Professional Documents
Culture Documents
MARVEL UNIVERSE
CAPTAIN AMERICA:
THE WINTER
SOLDIER
There are two post-credits sequences in Captain America: The Winter Soldier, and it would be
useless and unwise for me to spoil either. One of
them will make no sense to you until youve seen
the film. The other made no sense to me and I
HAVE seen the film. I couldnt explain it if I tried,
because it is merely set-up for the next Marvel
movie. The audience I was with seemed to know
what was going on (there were gasps). Whatever
it is, it must have been pretty damn good.
I cop to being in the dark about the minutiae
of the Marvel Universe. Outside of Spider-Man,
which I read as a kid, everything I know about superheroes Ive learned from their movies. My problem with many of them is that they only preach
to the choir, operating under the assumption that
everyone in the audience knows all the hymns.
Its a lot easierand lazierfor a screenwriter to
simply do a roll call of characters and events while
letting fans fill in all the blanks. Sometimes the
onscreen information is so sparse that the studio
should pay you for doing all the work. Plus, the
slavish devotion to lore sometimes comes at the
expense of making a good movie.
With that said, Captain America: The Winter
Soldier is a very good movie, the rare film in this
genre that serves as both entry point and continuation. For a change, you can walk in cold and you
wont be too lost. The actors inject some welcome,
unexpected emotion into their characters. Despite
the fight
sequences occasional visits
to the Jason
Bourne/Cuisinart school
of editing, the
action scenes
are suspenseful. And the
story has a hint
of the 70s era
paranoia films
that starred
Robert Redford
and Warren
Beatty.
Guardians of the
Galaxy, Unlikely Heroes.