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The Sound of Music: Marital Roles and Inner Transformations

Fifty years after the films initial release in 1965, viewers of The Sound of Music
could measure the imprint of the womens movement of the 1970s by how very
differentantiquated actuallythe film is in terms of marital roles. Whether Liesl in
the first half of the film or Maria in the second, their acceptance of the dominance of
husbands over wives stood out like a blade of grass needing to be cut in 2015 for all
but a minority of viewers. Yet the internal changes that Maria and the Captain have
the courage to undergo resonate in any age, being so much a part of human nature,
as distinct from sociological artifacts.
The full essay is at The Sound of Music.

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