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Gloria
RV 589
VOCAL SCORE
Transcribed by S. Skye Donald
PREFACE
This edition of Antonio Vivaldis Gloria (RV 589) was prepared from a vocal score edited by
Clayton J. Westermann, originally published by Edwin F. Kalmus & Co. in 1968. Mr.
Westermanns source was the Raccolta Renzo Giordano, Opere Sacre, Tome 1. ff 90-129r from
the Biblioteca Nazionale in Turin. According to Mr. Westermanns preface, The full score,
orchestra parts and vocal score are faithfully represented as in Vivaldis original notation.
Because of this, the 1968 vocal score is considered to be an urtext or scientific edition and
has therefore been interpreted to be in the public domain in Canada by the copyright
reviewers at the International Music Score Library Project (www.imslp.org). Accordingly, I
have set out to create a crisp new imprint suitable for sharing and reproducing. Some
changes to the piano reduction have been made for clarity or to better reflect the orchestral
parts. Included in this edition is the oboe solo for Domine Deus.
Items marked in brackets [ ] including trills, dynamics, and missing figured bass are editorial.
Editorial slurs in Laudamus te are marked with a dotted line. Editorial marks are taken
from several different print editions (including Mr. Westermanns) and recordings to
represent common performance practice. A treble clef has been substituted for the original
soprano, alto and tenor clefs.
Antonio Vivaldi (1678-1741) set the Gloria text a number of times. A catalogue of his works
lists three separate pieces, one of which is now lost. Vivaldi almost certainly composed this
Gloria (and the others) for the girls at Ospedale della Piet, a home for abandoned children in
Venice in the early 18th century. Rediscovered in late 1920s, this work has become the most
popular of Vivaldis vocal works and is part of the standard oratorio repertoire.
The text for this piece comes from the ancient Christian hymn Gloria in excelsis Deo. The
hymn begins with the angels song from Luke 2:14 and is written in the style of psalmi idiotic
(private psalms songs written by individuals in imitation of those found in scripture). It has
been sung at Masses since the second century, though its current format and translation into
Latin was developed in the fourth century.
S. Skye Donald
September, 2011
Errington, BC
CONTENTS
1. Gloria in Excelsis (Chorus) ........................................................................................................ 1
2. Et in Terra Pax (Chorus) ............................................................................................................ 9
3. Laudamus Te (Duet for Two Sopranos) .................................................................................. 20
4. Gratias Agimus Tibi (Chorus) .................................................................................................... 26
5. Propter Magnam Gloriam (Chorus) .......................................................................................... 27
6. Domine Deus (Soprano Solo).................................................................................................... 31
7. Domine Fili Unigenite (Chorus) ................................................................................................ 36
8. Domine Deus, Agnus Dei (Alto and Chorus) ......................................................................... 48
9. Qui Tollis (Chorus) ..................................................................................................................... 53
10. Qui Dedes ad Dexteram (Alto Solo) ......................................................................................... 55
11. Quoniam Tu Solus Sanctus (Chorus)........................................................................................ 62
12. Cum Sancto Spiritu (Chorus) ..................................................................................................... 65
TRANSLATION
Gloria in excelsis Deo,
et in terra pax hominibus bonae voluntatis.
Laudamus te,
benedicimus te,
adoramus te,
glorificamus te,
gratisas agimus tibi propter magnam gloriam
tuam,
Dominus Deus, Rex clestis,
Deus Pater omnipotens.
We praise you,
we bless you,
we adore you,
we glorify you,
we give you thanks for your great glory,
Lord God, heavenly King,
O God, almighty Father.
The English translation of the Gloria in excelsis is from The Roman Missal 2010, International
Commission on English in the Liturgy Corporation. All rights reserved. Used by permission.
The slash marks ( / ) in the English translation at the beginning of each movement represent
line breaks in the hymn.
This imprint was prepared in for the glory of God and the choir at St. Stephen's United Church in Qualicum Beach, BC.
Antonio Vivaldi
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&
108
&
Glo
ri - fi- ca
p]
ri - fi - ca
te.
mus te.
F]
6t
6t
. r
F]
6t
[o]
mus
mus
te.
[ ]
[ ]
6t
6t
mus
[ ]
[ ]
te.
?#
Glo
?#
108
6t
?#
102
25
j
j
j
J #
J
.
.
26
#
&
114
?#
[3 ]
6tT
# b
&
120
? # n
6r
6tR
6t
n b
n #
n b b j b #
J
4w
6t$R
6wR
6t
.
.
@#
J
6t
5r
Adagio
Gra - ti - as
a - gi-mus
# 4 [ f]
V 4
Gra - ti - as
? # 44
[ ]
# 4[f]
& 4
Gra - ti - as
? # 44
[ ]
a - gi-mus
7E
ti - bi.
gra - ti - as
ti - bi.
a - gi-mus
a - gi-mus
ti - bi.
n
n
ti - bi.
6rY
a - gi-mus
gra - ti - as
a - gi-mus
ti - bi,
gra - ti - as
ti - bi,
ti - bi,
gra - ti - as
a - gi-mus
ti - bi,
Gra - ti - as
#
& 44
a - gi-mus
#
#
6t
27
# C[ f]
&
Allegro
#
& C
&
[ ]
# [ f]
?#
&
ri-am,
&
ri - am,
ri - am,
#. #
J
[ ]
&
[ ]
.
&
#
& C
?# C
#. #
J
?# C
# C
V
glo
j
# ..
#
J
[# ]
28
5
&
&
tu
# #
am,
glo
&
? # .
[6]
&
&
&
#
.
-
? # ..
J
J
ri-am,
ri - am,
ri - am,
glo
glo
glo
#.
j
J
j
ri - am,
glo
n # # ..
ri - am,
n n .
# .
J
J
n .
? # .
? # .
6eY
&
# # .
#
-
#
&
glo
riam,
-
ri - am tu
12
&
am,
&
?#
pro - pter ma
ri
n w
ma - gnam
# n
-
gnam
n
#
am tu - am,
6t
# n
w #
ma-gnam
7t%
7t%
6t
pro - pter
glo
ri - am tu - am,
# n
#
#
glo
6t
ri - am tu - am,
ri - am tu - am,
pro - pter
?#
12
riam,
-
[6]
#
&
V
j
# #
.
&
[ 6e ]
? # # .
? # # .
29
#
#
30
#
& # # n
w
# #
&
# w
14
glo
#
#
?#
# # # n
& n
14
? #
#
#
& #w
7t%
&
V
# W
tu
?# w
#
& # w
6r
6^
ri
ri
am
tu
am
tu
am
5r
tu
w
W
W
#
W
W
W
#w
-
#w
3^
am.
#W
am.
am.
am.
W
#W
W
W
W
#
ri
5eY
W
W
5r
6r
ri
5eY
w
# # # w
#
17
?# W
W
n
w
17
am
6r
5eY
6r
31
6. DOMINE DEUS
12
.
& 8
Largo
.
J
Oboe solo
Ob.
[
]
Play cue notes in absence of oboe
& 12
8
..
P]
j
.
.
. .
..
..
.
J
j
.
. .
.
.
J
? 12
8
[
[6]
Ob.
&
& ..
?
Ob.
&
6t
..
5r
# .
.
.
j
.. . .
.
. .
J
6rY
. .
& .
j
#.
#.
J
..
5r
j
. .
..
3^
#.
6rY
.
J
..
j
. .
.
.
..
..
32
8
Ob.
S1
. . .
&
&
&
. .
. ..
. ..
.
S1
&
5r
stis,
&
De
.
. .
..
S1
&
.
&
-
& ..
.
?
[6]
..
.
[# ]
..
.
..
.
.
J
Rex c-le
.
.
..
. j
De
..
.
us Pa
..
.
. J .
J
j
j
.. ..
.
.
P]
5e
6^
Do -
.. j j .
..
#
6t
.
J
J
#.
..
6r
# ..
.
p]
..
.
J
us Pa - ter,
..
.
..
[ ]
14
.
J
Do - mi - ne De - us,
j j .
J
[6]
j
..
..
..
Ob.
&
P]
11
14
Soprano solo
11
Ob.
5r
.
J
j
& . J #
17
Ob.
S1
# j .
J
.
&
J
J
-
. .
[ ]
j
# j
.
De
.
j
. .
. # ..
5r
33
j
.
J .
.
j
-
us Pa
b
-
.
.. b .
.
.
J
J
[p]
? #
#
#
..
17
& .
t7
20
Ob.
S1
&
6t
& .
b .
& ..
..
6t
n.
j
#
n ..
3^
# ..
6t$
[6]
ter
. # .
J
J
Pa - ter
..
.
om - ni - po-tens.
j
. .
..
.
# ..
J [P]
#
? # #
#
20
S1
[6]
. b
.
b
&
J
J
23
Ob.
n .
&
j
.
j
..
j
b .
Do
.
# ..
b ..
& .
7$
5rR
j
.
n j .
mi - ne De - us, Do
.
. J .
..
[p]
23
6t
..
.
..
.
#
6t
mi - ne
34
& .
Ob.
S1
j
&
j .
J
.
..
&
?
.
..
#
S1
P]
6r
6r
5e
& .
32
&
?
.
.
.
.
.
p]
5e
5e
ter,
5e
..
.
[]
J
J
[ ] .
J
J
J
Pa - ter om - ni - po-tens,
J ..
..
j
.
.
6r
Pa
.
J
Pa
6r
& .
32
. . .
.
..
.
..
&
?
[] .
J
j
. . ..
.
j
&
-
S1
.
&
29
Ob.
De - us Pa - ter, De - us Pa - ter,
. .
6t
29
Ob.
..
.
.
J
[ ]
[]
J
J
26
[]
J
J
J
26
..
.
.
.
. .
# #
[6]
[6]
[6]
35
Ob.
S1
&
.
&
-
ter,
. .
&
Ob.
38
&
.
J
j
.
.. .
.
. j .
..
. ..
.
J
.
J
.
J
j
. .
.. .
Pa - ter om - ni - po-tens.
5r
38
.
J
j .
J
J
..
J
[P]
.
..
& . .
35
35
..
j
. .
..
j
..
. U
. .
J
&
41
Ob.
41
&
?
..
..
6r
5e
..
.
6r
5e
j
U
.
.
. . ..
5r
J .
U
36
7. DOMINE FILI
& b 43
Allegro
? b 43 ..
[ ]
&b
? b ..
..
..
.
.
..
..
..
..
.
.
.
.
..
.
.
.
.
..
&b
&b
Vb
?b
[ ]
..
[ ]
j
J
..
Fi
ne
Fi
. .. .. .
..
. .
Do - mi
Do - mi - ne
7
. . . . []
. .
&b
.
? b . . . .
. . . .
li
j r
.
U - ni -
li
. .
37
S
&b
&b
11
Je
U - ni
&b
11
ge
. .
ge - ni - te,
Vb
?
ni - te,
Je
? b . .. .. . .. . .
.
. . .
.
.
.
7
&b
15
j
& b . . .
Vb
? b .
-
su Chri
j
J
su Chri
[ ]
[ ]
. .
Do - mi
.
-
Do - mi - ne
ste.
ste.
.
. . . . . . n .
R
j
.
.
? b . . . .
. . . . n
. . . .
&b
15
..
ne
38
&b
19
Fi
&b
V b n
Fi
li
&b
? b n.
. n
&b
&b
Vb
?b
. n
-
.
-
& b
23
ge
. n . n
7W
ni - te,
.
Je
su Chri
ste.
. .
Do - mi - ne
j
J
su Chri
ste.
Do
.
J R
mi - ne
. n . .. .. n .. n .. .. .. . .
.
? b n . . . n . . . ..
7
. . .
n
J
. . . . . n . .
.
.
.
[6]
23
U - ni
Je
li
. n . n
U - ni - ge - ni - te,
19
j
. n
R
6%
[@ ]
.
.
.
.
&b
. . .
& b .
27
Do - mi - ne
Fi
V b .
?
Fi - li
.
&b
li
.
J R
U - ni - ge - ni
li
U - ni
te,
U - ni -
ge - ni - te,
Do - mi - ne
.
J R
Je - su,
Fi - li,
Do - mi - ne
Fi
39
U - ni - ge - ni
te,
. .
. .. . . ..
. .
.
.
.
.
? b . . . .
. . . . . .
27
&b
&b
31
ge - ni - te,
Vb
U - ni
Fi - li
?b
Je - su,
U - ni
ge - ni - te,
U - ni
.
Je
ge - ni - te,
Je
ge - ni - te,
. . .
.
b
.
.
. . .
&
.
.
.
? b . . .
. . .
31
Je
Je
.
7W
. n #
.. n # .
6rsY
40
&b
35
&b
V b n
?
&b
35
su
su
su
su
Chri
ste.
Chri
ste.
Chri
ste.
Chri
ste.
n .. # ..
. . .
. n .
. . . n. . .
. . # . n. .
#
.
.
. . .
?b .
.
7t%
&b
&b
Vb
?b
39
&b
39
. # . n .
Do - mi
Do - mi
ne
Fi
ne
.. n .
.
Fi
li
Do - mi
ne
.. n . .
. .
li
U - ni -
J J
U - ni -
Fi - li
..
U - ni -
. . .
n . . . n .
# . . . # . . .
.
? b #. n . . . .
7
7t%
& b .
n
J
43
ge
&b
Vb
ni - te,
Do - mi
ge
ni - te,
ge
ni - te,
? .
b
&b
43
ne
Fi
#.
Do
li
U - ni
mi - ne
Fi - li
. n .. b .. .. ..
..
j
.
? . . . # .. .. .. # .. .
b
&b
47
b.
& b .
V b .
Fi
Fi
Do
t7$
? b #
mi - ne
Do - mi
li
Fi
ne
li
U - ni
U - ni
Fi - li
b.
b.
& b . .. .. .
li
Do - mi
ge
j j
.
U - ni - ge
.
J
ni - te,
ni - te,
Je
ni - te,
ne
su,
U - ni
6rsT
ne
.. ..
U - ni - ge
n . . .
ni - te,
Je
Je
ni - te,
n n .. ..
j
.
. . .
. n.
J R
Do - mi
ge
. .
? b # .. . . # . . .
[6]
ge
47
t7$
n.
41
su
.
.. .. .. .
. . . .
6
6tR
42
&b
51
Je
& b .
ge
Chri
su
Vb
ste.
. .
&b
Chri
Je - su Chri
j j
b
ni - te,
? b
b
51
ste.
ste.
. . b
Do - mi - ne
b J
su Chri
b .
.. .
.
? b b . . . b .
.
.
6r
ste.
Fi
j r
.
Do - mi - ne Fi
.
.
.
.
j r
.
li
U - ni -
li
&b
&b
Vb
55
ge
ni
ni
?b
&b
55
?b
.
7
ge
6$
te,
Je
b.
ni - te,
.
6
Je
b. . . . . .
7
43
S
&b
&b
59
b .
Vb
b .
& b b .
59
? b .
7eR
su Chri
ste.
su Chri
ste.
j
b J
.
. b
&b
?b
&b
63
U - ni
Fi
li
Fi
li
.
?b
.
J
U - ni - ge - ni
j
.
.
.
.
.
. . .
b
V
. .
Do - mi - ne
&b
Do - mi - ne
63
. b . . . . n . .
J
..
te,
ge - ni - te,
Je
Je
. . . . . . . . .
44
&b
&b
67
Vb
?
b
-
&b
67
&b
su Chri
ste.
j
.
Fi
li
Do
? b .
Do
.
.
b
&
.
-
J .
.
7
mi - ne Fi
.
J
mi - ne Fi
71
?b
j
.
Do
ste.
li,
.
Vb
..
.
7
li
mi - ne Fi
li
li,
Do
mi - ne
.
-
.
-
Do
.
.
mi - ne
mi - ne Fi
li,
.
J
Do
Fi
&b
j r
.
.
. . . . . . . ..
su Chri
? b . . . . . . .
71
Do
. . . .
J R
-
Do
j r
.
J
mi - ne
.
J
mi - ne
45
&b
74
U - ni
&b
Vb
U - ni
Fi - li
Fi - li
..
b
& .
ge
ni - te,
Je
su
ge
ni - te,
Je - su
U - ni - ge
ni - te,
Je
. .
J R
. .
J R
U - ni - ge
74
J
J
ni - te,
Chri
Chri
Chri
su
Je - su
.. ..
Chri
.. .. ..
.
.
? b . . . . . . n . . .
.
.
.
7
6t
& b .
& b .
78
ste.
ste,
Je
V b .
t7
Je
ste.
Do
mi
ne
Fi
ste.
Do
mi
ne
Fi
? b .
..
&b
78
.
? b .
5e
..
.
..
.
6r
li
li
46
&b
81
& b . . .
-
Vb
?
su
su
Chri
Chri
.
J
U - ni
ge - ni - te,
Je - su Chri
U - ni
ge
Je - su Chri
j r
.
ni - te,
. . . . .
b
&
&b
85
& b .
Vb
?b
Je
&b
Je
ste.
.. ..
Fi
li
ni
Do
mi
ne
Fi
li
ni
.
.
ne
mi
ste.
Do
ste,
? b .
[
85
ste,
.
.
.
. . .
? b . . . . . .
.
6
. .
. .
81
47
&b
88
&b
-
su
su
Vb
Chri
Chri
.
J
ge - ni - te,
Je - su Chri
ge
Je - su Chri
b .
j r
.
ni - te,
. .
b
&
.
.
88
? b . . .
.
7
? ..
b
..
.
b
&
..
..
.
.
&b
92
95
? b .
.
6
..
6
..
7
ste.
ste.
ste.
ste.
.
.
..
.
.
. . .
. . .
. . .
.
.
.
.
.
.
.
..
.
.
.
.
.
.
..
..
j U
.
.
J
.
u
48
j
j
j .
.
. j
j
& b c
J
[F ]
?b c
#
J
#
n
#
Adagio
[6 ]
A1
&b
& b
?b
6td
[ ]
A1
&b
n #
# n
Alto solo
5r
& b #
10
De - us,
&b
n
?b
%
Do - mi - ne
De - us,
n
7$
mi - ne De - us,
tris.
Do - mi - ne
#
# n
A - gnus
[6 ]
gnus De - i, Fi - li - us Pa
3^
j
& b
#
?b
#
n J
10
Do
[6 ]
A1
F]
Alto solo
De - i, Fi
n #
7E%
[ ]
li - us Pa -
#
n
[ #tT ]
6t
49
&b
13
A1
tris.
&b
&b
Vb
?b
& b
13
?b
P]
# j
J
Qui tol
#
J
7^
&b
b
&b
5r
?b
5e
j
qui
J
J
qui
qui
j
.
qui
b
J
Do - mi - ne Fi - li U - ni - ge - ni-te.
6tR
b b
b
&b
?b
&b
16
Vb
16
A1
b j
b b
J
J
6tR
50
&b
19
A1
& b b
&b
Do - mi - ne
?b
b
& b b
ca - ta,
? b b b
b
& b #
22
A1
&b
De - i, Fi
&b
Vb
?b
& b #
22
[6 ]
[ ]
li - us Pa -
tris
?b
ca - ta,
19
b.
De - us,
ca - ta,
V b b
Do - mi - ne De - us,
ca - ta,
b b
6t
@#
gnus
b
4
6$
mun - di.
mun - di.
mun - di.
mun - di.
51
&b
25
A1
&b
mi - se - re - re,
&b
& b
?b
Vb
& b
29
?b
no
&b
bis,
# #
J
#
6t
@#
#
7
n
#
6%rYs
mi - se - re - re,
# n
# n #
[ ]
mi - se - re - re,
mi - se - re - re,
mi - se - re - re,
mi - se - re - re,
mi - se - re - re,
Fi - li - us Pa - tris,
[ ]
Fi - li - us Pa - tris,
7E
[6 ]
mi - se - re - re
?b
Fi - li - us Pa - tris,
& b #
&b
A - gnus De - i,
29
A1
Fi - li - us Pa - tris,
A - gnus De - i,
25
A - gnus De - i,
?b
mi - se - re - re,
A - gnus De - i,
Vb
mi - se - re - re,
#
#
mi - se - re - re,
# #
#
[6 ]
52
& b #
33
A1
&b
[ ]
mi - se - re - re
&b
no
Vb
?b
bis.
j
# #
#
J
& b
33
?b
[# ]
6t
p]
p ] mi-se - re - re no
bis.
p ] mi-se - re - re no
-se - re - re no
p ] #mi
bis.
bis.
bis.
mi-se - re - re no
#
t7
5r
3^
# n J
[6 ]
&b
&b
Vb
37
?b
j
j
j
j
j
.
.
& b
n #
?b
# n
# #
37
[6 ]
[6 ]
j
#
u
5r
3^
53
Adagio
&
&
p]
Qui
Qui
tol - lis
p]
p ]
& #
& #
pec - ca - ta
V #
pec - ca - ta
? #
pec - ca - ta
#
#
&
#
? #
#
tol - lis
mun - di,
tol - lis
t7
6
tol - lis
p]
Qui
&
?
Qui
[
p]
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