Professional Documents
Culture Documents
Basic Information
Full Name: Jacob Welsh
Title of Project: Teaching Music
Thematic Area(s): Creativity and Leadership
Expected Start Date: December 14, 2015
Expected End Date: March 27, 2015
GUIDELINES
1. Proposal submission timeline: Proposals should be submitted at least one month prior to the expected
start date of the experience. International experiences require at least two months notice. Contact your
honors advisor immediately for any exceptions.
2. Proposal length: While the quality of the proposal is most important, strong proposals are typically 3-4
pages single-spaced.
3. Proposal format: Please maintain the proposal format (e.g. headers, layout)
4. Time commitment: Experiences should consist of at least 75-90 hours of preparation, execution, and
reflection. This is approximately equivalent to the commitment of honors seminars and pre-approved
experiences.
1. Abstract
Briefly describe the experience. What makes this experience personally meaningful? What goals do you have for this
experience? What is your timeline for this experience?
*If you are proposing an international experience, provide an itinerary.
**If you are developing this experience from an existing opportunity (class with a study tour, campus organization, co-op,
etc.) that is not already an honors seminar or pre-approved experience, how will you differentiate your experience from
what is already required of other students?
Briefly describe the experience.
Music has always been a passion of mine. I have been playing for approximately seven years now and I also have
experience teaching younger musicians. My experience playing music has helped me grow individually, creatively, and as
a leader. The purpose behind this experience is to help young, middle school-aged, students not only get better at playing,
but also grow individually and receive and outlet through music.
I initially intend to practice. It has been several months since I have played any of the instruments I intend to give
instruction on. Giving instruction while out of practice is not responsible. I also do not have just one instrument to
practice, but three: tuba, trombone, and euphonium. Due to the variety of instruments practice becomes even more
integral. This will allow me to develop good practice habits myself and then pass them on to the students. The one-on-one
instruction is vastly more helpful to a musician because it helps him or her develop these good practice habits as well as
learn some of the more complex or difficult aspects of playing music by focusing on fundamentals and expanding from
there.
The actual instruction will only be approximately six hours a day for five days over spring break. These six hours would
start immediately following the students school day. Practice time will be approximately four hours a week. The hours for
this experience could be broken down as follows:
- 30 Hours of instruction
- 56 Hours of practice
- 10 Hours of reflection
Total: 96 Hours
What makes this experience personally meaningful?
Music is such an important part of my life. Music is such an emotional, personal, and enriching part of my life. This
would not have been possible without one-on-one instruction guiding me. This is a great opportunity to give back and
play music which is something I love to do.
What goals do you have for this experience?
The main goal of this experience is to get younger students excited about music, but that is very broad. If I can help even
one student who is discouraged feel inspired and motivated enough to keep with it, I will be extremely happy. I also hope
to learn more about my leadership and teaching abilities so I can improve in those areas.
What is your timeline for this experience?
This experience will go from the second week of winter break to the end of spring break.
Advisor Feedback
Must Include:
Brief description of the experience
Personal connection to the experience
Identified goals for the experience
Timeline from start to finish
Required Revisions:
Effective:
3
*Itinerary (international experiences only)
**Explanation of differentiated experience
from what is required of other students
2. Experience Advisor
Identify an experience advisor and provide their contact information. Explain why you chose this person and how you
plan to utilize your advisor for this experience.
Note: Advisor(s) should have knowledge or expertise in an area related to the experience. Honors advisors, undergraduate
students, and family members cannot be experience advisors.
Stephanie K. Smith
Director of Instrumental Music at Teays Valley High School
sksmith@tvsd.us
I chose Ms. Smith because she was my high school band director. We have known each other for a number of years and
she is always willing to help me when needed. She is also very knowledgeable in music education and as such is the
perfect candidate to advise me on it. I plan to receive some general directions from her on what I should teach as well as
constructive criticism periodically throughout my teaching.
Advisor Feedback
Must Include:
Required Revisions:
Effective:
Articulate the broader significance of a creative project and the value of its contributions.
Music is creativity. No two people play anything the same exact way. Learning to play music is in itself a creative
project. Music is also an excellent outlet. By teaching these new musicians the basics, I give them the framework
for greater and more complicated expression. The teaching will also allow me to convey the importance of
expressing oneself through music. This will take approximately 30 hours total.
Identify personal strengths and areas of growth and evaluate opportunities to maximize skills and abilities.
One of the skills I most pride myself on is leadership. I also feel I can be a great teacher, although if I am not in
the best mindset I can become impatient. Teaching a wide variety of students on an individual basis will allow me
to take a more critical look at those to aspects. I can see why I become impatient and what parts of my leadership
need work. This opportunity is also great motivation to practice and get better at playing. This will take
approximately 10 hours during reflection.
Advisor Feedback
Must Include:
Required Revisions:
Effective:
Required Revisions:
Effective:
5. On-going Reflection
The on-going reflection should help you process the experience and progress toward your chosen learning outcomes.
Describe your method for reflecting throughout the experience. Indicate specific reflection questions/topics you plan to
use to guide your reflective process.
Note: A variety of methods can be used for on-going reflection. Some examples are videos, drawings, blogs, songs, and
journals. Reflection topics to consider include your ideas/insights about the experience, connection to other areas of
involvement, and your progress towards the learning outcomes.
5
I will be keeping a journal of this experience. This journal will contain detailed descriptions of each lesson. Specific topics
focused on will be the frustration of both myself and the student and how much the student enjoys playing. This two
things specifically will allow me to determine my leadership and teaching abilities as well as determine how much of an
impact I am having on the students love of music. The journal will be extremely detailed and cover all of each lesson.
Advisor Feedback
Must Include:
Required Revisions:
Effective:
Advisor Feedback
Must Include:
Required Revisions:
Effective:
Advisor Feedback
Notes:
Detailed budget of expenditures with
sources to justify budget estimates
*Indicates the number of hours per week
Required Revisions:
Effective:
6
and number of weeks of participation
7
THEMATIC AREA LEARNING OUTCOMES
Learning Outcomes for the Community Engagement Thematic Area:
By engaging in this thematic area, you will make progress towards learning how to
Discover new techniques to gain knowledge, consider options, make new connections,
and ask questions.
Explore a new creative competency/medium or seek new ways to engage an existing
competency/medium.
Understand and optimize the use of people, technology, physical resources or community
in a creative process.
Articulate the broader significance of a creative project and the value of its contributions.
Develop practical travel skills that promote safe, stimulating, and productive travel
throughout your life.
Summarize the interconnectedness of geography, history, cultural traits and world issues.
Articulate the interdependence of professional fields to address current and impending
global issues such as technology, the environment, human rights, or politics.
Demonstrate an understanding of cultural diversity by acknowledging the impact of their
own identity and the experience of social norms, customs, or beliefs that are different
from their own.
Demonstrate a sense of empathy, respect, and appreciation for others to build meaningful
cross-cultural collaborations toward mutual growth and prosperity.
Formulate and manage a shared vision and develop goals towards its achievement.
Motivate and collaborate effectively with others towards completion of shared projects or
goals.
Develop strategies to identify and respond to challenges and obstacles.
Identify personal strengths and areas of growth and evaluate opportunities to maximize
skills and abilities.
Synthesize the current trends related to a specific issue or field and evaluate how
thought-leaders are currently addressing them.
8
By engaging in this thematic area, you will make progress towards learning how to
Demonstrate the ability to locate, interpret, and critically evaluate primary sources
appropriate to field.
Identify and apply appropriate methods to collect and organize data for analysis.
Analyze and interpret the meaning of results.
Produce dissemination appropriate to the field in order to share the results or impact
of the research.
Articulate the broader significance of the research project and its relationship to other
fields, research and ideas.