! .ublished5 0D v 20 v 20)2
1ed and /lue in C#[# Jung%s 2he 1ed /ook2 ! .ublished5 0D v )C v 20)2
Capita Zelecta on 1ed and /lue Coloration +f "lags, ! .ublished5 0D v )0 v 20)2
dadonna *asa *asa ! .ublished5 05 v )W v 20)2
he Flag%s Colors o" /ad 3imp"en ! .ublished5 05 v 05 v 20)2
3hy /lue has been dade an 4n"erior Color
))]
! .ublished5 09 v 2( v 20)2
he double rainbo& in the 6Ztuppach dadonna7 ! .ublished5 09 v 0] v 20)2
Zymbolism in $ntipodal Colors +[oethe and the "lags% design
))W
, +)D]5, ! .ublished5 0) v 0( v 20)2
/ipolar donotheism +.ublished5 )2 v 2) v 20)), ! 1eads5 )02)
$nalysis o" the ranslation 8rrors in 8xodus 25!9
Zymbolism o" .urple and Zcarlet in [reek and 1oman Zocieties .ublished5 0) v )W v 20))
1ed and /lue in $rchitecture and $rt&ork .ublished5 0) v )5 v 20))
he Central 1eligious 4mages in the [arden o" 8arthly Uelights .ublished5 )2 v 0W v 20)0 ! 1eads5 WW)
$ 0istory o" .roto!4ndo!8uropean 1eligion .ublished5 )) v )D v 20)0 ! 1eads5 W2C
3idukind%s omb .ublished5 )) v )5 v 20)0
))C $ dausoleum o" 3ords V dusil%s Uesign o" -he dan 3ithout ualities V cpl# 0]v5v)9
))D he Color Zymbolism o" .hilosophers ! cploaded 0Dv2]v)9
))] explaining the symbolism in positive 1ed and negative /lue
))W he "lags o" Colombia, *enezuela and 8cuador
Jupiter%s \egacy .ublished5 0W v 0] v 20)0
he 0ermetic \ibrary .ublished5 0] v 25 v 20)0
\iturgical +and 1oyal, colors .ublished5 0] v 25 v 20)0 1eads5 W9W
1ed and /lue in /ritish 1oyalty .ublished5 0] v 20 v 20)0
1ed and /lue as [ender Zymbols .ublished5 0] v )D v 20)0 ! 1eads5 )55]
he Xuns% Church at 3aiblingen .ublished5 0] v )5 v 20)0
/lue and 1ed Zymbolism in Freemasonary .ublished5 0] v 0W v 20)0 1eads5 ))D]
4lluminated danuscripts .ublished5 0D v 2] v 20)0 ! 1eads5 )5WD
/lue and 1ed in Xotitia Uignitatum .ublished5 0D v 2C v 20)0
Colored 4dols .ublished5 0D v )D v 20)0 ! 1eads5 ]W2
Yello& "or Zaint .eter .ublished5 0D v 09 v 20)0 ! 1eads5 W0W
Zymbolism in the .aintings by 0ieronymos /osch .ublished5 0D v 02 v 20)0 ! 1eads5 2205
Capita Zelecta "or the religious symbols 1ed and /lue .ublished5 0C v 2C v 20)0
Uyeing .urple in the diddle $ge .ublished5 0C v 2) v 20)0 ! 1eads5 )(29
he 0ermetic Codex 44 ! /ipolar donotheism .ublished5 0C v )( v 20)0 ! 1eads5 2D5)
Zymbolism in the [arden o" Uelights by 0ieronymos /osch .ublished5 05 v 2D v 20)0 ! 1eads5 )0C2
1ed and /lue in the diddle $ge .ublished5 05 v 05 v 20)0
he King"isher ! he etymology o" king"isher .ublished5 05 v 0) v 20)0 ! 1eads5 )D]W
/lue and 1ed in 1oermond .ublished5 09 v 2D v 20)0
Color Codings in the \ast Zupper +'vervie&, .ublished5 09 v )D v 20)0 ! 1eads5 292)
Color Coding in the \ast Zupper +by \eonardo Ua *inci, .ublished5 09 v )C v 20)0 ! 1eads5 25]D
Yello& "or Judas .ublished5 09 v )9 v 20)0 ! 1eads5 )2]0
/lue and 1ed in dedieval [arments .ublished5 09 v 02 v 20)0
Zummary o" some religious color Codes .ublished5 0( v 2( v 20)0
he Zymbolic color [reen in 4slam .ublished5 02 v 02 v 20)0 ! 1eads5 )C5W
$ compact 'vervie& o" /ipolar Zymbolism .ublished5 0) v 2( v 20)0
[ender 1e"erences "or .urple, 1ed and /lue .ublished5 0) v )] v 20)0 ! 1eads5 )2]5
8tymology "or Flags .ublished5 0) v )9 v 20)0 ! 1eads5 )0DW
$nother 8tymology "or .urple .ublished5 0) v 0C v 20)0 ! 1eads5 )(59
.aint 4t .urple ! $ short 0istory o" painting 1ed and /lue .ublished5 0) v 0( v 20)0 ! 1eads5 2)W]
[enesis ! 3eaving the 3ords in 1ed and in /lue .ublished5 )2 v 2( v 200W
Zecret color Codes in the /ible .ublished5 )2 v 05 v 200W ! 1eads5 2(20
he Fundamental Color Zymbols /lue and 1ed .ublished5 )0 v 2) v 200W ! 1eads5 99W9
0ochdor" 1evisited ! $ reconstructed Celtic Zite .ublished5 )0 v 02 v 200W ! 1eads5 )2(9
he Zky![od Uyaeus .ublished5 05 v )5 v 200W ! 1eads5 ()(C
dost o" the relevant documentation is regularly being updated in a chronologically sorted document
he 0ermetic Codex 44 ! /ipolar donotheism#
Synthesis of Pre-Thalic philosophical ideas
0istorians usually start their history o" &estern philosophy &ith hales
)20
# $ccording to /ertrand
1ussell, 23estern philosophy begins &ith hales2#
he analysis o" linguistic statistics "or patterns such as a high concentration o" vo&els ho&ever
reveals substantially relevant philosophical pre!halic philosophical ideas#
0igh concentrations o" vo&els indicate sacred &ords such as 6eternity7, 6very old7, 6custom7,
6marriage7, etc#
he most relevant vo&els are the lo& vo&el ;a>, the "ront vo&els ;i> ;y> ;e>, a semivo&el ;&> and
the back vo&els ;o> ;u># Corresponding vo&el characters are $, 4, Y, 8, 3, ' and c# Zymbolically
relevant vo&els usually are long vo&els#
3ords "or long time +6aion7,, eternity, high age, custom, la&, marriage, etc# usually start &ith a lo&
vo&el ;a> V or an 6$7, to be "ollo&ed by a "ront vo&el such as ;i> ! 647 and eventually to be closed
by a back vo&el such as ;o> V or e#
his vo&el seBuence contrasts to the ego!pronouns such as Aau, &hich usually start &ith a "ront
vo&el such as ;i> ! 647, eventually to be "ollo&ed by a lo& vo&el ;a> V or an 6$7 and eventually to
be closed by a back vo&el such as ;u> V or c#
$ncient divine names usually are similar to ego!pronouns &hereas modern divine names are being
generated by a "ormula5 divine name 6U7 - ego!pronoun#
$ relevant anomaly "or the etymological transitions o" ego!pronouns ieu, iau, iou and ih +and their
corresponding divine names, is "ound near the 1hine%s bi"urcation at Chur, Z&itzerland#
/oth Jupiter and Y030 are to be interpreted as vo&el seBuences#
he vo&el set in the [reek alphabet had been designed seemed to start &ith a lo& vo&el ;a> V or an
6$l"a7, to be centered by a or the "ront vo&el Yod ;i> ! 647 and eventually to be closed by a back
vo&el such as a long ;u> ;o> V respectively Y or e# he "ront vo&el Yod ;i> ! 647 is antipodal to the
long ;u> ;o> V respectively Y or e#
he [reek alphabet +no& &ith seven vo&els5 A-E-H-I-O-Y-) lost its symmetrical vo&el structure
at the introduction o" the long vo&els 0 and e +Cth century /C,# he \atin alphabet lost its
symmetrical vo&el structure +no& &ith six vo&els A-E-I-O-*!Y, at the introduction o" the speci"ic
[reek letters Y and +)9C /C,#
\atin started &ith 5 vo&els $, 8, I, ', c# he primary diacritic &as the apex used to mark long
vo&els, &hich had previously been &ritten double# 0o&ever, in place o" taking an apex, the letter i
&as &ritten as a long 4!vo&el#
4nitially the ideal alphabets seem to have been designed "or symmetrical arrangements o" 5 vo&els
in a pattern $, 8, I, ', c around the central vo&el 6I7# $n ancient version o" the arrangement uses
( vo&els in a pattern $, I, c respectively $, I, e around the central vo&el 6I7# he pattern $, 8,
I, ', c is eBuivalent to Frederick 444%s device $!8!4!'!c#
he 5!letter design has been optimized very care"ully# he extension to a D!vo&el pattern ho&ever
lacks symmetry and seems to have been managed by ill!prepared or unkno&ing architects#
dost detailed documentation has been listed in the overvie& .roceedings in the 8go!.ronouns%
8tymology +'vervie&,# he vo&el symbolism in the pre!halic sources signi"icantly in"luences
etymology "or the ego!pronouns and the divine names#
)20c# C29 V c# 59C /C
Contents
$nalyzing linguistic statistics###############################################################################################################2
.re!halic philosophical ideas#########################################################################################################2
he number o" vo&els#####################################################################################################################(
he D!vo&el 8gyptian alphabet##################################################################################################(
Uemetrius%s statement about the 8gyptians singing D vo&els#####################################################(
he ideal riad $!4!'c###############################################################################################################(
Zacred &ords####################################################################################################################################9
he ZeBuence o" *o&els "or $4 and 4$e##############################################################################9
he ZeBuence o" *o&els "or $4 +8ternity,#######################################################################9
he ZeBuence o" *o&els "or 8go!.ronouns and divine names##############################################9
he &ords _ or _&#####################################################################################################################9
he ego!pronouns#######################################################################################################################5
Uivine names###################################################################################################################################C
he imeline o" *o&el Zymbolism#############################################################################################C
$lternative Uivine Xames &ith Consonants###############################################################################D
he ego!pronouns at the $nomaly near Chur, Z&itzerland########################################################D
he &est!branch 48c##############################################################################################################D
he south!branch 4'c############################################################################################################D
he east!branch 4$c##############################################################################################################D
he north!branch 40+c,#########################################################################################################]
Janus und Jupiter#########################################################################################################################]
he etragrammaton Y030######################################################################################################]
ranslations "or the Creators name#############################################################################################W
he Xame 40*0 as a vo&el!combination 4$'c8################################################################W
$lphabets#######################################################################################################################################)0
he 5 Je&ish vocals##################################################################################################################)0
he 5 [reek vo&els##################################################################################################################)0
he 5 \atin vo&els####################################################################################################################)0
he 5 \atin vo&els in [erman alphabet###################################################################################))
he symbolism o" the vo&els########################################################################################################)2
he \ong i!vo&el######################################################################################################################)2
he etragrammaton%s vo&els +and semivo&els, Y, 0, 3#######################################################)2
he Uelphic letter 687###############################################################################################################)2
he Claudian letter 6Y7 ###########################################################################################################)2
/order vo&els###########################################################################################################################)(
Zome post!hales historical records###################################################################################################)9
he planets and the rainbo&%s colors#############################################################################################)9
Chaldean planets#######################################################################################################################)9
.lato%s imaeus##########################################################################################################################)9
he border colors red - blue o" the rainbo&############################################################################)9
'vervie&###################################################################################################################################)5
.illars#############################################################################################################################################)5
1eproductions o" Yakin and /oaz ############################################################################################)5
'rgan pipes in 3rzburg +)2(0,##############################################################################################)C
3ycli""e%s upper case letter Y +)(D],###########################################################################################)D
Frederick 444%s device $!8!4!'!c +)9(5,#####################################################################################)D
Jonathan Z&i"t%s Yahoo +)D2C,######################################################################################################)]
.hilosophically inspired Xovels####################################################################################################)W
dusil%s -he dan 3ithout ualities7 +)W2) ! )W92,################################################################)W
.hilosophically inspired .aintings#################################################################################################)W
Zynthesis o" .re!halic philosophical ideas#######################################################################################2)