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Literary Theory
Formalist Criticism:
Biographical Criticism:
Historical Criticism:
Feminist Criticism:
HL1 2
Literary Theory
3. This patriarchal ideology also pervades those writings that have been considered
great literature. Such works lack autonomous female role models, are implicitly
addressed to male readers, and leave the woman reader an alien outsider or else
solicit her to identify against herself by assuming male values and ways of
perceiving, feeling and acting.
This is somewhat like Marxist criticism (more on that in a minute), but instead of focusing on
the relationships between the classes it focuses on the relationships between the genders.
Under this theory you would examine the patters of thoughts, behavior, values,
enfranchisement, and power in relations between the sexes.
Marxist Criticism:
Psychological/Psychoanalytic Criticism:
Psychological criticism
deals with a work of literature primarily as an expression, in fictional form, of the personality,
state of mind, feelings and desires of its author. The assumption of psychoanalytic critics
is that a work of literature is correlated with its authors mental traits.
1. Reference to the authors personality is used to explain and interpret a literary
work.
2. Reference to literary works is made in order to establish, biographically, the
personality of the author.
3. The mode of reading a literary work itself is a way of experiencing the distinctive
subjectivity or consciousness of its author.
This theory requires that we investigate the psychology of a character or an author to figure
out the meaning of a text (although to apply an authors psychology to a text can also be
considered biographical criticism, depending on your point of view).
Fundamental figures in this type of criticism include Sigmund Freud, whose psychoanalytic
theories changed our notions of human behavior by exploring new or controversial areas like
HL1 3
Literary Theory
wish-fulfillment, sexuality, the unconscious, and repression as well as expanding our
understanding of how language and symbols operate by demonstrating their ability to
reflect unconscious fears or desires.
Psychological criticism has a number of approaches, but in general, it usually employs one
(or more) of the following approaches:
1. An investigation of the creative process of the artist: what is the nature of literary
genius and how does it relate to normal mental functions?
2. The psychological study of a particular artist, usually noting how an authors
biographical circumstances affect or influence their motivations and/or behavior.
3. The analysis of fictional characters using the language and methods of
psychology.
Sociological Criticism:
Reader-Response Criticism:
Deconstruction:
HL1 4
Literary Theory
HL1 5
Literary Theory
Your Job:
Apply TWO of the lenses to each of the short stories that we will be reading.
I will choose one lens for each story. You will choose the second. Your highlighting and
annotating should reflect your thinking THRU BOTH LENSES. You may need to read each
story twiceonce for the lens I have chosen and once through the lens you have chosen.
Yellow Wallpaper
X
X
The Lottery
Sociological
Deconstruction
Reader-Response
Psychological
Marxist
Feminist
Historical
Biographical
Formalist
Use the chart below to keep track of the lenses used for each text. I have placed in X in the
column of the lens I have chosen. I have highlighted the boxes of some of the lenses that I
think are appropriate, although you ARE NOT constrained by my suggestions. Try to use
each lens at least once; you should not choose only one lens to use throughout
the entire unit!
X
X