Production Book Spencer Mckay

Directors Workshop
Production Book
Course: DGM 3570
lnstructor: Dennis Lisonbee

Group Members: Chris Noffsinger, Spencer McKay, Jason Midgley, Allie Pond, Kade Riding,
Jillian Ormond, Samantha Yee, Mandy Rogers, Bryce Jensen, Brian Farnworth, Nathaniel
Robinson, Scott Mitchell, Jaden Riding, David Jackman.
Production Title: Noel

Link:
Noel
Table of Contents
Script
Logline
Lined Script & Continuity Report
II"
Pre Production
UVU Saftey & Production Guidelines
Statement of Compliance
Director's Shotlist
Storyboard
Cast & Crew List
Stripboards
Breakdown Sheets
Shooting Schedule
Day Out of Days Report
Call Sheets
Cast Deal Memo

Talent Release Form
Crew lnformation Sheet
III.
/ Crew Deal Memo
Production
Production Reports
Continuity Sheets
Camera Log
Location List
Location lnformation Sheets
Location Agreement
Location Emergency lnformation
Location Release
Logline:
Noel longs to be rid of her twin sister, Whitney. She'll find this harder to do than she previously
thought.
Kitchen Scene from Noel

By
By Spencer McKay
Phone: 801 960
1802
sIm1 9Bl BGhotmail- . com
195 South 300 West
SaIem Ut, 84553
Opposite Page:
Date
zfi{
Scene
Start
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Notes
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Action
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Time
'L)oc
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pt,
2r-;*6
I asqr
KITCHEN
DAY
is cookj-nq in the kitchen. A bedroom door opens,

and a MAN enter kitchen and to front door. The
r slips money down Whitney's pants and leaves. Whitney
ns and watches NoeI.
TTNEY
I keeps cooking without looking at her.

WHITNEY
I called Robby.
I g:oes to the pantry and qets a can of tomato sauce.

WHITNEY
We're g'oing out tonlght.

I aggressively opens the can. She meets Whitney's glance
pauses.
NOEL
I quess f'm happy for you.

WHITNEY
You're better at being in the

kitchen.
Wh
tney reaches down her pants.

WHITNEY
. . .And
She
taking care of the bills.
pulls out a wad of cash and plops it
on
the counter.
WHITNEY
Rent.
Noe I
looks at the money. She points at it with the knife.

Get that
food
NOEL
a@r+-
money away f rom the
Noel- points to a drawer with her knife.
Vdhitney looks inside the drawer at an envelope titled

'Whitney's Sl-ut Money! I !'. Whitney laughs and puts the money
in it.
NOEL
You can't sleep with guys for

money. You'II get us evicted.
Whitney shruqs her shoulders.

(CONTINUED)
Opposite
Date
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Scene
ld
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Start
Notes
TC
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Time
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UED:
CONT
WHITNEY
I rreeded the money.

sex.
I/ihl
cou
He
needed the
ney gfoes back to the drawer, opens the envelope

ts the money.
and
WHTTNEY
dg you make an hour?

*,': t zz4(5)&tt
Noe pour
he tomato sauce in the pan. Whitney goes down
the
11.
1 stares at the wall. Noel slams pan on the
stov and
s down the haII.
How mur-4.
INT.
BE
DAY
NoeI enter . Whitney stands next to her bed lookinq into

mirror. N 1 looks around. Noel qoes to her side of the
room, gr
a box and pours it out onto her bed.
Noel plac
the box on Whitney's bed and goes to the closet.

WHITNEY
Noel grabs a bunch of clothes and stuffs them into the box
on Whitney s bed.
WHITNEY
t the hell
Noel goes o a dresser on Whitney's side, pul1s a drawer out

and dumps t into the box. She qoes to the dresser and pu11s
out anothe drawer and dumps it into the box. She qoes back
to the dre aar
Whltney ru s over and tug's back at the drawer Noel's
holding.
I dumps it onto the f1oor. Whitney drops the
drawer and picks up her things.
WHTTNEY
1 you bitch
NOEL
ou need to go.
Whitney
1a
hs.
at?
Noel nods.
rent' in
WHITNEY
he qoes to her computer and types 'rooms for

search engine. The results pop up.
(CONTINUED)
Opposite
Date
zls
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Action
Notes
Start TC
Scene
Page: 'l
Log"tal;,{a t51"6
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ru{4.{rllq
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CONTINUED:
NOEL
k. Choose any of them- Just.
at the computer.
Ioo
WHITNEY
It
ow
not J-iving in
bathroom
then.
ok
Noel types
Wh
Bu
I'm
room! I need my
NOEL
t going anyways.
NOEL
..lt'-l-l- t 1I the landlord.

WHITNEY
you w 't. How wilf you afford

to Iive h r on your income. You
mi ht as 'ell move out.
No
Noel pauses. She
t.
s on her computer.
NOEL
Okay.
HITNEY
What?
Okay. I' I
EL
move out.
rz30
WHITNEY
Llke heI1 you wi11.

Why
do
Noel searches on he
Whitney's bed, emp
picks her cl-othes

box.
e qoes to the box in

ces i-t on her own bed. NoeI
nd stuffs them into the
You can'
Noel stops.
(CONTINUED)
Opposite
Date
zt$
Scene
Start TC
4,11
t*l \ LL-o
Action
Notes
Cq{** n
B u"rn
P69-
Page: !
Time
rfa*$t4 2 xU*- .'30

rtR6 r,rf Pgrr*r^.l
a*.ln
TTIG'fiA"cL
"oo
CONTINUED:
NOEL
Why i
d want
Why not
think I
you?
NoeI goes back to
cki
Whitney paces aro
d the
the hell do you

y here wlth
OS
NOEL
You just want

her because you
yourself up
need s
one to pu
against.
Whitney Iooks
at
You can'
supplies
I5
1r^
inti g canvas.
WHI
pay
ryo T art
NoeI pauses.
yes
Ic
Noel packs up her

doesn't fit in t
NOEL
. rrll
NVAS,
box.
VC
ru
WHI
Really? Rent, c
travel, insuran
art
su
Iies
thes
,ut
sacrifice.
and paints.
The canvas
food,
lities
AND
Whitney grabs her bag of b ushe
Shut up
NOEL
NoeI yanks them t of her hand NoeI pulls the blankets and
pi11s off her bed looks at the fu11 box and lets the
pillows drop to
e f1oor.
WHITNEY
And wh
been t
NoeI juggles the

hal1.
about those
SSONS
ng?
x and canvas out of
room and down the
Opposite Page:
Date
Llts
Scene
*-',r
Start
TC
j;LV
Wec&*na"o
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Time
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Action
Notes
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1
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..30
tr
- DAY
Noe I enters with the box and canvas. Whitney followi
beh ind her.
INT
KITCHEN
ng
NOEL
Whitney! I'm goingl I'd rather use

up the rest of my paints and call
it quits than stay another day with
you.
goes to the door and reaches for the doorknob. Whitney

run s over and slaps her hand away. Noel slaps back a t her
han d.
Noe 1
You can't leave me ! This is a big

j oke ! A mistake ! You' l-1 see !
Noe I
her
opens the door and leaves, slamming the door be hind
SCRIPT SUPERVISOR'S
DAILY REPORT
PRoDUCTIoN
sHow
co.
DATE
Ltt/tJ
*l-(
LocATIoN
lJc6&
up
cREw
EE.'n";
(lftC K Ar,!\ tsrAD SftSo^r
cff"g-
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onpcron CP
3-ls-l
lfr fua-{u.r,
.q*
rvrtDhCC:l
scRlpr supv,
sHoorING
cALL Oq '3o
-_o?:?E
t'i
LUNCH /5: OC
CAMERA ROLLS
2ND
SOUND ROLLS
1ST SHOT AFTER 2ND MEAL
LAST
SHOT
I_i
:2'7
CAMERAWRAP
',
WILD TRACKS
RESHoors
,...
SCENES COMPLETED
SET DESCRIPTION
SCENES
SCRIPT TOTAI
SHOT TODAY
PREVIOUSLY SHOT
TOTAL TO DATE
TOTAL REMAINING
NOTES:
rI
PAGES
SETIIPS
-7
MINUTES
?s) a
t{
1t
"-'t
2c)0
UVU Safety iint! Production Guidelines

Most safbty on the set is just common sense, but in the pressures of filmmaking common sense often gets thrown to the
wind. Every film must have a safety meeting every day filming takes place outlining the potential dangers for the day'
and mentioning precautions that need to take place to avoid problems. This car be an intbrmal five minute meeting
between the assistant director ard film department heads [DP, sound, director, art). Often this meeting is part of a larger
production planning meeting that takes place every morning outlining the shot list shooting schedule tbr the day. You
need to conduct this sat'ety meeting everyday that you film, even if only briefly and intbrmally. Generally, danger on
the set comes from the following areas and you should take precautions accordingly. Normally, the Assistant Director
is the safety enlorcement officer on the set.
GENERAL CAUSALITY
This involves unsatb placements of sets, props, equipment, and cables so people trip and injure themselves
unnecessarily. The prop master should give a daily report as to that day's props and any and all hazardous threats
related to the same . Any sharp edged props (including knif'es) should be handled with great care. Horseplay should
never be tolerated at any time while cast and crew are present on the set. No person should be coaxed into handling any
prop that causes them concern.
ELECTRICAL HAZARDS
Since large amounts ofelectricity are used for lights - the danger ofblowing out circuits, overloading circuits and even
starting a tire or electrocuting someone are always a hazard. Your tighting person should be fhmiliar with capacity
limits and saf-e procedures tbr drawing and using electricity. If you are using more than two 650 uatt bulbs or one 1000
watt bulb on a single home electrical circuit, you zrre in danger of blo*ing out the circuit. There may be several wdl
plugs on one circuit - so don't just assume each wall plug is a separate circuit. A normal home has about five different
circuits, but this can vary. Become familiar with where the circuit breaker box is. or have extra fuses for the circuits.
Power should be tumed offwhen plugging or unplugging high wattage equipment. To unplug any equipment, always
grab the plug tirmty and pull, do not grab the cord.
FIRE HAZARDS
Placing powerful lights near flammable materials (e.g. curtains) for several hours on end can cause a hre. People
smoking (including in film smoking) on a set with scattered paper and flammable materials and set dressing around can
cause a fire. You should have a small fire extinguisher present on all sets. Obviously using a fire in the film (e.g.
campfire or part of a set burning) can be a hazard.
FIREARMS & WEAPON
fIVU productions
may NOT use any firearms or weapons such as knives or swords.
ANIMALS
Snakes and deadly animals can be a hazard on the set and you need to have an exotic animal handler on the set to work
with these- Rates per day for such people (who will often bring their o\rn animals) may ftmge liom $500 on up.
Ordinary household animals need to be treated satbly on the set or there could be legal action from the Humane
Society. Ifyou are doing anything other than very ordinary shots ofeven household pets on a set, the Humane Society
likes to be notified so they can be on the set. Make sure you have a place for the animals to rest apart out ofthe sun and
away from the cror,l'ded set where they could get hurt Have plenty of water and food for them.
CHILDREN, THE ELDERLY, AND THE DISABLED

Special precautions need to be made with children on the set to keep them from hazards that adults would normally
avoid. That is why a parent or guardian must be with them at all times. Minors can only be filmed so long without
having a break (usually inth..2-4 hour range depending on age). Also, special precautions need to be made on the set
for the elderly and disabled. Again this is common sense, but it is more likely that an unbalanced elderly person might
trip over power cables running everywhere than a grip. Passage from one part of the set to another may be impeded for
a disabled person. Preparations need to be made for these contlngencres.
STTINTS
if
Even what are considered normal actions in everyday life can be considered stunts in filmmaking; e.g. tripping. And
in performing your script, an actor attempts a minor fall and hurts themselves, you could be liable. Any stunts, even
minor ones need to be planned out and rehearsed so no one is hurt. Larger stunls should only be performed by licensed
stuntmen and only after very careful preparation and rehearsal. Fights should be carefully rehearsed so no one gets hurt
and should be staged by a professional stunlman. Truly dangerous stunts: falling liom buildings, car crashes. car hits,
death deling stunts, etc. should not be attempted in your short tilm.
DRTVING AND MOVING SHOTS

Careful preparation needs to be made for any moving shot. All trafFrc laws must be fbllowed, and the person driving the
ifit is an actor on camera) should never be distracted by too much direction or while he or she is
driving. Any moving shot on a public slreet requires a permit obtainable through the Mayor's Office and olten requires
police ollicers to be present. If a sizable number of crew are present on the street (e.g. more than trvo) during filming it
can create a distracting hazard to other motorists and cause accidents. This is why permits are required. Also, blocking
car (especially
a shot is not allowed unless police olficers are present. The production team needs to make sure shots are
planned out and rehearsed in advance so an accident knocking down heavy equipment does not happen.
ffatlic to get
OTHERHAZARDS
These will vary tiom lllm to film and you need to use corrmon sense to spot these. For example, if you are filming in
high places, you need to take precautions that all actors or crew are not put injeopardy offalling. Filming at night
presents its own hazards in terms ofpeople not seeing potential hazards early enough. You need to brainstorm potential
threats on the set and be prepared for them - e.g. rope offsections ofthe set to cast and crew when not in use. Be
careful in having a lot of guests on the set. Since they will be least fhmiliar with what you are doing they potentially
will stumble into the most danger. The sal'est thing is to close the set to guests; but lf you do have guests, assign one
crew member responsible for looking alter them
FIRST AID
The Assistant Director (or designated saf'ety offrcer) should have directions and phone numbers to the nearest
emergency room to all locations that the crew will be lilming. There should be a basic first aid kit on every set. These
are easily obtainable at most drug stores. There should be one person on the set who has some first aid training
designated as the first aid person who can see if a minor injury or medical condition that arises can be dealt with on the
set or if it needs immediate medical attention.
PERMITS & LOCATIONS RELEASES

Each location will require a sr'gned location release to be included in the production documents. Technically, permis
are required by the city for ALL locations (including filming in your own home) to insure that if any'thing the
filmmakers are doing is unsafe that they city can shut down the film shoot immediately. The only place permits are not
required are when a shoot is on the lot ofa registered film studio back lot or soundstage. Generally however, local
authorities will not check permits unless you are filming with a large crew and a lot of vehicles in a location where you
are creating "an attractive bazard" to automobile traffrc flow, or pedestrians on the streets, sidewalks. or in public
places where an accident could occur. YOA MAY NOT STOP TRAFFIC WTHOaT PERMITS AND A CREW
MEMBER TIUT IS CERTIFIED IN TRAFFIC CONTROL.

COMMON SENSE
Most of what has been said above is common sense. And if you apply common sense, anticipate possible dangers. do
all possible preparation to avoid them, and hire licensed professionals when the risk factor and state law requires it, you
should not get into trouble. Everyone on the set is responsible for safety. Don't let a driven director or producer push
anyone to do something that is unsaf'e. Any member of cast or crew who anticipates a danger on the set, or sees an
actual hazard should immediately report it to the Assistant Director or designated saf-ety oflicer on the set
LASTWORI)
Good films can be made in a week, but there are some limits to making a film in weekend, and doing it safely. You
may not be able to do everything just as the budget will limit you somewhat, so will the time limits on safety prep limit
you to making films that may not have some riskier shots in them. You need to be aware of and accept these to run a
sal'e set.
Name of Film: Noel

Class Number and Name: DGM 3570 Digital Storytelling Workshop
Producer: Chris Noffsinger
STATEMENT OF COMPLIANCE
state that that I have fully read and understand the preceding pages of"Safety and Production Guidelines" and agree
to follow tiese guidelines to the best of my ability during the following ptoduction of this IIVU short film for the
academic requirements for DGM 3570 Disital Storytellins Workshop. I understand that our team is produciug our short
film, not UVU and so we are fully responsible and liable for all safety on our set.
or Actor
DATE: \-15-16
DArE:)-li-L(
r)
Crew Member or Actor
DArE:4't{-/b
u(:"s'l'itiYffi9i'* ""-
DArE:
o7l (5/ la
DArE:
zl hllb
(printed name)
(printed name)
or Actor
DATE:
T-Z:--.2.
(signature) Crew Member or Actor
t<^rD l1-a*etza--
(printod name)
2zz-
DATE:
1-15 -
DArE:
alE
Jptqc<-
thc keu
(printed name)
Vr,A. Actor
(sign4rure) Crew Member or
- A\it t" rt
(printed name)
?uîl
l-
l6
STATEMENT OF' COMPLIANCE

state that that I have fully read and understand the preceding pages of "Safety and Production Guidelines" and agree
to follow these guidelines to the best of my ability dwing the following production of this UVU short film for the
academic requirements for DGM 3570 Dieital Sto{Welling Workshop. I understand that our team is producing our short
fllm, not IJVU and so we are fully responsible and liable for all safety on our set.
\- ls->to
DATE:
3-IE. II
DATE:
',t,',
i'
/.tt!>
,/, /
DATE:
rt1
)9 1
^ name)
(printed
L-tt
<-(= Y-9
(printed name)
(sigpature) Crew Member or Actor
(printedname)
DATE:
(printed name)
DATE:
(signature) Crew Member or
(printed name)
DATE:
(signature) Crew
DATE;
r)
Crew Member or Actor
Noel Shotlist
1A-hyb
1AB-med-(dolly)-01
1AB-med-(dolly)-02
1AB-med-(dolly)-03
1AB_med-(dolly)-Oa
2A-2shot-(profile)*
2B-OTS-(at noel)
2C_med_(profile)*
2D_OTS-(at noel)
2E-med-(at whit)*
2F_2shot_fnoel in fore)*
2G_med_(2shot)*
3A-med-(track)-O1
3A_med_(track)_02
4A-full-close-(dolly in)-0 1
4A_full-close_(dolly in)_O2
rShots sharing the same takes
same take as 2A_2shot_(profile)

same take as 2C_med_(profile)
same take as 2F_2shot_(noel in fore)
NoelSto
Boards
1AB-med(dolly)-O4
2B-OTS-[at noel)
at
whit
2F-2shot-(noel in fore)
ed_(track)_O1
full-close-(dollyin)-01
Roll
Phone
Email
Chris Noffsinger
Producer
80t-649-8770
christopher.noffsinger@gmail.com
Spencer McKay
Director
801-960-7802
s1m19878@hotmail.com
AD
801-833-2008
j-midgley@hotmail.com
NAME
Production
Crew
Jason Midgley
l_st
Allie Pond
DP
801-330-1963
allieip 82@hotmail.com
Kade Riding
1't AC
80l-s92-31s3
bloodredsumme12l13@gmail.com
Mandy Rogers
Script Sup.
80L-360-2027
ma
Bryce Jensen
Gaffer
8At-822-6229
bryce80100@gmail.com
Brian Farnworth
Key Grip
801-380-5085
farnworth.brian @gmail.com
Nathaniel Robinson
Electrician
801-691-0916
Scott Mitchell
Grip
807-358-1.274
Jaden Riding
Mixer
841-800-7227
iadenriding@gmail.com
David Jackman
Boom
801.-494-9224
p.rad001.david @emai!.com
Jillian Ormond
Noel
801-735-6453
iillianormond94@gmail.com
Samantha Yee
Whitney
801-243-095s
spach_8@hotmail.com
nyrebecca
grnail.com
Cast
CAST MEMBERS
1.Noel
2.Whitney
Sheet#:
1
2/E
pgs
Sheet#: 3
4/8
pgs
Sheet#:
2
6/8
pgs
Scenes:
12
INT
'l
Day
Scenes:
INT
Day
Scenes:
INT
Day
Noel cooks, Whitney escorts a man out of the hou
12
Est. Time
1:30
Noel leaves apartment
12
Writney and Noel argue about moMng out
Est. Tme
2:3O
Est. Time
4:30
End of Shooting Day 1 -- Tuesday, March 15.2016 -- 4 4/8 Pages -- Time Estimate: 8:30
Scene #:
Script Page:
't-2
Page Count:
12t8
Scene
Description:
Breakdown Sheet
Sheet#:
lnUExt
INT
DayNight:
Day
Noel cooks, Whitney escorts a man out of the house
Settings:
Location:
Apartment
Sequence:
Cast Members
1.Noel
2.Whitney
Script Day:
Background Actors
Man
Props
envdope
kniG
money
tomato sauce
Sound
pan slamming
Printed on Mar 8, 2016 at 6:55 PM
Page
Scene#:
Script
Page:
Page
Count
4lg
Scene
Description:
Breakdown Sheet
Sheet#:
lnt/Ext
INT
DayNight:
Day
Noel leaves apartment
Settings:
Location:
Apartment
Sequence:
Cast Members
Script
Day;
Props
1.Noel
2.Writney
canvas
Sound
door slam
Page 2
Scene#:
Page;
Page Count
Script
Soene
Sheet#:
lnUExt
Breakdown Sheet
2,3,4
2
INT
Day/Night: Day
2 618
Descriptlon:
Whitney and Noel argue about moving out
Settings:
Location:
Apartment
Sequence:
Cast Members
1.Noel
2.\Altritney
Script
Day:
Props
blankets
box
brushes
canvas
clothes
comnuter
Set Dressing
dresser
hanging mirror
Page 3
(Continued on next pat
paints
pillows
Page 4
Shooting Schedule
ShootDay# 1 Tuesday, March 15,2016
Scene#
Day
INT
1218
Noel cooks, \A/hitney escorts a man out of the house
Prop
Gast Memberc
1.Noel
envelope
knife
money
tomato sauce
2.\ffiitney
Background Actorc
Man
Scene#
Sound
pan slamming
INT
Day
418
Day
2618
Noelleaves apartment
Gast Members
1.Noel
Props
box
canvas
2.\Mritney
Sound
door slam
Scene#
INT
Whitney and Noel argue about moving out
Gast ilemberc
1.Noel
2.Writney
Props
blankets
box
brushes
canvas
clothes
computer
paints
pillows
Set Dressing
dresser
hanging minor
Page
Mar8,2016
PM
Page 1 o11
Day Out of Days Report for Cast Members
6:56
Month/Dav
Day ofWeek
Shooting Day
03115
Co.
Iue
Travel
Noel
SWF
2. \ilhitney
swF
Work
Hold
Itroliday
Start
Finish
03/r 5
03/15
031t5
03n5
.IOI'AL
Date: March 75, 2016

Day: 1
out of: 7
PRODUCTION COMPANY: UVU

SHOW: Noel
Director: Spencer McKay
Weather: H7:47 LOW: 37
CREW CALL
Sunrise: 7:39am
09:00 am
Producer: Chris Noffsinger
Sunset:7:35pm
Nearest Hospital:
(801 )-507-7000
5121 S. State St.
1st AD; Jason Midgley

Questions Contact: Chris
Phone:80t-649-8770
Email : christopher. noffsinger@grnai L com
Location: 2203 Carriage Ln. #57, Holladay Ut. 84117
SCENE #S
CAST #S
SET & SCENE DESCRIPTION
Krtchen
Nocl ancl 'r{ hiLncr arsue about their arranger.ncn
Beoroom
Arguins and threatcninq to irove out.
PGS
LOCATION
7,2
r-2/8
Apartment
1,2
2-6/8
Apartment
-5
1,2
3/8
Apartment
Krtchen
Nor'l lcavc's the apadlrent
D/N
Total Pages: 4-4/8

NAME
ROLE
STATUS
PICKUP
MU
ON SET REMARKS
Jrllran Urmond
SWF
wnr[ney
U9; UU
Samantna
SWF
Noel
U9: UU
Yee
SPECIAL INSTRUCTIONS
ART DEPT/SET DRESSING:
CAMERA:
lens, batteries, tripod, and steadicam

GRIP/ELECT:
PROPS:
SOUND:
TRANSPO:
MU/HAIR,'
SFX:
WARDROBE:
VFX:
LOCATIONS:
STUNTS:
DIGITAL IMAGING:
MISC:
ADVANCE SCHEDULE
DATE & SET
1st Asst. Director: Jason Midgley
SCENE #S
CAST #S
D/N
PGS
LOCATION
NO FORCED CALLS OR 6TH OR 7TH DAYS WORKED W/OUT PRIOR APPROVAL

UPfi OR ADs
FROTi' UPM
ALL CAL'-S SUBJECT
IO
CHANGE BY THE
CALL SHEET
PRODUCTION CO: UVU
SHOW TITLE: Noel
DAY#
DATE: March 15, 2016
#
1
STAFF & CREW

PRODUCTION/DIRECTION
)IRECTOR
Spencer McKay
CALL
STAFF & CREW
CALL
SOUND
09:0(
Iaden Riding
David Jackman
SOUND MIXER
09:0C
09:0C
U9:UI,
PLAYBACK
ASST CMFT SER
ZND 2ND AD
GRIP
)GA TRAINEE
JCRIPT SUPV'R
SET MEDIC
FIRE (STUDIO)
CRAFT SERVICE
UTILITY SOUND
ZND AD
Mandy Rogers
09:0(
Brian Farnworth
Scott Mitchell
KEY GRIP
LOCATIONS
09:0C
<EY SET PA
GRIP(S)
;ET PA(5)
GRIP(S)
LOCATION MANAGER
KEY ASST LOC MGR
COSTUMES
ASST LOC MGR

ASSI LOC MGR
PRODUCTION OFFICE
COSTUME DESIGNE
LOCATION SCOUT
)ROD COORDINATOR
COSTUME SUPV'R
TRAVEL COORDINATOR
ASST COST DESNR
LOCATION PA
SECURITY (LOC)
]HIPPING COORDINATOR
KEY COSTUMER
CSST PROD COORD
SET COSTUMER
CATERING
)ROD SECT'Y
SEAMSTRESS
CHEF
)FFICE PA
]FF]CE PA
\SST, TO EXEC PROD
qSST TO PRODUCER
ASST TO DIRECTOR
AGER/DYERS
cooK(s)
SHOPPER
COOK/DRIVER
COSTUME PA
COOKS' HELPER(S]
BREAKFAST READY @
LUNCHES READY @
ART DEPART
PROD DESIGNER
'lT
ACCOUNTING
ART DIRECTOR
TRANSPORTATION
)ROD. ACCOUNTANT
ASST ART DIR
TRANSPO COORD
SET DESIGNER
MODEL MAKER
2ND ASST PROD ACCNT
\SSISTANT ACCNT
)AYROLL ACCNT
qCCOUNTING CLERK
ART DEPT COORD

ART REEARCH
ART DEPT PA
\CCOUMTING CLERK
PUBLICITY
SET DECORATING
JNIT PUBLICIST
ISET DECORATOR
ASST SET DEC
CASTING
DISPATCHER
L
L
TMNS
DEPT ASST
DRIVERS
TMNSPO TRAILER
L
S
ELECTRIC TRUCK
LEADPERSON
WARD TMILER
BUYER
MAKE-UP TRAILER
SOUND/VIDEO
SET DEC COORD
SFX TRAILER
BACKGROUND CASTING
ON.SET ART DEPT/SET DRESSING
FUEL TRUCK
IGREENS FOREMAN
BG CASNNG ASST.
GREENSMAN
ISTAND-BY PAINTER
ON SET DRESSER
CAMERA
)P
Allre Pond
U9;U(
Kade Ridinq
09:0(
PRoPERTY MASTER
ASST PROP MSTR
ELECTRIC
ASST PROP/WEAPON!
Bryce Jensen
Nathaniel Robinso
09:0(
09: u(
ARMORER
IPROP MSTR (2ND U

PROPERTY COORD
IllAKE-UP/ }IAIR.
SPECIAL EFFECTS
DEPT. HEAD MU
KEY MU ARTIST
MU ARTIST
DEPT HEAD HAIR

KEY HAIR STYLIST
ADDTL HAIR STYLIST
SFX MAKE-UP
PROSTHETICS
1ADIO CHANNELS:
;pecial Notes:
ISFx SUPERVISoR
I
T
R
MECHANIC TRUCK
WATER TRUCK
MAXI VANS
STAKEBEDS
HONEYWAGON
BUS/PEOPLE MOVER
PROPS
I
GR]P TRUCK
SET DRESSERS
]G CAST]NG DIRECTOR
PROP TRUCK
:ASTING DIRECTOR
]ASTING ASSOCIATE
:ASTING ASSISTANT
3affer
13:0(
PICTURE CAR COORD
CAMERA TRUCK
LAMP OPEMTOR(S)
09:0t
TRANSPO CAPTAIN
1ST ASST PROD ACCNT
CAMERA 1ST AC
CALL
POLICE (STUDIO)
SECURITY (STUDIO
CABLE UTILITY
lason Midqley
STAFF & CREW
#l
SET OPERATIOS
IBooM oPEMToR
JPM
)ROD SUPV'R
1ST AD
I of 1
TRAILERS
2-RM TRAILERS
RT4
SINGLE TRAII-ERS
POP-OUT TRAILERS
DIRECTOR'S TRAILE
1
1
o
N
PRODUCERS' TRAILER
SCHOOL ROOM
GENERATORS
o
o
CRANE
30NDOR
SFX COORD
FoREMAN/BUYER
SCISSOR LIFT
INSERT CAR
SET FOREMAN
3A5T CAR
POWDER GANG BOSS
CAST CAR
SFX TECH/POWDER
3AR CARRIER
PICTURE CARS
ISFX TECH(S.)
MOT CONTROLTECH
I
N
CAST DEAL MEMO
UVU
PRODUCTION
COMPANY
ADDRESS
800 West University Parkway

Orem. Utah
SHOW
Noel
CASTING
DIRECTOR
,a",r*
84157
McKay
Spencer
PHONE# OOI-
CASTING OFFICE
DATE March 15,2O16
,o*or-rrro
FAX#
N/ /\
EPISODE
N /A
PROD#
q6O -
IJ/A
AX#
p/A
SEC.#
^DDREsslq4^j;.
euoNe*6)\--i;\*la;;
m/0A:
ROLE
START
Ka.cron
- STLINT
DATE h II9 III/

DAYPLAYER
- 3-DAY PLAYER
1 wexlv
* D/PU - DAILY TO WEEKLY
- D/PU - DAILY TO DAILY
srNrcpR.
1 PILOT
1 DANCER
coMpENSATIoN$
terfoavtwpBrTsHow
NO. OF DAYS - WEEKS
TRAVEL
FITTINGS
REHEARSAL
PRINCIPAL PHOTOGRAPHY
ADDITIONAL SHOOTDAYS
POST PRODUCTION DAYS
DRESSING
ROOM
TRANSPORTATION
BILLING
nJo tJE
NO
1 pRn ADVERTISING
15-
. 2at6
lJoNf
-TRAYEL vJ;ll u<e n',tn vzh'.clr lo
HOTEL ACCOMMODATIONS
OTHER
Ar*e ,h
a\
NON
-
PER DIEM - EXPENSES
DATES
ilo Nr
lrnvct lo
ledol;o,'r
Cast Deal Memo

Page 2
ACENT
Nazra
AGENCY
ADDRISS
OFFICE#
MANAGER Naur,r
MANAGEMENTCO.
ADDRESS
OFFICE#
FAX#
MOBILE#
FAX#
MOBILE#
E-MAIL
Naâ
PUBLICIST
OFI.'ICE#
P.R. FIRM
FAX#
ADDRESS
MOBILE#
1 roRNout
CORP.
NAME
FED.ID#
ADDRESS (If Different From Above
EMPLOYER OF RECORD
ADDRESS
PHONE#
F-AX#
APPROVED
BY
ChrisNoffsinger A-
TITLE Producer
ry
016
CAST DEAL MEMO
UVU
PRODUCTION
COMPANY
ADDRESS
800 West Universitv Parkrvav
t"""*
Orem. Utah 84157
FAX#
SHOW
Noel
CASTING
DfRECTOR
CASTTNG OFFTCE
DATE March 15.2016
Spencer
McKay
AA
16o
PROD#
- t?az
ARrrsr .Jittion Cr.nond

AR,sr
cr.r1ond
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PHONE#
rvtoaruz# 6c>l- 135- b\bj

srARr onr, 3l t5l lb
| 6qoq1
t
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TELEVISION
CABLE
MULTIMEDIA
rer
NO. OF DAYS - WEEKS
TRAVEL
pEYPLAYER
3-DAY PLAYER
D/PU - DAILY TO WEEKLY

DIPU - DAILY TO DAILY
1 wsprr-v
INTERNET
fioRv
wspr 1 ssow
DATES
b
a,
FITTINGS
REHEARSAL
ADDITIONAL SHOOT DAYS
POST PRODUCTION
FAx#
soc.
soc.sEc.#
S ]6C E
X ncron
- STLINT
1 smcrR
i PILOT
1 DANCER
COMPENSATION
N /A
EPISODE
pHoNE#
ADDRESS /qL]L{
,0,*r-rrro
i/A
/'4a.roh 1,1 2aLl.
DAYS
ROOM
ITIOdT
pER DrEM _ EX'ENSES lljoO f
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v..)
HOTEL ACCOMMODATIONS
tlo
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1 PAID ADVERTISING
l!
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esc od^ vc\:sle lo frûel *o
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Cast Deal lvfemo

Page 2
AGENT Noaz
AGENCY
-OFFICE#
FAX#
ADDRESS
MANAGER
MOBILE#
orra
-OFFICE#
FAX#
MANAGEMENT CO.
ADDRESS
MOBILE#
PTJBLICIST Nn n"
OI'FICE#
P.R.
FIRM
FAX#
ADDRESS
I-OANOUT
CORP.
NAME
ADDRESS
FED. ID#
(lf Different From Above)
EMPLOYER OF RECORD
ADDRESS
PHONE#
FAX#
APPROVED BY Chris
Noffsinger Z,'-
TITLE Ptoducer
ry
DATE
March 15.2016
CAST DEAL MEMO
UVU
PRODUCTION
COMPAI'IY
ADDRESS
800 West UniversiB Parkway
trr"*
Orem- Utah 84157
FAX#
DATE March 15.2016

-8ot44g-8770
rln
EPISODE lrl/zt
SHOW Noel
McKay
PHONE# 8A ( - qCO - 79OL
CASTING DIRECTOR, Spencer
PROD#
CASTING OFFICE
FAX#
t )/A
SOC. SEC.#
N/A
ARTIST
ADDRESS
\- fi23.1,00
D^rE
L RctoR
1
1
- STUNT
1 smcrR
1
1
THEATRICAL
TELEVISION
CABLE
PILOT
oeNcpR
MULTIMEDIA
INTERNET
COMPENSATTON$
NO. OF DAYS. WEEKS
ADDITIONAL SHOOTDAYS
POST PRODUCTION DAYS
- lb
{onv PLAYER
- 3-DAY PLAYER
1
WEEKLY
D/PU - DAILY TO WEEKLY
DiPU - DAILY TO DAILY
perXOevtWperlsHow
TRAVEL
FITTINGS
REHEARSAL
T-Le
DATES
K
O
,1
o
a
Ao'r.h l!,
DRESSING ROO
PERDIEM. EXPENSES
NJON E
TRANSPORTATION - TRAVEL W;
U !5e oee veh;ctl! lc, atr,'tc a* se{
HOTELACCOMMODATIONS NlotrJr
OTHER
No
Nt
BILLING No NT
1 pETo ADVERTISING
ZOl6
Cast Deal Memo
Page2
N\one
AGENr
OFPICE#
AGENCY
ADDRESS
FAX#
MANAGER Nr.ne
OFFICE#
MANAGEMENT CO.
FAX#
ADDRESS
MOBILE#
PUBLTC|ST
MOBILE#
Nlc'
OFFICE#
FIRM
ADDRESS
FAX#
P.R.
MOBILE#
E.MAIL
lonNour
CORP.
NAME
FED.ID#
ADDRESS (If Different From Above).
EMPLOYER OF RECORD
ADDRESS
PHONE#
FAX#
APPROVED BY
CtvisNotrsnget
TITLE Producet
Z-
%
DATE
March 15.2016
PERSONAL RE,LEASE
Picture Title:
Noel
Prod. Company:
Address: 800 West UniversiW Parkwav
Orem.IItah 84058
Date:
March 15.2016
Ladies and Gentlemen;

For good and valuable consideration, receipt and suffiency of which is hereby acknowledged, I, the
undersigned, hereby grant permission to ttMJ] to photograph and to record my voice, performances,
poses, acts, plays and appearances, and use my picture, photograph, silhouette and otherreproductions of
my physical likeness and sound as part of the [Short Film] tentatively entitled fNoel] and the unlimited
distribution, advertising, promotion, exhibition and exploitation of the Picture by any method or device
now known or hereafter devised in which the same may be used, and/or incorporated and/or exhibited
and"/or exploited. I understand that I may not enjoin any exploitation of the Picture as provided above.
I agree that I will not assert or maintain against you, your successors, assigns and licensees, any claim,
action, suit or demand of any kind or nature whatsoever, including but not limited to, those grounded
upon invasion of privacy, rights of publicity or other civil rights, or for any other reason in connection
with your authorized use of my physical likeness and sound in the Picture as herein provided. I hereby
release you, your successors, assigns and licensees, and each ofthem, from and against any and all
claims, liabilities, demands, actions, causes of action(s), costs and expenses whatsoever, at law or in
equity, known or unknown, anticipated or unanticipated, which I ever had, now have, or may, shall or
hereafter have by reason, matter, cause or thing arising out of your use as herein provided-
I affirm that neither I, nor anyone acting for me, gave or agreed to give anything of value to any of your
employees or any representative of any television network, motion picture studio or production entity for
arranging my appearance on the Picture.
I have read the foregoing and fully understand the meaning and effect thereof and, intending to be legally
bound, I have signed this release.
Dated:
AGREED & ACCEPTED TO:
Sociql Secarity or Federal ID No.
PERSONAL RELEASE
Picture Title:
Noel
Company: UVU
Address: 800 West Universitv
Prod.
Per" kway
Orem- Utah 84058
Date:
March 15. 2016
Ladies and Gentlemen:
undersigned, hereby grant permission to ttIVU] to photograph and to record my voice, performances,
poses, acts, plays and appearances, and use my picture, photograph, silhouette and other reproductions of
distribution, advertising promotion, exhibition and exploitation of the Picture by atty method or device
now known or hereafter devised in which the same may be used, and/or incorporated and/or exhibited
and,/or exploited. I understand that I may not enjoin any exploitation of the Picture as provided above.
agree that I will not assert or maintain against you, your successors, assigns and licensees, any claim,
action, suit or demand of any kind or nature whatsoever, including but not limited to, those grounded
upon invasion ofprivacy, rights ofpublicity or other civil rights, or for any other reason in connection
equlty, known or unknown, anticipated or unanticipated, which I ever had, now have, or may, shall or
hereafter have by reason, matter, oause or thing arising out of your use as herein provided.
I affrm that neither I, nor anyone acting for me, gave or agreed to give anything of value to any of your
D^t"d,
3f tO f
lQ
If a Minor, Guardian's Signature

Please Print Name
lq4t.l
S 1bo L
sv,
h a{ L .ht:" N.P;W
Social Security or Federal ID No.
PERSONAL RELEASE
Picture Title:
Prod.
Noel
Company:
Address:
UVU
800 West Universitv Parloryay

Orem. Utah 84058
Date:
Marcb I 5. 2016
Ladies and Gentlemen:
undersigned, hereby grant permission to II-IWJ] to photograph and to record my voice, performances,
poses, acts, plays and appearances, and use my picture, photograph, silhouette and other reproductions of
distribution, advertising, promotion, exhibition and exploitation of the Picture by uoy method or device
now known or hereafter devised in which the same may be used, and/or incorporated and./or exhibited
and/or exploited. I understand that I may not enjoin any exploitation of the Pioture as provided above.
agree that I will not assert or maintain against you, your successors, assigns and licensees, any claim,
action, suit or demand of any kind or nature lvhatsoever, including but not limited to, those grounded
upon invasion ofprivacy, rights ofpublicity or other civil rights, or for any other reason in connection
equity, known or unknown, anticipated or unanticipated, which I ever had, now have, or may, shall or
hereafter have by reason, matter, cause or thing arising out of your use as herein provided.
I affrm that neither I, nor anyone acting for me, gave or agreed to give anything of value to any of your
Dated: Z.\q
\1"
Address
ht)l' 4tz3 -
1,oOg
Phone No.
W,/ *
ah,,> N,t,s;r,r
Social Security or Federal ID No.
CREW INFORMATION ST{EET

(Please
SHOW
fill
in
the
Jollowing information contpldely, and rcturn this form to lhe Prodaction
ffice
Thonk Yoa.)
o+)
NAME
POSITION D.. C *,CtO
HOME ADDRESS
EPARTMENT
N',
r<
C+OT ; ,1'\
\4.f +<otrl\
MAILING ADDRESS (If Different)
PHONE#CELL# ?o I q6 o 7<6't-
HOME
HOME FAX#
E-MAIL# f, u^^
N/Check here if you DO NOT want ariy of the above intbrmation on the Crew List
Check here if you just want your pager
& mobile numbers on the Crew List
EMERGENCY CONTACT
RELATIONSHIP
WORK PHONE#
CELL#
The above
A Stephen
information is solely for Production Ofice records and will be kepl strictly confidential.
Marinaccio II form@
CREW DEAL MEMO

PRODUCTION
COMPANY
UVU
PROD#
SHOW
NAME6
p<
\c4
AOpRTSS
r1L
cl<iv
t45 +rqtq aoo
*tla",*- vr
POSITION
UNION/GUILD
SOC. SEC. #
wrjt
HOMEPHONE#
4t\69\
AFFILIAT'ION U cG4--
RATE IN TOWN
HOURS .,
S-- 4-Xper
&t
START
DATE O>,/TS
Exempt
hour i'l per week for a lr 5
6TH DAY IN TOWN
- LOCATION
RATE ON
g---Q-,Kper
hour
q6O Ttoz-
CELL#
! Non-Exempt
6-day
/Td
(to be paid on an hourly basis)
week GUARANTEED
7TH DAY IN TOWN
! per week for a u 5 E 6-day week GUARANTEED
HOURS
6TH
DAy ON LOCATTON
7TH DAY ON LOCATTON
@ e
CAP FOR SHOW (if applicabte)

E
PER DIEM $
,O
MILEAGE REIMBURSED
S 4
@ A
per mile
RENTAL CAB. Type of Vehicle
OTHER
LOANOUT
CORPORATION
NAME
FED ID#
STATE OF INCORPORATION
ADDRESS (if different than above
AGENT
ADDRESS
PHONE#
MAIL ADDRESS
EMPLOYER OF RECORD
ADDRESS
SCREEN CREDIT: Screen credit is at the sole discretion of the Producer. If awarded screen
credit, how would you like your name to read? (Please pint clearly in space below):
Gence-r Ac (lq v
All other aspects of Employee' s credit, if
any, 1,,'ill be subj ect to the discretion of the Producer.
Crew Deal Memo

Page 2
All
services hereunder are subject to the tems and conditions of any applicable collective bargaining agreement and
in accordance with the Immigration Reform and Control Act of 1986 and other applicable laws. Any offer: of
employment to Employee is conditioned upon satisfactory proof of applicant's identity and legal ability to work in
the United States.
are for a minimum period of one day. If a Weekly rate is indicated, services are
guaranteed for a minimum period of one week and prorated thereafter in accordance with applicable collective
bargaining agreements. There is no other guarantee of the period of serrrices. All "ffavel only" and idle days shall
be paid at their rninimum guaranteed compensation or allowance as provided for in the applicable collective
bargaining agreements, if any.
If a daily rate is indicated, services
Employee agrees that no sixth (6n) or seventh (7m) day, holiday, forced call or oveftime prior to call or after urap
will be paid unless authorized in advance by the UPM.

Employee acknowledges that the production is not responsible for the theft, loss and/or damage of Employee's
personal propefty or box rental items.
All results and ptoceeds of Employee's services will
be deemed to be a work made for hire specially commissioned

by and for Producer within the meaning of the copyright laws of the U.S. or any similar or analogous law or statute
of any other jurisdiction. Accordingly, Producer will be the sole and exclusive owner of the Results for all purposes,
including, but not limited to, all copy'ights to the Results (and any renewals or extensions thereot) together with the
right to exploit the Results in the Program and otherwise in connection with the distribution, exhibition, advertising
and exploitation of the Program or any part of the foregoing in any and all media and by any and all means, now
known or hereafter devised, throughout the universe in perpetuity.
Employee acknowledges that this picture may be the subject of "behind the scenes" photography, which may be
used in connection with the exhibition, distribution, advertising, publicity, promotion and./or other exploitation of the
picture and hereby consents to such photography and use of the Employee's name, voice or likeness therein without
any further compensation to Employee and hereby consents to such usage.
Employee agrees not to participate directly or indirectly in the dissemination of information concerning Producer or
the Program to individuals or entities, including without the limitation, texting, blogging by Employee or otherwise,
or the use of social networking seryices including without limitation, Twitter, MySpace, Facebook and the lke
without the Producer's prior written consent in each instance.
If Producer breaches this Agreement, Employee's sole remedy will be an action at law for money damages. In no
event will Employee be entitled to seek injunctive or other equitable relief nor will Employee have the right to
enjoin the production, exhibition, or other exploitation of the Program. Furthermore, Employee rvill; not have the
right to terminate the rights granted under this Agreement or rescind this Ag eement by reason of such breach. This
Agreement constitutes the entire understanding between Producer and Employee with respect to the subject matter
of this Agreement and cannot be modified except by a written amendment signed by the parties.
Accepted
/te
Employee Signalure
Approved
sy /4'
Prndr""
%'
-Date
-tt-16
CREW INFORMATION SI{EET

(Please
fill
in
lhe
following information completely, and return
No
SHOW
this
form to the Pro&tction
ffice.
Thank You.)
ol
NAME {A!.0n
POSITION
\q9 ft')
DEPARTMENT
DrrzAtlf
HOME ADDRESS
MAILING ADDRESS (If

HOME
PHONE#
IELL# h\)\ )(Cnect
here
fi\\ -100W
HOME FAX#
E_MArL#
l-'rrr
if you DO NOT want any of the above inlbrmation on the Crew List
Check trere if you lust want your pager
EMERGENCY CONTACT
RELATIONSHIP
CELL#
WORK PHONE#
The above
A Stephen
informalion is solely for Production ()lfice records and will be kzpt strictly confidential.
Mannaccio II fbrm@
CREWDEAL MEMO
PRODUCTION COMPANY
I.IVIJ
SHOW Noel
PROD#-
*;M;
soc. sEC #
aoonrss 'ft0
2 ([t( q(l) { UC\ t 51
H{ild^y
POSITION
RATE IN TOWN
HOURS 1/
tt
. 81lt-
,22
,4
DAy ON LOCATTON
$
CAR ALLOWANCE S O--,tper
v,
r@ .v
,
p(per hour
@ .z
5 tl 6-day week GUARANTEED
7TH DAy ON LOCATTON
CAP FOR SHOW (if applicable) $
day n per week
Lr
MILEAGE REIMBURSED
@A
per mile
! RENTAL CAR Type of Vehicle
...
OTHER
N
7TH DAY IN TOWN
per week for a !
BOX/EQUIPMENT RENTAL
PERDIEM $
h'IS-Ib
hour n per week for a t, 5 il 6-day week GUARANTEED
6TH DAY IN TOWN
-'10Ufi
csu-* Uo\-
STARTDATE
HOURS
6TH
pHoNE# --'
aolt
_1
S---4-----Xper
RATE ON LOCATION
FroME
LOANOUT
CORPORATION
NAME
FED ID#
ADDRESS (if different than above
AGENT
AGENCY
ADDRESS
MAIL ADDRESS
EMPLOYER OF RECORD
ADDRESS
credit, how would you like your name to read? (Please pint clearly in space below):
All other aspects of Employ'ee's credit, if
any,
will
be subject to the discretion of the Producer.
Crew Deal Memo

Page 2
AII services hereunder
are subject to the terms and conditions of any applicable collective bargaining agreement and
in accordance with the Immigration Reform and Control Act of 1986 and other applicable laws. Any offer of
the United States.
lf a daily rate is indicated, services are for a minimum period of one day. If a Weekly rate is indicated, services are
bargaining agreements. There is no other guarantee of the period of services. All "travel only" and idle days shall
be paid at their rninimum guaranteed compensation or allowance as provided for in the applicable collective
Employee agrees that no sixth (6ft) or seventh (7m) day, holiday, forced call or overtime prior to call or after wrap
be paid unless authorized in advance by the UPM.
will
personal property or box rental items.
All results
and proceeds of Employee's services will be deemed to be a work made for hire specially commissioned
by and for Producer within the meaning of the copyright laws of tbe U.S. or any similar or analogous law or statute
including, but not limited to, all copyrights to the Results (and any renewals or extensions thereof) together with the
and exploitation ofthe Program or any part ofthe foregoing in any and all media and by any and all means, now
known or hereafter devised, throughout the universe in perpeturty.
used in connection with the exhibition, distribution, advertising, publicity, promotion and/or other exploitation of the
Employee agrees not to parlicipate directly or indirectly in the dissemination of information concerning Producer or
or the use of social networking services including without limitation, Twitter, MySpace, Facebook and the like
enjoin the production, exhibition, or other exploitation of the Program, Futhermore, Employee will; not have the
right to terminate the rights granted under this Agreement or rescind this Agreement by reason of such breach. This
1-t?t6
Accepted By
Approved
ey Z4
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Producer or LlWI Sisnature
Date-3-
tt-
tc
CREW INFORMATION SFIEET

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ffica
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NAME ^1+,
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HOMEPHONB#_AO\4_?p_:L621
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Cnect here if you DO NOT want any of the above information on the Crew List
Check here if you just
wart your pager & mobile numbers on the Crew List
EMERGENCY CONTACT
e?Gpc(yz_ ?o6tt->
RELATIONSHIP I.I.US 6 +^TT)

CELL# vot-4q-9 a2-(The aboye informalion is solely
A Stephen A Marinaccio II lbrmO
for Production
HOME PHONE#
WORK PHONE#
OJJice
records and will be kept strictly confidential
CREWDEAL MEMO
IJVTI
PRODUCTION COMPANY
SHOW
PROD#
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STARTDATE
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! per week for a ! 5 tr 6-day week GUARANTEED

7TH DAy rN TOWN @_=e__
HOURS ? 6TH DAy rN TOWN @,
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LOANOUT
CORPORATION
NAME
FED ID#
ADDRESS (if differentthan above
AGENT
AG
ADDRESS
ADDRESS
EMPLOYER OF RECORD
ADDRESS
credit, how would you like your n.rme to read? (Please print clearly in space below):
A4ATJD-{ ? Occa lao qf taS

All other
aspects of Employee's credit,
if
any,
will be subject to the discretion ofthe Producer,
Crew Deal Memo
Page2
A1l services hereunder are subject to the terms and conditions of any applicable collective bargaining agleement and
employment to Employee is conditioned upon satisfactory proof of applicant's identity and Iegal ability to work in
the United States.
bargaining agreements. There is no other guarantee ofthe period of services. All "travel only" and idle days shall
be paid at their minirnum guaranteed compensation or allowance as provided for in the applicable collective
Employee agrees that no sixth (6ft) or seventh (7m) day, holiday, forced call or overtime prior to call or after wrap
rwill be paid unless authorized in advance by the UPM.
Employee acknowledges that the production is not responsible for the theft, loss and/or damage of Ernployee's
All results
of any other jurisdiction. Accordingly, Producer witl be the sole and exclusive owner of the Results for all purposes,
known or hereafter devised, throughout the universe in perpetutty.
Employee aglees not to parlicipate directly or indirectly in the dissemination of information concerning Producer or
or the use of social networking ser.yices including without limitation, Twitter, MySpace, Facebook and the like
without the Produce/s prior written consent in each instance.
enjoin the production, exhibition, or other exploitation of the Program. Furthermore, Employee will; not have the
of this Agreement and cannot be modihed except by a written amendment signed by the parties.
j-ts-lG
Accepted By
Employee Signature
5-tf - rc
Approved By.
Producer or
Signature
CREW INFORMATION SHEET

(Please
sHow
fill
in the following information completely, and return this form to the Production Ofrce. Thank You
I'Juz
NAME
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PoSInoN D
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H6ME ADDRESS
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tr- Check here if -vou just want your pager & mobile numbers on the Crew List
EMERGENCY
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RELATT9NSHTp
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be kept striclly confidential
CREW DEAL MEMO

PRODUCTION
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NAME
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AGENT
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EMPLOYER OF RECORD
ADDRESS
PHONE#
credit, how would you like your name to read? @lease pint clearllt in space below):
$(i("r,
All other aspects
?o,r,l
of Employee's credit, if
any,
will
Crew Deal Memo

Page 2
All
seruices hereunder are subject to the terms and conditions of any applicable collective bargaining agreement and
the United States.
are for a minimum period of one day. lf a Weekly rate is indicated, services are
bargaining agreements. There is no other guarantee of the period of services. All 'travel only" and idle days shall
be paid at their minimum guaranteed compensation or allowance as provided for in the applicable collective
bargaining agreements. if any.
Employee agrees that no sixth (6ft) or seventh (7rt) day, holiday, forced call or overtime prior to call or after wrap
will be paid unless authorized in advance by the UPMEmployee acknowledges that the production is not responsible for the theft, loss and/or damage of Employee's
personal propefty or box rental items.
All results and proceeds of Employee's seruices will be deemed to be a work made for hire specially commissioned
and exploitation of the Program or any paft of the foregoing in any and all media and by any and all means, now
known or hereafter devised, throughout the universe in perpeturty.
used in connection with the exhibition, distributiorl advertising, publicity, promotion and/or other exploitation of the
any further compensation to Employee and hereby aonsenls to such usage.
*'ithout the Producer's prior written consent in each instance.
If Producer breaches this Agreement, Employee's sole remedy will be an action at larv for money damages. In no
enjoin the production, exhibition, or other exploitation of the Program. Fulhermore, Employee will; not have the
Accepted By.
gun
A^0
Date 's / ts I L@
Employee Signature
Approved By
Producer
Signature
-tr_lc
CREW INFORMATION SFIEET

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sHow
fill
Mo
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ffice.
Thank You.)
ac
POSITION IS- A
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DEPARTMENT
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EMERGENCY CONTACT
RELATIONSHIP
CELL#
& mobile numbers on the Crew'List
HOME PHONE#
WORK PHONE#
The aboye information is solelyfor Production OJJ'ice records
A Stephen
Marinaccio II form@
andwill
be kept
strictly confidential
CREW DEAL MEMO

IfVLI
PRODUCTION COMPANY
SHOW Noel
NAIV{E l<*l t\=svn12ADDRESS 6n-t - ?o,o /\/- fu-q,ldl rr
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S'IATE OF INCOR.PORA
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AGENT
AGENCY
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SCREEN CREDIT': Screen credit is at the sole discretion of the Producer. If arvarded screen
credit, hor.r'would you like vour narne to read? (Please print cleurl"- in space below-):
l{+>e, Eri>E^/G
All other aspects of Emplovee's credit. if
anv. r,l'ill be subject to the discretion of the Producer.
Crew Deal Memo
Page2
All
services hereunder are subject to the terns and conditions of any applicable collective bargaining agreement and
employment to Employee is conditioned upon satisfactory proof of applicant's identity and legal abiliry to work in
the United States.

a daily rate is indicated, services are for a minimum period of one day. If a Weekly rate is indicated, services are
bargaining agreements. There is no other guarantee ofthe period of services. All "travel only" and idle days shall
If
Employee agrees that no sixth (66) or seventh (7ft) day, holiday, forced call or overtime prior to call or after wrap
will
by and for Producer within the meaning ofthe copyright laws of the U.S. or any similar or analogous law or statute
lnown or hereafter devised, throughout the universe in perpetuity.
All results
any further compensation to Employee and hereby corsents to such usage.
Employee agrecs not to participate directly or indirectly in the dissemination of information conceming Producer or
or the use of social networking services including without limitation, Twiffer, MySpace, Facebook and the like
without the Producefs prior written consent in each instance.
breaches this Agreement, Employee's sole rernedy will be an action at law for money damages. In no
will Employee be entitled to seek injunctive or other equitable relief nor will Employee have the right to
enjoin the production, exhibition, or other exploitation of the Program, Furthermore, Employee will; not have the
If Producer
event
right to terminate the rights

Ag'eement constitutes
of this Agreement
or rescind this Agreement by reason of such breach. This

and Empioyee rvith respect to the sub.iect matter
amendment signed by the parties.
Date 3- ls-- t5
Accepted
Signahtre
3'[s-te
or UPM
CRE,W INFORMATION SF{EET

(Please
fill
in
lhe
follotuing informalion completely, and relurn this form to lhe Production
sHow '-''oe
ffice.
Thank You.)
9'Y c' J Ln S eq
postnoN Gr affer
NAME
DEP ARTMENT
/,./ ,Te4
HOME ADDRESS

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here if you DO NOT want any of the above information on the Crew
& mobile
List
numbers on the Crew List
EMERGENCY CONTACT
RELATIONSHIP
HOME PHONE#
CELL#
WORK PHONE#
The above in-formation is solely
A Stephen A. Marinaccio II form@
for Production Ofrce records
and
will
be kept strictly confidential.
CREW DEAL MEMO

IJVU
PR.ODIJC II ON C]O]VIPAN Y
SHOW Noel
NAN{E $vrl ce- )"^t.n
PROD#
ADDRESS
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POSITION G
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START DATE 7/I
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g-Nperhour ! per week for a E 5 tr 6day week GUARANTEED

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TRA VELIACCOMMODATION
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ue paia on an hourly basis)
DAY ON L0CATION
@ Q
CAPFORSHOW(ifapplicable)$-Q./,
day ! per week tr MILEAGE REIMBURSED @--d-per mile
tr RENTAL CAP* Twe of Yehicle.
OTI{ER
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LOANOUT
CORPORATION
NAME
FED ID#
ADDRESS (if ciifferent than above)
AGENT
PHONE#
ADDR.ESS
MAIT, ADDRESS
EMPLOYER OF RECORD
ADDRESS
credit, how would you like your rulme to read? (Please pint clearly in space below):
O,
Y" )'ns<A
All other aspects of Employee's credit, if
any,
rvill be subject to the discretion of the Producer.
Crew Deal Memo
Page2
All
services hereunder are subject to the terms and conditions of any applicable collective bargaining agreement and
in accordance with the Immigration Reform and Contol Act of 1986 and other applicable laws. Any offer of
employment to Employee is conditioned upon satisfactory proof of applicant's identrty and legal ability to work in
the United States.
guaranteed for a minimurn period of one week and prorated thereafter in accordance with applicable collective
bargaining agreements. There is no other guarartee of the period of services. All "travel only" and idle days shall
Employee agrees that no sixth (66) or seventh (7tr) day, holiday, forced call or overtime prior to call or after wrap
will be paid rmless authorized in advance by the UPM.
All results and proceeds of Employee's services will be deemed to be a work made for hire specially commissioned
by and for Producer within the meaning ofthe copyright laws of the U.S. or any similar or analogous law or statute
including, but not limited to, all coplrights to fie Results (and any renewals or extensions thereof) togethr with the
right to exploit the Results in the Program and otherwise in connection with the distibution, exhibition, advertising
known or hereafter devised,
the universe in perpetuity.
Employee acknowledges that this picture may be the subject of "behind the scnes" photography, which may be
picture and hereby coilsents to such photography and use of the Employee's flame, voice or likeness therein without
or the use of social networking services including without limitation, Twiffer, MySpace, Facebook and the like
without the hoducer's prior written consent in each instance.
If Producer breaches this Agreemenl Employee's sole remedy will be an action at law for money damages. In no
right to terminate the rights graoted under this Agreement or rescind this Agreement by reason of such breach. This
Agreement constitutes the entire understanding between Producer ard Employee with respect to the subject matter
ofthis Agreement and caflnot be modified except by a written amendment signed by the parties.
Accepted
B,v
Date
Apploved 81'
Producer or
3-/r-ta,
CREWINFORMATION SHEET
(Please
fill
in the following informotion compldely, and
refirn
this form to
tlv Production ffice. Thank You.)
lJr,"l
SHOW
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here
if you DO NOT want any of the above infbrmation on the Crew List
EMERGENCY CONTACT
PHONE#
The above information is solely
A Stephen
Marinaccio II lbrm
for Production Office records
and
will
be kept strictly conJidential.
CREWDEAL MEMO
UVU
PRODUL]I'ION COMPANY
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6Tr{ DAY rN TOWN @______a__7TH DAY IN TOWN @___-@_
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LOANOUT
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NAME
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rJitTerent than above
AGENT
AGE.NCY
ADDRESS
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EMPI-OYER. OF RECORD
ADDRESS
credit, how would you like your name to read? (Please pitnt clearly in space below):
N or [[r,
i"ir
I c. fu,], i r,r fan
Ali other aspects of Emplovee's credit, if
any,
rvili
Crew Deal Memo
Page2
All
services herermder are subject to the terms and conditions of any applicable collective bargaining agreement and
in accordance with the Imrnigration Refonn and Control Act of 1986 and other applicable laws. Any offer of
the United States.
a daily rate is indicated, services are for a minimum period of one day. If a Weekly rate is indicated, services are
guaranteed for a minimum period of one week and prorated {hereafter in accordance with applicable collective
bargaining agreements. There is no other guarantee ofthe period of services. All "travel only'' and idle days shall
be paid at their minimum gumanteed compensation or allowance as provided for in the applicable collective
If
Employee agrees that no sirdh (6tr) or seventh (7d') day, holiday, forced call or overtime prior to call or after wrap
will
All rcsults and proceeds of Employee's seryices will be deemed to be a work made for hire specially commissioned
by and for Producer wi&in the meaning of the copyright laws of the U.S- or any similar or analogous law or statute
and exploitation of the Program or any part of the foregoing in any and all media and by any and all meaDs, now
Employee aclanowledges that this picture may be the subject of "behind the scenes" photography, which may be
used in connection with the exhibition, distribution, advertising, publicity, promotion and./or other exploitation of the
any further compensation to Fmfloyee and hereby consents to such usage.
Employee agrees not to participate directly or indirectly in the dissemination of information concsrning Producer or
or the use of social networking semices including without limitation, Twifier, MySpace, Facebook and the like
without the Produce/s prior wriffen cousent in each instance.
If Producer breaches this Agreement, Employee's sole remedy will be an action at law for money damages. [n no
enjoin the production, exhibition, or other exploitation of the Program. Furthemore, Employee will; not have the
right to terminate the rights granted under this Agreernent or rescind this Agreement by reason of such breach. This
Agreement constitutes the entire understanding between Producer urd Employee with respect to the subject matter
of this Agreement and camot be modified except by a unitten amendment signed by &e parties.
Accepted
Approved
B,"-
B-v
Producer or
CREW INFORMATION SIIEET

@lease
fill
in
the
following information compldely, and retutrn
this
form to the Production Ofice. Thonk You.)
lv'oe I
SHOW
NAME
(b .,
^^ \i^.,^*,.,.\L
POSITION',i-I
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if you DO NOT want any of the above information on the Crew List
EMERGENCY CONTA CT '\ )
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RELATIONSTM T-^P\^--.
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HOME PHONE#
The aboye information is solely
A Stephen A. Marinaccio II form@
a\r
woRK PHONE#
for Production Office records
and
will
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slrictly confidential.
CREW DEAL MEMO

PRODUCTION COMPANY
SHOW
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Noel
PROD#
NAME
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FED ID#
ADDRESS (if different rhan above
AGENT
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EMPLOYER OF RECORD
ADDRESS
PTIONE#
credit, how would you like your rurne to read? (Please pirt clearly in space below):
fb "l^-.
{n, ^ô .l^
All other aspects of Emplovee's credit, if
any.
rvill be subject to the discretion of the Producer.
CrewDealMemo
Page2
All
services hereunder are subject to the terms and conditions of any applicable collective bargaining agreement and
in accordance with the Immigration Reforrr and Control Act of 1986 andother applicable laws. Any offer of
the United States.
are for a minimum period of one day. If a Weekly rate is indicate4 services are
bargaining agreements. There is no other guaranteo ofthe period of services. All "travel only''and idle days shall
Employee agrees that no sixth (6b) or seventh (76) day, holiday, forced call or overtime prior to call or after wrap
All results
and proceeds of Employee's seryices will be deemed to be a work made for hire specially cornmissioned
and exploitation of the Prograrn or any part ofthe foregoing in any and all media and by atry and all means, now

Employee acknowledges that this pictme may be the subject of "bohind the scenes" photography, which may be
picture and hereby consents to such photography and use of the Employee's name, voice or likaness therein without
Employee agrees not to participate directly or indirectly in the dissemination of information conceming Producer or
the Program to individuals or entities, including without the limitation" texting, blogging by Ernployee or otherwise,
or the use of social networking services including without limitation, Twitter, MySpace, Facebook and &e like
Agreement constitutes the entire understanding betwean Producer and Employee with respect to the subject matter
Accepted
r-';
By /4.-.--
--T----r .^---t
Employee Signanre
Approved By'
Producer or
)4
"-,
'ultq
--Date.
ltC

@Ieasefill in thefollowing information cortrpldely, andretunt this foru lo lhe Prodaction
afice.
Thonk You.)
I'Jor(
SHOW
NAME 5
coft I
POSITION
6--JE
HoME6pppp5g
DEPARTMENT
530 fJo.{\
MAILING ADDRESS
1.6o E.asJ- Oê,'^, , t/J-
B{ So"
(If
HOME PHoNE#--3'-\-:
G.t
I ! l- \z?1
l00O Wcs+ $rctr^1 ,

H6ME FAx#
E-Mfl,#
CELL#
vl
qr
o+,-bNU7
^'1ot"c[lo
D(Chect< here if you DO NOT wanl any of the above inlbrmation on the Crew List
rl
Check here if you just want your pager & mobile numbers on the Crew List
EMERGENCY CONTACT
RELATIONSHIP
CELL#
WORK PHONE#
I-he above information is solely;/br Production
A Stephen
PHONE#
Marinaccio tl tbrmO
(/fice records
and
will
be kept strictly confidential
CREW DEAL MEMO

I]VT]
PRODLIC I-ION COMPANY
SHOW Noel
NAME
S*W
PROD#
Mul/q
\,l
SOC. SEC. #
539 U. L00E O.e/q, Ul
ADDRESS
H6MEPHONE# gol,
t(0 -t 27 t'l
CELL#
PostrtoN 6-rn
START
RATE IN TOW}I
rJOTJIIS
,/
ON
UNION/GUILD AFFILIATI
S---@-{per
DATE a/ (S/ l\e
tr Exempt D Non-Exempt ito us paid m
hour tr per week for a tr 5 tr 6-day week GUARANTEED
@___Z__7TH DAY rN TOWN @

S--- ?--$per hour tr per week for a ! 5 tr 6day week GUARANTEED
_6rH DAy rN TOWN
RATE ON LOCATTOX
an hourly basis)
HOURS
7TH DAY oN LSCATT9N @

@
Q
Q^
BOX/EQUIPMENTRENTAL $
CAPFORSHOW(ifapplicable)$--gQ
CAR ALLOWANCE $ h P per day E per week E MILEAGE REIMBURSED @---Q-per mile
6TH DAY oN LOCATTON
PERDIEM
tr RENTAL CAR Type of Yehicle
OTI{ER
--'
LOANOUT
CORPORATION
NAME
FED ID#
STATE. OF INC]ORPORA
ADDRF.SS (if dift-erent than above
AGENT
ADDRE,SS
ADDRESS
EIVTPLOYER OF RECORD
ADDRESS
credit, how would you like yorr name to read? @lease pint clearly in space below):
( catt
AAdu"t'\
All other aspects of Employee's credit, if
any.
u,ill be sub-iect to the discretion of the Producer.
Crew Deal Memo
Page2
All
services hereunder are subject to the terms and conditions of any applicable collective bmgaining agreement and
the United States.
gumanteed for a minimum period of one week and prorated thereafter in accordance with applicable collective
bargaining agreements. There is no other guarante of the period of services. All "travel only" and idle days shall
If a daily rate is indicated services
Employee agrees that no sixth (66) or seventh (7tr) day, holiday, forced call or overtime prior to call or after wrap
be paid unless authorized in advance by the IJPM.
will
All results
and proceeds of Ernployee's services will be deemed to be a work made for hire specially commissioned
by and for Producer within the meaning of the copyright laws ofthe U.S. or any similar or analogous law or statute
of any otherjurisdiction. Accordingly, Producer will be the sole and exclusive owner of the Results for all purposes,
right to exploit the Results in the Program and otherwise in connection with the disribution, exhibition, advertising
and exploitation ofthe Program or any part of the foregoing in any and all media and by any and all means, now
Employee agrees not to participate directly or indirectly in the dissemination of information concerring Producer or
the Progmm to individuals or entities, including without the limitation, texting, blogging by Employee or otherwise,
or the use of social networking services including without limitation, Twifier, MySpace, Facebook and the like
right to terminate the rights granted under this Agreement or rescind this Agreernent by reason of such breach. This
Agreement constitutes the entire understanding betwean Producsr and Employee with respect to the subject matter
ofthis Agreement and cannot be modified excopt by a writen amendrnent signed by the parties-
3ltsltto
Accepted By
Approved
ate
3- lr- la
CREW INFORMATION SI{EET

(Please
fill
in the following information coapldely, qnd return this form to the Production
Afice. Thank You.)
,,/ou1
SHOW
NAME T4A 2\ fdh_g

poSITIoN A+t,A
/\Ai){er
HSME ADDRESS
iFD
>
"
DEpARTMENT fict,ltib
424
E. otQ rn Ui
3 q t,v g
MAILING ADDRESS (If
HOMEPHONE#
CELL# 8 at-Eoo- 1Vz\
X!n..t
I
HOMEFAX#
E-MAIL# iaJq^r.1,\r@
ghil,,ri. C/r\
here if you DO NOT want any of the above infbrmation on the Crew List
Check here if vou just want your pager
EMERGENCY CONTACT
RELATIONSHIP
HOME
CELL#
The above information is solelyfor Production Ofrce records and
A Stephen
Marinaccio
il
lorm
will be kept strictly confidential.
CREWDEAL MEMO
IIVT]
PRODUCTION CON{PANY
Noel
SHOV/
PROD#
NAME 5-atre6 nililg

ADDRESS t'9 E 5, 1)4 7,
POSITION A"UD
SOC. SEC. #
orcv^l/\.
SqaSB
HOME PHONE#
CELL# 8o\-ittt - 1>71

srART DATE 3 -iS_z-la
lIiXtT
!
I.,INIONiGUILD AFF ILI ATION
! 6-day week GUARANTEED

H}UF{S Q 6THDAY rN TOWN @____Q_7TH DAy rN TOWN @____A__
RATE ON LOCATTON $-Q---/eper hour tr per week for a E 5 tr 6{ay week GUARANTEED
RATEINTOWIT
Exempt tr Non-Exempt
Eperhour
perweekforaE 5
lZ-
FIOURS
6TH
DAy ON LOCATTON
Q
0
BOX/EQUIPMENT RENTAL $
CAR ALLOWANCE
7TH
DAy ON LOCATTON @_
S--Q-,Wper day E par week ! MILEAGE REIMBURSED
TRAV ELi ACCOIV1MODATION

PER DIEM $
Q_
@ O
e--per mile
tr RENTAL CAR Type of
Vehicle ,,/
OTHER
r, LOANOUT
CORPORATION
NAME
FED ID#
ADDRESS 1if different than above
AGENT
ADDRESS
ADDRESS
EMPLOYER OF RECORD
credit, how would you like your name to read? (Please prifi clearly in space below):
5a"\rk. Ir,:)ng
All other a.spects of Employee's credit, if any, u,'ili
Crew Deal Memo
Page2
A1l services hereunder are subject to the terms and conditions of any applicable collective bargaining agreement and
the United States.
guaranteed for a minimum period of one week and prorated thereafter in accordanoe with applicable collective
bargaining agreements. There is no other guarantee of the period of services. All 'havel only'' and idle days shall
be paid at their ninimum guaranteed compensation or allowance as provided for in the applicable collective
Employee agrees that no sixth (66) or seventh (7m) day, holiday, forced call or overtime prior to call or after wrap
All results
and proceeds of Employee's seryices will be deemed to be a work made for hire specially commissioned
by and for Producer within the meaniug of the copyright laws of the U.S. or any similar or analogous law or statute
including, but not limited to, all copyrights tc the Results (and any renewals or extensions thereof) together with the
right to exploit the Results in the Program and otherwise in connection with the dislribution, exhibition, advertising
and exploitatron of the Program or any part ofthe foregoing in any and all media and by any and all means, notry
Employee acknowledges that this picture may be the subject of "behind the scenes" photography, which may b
any firther compensation to Employee and hereby consents to such usage.
Employee agrees trot to participate directly or indirectly in the dissemination of infonnation concerning Producer or
the Program to individuals or entities, including without the limitation, texting blogging by Employee or otlerwise,
or the use of social netw*or*ing services including without limitation, Twiter, MySpace, Facebook and the like
event will Employee be entitled to seek injunctive or other equitable relief nor will Ernployee have the right to
ofthis Agreement and cannot be modified excpt by a nniuen amendment signed by the parties.
Accepted
Date
\ -li
-t-a\G
Employee Signature
3-tr-re
Approved By.
Producer or

(Please
fill
SHOW
in the following infonndion conpletely, and return this form to the Production
ffice.
Thank You.)
ItJ rvc I
NAME
POSITION
F.oom
-fe t-c\ran
DEPARTMENT
lornJ
HOME ADDRESS

HOME PHONE# <ol. - Llq"t ^ q))_q
CELL#
E
X
HOME FAX#
-MIiIL# y.rcnt e<at&.L ,,lQ-s:,utr',1
Check here if you DO NOT want any of the above information on the Crew List
Check here ifyou just want your pager & mobile numbers on the Crew List
EMERGENCY CONTACT
RELATIONSHIP
HOME PHONE#
CELL#
WORK PHONE#
The above
information is solely for Production Wce records and will be kept strictly confidential.
A Stephen A. Marinaccio II lbrmO
.ror-
CREWDEAL MEMO
PRODUCTION
SHOW
COMPANY
IIVU
Noel
PROD#
A,,,',1 1" , kt"o^

ADDRESS Lq5 c^,, 2oo p A,-.1
NeYn
SoC. SEC. #
HOMEPHONE#
<frl.)" @
zol-qctq-q)Lq
STARTDATE .z- lh- - 16
POSITION@
UNION/GUILD AFFILIATION
Exempt ! Non-Exempt (to b paid on an hourly basis)
-cELL#
RATE IN TOWI{ S--Z-X"r
hour n per week
-tr for a E 5 n 6-day week GUARANTEED
HouF(S C
6TH
RATE ON LOCATION
DAy rN rowN
S--p-,Xper
@-__Z-7rIr
hour
E per week
DAy IN TowN
@A
for a E 5 tr 6day week GUARANTEED
HOLTRS
@
BoX/EQUIPMENT RENTAL $
6TH DAY ON LOCATION
CAR ALLOWANCE
TR AVE"L/AC
V1/---Kper
COMMODATION
7TH DAY ON LOCATION
@@
CAP FoR SHOW (if applicable)
day tr per week tr MILEAGE REIMBT RSED
$ A
@---A-per
mile
tr RENTAL CAF. Type of Vehicle.
PER DTEM $
tr LOANOUT
CORPORATION
S
NAME
FED ID#
TATE OF INCORPORAT'ION
ADDRESS (if different than above)
GENCY
AGEN'T
ADDRESS
PHONE#
ADDRESS
EIVIPI-OYER OF R.ECORD
PHONE#
ADDRESS
SCREEN CREDIT: Screen credit is at the sole discretion of the Producer. If ar.r,arded screen
credit, hovr,'rvould.u-ou like vour name to read? (Please print cleorl-,- in space belou'):
All other aspects of Empioyee's credit, if
any,
will
Crew Deal Memo
Page2
All
services hereunder me subject to the ternrs and conditions of any applicable collective bargaining agreement and
in accordance with the Immigration Reform and Control Act of 1986 and other applicable laws. Any oflcr of
employment to Employee is conditioned upon satisfactory proof of applicant's identity and legal ability to worft in
the United States.
bargaining agreements. There is no other guarante ofthe period of services. All "travel onlt'' and idle days shall
Employee agrees that no sixth (6s) or seventh (76) day, holiday, forced call or overtime prior to call or after wrap
will
All results
of any other jurisdiction. Accordingly, Producer will be the sole and exclusive owner ofthe Results for all purposes,
right to exploit the Resuhs in the Program and otherwise in connection with the distribution, exhibition, advertising
and exploilation of the Program or any part of the foregoing in any and all media and by any and all means, now
known or hereafter devised, tlroughout the universe in perpetuity.
Enrployee aclurowledges thatthis picture may be the subject of "behind the scenes" photogmphS which may be
picture and hereby consents to such photography aild use of the Employee's name, voice or likeness therein without
Employee agrees not to participate directly or indirectly in the dissemination of information concerning hoducer or
without the Producer's prior writren consent in each instance.
If Producer breaches this Agreement Employee's sole remedy will be an action at law for money damages. In no
enjoin the production, exhibition, or other exploitation of the Program. Furlhermore, Employee will; not have the
Agreement constitutes the entire rmderstanding between Producer and Employee with respect to the subject matter
of this Agreement and cannot be modified excpt by a written amendment siped by the parties.
Date
Accepted 81,
Approved By
Producer or
Signature
03 - l5 -/1
PRODUCTION SAFETY REPORT

(lo
be completed by the le
SHow:
Nd?,t
,i
DATE:
5'
tr ll
15'lA
AD or 24 AD on
daily basis and tumed in lo the Production
ffice)
SHOOTING
.roDAy'sLoCArroN: L1.03
['rtrtUqg
DAY#: I
A. +,
l}{i
WAS TODAY'S FILMING/WORK SITE INSPECTED?
rirt,.,
By (Name):
\* fl) '
WAS THE CAST AND/OR CREW NOTIFIED OF ANY POTENTIAL SAFETY CONCERNS?
ritle:
By (Name):
No 1 N/A
\4
YES
':- 1 NOl N/A
ftD
Notified of:
WERE INDTVIDUAL CAST AND/OR CREW SAFETY MEETINGS HELD?
(Briefly note what was discussedfor each area)
1\trSlNolN/A
Special Effects:
Stunts:
2"dU.
Cast:
Extras:
Other:
WAS A].[Y SAIETY TRAINING FOR CAST AND/OR CREW HELD?
*61
No 1 N/A
vss
Mt\ Nre
y}{No
What
Received by (Name):
WAS ANY SPECIAL SAFETY EQUIPMENT USED?
What
Received by
(Name):
Title:
WERE SAFETY BULLETINS DISTRIBUTED?
1 N/A
Which ones;
To
whom:
kU
1 YES
WERE TTMRE A}.IY ACCIDENTS/INCIDENTS?

Attach investigation report(s)
ADDITIONAL COMMENTS:
POSITION
t{
Nra
DAILY PRODUCTION REPORT

STATUS OF SCHEDULE
#
#
Days Sched
Days Actual
Finish Date: 3lt5lt6

Finish Date: 3lt5/16
Production Co. Address/Phone: 5918 W. Peron Lane West Valley City, Ut 84128
801-649-8
2203 Carriage Ln.

#57 Holladay, Ut
CAST
WEEKLY & DAY PLAYERS
ABILTTY
STAND.INS;
SAG
MCKGROUND:
NON.UNION
BACKGROUND:
1ST ASST. DIR. lason 14idgley
RT MILES:
TOTAL:
DAILY PRODUCTION REPORT

SHOW TITLE: Noel
DATE: March 15, 20 6
STAFF & CREW
PRODUCTION CO: UVU

iN
PRODUCTION,/ DIRECTION
Spencer McKay
)IRECTOR
J
STAFF & CREW
OUT
IN
08: 3t
17:0(
)ROD SUPVR
SOUND MIXER
BOC[4 OPERATOR
08: 3(
1,7:7
laden Riding
08:30 17:0C
David lackman
08: 30 17:OC
SECURITY (STUDIO
ASST CRAFT SER
lvlandy Rogers
08: 3(
:O(
KEY GRIP
ADDTL CRAFT SER
Brian Farnworth
08: JU
(_)(.
LOCATIONS
BEST BOY GRIP

DOLLY GRIP
SET PA(S)
GRIP(S)
PRODUCTION OFFICE
LOCATION I,lANAGE
5cott Mrtchell
UA: JU
GR]P(S
rROD COORDINATOR
IRAVEL COORD]NATOR
;HIPPING COORDlNATOR
KEY RIGGING GRIP

BB RIGGING GRIP
ASST PROD COORD
RIGGING GR]PS
,ROD SECT'Y
17:0(
KEY ASST LOC MGR
LOCATION PA
ISECURITY (LOC
CATERING
:HEF
lcooK(s)
SET DECORATING
PA
f,FFICE PA
SET DECORATOR
qSST TO EXEC PROD

qSST TO PRODUCER
SET DEC COORD
SSST TO DIRECTOR
ON-SEST ART DEPT/SET DRESSING
OOK/.DRIVER
JCOOKS' HELPER(S
]REAKFASIS SERVET
Allie Pond
fP
UE:
J(
17:0(
q CAT.IEM 1ST AC
q CAMERA 2ND AC
Kade Riding
U5: JL
lrnaruspo coono
STAND-BY PAINTER
ITRANSPo CAPTA]N
I DISPATCHER
/ tUt
CAI4ERA OPERATOR
CA[4ERA 1ST AC
LOADER
TECH
:APlERA PA
VIDEO ASSIST
VlDEO ASSIST
lrnnlrs orpr nssr
PROPERTY MASTER
T PROP/WEAPON
ELECTRIC
affer
LAIlP OPERATOR(S)
IGRIP TRUcK
PROPERTY COORD
IELECTRIC TRUCK
IwARD TRAILER
CONSTRUCTION
IMAKE-UP TRAILER
CONST COORD
ISoUN Di VIDEo
ISFX TRAILER
UEL TRUCK
PROPNlAKERS
lr.lECHANrC TRUCK
IWATER TRUcK
I MAXI VANS
PAINT FOREI'4AN
PAINTER
luoru
I
FOREI'1AN
fryce lensen
08:3C
17:0(
SCULPTORS
',lathaniel Robinso
08:3C
17:0(
PLASTERERS
STAKEBEDS
rvwncolr
BUS/ PEoPLE I.4oVEF

3 RM
TRAILERS
LABORERS
l2 RM TRAILERS
ISINGLE TRAILERS
RIGGlNG GAFFER
SPECIAL EFFECTS
lPoP
RIGGING BESI BOY
JFX SUPERVISOR
RIGGING ELECTS
SFX COORD
IDIRECTOR S I RAILER
PRODUCERS' TRAILE
LAI'1P OPERATOR(S)
PROP N4STR (2ND U
fqILL
PHOTOGRPHR
rnucr
PROPMAKER FRI'IN
SIILL
pRop
ARMORER
GENERAL FOREIV]AN
LIBRA HEAD TECH
DRIVERS
ITRANSPO TRAILER
ICAMERA TRUCK
CONST BUYER
OPER
3: 0C
IPICTURE CAR COORD
ASS
TEAD]CAI'I OPER
09r0C
PROPS
ASST PROP MSTR
3 CAI1ERA 2ND AC
)]GITAL IMAGING
)]GITAL UTILITY
GREENSMAN
ON-SET DRESSER
A CAT4ERA OPERATOR
LUNCHES SERVET
TRANSPORTATION
GREENS FOREN4AN
CAI.IERA
TECHNOCRANE
OUT
ICRAFI SERVICE
GRIP
>CRIPT SUPV'R
(EY SET PA
]
]
IN
ISET MEDIC
FIRE (STUDIO)
POLICE (STUDIO)
PLAYBACK
UTILITY SOUND
2ND 2ND AD
DGA IRAINEE
of
SET OPERATTOS
CABLE UTILITY
lason Midgley
1ST AD
2ND AD
DAY# I
STAFF & CREW
SOUND
PI,,1
]FFICE
OUT
DII.lMER OPERATOR
our
TRATLERS
T
R
N
S
P
o
R
T
T
I
o
N
iOREIYAN/BUYER
SCHOOL ROOM
GENERATORS
DEPT HEAD IIU
SET FORE[']AN
POWDER GANG BOSS
o
o
KEY IYU ARTIST
SFX TECH/POWDER
CON DOR
I\iU ARTIST
;FX TECH(S)
DEPT HEAD HAIR
YOT CONIROLTECH
SCISSOR LIFT
INSERT CAR
MAKE-UP/HAIR
KEY HAIR STYLIST
CRAN
I
N
CAST CAR
ADDTL HAIR STYLIST
C(JMMUNICATIONS
CASI CAR
SATELLITE TECH
CAR CARRIER
PICTURE CARS
SFX MAKE-UP
PROSTHETICS
;pecial Notesl
UPM
SPECiAL EQUIPMENT
1ST ASST.
DIR. Jason Midqley
KEY 2ND ASST. DIR.
DAILY WRAP REPORT

It\o
DAy
PROD#
el
- ollte A-c.h
19,
Zpt[.
sHoorDAY#
L ouror
LOCATION
SHOOTINGCN-L
CRE1V CALL
7 , 3Q
('1a 7
LUNCH-----13 ) ee-To-l
r sr sHor AFTER LLTNCH
MEAL , ,-
IST SHOT AFTER 2ND

CAMERA
@q:"1{
FIRST SHOT
SECOND
Oa:b
WRNP
La)
MEAL PENAL:IY
TO
MEAL
,4.
MEAL PENALTY
,/
16 " 3 O
LAST OUT
l7:c:o
OVERTIME
SCHEDULED SCENE NUMBER(S) SHOT.
LTNSCHEDULED SCENE NUMBER(S) SHO
SCENES SCHEDULED BUT NOT SHOT
PAGES SCHEDULED
SCFNES
PREVIOUS
TODAY
TOTAL
NOTES:
Ll
fl,/g,
PAGF,S
'1Te
c, 1/
PAGES SHOT
MINUTES
4 '/s
SETUPS
DAY'S WORK
Loc>
Zf-fi
t /g
ghcof
F:o; sh")
COMPLETED?
# OF DAYS
BEHIND ,/
# oF DAYS
1-Jts1.O__J__
CONTINUITY SHEET
SI.ATE
IA
DIRECTOR:
DATE
3 / rs/1s
ofj
SCRIPT SUPERVISOR:
CARD
LENS
PRODUCTION:
FOCUS
STOP
FILTER
Ft 6
0l/
Fut*c$*t
INT
EXT
NIGHT
WEATHER/NOTES i {ardu. iry {: :- , .i *
SYNCH MOS
WILD GUIDE TRACK FRoM:
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NOTES
REMARKS
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no sot "l 9.,

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NOSL
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SCRIPT SUPERVISOR: r'-r o'!11-- 3
DIRECTOR:
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NIGHT
c t-ottvu\
MOS
To: /2 rSS
p i iF'r{-t- r^>fr*I
LOCATION/SHOTDBCIIPTION: Ar4lrrft-J ie-'-: { o-1' ' ui i-2^L4 o(:t"+
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REMARKS
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WEATHER/NOTES
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TO:
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LOCATION/SHOT DESCRIPTION:
?'. Z*
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CONTINUlTY SHEET
DIRECTOR:
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LOCATTON/SHOT
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REMARKS
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CONTINUITY SHEET
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DIRECTOR:
SCRIPT SUPERVISOR:
PRODUCTION:
WILD
GUIDE TRACK
FRoM:
LOCATI ON/SHOT DESCRI PTION
CLcrrq-rE-*=
'E
TIME
i-"15
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TO:
3: {} f
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DIRECTOR:
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LOCATION INF ORMATION SHEET

SHOW
PRODUCTIONNO.
Noel
LOCATION MANAGER Chris

CONTACT
Noffsinger
March 15.2016
christooher.noffsin ser@smail. com
pHoNE# E0l-649-8770
trINTERIOR
AL LOCATION
Address
! EXTERIOR XDAY
tr NIGHT
ACTS
Name(s) Jason Midglev

Owner's Address 2203 Carriage Lane
2203 Carriage Lane
Owner(s)
Halladav. Utah 841l7
Holladav. Utah 84117
Cross Streets
DATE & I}AYS

#
Owner's Phone#
ofdays
Pren'
P r op erty Repr
March 15-2016
Strike:
-833-2008
es
ent ativ
(s)
Company
Contact
LOCATION OF NEAREST EMERGENCY MEDICAL
FACILITY
80
Owner's E-Mai
Dates
Shoot:
Address
801-5O7.7OOO
Intermountain Medical Center

5121 Cottonwood Street
Murrav- Utah 84157
Phone#
E-Mail
Fax#
LOCATION SITE RENTAL FEES

Full Amomt
$0
OT
after 12
days S
0
Amount for SHOOT days S
0
Amount for STRIKE days S
0
DepositS 0
dueon__Msryh_!2-20_1!_
I Refundable n Apply to total fee
Amount for PREP
K.l-ocation Agreement
I Certificate of Insurance
Fee(s)
remove valuables
owners
XHave
$\ocation
frPhotograph rooms (so everything can

b e pr op er ly r etur ne d/r est or e d aft er
$ 0
0
Phone
$_
Utilities
per hour
per day
Parking $
(Other)
Allocated Parkine For

! Equipment
n Honeywagon(s)
n Trailers/Motor Homes
f Catering Truck
n Cast Vehicles
! Crew Vehicles
AHeaters/Fans/Air Con ditioners

n Layout Board,iDrop Cloths
n Wireless Router(s)
tr Satellite System./Phone Lines
Utilities/Power Supply
Allocate Areas For
has been completed)

{Relocate homeowners/pets if necessary
! Signed releases fiom neighboring
residents & business owners
!
!
!
Extras
Dressing Rooms
il
School
!
I
!
Equipment
Special Equipment
Animals
Eating
tl Hair/Makeup
{Permit(s)
n Post for Parking

Police Officer(s)
Fire Safety Officer(s)
Prepare map to location
Intermittent Traffic Control
hrs, per day @
additional days @
Additional charges:
filning
!
I
!
Apartment
SCRIPTED LOCATION
Set-up base camp
n Security
!
!
Buses
Picture Vehicles
U Water Truck
Extra tables & chairsrtent
n Locate parking lot if shuttle
ls necessary
E Put up signs to location
n Recycle Bins
Arrange for clean-up crew
LOCATION AGREEMENT
Scripted
Picture:
Location: Apartment
Production Co:
Address:
800 West University Parkway

Orem. Utah 84057
Set#(s):
Phone#:
80l-649-8770
Date:
March 15.2016
Dear Ladies and Gentlemen:
1. I, the undersigned owner or agenL whichever is applicable, hereby irrevocably grants to [uVt{ ("Producer"),
and its agents, employees, contractors and suppliers, the right to enter and remain upon and use the property, both
real and personal, located at: 12203 Cariage ln. Holladay, UT 841 I 7l (the "Property"), including without
limitation, all interior and exterior areas, buildings and other structures of the Property and owner's name, logo,
trademark, service mark and/or slogan, and any other identiffing featrues associated therewith or which appear in,
on or about the Property, for the purpose of photographing (including without limitation by means of motion
picture, still or videotape photography) said premiseso sets and structues and/or recording sound in coilnection
with the productiorl exhibition, advertisiog and exploitation of the [Short Film] tentatively entitled fNoel] (the
"Pictufe").
2. Producer may take possession of said premises commencing on or about [March 15, 2016] subject to change
because of weather conditions or changes in production schedule, and continuing until the completion of all
scenes and work required.
3. Charges: As complete and full payrnent for all of the rights granted to Producer hereunder, koducer shall pay
to Ov,mer the total amount of $[0J, brokendown as follows:
No. of Days
Prep
Shoot
Strike
Hold
Other
0
0
0
0
x
x
x
x
s
$
All
charges are payable on completion of all work completed, unless specifically agreed to the contrary. Producer
is not obligated to actually use the property or produce a [Short Film] or include material photographed or
recorded hereunder in the Picture. Producer may at any time elect not to use the Property by giving Owner or
agent24 hours written notice of such election, in which case neither pafi shall have any obligation hereunder.
4.
Producer may place all necessary facilities and equipment, including temporary sets, on the Property, and
agrees to remove same after completion of work and leave the Property in as good condition as when received,
reasonable wear and tear from uses permitted herein excepted. Sips on the Property may, but need not, be
removed or changed, but, if removed or changed, must be replaced. In connection with the Picture, Producer may
refer to the Property or any part thereof by any fictitious name and may attribute any fictitious events as occurring
on the Property. Owner irrevocably grants to Producer and Producer's successors and assigns the right, in
perpetuity, throughout the universe, to duplicate and recreate all or a portion ofthe Property and to use such
duplicates and recreations in any media and./or manner now known or hereafter devised in connection with the
Picture, including without limitation sequels and remakes, merchandising, theme parks and studio tours, and in
connection with publicity, promotion and/or advertising for any or all of the foregoing.
5. Producer agrees to use reasonable care to prevent damage to the Property and will indemnify and hold Owner
harmless from and against any claims or demands arising out of or based upon personal injuries, death or property
damage (ordinary wear and tear excepted), suffered by such person(s) resulting directly from any act of
negligence on Producer's part in connection with the work hereunder.
Location Agreement
Pc?
6. All rights of every nature whatsoever in and to all still pictures, motion pictures, videotapes, photographs
and
sound recordings made hereunder, shall be owned by Producer and its successors, assigns and licensees. and
neither Owner nor any tenant, or other party now or hereafter having an interest in said property, shall have any
right of action against Producer or any other party arising out of any use of said still pictures, motion pictures,
videotapes, photographs and or sound recordings, whether or not such use is or may claimed to be, defamatory,
untrue or censurable in nature. In addition, neither Owner nor any tenant, nor any other party now or hereafter
having an interest in the Property, shall have any right of action, including, but not limited to, those based upon
invasion of privacy, publicity, defamation, or other civil rights, in connection with the exercise of the permission
and/or rights granted by Owner to Producer. If there is a breach by Producer hereunder, Owner shall be limited to
an action at law for monetary damages. In no event shall Owner have the right to enjoin the development,
production, distribution or exploitation of the Picture.
7. Force Majeure: If because of illness of actors, director or other essential artists and crew, weather conditions,
defective film or equipment or any other occurrence beyond Producer's control, Producer is unable to start work
on the date designated above and/or work in progress is intemrpted during use of the Property by Producer, then
Producer shall have the right to use the Property at a later date to be mutually agreed upon and/or to extend the
period set forth in Paragraph 2, and any such use shall be included in the compensation paid pursuant to
Paragraph 3 above.
8. At any time within six (6) months fiom the date Producer completes its use of the Property hereunder,
Producer may, upon not less than five (5) days prior written notice to Owner, reenter and use the Property for
such period as may be reasonable necessary to photograph retakes, added scenes, etc. desired by Produeer upon
the same terms and conditions as contained in this agreement.
9.
Owner warrants neither he or anyone acting for him, gave or agreed to give ary.thing of value, except for use
of the Property, to Producer or anyone associated with the production for using said Property as a shooting
location.
10.Owner represents and warrants that he/she is the owner and/or authorized representative of the Property, and
that Owner has the authority to grant Producer the permission and rights granted in this agreement, and that no
one else's permission is required. If any question arises regarding Owner's authority to grant the permission and
rights granted in this agreement, Owner agrees to indunrnifu Producer and assume responsibility for any loss and
liability incurred as a result of its breach of the representation of authority contained in this paragraph, including
reasonable attorneys' fees.
1l lf there is a dispute between the parties, Owner's remedies will be limited to an action at law for money
damages, and in no event will Owner have the right to seek injunctive or equitable relief or to otherwise eqioin the
production distribution, marketing or exploitation of the Picture.
This agreement constitutes the entire understanding between the parties, supersedes any prior understanding
relating thereto and shall not be modified except by a writing signed by the parties.
EMERGENCY INFORMATION
(To be posted on the set at all times)
TE:
Noel
SHOW:
March 15.2016
PRODUCTION CO:
PROD. OFFICE PHONE
TODAY'S
NO:
801-649-8770
LOCATION:
ADDRESS:
FAX#:
Apartment
2203 CaniaseLale#S1
Holladav- Utah 841l7
LOCATION PHONE
PROPERTY
NOS:
801-833-2008
OWNER(S)iIVIANAGER: JasonMidgley
OWNER/MANAGER'
PHONE NO:
ESSENTIAL PHONE
NUMBERS
POLICE: 801-468-2204
NEAREST EMERGENCY MEDICAL
5
l2l
EMERGENCY CALLS
FIRE:
FACILITY:
oNLY: 911
801-743-7220
Intermountain Medical Center
Cottonwood street
Murav. Utah 84157
EMERGENCYROOMPHONENO:
801-507-7000
Emergency Telephone Procedures:

Indicate if you have a medical or fire emergency that requires an immediate response, then give the following
information:
Type of emergency (fire, medical, police or other) and related details (persons involved, nature of injuries, etc.)
Location of emergency (including building, floor and room numbers)
Your name and the telephone number you are calling from
.
o
o
Note: Do not hang up hrst as the operator may require additional information fi'om you.
UPM:
CELL:
PHONE:
SET MEDIC:
PHONE:
CELL:
LOCATION MANAGER
Cl,,
r;
D offs ' oq " r

.J
PHONE: EOI-61q-277A
ON-SET SAFETY
pHoNE:
CELL:
COORDINATOR; Tu
Be t - As>- L?o
on I ,) o u
"
I
GELL:
CONSTRUCTTON SAFETY COORDINATOR:
PHONE:
CELL:
PRODUCTION SAFETY CONSULTANT:

PHONE:
CELL:
LOCATION RELEASE
Location:
Owner: Jason Midsley

Property Address; 2203 Car:riage Lane
Property
Apartment
Set#:
Holladav. Utah 841 l7

Production Co:
ITVTI
("Producer")
Address:
Re:
Noel
(the "Picture")
To the Producer:
I, the undersigned owner or agent (collectively. "Owner") hereby acknowledges that the Property as
referred to in the LOCATION AGREEMENT between Producer and Owner dated [DATE INDICATED
ON LOCATION AGREEMENT], (the "Agreement") has been returned to Owner in substantially the
same condition as it was in prior to Producer's use thereof:
Owner hereby acknowledges that:
(a)
(b)
(c)
all payments required under the Agreement have been paid;

no additional restoration work is required in connection with the Property;
Owner and any individual who entered the Property at the invitation or on behalf of
Owner, suffered no personal loss or damage in connection with the use of the Property by
Producer; and
(d)
Producer has no other responsibilities in connection with the Property other than to continue
to hold Owner harmless from any and all third-party suits, claims, or loss or liabilities
directly resulting from Producer's use of the Property.
Owner hereby releases and forever discharges Producer, its parent. subsidiary. affiliated and associated
companies and its and their officers, employees and agents, and their successors and assigns of and from
any and all claims, debts, demands, liabilities, obligations, costs, expenses, damages, actions and causes
of action of whatsoever kind or nature, whether known or unknown, which Owner has ever had, now has
or which Owner or any of its successors or assigns hereafter can, shall or may have against Producer
based on or arising out of, relating to or in connection with the Agreement.
Producer may assign, transfer, license, delegate andlor grant all or any part of its rights, privileges and
property hereunder to any person or entity. This Agreement shall be binding upon and shall inure to the
benefit ofthe parties hereto and their respective heirs, executors, administrators, successors and assigns.
This Agreement and Owner's rights and obligations hereunder may not be assigned by Owner.
ACCEPTED & AGREED TO:
?- lg -lb
Date

Production Book Spencer Mckay

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Production Book Spencer Mckay

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Directors Workshop

lnstructor: Dennis Lisonbee

Production Title: Noel

UVU Saftey & Production Guidelines

Cast Deal Memo

/ Crew Deal Memo

Kitchen Scene from Noel

Phone: 801 960

t,t ',1 Ltril a,lh

is cookj-nq in the kitchen. A bedroom door opens,

I keeps cooking without looking at her.

I g:oes to the pantry and qets a can of tomato sauce.

We're g'oing out tonlght.

I quess f'm happy for you.

You're better at being in the

tney reaches down her pants.

taking care of the bills.

pulls out a wad of cash and plops it

looks at the money. She points at it with the knife.

money away f rom the

Noel- points to a drawer with her knife.

Vdhitney looks inside the drawer at an envelope titled

You can't sleep with guys for

Whitney shruqs her shoulders.

I rreeded the money.

ney gfoes back to the drawer, opens the envelope

dg you make an hour?

NoeI enter . Whitney stands next to her bed lookinq into

the box on Whitney's bed and goes to the closet.

Noel goes o a dresser on Whitney's side, pul1s a drawer out

he qoes to her computer and types 'rooms for

aJoA- roo qprC\

*,t-o#t 67c *to5l

ha.*t-qi1. t^r r*r$

k. Choose any of them- Just.

..lt'-l-l- t 1I the landlord.

you w 't. How wilf you afford

Noel pauses. She

Llke heI1 you wi11.

picks her cl-othes

e qoes to the box in

rfa*$t4 2 xU*- .'30

NoeI goes back to

Whitney paces aro

the hell do you

You just want

Noel packs up her

Whitney grabs her bag of b ushe

NoeI juggles the

x and canvas out of

room and down the

Whitney! I'm goingl I'd rather use

goes to the door and reaches for the doorknob. Whitney

You can't leave me ! This is a big

opens the door and leaves, slamming the door be hind

(lftC K Ar,!\ tsrAD SftSo^r

*Jq: d eot ?tl

1ST SHOT AFTER 2ND MEAL

UVU Safety iint! Production Guidelines

FIREARMS & WEAPON

may NOT use any firearms or weapons such as knives or swords.

CHILDREN, THE ELDERLY, AND THE DISABLED

,t-o#t 67c to5l

ha.t-qi1. t^r rr$

rfa$t4 2 xU- .'30