Professional Documents
Culture Documents
Students will:
GLO Component 1:
ANALYSIS: Students will
study and analyze the
individual character of
natural objects or forms.
GLO Component 4:
MAIN FORMS AND
PROPORTIONS: Students
will modify forms by
abstraction, distortion and
other transformations.
GLO Component 5:
ACTIONS AND VIEWPOINTS: Students will
refine methods and
techniques for more
effortless image making.
GLO Component 10 (i):
EXPRESSION:
1) 1) Students will
illustrate or tell a
story.
2) 2) Students will
create an original
MEANING
Essential Questions:
Students will keep considering
composition, object
or space based on
supplied motivation.
3) GLO Component 2:
ASSESSMENT: Students
will impose standards on
designed objects and
invent improved versions.
4) GLO Component 3:
APPRECIATION:
Students will interpret
artworks for their
symbolic meaning.
STAGE 2 Evidence
Evaluative Criteria
Performance is judged in terms of
Critique
Following final
assignment.
Formative Assessments
Graffiti Wall
Exit Slip
Art Projects
Rubric Criteria
Project Guidelines
Checklists
Proposals
Participation
In class discussion
Peer Review
Assessment Evidence
Transfer Task:
Students will need to show their learning by: Demonstrating that they understand
the concept of animation through 3 summative assessments throughout the unit.
Following the final project, students will participate in a Critique showcasing
their work.
My rationale for designing this unit is to inform my students about the creative
process of animation and to understand that this process is complex and intricate. I
want my students to critically explore the elements of every day movement, the
notion of transformation, and to visually create and narrate an animated story. I will
treat each and every student as an artistic and creative individual and throughout
the unit I will provide them opportunities to express their personal artistic styles.
My learning objectives for this unit are; 1) Shapes, objects, and people move
in particular structured ways, 2) The construction of animation is a complex process
that involves many steps, 3) A series of images showing movement viewed in quick
succession will affect what is seen. 4) Transformation can be seen in natural forms
and can be illustrated through story telling, and 5) Reflection is key to improving
upon and appreciating individual artwork.
This unit will introduce the concept of animation, from a historical perspective,
and then continue to scaffold and build upon the students learning, through a series
of art projects. Students will begin by learning about the first historical product of
animation, the Zoetrope, creating their own zoetrope alongside a series of images
showing simple movement, such as a ball bouncing, a person sitting, etc. As the
unit progresses, students will practice and learn more techniques involved in
animation and the next animation projects will incorporate a theme of
transformation. The first themed project will have students create their own
flipbook, illustrating a story, which will show the transformation of one shape to
another. The last themed project will be the students final performance task.
Working in groups of 5, the students will utilize a computer program to create their
animation, and will once again illustrate a story, but this time demonstrating more
than one transformation.
In this unit, I will implement several instructional strategies in order to
differentiate my instruction. These strategies will include differentiated topics for
art projects, demonstrations, exit slips, hands-on practice, critiques, class
discussions, peer and self-assessments, and a pre-assessment. Each of these
strategies will inform my teaching and allow me to differentiate my instruction
further based on the needs of each individual student. When planning the activities,
materials and lessons for this unit, I considered Digital Connectivity Culture, Gender,
Ethnicity, and 21st Century Learning in order to create an engaging, challenging, and
successful learning environment for each student in my classroom.
Digital Connectivity Culture
In my unit, I will use a variety of technologies to engage my students in their
learning during instruction and I will also utilize digital technologies to let them
practice animation skills learned and to assist them in the creation of multiple
projects. As a teacher, it will be very important to incorporate modern technologies
that work to engage and motivate my students, using digital examples that are
relatable. At the beginning of my Unit, the introduction to Animation, I will show
relevant slides of the animation process and also introduce the history of animation,
showing the artist and inventor Muybridge. Moving through the unit, at the
beginning of each lesson, I will continually provide examples of animation through
videos and images on the Smart Board. Some traditional technologies I will
implement will be physical examples of the roots of animation, such as, the
zoetrope and flipbooks, as well as student drawn serial images showing movement.
Many of my lessons will be comprised of work periods to allow the students to
3
interact with more traditional technologies, such as, paper, pencils, scissors & art
supplies.
The students will have access to individual Acer laptops, which they will be
utilizing to complete their final animation project. The students will be using the
program, Monkey Jam to create their animations, as well as traditional technologies
like charcoal, newsprint, whiteboards, and whiteboard pens. Throughout my unit, I
strived to incorporate digital technology in order to fit into the culture that is the
digital age, but I also wanted to incorporate hands-on learning using traditional
methods of technology, for demonstrative instruction and self-exploration.
Gender
In my grade 5 class, there are more boys than girls and knowing this ratio, I
will strive to show a balance of both male and female artists and animation movie
clips that engage both genders. The animated movie clips I will be showing will be
the Lego movie and toy story, so the students can understand the process and then
experience the final animated result. Both of these films can engage each gender
because they are family friendly and relatable to the students age group. As part
of one of the work sessions, I will ask the students to bring a figurine that can stand
on its own, so they can practice with the animation program they will be using for
their final project. Giving the students the option to bring an item from home,
guarantees that the objects are catered to that individuals interest and gender
becomes a non-issue. I want students to gain an appreciation for all artwork and
understand that gender is irrelevant when you are discussing or critiquing artwork.
My classroom will be inclusive to any student that wants to learn and grow as an
artist, and I expect my students to have respect for every individual in the
classroom regardless of age, race, or gender.
Ethnicity
Throughout the three grade 5 classes that I will be teaching Art to, there is
one aboriginal student, who is part of the Blackfoot nation, and several immigrants
from other countries, such as Nepal. Regardless of ethnicity, I will strive to make
every student feel welcome as an artist. I will encourage students to incorporate
their nationalities into their animation projects and future artwork.
Knowing I have an aboriginal student in my classroom, and since Aboriginal
history and culture is a large part of Albertas history, I will be incorporating
aboriginal myths and themes into two of the animation projects. The Aboriginal
theme that I will be using is the notion of Transformation. Many aboriginal myths
and stories tell of men transforming into a spirit animal and the Aboriginal culture
cherishes the environment and believes animals are sacred creatures. I hope to
express these ideals through the Aboriginal art I will show in my unit, and I will
encourage the aboriginal student in the class to express their heritage and culture
through art.
I want my students to view any cultural art in a non-stereotypical way and
value it based on its artistic components and elements. The final project in this unit
requires students to collaborate and illustrate a story of transformation.
Collaboration serves as a good motivator for students because they will have to
work together socially and artistically to develop their ideas and create their final
animation. To ensure that each student, regardless of ethnicity, participates in the
final project, I will assign roles for each individual in the group, and ask that the
4
roles alternate so everyone in the group has a chance to experience each roles
responsibilities.
21st Century Learning
Throughout this unit, I will use the 21st century learning curriculum that has
been adapted by the school: cooperation, courage, caring, and concern, and
incorporate this learning into my unit instruction and classroom environment. My
T.A. informed me that her classroom rules are based on the notion of respect,
mutual respect for each other, respect for art materials, and respect for the
students learning. This notion of respect will fit into the way I teach this unit, by
creating critical thinkers, ones who will think outside the box, incorporating projects
that are student centered and constantly using project based learning to inform my
instruction. Through my final project, I will utilize collaboration to provide the
students an opportunity to think critically about how the theme of transformation
can represent many aspects of culture and society. I will make my students aware
of the impact a piece of art work can have and how Art can illustrate the ideals of
21st century learning, through creativity, innovation, digital literacy, and selfdirection.
Lesson Summaries:
Lesson 1-3
6
To begin the unit of animation, students will complete a KWL chart and a
Graffiti wall (the students will continue to add to the wall once the unit progresses)
showing the teacher what they know regarding animation. During these three
lessons, the students will be introduced to the history of animation and the artist
encounter, Muybridge. The students will gain an understanding of the process of
animation and the steps that are involved to create fluid animated movement.
Zoetropes will be introduced to the students through the video, Pixars Zoetrope.
Students will then create a Zoetrope and two filmstrips demonstrating their
knowledge of the steps of animation and simple character movement, such as a ball
bouncing. As the students are working, they will be shown the artist encounters,
Duchamp and Degas, to further enhance their knowledge of how movement can be
portrayed in art. Students will be expected to be creative and exploratory, practice
animation, and understand that small drawn movements will create a fluid
animated product. To conclude the lessons, the students will complete an exit slip,
making the teacher aware of the understandings that were achieved.
Lesson 4-6
Throughout the course of these next lessons, the students will be introduced
one of many animation processes, Flipbooks and their history. Students will be
introduced to the theme of the unit, Transformation & Metamorphosis, a theme
portrayed in many aboriginal stories. The artist encounter that will represent this
theme is Jackson Beardy. The artist, BLU, will also be introduced as an artist who
portrays the theme of transformation, using stop-motion. Prior to beginning the
next project, students will be provided time to practice creating a Flipbook in their
exploratory sketchbooks. The students will then create Flipbooks, using post-it
notes, demonstrating transformation of an animal to object, or vice-versa. Following
the completion of the students flipbooks, they will participate in a peer review of
their completed product. This process allows the students opportunities to reflect
on self and classmates work. Throughout these three lessons, flipbook video
examples will be shown to the students to provide inspiration and spark creativity.
Lesson 7-9
These lessons will be devoted to introducing Stop-motion animation to the
students, through exploratory time to use particular animation programs. These
programs include ABCYAanimate, Pivot, and MonkeyJam. The students will be
provided work time to explore and create animations using these programs to gain
an further understanding of the animation process and in order to inform their final
project. The students will also be given an opportunity to bring in a figurine (which
can stand on its own) that they can use when exploring the program MonkeyJam.
These exploratory work periods will allow the students to gain experience using the
program that will be used in the final project. The final project will be introduced,
and the students will be working in groups, have assigned roles in the group, and
need to create a hand drawn stop-motion animation, using either whiteboards or
newsprint. In order to prepare properly before they begin production on their
animations, the students will be asked to meet as a group, brainstorm and create a
storyboard proposal of their animation. The theme of the final project will remain
7
Lesson
#1-3
Subject/Gra
de Level
Art: Grade 5
Unit
Date
Time
Duratio
n
Teache
r
3 X 30 min lessons
Erin Hildebrandt
REFLECTION
Analysis: Students will study and analyze the individual character of natural
objects or forms.
DEPICTION
Actions & View-points: Students will refine methods and techniques for more
effortless image making.
Specific
Learning
Outcomes:
REFLECTION:
Students will:
1. Students
2. Students
3. Students
4. Students
will
will
will
will
ASSESSMENTS
Observations:
Key Questions:
Products/Performa
nces:
Students are engaged with the Teacher & Presented Material (eye contact,
head nods, etc.)
Will observe students as they complete the KWL charts and add a word to
the Graffiti wall.
Formatively assess students answers during any group discussion.
Pre-Assessment (KWL Chart)
What do you know about Animation?
Discussion (Graffiti Wall)
Give me one word that describes what you know about
Animation?
Questions
How can we use different drawing techniques within an
image to create movement in a series of frames?
Students will discuss and collaborate to create a Graffiti wall on
the topic of Animation as a pre-assessment and ongoing
formative assessment
Students will create a Zoetrope and two animated strips
demonstrating basic movement.
https://www.youtube.com/watch?v=eXgPPAhMuG8
Pixars Zoetrope https://www.youtube.com/watch?
v=5khDGKGv088
http://www.muybridge.org
http://www.stevespanglerscience.com/lab/experim
ents/build-a-zoetrope
PROCEDURE
Prior to lessons
Assessment of
Prior Knowledge
Expectations for
Learning and
Behaviour
Learning Session
#1
Teacher Notes:
Assessments/
Differentiation
Session 1
- Prepare KWL Charts
- Hang up poster board for Graffiti wall
- Prepare History of Animation Power-point
Session 2
- Prepare Pixar Zoetrope Video (Attention Grabber)
- Prepare materials for Zoetrope creation
- Prepare How to create a zoetrope video
Session 3
- Have Zoetrope material available
- Prepare Exit Slip
Introduction
Time
5 min
Time
25 min
Encounter:
Eadweard Muybridge
During power point, be sure to watch the students to
make sure that they are engaged and actively
listening.
Keep notes of what is observed and how well the
10
Learning Session
#2
Teacher Notes:
Assessments/
Differentiation
Learning Session
#3
Teacher Notes:
Assessments/
Differentiation
Consolidation of
Learning:
Feedback From
Students:
Feedback To
Students
30 min
30 min
Time
5 min
11
Sponge
Activity/Activities
Exploratory Sketchbook
Students will be able to explore the process of animation and practice
demonstrating movement in their sketchbook.
12
Exit Slip
13
Write down either 1 question or a Take-Away from class on the Film Reel
14
Edgar Degas
Marcel Duchamp
Lesson
#3-6
Date
Subject/Gra
de Level
Art: Grade 5
Time
Duratio
n
Teache
r
Unit
3 X 30 min sessions
Erin Hildebrandt
15
General
Learning
Outcomes:
Specific
Learning
Outcomes:
Students will:
Students will use what they already know regarding animation to inform their flipbooks.
Students will become familiar with the notion of transformation through an aboriginal
encounter
Students will understand the complex process and steps involved in animation.
Students will create a flipbook that demonstrates the theme of transformation (human
to animal or vice versa).
ASSESSMENTS
Observations:
Key Questions:
Products/Performa
nces:
Students are engaged with the Teacher & Presented Material (eye contact,
head nods, etc.)
Formatively assess students answers during group discussion & work
periods
How can we use different drawing techniques within an
image to create movement in a series of frames?
How can studying various media influence the way we
create and visualize a story?
How can the process of animation demonstrate the
movement of actions and show transformation?
Students will create a flip book that demonstrates the theme of
transformation & metamorphosis
Students will complete a peer review of completed flipbooks
Students will add to the graffiti wall once new concepts are
learned
16
PROCEDURE
Prior to lessons
Expectations for
Learning and
Behaviour
Learning Session
#1
Teacher Notes:
Assessments/
Differentiation
Session 1
- Prepare History of Flipbooks PowerPoint
- Prepare artist encounter images
- Prepare Flipbook project guidelines
- Prepare flip book exemplars
Session 2
- Prepare Post it Note Flipbook Video
- Prepare final flipbook post-it note material
Session 3
- Prepare Peer Review of flipbook
Introduction
Students will respect classmates
Students will respect teacher and have full attention of
power-point
Time
Time
30 min
17
Learning Session
#2
Teacher Notes:
Assessments/
Differentiation
Learning Session
#3
Teacher Notes:
Assessments/
Differentiation
Consolidation of
Learning:
30 min
30 min
Time
5 min
18
Feedback From
Students:
Feedback To
Students
Sponge
Activity/Activities
Exploratory Sketchbook
Students will be able to explore the process of animation and practice
demonstrating movement in their sketchbook.
Blu - Transform
19
Response 2:
20
Lesson
#7- 9
Subject/Gra
de Level
Art: Grade 5
Unit
General
Learning
Outcomes:
Specific
Learning
Outcomes:
Date
Time
Duratio
n
Teache
r
3 X 30 min sessions
Erin Hildebrandt
Students will:
Students will
programs.
Students will
animation.
Students will
Students will
use what they already know about animation and explore animation
apply the notion of transformation while they explore and practice with
understand the complex process and steps involved in animation.
collaborate and brainstorm for the final project.
ASSESSMENTS
Observations:
Key Questions:
Students are engaged with the Teacher & Presented Material (eye contact,
head nods, etc.)
Formatively assess students answers during group discussion & work
periods
How can we use different drawing techniques within an
image to create movement in a series of frames?
How can studying various media influence the way we
create and visualize a story?
How can the process of animation demonstrate the
21
Products/Performa
nces:
PROCEDURE
Prior to lessons
Expectations for
Learning and
Behaviour
Learning Session
#1
Session 1
- Prepare Lego Video
- Prepare Acer laptops with ABCya animate program & monkey jam
- Prepare figurines that the students can use if they didnt bring
any
Session 2
- Prepare Material for exploratory animation
Session 3
- Prepare to introduce Final Performance Task: Guidelines, Rubric,
Groups, & Group roles.
Introduction
Students will respect classmates
Students will respect teacher
Students will raise their hands when asking a question
Body
Introduction to Animation and exploring types of
animation programs
Lesson will begin with an introduction to Lego Movie
How to video. This video will inform the students how
brick film animations are made.
Students will then be introduced to 3 types of
animation programs (ABCya animate, Monkey jam, and
Pivot)
Each program will be demonstrated so the students are
aware of basic operation.
(15 min)
Students will then split into groups of 8-9 and will do
exploratory centers of the animation programs
introduced.
(15 min)
Students will use figurines from home to use and
practice with the program Monkey Jam. This will give
them time to practice with the program they will be
using for their final project.
The other two programs will be used, as exploratory
tools, to gain a better sense of the steps the students
need to achieve to create a fluid movement in their
Time
Time
30 min
22
animations.
Students will have 12-15 minutes with each program.
Exploratory class will continue into following classes.
During any videos, be sure to watch the students to
make sure that they are engaged and actively
listening.
Keep notes of what is observed and how well the
students are engaging with the content of the lesson.
Be sure to check with each group to check for
questions and assist where needed.
During class discussion and the graffiti wall, make sure
students are sharing input constructively.
Continuation of Exploratory Class
Students will continue to explore animation programs,
going to the program next on their list.
The next two programs will be complete during this
class
(15 min each center)
Final Performance Task will be introduced in following
class.
Make sure students are working quietly when exploring
animation programs
Make sure students are working with materials safely &
respectfully
Teacher will continually walk around the room to check
for understanding and assist students when help is
needed.
Introduction to Final Performance Task
To begin this lesson, teacher will formatively assess
students thoughts regarding the exploratory centers
during a class group discussion, students will share
their thoughts and understanding of the animation
programs and be provided the opportunity to ask any
questions.
Students will then be introduced to the final
performance task project. The guidelines, rubric, and
groups will be discussed.
Students will be given the opportunity to ask any
questions regarding the final task.
(10 min)
Students will then be given time meet in their groups,
assign the group roles, and brainstorm to create a mind
map proposal story board for their final projects.
(15 min)
Students will hand in their proposal at the end of class
so the teacher can review the groups ideas.
Teacher will look over proposals and provide any
feedback to the groups the following class.
Teacher Notes:
Assessments/
Differentiation
Learning Session
#2
Teacher Notes:
Assessments/
Differentiation
Learning Session
#3
Teacher Notes:
Assessments/
Differentiation
Consolidation of
Learning:
Feedback From
Students:
Feedback To
30 min
30 min
Closure
Finalize lessons with a question period to make sure the
students understand the final project.
Students will add to the graffiti wall a concept they
have learned.
Offer feedback while walking around the room during the
Time
23
Students
work period.
Sponge
Activity/Activities
Exploratory Sketchbook
Students will be able to explore the process of animation and practice
demonstrating movement in their sketchbook.
Lessons #10 - 16
Students will be provided 4-5 work periods to complete their final
performance task. Following completion of Final project, students will
participate in a final critique, taking up to 2 classes.
Task Title
Erin Hildebrandt
Teacher
Art
Subject
Topic/Focu
Drawing & Animation
s
Performance
Task
Overview
Materials
Acer Laptops
Monkey Jam Program
I-pads (if available)
24
Whiteboard Pens
Learner Outcomes
General
Outcomes
GLO Component 3:
APPRECIATION:
Students will interpret
artworks for their
symbolic meaning.
GLO Component 5:
ACTIONS AND VIEWPOINTS: Students will
refine methods and
techniques for more
effortless image
making.
GLO Component 1:
ANALYSIS: Students
will study and analyze
the individual
character of natural
objects or forms.
GLO Component 4:
MAIN FORMS AND
PROPORTIONS:
Students will modify
forms by abstraction,
distortion and other
transformations.
Specific Outcomes
Assessment Criteria
Students provide evidence of their learning
as they
25
GLO Component 10
(i): EXPRESSION
Purpose 2: Students
will illustrate or tell a
story.
Purpose 5: Students
will create an original
composition, object
or space based on
supplied motivation.
GLO Component 2:
ASSESSMENT:
Students will impose
standards on
designed objects and
invent improved
versions.
Creativity (Effective)
Is the final animation project
eye catching and
innovative, does it have
cohesive composition and
movement, and does it
demonstrate transformation
of shape.
I will ask myself: Did the
student group take risks?
Did the students go above
and beyond the
requirements of the
assignment?
Critique
Critique will consist of
utilizing the strategy 3 stars
and a wish and the class will
critique each groups
completed animation with
constructive criticism and
respect.
Guided critique questions
from the teacher will be used
to maintain a confortable
environment for each
student to share their work.
Assessment Criteria
Level
Criteria
Excellent
Proficient
Adequate
Limited *
Insufficien
t / Blank *
26
Creativity
(X 2)
Understandin
g of Content
(X 2)
Craftsmanshi
p&
Tool/Material
Responsibilit
y
Completion /
Time and
Effort
The students
artwork
reflects an
exceptional
level of
creativity and
risk taking.
The students
personal
interpretation
of the final
task
demonstrates
a unique,
original and
expressive
point of view.
The students
artwork
demonstrates
a
comprehensi
ve
understanding
of the
concept(s)
taught. There
is a strong
evidence of
learning and
effective
application of
the lessons
content.
The students
artwork
demonstrates
substantial
creativity and
risk taking.
The students
personal
interpretation
of the final
task
demonstrates
a unique point
of view and
some
originality.
The students
artwork
demonstrates
minimal
creativity and
risk taking.
The final
product shows
little evidence
of personal
point of view
and originality.
The students
artwork
demonstrates
no evidence
of creativity
and risk
taking. The
final product
does not
reflect a
unique and
original point
of view.
No score is
awarded because
there is
insufficient
evidence of
student
performance
based on the
requirements of
the assessment
task.
The students
artwork
demonstrates
a substantial
understanding
of the
concept(s)
taught. There
is evidence of
learning and
satisfactory
application of
the lessons
content
The students
artwork
demonstrates
minimal
understanding
of the
concept(s)
taught.
Evidence of
learning and
the application
of the lessons
content is
somewhat
lacking.
The students
artwork
demonstrates
no
understandin
g of the
concept(s)
taught. There
is no
apparent
relationship
between the
students
artwork and
the lessons
content.
No score is
awarded because
there is
insufficient
evidence of
student
performance
based on the
requirements of
the assessment
task.
The students
use of art
media,
materials and
resources are
consistently
appropriate.
The student
demonstrates
extensive
care and
attention to
detail in the
final product.
The students
use of art
media,
materials and
resources are
generally
appropriate.
The student
demonstrates
a reasonable
amount of care
and attention
to detail in the
final product.
The students
use of art
media,
materials and
resources are
seldom
appropriate.
The students
completion of
the product
demonstrates
minimal care
and partial
attention to
detail
Art media,
materials and
resources are
inappropriate
ly used. The
students
completion of
product is
hurried with
no care for
attention to
detail.
No score is
awarded because
there is
insufficient
evidence of
student
performance
based on the
requirements of
the assessment
task.
All of the
requirements
are completed
to the best of
the students
ability.
Significant
time and effort
went into the
completion of
the
assignment.
Some of the
requirements
are complete
and the
artwork
requires
finishing
touches.
Sufficient
time and effort
went into the
assignment.
Minimum
requirements
are complete
and the
artwork
requires some
additional
work. Limited
time and effort
went into the
assignment
None of the
requirements
are complete
and the
artwork
requires plenty
of work.
Insufficient
time and effort
went into the
assignment
No score is
awarded because
there is
insufficient
evidence of
student
performance
based on the
requirements of
the assessment
task.
27
Critique
Particpation
* When work is judged to be limited or insufficient, the teacher makes decisions about appropriate intervention to help the
student improve.
* Every group will be graded and each individual will be given the same mark as the group.
Final Grade
Performance Task:
/24
Critique:
/6
Total Marks
/30
28