Professional Documents
Culture Documents
Nylon-string Guitar
A specialty store,
such as Guitar Salon
International in Santa
Monica, California, allows
careful comparison of
classical guitars at all levels.
Classical Shopper
How to choose and shop for a classical guitar
By Teja Gerken
Spruce
Cedar
SPRUCE OR
CEDAR TOP?
If you hang out with classical
guitarists, youll find that
the first question they tend
to ask about an instrument
is whether its top is made
from spruce or cedar. Its
safe to say that most classical
players tend to feel much
stronger about their guitars
top woods than what its back
and sides are made of, and
many are partial to one or
the other, regardless of the
instruments style or maker.
Popularized by Jos Ramrez
guitars in the 1960s, cedar
often has a round tone with
a sensitive attack and the
growl associated with
Spanish guitars. Spruce is
often brighter sounding but
has a larger dynamic range.
Both kinds of woods are
available on guitars at every
price level.
The latest development in
classical design is the double
top, a design that sandwiches
a honeycombed layer of a
Kevlar material called Nomex
between two extremely thin
pieces of wood for a very
lightweight, yet strong
superstructure. Some luthiers
who build with double tops
use one type of wood on the
outside and another on the
inside, thereby combining
the qualities of both.
CLASSICAL
VS. STEEL-STRING
Some differences between
classical and steel-string guitars
are more obvious than others.
And while there are many
variations and exceptions to
every rule, here are some of
the key features that distinguish
a classical guitar from a steelstring.
NO TRUSS ROD
Since nylon strings put much less
tension on the neck than steel
strings, classical guitars are
traditionally built without a truss
rod. Some contemporary builders
include truss rods to make the
necks adjustable, but theyre in
the minority.
WIDE NECK
While the necks on most steelstring guitars have a width at
the nut between 11116 and 178
inches, classicals tend to be
much wider, more in the
neighborhood of 2 inches.
In addition, most classicals have
a more pronounced neck profile
and a flatter shape that makes
it easier to play with the thumb
resting in the center of the neck.
TIE-ON BRIDGE
Because nylon strings are more
flexible than steel strings, they
typically come without ball-ends
and are instead tied to the bridge
behind the saddle.
FLAT FINGERBOARDS
WITH NO INLAY
Although some modern classical
guitars are built with a slight
fingerboard radius, the vast
majority are completely flat.
And while most steel-strings
have position markers or other
inlay in the fingerboard, classical
guitar fingerboards are almost
always plain.
SLOTTED HEADSTOCK
This is a feature classicals share
with some vintage-style steelstrings, but with the exception
of flamenco guitars that use
violin-style friction tuning pegs,
solid headstocks are almost
never used on classical guitars.
SPANISH-FOOT
NECK JOINT
Most classical guitars are built
with a Spanish-foot (sometimes
also called Spanish heel or
Spanish boot) neck joint.
This type of construction directly
integrates the neck and body
during the guitars construction
the sides are glued into slots in
the neck block, which extends to
the inside of the guitars back,
creating a foot-like shape.
LIGHT BRACING
Again, because nylon strings have
much lower tension than steel
strings, classical guitars are
braced very lightly. Most classical
guitar tops are braced with a
fan pattern (originally developed
by Antonio de Torres in the late
1800s) rather than the X-bracing
most typical for steel-strings, but
some contemporary instruments
use a lattice pattern instead.