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    4K views12 pages

    The Crucible-Act 4 Text

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    of 12
    Bolte gIS SHAG Peyote ‘The Crucible, Act Three ‘Quick Check 4. Asthe act begins, why does Giles Corey inter ruptJudge Hathorne? 2. How does Mary respond when Danforth asks herto explain her bahaver? 23. What does Danforth do withthe ist of people supporting Rebecca and Martha? ‘4. what est does Danforth devise to determine wy Abigal was putout ofthe Procto house? 5. Whats Abigail Wsien"? Read witha Purpose 6. What doat Hale mean when he ake every Gefen san atack upon the court? By the end ofthis at, would you say that Hales dynamic character whohas changed, ora static charac: fer whohasnat changed? Us deta rom the lay to support your response. Reading Skills: Drawing Conclusions About Characters 7 Explln why Gls Coe feels that he cannot present his one piece of evidence requested by the judge 8 Athi point the ply what conclusions haveyou dawn about Abigal? Support your respons wth evidence rom your chart Literary Analysis 9, Analyze What does Danforth reaction to less ‘outburst atthe beginning ofthe act suggest abouthis character! 1.8 mann teaa sd cadence resist gree sepa ii pet ‘SETAE dwn heresomeise hte Respond and Think Critically 10. Interpret Wiy does the court debate wether Procter plows on Sunday? Whot isthe signi cance of thisdebate! 11. Literary Perspectives Eliabeth Poctoris known to beinuinsially honest Explin whether her lta Danforth undermines er red. | Literary Skills: Motivation | 12.Make Judgments When John eves iste relationship to Abigail, what do youthinkhe aso reveals about hs character and ismotaton? Literary Skills Review: Mood 13. Analyze The overall emotion wansnited bya wrk teatr ts mood. Dramatic works ‘often incude comirelf—the incon of @ ‘comic pode or elamant relieve orton tension by shitng tempor to aight mood, [Doyo tink ies Corey earthy logue p= des comicreefin The Cube? Explain Think as a Reader/Writer Use tin Your writing Witea brie logue between two choactersin which one atemrsto maketh other whole innocent sppese gut of ‘wrongdoing Inclidestage drecionst show the innocent characters eacons and torevel the secret Intent the accuser pe You) abet Proctor esto Danforth. Does her nk liemakeerseem mori ater car JOW® _tesinthe pay? Why or why not? Foe CHONCES cpa 67. Applying YourSils 1153 The Crucible Act Four | Read with a Purpose feo the ast of Te uc toundestnd what | itvatesa charactors inthe rame of uth, Act Four ‘A callin Salem jel hati ‘At the back sa high barred window: nar, grat hea dor Along the wal are two benches “The place isin darkness but for he moonlight seeping through he bas I apears empty. Preset footsteps ‘are hand coming down a corridor beyond he wal keys ‘att and the dor swings open MARSHAL HERRICK. nr with a eter, ‘Hes nary drunk and hea: foted. He gosta bench cand nudge abe of as ying ont. errcke Sarah, wake wp! Sarah Gaod! He then cose: tothe other bench Sarah Good rising is her rags: Ob, Majesty! Comi ‘comin! Tubs he’ here, His Majesty’ come! Herricks Go w the noth cli this place i wanted now: He hangs his anter othe wall TITUBA ae up, Tituba: That dont ook to me ike Hi Majesty; look to me ike the marshal, Herrick, taking outa flak Get slong with you now, lear this place He drinks, and SARAM GOOD comer fad peer up into is ace Sarah Good: Oh, is ityot, Marshal! thought ure you be the Devil comin for us, Could Eve asp of lee fr me goin. avay? Hersek, handing her the flak’ And where are you of to Sara ‘Titubs, ar SARAH dns: We git to Barbados, soon ‘he Devi gis hore with the fathers and the wing. errick: Oh? A happy voyage to you. Sarah Good A pata baebiede wings south elt two of us! Oh tbe grand transformation, Marchal! She ries he flask o drink agin. erik toking he flask fom her ie Yul best give me thator yu never Fie ofthe ground Come long now. ‘Tituba: Tl speak thie for you, i you deseo come along, Marshal. Herricks TW not refuse Ttuas it the proper morn- ingto ly into Hel ‘Tituba: Ob, it be no Helin Barbados. Devil him be pleasuremas in Barbados, him be sing’ and dancit In Barbados. If you ols you rile him up ound. here; tbe to cold round here fr that Od Boy He feez is soul in Massachaset, but in Barbados he justas sweet and—A bellowing cow is heard, and 1"- UBA laps up an eal othe window: Aye sit Ths im, Sarht Sarah Good: im here, Majesty! They hurriedly pick up 1154 Unit 6-Colecton 5 © LET tivation Wy doch and Taba peend tokevaling rede tcane? eo ‘Weigand Interpreting Suhel Pactra ete Teyeentbe Sangin th sane fx ben te cfc ether, Whee might they Deli Whately ste cers canbe? Elin urease. Sarah Good, flowing the shouting TETUBA out Tell ther rags as HOPKINS, «guard, eters him I'm goin Tituba! Now you el him Sarah Good is mpi tetigagnoesaias orate gotingatcan aca ‘Thane resisting hime No, he comle for me.I guic In the corridor outside TTTUBA calls on—"Take me ‘out with you! ‘Tituba, cag the windows Take me home, Devil! Take me home! THATHORNE. Thay are grescoate and wear hats, TheCrucbleActFour 1155 gin the bter col, They er fllowed in by CHEEV- 2, who crea dispatch case and a flat wooden box containing his writing materials. Herricks Good morning, Exelency. Danforth: Whereis Me Parst eric etch hm. He stars for the door. Danforth: Marshal. HERRICK stops. When did Reverend Hale arrive? Herr Iewere toward midnight, thik Danforth, supicioudy What fhe about here? Herrick He goes among them that will hang, st. And he prays wth ther, Heit with Goody Nurse now, ‘And Me. Paes with him. Danforth: Indeed Tht man have no authori 0 cer her, Marshal Why have you let him in? Herrick, Why, Me, Parris command me, sc cannot

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