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Levy)
Crora je OHO 0 4eMy >KeI\HM oase ila ilHCKYTyjeM Be3aHO cawo aa jeilaH
acnexr Ky;\Type Ml\ailHX oja ce HileHTHepHKOBa;\a Kp03 ospebeu HCTOpHjCKH nepuoz, HI\YCTpyjynH ua oapebeu Ha4HH ilHjal\or H3Me1)y rxooaxuor H 1\0Ka;\Hor.
Ycpescpebyjex, ce Ha rl\06al\HH yruuaj pOK My3HKe H cneUHepH4aH Ha4HH Ha KOjH je 6HI\a I\OKal\H30BaHa y Eyrapcxoj cpeilHHoM ocacisecerwx roilHHa osor Bea. CMaTpaM ila je y raxsoj ilHCKyCHjH Oil nOMonH "ilHjal\owKH" npucryn HCTOpHjH non My3HKe, KaKaB aarosapa KHT Heryc (Keith Negus, 1996). TaKaB
npucryn ilonpHHocH 60lbeM pa3yMeBal-by ilHHaMH4He npupoz,c nonyxapue My3HKe, nocwarpaue xao uenpekuaau npouec, KOjH noaesyje npOWI\OCT H 6yilynHoCT,
cranajyh "cno.saunse" H "yuyrpaunse" diparx-eure, cnajajylu- rl\06al\He H 1\0Kal\He yruuaje. ilajynH xao pesyxrar pa31\H4HTe npaaue KOjH cy MOr;\H ila ce ilOroz,e cavo y oxpebeuov ilaTOM npocropy y zaro. cneuHepH4HO apeve. nOpeil TOra, TaKaB npucryn Morao je ila OCBeTI\H nara-se Ky;\TypHHX ilHjal\ora H
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HOBvt 3ByK
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CKe OMAa1lVlHe 1l06VljaAa MVlTOAOWKVl sua-raj, CAVl4aH OHOM KOjVl je, peUVlMO, VlMaAa aa aHrAo-aMepVl4Ky OMAanVlHY sa apewe 6yHTOBHVlX KaCHVlX We31leCeTVlX
r01lVlHa. Y CTBapVl pOMaHTVl4Ha, Ma1la
1960-Vlx
rosnua. na 4aK
Vl
6VlO
orpauuueu. no-
opybe
rpavorpoucke
nxove Vli\Vl cAywa~be 3ana1lI-bJ4KVlX panVlO craunua, xao WTO cy Luxembourg, BBC
Vl Monte Carlo. VlnaK, 4aK Vl Ha cnopasnvan Vl HeepopMai\aH Ha4VlH, Ben cpeauHOM
1950-VlX
rapcko OMi\a1lVlHOM, yrAaBHoM y yp6aHVlM Cpe1lVlHaMa. Ci\Vl4HO TOMe, 6pVlTaHCKa pOK VlHBa3Vlja We31leCeTVlX ronVlHa npozpxa je y byrapcxy 6e3 063Vlpa Ha
HenpVljaTelbcKVl CTaB KyATypHVlX BAaCTVl, xoje cy OBy My3VlKy KBai\VlepVlKOBaAe ao
nponarausy "awepu-ucor CTVlAa )/(VlBOTa". YnpKOC raxaoj orryauu]. MHore aMarepcxe pOK rpyne, BenVlHOM crysenara y rpa1l0BVlMa, OCHOBaHe Ben paunx ures-
1leCeTVlX
ueusvpacaxe Vl onpe1)VlBaAe, YBOnVli\e Vl nOnVl3aAe HVlBO yKyca jezuor Heyrxabeuor cruxa Vl nouaurau,a, oMe1)aBajynVl repuropajy Mi\a1lVlX y OKBVlPY nonyAapHe My3VlKe. Eyrapcxa peneproap y)/(VlBaO je jaKy n01lpwKy KaKO 6Vl ce cycy 4aK
nporcraeuo yruuajy 3ana1la. Je1lHa 01l uajycneunurjux oyrapcxax pOK rpyna, xoja
Vl
ro1lVlHe y
Corpu].
Vl
Bi\aCTVlTe
Vl
XVl-
TOBJ. OHO WTO je Mi\a1le y 5yrapcKoj BeOMJ npVlBAa4VlAO OBOj MY3VlUVl HVlje y TO
apeve 6Vli\a cawo 4Vll-beHVlUJ 1la cy noceouo BOi\eAVl 1la ce "3a6aBlbajy" Ha HeepopMaAaH Ha4VlH; OBy My3VlKy cy
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HOBJ1 3BYK
60l)eHe I-1Hf>.I-1SI-1f>.ya/\HOCH1 1-1 He3aSI-1CHOr craaa (Levy, 1992). MI-1C/\I-1M f>.a ce, y
OSOM CM1-1c/\y, MO>Ke nosyha napaxexa 1-13Mel)y l-tcroxa 1-1 3anaf>.a. YI-1t-beHI-1Ua f>.a
cy lbyf>.1-1 Ha 3an3.L'>.y Y3sI-1KI-1sa/\I-1 "SOf>.I-1Te lby6as, He par", f>.OK cy lbyf>.1-1 ua VlCTOKy rapsorxaao CSl-1pa/\l-1, c/\ywa/\l-1 1-1/\1-1 npocro Y>KI-1SaM1 y 3SyKy "3a6pat-beHe" My31-1Ke, He orkxau.a nocrojau.e Moryne napa/\e/\e 1-13Mel)y t-bI-1XOSI-1X MOTI-1Sa.
Taxo je npu-ra 0 pOK MY31-1UI-1 Y 6yrapcKoj aano-rexa Ma/\o acuuje Hero y
3anaf>.HI-1M 3eMlbaMa, uenocpezuo c/\ef>.enl-1 csercxy MOf>.Y, a I-1naK Of>.pa>Kasajynl-1
pa3/\I-141-1TY f>.pywTseHy I-1CTOpl-1jy. Osa npl-14a OTKpl-1/\a je pacryhy 3pe/\OCT TOKOM
1980-I-1X, xao Of>.rOSOp ua CTa/\Ha /\OKa/\Ha l-1f>.eO/\OWKa orpa-u-ueu,a. Y TO apewe
pOK My31-1Ka y byrapcxoj je 61-1/\a sen f>.OSOIbHO Myf>.pa f>.a, ua He3asI-1cHI-1jl-1 1-1 I-1Hf>.I-1SI-1f>.ya/\Hl-1jl-1 Ha41-1H, noaose ua n/\ypa/\I-13aM uacynpor Hef>.OCTaTKY npase xyMaHe 1-1 YMeTHI-14Ke cxctioz,e.
neCMa xojy >Ke/\I-1M f>.a npl-1/\O>KI-1M xao l-1/\ycTpaul-1jy KaKO IbYf>.CKe TaKO 1-1
YMeTHI-14Ke 3pe/\OCTI-1 Hl-1je ycaMlbeH npl-1Mep, sen je 61-1/\a f>.eo npoueca KOjl-1 noKywasaM f>.a npef>.CTaSI-1M y r/\aSHI-1M upTaMa. Hasaana POK y npOW/lOM BpeMeHYI
necwa je CHI-1MlbeHa 1985. rosuue y 1-13sol)et-by jef>.He Of>. Haj3Ha4ajHI-1jl-1x pOK rpyna y Eyrapcxo], The Shtourzite, 1-1 CTeK/\a craryc "K/\aCI-14HOr pOK XI-1Ta" y /\OKa/\HI-1M OKSl-1pI-1Ma, aKO Mory TaKO f>.a Ka>KeM. Y TO speMe, MenyTI-1M, 4/\aHOSI-1 rpyne
cy 61-1/\1-1 y CSOjl-1M KaCHI-1M Tpl-1f>.eCeTI-1M 1-1 paHI-1M 4eTpf>.eCeTI-1M rof>.I-1HaMa, He SI-1we TaKO M/\af>.l-1, 1-1 necwa je y creapu MeTaepopa xoja ospaxaaa ropxo I-1CKyCTBO
jef>.He pOK reuepauuje oja je npexueexa HeKe He TaKO CMeWHe crpaue cneuuepl-14He npu-re 0 pOK MY31-1UI-1 Y 6yrapcKoj, a yonurre-u-]e - 1-1 Y VlCT04HOj Eeporny ue/\I-1HI-1. Flecwa nozceha, uapasao ca ocwexov. a He Mp>Kt-bOM, ua ueke MaHI-1rpecraua]e /\OKa/\He ueusype, ua speMe asa je MywKapau Morao 61-1TI-1 yxanuieu
360r zyre oce a ceua Mor/\a ynacru y HeBOlbe 360r xparxe cyKt-be, WTO cse nocceha ua arpuovre npanasau.a "POK 3ajef>.HI-1UI-1" oja je yrpoxcaaaxa l-1f>.eO/\OWKO
"3f>.paSlbe" f>.pywTsa. OHO WTO 40seK MO>Ke f>.a np041-1Ta 1-13 cruxoaa je 1-13pa3 aeOMa /\I-14HOr ucxycraa oje r/\acl-1 HeWTO xao: "O.K., 6aw Hac 6pl-1ra aa rxynocru
Kojl-1Ma CMO oKpy>KeHI-1, KOHa4HO MI-1 CMO jow yBeK o Bf>.e, npe>KI-1Be/\1-1 CMO, a/\l-1,
3aWTO CMO, f>.OBpara, nporpahnxa CBe TO epewe? ... " Texchu eepeKTI-1Ma napoauje - npucryny KOjl-1 je 061-14HO yf>.py>KeH ca jaKoM n03l-1ul-1joM WTO oworyhaea f>.a
Kpl-1TI-1Ka zpyurrea xojy caf>.p>K1-1 6yf>.e 036I-1lbHO cxaaheua - OBa necwa f>.aje CMI-1cao pa3/\I-141-1TI-1M f>.l-1ja/\03l-1Ma y nopyul-1 xao ue/\I-1HI-1. WTO ce TI-14e TeKCTa, necwa
ce 3aCHI-1Sa Ha M/\af>.a/\a4KOM, CBaKOf>.HeBHOM pe4HI-1KY, KOjl-1 ce .sonaaao raaaunso]
M/\af>.oj ny6/\I-1uI-1 1-1 uoecehao ua npouixa speMeHa. Y My31-14KOM CMI-1C/\Y, MO>Ke ce
4yTI-1 3ByK nOHeWTO n03ajMlbeH Of>. rpyne The Beat/es, HeWTO xapf>. pOK My31-1Ke,
noveurane. Mel)YTI-1M, ca jacao 1-13pa>KeHOM UpTOM /\OKa/\Hor My31-14Kor uapozuor
CMl-1c/\a aa XyMOp. YaK je 1-1 pl-1TMI-14Ka OCHOBa, 1-13Sef>.eHa 1-13 -ryseue pl-1TMI-14Ke
KOHepl-1rypaul-1je xoja ce npnnucyje 60y L11-1f>./\l-1jy (Bo Diddley) - UpHOM aMepl-14KOM R&B (pOK 1-1 6/\Y3) yMeTHI-1Ky, rpaucrpopsorcana f>.a 3By41-1 BI-1We xao /\OKa/\Ha
uapoaua My31-1Ka, WTO noxpasyveaa 3f>.pasy cnoc06HOCT f>.a I-1CMeSaTe OHO WTO He
osoopaeare. Mel) yTI-1 M, 'ra -ryaeua pl-1TMI-14Ka urewa nOTI-14e 1-13 crape arppo-avepl-14Ke neCMI-1Ue 5pJ1jafbe J1 iunuuiu: 3a il.Ba HOBLJJ1T1a (Shave and Haircut - Two
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Bits), rL'..e ce noz, HOB4J.-1nJ.-1Ma noapaayweaajy L'..Ba ueura. 5yrapCKJ.-1 pOKepJ.-1 jezna
L'..a cy 6J.-11\J.-1 CBeCHJ.-1 l-beHe J.-1CTOpJ.-1jcKe n03aL'..J.-1He. OHJ.-1 cy je jeL'..HOCTaBHo ynorpe6J.-11\J.-1. Tako 6J.-1 40BeK Morao L'..a 3aKIbY4J.-1 L'..a ce. eKl\eKTJ.-14KJ.-1 KOpJ.-1CTenJ.-1 pa31\J.-14J.-1Te My3J.-14Ke weMe, epOpMyi\J.-1CaHe ua ri\06ai\HOM HJ.-1BOY, OHe i\OKai\J.-13yjy Kp03 neCMy Ha 6yrapcKoM je3J.-1Ky ca i\OKai\HOM TeMOM J.-1 TYMa4el-beM OBJ.-1X uiewa Ha
COnCTBeHJ.-1 Ha4J.-1H. Y Uei\J.-1HJ.-1, necwa roBOpJ.-1 je3J.-1KOM KOjJ.-1 jacuo J.-13pa>t<aBa KYi\TypHJ.-1 J.-1L'..eHTJ.-1TeT, npJ.-1naL'..ajynJ.-1 KaKO i\OKai\Hoj TaKO J.-1 ri\06al\Hoj "peepl\eKCJ.-1BHOj pOK 3ajeL'..HJ.-1UJ.-1".
***
Y 3aKlbY4KY 6J.-1X >t<ei\ei\a L'..a J.-1CTaKHeM L'..a je L'..aHaC, uapasno, raj cneuaepJ.-14HJ.-1 6yHTOBHJ.-1 nepJ.-1oL'.. pOK npn-re y Eyrapcxoj Ben aaspureu. ynopez,o ca pyWel-beM 6epi\J.-1HCKOr 3J.-1L'..a 1989. rOL'..J.-1He, xao WTO je, npernocraa/saw, TO CI\Y4aj
y BenJ.-1HJ.-1 3eMaiba ca Ci\J.-14HOM J.-1CTOpJ.-1jOM. He 6J.-1x pekxa L'..a je pOK y Eyrapcxoj
yMpO, ai\J.-1, y CBaKOM CI\Y4ajy, oceha L'..a ce BpeMe paL'..J.-1Kai\HO npOMeHJ.-1I\O J.-1 L'..a
cy ce HOBJ.-1 J.-13a30BJ.-1 nojaBJ.-1i\J.-1 npeL'.. caL'..aWI-bOM Kyi\TypOM Mi\aL'..J.-1X.
(Flpesoc ca eurxecxor: Becua Kopuh)
51115;\1I10fPACDII1JA
Frith, Simon. 1983. Sounds Effects: Youth, Leisure and the Politics ad Rock 'n'
Roll. London: Constable
Levy, Claire. 1992. The Influence of British Rock. Popular Music 11.
Levy, Claire. 1994. The Cork Popped Out of the Bottle ... U.S. Influence in the
Light of Bulgarian Realities after 1989. In: Central European popular Music
(ed. Ales OpekarJ Institute of Musicology, Prague.
Levy, Claire. 1993. Rock Music in Bulgaria: the Beginning. Bulg. Muzikoznanie: 3, 9-16
Levy, Claire. 1991. On Rock Music Invasion: National Identity and the
Dominant Pop Culture. Bulg. Muzikoznanie: 3, 44-54
Keith, Negus. 1996. Popular Music in Theory. Hanover and London: Wesleyan
University Press.
Ramet, Sabrina Petra (ed.). 1994. Rocking the State: Rock and Politics in
Eastern Europe and Russia. Boulder, CO: Westview Press.
Narodna
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HOBI1 3ByK
Wicke, Peter. 1992. The Times They are a-Changing: Rock Music and Political
Change in East Germany. In R. Garofalo (ed.). Rockin' the Boat: Mass Music
and Mass Movements. Boston: South End Press.
CA>KETAK
CTyf>.Vlja ucrpaxyje rAo6aAaH yruuaj pOKa Vl cneuucpu-urocra tneroBe AOKaAVl3auVlje y byrapcxoj 80-VlX. n03VlBajynVl ce Ha "f>.VljaAowKVl" npVlCTyn VlCTOpVljVl non-wysmce, KOjy aarosapa KVlT Heryc, f>.VlcKycVlja ce nos-epa xa xperau.y - y BpeMeHy VI npocropy - cynpOTHVlX noreuuujaxa pOK MVlToAorVlje.
QHO WTO je 6V10 pOK aa MAaf>.e ca 3anaf>.a TOKOM 6yHTOBHVlX KaCHVlX 60-VlX - OCTaAO je 3Ha4ajaH pesoxyuuoaapa Vlf>.eHTVlepVlKauVloHVI Vl3BOP HeKVlX 20 rOf>.VlHa xacuuje sa
MAaf>.e VlcT04HoeBponcKVlx KyATypa, yKJby4yjynVl oyrapcKy. Osa] CTaB je VlAycTpoBaH anaAVl30M jef>.He f>.OMane necwe. xojy Vl3BOf>.VI jef>.Ha Of>. Haj3Ha4ajHVljVlx oyrapcxax pox-rpyna.
The Shtourzite. Rock of Past Time, 6a3V1paH Ha CTVlAY oVlTAca, WVlpOKO KopVlwneHVlM arppoaMepVl4KVlM pVlTMVl4KVlM epopMyAaMa noz, yruuaje-. 003 D..Vlf>.AVlja, xao VI CTVlXOBVlMa WTO ce
n03V1B3jy ua AOKaAHy revy, je KOMn03V1uVlja carxeaana xao npuwep - CVlMnTOM Of>.pe1)eHVlX
KyATypHVlX npoxieua xoje crsapajy VI AOKaAHy MVlcao VI Vlf>.eHTVlTeT, oaaa-rasajyh npVlnaf>.HOCT VI AOK3AHOj VI rA06aAHoj "peepAeKCVlBHOj" pOK-3ajef>.HVlUVI.
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