Professional Documents
Culture Documents
4th
you to respond. The prompt on the writing test will ,have two parts- a writing
situation and directions for writing:
* Writing Situation- The writing situation introduces you tp the subject which you will write
about. It identifies the topic or theme which you must maks the central theme of your written
response.
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* Directions for Writing- The writing situation will be followed by specific directions for writing
your essay. The directions for writing will also provide some clues to help you get started by
asking you to think about something to write about.
Writing Situation:
We all have favorite activities that we like to do.
The writing test will require that you complete eit~er a narrative or an expository
.
writing.
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WRITING
CONVENTIONS
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L~<:i~!i,---
FOCUS
Focus refers to how well you keep your writing focuseo on a main idea, theme, or
point. This means you should clearly identify the topic'you are writing about new the
beginning of your essay. Everything else should then relate in some way to the topic.
Think about your topic as an umbrella that covers the rest of your essay.
!
The focus of your. essay will be provided by the writing prompt. The writing .
situation will suggest some theme or topic. The directions of the prompt will assign
a specific writing task. Before you write your answer, read the words of the prompt
carefully so that you understand what you are supposed to do. Your writing should
stay focused and avoid giving information that does nqt relate to your writing topic.
You will be penalized for including information beyond the focus of your essay.
Planning your essay before you start writing will help keep your writing focused.
ORGANIZATION:
Organization refers to the logical flow of your essay. Your writing should not just
ramble from one thought to another. The order in which you present your ideas
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must be logical so that your reader can follow what you have written without
becoming confused. Your essay should have a clear beginning, middle, and end. In
addition, each point should clearly relate to the nex~.
Whatever type of writing you do, think about your ~ssay as a chain made up of many
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links. Each sentence should be clearly connected to both the previous and the
following sentence. Pronouns and transitional phrases can help tie several sentences
together into a single paragraph. Each sentence in q single paragraph should also be
dealing with the same aspect of your topic.
Just as your sentences must be clearly connected, so should your paragraphs. For
example, you should introduce each main point, step, or event in a separate
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in addition~ or next. You will find a list of transitions that you can use in
your writing guide. Your writing should end with a clear conclusion. Often the
conclusion summarizes the main points of your writing.
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SUPPORT
.
Support refers to how well you use details to explain, clarify, or define your main
ideas.
! If you are writing a narrative, each event you,describe should include some
detail. Give detailed examples and illustrations. Tell about the who, what, .
when, where, how, and why of the event you are narrating. Be as specific as
you can.
! If you are explaining something in an expository: essay, give specific details to
support each part of your explanation. Put yourself in your reader's shoes.
Think about what your reader needs to know to be able to understand what
you are explaining or providing information about.
WRITING CONVENTIONS
Part of your essay's score wi II be based on your use of the conventions of standard
written English. Conventions are spelling, grammar, capitalization,
and punctuation.
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A good written
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INTRODUCTION.
When we first meet a stranger, we introduce ourselves. Similarly, in writing, you
should begin with an introduction. The introduction Is where you tell your reader
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about your topic. Your introduction may be short, orr it could be your entire first
paragraph.
BODY
The body is the main part of your writing. The body gives your main ideas about the
topic, along with their supporting details. Here is where you try to be as detailed
and descriptive as possible.
CONCLUSION
When you leave someone, we say goodbye to let th~m know we are going~ At the end
of any writing piece, you should write a conclusion t:o end your writing. In your
conclusion, you may want to summarize your main id,eas. Here is where you wrap it
up.
DRAFTING
PREWRITING
In this stage you plan what you are
Conc1(.1sion).
PUBLISHING
writing~
:.
CHARACTERISTICS OF:
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..
:.: :.
..
.:
... ,.
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.:~
.,:..
(;,
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introduce narrator/character
Needs to include the elements of a
story (narrator and/or characters, setting,
organized event sequence- that unfolds naturally)
Movement through time with temporal
:.
; '.~.- .
. ...
>r>J~s:o~~l':eipbsit9rY'
. ~o.,. ,. .;,,,,,.iff"". .
:" ::
!~>:.:;: .: .:;. :
:-: .. ,.1,..
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; BEGINNING
Write what your subject is about.
MIDDLE
(Choose 4 or 5 ideas or add your own)
-----:----------------MIDDLE
(Chotse 4 or 5 ideas or add your own)
Describe where you were.
Tell what happened first.
Tell what happened next.
Tell what happened after that.
Describe something you saw.
Tell how something made
you feel.
Tell so,m~thing exciting.
Tell who was with you.
Tell why something happened.
Tell what happened last.
----~------------------
ENDING
Write the most important thing
you can say about your subject.
Writing to EXPLAIN
ENDING
Write the most important thing
you :can say about your story.
Great Grabbers/Hooksl
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Every piece of writing should have a beginning that captures the reader's attention.
Here are a variety of grabbers that are written to ~he same piece of writing.
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Great Grabbers:
~
ou~smart
a skunk.
Idiom
Skiing is as
told me.
Definition
Setting
Quotation
Exaggeration (hyperbole}
e~
{{Block that
I have a hu
red cousins.
~~
Alliterative phrase
NO TRESPAS~ING.
Exclamation
Noise (onomatopoeia}
Sentence fragments
sentence
Many categories of hooks are common to both narrative and expository writing, its function
differs in expository: (1} to give background information/historical information, (2}tell how
an author became interested or feels about the subject, (3} why the topic is important, (4}
reveals a plan of presentation and/or (5} sets tone and mood.
G.RAe.&JSR - A
A
~UMOROUS SIAT~NT
Believe. it or not, my lfth grade teacher has purple hair and a tattoo,
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D!AL.OGU
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A SCENARIO
..
AN OPINION
My
cat Boo is great, but he doesn't have the personality that my dog
Sdm has.
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the piece . So often, we forget how powerful these final words can be.
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Circular ending - when beginning with an impacti:ng line, repeat the line at the
end of the writing. (e.g., ... because I see it through Grandpa's eyes.)
-:,
Endin9s
Tell how you feel about the event.
Tell what you learned from the e_p_isode.
Tell what was accom_elished.
Use a universal word such as: all, everyone,
every day, everything, world, etc.
Make a comparison.
Circle back to the hook to use ,the same form.
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Endings
.,
Reminder Statement
Finality or Eventuality
Author's feelings .
Endin!j&
Predictions
Summary Statement
E*arnr>fes
Be sure to loo~ for the tell-tale rings
on the tree ...
Remember that not all snakes are ...
The last thing you need to know is
where to find ...
The last thinq :to do is deliver it to ...
"Let us all joinj in preserving the ... "
"I owe my sucqess to ... "
"I hope you wHI be inspired by this
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to ...
The thing I liked best about Girl
_Scout camp ... '
I knew then I would always be happy
in ...
This valuable information helped me
realize my goal...
E*arnr>fes
The next time:,you go diving, you will
know how to ... ;
In no time at dll, you will be able to
reach ...
To survive, they must ........... , and ...
No matter how you look at it, the last
thinq you wantl..
Next time you :are surrounded by
darkness ... lookup and imagine ...
So, if you find 'yourself in an
argument about policy, try ...
For more detaOs ...
Send a self-adaressed postcard to ...
! Telling Sentence
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...:.
,_;::r:
cat.
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:.~... '
03~<~
Telling Sentence
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:;t;. .o
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Showing-Not-Teqing
Telling Sentence: My room was m~ssing.
Showi~Se~ence~): ~~~~~~~~~~~~~~~~~~~~~-
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Magnified Moments
Covering her eyes tightly~ the young girl waited for her :friend to hide.
sentence:
Hands or feet
One sense (see~ touc~ taste, smell~ hear)
2nd
Example~
Her feet were tucked up on her chair and she could;hear her friend's
footsteps.
sentence:
Thoughts
3rd
Example~
.
.
.
She was thinking of the different plac.es her friend.could be hidillg.
4th sentence: . .
Next exact move
Example:
Slowly~ she uncovered her eyes.
Final result:
Covering her eyes ~ghtly, the young gi..rl waited fo:r her friend to hide. Her
feet were tucked .up under her chair and she could hear her friend's
footsteps. She was thinking of the different places her friend could be
,
Later
In the moming
So:on
After that
Th,en
On Saturday
Now
Today
Next week:
lmm:ediate
S!UddenEy
,Durin:g
Before
.After
-At leng<th
Previously
&ler
Example:
garage~
tube..
ADDITIONS
COMPARISONS
-Like
Similarly
In a similar fashion
As with
Just as
JlQtb.
Unlike
Whereas
On the other hand
However
~~~
Again
To repeat
For-thisreason
To emphasize
Truly
In fact
As I said
Let me reiterate
Along with
For instance
Besides
For one thing
Again
Another
- ..
_..____
Dogs make good pets. They're loyal, they almost can talk to you. They can .do
things for you such as pull you in a sled, carry. things, and warn you of d(:mger.
Sut, cats are easier.to care for; .You don't have to walk or wash them; You can
lecrve them for several days;'andthey don't eat all the food at once. Besides,
they don't m1nd being alone.
INCIDENT
EMPHASIS
As a result
Because
Which caused
That resulted in
SUMMARIZATION
PROCEDURAL
Once
Just the other day
.~ l remember -~__, ~
. When I was ..
Occasionally
Sometimes
Never
CAUSElEFFECT
ALTERNATIVES
,,
1do not think we should have recess at the same time as the kindergartemirs. We
are bigger and we always get in trouble if we knock them over or don't give
them the swings. We should always share the playground with the fifth
graders.
In fact, none of the big kids should be on the playground with the kindergartners.
Big kids should be with big kids.
First .
Second
Third-
Last
Now
Then
Until
The last thing
Finally
Finally
All in all
The lastthing
At last
On the whole
Ultimately
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Similes
Let's talk about similes. What a funny word. Doesn't it look like the
word "smiles'! to you?,, Well, let me tell you, if you use good similes in your
writing, your teacher will be all smiles! Using similes in our writing is cool!
So what is a simile?
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A simile is when w.e m~~e ~ ~~point b.,;l. compt1rinj two thinjs.
We use the words \\li~e" or \\t1sn to join those two thinjs.
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Let's see some examples of similes. I've underlined th~m in these sentences below:
Affer 5iHin8 in fAe 5Uh all day, our car ~a5 a5 Aof o.5 an oven.
TAe new boy. in our c:_(CJ.SS runs a5 fa5f a5 t;t cAeefaA.
My new pillow fee/5' l-ike o. soff mo.rshmallow.
Our feo..cAer drives like a
See how easy similes are to write? Each simile makeS' a point.: just how hot the car
was, how fast the boy is, how soft the pillow feels, and how the teacher drives.
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Sorry ...I get carried away when it comes to simile:S. t0ot only are they delightful to
write, but they pdd sparkle to your writing. Use your imagin.ation to finish these similes:
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Try to add a-simile or two to your writing every time you write.
_.;
.. ..... .. ---
As agile as a monkey
As hungry as a bear
As hungr{as a wolf
As innocent as a lamb
As large as life
As light as a fiather
As light as air
As loud as a fire alarm
As mad as a hatter
As mad as a hornet
As neat as a pin
As nutty as a fruitcake
As old as. the hills
As pale as death
As plain as day
As pleased as punch
As poor as a church mouse
As poor as dirt
As pretty as a picture
As proud as a peacock
As pure as snow
As pure as the driven snow
As quick as a wink
As quick as lightning
As right as rain
As scarce as hen's teeth
As sensitive as a flower
As sharp as a needle
As sharp as a razor
As shiny as silver.
As sick as a dog
As silent as the dead
As-silent as the grave
As silly as a goose
As slippery as.an eel
As slow as molaSses
As slow as a snail
As slow as a tortoise
As smooth as silk
As snug as a bug in a rug
As soft as a baby's bottom
As solid as a rock
As solid as the ground we stand on
As sound as a bell _
As sour as vinegar
As steady as a rock
As sticky as jam
As stiff as a board
As still as death
As straight as an arrow
As strong as an ox
As stubborn as a mule
As sturdy as an oak
As sure as death and taxes
As sweet as honey
As tall as a giraffe
As tight as a drum
As thick as a brick
As thin as a rail
As thin as a toothpick
As timid as a rabbit
As tough as leather
As tough as nails
As tough as old boots
As tricky as a box of monkeys
Aswel<;ome as a skunk at a party
.As white as a ghost
As white as o sheet
As white as snow
As wise as Solomon
As wise as an owi
METAPHORS
Metaphors are figures of speech that compare two things, but do not .
use the words "'like'' or "'as".
There was no rush and so we sent the letter ?nail mail.
Michael clamed up and refused to say anyth ing.
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.bottoml~ss
pit.
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n.o.olcorinw~r
go fishing.
ONOMATOPOEIA
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Onomatopoeic words are words t~at resemble the sound they refer to; for
example, a cow moos. Many poets, comic strip :writers, and children's authors
use them regularly. The following is a list of m:;wmatopoeic words that you
could incorporate in your writing.
ah choo
arf arf
baa
bang
bark
beep
blabber
blink
- bong
bonk
boo
boom
bow wow
bump
burp
buzz
caw
chirp
choo choo
chug
clang
clank
clap
clash
clatter
click
clink
clip clop
clomp
cluck
conk
coo
crack
crackle
crash
creak
cdnkle
croak
crunch
cuckoo
ding a ling
ding dong
drip
drop
eek
.fizz
flip flop
honk
hoot
howl
huffn puff
hum
hurrah
jabber
jangle
jingle
kerchoo
klomp
knock
meow
moan
moo
murmur
neigh
giggle
gon~
grate
grind
.:::groan
growl
grunt
bee haw
hiccup
hiss
oink
oops
ooze
patter
ping
pitter patter
plop
pop
pow
purr
quack
rat a tat
rattle
ri~g
ring a ling
rip
roar
rumble-,
rush
: . rustle
screech
shriek
sigh
sizzle
slurp
smack
smash
snap
sniffle
snort
.'splash
splat
sputter
squeak
squeal
squish
stomp
swish
tick tock
thud
thump
tinkle
toot
twang
tweet
twitter
varoom
whack
whish
whiz
whoop
wpoope_e
woof woof
WOW
yahoo
. yikes
zap
zing
zip
zonk
zoom
'/
-'
Interesting:
::.-
r-:F-
~I d-t want fu
go!O!O she
ZZZZ Boring:
"Said" Synonyms
whimpered
;,
acknowledged
conceded
concurred
consented
seconded
reacted
remarked
replied
responded
retorted
returned
bickered
contended
contested
contradicted
countered
debated
denied
disputed
cha lleriged
grilled
inquired
interrogated
pried
probed
queried
questioned
quizzed
requested
bawled
bemoaned
bewailed
b.lubbered
!
gr1eved
groaned
howled
IC1mented
moaned
mourned
clarified
described
detailed
illustrated
interpreted
paraphrased
summarized
translated
bantered
jested
jived
joshed
kidded
cackled
chortled
chuckled
giggled
howled roared
snickered
sniggered
snorted
charged
commande
d decreed
demanded
directed
instructed
agreed
assured
ensured
guaranteed
pledge
swore
vowed
brooded
recalled
recollected
reflected
reminisced
.bawled
bellowed
blared
blurted
cried
xclaimed
hollered
:roared
shouted
shrieked
shrilled
squealed
wailed
.
yelled
.
Yowled
advised
hinted
implied
inferred
insinuated
intimated
offered
proposed
recommended
breathed
buzzed
hissed
mumbled
murmured
muttered
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Feeling/Tone Words
admiring
affectionate
harsh
ang
_anXIOUS
calm
cavaliercold
confident
confused
critical
disres ectful
doubtful
enthusiastic
fearful
fli pant
loving
istrustful
mysterious
:peaceful
-questioning
respectful
sad
ser1ous
sill
somber
sym atheticthreaten in
;
Powerful Adjectives
hazardous
sensational
bizarre
savage
boisterous
enlightening
exquisite
intriguing
frantic
blistering
hilarious
nauseous
splendid
slender
lengthy
immense
mighty
delicate
tranquil
melancholy
leisurely
compassionate
vacant
solitary
ravenous
wily, cunninq
exceptional
. .::
weary
me.smerizinq
obscure
polite
absent-minded
brisk
rnrnr dP.nt
dangerous
good
..
.',
strange
wild
hyper
educational
fine
interesting
wild
hot
funny
dizzy, sick
good
thin
long
huge
strong
soft
quiet/calm
sad
slow
kind
empty
alone
hungry
clever
outstanding
tired
interesting
unclear
eccentric
odd, unusual
distinguished
jagged ~
famous
gory
amusing
eerre
flamboyant
gregarious
humdrum
headstrong
immature
impertinent
lanky
loquacious
meandering
melancholy
nonchalp.nt
opulent
perplexed
placid ,
quick-witted
rambunctious
reliable
shrewd'
sleek
splendid
dilapidated
..
timid
untidy
valiant
vigorous
warmhearted
zany
zealous
1
..
courteous
forgetful
fresh, breezy
chubby, obese
rough, pointy
disgusting
i
1
funny
weird, spooky
'
'
showy, flashy
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I
outgoing. social
boring
stubborn
childish
rude. disrespectful
skinny, slender
wordy, talkative
winding, twisting
sad, depressed
easygoing, unconcerned
'
wealthy, rich
confused, disorganized
peaceful, calm
intelligent
stubborn, unruly
trustworthy, dependable
cunning, sly
smooth
good
old
shy
messy, sloppy
brave
energetic, active
kind, loving
foolish, silly
enthusiastic, eager
..
My Powerful
Adj~ctives
Powerful Adjective
Meaning
accuse
To blame someone
acqu1re
To gain or get
anticieate
1
appease
assemble
assist
astonish
baffle
capture
clench
coax
collapse
conceal
conceal
consent
cuddle
dangle
dawdle
deny
depart
devour
discover
dispute
'drench
embark
embrace
escort
explore
flabbergast
flee
glance
glisten
. grrmace
halt
hinder
To wait for
hoist
To ra1se; to lift up
I hover:
. To hang fluttering
To quiet; to calm
To gather into one place
To run away
To give a quick look
To shine
To make faces
To come or bring to a stop
to delay or obstruct
To talk rapidly
jabber
I
.
jumble
~o _aid or help
To surprise
To throw violently
hurl
-~ '
the a1r
1n
lug
mend:
mull
nudge
observe
omit '
I permit
perplex
pivot
posses
. pounce
proclaim
propel
purchase
retrieve
reveal.:
savor
sccitter
shimmer
shriek i
shudder
stampede
startle.
stoop. .
stroll ,
To fi"x
i
~amine
closely
To leave out
To allow
To confuse
To turn
To own
To jump on
To announce publically
To push or drive forward
To buy
To find and bring back
To make known
To taste or smell with pleasure
struggl!e
stumble
suggest
-swivel
wriggle:
..
''
'
To spread out
To shine
To scream or yell
To tremble from fear
To run wildly
To surpri?e
:
.. ..
To.bend ove~
To walk leisurely
To put forth great effort
to trip when walking or running
to imply or hint at something
To turn swiftly around
To twist or move uneasily
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My Vivid Verbs
Vivid Verb
Meaning
. '
..
.._,'
...___'
.,.. .:.
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nAdd to the
suddenly
angrily
quickly
excitedly
swiftly
verb"~ Adverbs
anxiously
loudly.
finally
lately _.
carefully
sadly
proudly
gradually
gracefully
neatly
surely
smoothly.
curiously thoughtful Jy
noisily
probably
boisterously
slowly
decidedly
front i cal ly
creatively
nervously
'
q~eply
truly
.
enormously profoundly
. ::
above
along
Around
Behind
Between
du.ring
off
Outsi d e *
from
of
to
with
onto
out*
..
I
I!
I
i
I
II
'
I
I
J
I
J
i
,,
across
among
at
beneath
beyond
except
on
upon
rn
over
toward
without
into
Past
'
i'
..
BLUE
RED
YEl.LOW
red violet
brick red
candy apple
fruit punch
ruby red
cherry
crimson
scarlet
canary
buttery
daffodil
dandelions
straw
lemon
saffron
copper
tangerine
I peach
melon
pumpkin
apricot
carrot
azure
turquoise
sapphire
cerulean
indigo
royal
sky blue
robin egg
GREEN
BROWN
chestnut
tan
rust
coffee
walnut
mahogany
burnt sienna
chocolate
PURPLE
violet
plum
lavender
amethyst
orchid ,,
,
GREY
ivy
lime
olive
emerald
chartreuse
Granny Smith
spring green
PINK
BLACK
White
salmon
rose
blush
hot pink
jet
ink
coal
ebony
snow
chalk
bone
pearl
silver
ash
dust
steel
Red
[fu@[p)@D
~Mm1~G1JOm1@D
Blue
sadness, boredom
Brown Earth, outdoors, comfort, simplicity,
stability
W[h)o~
~orrul:1[fD mCIDIT"IT"ocm~
Black
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i
Use Your
Sen~es
Sight
bleary
blurred
brilliant
colorless
dazzling
dim
dingy
faded
faint
flashy
gaudy
glance
gleaming
glimpse
glistening
glittering
gloomy
glossy
glowing
gnmy
hazy
indistinct
misty
peer
radiant
shadowy
shimmering
shiny
smudged
sparkling
streaked
striped
tarnished
twinkling
Sound
Touch
Taste
Smell
bellow
blare
buzz
cackle
cheer
clamor
clang
crackle
creak
grumble
gurgle
hiss
howl
hush
jabber
mumble
murmur
mutter
rant
rave
roar
rumble
rustle
screech
shriek
shrill
sizzle
snarl
squawk
squeal
swish
thud
thump
whimper
yelp
balmy
biting
bristly
bumpy
chilly
coarse
cold
cool
crawly
creepy
cuddly
dusty
feathery
feverish
fluffy
app~tizing
furry
refreshing
npe
acrid
ambrosial
aroma
aromatic
foul-smelling
fragrant
malodorous
moldy
musty
odiferous
odor
odorless
perfumed
pungent
putrid
rancid
fuzzy
rott~n
rank
gooey
greasy
gritty
hairy
hot
ICY
limp
lumpy
moist
oily
powdery
prickly
scratchy
shivery
silky
slimy
slippery
spongy
springy
squashy
sticky
sweaty
velvety
bitter
bland
creamy
del<ectable
delicious
flavt;:>rful
flavorless
gmgery
luscious
nauseating
palatable
peppery
piq~ant
salty
i
savory
scrumptious
sharp
sourI
. spicy
spoiled
stale
sugary
swe~t
tangy
tastdess
tasty
unappetizing
unnpe
vmegary
yummy
zesty
:
'
'
redolent
reeking
scent
scented
smell
spicy
sweet
waft
whiff
..
DESCRIBING PEOPLE
APPEARANCE I
HAIR
Auburn
Balding
Black
Braided
Brittle
Curly
Dry
Fine
Frizzy
Golden blonde
Gray
Light brown
Long
Oily
Red
Rusty
Sandy blonde
Shoulder length
Silver
Smooth
Soft
Straight
Wavy
Wiry
. Clean
Clumsy
Dangerous
Dirty
Gentle
Graceful
Healthy
eerte
flamboyant
Rough
Scruffy
Sickly
untidy
Wealthy
"
I
I
I
Fearl~ss
Forgiving
Fri~ndly
Ti~y
Disheveled
Elegant
Sporty
formal.
Casual
Exhausted
Bizarre
Eccentric
distinquished
.,
Tight-lipped.
Brav
Cautious
Courteous
Curious
I
MOUTH
NOSE
Dry
Bony
Perfectly formed
Bumpy
Small
Crooked
Turned up
Large
Turned down
.
.. Pug. :. ...
Wide
Wet
Roman
Poufy
Straight
Puckered
Upturned
Thin-lipped
Flaring nostrils
~-
EYES
PERSONAUTY
Shrewd
Honest.
gregarious
Loud
Mea'n
Rude
Sensitive
Solitary
Timid
Trusting
Truthful
Enthusiastic
'
Boisterous
C?ptim!istic
Thoughtful
Compassionate
!.
cunr\Ing
EARS
BODY TYPE.
Hidden
i
Lar,ge
Long
Medium
Rid
Small
stickirg ~ut
Thin
Slender
Pudgy
Plump
Corpulent
Mighty
Muscular
Athletic
Puny
Dilapidated
lanky
'
<"""'
'
Black
Bloodshot
Blue
Brown
Green
Hazel
Round
Slanted
Small
Speckled
Sparkly
Twinkling
Piercing
Teary
Bright
Tired
Bulging
Huge
Distant
:
I
I
l
.I
'
Vivid Verbs- Vivid verbs are verbs you can picture. They create rich "mind movies" in the imaginations of your readers.
Scooted. Dragged. Flopped. Bolted. Twisted.
!
Amelia rocketed to the nurse's station and blurted, "Someone's been hurt!"
Alliteration -Alliteration means two or more words together which begin with the same letter sound. Alliteration "tickles your
ears" and can add beauty to your writing.
Beautiful, bold, breakfast buffet
:
frhe snake slithered across the slimy rock.
Dialogue- This means conversation. Dialogue makes your reader fe~l connected to the speakers you are writing about. We let the
reader know someone is speaking by using quotation marks.
''Throwing the basketball from the free throw line is challenging," Coach said.
"Will you teach me?" Benjy asked.
i
Similes -Similes are when we compare two things using the words "like" or "as" to connect them.
"Let George move the piano because he is as strong as an Ox."
Marissa drives her convertible like a maniac when she's angry.
Metaphor- Metaphors are direct comparisons of two things without using the words "like" or "as."
Let George move the piano because he is an ox.
Transitional phrases and sentences - Transitional phrases and sentences form smooth "bridges" when we change from
one topic or thought to the next
The first step is easy!
Ifyou think that's bad, listen to what happens next.
Adjectives- These are words that describe nouns and help the read~r form menta!'pictures of what we are writing about.
Carlos tossed out the muddy, scratched baseball from the dugout.
Frienda shook her shining, black mane and tail in the briliiant gleaming sunlight.
Grabbers- Writers use grabbers to get the reader's attention at the-peginning of a writing piece. Grabbers can be a single word,
a phrase, or a sentence or two that pu1ls the reader into your story.
C-R-E-A-Kl! That sound sent cold chills up my spine as the door to the basement slowly began to swing open during
the thunderstorm.
~
There's a killer in the ocean that is far worse than any gr.ed) white shark: it destroys its victims with a slow, lingering
~ath.TheHller'snameiso~
Zingers- Zingers are just like grabbers, but they are used at the very end to add a little "something extra" to your writing. Azinger
could be a song lyric, a line from a poem, a catchy phrase, or il' direct comment, among other things.
Thanks, Dad, for saving my life!
Shame on you, oil companies!
Sizzling vocabulary- These pizzazzy words add drama, beauty,;and maturity to your writing.
Voice -When you add your own personality to your writing, it gives your writing a unique tone We call this voice. You don't want to
overdo it: a little goes a long way. Try writing with your natural voice so you sound like the real you.
You think I care what she thinks? No way. She can go her way and I'll go mine.
Alligators are living, breathing, eating machines. Running into one in the water could be your worst nightmare. VVhoo!
Passion- Writing with intensity and enthusiasm impresses the reader and lets her know that this topic is important to you. This is
one of the best qualities to showcase in your writing.
I realized that night that because ofmy own carelessness, I might die and so might my little sister. How could I have been
so STUPID as tCi play with matches?
We all live on this Earth together, so we need to be careful'p;here we throw our garbage and dump our toxins. Do you
realize that animals sometimes suffer because humans are THOUGHTLESS?
marks:
1
}- Use quotation marks (" ... ") around the exact words spoken:
11
"I love writing make-believe stories, said $ally. Jack replied, 'T do
too."
I
}- Sometimes you say who is talking before the exact words. Sometimes
I
came, I had no
When lunchtime
-.
'
Chairp~rson
Smith
Ms. Smi:th, the chairperson of the
wi II address us at noon.
The first word and all nouns in a Dear Ms.- Mohamed:
salutation
My dear Mr. Sanchez:
Very truly yours,
The first word and all the words in The Day of the Jackal
titles of books articles works What Color ~s Your _earachute?
of art etc. excluding short
A Tale df Two Cities
prepositions, conjunctions, and
Exception:
articles
Do not capitalize little words within titles such as a,
I
Punctuation marks are the road signs placed along/ the highway of our
communication--to control speeds, provide directiqns, and prevent head-on
collisions.
A Period (.)
A Question
Mark (?)
An
Exclamation
Use after a
sentence that
expresses a strong
emotion.
se a .comma -before a ~
coordinator (and, but, yet,
or, nor, for, so) that links '
two main clauses.
Use a comma between,
words, phrases, or
clauses that appear in :a
series of three or more.
Mark
(!)
A comma
( I
'
'
a sentence.
Extra Goodies
to go tor the:_ (;Jo(d!
. ~
s1mi!es
basy as a bee
aUIteration
..l
onomaiopoela
variety
start
of
sentences
of sentence
te.9 SaUy
.
5 W's
detai[ in sentence
sentence answers
vocaba(ary
sensory words
+eding words
statistics
ot, 537
- ' .
Editor's Checklist
1
~Capitalization
Rulesl
./ Dialogue Rulesl
./ Check homophones
there
place
vi' Watch
they're
they are
their
ownership
apostrophes
./ Check. commas
./ Check sentences
Run-on? Fragment? Short and boring?
,
. I
./ Check Pronouns
he
him
' his
subject . object . . poss~ssive
Great Grabber
Focus
' Transitions
'Similes/ Metaphors/Onomatopoeia/Idioms
~Personification/ Alliteration/Repetition
'Dialogue
v" Sensory Words
, ,
~ Magnified Moments/Imagery
'Vivid Verbs/Powerful Adjectives
'Sentence Variety
'Specific Details: 5 W'$.(Who,.What, Why, When, Where)
'Statistics
' "LY" Words
'Voice
,;-Mature Words
~Great Ending (Take Away Ending)
Score: 5
="Very Good!"
Good voC(abulary
Different types of sentences
Some voice and personality
4th grade:conventions
Score: 4 := "Good!"
Vocabulary is OK
4th grade, conventions
Score: 3 = "OK"
,,
Some. organization
Limjted ~ocabulary
4th
Slightly on topic
List (no elaboration or details}
No organization (Where is the
beginning? Where is the ending?)
Score: 1
="Bad"
Fell asle,ep!
1st
Score: 0
Offtopic
Can't read it