Rosie M. Seagraves List of Works Consulted (/Rosie+M.+Seagraves+List+of+Works+Consulted)

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Allaston, Paul. Confounding Convention: Women in Three Golden Age Plays. Bulletin of the
Home
2008 ASTR (Boston)
Comediantes 48.2 (1996): 261-73.
2009 ATHE (New York)
Bayliss, Robert. The Best Man in the Play: Female Agency in a Gender-Inclusive Comedia
2009 ASTR (San Juan)
Studies. Bulletin of the Comediantes 59.2 (2007): 303-24.
2010 ATHE (Los Angeles)

2010 ASTR (Seattle)
2011 ATHE (Chicago)
Caldern de la Barca, Pedro. A secreto agravio, secreta venganza. Ed. Edward Nagy.
Zaragoza: Ebro, 1966.
2012 ASTR (Nashville)

2013 AHCT (El Paso)
2013 ASTR (Dallas)
--. La dama duende. Ed. Fausta Antonucci. Barcelona: Crtica, 1999.
2014 ATHE (Scottsdale)
--. La vida es sueo. Ed. Vincent Martin. 2nd ed. Spanish Classics Ser. 10. Newark, DE:
Dream-a-turgy)
Cervantes & Co., 2006.
2014 ATHE (Scottsdale)

Rediscovering
2014 ASTR (Baltimore)
--. Life is a Dream. Trans. Gregary J. Racz. New York: Penguin Books, 2006.
Resources to Research
Camino, Mercedes Maroto. Ficcin, aficin y seducin: Ana Caros Valor, agravio, y mujer.
Dancing
Bulletin of the Comediantes 48.1 (1996): 37-49.

--. Mara de Zayas and Ana Caro: The Space of Womans Solidarity in the Spanish Golden
Age. Hispanic Review 67.1 (1999): 1-16.
Caro, Ana. Valor, agravio y mujer. Ed. Lola Luna. Madrid: Castalia, 1993.
--. Valor, agravio y mujer. Trans. Donna Lazarus and Amy Kaminsky. Water Lilies: Flores del
agua: An Anthology of Spanish Women Writers from the Fifteenth through the Nineteenth
Century. Ed. Amy Katz Kaminsky. Minneapolis: U of Minnesota P, 1996. 206-348.
Connor, Catherine. Marriage and Subversion in Comedia Endings: Problems in Art and
Society. Gender, Identity, and Representation in Spains Golden Age. Ed. Anita K. Stoll and
Dawn L. Smith. London: Associated University Presses, 2000.
Cortez, Beatriz. El travestismo de Rosaura en La vida es sueo y de Leonor en Valor, agravio,
y mujer: El surgimiento de la agencialidad femenina y la desnaturalizacin del binarismo del
gnero. Bulletin of the Comediantes 50.2 (1998): 371-85.
Cruickshank, Don William. Caldern de la Barca, El mdico de su honra. London: Grant &
Cutler, 2003.
de Armas, Frederick. Rosaura Subdued: Victorian Readings of Calderns La vida es sueo.
South Central Review 4.1 (1987): 43-62.
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3/7/15, 5:46 PM
Dekker, Rudolf M., and Lotte C. van de Pol. The Tradition

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new from Wikispaces.
Female Transvestism in Early Modern Europe. Basingstoke,
Hampshire, UK: Macmillan Press, 1989.
Donnell, Sidney. Feminizing the Enemy: Imperial Spain,
Transvestite Drama, and the Crisis of Masculinity.
Lewisburg: Bucknell UP, 2003.
Echevarra, Roberto Gonzlez. Las dos finales de La vida
es sueo: una lectura cervantina. Literatura y pensamiento
en Espaa: Estudios en honor de Ciriaco Morn Arroyo. Ed.
Francisco LaRubia-Prado. Newark, DE: Juan de la Cuesta
Hispanic Monographs, 2003. 55-76.
Esteban, ngel, ed. Historia de la Monja Alfrez, Catalina
de Erauso, escrita por ella misma. Ctedra: Madrid, 2002.
Ferrer Valls, Teresa. Del oratorio al balcn: escritura de
mujeres y espacio dramtico. Espacios domsticos en la
literatura urea Insula 714 (2006): 8-12.
Fox, Dian. Qu bien sabis persuadir!: Petrarch, Don
Juan, and Ana Caro Calope 6.1-2 (2000): 35-51.
Fuchs, Barbara. Passing for Spain: Cervantes and the
Fictions of Identity. Hispanisms Ser. Ed. Anne J. Cruz.
Urbana: U of Illinois P, 2003.
Garber, Marjorie, ed. Lieutenant Nun: Memoir of a Basque
Transvestite in the New World. Trans. Michele Stepto and
Gabriel Stepto. Boston: Beacon Press, 1996.
Gorfkle, Laura. Re-staging Femininity in Ana Caros Valor,
agravio, y mujer. Bulletin of the Comediantes 48.1 (1996):
25-35.
Grubbs, Anthony J. Rev. of Valor, agravio y mujerStripping
Don Juan, dir. Hugo Medrano. Comedia Performance 5.1
(2008): 199-204.
Henderson, Katherine Usher and Barbara F. McManus, eds.
Half Humankind: Contexts & Texts of the Controversy about
Women in England 1540-1640. Urbana: U of Illinois P, 1985.
Honig, Edwin, ed. Caldern de la Barca: Six Plays. New
Cork: Iasta Press, 1993.
Knowles, James, ed. The Roaring Girl and Other City
Comedies. Oxford: Oxford UP, 2001.
Lavroff, Ellen G. Who is Rosaura? Another Look at La vida
es sueo. Revue des Langues Viventes 42.5 (1976):
482-496.
Leoni, Monica. Silence Is/As GoldenAge Device: Ana
Caros Eloquent Reticence in Valor, agravio y mujer.
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3/7/15, 5:46 PM
Women in the Discourse

Brand new from Wikispaces.
of Early Modern Spain.
Ed. Joan F. Cammarata.
Gainseville: University
Press of Florida, 2003.
199-212.
McKendrick, Malveena.
Honour/Vengeance in
the Spanish Comedia: A
Case of Mimetic
Transference? Modern
Language Review 79.2
(1984): 313-35.
--. Woman and Society in
the Spanish Drama of the
Golden Age: A Study of
the Mujer varonil.
Cambridge: Cambridge
UP, 1974.
Molina, Tirso de. El
burlador de Sevilla. Ed. R
John McCaw. Newark:
Cervantes & Co., 2003.
Mujica, Brbara. Women
Writers in early modern
Spain: Sophias
Daughters. New Haven:
Yale UP, 2004.
Parker, A. A. The
Approach to the Spanish
Drama of the Golden
Age. Tulane Drama
Review 4.1 (1959):
42-59.
Rhodes, Elizabeth.
Redressing Ana Caros
Valor, agravio y mujer.
Hispanic Review 73.3
(2005): 309-29.
Rodrguez-Jimnez,
Rubn. Writing Beyond
the Ending: La autoridad
poltico-cultural y la
cuestin del honor a
travs del sistema
sexo/gnero en Valor,
agravio y mujer y
Fuenteovejuna. Letras
Hispanas 3.2 (2006):
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3/7/15, 5:46 PM
132-41.
RomeraNavarro,
M.
La
preceptiva
dramtica
de
Lope
de
Vega
y
otros
ensayos
sobre
el
Fnix.
Madrid:Yunque,
1935.
Sloman,
Albert
E.
The
Structure
of
Calderns
La
vida
es
sueo.
Modern
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48.3
(1953):
293-300.
Soufas,
Christopher
C.
and
Teresa
Scott
Soufas.
La
vida
es
sueo
and
Post-Modern
Sensibilities:
Toward
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New
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3/7/15, 5:46 PM
Method
ofHelp
Analysis
About
and
Interpretation.
Blog
Studies
in
Pricing
Honor
of
Bruce
Privacy
W.
Wardropper.
Terms
Ed.
Dian
Support
Fox,
Harry
Upgrade
Sieber,
Contributions
and
to
Robert
http://spanishTer
golden-
Horst.
age-plays.wikispaces.com/
Newark,
are
DE:
licensed
under
de
a
la
Creative
Cuesta,
Commons
1989.
Attribution
291-304.
Share-Alike
3.0
Soufas,
License.
Juan
Teresa
S.
Portions
Ana
not
Caros
contributed
by
of
visitors
the
are
Mujer
Copyright
varonil
2015
and
Tangient
Her
LLC
Re-evaluation
Theatrics
in
Valor,
agravio
y
mujer.
The
Perception
of
Women
in
Spanish
Theater
of
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3/7/15, 5:46 PM
the
Golden
Age.
Ed.
Anita
K.
Stoll
and
Dawn
L.
Smith.
London
and
Toronto:
Associated
University
Presses,
1991.
85-106.
--.
A
Feminist
Approach
to
a
Golden
Age
Dramaturgas
Play.
El
arte
nuevo
de
estudiar
comedias:
Literary
Theory
and
Spanish
Golden
Age
Drama.
Ed.
Barbara
Simerka.
London:
Associated
University
Presses,
1996.
127-42.
--.
Dramas
of
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Distinction.
Studies
in
Romance
Languages
Ser.
42.
Ed.
John
F.
Keller.
Lexington:
UP
of
Kentucky,
1997.
Soufas,
Teresa
Scott,
ed.
Womens
Acts:
Plays
by
Women
Dramatists
of
Spains
Golden
Age.
Lexington:
UP
of
Kentucky,
1997.
Stroud,
Matthew
D.
La
literatura
y
la
mujer
en
el
Barroco.
Actas
del
VIII
Congreso
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Asociacin
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Madrid:
Istmo,
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Velasco,
Sherry.
The
Lieutenant
Nun:
Transgenderism,
Lesbian
Desire
&
Catalina
de
Erauso.
Austin:
U
of
Texas
P,
2000.
Vega,
Lope
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El
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de
hacer
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Ed.
Juana
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Madrid:
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Cientficas,
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Villasante,
Bravo,
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La
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vestida
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hombre
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Madrid:
Revista
de
Occidente,
1955.
Wheelwright,
Julie.
Amazons
and
Military
Maids:
Women
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Liberty,
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London:
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1989.
Wilks,
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Interpreting
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9 of 11
3/7/15, 5:46 PM
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Williamsen,
Amy
R.
Re-writing
in
the
Margins:
Caros
Valor,
agravio
y
mujer
as
Challenge
to
Dominant
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Bulletin
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the
Comediantes
44.1
(1992):
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Wyszynski,
Matthew
A.
Friendship
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Zayass
La
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La
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amistad.
Ed.
Michael
J.
McGrath.
Newark:
Cervantes
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Co.,
2006.
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