Perform basic rhythmic and melodic patterns in groups and independently. Create instrumental and vocal sounds to accompany poems, rhymes, and stories. Use vocabulary for getting louder / softer and getting faster / slower. Use iconic notation within the treble clef staff. Identify pitched and non-pitched classroom instruments using sight and sound.
Perform basic rhythmic and melodic patterns in groups and independently. Create instrumental and vocal sounds to accompany poems, rhymes, and stories. Use vocabulary for getting louder / softer and getting faster / slower. Use iconic notation within the treble clef staff. Identify pitched and non-pitched classroom instruments using sight and sound.
Perform basic rhythmic and melodic patterns in groups and independently. Create instrumental and vocal sounds to accompany poems, rhymes, and stories. Use vocabulary for getting louder / softer and getting faster / slower. Use iconic notation within the treble clef staff. Identify pitched and non-pitched classroom instruments using sight and sound.
1.Expressively perform using simple techniques in groups and independently
1.Use the head voice to produce a light, clear
sound 2. Maintain steady beat
3. Respond to cues of a conductor for stopping
and starting 2. Perform basic rhythmic and melodic patterns 1. Perform four-beat patterns that include solmi-la or mi-re-do pitches and quarter note, eighth note pairs, and quarter rest 2. Play simple patterns First Grade Expectations at a Glance Standard 2: Creation of Music 1.Demonstrate creation of short, independent musical phrases and sounds alone and with others.
1.Create instrumental and vocal sounds to
accompany poems, rhymes, and stories 2. Improvise short phrases using the l-s-m or m-r-d tone-set
2. Identify musical patterns
3. Use movement to demonstrate grade-level
concepts such as changes in dynamics, AB Form, etc. 1. Create patterns using known rhythms and pitches 2. Use iconic notation within the treble clef staff
First Grade Expectations at a Glance
Standard 3: Theory of Music 1.Comprehension of gradual changes in dynamics and tempo.
1.Use vocabulary for getting louder/softer and
getting faster/slower 2. Demonstrate getting louder/softer and getting faster/slower using movement, voice and instruments
2. Aurally identify simple components of
musical form
1. Aurally identify introduction
2. Aurally identify phrase 3. Aurally and visually identify AB form
3. Comprehension of basic vocabulary and
instrumental tone colors
4. Visually identify staff and repeat signs
1. Identify pitched and non-pitched classroom instruments using sight and sound
4. Comprehension of basic rhythmic and
melodic patterns
2. Identify and demonstrate singing, speaking,
whispering, and shouting voices 1. Demonstrate steady beat, strong/weak beat, difference between beat, and rhythm 2. Aurally recognize and demonstrate going up/going down, and sol-mi-la or mi-re-do pitches 3. Identify and notate using quarter note, eighth note pairs, and quarter rest 4. Discriminate between same/different rhythmic and melodic patterns
First Grade Expectations at a Glance
Standard 4 : Aesthetic Valuation of Music 1.Demonstrate respect for the contributions of self and others in a musical setting
1.Participate appropriately in music activities
that involve sharing, taking turns, and listening respectfully to the ideas of others 2. Reflect on the performance of others
3. Demonstrate audience behavior appropriate
for the context and styles of music performed 2. Comprehension of the basic components of 1. Create movements to music that reflect music and musical performances at a beginning focused listening level 2. Describe how ideas or moods are communicated through music 3. Identify music as an integral part of 1. Identify, discuss, and respond to music everyday life written for special purposes (such as holiday, march, lullaby) 2. Use a personal vocabulary to describe kinds of voices and instruments and their uses in diverse cultures, applying some specific labels and some specific cultural or geographical associations 3. Use developmentally appropriate movements in responding to music from various genres, periods, and styles (rhythm, melody, and form)
(Evolutionary Psychology) Virgil Zeigler-Hill, Lisa L. M. Welling, Todd K. Shackelford - Evolutionary Perspectives On Social Psychology (2015, Springer) PDF