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ANTONIO VIVALDI

Gloria
RV 589

VOCAL SCORE
Transcribed by S. Skye Donald

PREFACE
This edition of Antonio Vivaldis Gloria (RV 589) was prepared from a vocal score edited by
Clayton J. Westermann, originally published by Edwin F. Kalmus & Co. in 1968. Mr.
Westermanns source was the Raccolta Renzo Giordano, Opere Sacre, Tome 1. ff 90-129r from
the Biblioteca Nazionale in Turin. According to Mr. Westermanns preface, The full score,
orchestra parts and vocal score are faithfully represented as in Vivaldis original notation.
Because of this, the 1968 vocal score is considered to be an urtext or scientific edition and
has therefore been interpreted to be in the public domain in Canada by the copyright
reviewers at the International Music Score Library Project (www.imslp.org). Accordingly, I
have set out to create a crisp new imprint suitable for sharing and reproducing. Some
changes to the piano reduction have been made for clarity or to better reflect the orchestral
parts. Included in this edition is the oboe solo for Domine Deus.
Items marked in brackets [ ] including trills, dynamics, and missing figured bass are editorial.
Editorial slurs in Laudamus te are marked with a dotted line. Editorial marks are taken
from several different print editions (including Mr. Westermanns) and recordings to
represent common performance practice. A treble clef has been substituted for the original
soprano, alto and tenor clefs.
Antonio Vivaldi (1678-1741) set the Gloria text a number of times. A catalogue of his works
lists three separate pieces, one of which is now lost. Vivaldi almost certainly composed this
Gloria (and the others) for the girls at Ospedale della Piet, a home for abandoned children in
Venice in the early 18th century. Rediscovered in late 1920s, this work has become the most
popular of Vivaldis vocal works and is part of the standard oratorio repertoire.
The text for this piece comes from the ancient Christian hymn Gloria in excelsis Deo. The
hymn begins with the angels song from Luke 2:14 and is written in the style of psalmi idiotic
(private psalms songs written by individuals in imitation of those found in scripture). It has
been sung at Masses since the second century, though its current format and translation into
Latin was developed in the fourth century.
S. Skye Donald
September, 2011
Errington, BC

CONTENTS
1. Gloria in Excelsis (Chorus) ........................................................................................................ 1
2. Et in Terra Pax (Chorus) ............................................................................................................ 9
3. Laudamus Te (Duet for Two Sopranos) .................................................................................. 20
4. Gratias Agimus Tibi (Chorus) .................................................................................................... 26
5. Propter Magnam Gloriam (Chorus) .......................................................................................... 27
6. Domine Deus (Soprano Solo).................................................................................................... 31
7. Domine Fili Unigenite (Chorus) ................................................................................................ 36
8. Domine Deus, Agnus Dei (Alto and Chorus) ......................................................................... 48
9. Qui Tollis (Chorus) ..................................................................................................................... 53
10. Qui Dedes ad Dexteram (Alto Solo) ......................................................................................... 55
11. Quoniam Tu Solus Sanctus (Chorus)........................................................................................ 62
12. Cum Sancto Spiritu (Chorus) ..................................................................................................... 65

TRANSLATION
Gloria in excelsis Deo,
et in terra pax hominibus bonae voluntatis.

Glory to God in the highest,


and on earth peace to people of good will.

Laudamus te,
benedicimus te,
adoramus te,
glorificamus te,
gratisas agimus tibi propter magnam gloriam
tuam,
Dominus Deus, Rex clestis,
Deus Pater omnipotens.

We praise you,
we bless you,
we adore you,
we glorify you,
we give you thanks for your great glory,
Lord God, heavenly King,
O God, almighty Father.

Domine Fili Unigenite, Jesu Christe,


Domine Deus, Agnus Dei, Filius Patris,
qui tollis peccata mundi,
miserere nobis;
qui tollis peccata mundi,
suscipe deprecationem nostram;
Qui sedes ad dexteram Patris,
miserere nobis.

Lord Jesus Christ, Only Begotten Son,


Lord God, Lamb of God, Son of the Father,
you take away the sins of the world,
have mercy on us;
you take away the sins of the world,
receive our prayer;
you are seated at the right hand of the Father,
have mercy on us.

Quoniam tu solus Sanctus,


tu solus Dominus,
tu solus Altissimus,
Jesu Christe,
cum Sancto Spiritu,
in gloria Dei Patris.
Amen.

For you alone are the Holy One,


you alone are the Lord,
you alone are the Most High,
Jesus Christ,
with the Holy Spirit,
in the glory of God the Father.
Amen.

The English translation of the Gloria in excelsis is from The Roman Missal 2010, International
Commission on English in the Liturgy Corporation. All rights reserved. Used by permission.
The slash marks ( / ) in the English translation at the beginning of each movement represent
line breaks in the hymn.

This imprint was prepared in for the glory of God and the choir at St. Stephen's United Church in Qualicum Beach, BC.

1. GLORIA IN EXCELSIS DEO


"Glory to God in the highest,"

Antonio Vivaldi

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20

3. LAUDAMUS TE

"We praise you, / we bless you, / we adore you, / we glorify you,"

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5. PROPTER MAGNAM GLORIA


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6. DOMINE DEUS

"Lord God, heavenly King, / O God, almighty Father."

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7. DOMINE FILI

"Lord Jesus Christ, Only Begotten Son,"

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48

8. DOMINE DEUS, AGNUS DEI

"Lord God, Lamb of God, Son of the Father,


you take away the sins of the word, / have mercy on us;"

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tris.

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n

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tris.

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tol - lis pec - ca - ta,


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qui

b
J

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tol - lis pec-ca - ta,

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b
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[ ]

li - us Pa -

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mun - di.

51

&b

25

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mi - se - re - re,

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Vb
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no

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n
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mi - se - re - re,

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mi - se - re - re,

mi - se - re - re,

mi - se - re - re,

mi - se - re - re,

mi - se - re - re,

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[ ]

Fi - li - us Pa - tris,

7E

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& b #
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#

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no

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bis.

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p]

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j
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53

9. QUI TOLLIS PECATA MUNDI

Adagio

&

&

p]

Qui

Qui

tol - lis

p]

p ]

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& #

pec - ca - ta

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#


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#
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tol - lis

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tol - lis

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&
?

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p]

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U
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sus - ci-pe,

mun - di,

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#

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..

3 .
2

32
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F]

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n
n

n
n
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n n

pec - ca - ta

mun - di,

pec - ca - ta

pec - ca - ta

mun - di,

mun - di,

pec - ca - ta

n n

#.

sus - ci - pe

de - pre - ca - ti -

sus - ci - pe

de - pre - ca - ti -

sus - ci - pe

de - pre - ca - ti -

sus - ci - pe

de - pre - ca - ti -

..
.
.

# ...

6rsY

54
S

& #

o - nem,

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de

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de

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&

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p]

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nem

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no

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no

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w.

w.

w # w #
w.

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nem

no

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nem

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w.

w.

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stram,

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p]

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no

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nem

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[6]

de - pre - ca - ti - o

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de

o - nem,

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&

11

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w.
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no

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w.

U
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55

10. QUI SEDES AD DEXTERAM

"you are seated at the right hand of the Father, / have mercy on us".

## 3
& 8 #
Strings
Allegro

? # # 38

[ ]

&

##

? ##



j
#

.
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##

&
J


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11

j
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16

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J

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21

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# #

[6 ]

j


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n

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#

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56
26

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&

##

#
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#
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31

&

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ad

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? ##

31

26

A1

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#
& #

36

dex

&

##

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#
J

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41

A1

&

##

#
& #

41

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[p]


J
j

[ t6 ]

mi

te - ram

se - re

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tris,

[6 ]

..

Pa

[6 ]

36

57

#
& #

46

A1

#
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46

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51

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56

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61

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61

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re

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#

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no

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j
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re, - mi - se

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.
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j
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bis.

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se

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re,

51

56

#
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j

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se

p]

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58

#
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66

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des

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66

#
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71

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&

##

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81

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7E

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J
j

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re

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bis,


#
f

mi - se

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[ ]

[ ]

.
.

tris,

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n ..

j
#

6Htd


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81

[ t6 ]

#
& # n.

76

..
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76

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71

dex - te - ram

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j
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#
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86

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re

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86

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[6 ]

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re

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no

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[ 5r

#
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96

91

#
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A1

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101

3 ]

[ ]

ad

#
J

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p]


J
j

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te - ram

[6 ]

[o]

6t

J
j

dex

se

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96

101

bis.

J
.

91

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Pa

..
.

tris,

59

60

#
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106

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mi - se - re

#
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106

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#
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111

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##

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#
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116

&

##

mi

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&

##

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mi

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se - re

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no

mi - se

re - re,

[ ]

re

# #

[o]

re,

re,

..
.

se - re

bis,

## .
&

121

[3 ]

121

A1

116

A1

.
.

Strings in unioson with bass

111

#
& # J
mij
126
#
& # J

126

A1

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j
n

re - re,

%6

#
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131

&

bis.
j

# # #
f

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j
#

#
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136

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141

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J
146

&

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j


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re

no

Gloria in D Major RV 589

j


J




[ 5r


..
.

U
]

61

j

#

se - re

# #

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Strings

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[ ]

mi

131

A1

[ ]

62

11. QUONIAM TU SOLUS SANCTUS


"For you alone are the Holy One,you alone are the Lord,
you alone are the Most High, / Jesus Christ,"

## 4

& 4
[f]

? # # 44

Allegro

##

##

##

? ##

&
&

&

##

? ##

.
J R J J J J

[ ]


5r

Quo - ni - am tu so - lus San - ctus.

j r j j j j
.

[ ]

j r j j j j
.

Quo - ni - am tu so - lus San - ctus.

.
J R J J J J

[ ]

Quo - ni - am tu so - lus San - ctus.

Gloria in D Major RV 589

Quo - ni - am tu so - lus San - ctus.


[ ]

#
& #

.
J R J J J J
j r j j j j
.

j r j j j j
.

# #
&
J

#
& #

Do - mi

#
& #

##

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Do - mi

? ##
12

? ##

Do - mi

#
& #

nus.

nus.

nus.

nus.

5r

p]

Tu

p]

so

Tu

p]

so

lus

Tu

p]

so

Tu

so

Tu

so - lus

Tu

so - lus

Tu

so - lus

Tu

so - lus

p]


6r

Quo - ni- am tu so-lus San - ctus.

12

Quo - ni- am tu so-lus San - ctus.

? ##

j r j j j j
.

? ##

Quo - ni- am tu so-lus San - ctus.

##
V

Quo - ni- am tu so-lus San - ctus.

#
& #

63


5e

lus

Al

6r

t7

tis - si - mus,

Al

tis - si - mus,

lus

Al

tis - si - mus,

lus

Al

tis - si - mus,

j

j

.
.


6r

Gloria in D Major RV 589

t7

6r

5r

64
17

&

# # [ f]

su

Chri

Je

su

Je

su

Je

#
& #

[ ]

##

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# #
&

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ste,

Chri

ste,

Chri

ste,

su

] Je

su

] Je

su

] Je

su

] Je

su


j

[]
[f]

? ##

17

ste,

[ ]

[f]
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5r

#
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&

##

ste.

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ste.

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ste.

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ste.

5r

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#
V #
? ##

21

U
# #

&

? ##

21

Gloria in D Major RV 589

65

12. CUM SANCTO SPIRITU

## 4
& 2

Allegro

"with the Holy Spirit, / in the glory of God the Father. / Amen."

## 4
& 2

f Cum

#
& #

&

##

..
.

ri - tu,

in

glo

w
w

ww
w

j j

Pa

tris.

&

De - i

Pa

? ##

[# ]

tris,

A - men.

De - i Pa - tris. A

w
Gloria in D Major RV 589

f Cum

[ ]

w
#

6^

men.

ww
ww
w

ri - a

[6]

? ##
##

Spi -

Pa - tris, in glo - ri - a De - i

#
V #

San - cto

#
& # 42 w

ww
[f]
? # # 4 (Continuo)

2 w
4

f Cum San - cto Spi - ri - tu, in glo - ri - a De - i

[ ]

j j
. j

[ ]

? # # 42 w

#
V # 42

A-

San - cto

66
7

#
& #
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#
& # .

Spi

##
V

ri - tu,

&

##

? ##

men.

De - i Pa - tris. A

Pa

in

glo

men.

ri - a De - i

A -

Pa - tris,

J J

. J J
J

Pa - tris, in glo - ri - a De - i

w
w

.
J

tris.

##
& w

Cum

men.

A - men. A

San - cto

10

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men.

#
V #

@#

#
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##

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10

f Cum San - cto Spi - ri- tu, in glo - ri - a De - i

? ##

[ ]

? ##

Spi

Gloria in D Major RV 589

ri - tu,

men.

men.

@#

Cum San - cto

[ ]

(Tutti)

#
& # w

13

in

glo

#
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V

##

ri - a

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men.

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JJ
J

# # ..
& . J

De - i Pa -tris. A

J J

[# ]

Pa - tris.

#
[6 ]

&

##

men.

men.

#
V # w
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men.

# # w
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16

? ## w

(Keyboard)

w ww

&

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A -

4w

6t

w
w

#
& # w

men.

tris,

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J

16

Pa

Pa - tris, in glo - ri - a De - i

[6 ]

men.

Spi - ri -tu, in glo - ri - a De - i

13

De - i

67

68

#
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19

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4w

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J

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(Tutti)

.
Spi

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ri -

#
5

# w
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25

#
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men.

men.

jj
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69

jj
#

Cum San- cto Spi - ri - tu, in glo - ri - a De - i Pa - tris, in glo - ri - a De - i Pa - tris.

## w
V

tu,

in

? ## w

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(Cello)

#
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A

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28

ri - a De - i

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men. A

(Tutti)

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w
w

w.

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men.

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[6]

tris,

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ri - tu,

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Pa

men.

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7

28

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&

25

#
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men.

men.

w
in

A-


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w
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70

#
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31

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men.

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5r

ww

San - cto

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# w
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37

men.

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V

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71

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A

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40

men.

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men.

ww

men. A

in

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men.

men.

ri - tu,

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? ## .

(Tutti)

#
j j
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JJ
J

40

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37

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men.

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#
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men.

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men.

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men.

ww

men.

[6 ]

men.

A - men.

ww

cum San - cto

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w

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73

74

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55

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w

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jj
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55

58

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in

Cum San-cto Spi - ri - tu, in glo - ri - a De - i Pa-tris.

? ##

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Cum

[5 ]

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