Professional Documents
Culture Documents
Culminating Activity/Products.
Briefly describe the culminating activity and products (e.g. a composition,
performance, recording) explaining how these are authentic performance
tasks and how they bring the unit to an appropriate closure.
Aim/big idea. A concept, theme or issue that gives meaning and connection to facts and skills and leads to deeper understandings and appreciations. Based on
a generative topic.
Aim/big idea: By the end of the unit, students will understand different techniques and strategies to actively listen to music, learn strings, brass, and
woodwinds, and through developing these skills students will develop a deeper appreciation and understanding for music.
Essential questions. (Two to five per unit) Important, overarching, thought-provoking questions that guide the inquiry throughout the unit.
Essential questions:
1.Why do you think music is important?
2.Why do you think learning an instrument helps us better understand music?
3.What do you think makes 'great' music?
-Summative Assessments
-Class discussions
-Active Listening quiz
-Class discussions
-Formative Assessments
-Formative Assessments
-Observations
-Formative Assessments
-Observations
-Class discussions
-informal observations
-Summative/Formative/Informal
observations
-Summative Assessments
-Class discussions
-Active Listening quiz
-Reflective Journal
-Summative Assessments
-Class discussions
-Active Listening quiz
-Reflective Journal
-Class discussions
-Active Listening quiz
-Reflective Journal
Lesson
Topic
Ice
Breaker/Intro to
staff and note
names.
Learning Objectives
By the end of this lesson
TSWBAT . .
-Students will be able to gain
insight to the 'essential
questions' of the unit, and begin
to think critically about music.
Summary of Lessons
Assessment/Evaluation
-Pre-Assessment snowball activity: Will
gain an idea of students
understanding/taste in music. Will
introduce my 'Big Questions' here.
-Formative Assessment/Assessment As
learning for students:
-Formative assessments/observations
Trumpet
Auditions
Clarinet
-Formative Assessments/Observations
-Formative Assessments/Notes
Observations.
Rhythms
-I will introduce the entire staff
-Students will be asked pre-assessment
questions based on questions on the staff,
Ex: Draw a time signature, ask students if they
recognize it/understand it
-From there begin to draw out bar lines/quarter
notes
-Have students count/clap rhythms written on
board
-Have students recognize different counts
within the measures themselves.
Learning Activity #3: Note Naming3
-Have students Complete a note naming sheet
for summative assessment purposes
-Take in handouts- gauge to see where the class
is in terms of note recognition
Learning Activity #1: Breathing Exercise
- I will discuss proper breathing on wind
instruments, use of Diaphragm
-I will have students breathe in for four, and out
for 4-8-12-16-20... etc
-I will then have students take a piece of paper
out of their binders, and try to use their breathe
to hold it against the wall as long as they
possibly can.
Learning Activity #2: Trumpet auditions
-I will explain the term buzzing, and have all of
the students initially try to buzz their lips while
creating an embouchure and bowing through a
hold made by their thumb and first finger.
-I will then have three students come up at a
time to try and get a sound out of the
mouthpiece first, then the instrument
-I will then mark down a T beside the students
who I think have a 'natural ability' on the
instrument to keep track of which instruments I
want to give out to the students.
Learning Activity #3/Extension
-I will have the students partner up with each
other and teach a proper trumpet embouchure.
Learning Activity #1: Assignment #1
Listening Assignments
Auditions
Assignment #1
Guitar
Auditions
Assigning
Instruments
Rhythm Review
learned
Learning Activity #3: Rhythm
-I will bring up the rhythm tree-we will begin
to play just our high E string on
whole/half/quarter notes
-I will ask different students within the class to
play these different rhythms
-I will be making observations and will be
taking notes on who I think should be playing
the guitar to start with.
-Formative Observations
-Formative Observations/Assessment as
learning: Students self assess other
students clapping
GuitarClass/
Rhythm review
for Trumpets
Clarinets
-Formative Observations/Assessment as
learning: Students self assess other
students clapping
Ensemble
Playing
-Formative Observations/Discussions
10
instruments.
-Formative Observations/Discussions
9-10
Ensemble
11
-Formative assessments/assessment as
learning for self reflection.
-Formative Observations and Discussions
based on technique.
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Ensemble
Looking Up
-Formative assessments/assessment as
learning for self reflection
-Summative Assessment Guided
Listening Sheets/Formative observations
and discussions.
-Formative assessments/assessment as
learning/comparison with peers
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-Formative Assessments/Observations
-Formative Assessments/Observations
-Students will be able to
understand that a melody is
made up of sounds organized in
patterns.
-Students will be able to
understand that rhythm is
created by combining beat,
tempo, patterns, metre, and
duration.
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Divide and
Conquer
Ensemble
-Formative assessments/assessment as
learning/comparison with peers
-Formative assessments/assessment as
learning/comparison with peers
dynamics as well
Learning Activity #3 Introduce concert Eb
-Hand out music-Explain finger charts to the
students- have students look through the fingers
for concert F/Eb
-Go through all of the different fingerings with
the students for concert F/Eb
-Allow a few minutes for all student to try their
new note
-Have each section play their new note-Address
individual needs if necessary
Learning Activity #4 Looking up
-Have all students play through looking up as
an entire ensemble
-Make sure all students are playing in
time/watching the baton and conductor
-Make sure to address proper dynamicsarticulation and tonguing.
-Have just individual sections play through
looking up-address individual needs
-Have entire class play through and use the
repeat.
Learning Activity #1: Student presentations
-I will discuss with the class in advance that all
students must be respectful towards the
presenter and to the song choice/artist
-I will hand out the SQUILT sheets to the
students
Learning Activity #2: Divide and Conquer
Ensemble/ready and rest position/Tone
Matching
-Discuss with the trumpets/clarinets/guitar
(Concert F)
-Tone Matching Game- I play a concert F/EbStudents need to listen and play- Match their
neighbor
-Start to incorporate more students/different
sections into tone matching
-Have students begin to match tone and
dynamics as well
Learning Activity #2 Introduce concert G
-Hand out music-Explain finger charts to the
students- have students look through the fingers
for concert F/Eb/G
13
13-14
Ensemble
Playing Eb/F/G
-Formative assessments/assessment as
learning/comparison with peers
14
-Formative assessments/assessment as
learning/comparison with peers
15
Playing Test
-Formative assessments/assessment as
learning/comparison with peers
16
Intro to final
Project
-Formative Observations/Assessment As
Learning-Students will self reflect on
their own test.
-Formative Observations
15
17-18
Playing and
Performing
-Formative Observations/discussions
Learning Activity #2: Final Project-I will hand out the final project to the students
and have them mark their individual parts.
-I will go through any 'tricky bits' with the
students and discuss the form of the piece as
well as how it relates to previous songs.
-Students will be given an opportunity to work
through the final project individually as well as
group work while I work through individual
sections-Then eventually the whole band.
Learning Activity #3: Performance
-Once students are becoming comfortable with
the piece-I will then assign different
performance groups.
-I will allow for time for students to practice
within their groups, then once they are ready I
will call for volunteers to come up and perform
-I will have set up a 'stage' for students to come
up and perform in front of their peers.
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