OCTAVARIUM

I. SOMONE LIKE HIM

II. MEDICATE (AWAKENING)
III. FULL CIRCLE
IV. INTERVALS
V. RAZOR’S EDGE

MUSIC BY: DREAM THEATER

ARRANGED BY: BOBBY KUNKLE

 OCTAVARIUM: I. SOMEONE LIKE HIM
DREAM THEATER


Freely


Continuum             

Lap Steel Guitar          





Synthesizer         

      
 
 
 


 
 
 
 
 
 
 

Pad
     
        



Flute          

          
Piano
         


                   
9






Cont.      

      
 
 
 
 
   
Pad
     
     
       
 14
   



 
    
Cont.       

    










 


Pad
    
    
    
Arranged By: Bobby Kunkle
               
2

   
19
    
  


Cont.       
  
  
    
    


  
 
   
   
  
Pad
     

      


24
            
 



Cont.     

    







      

Pad

   


26
             
   



Cont.        

   
       
   
 
  
  

         
Pad

     

30
                      

       




Cont.             

 
3 3


       
  

 
 


 
 
       
Pad
    

     

            
3

   
34


 


Cont.         
 
    
   
    
 
 
 


 
 

 
    
Pad
  
  
  
 39



Cont.     

       
     


Stl. Gtr.    

  

















Pad
     
       
      

                      
45
    


Stl. Gtr.     
     
   
 

  

  

 
Pad
      
   
     

 
49  
      
  


Stl. Gtr.    
   
    
   
   

 


 

 
    
Pad
    
     

  

 
4
  
54
 
Stl. Gtr.     

        



Synth.          
 
  
     


   

 
  
Pad
    
  







60               
     
         


Synth.     

   

 







Pad  
 
 
 

      

 
   
q = 66
65     



Synth.       
3

    
    
 
    
Pad
     


(12-String Strum)
 
Fl.         



 
71
        
  

Fl.   

 76

(12-String Pick)
Fl.                    
 
5
83 Fmi Dbmi

             
Pno.
               
     
  



88 Fmi Abmi(,7) Eb Abmi6

       
                        
Pno.     
   
    




   Bmi7(b5)/F
               
92 Cmi9/G D/F# A/E C#mi

  
               
    
       
Pno.
    
       




96 D9 A/E C#mi C(#11)
  
        
                        
Pno.    
   
    
  



 
99 Emi9 Bb Dmi Db(#11)

 
              

   
 
          
Pno.
       
     





   
102 Bb Dmi F#mi9
 
       
 
   
            
        
      
Pno.

          
   

 
 
6
        
   
105 Fmi Dbmi Fmi
   
            
 
Pno.   3    
             
   
  



  
108 Abmi(,7) Eb/Bb Fmi/Ab
  
         
         

          
Pno.


   
     



111 Eb/Bb Abmi Eb/G Abmi Eb/G
    
     
           
        
    
Pno.
       

    
   



116 D/F# Bmi7(b5) A/E C#mi/G#

                   


           
Pno.
       
   
 
 



119 Dmaj9 A/E C#mi/E C(#11)

                          
    

    
Pno.
   
     
 
 
7
122 Emi Bb/F Dmi/F Ab

                        
    

Pno.
        

    




125 Bb/F Dmi/F Ab E/B A/B
 
          
         
 
                     
Pno.

            



   
129 E/B B E/B A/B

         
      
                
Pno.
         




133 Emi/B B Bb(#11)/F

     
    
  
       
Pno.
     
      
 
  


         
137 D/A F#mi/C# Ami/E
 
   



    
  
Pno.

8


Seuge into "II. Medicate (Awakening)"...

   
140 Emi D F(#11)

             
           rit.
 
Pno.
   
 OCTAVARIUM: II. MEDICATE (AWAKENING)


DREAM THEATER

 
q = 127
 A
     
Fadd13
   
A

   
          

  
Piano
     
   


               
14 F(#11) A F(#11)

            
    
Pno.
    
  


        
    F(#11)     
20 A A

             
    
Pno.
    
  



    Fadd13
              
  F#mi
26 F(#11)

    
     
  
Pno.
     




 
  
          
F(#11)
  
32 Dadd4 A

 
       
  
        
           
Pno.
  



     Fadd13
 
    
 
D
      
          

38 A
  
 


      
Pno.
   
   
Arranged By: Bobby Kunkle
 
2
     F#mi

         
 
    
44 A F(#11)

    
     

      

Pno.
    
 


   A  F(#11)
                  
F(#11)
  
50

           
    
    
Pno.
      
 


  
F#mi

 

          
56 D5 A

          

  
 

  
Pno.
  



                  Fsus 
     
62 Fadd13(#11) A

          
  
  
Pno.
     
  



              A 
68 A F

          

  
Pno.
    
  


 
          
74 F(#11) A Fadd13

                  
  
    
Pno.
    
  
 
3

          F(#11)
    
   
80 F#mi Dadd13

     

      
Pno.
    


  F(#11)
   
          

86 A

        
   
    
Pno.
   

   


Asus
       
91
 
F(#11)
       F(#11)
                   
       
 
      
Pno.
   
 
        



96       A     F(#11)

 
    F#mi 
  
         

   
Pno.
     
  


 A
                  F(#11)
 
Fadd13(#11)
  
102

          
   
    
Pno.
    
 


  
       
Seuge into "III. Full Circle"...

     
108 F#mi D5

           
 
    
     
Pno.
 
 OCTAVARIUM: III. FULL CIRCLE DREAM THEATER

  
q = 128


1.


Percussive Patch   
                

 
           

   
Synth
 
     

   
Ahh Choir


 
  
q = 128
1.

  

   
Electric Organ
 


                            
2.
3

Syn.      
     
6 6

    
                 
5

Syn. 
 
6 6

     
      3
7

Syn.            

                            
9

Syn. 

        
           
11

Syn.      
6 6
Arranged By: Bobby Kunkle
 
2
   
             
13


6
    
Syn.
        



6

   
      
15 6

       
6
 
     

Syn.

        
     
         
17 6

         
Syn.
  
6


6 6 6 6

       

19

        
Syn.
        
   
                 
21

Syn. 

       
    
     
24


3
       
   
   
Syn.

  
6 6
6

   
26
 
6

           
   
 
Syn.

      
28
     
         
    
6

Syn.      

     
6

30
     6   
 
6
6 6
      
           
Syn.
6
  
3
32
  3      

6
    
         
Syn.


3 6
6

   
       
34 6

  
Syn.
     

6


                 
35


6
 
 
   
Syn.    


6 6 6

         

37
     
       
  
Syn.

       
       
 
40
     3
   
 
 3    
  
Syn.
 3 3

       6
43
    
3
           
    
Syn.
 

6

 
45   
  
6
  
3

3
      
Syn.
      


3

 
46
    
6 6 6

         
    
Syn.
   


          
47
  
Syn.     
 
4

    
49
 
3x
  

   
Syn.
 
 
   

                
             
E. Org.    


               
   
                               
53


                   

E. Org.

57
                         
            
E. Org.                   
61
                         
            
E. Org.                   
65
                          
        
E. Org.                      

          
 
                  
 
69
 
       
          
   
E. Org.

                   

73
   
 
1., 2., 3. 4.

          
  
E. Org.

77
               
           
                         
              

E. Org.

                      
82
    
E. Org.                             
 5
 
                    
87

E. Org.                          

          
               
92
      
E. Org.                              

                            

97


                      
  
E. Org.


                              
   
101
  
1, 2, 3
E. Org.


105

 
4.
 

  

  
  
        
Perc. P.

     
  
4.
     

E. Org.                
108

    
 
  



 
Perc. P.
              
        
111
    
                                   
Perc. P.          
114

    

    

               
Perc. P.

          
  


117

          
  
                          
Perc. P.            

 
  
          
120
     
      
Perc. P.
      
6
 
 
124
         

Perc. P.           
 
    
             
  
     

      
      
    
Ahh
   
 
     

       
    

        
130

   
   
      
     
      
    

  
    
       
Ahh
       
     


        
137
   

Perc. P.        
 
                
                 
       
 

     
        
Ahh
      
   
   
  
142 q = 165
     
  
 


            

  
Perc. P.

        
(Guitar 2x)
   

 
E. Org.
     
   


       
146
          
 
    
   
     



 
 
E. Org.
      
             
 
7
153

   
               

Syn.               
  
   


155



 
Syn.               
 
 


156

  

                   
Syn.
 
  


157

  
 
                

       
      
Syn.
  
    


159

  

Syn.
               
   
 


160

             


       
Syn.
 
  
 
8
161

   
               

              
  
Syn.
 
   


163



 
Syn.               
   
 


164

  

                   
Syn.
   
 


165

  
 
                

       
      
  
Syn.
   
  


167

  

Syn.
               
  
 


168

       
 
    
                 
Syn.
    
  
 
9
170

                 

              
     
Syn.
  
 


172

              
   
 
             

 
Syn.
    
    

            
 
174
  



Perc. P.    
       
     
   


Syn.
    
        

                        
   
177
    

Perc. P.      
       
     
Syn.     

                 
q = 125

             
181
  

Perc. P.     


5 5 5 5

    
Syn.
      

184
 
                 
       
     
       
E. Org.
   
10
187

                    

E. Org.
             
 
        
                        
190
              
 
E. Org.

       
194

        
         
        

E. Org.
 

               
198
 
2.E
 
1.

                     

  
E. Org.

                         
202 A/E E Bm/F#

E. Org.
    


205

Harmony

              

Syn. Lead
         
    
  
E. Org.                       
E A/E
    
  


208
                 
         
    
   
      
Syn.
               
            
 
11
         
212
            

     
 
      
Syn.
           
          


    
 
214
        
Seuge into "IV. Intervals"...

        
  
      

Syn.

  
        
    
 
OCTAVARIUM: IV. INTERVALS DREAM THEATER

                   
q = 125

    
  
                  


  






Electric Organ
     





                       

6 Fm Bbm/F Eb/G Gº F5 F5

       
   
       
   
       


 



   

      
E. Org.
 
   


              
          
13 Aº Bbm Bbsus F5 Fm Bbm/F Eb/G Gº F5 F5 Aº

            


 
           
      
E. Org.
     




             

22 Bbm Bbsus F5 F5 Bbm/F Eb/G Gº F5 F5 Aº Bbm Bbsus
 
                  
    

             
 
E. Org.
    




                             

            
31 F5

                         
    
E. Org.
     
   

    

1.
        
35

E. Org. 
              

   

2. Seuge into "V. Razors Edge"...
              
36


                     
   
E. Org.

Arranged By: Bobby Kunkle

 OCTAVARIUM: V. RAZOR'S EDGE
DREAM THEATER


Free Time   10:8
   
       

3
Synthesizer       
F5
     


     
  
 
 
 
  
Organ
    
      

     
Strings    
  


Horn      
   
      
Piano
      
  

Arranged By: Bobby Kunkle

2
3 In Time q = 65
 

Synth.   




  
 
   
Org.
     
  
                  



    
Str.
           
      
          
     

Pno.
    
 

       
6
 
       
   
        


Str.
  
       
             
  
         

     

                   
Pno.

  

  
10

     

           


  
Str.
      
   
     
       
           
      
                       
Pno.

   

 3
15
       
         


       
Str.


    
 
                
     
        
Pno.
   
   

    
 
  
19

             

Str.
 



  

     
            
  
   
    
Pno.
           12
     
      
23
    

     



  
Str.
 

                  
          
   
Pno.
          

        
26
       

   
       
             



Str.
 

                 
        
           
Pno.
        
4

  
   
29
 
          

            
  


Str.
  

           

        
   
  
     
    
 

Pno.
       
     


    
 
33

      
       
        
Str.


  

 
              
 
      

    
Pno.
            
    

6 6
37
                
                  
Str.
    


6

        
      

 
       
Pno.
      
      
 
 5

6

       

40 3
    
     
  
Str.
      
       



3

            
  
         
        
   
  
   
6

     
Pno.
     
   

         
3 3 3 3


6
 
             
  
44
 

  
Str.
 



3

          

  

      

     
Pno.

     
 
 

     

3 3 3 3 3 3 3
3
     

        
47



       
Str.

         

       
     
Pno.     
   
    
6

3

  
3 3 6

 
3 3 6
         
49
  


   
Str.
    
    
          
   
Pno.
           
    

51                        
             
               


 
Str.

rit.

    

   
 

Pno.
    
   
 



   
    
55

Str.  

   


Hn.   

   
 
 
 

Pno.    
      
    

NOTES:

 Dream Theater owns all of the rights to the music of

Octavarium.

 Most of this music was not transcribed by Bobby

Kunkle. I used many different files (midi,
transcriptions, online conservatory, etc.) to arrange
this song.

 Files work best and are in the best quality when

opened with Adobe Acrobat Reader.

 There may be many corrections that need to be made

to these files. Please send me suggestions for what
should be fixed. Thank you.

 I would personally like to thank Dream Theater for

their great contributions to music and especially to the
genre of progressive rock. They have revolutionized
this genre, and the song Octavarium shows all of these
incredible additions to the world of music.