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NORA O'CONNOR WITH THE WILD GEESE POEM FOR ORCHESTRA COMPOSED BY HAMILTON HARTY. FULL SCORE. Pace FLX 20. SNer, As The right of Public. Rep ELKIN & CO. LTD., 20, KINGLY STREET, REGENT STREET, LONDON. W. 1. w ‘Tux “Wap Gunse” was the name given by the Irith to the exiles who gave their ‘swords to France before and after the Battle of Aughrim and the surrender of Limerick in x6or. At the Battle of Fontenoy, in 1745, the Irish regiments distinguished themselves greatly, though a third of their number perished. After the battle, the Irish say that the dead arose from the field and sailed home all through the night to their beloved country. This composition is based on the following poems by Emily Lawless (Grom “ With the Wild Geese", FONTENOY, 1745. I, pevore Tue BATTLE; sioHT, Oh bad the mareh, the weary march, beneath these alien skies, But good the night, the friendly night, that socties our tired eyes. ‘And bad the was, the tedious war, thee keeps us sweltering here, But good the hour, the friendly hour, that brings the battle near: ‘That brings us on the battle, that summons to their share ‘The homeless troops, the banished men, the exiled sons of Clare. Oh little Corea Bascinn, the wild, the bleak, the fait! Ob little stony pastures, whose flowers are sweet, if rare! ‘Oh rough and rude Atlantic, the thunderous, the wide, ‘Whose kiss is like a soldier's kiss which will not be denied! ‘The whole might long we dream of you, and waking think we're there,— ‘Vain dream, and foolish waking, we never shall see Clare. ‘The wind is wild to-night, there's battle in the airs ‘The wind is from the west, and it seems to blow from Clare, Have you nothing, nothing for us, loud brawler of the night ? ‘No news to warm our heart-strings, to speed us through the fight ? In this hoffow, star-pricked darkness, as in the sun's hot glare, In sun-tide, moon-tide, star-tide, we thirst, we starve for Clare! Hark! yonder through the darkness one distant rat-tat-tat ! ‘The old foe stirs out there, God bless his soul for that! ‘old foe musters strongly, he’s coming on at last, ‘And Clare's Brigade may claim its own wherever blows fall fast, Send us, ye western breezes, our fal, our rightful share, For Faith, and Fame, and Honour, and the ruined homes of Clare. FONTENOY, 1745, Tl. AFTER THY BATTLE; EARLY DAWN, CLARE Coast “Mary mother, shield us! Say, what men are ye, ‘Sweeping past so swiftly om thie morning sea ? “Without sails oF rowlacks, merrily we glide Home to Corea Baseinn on the brimming tide. * Fesus save you, gentry } Why are ye s0 white ‘Sitting all so straight amd still i this misty light 2" “Nothing ails us, brother; joyous souls are we, Sailing home together, on the morning sea.” “ Cousins, friends, and kinsfolk, children of the land, Here we come together, a merry, rousing band ; Sailing home together from the last great fight, Home to Clare from Fontenoy, ia the morning light.” “Men of Corea Bascinn, men of Clare's Brigade, Harken ! stony hills of Clare, hear the charge we made ; See us come together, singing feom the fight, Home to Corea Bascinn, in the morning light.” (Exmy Lawes.) (These poems are printed by Bind permission of the Hon, Baty Lawsss) 1 WITH THE WILD GEESE. > Hanalton Harty. Lento. Flauti LI. Flauto IL ‘Piecote.) Oboi LIL Corno Inglese. Clarinetti Lin A. ( Ctarinetto Basso in: LB ton Fagotti LIL Ei He Fetonito LM. = Corni in F may. ‘Trombe LUI in C. ‘Tromboni LI, ‘Trombone Il Tubal Timpani ZTE ‘Tamburo piecoto. Gran Cassa e Piatti. Violini 1, Violini I Viole. Fetamuto ie ¥ ‘Viotoncell. Contra Bassi Arpa. Coppright, 1912, by Novello and Company, Limited. “Assigned to Universal Music Agencies, 1934 @. ee o accelerando poco apocoal =. Vso a ao, ot B a> Te aceelerande poco a poco al. - - ; ve ca i Aallegro aeciso, 2 Ao. ~ = -AAllegro deciso. 7 2078 Piovate, sere 6.con Anima. e ig ru ua oe sore 7 s07e ‘Sachersando I sikersinde s 207 st A (10m Pastore Wapeione ngs nore 16 se. : cs frilente Sorilate pirilonte fF vitae Pit pitty. ae a | ore Vion aoe Tiere oPese Spe oar Pik Agitato. fi " Pr Soraee, 20 Meno Allegro. — molto rit. 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AER, Z Piccolo a. . on consord Pit mosso. mm Beareo 17 Tempol. rallentando poco a poco 88 _ =F 8. oon sor nd reat con sord conse sora on sord. senza sord rallentando poco a poco in o rallentando poco a poco _—— sere BA 18 Junga lunga cy 1 Jango Tu __onsoray_ NAG Neg consort) 1 SOLO fens sord Wate Tu Joon sort) on sora von sora) eae a = Tunga lunga 18 swe 85 Non troppo Lento (quas ‘pdolee con toners gold o, sing on, Non troppo Lento (quasi un Notturn) “Pe P Selo, : ae - —= SSS ie ‘polar con fonerezza — eS le me ree div me be »f De ‘Non troppo Lento (quasi un Notturno) 1+) The triplets very deliberate and arcentuated throughout, suse et Fit. os me te 20 tempo cS "*) The triplets very deliberate and accentuated throughout 2072 ee feo ts 21a tempo dole ‘Goce ore ee 2 21 aiempo a> Pit lento. ee 2 Pii lento. sade BE: eae “pepsempre apeompre Deemer * be ov Pia lento. 40 22 2 enty sat on nord Lento assai. allargando eieero a » ane. allargando Pi mosso. a3ee presse loons sort possibile [ere | nae sor, : P possibile Pia mosso, allargando Tempe tse Allegro. rall. 23 43 ral erese. poeo @ poco tribe, poco & poco ore, poco & poco naturale a 7, oe rete. poco%e poco ature e Srese. pot a poco ‘crete. poco a poco ot 7 reso, povo a poe! 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