Professional Documents
Culture Documents
Big Idea: Throughout time and across cultures, artists have explored the processes in
which art and its reproductive studies have been altered.
Key Concepts:
Artworks are not limited to paintings on the wall and can be functional pieces used on a daily basis.
The process of creating an artwork that could otherwise be replicated through technology exemplifies the artists
touch and mastery of materials.
How has art become more accessible & by what means is this being done? (i.e. henna, tattoos, batik, etc.)
What is our relationship to art on the go versus art that never moves?
Does the surface in which the artwork was completed on play a role in the artworks authenticity?
How could technology advance the production of a similar cloth? Would it still be considered art? Why?
Specific Objectives:
Using an original design, students will outline their image using a permanent black sharpie.
Students will then trace their image onto their cotton sheet with washable glue.
Students will apply color with watered down acrylic/tempera paint. Once dry, students will complete the
following:
o Remove glue with water, leaving a white line and multi-colored fabric.
o Students can repeat this process for added effect and layering.
o Iron cotton sheeting to remove any remaining bits of glue to soften final artwork.
Students will be assessed on craftsmanship, work progress and care for all tools and materials.
Standards Addressed:
9.1.12.A Shape, Line, Proportion/Scale & Contrast
9.1.12.B Recognize/Demonstrate Elements & Principles of Art
Verification/Assessment:
Pre-Assessment:
Instructional Procedures
Motivation/Engagement/The Hook:
Traditional, each day, students would complete a Daily Warm-Up along with a QOTD
(Question of the Day) that would reflect the prior days lesson. In preparation for this
lesson, students would be responsible for compiling an array of images in which they
will use to construct their original design. Upon the introduction of the lesson,
students would trace their existing image using a permanent black sharpie. The work
of contemporary artist, Kay Shaffer, will help illustrate the notions of pattern & design.
Formative Assessment:
Summative:
Development:
Upon the completion of sharing the work of Kay Shaffer, students will begin by tracing
their image onto their cotton sheet using washable glue. Student will be reminded to
slow down as this process is one that requires a great deal of patience and steadiness.
Following, students will apply color with watered down acrylic/tempera paint. Once
dry, students will complete the following steps which can then be repeated for added
effect and layering. Students will first remove the glue with water, leaving a white line
and the fabric retains enough of the paint for brilliant color. Lastly, students will iron
their cotton sheet to remove any remaining bits of glue to soften their final artwork.
The goal of this lesson is to promote positive inquiry as batik is an extremely
meditative, and can be, lengthy process dependent upon scale and subject matter.
Culmination/Close:
Student Laptops
(Reference Images)
100% Cotton sheeting,
organdy, muslin or
similar lightweight
woven cotton fabric
White Drawing Paper
Black Sharpies
Elmers Glue
Acrylic/Tempera Paint
(Various Colors)
Foam Poly Brushes
Painting Palettes
Newspaper/Newsprint
Wax Paper
Table-Top Iron
Instructional Resources:
Reference Images
Exemplars (Reference
as needed)
__Student Supplies: __
Pencil
_____Vocabulary:____
Batik
Wax-Resist