Professional Documents
Culture Documents
Grade 3
Catharsis
ur
Conductor
1st Violin
2nd Violin
3rd Violin (Viola T.C.)
Viola
Cello
String Bass
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INSTRUMENTATION
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One of most popular contemporary fiddle tunes, many notable artists, including Natalie
McMaster, have performed this piece. It is just a super cool tune with a compelling rhythmic
drive that is, unexpectedly, set in G minor.
eg
All Belwin string parts have been carefully bowed and fingered appropriately by level. The Yellow
Very Beginning series includes many bowings as well as reminder fingerings for first-time readers.
The Red Beginning series includes frequent bowings to assist younger players. Fingerings for
altered pitches are often marked. The Green Intermediate series includes appropriately placed
bowings for middle-level students. Fingerings and positions are marked for notes beyond first
position. The Blue Concert series includes bowings appropriate for the experienced high school
player. Fingerings and position markings are indicated for difficult passages.
Bob Phillips
Please note: Our band and orchestra music is now being collated by an automatic high-speed system.
The enclosed parts are now sorted by page count, rather than score order.
ch
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By AMY CANN
Arranged by Bob Phillips
Catharsis
CONDUCTOR SCORE
Duration - 2:10
String Bass
Str. Bass
38427S
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B bb
eg
P
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Cello
b
b
&
r
e
a
II
Vla.
(Vln. III)
v
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I
Vlns.
&
bb
qu
ir
? b C
b
y
as
ch
? b C
b
nl
ur
Cello
B bb C
Viola
(Violin III)
II
bb C
&
bb C
&
es
Violins
Energetic ( = 96)
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By AMY CANN
Arranged by Bob Phillips
? bb
? bb
II
Vla.
(Vln. III)
pizz.
> >
F
> > pizz.
b
Bb
F
pizz.
? b > >
b
F
pizz.
? b > >
b
F
8
9
&
ur
11
es
10
ir
Str. Bass
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Cello
bb
Vlns.
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bb
ch
Vlns.
Str. Bass
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13
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B bb
12
38427S
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a
Cello
P
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Vla.
(Vln. III)
b
&b
eg
II
qu
&
v
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bb
14
15
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Cello
Str. Bass
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>
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18
19
w
w
w
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&b
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(Vln. III)
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20
38427S
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f
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f
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f
17
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17
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21
22
23
25
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b
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b
>
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Str. Bass
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25
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26
27
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(Vln. III)
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30
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31
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bb
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b
Str. Bass
>
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33
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34
35
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32
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b
&b
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>
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w
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>
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Str. Bass
eg
Cello
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(Vln. III)
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36
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II
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&
v
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Vla.
(Vln. III)
>
II
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Vlns.
es
bb
37
38
39
41
Str. Bass
B bb
>
>
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b
>
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? b >
b
>
>w
>
>
>
41
w>
>
w>
42
43
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Cello
nl
Vla.
(Vln. III)
&
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II
bb
Vlns.
b
&b
es
r
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a
II
Str. Bass
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>
w>
>
>
w>
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>
w>
>
>
w>
eg
Cello
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B bb
P
L
Vla.
(Vln. III)
44
38427S
qu
&
bb
Vlns.
&
v
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bb
45
46
47
b
&b
II
B bb
? b >
b
49
50
51
&b
r
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a
II
Str. Bass
? bb
. . . .
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. . . .
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Cello
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B bb
P
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Vla.
(Vln. III)
Vlns.
&b
v
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qu
ir
e
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48
ch
nl
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b
y
as
ur
Str. Bass
b
&b
Cello
Vla.
(Vln. III)
es
Vlns.
49
52
38427S
53
54
55
56
57
Str. Bass
? b
b
58
. . .
.
59
. . .
.
60
b
&b
r
e
a
II
Vlns.
b
&b
v
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qu
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57
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Cello
ur
Vla.
(Vln. III)
II
Vlns.
es
bb pizz.
&
f
bb pizz.
&
f
pizz.
b
Bb
f
? b
b
Str. Bass
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eg
Cello
lU
B bb
P
L
Vla.
(Vln. III)
61
38427S
62
63
64
10
65
I
Vlns.
b
b
& w
w
w
w
>
>
f
arco
b
b
&
f
arco
b
Bb
f
? bb
65
66
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ch
67
68
v
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Cello
Str. Bass
38427S
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eg
P
L
Vla.
(Vln. III)
>
&
Bb
r
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a
II
w
>
I
Vlns.
b
b
&
qu
ir
Str. Bass
? bb
es
Cello
e
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Vla.
(Vln. III)
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as
II
arco
? bb
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69
70
71
72
11
73
Vlns.
II
b
b
&
bb
&
y
as
Str. Bass
pizz.
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f
73
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ur
75
76
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74
ch
Cello
pizz.
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f
es
Vla.
(Vln. III)
nl
b
Bb
P
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Vla.
(Vln. III)
Str. Bass
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77
38427S
qu
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eg
Cello
lU
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a
II
&
Bb
Vlns.
v
s i
b
b
&
78
79
80
12
81
81
y
as
>
w>
>
82
>
>
83
>
84
b
&b
r
e
a
II
Vlns.
b
&b
v
s i
Str. Bass
eg
Cello
lU
B bb
P
L
Vla.
(Vln. III)
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>
>
w>
>
>
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>
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85
38427S
qu
ir
Str. Bass
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Cello
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ch
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b
f
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>
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f
nl
Vla.
(Vln. III)
B bb
ur
II
bb
&
Vlns.
b
b
&
es
86
87
88
13
89
Str. Bass
>
y
as
>
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b
w>
>
>
w>
>
90
>
>
91
>
92
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e
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89
ch
>
nl
Cello
>
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b
ur
Vla.
(Vln. III)
B bb
II
bb
&
Vlns.
b
&
es
&
r
e
a
II
bb
Str. Bass
>
>
w>
>
? b b w>
>
>
w>
>
93
38427S
qu
? b b w>
eg
Cello
lU
B bb
P
L
Vla.
(Vln. III)
,
,
Vlns.
v
s i
b
&b
94
95
96
14
y
as
. . .
.
ch
98
99
. . .
.
100
ir
Str. Bass
nl
Cello
ur
Vla.
(Vln. III)
II
Vlns.
e
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. . .
. .
.
. . .
es
bb
&
bb
&
b
Bb
? b
b
? b
b
97
97
P
L
Vla.
(Vln. III)
Str. Bass
qu
. . .
.
? b b
. . .
.
101
38427S
? b b
eg
Cello
lU
r
e
a
II
Vlns.
v
s i
bb
&
. . . .
&
. . . .
. . . .
Bb
102
103
104