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Have you ever wondered why great pianists, guitarists, bassists, and drummers often sing along as they
improvise? Ever noticed how many of the best horn players also happen to be great singers? Great musicians all
over, seem to have developed the ability to sing somewhere along the way, whether theyve had formal training
or not. For all of us, from the musical innovator to the weekend music lover, singing is a natural part of musical
development and artistic expression. The voice is in fact our first instrument and one that everyone can play. For
serious musicians, though, the voice is a crucial part of our technique and one that can always be improved upon.
One concept that is not often talked about, yet immensely important, is the gap between our ears and what is
coming out of our instruments. The fact is that what is easily understood aurally, rarely is translated to our
instruments without any work. Internalizing this music takes hours of repeated listening and imitation until it finally
appears in our day to day playing. As improvisers, we rely heavily on our ears to hear the music going on around
us, but this is only a small part of developing our ears to their full potential. The real skill comes not in simple
identification of intervals and chords, but in the ability to recreate what we hear instantaneously singing.
Singing a musical idea naturally creates a strong physical connection between our ears and the sounds that were
hearing. For many of us, the way we learned music in school was from a page directly to our instruments, leaving
out our ears and our voices. Because of this, we need to find a way re-establish a direct connection from our
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ears to our voice to what comes out of the instrument. The process in which you should learn melodies, chords,
anything really, should follow this pattern:
Hear it > Sing it > Play it on your instrument
We work all the time on listening (hearing melodies, solos, and chord changes, etc.) and on practicing technique
on our instruments, but actually singing what were working on too often falls to the wayside. In order to
eventually play what youre hearing, you need to sing anything that you play on your instrument. Often times,
inexperienced players skip theses first two steps and try to play something on their instruments that they cant
hear, let alone have the ability to sing. Virtually shooting in the dark, hoping by some miracle to be able to one
day get that line into their playing.
Here are three ways to incorporate singing into your everyday practice routine that will make an immediate
difference in your ability to internalize music:
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For example, one solo that I have always loved is Chet Baker singing over It Could Happen to You. For years I
had sung along with the recording, especially his improvised scat solo. Recently as I was reviewing the tune, I
tried to play along with the solo for kicks. To my surprise, I could play the solo without having ever transcribed it
or practiced it; solely from the process of ingraining it and singing it.
This is a great solo to try singing because its simple, yet very melodic. Listen to the scat solo over and over
again until its memorized and then try to sing along with the recording:
After you have the solo ingrained into your ear and can sing it confidently without the recording, try to play it on
your instrument. Youll be surprised at how easily it will come to you through the simple act of pre-listening and
singing to the things that youre transcribing.
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