Ceramic

Bilim, Teknik ve Endstri Dergisi .
Scientific, Technical and Industrial Journal

Kasm - ubat 2013
November - February 2014
Sector / Sektr : 44
ISSN 1304 - 6578
cretsizdir / Free of Charge
Trkiye Seramik Federasyonu Dergisi
Journal of Turkish Ceramic Federation
UNESCO YAAYAN NSAN HAZNES DLL N SANATISI: Mehmet Grsoy

UNESCO LIVING HUMAN TREASURE AWARD WINNER iNi ARTIST Mehmet GrSOY
Trkiyenin seramik ihracat 2023te e katlanacak;
Turkish ceramic exports will be three times that of the present by 2023
Candan Dizdar Terwiel ile Seramik Sanat zerine
On Ceramic Art with Candan Dizdar Terwiel
Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 3
iindekiler
46
37
82
06
08
12
14
38
40
Trkiye Seramik Sektr Strateji Belgesi ile sektrn elde ettii kazanmlar
Gains of the industry by Turkish Ceramic Industry Strategy document
SERAMK ARATIRMA MERKEZ
CERAMIC RESEARCH CENTER
anaklar irketler Grubuna TSFden Onur dl
Honor Award from TSF to anaklar Group of Companies
Creavit ile Doadan Banyoya Seriler: Jaws & Bull
Series from Nature to the Bathroom with Creavit: Jaws & Bull
DUMLUPINARDA KARMA SERG
AT DUMLUPINAR GROUP SHOW
UNESCO YAAYAN NSAN HAZNES DLL N SANATISI: Mehmet Grsoy
UNESCO LIVING HUMAN TREASURE AWARD WINNER iNi ARTIST Mehmet Grsoy
4 seramik Kasm 2013-ubat 2014 / November 2013-February 2014
40
contents
30
39
38
86
Prof. Dr. Erdal ELK ile niversite-Sanayi birlii zerine

On University-Industry Collaboration with Prof. Dr. Erdal ELIK
Trkiyenin en byk seramik showroomu NG Ktahya Seramik ile Konyada ald
Turkeys largest ceramic showroom opens in Konya with NG Ktahya Seramik
Trkiyenin seramik ihracat 2023te e katlanacak
Turkish ceramic exports will be three times that of the present by 2023
MERT VE MACERACI AYI GVENL BANYOMU ANLATIYOR
MERT AND ADVENTUROUS BEAR TELL ABOUT MY SAFE BATHROOM
NAAT 2023 ADANADA DEVAM EDYOR
CONSTRUCTION 2023 ONGOING IN ADANA
76
KALE GRUBUNUN 19UNCU KARO FABRKASININ TEMEL ATILDI

THE FOUNDATION OF KALE GROUPS 19TH FLOOR TILE PLANT LAID
58
72
74
76
78
82
TRKYE SERAMK FEDERASYONU
Yayna hazrlk / Prepared for publication by

Genel Yayn Ynetmeni / Managing Editor
Blent Tatlcan - bulent@kr-medya.com
Yayn Koordinatr / Editorial Coordinator
Aylin Muhaddisolu - aylin@kr-medya.com
Yayn Danman / Production Consultant
Mimar / Architect Heval Zeliha Yksel
yzeliha@yahoo.com
Grsel Ynetmen/Art Editor
Mehmet Akif Dilmen - makifdilmen@gmail.com
Fotoraf Editr / Photography Editor
Murat Saraslan (Santral)
ngilizce eviriler/ English Translations
Ali Turan Aksoy
letiim / Communications
Tel: 0212 262 07 66 Gsm: 0533 440 66 91
info@krmedya.com
Araba yolu cad. No:10/B Saryer / STANBUL
Bask / Publishing
FRS Matbaaclk Mas- Sit Matbaaclar Sitesi
5. Cad. 34 Baclar 34204 stanbul
Kapaktaki Eser:
LHAN MARASALI
Bu dergi Seramik Tantm Grubunun katklaryla yaynlanmaktadr.

This journal is published with contributions from Turkish Ceramics Promotion Group
Yazm Kurallar
Seramik malzemelerle ilgili (Cam, imento, Emaye dahil) orijinal aratrma, davetli makale, derleme, teknik rapor ve haber trndeki yazlar bilgisayarda yazlm olarak PC Word belgesi formatnda
e-posta ile iletilmeli, ayrca kat kts da Trkiye Seramik Federasyonu adresine gnderilmelidir. Yazar, makalesinde yer alacak grseller 304 dpi znrlkte elektronik olarak taranp CDde teslim
etmelidir. Eger bu mmkn deilse mutlaka dia ve kart bask (10x15 cm) eklinde gnderilmelidir. Yazlarda kullanlan ekil, ema grafikler Word Belgesi iine yaptrlmamal, her biri tek bir
resim belgesi olarak CD ile gnderilmelidir. Kullanlan kaynaklar metin iinde numaralandrlmal, metin sonunda mutlaka toplanmaldr. Bilim ve sanat makalelerinde zet ksmnn olmas zorunludur.
Gnderilecek makalelerin maksimum 1500 szc gememesi gerekmektedir. Gnderilen ya da istenen her yaznn kabul edilip edilmemesi ya da dzeltme istenmesinde Yayn Kurulu tam yetkilidir.
Sanatsal ve Bilimsel bal altnda deerlendirilecek makaleler mutlaka en az bir hakem tarafndan deerlendirildikten sonra Yayn Kurulunca incelenmektedir. Dergideki yazlardan kaynak gstermek
kouluyla alnt yaplabilir. Dergiye gnderilen yazlar yaynlansn ya da yaynlanmasn yazarna iade edilmez. zgn ya da derleme yazlardaki bilgiler ve grler yazarn sorumluluundadr. Ticari
reklamlar firmalarn sorumluluundadr.
chairmans message / bakann mesaj
Deerli Okurlar,
2013 yln geride braktk. Bu srete seramik sektrnn uluslararas pazarlardaki gelimesini incelediimizde, miktarsal bymenin devam edeceini ve katma deeri daha yksek rnlere ynelerek birim fiyat art
oluacan syleyebiliriz. pazarn olumlu gelimesi, nmzdeki dnemde ihracat azaltmayacak, mevcut
fazla kapasiteler kolayca devreye alnabilecektir. Buna bal olarak da reticilerimiz teknolojik ve estetik adan daha stn rnlere ynelecektir ki bu olduka olumlu bir gelimedir.
Avrupadaki ekonomik krizde talya, Portekiz ve spanyann i pazarda yaad ar daralma, bizlerin de
pazar olan Orta/Kuzey Avrupa ve ngiltereye, bu lkelerden ar mal arzlarna neden oldu. Bu da reticilerimizin hamle yapmasn engelledi. Her geen gn artan nitelikli in rnleri, anti-damping yasalaryla
engellense de bu rnlerin Avrupa pazarlarna girdiini unutmamak gerekir. Uzakdou pazarlar ok gl
yerel reticiler, gmrk duvarlar ve lojistik nedenlerle sektrde frsat olarak grlmyor. Buna karlk Kuzey
Amerika, zellikle ABD karo iin bir frsat blgesi olarak ne kyor. Afrika ile ilgili olarak da derneimiz ve
Orta Anadolu hracatlar Birlii (OAB) almalar yrtyor.
Trk seramiinin marka algsnn gelitirilmesi, en az orta segmenete ynelik rnler retmekten ve kalc pazarlara yatrm yapmaktan
geiyor. Sektrdeki oyuncularn miktar yerine rn niteliklerini artran yatrmlara ynelmesi, Trk seramiini, ucuz rn algsndan
bir kademe ste tayacaktr. Bu noktada, Turquality desteklerinin
reticiler iin byk bir yardm, Eximbank kredilerinin ise nemli bir
destek unsuru olduunu da unutmamak gerekir.
2014n tm birey ve kurumlarn hayatna yeni ve olumlu almlar
getirmesini diliyorum.
Dear Readers;
Ahmet Yamaner
SERFED Bakan /
Chairman of SERFED
We left behind year 2013. Examining the development of the ceramic industry in international markets in this period, we can say that quantitative growth will continue and that there will be an increase in unit prices,
moving towards higher value added values. The positive progress in the
domestic market will not decrease exports in the upcoming period, with
present excess capacity being activated easily. Hence, our manufacturers
will move towards products that are higher technologically and aesthetically, which will be a quite positive development.
The excessive contraction experienced by Italy, Portugal and Spain in domestic markets in the economic recession in Europe was cause for over-supply from these countries to Central/Northern Europe and Britain, which are also our markets. This prevented our manufacturers making moves. Chinese ware
with increasingly better quality are prevented by anti-dumping laws; yet one must not forget that these products are
penetrating European markets. Far Eastern markets do not appear to be opportunities for our industry due to very
powerful local manufacturers, customs barriers and logistical reasons. However, North America, specifically USA,
stand out as an area of opportunity for tiles. Our association and Central Anatolia Exporters Union (OAIB) are engaged
in studies in connection with Africa.
The advancement of the brand perception of Turkish ceramic depends on producing ware at least catering to the
middle segment and investing in the permanent markets. If the players in the industry opt for investments increasing
product quality instead of quantity, Turkish ceramic will be taken to one higher level than the perception of cheap
product. At this point, we should not forget that Turquality support is a great help for manufacturers, with Eximbank
loans serving as an important element of support.
I wish that 2014 brings new and positive approaches to the lives of all individuals and companies!...
bizden / from us
TRKYE SERAMK SEKTR

STRATEj BElGES lE SEKTRN ElDE
ETT KAZANMlAR
GAiNS oF ThE iNDUSTRY BY TURKiSh
CERAMiC iNDUSTRY STRATEGY DoCUMENT
TRK SERAMK SEKTRNN REKABET GCN, KATMA DEERN vE hRACATiNi ARTiRMAK, SoRUNLARiNA zM
BULMAK AMACiYLA BLM, SANAY vE TEKNoLoj BAKANLii KooRDNASYoNUNDA LGL TM KAMU KURUM vE
KURULULARi, NvERSTELER, SvL ToPLUM KURULULARi vE SEKTR TEMSLCLERNN KATiLiMiYLA hAziRLANAN
TRKYE SERAMK SEKTR STRATEj BELGES vE EYLEM PLANi 25.01.2013 TARhL vE 28539 SAYiLi RESM GAzETEDE
YAYiMLANMi oLUP, Sz KoNUSU BELGENN UYGULAMA, zLEME vE DEERLENDRME SREC DEvAM ETMEKTEDR.
TURKiSh CERAMiC iNDUSTRY STRATEGY DoCUMENT AND ACTioN PLAN DRAFTED WiTh ThE PARTiCiPATioN oF ALL
RELEvANT PUBLiC AGENCiES, UNivERSiTiES, NGoS AND iNDUSTRY REPRESENTATivES UNDER CooRDiNATioN BY MiNiSTRY
oF SCiENCE, iNDUSTRY AND TEChNoLoGY To iNCREASE ThE CoMPETiTivENESS, vALUE ADDED AND ExPoRTS oF ThE
TURKiSh CERAMiC iNDUSTRY SEEKiNG To FiND SoLUTioNS FoR iTS PRoBLEMS WAS PUBLiShED iN oFFiCiAL GAzETTE oF
25.01.2013, No. 28539 AND ThE APPLiCATioN, MoNiToRiNG AND EvALUATioN PRoCESS FoR ThE DoCUMENT iS oNGoiNG.
from us / bizden
Trk Seramik Sektrnn majn Ykseltmek ve Kresel Pazar Payn Artrmak vizyonu erevesinde; 20122016 yllarn kapsayan Trkiye Seramik Sektr Stratejisi, ve D Pazarda Salkl Bymeyi Salamak
ve Trk Seramik Sektrnn Rekabet Gcn Artrmak genel amacna
sahiptir. Belgenin Uygulama, zleme ve Deerlendirme srecine ynelik
Ynlendirme Kurulu ikinci toplants 29/08/2013 tarihinde Bilim, Sanayi ve
Teknoloji Bakanlnda Daire Bakan V. Sayn H. Ali ZEN bakanlnda
gerekletirilmitir.
Toplantya Trkiye Seramik Federasyonu Ynetim Kurulu Bakan Ahmet
YAMANER, Federasyon Genel Sekreteri Germiyan SAATOLU, Seramik
Aratrma Merkezi (SAM) Ar-Ge Koordinatr Prof. Dr. Alpagut KARA, Gazi
niversitesi retim yesi Prof. Dr. Sleyman TEKEL ve Eylem Plannda
sorumlu kurulu olarak yer alan kurumlarn yetkili temsilcileri katlm salamtr. Toplantda ube Mdr Ziynet Berna ORHAN tarafndan son alt
aylk dneme ait deerlendirmeleri ieren bir sunum gerekletirilmitir.
Belgenin uygulamaya srecine girmesi ile seramik sektrnn elde ettii
kazanmlar aada yer almaktadr:
Trkiye Seramik Endstrisi Hammadde Stratejik Plan hazrlk almalarna balanmtr.
Seramik Sektr ve Makina Sektr
bir araya getirilerek ibirlii imkanlar aratrlmtr.
Eskiehir - Bilecik - Ktahya Seramik Kmesi Projesine balanlmtr.
Ocak-Haziran 2013 dneminde Seramik sektr yatrmlar iin 11
adet Yatrm Tevik Belgesi dzenlenmitir.
Seramik Sektrnde faaliyet gsteren 2 firmaya Ar-Ge Merkezi Belgesi
verilmitir.
Seramik Sektrne ynelik olarak
toplam btesi 6 Milyon TL olan 38
proje desteklenmitir.
Seramik Sektr ile ilgili Teknogiriim Sermaye Destei kapsamnda
toplam 8 adet proje desteklenmitir.
naat ve Tesisat Birim Fiyatlar Kitab hazrlk almalarna Sektr
mdahil edilmitir.
Az su tketen seramik rnleri ile
ilgili SUVER (Su Verimlilii) Projesi
balatlmas karar alnmtr.
Kentsel Dnm Projesinin Seramik Sektr iin yarataca frsatlarn aratrlmasna karar verilmitir.
Seramik fabrikalarna iltisak hatt denmesi konusunda etd proje
yapm almalar TCDD tarafndan balatlmtr.
merli - Gebze - Dilucu Demiryolu Projesi TCDD tarafndan etd
edilmektedir.
Seramik Sektrne 1 Ocak-31 Mays 2013 dneminde 112,4 milyon
ABD Dolar tutarnda ihracat kredisi kullandrlmtr
Seramik Sektrnde faaliyet gsteren 4 firmann Enerjide Verimlilik
Artrc Projelerinin Desteklenmesi bavurusu inceleme ve deerlendirmeye alnmtr.
Toplantda, sunum sonras eylemlere ait gelimelerin deerlendirildii
Uygulama, zleme ve Deerlendirme Taslak Raporunun grlmesine
geilmitir. Rapordaki gelimeler, Uzman Yardmc Tuba ALBAYRAK ve
sorumlu kurulu temsilcileri tarafndan aktarlmtr. Toplantya katlm
salayan ilgili kurum ve kurularn eylemler hakkndaki deerlendirmeleri
alnmtr.
Turkish Ceramic Industry Strategy covering 2012-2016 under the vision of Raising the Image and Increasing the Global Market of Turkish Ceramic Industry has the general objective of Ensuring Healthy
Growth in Local and International Markets and to Increase the Competitiveness of Turkish Ceramic Industry. The second meeting of the
guiding committee, which is part of the application, monitoring and
evaluation process of the document was held chaired by Department
Head Mr. H. Ali Ozan at Ministry of Science, Industry and Technology
on 29/08/2013.
The meeting was attended by Turkish Ceramic Federation Chairman of
the Board Ahmet YAMANER, Federation Secretary General Germiyan
SAATIOLU, Ceramic Research Center (SAM) R&D Coordinator Prof.
Dr. Alpagut KARA, Gazi University Member of Faculty Prof. Dr. Sleyman
TEKELI and authorized representatives of agencies which are listed as
responsible organizations in the Action Plan. A presentation was made
at the conference by Branch Manager Ziynet Berna ORHAN, containing
assessments regarding the most recent
six-month period.
The gains of the ceramic industry with
the application of the document are listed as follows:

Preparatory work for Turkish
Ceramic Industry Raw Material strategy
plan was started.

Ceramic Industry and Machine
Industry were brought together searching possibilities of collaboration.

Eskiehir - Bilecik Ktahya
Ceramic Business Cluster Project was
started.

Eleven project incentive certificates were issued for ceramic industry investments in January-June 2013
period.

Two firms engaged in the ceramic sector were issued R&D Center
certificates.

Thirty-eight projects with a
total budget of 6 million TL were given
support oriented to the ceramic industry.

Eight projects were given support under the Techno-entrepreneur
Capital Support under the initiative of
Turkish Ceramic Industry.

Sector was made part of preparatory work for construction and installation unit rates book.
Decision was made to start the SUVER (Water Efficiency) Project in
connection with less water consuming ceramic ware.
Decision was made to search opportunities to be created for the
ceramic industry by urban transformation project.
TCDD has started to design studies on laying of connection railways to ceramic plants.
merli - Gebze Dilucu Railway Project is being studied by TCDD.
Export credits of 112.4 million USD were made available to the ceramic industry in January 1 May 31, 2013 period.
Support for energy efficiency increasing projects for 4 firms engaged
in the ceramic industry were placed under review and assessment.
Application, Monitoring and Evaluation Draft Report was discussed at the
conference after the presentation where developments regarding actions
were assessed. The developments in the report were conveyed by assistant
expert Tuba ALBAYRAK and representatives of responsible organizations.
Views of participating agencies and organizations on actions were taken.
bizden / from us
SERAMK ARATIRMA MERKEZ

CERAMIC RESEARCH CENTER
niversite ibirlii ile salanabilecek seramik sanayinin ihtiya duyaca
hizmetleri sunmak, niversitelerde yrtlen aratrmalar endstriyel ve
teknolojik gelimeler ynnde ve sanayicinin gereksinim duyduu konularda kurgulayarak bu konularda bilgi birikimi salamak ve endstriyel
aratrma konularnda deneyimli mezunlar yetitirmek, yksek lisans
ve doktora rencileri ile niversitenin aratrma potansiyelini artrmak
ve niversite sanayi ibirliinde sreklilik salamak amacyla TBTAK
niversite-Sanayi Ortak Aratrma Merkezleri Program (SAMP) kapsamnda 1998 ylnda kurulmutur. 2007 ylnda seramik sektrnde faaliyet
gsteren 19 ortak ve Anadolu niversitesinin eit ortaklnda irketleerek niversite-sanayi ortakl bir yapya kavuan SAM A.., kurulu
amalar dorultusunda sanayi arlkl bir ynetim anlayna sahiptir.
Yedi yeli Ynetim Kurulunun alt yesi sanayiden, bir yesi ise Anadolu
niversitesindendir. Mevcut durumda Trkiyedeki seramik reticilerinin
%85inden fazlasyla (yaklak 55 firma) ibirlii ierisindedir. Faaliyetlerine Eskiehir Teknoloji Gelitirme Blgesinde devam eden SAM, Anadolu
niversitesi ile imzalad bir protokol ile Malzeme Bilimi ve Mhendislii
Blm altyapsn da kullanmaktadr. SAM artan rekabet ortamnda sektrn aratrma, teknoloji gelitirme ve yenilik ihtiyacn karlamaktadr.
Bugne kadar gerekletirilen ortak yarar projeleri ile seramik sektrne
kayda deer oranda katma deer salanmtr. Bunlarn yannda dorudan hesaplanamayan teknolojik destek hizmetleri ve danmanlklardan
salanan retim kayplarnn nlenmesi veya giderilmesi gibi hizmetlerle
sektre nemli katklar salanmtr.
Seramik konusunda aratrmalar yrten SAM; seramik karo, salk gereleri, refrakter, sofra eyalar, seramik boya, hammadde reticilerine
hitap etmektedir.
alma Alanlar

Seramik sektrnn rekabetini artracak rnde ve retim yntemlerinde yenilik gelitirme,

Sektrn rn kalitesi veya standartlarn artrma, Ar-Ge almalarnda ihtiya duyduu
test/analiz, eitim ve dier hizmetleri salama/salanmas iin giriimde bulunma,
Sektre teknolojik destek ve eitim hizmetleri verme, seminer, konferans, panel ve benzeri toplantlar dzenleme, gerektiinde eitici/
bilgilendirici yaynlar kartma,
Sektre analiz ve akredite standart
test hizmetleri verme,
Sektre ulusal/uluslararas teknik
dzenlemeler ile ilgili almalarnda
destek olma
Hizmet ve zmleri

Seramik sektr iin Ar-Ge ierii

yksek olan ortak yarar projeleri,
kili zel projeler,
Yenilie ynelik projeler,
Test-analiz hizmetleri,
Eitim, danmanlk, akredite test
hizmetleri Seramik sektr reticileri ile niversitede veya aratrma merkezlerinde alan aratrclara salanan destek yannda, seramik sektrnde retim yapan
fabrikalarn Ar-Ge veya retim birimlerinde alan teknik personele
talepleri dorultusunda eitim hizmetleri verilmektedir.
Ceramic Research Center was founded in 1998 under the TBITAK University-Industry Joint Research Centers Program (SAMP) for the purpose of
offering services required by ceramic industry which can be provided through university collaboration, setting up the research conducted in universities in direction with industrial and technological advances and on topics
required by the industry to ensure knowledge to be stored on such topics;
to develop experienced graduates in the field of industrial research, to increase research potentials of universities by Masters and Ph.D. studies students and to ensure continuity in university-industry collaboration. SAM
A.., which gained a university-industry partnered structure by incorporating under equal partnership of 19 shareholders engaged in the ceramic
industry and Anadolu University in 2007, has an industry weighted management concept in line with its objects of foundation. Six of the sevenmember board of directors come from the industry and one from Anadolu
University. Presently, more than 85 percent of manufacturers in Turkey
(approximately 55 firms) are collaborating. SAM, pursuing these activities
in Eskiehir Technology Development Zone also uses the infrastructure
of Material Sciences and Engineering Department under a protocol signed
with Anadolu University. In this increasing competitive environment, SAM
satisfies the research, technology, development and innovation demand of
the industry. Through joint benefit projects realized so far, its significant
value added was provided to the ceramic industry. In addition, important
contribution was provided to the industry with services like technologic
support which cannot be directly calculated and prevention or elimination
of production losses through consulting services.
Conducting research in the field of ceramic; SAM caters to ceramic tile,
sanitary ware, refractories, tableware, ceramic colorant and raw material
manufacturers.
Fields of Engagement

Developing innovations on products and production techniques to

increase competitiveness of the ceramic industry,
Increasing product quality or standards of the industry, taking initiative or providing/securing tests/analysis, training and other services
required in R&D work,
Providing technological support and training services to the industry,
Organizing seminars, conferences, panels and similar meetings as
necessary to publish educational/informative publications,

Providing analysis and accredited
standard test services to the industry,

Supporting the industry in work
relating to national/international, technical regulations.
Services and Business

Solutions

Joint benefit projects with high
R&D content for ceramic industry,

Bilateral special projects,

Innovation oriented projects,

Test-analysis services,

Training, consulting, accredited
testing services: In addition to support provided to ceramic industry
manufacturers or researchers working at university or research centers, training is provided in line with demand to technical staff working in R&D or production units of ceramic production plants.
bizden / from us
TRKYE SERAMK FEDERASYONU SERAMK SEKTR YEN

YIL BALOSU TURKISH CERAMICS FEDERATION NEW YEARS
BALL FOR THE CERAMIC INDUSTRY
Trkiye Seramik Federasyonu her yl dzenlemekte olduu Seramik Sektr Yeni Yl Balosunu, bu yl da sektr bireylerini bir araya getirmek ve
keyifli bir gece geirmelerini temin etmek iin 06 Aralk 2013 Cuma gn
Moda Deniz Kulbnde gerekletirdi.
Sektrdeki deerli sanayicilerimizin ve st dzey yneticilerinin katlmyla etkinlik gerekleti. Gecede kokteyl ve akam yemeinin ardndanTrkiye Seramik Federasyonu Ynetim Kurulu Bakan Ahmet Yamaner bir
konuma yapt. Getiimiz yln bir deerlendirmesini yapan Yamaner,
sektrn duayenlerinden anaklar Seramik firmas Ynetim Kurulu yesi ve Onursal Bakan Sayn Mehmet anakyave Toprak Seramik Ynetim Kurulu Bakan Sayn Halis Topraka seramik onur dlleri takdim etti.
Turkish Ceramics Federation held the Ceramics Industry New Years Ball it
holds every year, this year at Moda Deniz Club Friday, December 06, 2013,
bringing together industry individuals, allowing them to have a delightful
evening. The event was held with the participation of esteemed industrialists and senior level executives of the industry.
In the event, Turkish Ceramics Federation Chairman of the Board Ahmet
Yamaner gave a speech after the cocktail party and dinner. Doing a recap of
the previous year, Yamaner presented Ceramic Honor Awards to Mr. Mehmet ahinkaya, anakclar Seramik firm Member of the Board Honorary
Chairman and Toprak Seramik Chairman of the Board Halis Toprak, two
doyennes of the industry.
haber / news
anaklar
irketler
Grubuna TSFden
Onur dl
Honor Award
from TSF to
anaklar Group
of Companies
Trkiye Seramik Federasyonunun sektrn sanat,
bilim, sanayi, teknoloji, tasarm, uygulama ve ArGe gibi alanlarnda ne kan bireylere verdii
onur dlne bu yl anaklar irketler Grubu
Onursal Bakan Mehmet anak layk grld.
Dzenlenen zel gecede seramik sektrnn
duayenlerinden Mehmet anakya dl TSF
Bakan Ahmet Yamaner tarafndan takdim edildi.
This year, anakkale Group of Companies
Honorary Chairman Mehmet anak was found
worthy of the honor award offered by Turkish
Ceramics Federation to individuals outstanding
in disciplines of the industry like art, science,
industry, technology, design, application and R&D.
His award was presented by TSF President Ahmet
Yamaner to Mehmet anak, one of the doyennes of
the ceramic industry in the special function held.
anaklar irketler Grubu, vitrifiye seramik salk gereleri ve banyo - ofis mobilyalar sektrnn Trkiyedeki lider firmalarndan biri olarak faaliyet gsteriyor. anaklar irketler Grubunun; emsiyesi altnda rnleriyle dnyaya alanCreavitin yan sraDoxaveArmicamarkalar da faaliyet gsteriyor.
1960l yllarda kk bir atlyede mozaik tuvalet ta retimi ile balayan markann baar yolculuu 1980li yllarda balayan fabrikasyon sreciyle beraber, vitrifiye seramik salk gereleri retimini her geen yl daha da byterek gnmze ulayor.
anaklar Group of Companies is operating as one of the leading firms in Turkey of the vitreous china ceramic sanitary ware and bathroom office
furniture industry. In addition to Creavit, which opens to the world with its product under the umbrella of anakkale Group of Companies, Doxa and
Armica also operate under the same roof. The journey to success of the brand which started in 1960s with production of toilet stones in a small
workshop, has come to the present increasing its vitreous china ceramic sanitary ware production each passing year, with the mass production process which started in 1980s.
news / haber
TSF tarafndan onur dlne layk grlen anaklar irketler Grubu

Onursal Bakan Mehmet anaky ve anaklarn kuruluunu daha
yakndan tanmak isteyenler iin baar yksnn anlatt bir kitab bulunuyor. Rzgra Kar... Bir Baar yksbazen tatl tatl esen, bazen
de ykp geen rzgara kar ylmadan srdrlen bir baar yolculuu anlatlyor. nl iadam Mehmet anak, ok zorlu iklimlerden, ok zorlu
corafyalardan geip bu gnlere geldiini anlatrken:Bu messese, imkanszlklar ve ok zor artlarda fedakarlklarla, hayal aleminden mucize
gibi dodu...diyor.Bazen yle eyler gelir ki insann bana, kendimize
olan gvenimizi kaybederiz. Baarsz olacamz, stlendiimiz iin altndan kalkamayacamz dnrz. Oysa bu gvensizlik duygusunun
hepsi kendi aklmzn rndrdiyen anak, asla ylmamak gerektiini
de u szleriyle dile getiriyor: Elbette ok abalayp yine de kazanamadnz hatta kaybettiiniz zamanlar olacaktr, ama asla ylmamal ve
vazgememelisiniz. Vazgemek yenilgiyi kabul etmektir nk. Kitabnda, pozitif dnmeyi neren ve pozitif dnen insanlarn hayattan
daha ok zevk aldnn altn izen Mehmet anak, kitabna u szlerle nokta
koyuyor: Deiime uyum salamak ok
nemli. Yaadmz a, hzla geip giden
bir tren gibi... O treni doru istasyonda yakalayp binemezseniz, bir daha ayn ansa
sahip olamayabilirsiniz.
zellikle Vitrifiye Seramik Salk Gereleri sektrnde ulat byklkle Trkiye pazarnn ilk firmasndan biri olan
Creavit, ylda 1,5 milyon adet seramik
salk gereci retiyor. retiminin %40n
dnya pazarlarna ihra eden marka,
Portekizden ine kadar 60 farkl lkeye
de kaliteli hizmeti ulatryor ve servis
salyor.
140.000 m2lik ak alan ierisinde yer
alan 60.000 m2lik kapal alan zerine kurulmu olan, Zonguldak Gkebey Vitrifiye retim Tesisleri, retim kapasiteleri
gz nne alndnda, ylda 1,5 milyon
adet seramik salk gereci retimiyle tek
bir merkezde kurulu en byk tesisten
biri olarak hizmet veriyor. 2006 ylnda kurulan, ak alan 80.000 m2, toplam kapal
alan 36 000 m2 olan ikinci kuak Zonguldak aydeirmeni retim tesislerinde ise; banyo mobilyalar, gmme
rezervuar ve klozet kapaklar, ofis mobilyalar, banyo, lavabo ve mutfak
bataryalar retiminin tamam karlanyor.
Dnyann ilk Doa Fabrikas

Her alanda lider olmay kendine misyon edinen anaklar irketler Grubu, sosyal sorumluluk projeleri kadar eitim ve sanata yapt yatrmlarla da dikkat ekiyor. Markann kurum kltrnn bir paras olarak
hayata geirdii sosyal sorumluluk projesi; Botanik Alan ve Hayvanat
Bahesi, Doa Fabrikaskonseptiile dnyada bir ilk olma zelliini tayor. Zonguldak Gkebeydeki anaklar Tesislerindeki 120.000 m2lik
ak iletme alannn 30 dnmlk blmnde yer alan Botanik Alan ve
Hayvanat Bahesinde 75 farkl trden 850 hayvan ve yzlerce eit bitki
yayor. Yine bu alan ierisinde yer alan, T.C. Kltr ve Turizm Bakanl
zel mzeler statsnde bulunananaklar Arkeoloji ve Etnografya
Mzesi de ziyaretilerini cretsiz olarak arlyor. Markann bir dnya
markas olmak eitimden geer vizyonuyla hayata geirdii Blent
Ecevit niversitesi Gkebey Mithat-Mehmet anak Meslek Yksek
Okulu ise 2006 ylndan beri eitim hizmet veriyor.
E-kitap linki: http://www.creavit.com.tr/ruzgarakarsi/index.html
Mehmet anak, Honorary Chairman of anaklar Group of Companies,

who was given an honor award by TSF has a book where he describes this
success story for those who want to get to know him and anaklar organization more. Against the Wind A Success Story tells of a journey to
success which was pursued against the wind which sometimes blows softly,
and sometimes smashing everything on its way. Renowned businessman
Mehmet anak, when explaining that on the way to these days, they went
through very tough climates and very tough geographies, says, This organization was born like a miracle with sacrifices from a world of dreams
under greatly difficult conditions. Sometimes, such things happen that we
lose our confidence in ourselves. We think that we will be unsuccessful,
that we cannot cope with what we want to do. But all this feeling of lack
of confidence is the product of our own mind. anak adds that you should
never give up and says: Of course, there will be times when you cannot win
or even lose despite your efforts. But you should never give up. Because
giving up is accepting losing. Underlining positive thinking, stressing that
people who think positive get more pleasure from
life in his book, Mehmet anak ends his book
with the following words: Its very important to
adapt to change. The age we live in is like a train
which goes by fast If you cant catch that train
and board it at the right station, you may never get
the same chance again.
Creavit, which is one of the top three firms of the
Turkish market, especially with the magnitude it
has reached in the Vitreous China Ceramic Sanitary
Ware industry, manufactures 1.5 million pieces of
ceramic sanitary ware a year. The brand, which
exports 40 % of its production to world markets,
brings high quality service to 60 different countries
ranging from Portugal to China.
Zonguldak Gkebey Vitreous China Manufacturing Plants, set up over an indoor space of 60,000
m2 within an outdoor space of 140,000 m2, serve
as one of the largest tree plants set up in a single
center with its 1.5 million pieces of ceramic sanitary ware production a year in terms of production capacity. In the second generation Zonguldak
aydeirmeni production plants, on the other
hand, founded in 2006 with an outdoor space of
80,000 m2 and total indoor space of 36,000 m2,
the entirety of bathroom furniture, embedded
tanks and toilet bowl lids, office furniture, bathroom, basin and kitchen tap
production is met.
The First Nature Plant of the World

anakkale Group of Companies, which has made its mission to lead in every
field, comes to attention with its educational and art projects as much as
its social responsibility related projects. The social responsibility project
launched by the brand as part of its corporate culture, Botanic Space and
Zoo has the property of being a first in the world with its Nature Plant concept. 850 animals from 75 different species and hundreds of different species
of plants are living in the botanic space and zoo, which covers a 30-donum
section of the outdoor operating area of 120,000 m2 in anaklar plants
at Zonguldak Gkebey. anakkale Archaeology and Ethnography Museum,
which is under the Special Museum status of Republic of Turkey Ministry of
Culture and Tourism, which is also on the same grounds, may be visited free
of charge. Blent Ecevit University Gkebey Mithat-Mehmet anak Vocational Higher School, launched by the brand with its vision of to become
a world brand comes with education, on the other hand, has been offering
educational services since 2006.
E-book link: http://www.creavit.com.tr/ruzgarakarsi/index.html
ksa ksa / short news
Creavit ile Doadan Banyoya Seriler:

Series from Nature to the Bathroom with Creavit:
Jaws & Bull

Creavit, 2013 Sonbahar&K Koleksiyonunda yer alan yeni rnlerinde
gzn doaya eviriyor. smini ve ilhamn doadan alan, Creavit Bull ve
Creavit Jaws Banyo Takmlar, sradanla meydan okuyan tasarmlaryla ne kyor. Doadan banyoya bu tasarm yolculuunda Creavit Bull
yeniden doulara gnderme yaparken, Creavit Jaws derin denizlerin
gizemine gtryor.
Creavit turns its eyes to nature with the new products in its 2013 Fall&Winter
Collection. Creavit Bull and Creavit Jaws Bathroom Sets named after and
inspired by nature, stand out with their designs challenging the ordinary.
While Creavit Bull makes references to rebirths, in this journey of design
from nature to the bathroom, Creavit Jaws takes us to the mystery of the
deep seas.
Creavit Bull ile Banyonuz Yeniden Douyor
Your Bathroom is Reborn with Creavit Bull
lhamn doadan alan ilk rn olan Creavit Bull Banyo Takmnda alar boyunca yeniden douun, dnmn ve verimliliin sembol olan
boa figrnden yola klyor. Banyolara zel bir ruh getiren bu mistik
figr, btn grkemiyle yeni balanglara gnderme yapyor. Masklen,
iddial ve sra d tasarmlaryla ne kan rnde lavabo, asma ve tek
klozet ile zenginletirilerek banyolarnzn havasn deitiriyor. 50x65
cm llerindeki lavabo, Creavit armatrler ve metal aksesuarlarla tamamlandnda ok daha arpc bir etki brakyor.
Creavit Bull Bathroom Set which is the first product inspired by nature starts
from the figure of the bull, the symbol of rebirth, transformation and productivity
through ages. This mystic figure bringing a special spirit to bathrooms makes
references to new beginnings with all its magnificence. In the product coming
to the forefront with its masculine, challenging and extraordinary designs, the
basin is enriched with suspended and standalone toilet bowls, transforming the
atmosphere of your bathrooms. The basin of 50x65 cm size leaves a much more
striking effect when completed with Creavit mixer taps and metal accessories.
Creavit Jaws Derin Denizlerin Gizemine Gtryor
Creavit Jaws Takes One to the Mystery of Deep Seas
Doadan ald ilhamla banyolara byl dokunular getiren rnlerden

bir dieri Creavit Jaws Banyo Takm gzn denizlerin efsanevi kralna
eviriyor. Doann kusursuz eserlerinden biri olan kpek bal bu etkileyici tasarmn k noktasn oluturuyor. Derin denizlerin gizemli dnyasnda bir yolculua karan bu rnlerle banyolara heyecan ve adrenalin
geliyor. Estetiin yeniden yorumlanmasyla tasarlanan lavabo ve asma
klozetten oluan banyo takm banyolara zel bir hava katyor.
Yet another product which brings magic touches to bathrooms with inspiration
from nature, Creavit Jaws Bathroom Set turns it eyes to the legendary king
of the seas. The shark, one of the perfect creations of nature, forms the starting point of this impressive design. Excitement and adrenalin flow to bathrooms
with these products, taking one to a journey in the mysterious world of the deep
seas. The bathroom set comprising basins and suspended bowls designed with
reinterpretation of aesthetics introduces a special atmosphere to bathrooms.
ksa ksa / short news
Ege Seramikten Ahabn Scakln

Yanstan Seriler Series Reflecting the Warmth of
Wood from Ege Seramik
Ege Seramik, doa kadar gerek doa kadar dayankl ahap koleksiyonu ile evinizin her kesine tanyor.
Ege Seramik portfynde yer alan ahap grnml seramikler estetik
ve dekoratif bir anlayla srl granit malzemenin dayanklln bir arada
sunuyor. Kullanld mekana doal bir zenginlik salayan ahap grnml zeminler minimalist, modern ve vintage gibi birok tarzla btnleiyor. 2013 koleksiyonunda farkl ebat ve renk alternatiflerine sahip Adonis ve Marvel Wood serileri, i ve d mekanda rahatlkla kullanlabiliyor.
Digital Tile rn olarak retilen Marvel Wood serisi, renklendirilmi ahap dokusuyla kullanld ortama canllk katyor. Seri, rlyefle desteklenerek daha doal grnme kavuuyor. Adonis serisi ise, srl granit
olarak retiliyor. Ceviz, Akaaa, Mee ve Merbau renk seeneklerine
sahip seri, banyolarnda farkl ahap dokulara sahip olmak isteyenler iin
ideal frsatlar sunuyor.
Ege Seramik is carried to every corner of your home with its wood collection, that is, as real as nature and as resilient as nature.
The wooden look ceramic ware contained in Ege Seramiks portfolio offer
an aesthetic and decorative concept together with the endurance of glazed
granite. The wooden look floors introducing a natural richness to the space
they are used in, integrate with numerous styles like minimalist, modern or
vintage. Adonis and Marvel Wood series with different size and color choices
may be used easily in interiors and exteriors in the 2013 collection.
Marble Wood series manufactured as a digital tile product as vitality to settings with its colored wooden look. The series embraces a more natural look
supported with reliefs. Adonis series, on the other hand, comes in as glazed
granite. The series with Walnut, Maple, Oak and Merbau color choices offers
ideal opportunities for those wishing to own different wooden textures in
their bathrooms.
fuar / fair
Cersaie Fuarnn yeniliki yz

Cersai Trade Fairs innovative face
Kale
Kale Grubu, dnyann en byk seramik ve banyo

aksesuarlar fuar Cersaiede, en yeni seramik
koleksiyonlar ile banyo tasarmlarn sergiledi.
anakkale Seramik, Kalebodur ve Kale markalarnn yan
sra talyada satn ald Edilcuoghi, Edilgres ve Campani
markalaryla uluslararas seramik pazarnn en nemli
oyuncularndan biri haline gelen Kale Grubu, seramik
lkesi talyadaki Cersaie Fuarnn yeniliki yz oldu.
Kale Group exhibited its brand-new ceramic collections
and bathroom designs at Cersaie, the worlds largest
ceramic and bathroom accessories trade fair. In addition
to anakkale Seramik, Kalebodur and Kale brands, with
Edilcuoghi, Edilgres and Campani brands purchased from
Italy, becoming one of the most important players of the
international ceramic market, Kale Group was the innovative
face of Cersaie Trade Fair in the ceramic country Italy.
fair / fuar
talyann Bologna kentinde 23-27 Eyll 2013 tarihlerinde dzenlenen

Cersaie Fuarna, Trkiye ve talyadaki tesislerinde rettii seramik
koleksiyonlar ve yeniliki banyo serileri ile katlan Kale Grubu, toplam
1100 metrekarelik iki ayr standnda, yaplarn her trl ihtiyacna ynelik
ilevsel ve estetik zmleri sergiledi.
anakkale Seramik, Kalebodur, Edilcuoghi, Edilgres ve Campani markalarnn yer ald stantlarda, ziyaretiler iin rahat dolam alanlar
oluturan Kale Grubu; sergiledii rn ve serilerin en gzel ifadeleriyle
hayalleri ssleyen ambiyanslara dntrlmesini salayarak, alternatif
kullanm alanlarndan rnekler sundu.
Edilcuoghi ve Edilgres markalarnn yeni rnlerini 700 metrekarelik
stantta sunan Kale Grubu, Campani markasnn yeni serilerini de galeri
konseptiyle sergiledi. Edilcuoghi Colorboard serisinin yeni rnlerinin yer
ald stantta, ev temas ilendi. Stantta, 4 ayr koleksiyon ve (80x80 cm
dahil) 7 eit ebat ile toplam 34 rn sunuldu. Edilgres blmnde ise
Stonelab ve Woodlab koleksiyonlarnn yeni rnleri, otel temas ilenerek anlatld. Kalebodurun, Cersaie Fuarnda sergiledii rnlerin hepsi,
evresel rn Deklarasyonu - EPD (Environmental Product Declarations) adl evre etiketine sahipti.
talyan seramik endstrisi ile kkl ibirliimiz daha

da glendi
Kale Grubunun, seramik sektrnn dnyadaki en nemli buluma noktas olan Cersaie Fuarna katlan ilk Trk firmas olduunu belirten Kale
Grubu Yap rnleri Grubu Pazarlamadan Sorumlu Bakan Yardmcs
hsan Karagz, 1987 ylndan bu yana Cersaie Fuarnda yer alan Kale
Grubunun, talyadaki seramik endstrisi ile uzun yllara dayanan kkl ibirlii, lkenin seramik ssnde yapt marka yatrmyla daha da
glendi dedi. Trk seramik sektrnde ak ara liderliini koruyan Kale
Grubunun, bu alandaki pazar payn yzde 30a kardn vurgulayan
hsan Karagz, anakkale Seramik, Kalebodur markalarnn yan sra
talyada satn ald Edilcuoghi, Edilgres ve Campani markalaryla hzla
byyen Kale Grubu, uluslararas seramik pazarnn en nemli oyuncularndan biri haline geldi. Trend belirleyici, ilevsel, evreye dost, kaliteli ve
zgn tasarm anlayn simgeleyen yeniliki rnlerle Cersaieye farkllk getirecek Kale Grubu; bugn Avrupada 3nc, dnyada da 12nci
srada yer alarak Trkiyenin global marka yaratma yolundaki yeni oyuncusu olarak sahaya kyor diye konutu.
Kale Group, participating in Cersaie Trade Fair held September 23-27,

2013 in the city of Bologna of Italy with its ceramic collections and
innovative bathroom series manufactured in plants in Turkey and Italy,
exhibited functional and aesthetical solutions for all needs of buildings
in two separate stands of a total area of 1,100 square meters.
Kale Group, creating comfortable circulation areas for visitors at the
stands accommodating anakkale Seramik, Kalebodur, Edilcuoghi,
Edilgres and Campani brands, offered specimens of alternative usage
areas allowing the products and series on display to be transformed into
ambiences decorating dreams with most beautiful expressions.
Displaying the new products of Edilcuoghi and Edilgres brands in a
700-square-meter stand, Kale Group displayed the new series of
Campani brand in a gallery concept. The whole team was featured
at the stand where the new products of Edilcuoghi Colorboard series
were on display. At the stand, 34 products were exhibited as 4 separate
collections and 7 different sizes(80x80 cm inclusive). In the Edilgres
section, the new products of Stonelab and Woodlab collections were on
display featuring the hotel theme.
Kalebodurun, Cersaie Fuarnda sergiledii rnlerin hepsi, evresel
rn Deklarasyonu - EPD (Environmental Product Declarations) adl
evre etiketine sahipti. All products exhibited by Kalebodur and Cersaie
Trade Fair owned the EPD (Environmental Product Declarations)
environmental tag.
Our rooted collaboration with Italian ceramic industry

becomes stronger
Kale Group Building Products Group Vice-President in charge of
Marketing, Ihsan Karagz, who noted that Kale Group was the first
Turkish firm participating in Cersaie Trade Fair, which is the most
important meeting point in the world for the ceramic industry, said, The
rooted collaboration going back many years with the ceramic industry
in Italy of Kale Group which has been participating in Cersaie Trade Fair
since 1987 became even more powerful with the brand investment made
in the ceramic base of the country.
Stressing that Kale Group which is the leader of the Turkish ceramic
industry by far has increased its market share to 30 percent, Ihsan
Karagz added; Kale group which grew rapidly with Edilcuoghi, Edilgres
and Campani brands purchased in Italy in addition to anakkale Seramik
and Kalebodur brands became one of the most important players of
the international ceramic market. Bringing a distinction to Cersaie
with its innovative products, which are trendsetting, functional and
environmentally high quality and bearing an original design concept,
Kale Group today goes on the field as Turkeys new player on the way to
creating global brands ranking third in Europe and twelfth in the world.
fuar / fair
BEN, talyada zgn

Tasarmlaryla Gz
Doldurdu
BIEN Meets the Eye

with Its Original Designs
in Italy
Trkiye seramik sektrnn yeniliki firmas

Bien, dnyann en nemli fuarlarndan biri olan
Cersaie Fuarna 100n zerinde rn eidiyle
katld
Turkish ceramic industrys innovative firm Bien

participated in Cersaie, one of the worlds most
important trade fairs with more than 100 types
of products
Trkiyede dijital teknolojiyi kullanarak duvar karolar reten ilk firma

olan Bien, 23-27 Eyll tarihleri arasnda talyann Bologna kentinde
gerekletirilen Cersaie Fuarnda yeniliki ve zgn tasarmlaryla dikkatleri zerine toplad. Cersaie Fuarnda, uluslararas sektr profesyonellerine, dll ve yeni tasarmlarn sunan Bien, 200 metrekarelik
standnda sergiledii tasarmlaryla herkese ilham kayna oldu.
Seramik sektrnde gelecek yln trendlerini ve modasn belirleyen,
dnyann en nemli ve en byk fuarlarndan biri olan Cersaie Fuarnda,
Bienin tasarm gcn ve dnya trendleriyle paralel rnlerini ziyaretilerle buluturduklarn belirten Bien Sat Grubu Bakan Metin Savc;
Tasarmdaki nc duruumuz, Ar-Ge ve yeniliki yatrmlarmz, hem
d hem de i pazarlar iin paymzda artlar salyor. 55 lkeye ihracat
yapyor olmamz kresel bir marka olma yolunda da bize art bir deer
katmaktadr. Tasarm ve teknolojiye byk paylar ayrma abalarmz,
aldmz dllerle meyvelerini vermeye devam ediyor, edecektir de
diye konutu.
Bien, fuarda 100n zerinde rn eidini, banyo, mutfak ve yatak
odas gibi birbirinden farkl yaam alan rnekleriyle ziyaretilerle buluturdu.
Bien, which is the first firm manufacturing floor tiles using digital
technology in Turkey, drew all attention at the Cersaie Trade Fair
held in Bologna, Italy from September 23 to September 27, with its
innovative and original designs. Offering the prize winning and new
designs to international sector professionals at Cersaie Trade Fair, Bien
was a source of inspiration for everybody with the designs on display at
its 200-square-meter stand.
Bien Sales Group President Metin Savc, who notes that they brought
Biens design power and products in step with world trends to visitors
at Cersaie Trade Fair which sets the trends and fashion of the following
year in the ceramic industry being one of the worlds most important
and largest trade fairs, said, Our pioneer stance in design, our R&D
and innovative investments afford increases in our international and
domestic market share. Our being exporting to 55 countries is a plus
for us on the way to becoming a global brand. Our efforts on allocating
large shares to design and technology is continuing and will continue to
give their fruits with the awards we win. At the trade fair, Bien brought
more than 100 types of products to visitors with different lifestyle
specimens like bathrooms, kitchens and bedrooms.
fuar / fair
Cersai 2013de Creavit...

Avrupa Seramik Sektrnn en prestijli
fuarnda yer alan Creavit, tasarm harikas yeni
koleksiyonlarn talyada sergiledi.
talyann Bologna kentinde 23-27 Eyll 2013 tarihlerinde gerekleen
Cersaie, her yl dnyann eitli blgelerinden gelen sektr profesyonellerini buluturdu. Ziyaretilerini 30. Salon C47 standnda arlayan
Creavit, fuarda yeni tasarmlarnn yan sra geni rn yelpazesinden
zel rnlerini de sergiledi.
novatif perspektifin yansmas olan ve hem markann yeniliklerini hem
de rn zenginliini gzler nne seren Creavit stand tasarmnda zellikle vitrifiye takmlar ve banyo mobilyalar yer ald. levsellii zengin,
izgileri modern ve kalitesi garantilenmi rnleriyle gmme rezervuar
ve kumanda panelleri, asma ve tek klozetler, pisuar ve lavabolar, armatrler ve banyo aksesuarlarn konsept olarak sunan Creavit; renk, l
ve fonksiyonellik asndan zengin alternatifler sundu.
Tasarm lkesi talya ile Dnya markas Trk Seramiinin bulumasnda; ergonomi, hijyen ve tasarmn harman Creavit 2013 yeni rnleri ve
2014 konjonktr ile Cersaie fuarnda yerini alarak, Trkiyeden dnyann drt bir yanna ulaan iddiasn gzler nne serdi.
Creavit in Cersaie 2013

Taking part in the most prestigious trade fair of
European Ceramic Industry, Creavit exhibited its
design wonder new collections in Italy
Cersaie, held from September 23 to September 27, 2013 in the city of
Bologna of Italy, brings together each year industry professionals from
various parts of the world. Hosting its guests at its stand C47 in Hall
30, Creavit exhibited special wares from its broad product range at the
trade fair in addition to its new designs.
Specifically, vitreous china sets and bathroom furniture were used
in the design of Creavits stand which was a reflection of innovative
perspective, revealing both the innovations of the brand and also its
product wealth. Creavit, offering embedded tanks and control panels,
suspended and stand-alone bowls, urinals and basins, tap mixers and
bathroom accessories as products with rich functionality, modern lines
and guaranteed quality presented rich alternatives in terms of color,
dimension and functionality.
In the meeting of design country Italy and world brand Turkish Ceramic;
the batch of ergonomics, hygiene and design; Creavit 2013, taking
part in Cersaie Trade Fair with its new products an 2014 conjuncture,
revealed its claim reaching all over the world from Turkey.
fuar / fair
Ege Seramik, Autumn CollectIon

ile Cersaie Fuarndayd
Ege Seramik in Cersaie Trade Fair
with its Autumn Collection
Ege Seramik, 23-27 Eyll 2013 tarihleri arasnda talyann Bologna kentinde gerekletirilen
Uluslararas Cersaie Seramik Fuarnda doal ve kln n planda olduu yeni serilerini tantt.
Ege Seramik introduced its new series where naturality and elegance were at the forefront at
International Cersaie Ceramic Trade Fair held in the city of Bologna of Italy from September 23 to 27, 2013.
Her yl olduu gibi Dnya seramik sektrnn nabzn tutan Cersaie
Fuar bu yl da sektr temsilcilerini ve sektr profesyonellerini arlad.
Ege Seramik, fuarda sergiledii yeni desen, doku ve renk zenginliklerine
sahip Autumn 2013 koleksiyonu ile byk beeni toplad.
MARVEL WOOD: Digital bask teknolojisi ile retilen Marvel Wood serisi, renklendirilmi ahap dokusuyla kullanld ortama canllk katyor. 60x60 cm ebadna sahip Marvel Wood serisi, rlyefle desteklenerek
daha doal grnme kavuuyor. Ahap ve renk uyumunun hkim olduu Marvel Wood serisi, alternatif deme seenekleri ile kendi tarznz
yanstma frsat sunuyor.
Like every year, Cersaie Trade Fair which holds the pulse of the global ceramic
industry, this year too played host to industry representatives and professionals.
Ege Seramik drew great appreciation with its Autumn 2013 collection with new
design, texture and color wealth it displayed at the trade fair.
MARVEL WOOD: Marvel Wood series produced by digital print
technology adds vitality to the setting it is used in with its colored
wood texture. 60x60 cm size Marvel Wood series embraces a more
natural look supported with reliefs. Dominated by the harmony of wood
and color, Marvel Wood series allows one to reflect his/her own style
with laying options.
fair / fuar
NEPTUNE: Neptune serisi mozaik grnml kusursuz gzelliinin yan

sra turkuaz, bej ve antiasit renk seenekleri ile kendisine hayran brakyor.
Digital Tile teknolojisi ve Pre-cut teknii ile duvar karosu olarak retilen
seri, banyo ve mutfaklarda rahatlkla kullanlabiliyor. 30x60 cm ebadna
sahip seri, rlyefli olma zellii ile n plana kyor.
APOLLON: Digital Tile rn Apollon serisi, altn ve mozaikle zenginletirilmi dekor seenekleri ile doal ve gz alc kl bir arada sunuyor.
Apollon serisi, meknlarnn yzeylerinde desen zenginlii isteyenler iin
ideal. Apollon serisi, 25x75 ve 45x45 cm alternatif ebatlar ile her mekna
uyum salyor. Eskitme ahap grnm ve son dnemlerin moda rengi
turkuazn bys Apollon serisi ile sizi etkisi altna alyor.
MYRA: Mermerin doal ve dayankl grnmn yansmas olan Myra
serisi, sadeliin samimiyetini meknlarnzla tantryor. 30x60 ve 45x45
ebatlara sahip Myra serisi, Digital Tile teknolojisi ile hem duvar karosu
hem de srl granit olarak retiliyor. Fildii, kahve ve gri renk seenekleri
ile Myra serisi, 2 farkl rlyef dokusuna sahip olmasnn yan sra yatay ve
dikey deme seenekleri ile fark yaratyor.
PETRA: Digital Tile rn Petra serisi, 5 farkl ta dokusunun bir araya
gelmesiyle mekanlarnza doal ve k bir hava katyor. 15x60 ve 30x60
cm ebatlaryla srl granit olarak retilen Petra serisi, farkl ebatlar ile alternatifli deme imkn sunuyor. Petra serisi, tercih edildii minimal ve
modern meknlarda ayrcalkl zel alanlar oluturuyor.
ANATOLIA: Geleneksel dokunun doall ve lts Anatolia serisi ile
meknlarnza tanyor. Anatolia serisi, etnik desenleri ile klasik ve modern kl ayn anda yaamak isteyenlerin ncelikli tercihi oluyor. Interlocking rn gamnda 45x45 cm olarak retilen seri, i meknlarda kullanlmasnn yan sra anmaya kar direnli yapsyla d mekanlarda da
kullanlabiliyor.
LEGO LIGHT STEEL: 45x45 cm ebadndaki Lego light Steel, elik grm ile yaam alanlarnza gl ve ltl bir hava katyor. Anmaya kar
dayankl olan Lego Light Steel, parlak dokusu ve k hareketleri ile ferah
meknlar yaratyor. Seri, i ve d meknlarda rahatlkla kullanlabilme
zellii ile n plana kyor.
CRYSTAL: Mikro kristal cam yzey teknolojisi ile retilen Crystal serisi,
normal seramik srdan farkl olarak yzeye uygulanan mikrokristal cams
tabaka ile 3 boyutlu derinlie sahip, doal, parlak ve kristalize grnts
ile dikkat ekiyor. Farkllk arayan, k ve kaliteli mekanlar iin ideal frsatlar sunuyor.
NEPTUNE: Neptune series is awed for its turquoise, beige and anthracite
color choices in addition to its mosaic look perfect beauty. The series,
manufactured as a wall tile by digital tile technology and pre-cut
technique may be used with ease in bathrooms and kitchens. The series,
which comes in 30x60 cm size, stands out with its relief feature.
APOLLON: This digital tile product Apollon series presents natural and
striking elegance together with its decor choices enriched with gold and
mosaic. Apollon series is ideal for those seeking design richness on the
surfaces of their spaces. Apollon series matches all venues with 25x75
and 45x45 cm options. The worn wood look and the magic of the in color
turquoise will impress you in the Apollon series.
MYRA: Myra series, which is the reflection of the natural and resilient
look of marble, introduces the sincerity of plainness to your spaces.
30x60 and 45x45 size Myra series is manufactured both as a wall tile and
also glazed granite by digital tile technology. With ivory, brown and gray
color options, Myra series also creates a difference with the horizontal
and vertical laying choices in addition to its two different relief textures.
PETRA: Digital Tile product Petra series introduces a natural and elegant
atmosphere to your spaces as 5 different stone textures come together.
Petra series produced as glazed granite in sizes 15x60 and 30x60 cm allows
alternate laying options with its different sizes. Petra series creates privileged
special areas in the minimal and modern spaces where it is opted for.
ANATOLIA: The naturality and glitter of the traditional texture are carried
to your spaces with the Anatolia series. The series is the priority choice
of those wishing to experience the classical and modern elegance with its
ethnic designs. The series which comes in 45x45 cm size in the interlocking
product range may also be used in outdoor spaces with its wear and tear
resistant structure in addition to its being fit for interiors.
LEGO LIGHT STEEL: 45x45 cm lego light steel adds a potent and
glittering atmosphere to your living spaces with its steel look. Abrasion
resistant Lego Light Steel creates spacious venues with its shiny texture
and light place. It stands out with the feature of its being easy to use in
interiors and outdoors.
CRYSTAL: Crystal series manufactured by micro crystal glass surface
technology draws attention with a natural, glossy and crystallized look
with three dimensional depth, thanks to the micro crystal glassy layer
applied to the surface in contrast to ordinary ceramic glaze. It presents
ideal opportunities for elegant and high quality spaces seeking distinction.
sanat rportaj / art interview
Seramiin sadece bir

teknii ile almaya
dahi
mr
yetmez
Candan Dizdar Terwiel ile Seramik
Sanat zerine
Life isnt long

enough to work just
a single technique of
ceramic
On Ceramic Art with
Candan Dizdar Terwiel

b lent tatlcan
Candan Dizdar Terwiel, akademik almalarn Hacettepe niversitesi Gzel Sanatlar Fakltesi Seramik Blm Anasanat Dal Bakan olarak yrtmekte olan,
ayn zamanda gnmz Trk sanatlar arasnda hakl bir yer kazanm bir seramik sanats. Terwiel, yurtii ve yurtdnda eitli kiisel sergilerin yan sra seramik
tarihi ve sanat eitimi konularnda ok sayda konferanslar verdi. Sanat eitimi ve
mzecilik almalar ile birlikte Plastik Sanatlar Dernei, Sanat Eitimcileri dernei yesidir. Canan Dizdar Terwiel is a ceramic fine artist who is conducting her academic work as Hacettepe University Faculty of Fine Arts Ceramic Department Principal
Art Discipline Head. Terwiel has given numerous conferences domestically and internationally on the topics of ceramic history and art education alongside of various
solo exhibitions. Beside her work as art instructor and in museums, she is a member of
Plastic Arts Association and Art Instructors Association.
art interview / sanat rportaj
Akademik alma yapmak tartmasz sanaty besleyen, ileri gtren bir sretir. Bu srecin niversite iinde olmas ayn
zamanda uyulmas gereken kriterler bakmndan ise sanaty ynlendiren, kstlayan bir zellie de sahiptir.Carrying
out academic studies is a process definitely nurturing and moving forward the artist. And if this process is within the university, then it helps guiding and restricting the artist as it accommodates various rules in terms of criteria to be adhered to.
Bize kendinizi tantr msnz?
Could you tell us a bit about yourself?
smim Candan Dizdar Terwiel, 1960 ylnda Ankarada dodum ve tm

yaamm bu ehirde geirdim. Halen eim Marcel ve olum Tahsin ile
Ankarada yaamaktaym. niversite eitimimi Hacettepe ve Ankara niversitesinde tamamladm. 1984 ylnda Hacettepe niversitesi
Salk daresi Yksek Okulundan, 1988 ylnda da Gzel Sanatlar Fakltesi Seramik Blmnden mezun oldum.1991 ylnda Maiolica le
ilgili Yksek Lisansm ve 1996 ylnda da Sanatta Yeterliliimi bitirerek
retim yesi oldum. Sanatta Yeterlilik Program ile ayn srete Ankara niversitesi Eitim Bilimleri Fakltesi Gzel Sanatlar Eitiminde
okulncesi ocuklara, kilin kullandrlmasna ynelik Doktora almasna baladm ve 1999 ylnda bu program tamamladm. Yaammn ok
byk bir dilimi rencilikle geti, tm kazanmlarm bu srelere borlu olduumu dnyorum. Farkl disiplinlerde eitim alm olmam ve
farkl alanlarda alma ans bulmu olmam sanata ve seramik sanatna yaklammda bana ok fayda salad. Seramik sanatnn zenginliini
ve gerekliliini bu sayede daha iyi kavradm.1988 ylnda Aratrma Grevlisi olarak baladm Seramik Blmnde pek ok derse nce asistan sonra hoca olarak girdim. Bata seramik tarihi olmak zere, dekor
teknikleri ve seramik teknolojileri konularnda lisans ve yksek lisans
seviyelerinde dersler verdim ve halen vermekteyim. ok sayda Yksek
Lisans ve Sanatta Yeterlilik rencimi mezun ettim ve imdi onlar lkemizin her kesinde akademisyen sanatlar olarak alyor ve tannyorlar. Sanat olmann gururu kadar onlarn baarlarn paylamak da
beni gururlandryor.
My name is Candan Dizdar Terwiel. I was born in Ankara in 1960 and I

have spent all my life in this city. Presently, Im living in Ankara with
my husband Marcel and son Tahsin. I completed my University education in Hacettepe and Ankara Universities. I graduated in 1984 from
Hacettepe University Health Administration College and in 1988,
Faculty of Fine Arts Ceramics Department. In 1991, I completed my
Masters study on Maiolica, got my art proficiency in 1999, becoming
an instructor. Simultaneously with the art proficiency program, I also
started my Ph.D. studies at Ankara University Faculty of Education
Sciences Fine Arts Education Department on having pre-school use
clay and completed that program in 1999. A large portion of my life
was spent as a student. I believe that I owe all my store of knowledge
to these processes. That I was educated in various disciplines, getting the chance to work in different fields benefited me a lot in my approach to art and especially ceramic art. I got to understand the health
and necessity of ceramic art better, thanks to these efforts. At the
ceramic department where I started to work as a research assistant in
1988, I was a teaching assistant in many courses, later becoming an
instructor. I have given courses and am still doing so at undergraduate
and graduate levels on ceramic history, decor techniques and ceramic
technologies. I had numerous Master and Art Proficiency students
who graduated and who are working and are known as academician
fine artist at every corner of our country. Im as proud as being a fine
artist sharing their successes.
Akademisyen bir sanat olarak, niversite hayatnn

sanatnza olan katklarndan sz eder misiniz? Akademik alma yapmann bir sanat iin avantaj ve
dezavantajlar nelerdir?
As an academician fine artist, could you tell us about

the contribution of university life to your art? What
are the pros and cons for a fine artist, of academic
studies?
ncelikle mrmn ounu geirdiim Hacettepe niversitesini kendi

evim, yuvam olarak grdm belirterek ve burada olduum iin ok
ansl olduumun bilinci ile bu sorunuzu cevaplamak isterim. Sadece
bizde deil kanmca tm dnyada akademisyen olabilmek bir ayrcalk
olsa gerek. 1984 ylndan bu gne yetimemde emei geen bata Prof.
Hamiye olakolunu, Prof. Dr. Stk M. Erini, Prof. Kaya zsezgini,
First of all, Id like to state that I see Hacettepe University where Ive
spent most of my life as my home and Id like to answer this question
with the awareness that I am so lucky to be here. It is a privilege to be an
academician not only here but I believe all over the world. I would like to
mention with gratitude Prof. Hamiye olakolunu, Prof. Dr. Stk M. Erin,
Prof. Kaya zsezgin, Prof. Dr. nci San, Asst. Prof. Yksel cal and all my
Prof. Dr. nci San, Yrd. Do. Yksel cal ve tm hocalarm sevgi ve
teachers starting from 1984 and I would also like to mention all our fine
saygyla, seramik sanat konusunda yaynlar yapan, eserleriyle bize rartists who have departed from amongst us and those who are still alive,
nek olan aramzdan ayrlan ve hayatta olan tm sanatlarmz da minwho have made publications serving as models for us on ceramic art. They
netle anyorum. Onlar bizim nmzdeki sanat yolunu aan klard ve
were the lights opening the road to art before us and we follow that light.
biz o aydnl izledik. Akademisyen olmak size verilen emekle ve sizin
Being an academician is a profession measured by the effort put in you
verdiiniz emekle karln bulan bir meslek.
and the effort you put in others.
Akademisyen bir sanat olarak, yaadmz
As an academician fine artist, I believe that
lkenin gereklerinin ve devlet politikalarnn
the realities of the country we live in and govSanat eitiminin niversadece beni deil, tm akademisyenleri eternment policies affect shape and guide not
kilediini, biimlendirdiini ve ynlendirdiini
only me but all academicians. The duties and
site seviyesinde veriliyor
dnyorum. Sanat ve akademisyen kimresponsibility we take on with our fine artist
oluu, usta-rak kltliklerimizle stlendiimiz grev ve sorumluand academician identities do not emerge just
rnden, zihinsel zgrlluklar salt bizim kontrolmzle ve kararlaunder our control and by our decisions and
e, sorgulama ve phermzla ortaya kmad gibi evrensel deer
also one has to talk about lots of rules and
ve ltleri yakalama abasnda bizim bal
requirements which bind us in the effort of
ye ulama aamasnda bir
olduumuz ok sayda kurallar ve zorunlulukcapturing universal values and metrics. Many
sanat eitimi programna
lardan da sz etmek gerekir. Bir sanat olabenefits of being under the roof of university
geii ve ilerlemeyi iaret
rak niversite ats altnda bulunmann birok
may be counted for an artist. Ability to create
etmektedir.
yarar saylabilir. Sanat ortamlar yaratabilme,
art settings to be aware of all events, workher trl etkinlikten haberdar olma, gen ve
ing with young and creative individuals, etc. On
My personal view is that
yaratc bireylerle alma vs. Bir taraftan da
the other hand, the responsibilities connected
art education offered at
eitim ve idari ilerle ile ilgili sorumluluklar,
to education and administrative affairs and the
university level points to a
niversitenin ileyiindeki kstlamalarla zeffort of existing as almost racing in creating
transition to an art edugrlk alan yaratmada ve zaman iyi kullanaareas of freedom and using time well. I, mybilme konularnda adeta yar edercesine var
self, believe that a good fine artist can be very
cation program and adolma abas. Kiisel olarak; iyi bir sanatnn
successful at the university in taking on all
vancement from the mastm zorlu ileri stlenmede, yol gsterme ve
tough tasks in guiding and existing with origiter-apprentice culture to
zgn eserlerle var olmada niversitede ok
nal works. As the university is a unique place
mental freedom questionbaarl olabileceine inanyorum. niversite
where all disciplines are there together and
tm disiplinlerin bir arada olmas ve bilgiye
for accessing knowledge, it is an enormously
ing and reaching doubt.
ulamada esiz bir yer olmas nedeniyle, merich venue affording curious fine artists to find
rakl sanatlarn tm sorularnn cevaplarna
answers to all their questions. But sometimes
ulaabilme olana salayan mthi zengin bir
academic criteria requirements may be in conalan. Ancak akademik kstaslar ve zorunluluktrast with the identity and personality of the
lar bazen sanat kimlii ve kiiliine ters de
artist too. The criteria for promotion in univerdebilmekte. niversitelerimizde ykselme
sities is one of the most important matters
kriterleri her zaman tartlan ve srekli deiwhich is always discussed and changed all the
tirilen en nemli konulardan birisidir. zellikle
time. Especially paths and techniques applied
lkemizde sanat eitimi vermede uygulanan
in offering art education in Turkey may be peryol ve yntemler baka lkelerde rnei gceived as new practices, likes of which have
rlmemi yeni uygulamalar gibi alglanabilir.
not been seen in other countries. If the permaAkademisyen yetitiren kurumlar iin benimnency, consistency and continuity of principles
senen ilkelerin kalcl, tutarll ve devamadopted for institutions developing academill n planda tutulabildiinde sanat kimlii
cians is kept at the forefront, then the identity
daha gl ortaya kabilir. Akademik alma
of the artist may emerge in a stronger fashion.
yapmak tartmasz sanaty besleyen, ileri
Carrying out academic studies is a process
gtren bir sretir. Ve bu srecin niversite
definitely nurturing and moving forward the
iinde olmas ayn zamanda uyulmas gereken
artist. And if this process is within the univerkriterler bakmndan ok eitli kurallar iinsity, then it helps guiding and restricting the
de barndryor oluuyla sanaty ynlendiren,
artist as it accommodates various rules in
kstlayan bir zellie de sahiptir. Ancak niterms of criteria to be adhered to. However,
versiteler duraan deil, deiken ve hareketuniversities have a nature which does not conli yaplar nedeniyle sanatla ters deil rten nitelie de sahiptirler.
trast with but is consistent with art due to their non-stagnant, changing
Benim kiisel grm sanat eitiminin niversite seviyesinde veriliyor
and moving structures. My personal view is that art education offered at
oluu, usta-rak kltrnden, zihinsel zgrle, sorgulama ve pheuniversity level points to a transition to an art education program and
ye ulama aamasnda bir sanat eitimi programna geii ve ilerlemeyi
advancement from the master-apprentice culture to mental freedom
iaret etmektedir.
questioning and reaching doubt.
Seramik sanatn neden setiniz?
Why did you pick the art of ceramics?
Belki ok klasik bir cevap olacak ama seramii bilerek semedim. nThis may be a too classical but I didnt pick ceramic knowingly because
k bu alanla ilgili hibir bilgim ve eitimim yoktu. Benim tek amacm
I had no knowledge or education in connection with this field. My only
sanatla iie olmakt ve bunun yolunun resim yapmak olduu nyargs
purpose was just being involved with art and I took the entrance test
ile seme snavna girdim. Ben hep resim yapardm, ne zaman seramikle
with the prejudice that the way to it was painting. I had always painted;
tantm ufkum ve sanatla ilgili bak am tabut when I got introduced to ceramics, my homamen deiti. Hi bir zaman piman olmadm
rizon and art perspective changed fully. I never
ve seramii rendike bu dnyann en keyifli
felt regret for this and as I learned ceramic, I
Ne zaman seramikle taniini yapmada bir insan mrnn ne kadar ksa
realized how short a lifespan of the human betm ufkum ve sanatla ilgili
olduunu dndm. Bence seramiin sadece
ing was in doing the most pleasurable job in
bak am tamamen deibir teknii ile almaya dahi mr yetmez. lk
the world. I think life isnt long enough to work
rencilik yllarmda plastik sanatlarn tm
just a single technique of ceramic. In my early
ti Seramii rendike bu
alanlarn kapsadn kefettim ve seramiin
student years, I discovered that it covered all
dnyann en keyifli iini yapateli bir savunucusu oldum. ok uzun yllar
disciplines of plastic arts and I became a fumada bir insan mrnn ne
ressam, heykeltra ve mimarlara seramiin
rious defender of ceramic. For many years, I
kadar ksa olduunu dne gl bir sanat olduunu anlatmaya ve
tried to tell and explain to painters, sculptures
aklamaya almakla uratm. Ama imdi
and architects how potent an art is ceramic.
ndm. Bence seramiin
bunu anlatmak yerine, bunu bilmemenin ayp
But now, Im at the age where I think its a
sadece bir teknii ile alolduunu dnecek yaa geldim. Sadece
shame not knowing this instead of explainmaya dahi mr yetmez.
rencilerimize verdiimiz eitimde zgn
ing this. I believe that I have a responsibility
When I got introduced to
seramik eserler ortaya koymalar konusunda
only in our students creating original ceramic
sorumluluk tadm dnyorum.
works in the education we offer.
ceramics, my horizon and
Katldnz etkinliklerden sz eder

misiniz?
art perspective changed

fully As I learned tge art
of ceramic, I realized how
short the lifespan of the
human being was in doing
the most pleasurable job in
the world. I think life isnt
long enough to work on
just a single technique of
ceramic.
1984 ylndan balayarak renciliimden bugne kadar aralksz sanatn iinde izleyen ve aktif
katlan bir birey olarak yer aldm. Yurt ii ve yurt
dnda 7 kiisel sergim, yzlerce karma sergi,
sempozyum ve farkl sanat etkinlikleri olmutur.
Katldm etkinlikler kadar, benim iin byk
deer tayan; dzenlenmesinde fikir oluturma
ve organizasyon yapma anlamnda grev aldm almalar sylemek isterim. Avanos yresi iin bir balang olan ve o dnemin Belediye
Bakan Sayn Seyhan Durunun istei ile balattmz, blm olarak ok emek verdiimiz
Uluslararas Avanos Seramik Sempozyumlarn
ayrca belirtmek isterim. Bu etkinlik birbirini
izleyen 4 yl boyunca bir yrenin sanat asndan canlanmasn, atlyeler ve sanatlar arasnda ibirliini ve yre halknn kaliteli retim
asndan bilinlenmesini salayan sradan bir
sanat etkinliinin tesinde yaam ve sanat
buluturan anlaml etkinliklerdendi. Yine eitli
tezler ya da programlar kapsamnda ocuklara
ynelik katldm almalar ve bunlarn iinde
ok byk bir emek ve ekip almasyla gerekletirdiimiz Anadolu Medeniyetleri Mzesi
Mdr Merhum Hikmet Denizlinin nderliinde
hazrlanan ve 3 yln sonunda Trke ve ngilizce
olarak basm yaplan 16 setlik ocuklara ynelik Senden nce Anadolu proje kitaplardr. Bu
proje ile ilkokullarda okuyan ocuklara tarihncesi alardan Trkiye Cumhuriyetine kadar geen srede Anadoluda yerleen uygarlklar ocuk kahramanlar araclyla
anlatlmaktadr.
Could you tell us about the events

you participated in?
Starting from 1984, from my student years until

now, I was involved with art with no breaks as a
monitoring and actively participating individual.
I have held 7 solo shows, hundreds of group
shows and attended symposiums and various
art events locally and abroad. As much as the
events I participated in, Id like to mention the
projects that are of great value to me in organization of which I took part giving opinions and
helping preparation. Id like to especially mention the International Avanos Ceramic Symposiums which were a start for Avanos region
which we started as a result of the wishes of
then-mayor Seyhan Duru into which we have
put great efforts as a department. This event
was a meaningful one bringing together life and
art beyond being an ordinary art event which allowed revitalization of the art of a region, collaboration between studios and artists, helping
the people of the region to become aware of
high quality production for a period of four consecutive years. Also, there is the set of books
Anatolia Before You for children published in
Turkish and in English in 16 sets at the end of
three years prepared under the leadership of
Anatolian Civilizations Museum Director late
Hikmet Denizli which we achieved through great
effort and teamwork, which is the most important of the work I participated in oriented to
children in terms of various theses or programs.
This project narrates the civilizations of Anatolia from the prehistoric
ages until Republic of Turkey through child heros.
Trkiyede seramik eitimini deerlendirir misiniz?

niversite sanat iletiimi istenen dzeyde gerekleiyor mu?
Could you assess ceramic education in Turkey? Does

the university fine artist communication take place at
the desired level?
Trkiyede seramik eitimi sadece niversitelerle snrl bir alan iermiyor. Seramik retimi yapan zel atlyeler (Bingl Baarr, Mehmet Tzm Kzlcan, gibi), geleneksel retim yapan yreler (Knk, Avanos gibi),
Seramik Meslek Yksek Okullar, Meslek Liselerinin seramik blmleri,
belediyelerce alan seramik kurslar, zel veya kamuya ait sanat galerilerinin seramik kurslar, anaokullarnda ocuklara verilen seramik
dersleri, seramik fabrikalarnda yaplan eitim amal stajlar gibi seramik eitiminin kendi ama ve kurallarna gre srdrld ve neredeyse her kesime ve yaa ynelik seramik eitiminin verilebildii grlmektedir. Seramik eitiminin niversitede verilmesinin farkll ise;
bu eitimi alan kiilerin birer sanat ve seramik eitimcisi olarak uzmanlaabilmeleridir. niversitelerimizde verilen seramik eitimi ada
sanat eitimi bakmnda ele alnarak dnya ile karlatrldnda iyi bir
dzeye sahip olduu grlebilir. En temel lt bu konuda son yllarda
lkemizde eitim almak isteyen yabanc rencilerin saylarndaki art
ve dzenlediimiz etkinliklere yurt dndan katlmak isteyen sanatlarn nitelikleri ve saylardr. lkemiz seramik alanndaki etkinliklerle
tannan ve bilinen bir konumdadr. Ayrca farkl kentlerimizdeki seramik
blmlerinin birbirleriyle olan olumlu ilikileri ve ortak almalar bizi
daha kalc ve yeni projeler dzenlemeye de tevik ediyor. Kltrleraras
iletiim, sanatsal bilgi paylam ve rencilerimizin eitiminde olduka
yararl olan seramik etkinliklerimiz sadece Hacettepe niversitesi ile
snrl kalmayp, lke iinden ziyaretilerle de zenginlemekte, sanat
seecek bireylerin oalmasna da katk salamaktadr. Sanat Mzemiz yaptmz etkinlikler sonucunda lkemizden ve dnyadan nemli
sanatlarn eserleri ile zengin bir koleksiyona kavumakta bu eserler
eitim amacyla da kullanlmaktadr. Ayrca makale, katalog dergi gibi
yaynlarn da oalmas rencilerimizin eitiminde nemli bir fark yaratmaktadr. Bugn seramik eitimine yeni balayan bir renci iin ne
malzeme, ne teknoloji ne de baka lkeleri grme bir sorun deildir. Her
trl olanaa sahip olmalarnn yan sra, dier sanat alanlar ile de istedikleri gibi ba kurabilecekleri bir eitim sistemine sahipler. Yurt d
anlamal programlar, ders semedeki eitlilik onlara her trl olana
sunmakta. Yurt ii ve dndan davetli gelen sanatlarn birebir yaptklar gsteriler, uygulamalar ve sunumlarla yaayarak renme ve daha
sonra bu sanatlarla iletiime geebilmek olanaklar salanmakta, her
bir etkinlik arivlenerek bir sonraki renciler iin kaynak oluturulmaktadr. Ben bizim blmmz rencilerini sanatlarla kurulan iletiim
konusunda ansl gryorum. Sadece Hacettepede dzenlenen etkinliklerde deil, yurt d etkinliklerde (Kore, Kuzey Kbrs, Fransa gibi) ve
lke iindeki dier etkinliklerde de aktif olarak katlmalar sayesinde
ok sayda sanat ile birlikte alma ansn yakalayabilmekteler.
Ceramic education in Turkey does not just involve an area limited to universities. Special studios (like Bingl Baarr, Mehmet Tzm Kzlcan),
regions of traditional production (like Knk, Avanos), ceramic vocational
higher schools, ceramic departments of vocational schools, ceramic
courses offered by municipalities, ceramic courses of private or public
art galleries, ceramic courses offered to children in kindergartens, educational training in ceramic factories are samples of ceramic education
for almost all segments of population and age where ceramic education
is pursued according to their own objects and rules. Whats different in
the ceramic education in universities is that the persons receiving such
education may specialize as a fine artist or ceramic instructor each.
Should we compare the ceramic education offered in our universities
to whats offered in the world, it can be said that the level is pretty
good. The most basic criteria is the increase in the number of foreign
students trying to get education in our country in recent years and the
quality and number of artists wishing to participate in our events from
abroad. Our country now is in a position known for events in the ceramic
field. Also, the positive interaction between the ceramic departments
in different cities encourage us to organize more permanent and new
projects. Inter-cultural communication, sharing of art knowledge and
our ceramic events which are quite useful in education of our students
are not just limited to Hacettepe University, being enriched with local
visitors contributing to the increase in the number of individuals to select art. Our art museum, as a result of the events we hold, is embracing
a rich collection with the works of significant fine artists all over the
world, which works are used for educational purposes as well. Also,
the increase in the number of publications like articles, catalogs and
journals create a significant difference in the education of our students.
Today, for a student who just starts studying ceramic, neither material,
nor technology, nor seeing other countries is a problem. In addition to
having all these means, they have an educational system where they
can set up links with other art disciplines as they wish. International
contracted programs, diversity in courses afford them all options. The
opportunities of learning by experiencing and subsequently interacting
with those artists are afforded through one-on-one shows, applications
and presentations by domestic and international guest artists, each
event is then archived, serving as a source for future students. I find
the students of our department in terms of interaction with fine artists.
They are getting the chance to work with a large number of artists not
only in events organized in Hacettepe but also those in other countries
(like Korea, Northern Cyprus and France) in our country as a result of
active participation.
Seramik sanat ile ilgilenmek isteyenlere neler tavsiye edersiniz?
What would you recommend to those wishing to be

involved in the art of ceramics?
Seramik sanatnn ada sanattan ayr olmadnn bilinci ile ie balamalarn, sabr ve kararllkla bu yolda yrmelerini neririm.
I recommend that they start with the awareness that ceramic art is not different
from contemporary art and walk on this path with patience and determination.
sergi / exhibition
Piri Reis 1513 Dnya Haritas: 500 Yln Gizemi Sergisi Romada ziyarete ald
Piri Reis 1513 World Map: Mystery of 500 Years Exhibition is launched in Rome
Seramiin Kalesi ile Denizlerin

Piri, Romada bulutu
The Kale of Ceramic and the Pir of
the Seas meet in Rome
Kale Grubunun, nl Trk denizcisi Piri Reisin 1513 tarihli Dnya Haritas ile 6s yabanc 13 seramik sanatsnn
bu haritalardan esinlenerek ortaya kard seramik eserlerden oluturduu Piri Reis 1513 Dnya Haritas:
500 Yln Gizemi Sergisi, talyann bakenti Romada ald. Piri Reis 1513 World Map: Mystery of 500 Years Exhibition, formed by Kale Group with renowned Turkish seaman Piri Reiss 1513 World Map, and ceramic works created under inspiration by these maps by 13 ceramic fine artists, 6 of whom are foreigners, was launched in Rome.
Piri Reisin dnya haritasn izmesinin 500. yl dnm olan 2013 ylnn,
UNESCO tarafndan Piri Reisi Anma Yl olarak kabul edilmesi nedeniyle Kale Grubu tarafndan hayata geirilen sergi, Trkiyenin Roma Bykelilii tarafndan restore edilen Via Lancelottideki Yunus Emre Kltr
Merkezinde sanatseverlerin beenisine sunuldu. Trkiyenin Roma Bykelisi Hakk Akil ve pek ok sekin davetlinin katlmyla dzenlenen resepsiyonda konuan Kale Grubu Bakan ve CEOsu Zeynep Bodur Okyay,
Kale Grubunun yatrmlarnn bulunduu talyada, Trkiye adna ok zel
bir kltrel etkinlie ev sahiplii yapmann mutluluunu yaadn belirtti. Zeynep Bodur Okyay sergi alnda unlar syledi:
56 yllk kkl gemiiyle Trk seramik sektrne nclk eden Kale
Grubu olarak, atalar dnya medeniyetine ve kltrne damga vurmu
bir neslin torunu olarak, Avrupada ve Dnyada aydnlanma ann balangc kabul edilen Rnesansn doduu talyada, lkemiz adna ok
nemli bir etkinlie imza atyoruz. Piri Reisin yaad topraklarda doan,
The exhibition, launched by Kale Group at year 2013 when 500th anniversary of Piri Reiss drawing his world map has been recognized by UNESCO
as Piri Reis Memorial Year, was presented to art lovers at Yunus Emre Culture Center at Via Lancelotti restored by Turkeys Rome Embassy.
Kale Group President and CEO Zeynep Bodur Okyay, who spoke at the reception held with the participation of Turkeys Rome Ambassador Hakk
Akil and many dignitaries, noted that she experienced the joy of hosting a
very special cultural event in the name of Turkey in Italy where Kale Group
has investments. Zeynep Bodur Okyay has this to say at the inauguration
of the exhibition: As Kale Group, who has lead the Turkish ceramic industry with its rooted past of 56 years, as a grandchild of a generation whose
ancestors have made their mark on world civilization and culture, we are
signing off a very important event for our country in Italy where Renaissance recognized as the beginning of the age of enlightenment in Europe
and the world was born. Kale Group, which was born in the land where Piri
exhibition / sergi
Leonardo da Vincinin nefes ald topraklara yatrm yapan Kale Grubu,

insanln bu ortak zenginliklerini buluturan bu almayla, onlara biraz
da olsa kran borcunu demek istiyor.
Bugn aramzda bulunan, 6s yabanc 13 saygn seramik sanatsnn,
nl Trk denizci Piri Reisin 1513 tarihli Dnya Haritas ile belli bal yaptlarndan esinlenerek ortaya kard eserleri, en nemli rnmze;
ailemizin imzasn tayan seramie yansttk. imdi bu eserleri, Avrupa
medeniyetinin tartlmaz bakenti Romada, sanatseverlerin ilgi ve beenisine sunuyoruz. Bu alma, bir dnem Piri Reisin de yaad bu
topraklarda can bulan Kale Grubunun, ecdadna duyduu sayg, sevgi ve
minnetin ufak bir gstergesidir. Kale Grubu olarak, Piri Reisin esiz bir
gusto ile yaratt bu tarihi, seramikle birletirerek bizden sonra gelecek
nesillere de aktarlmasn salamaya gayret ediyoruz.
Reis lived, investing in the land where Leonardo da Vinci breathed, wants
to pay its debt of gratitude at least partly with this event, bringing together this common wealth of humanity. We reflected the works, created by 13
esteemed ceramic fine artists, 6 of whom are foreigners, who are among us
today, under inspiration by the renowned Turkish seaman Piri Reiss world
map of 1513 and his masterpieces to our most important product; the ceramic which bears the signature of our family. Now we are presenting these
pieces to art lovers in Rome; the undisputable capital of European civilization. This event is a small indication of the respect, love and gratitude felt
by Kale Group that has found life in these lands where Piri Reis once also
lived, towards its ancestors. As Kale Group, we are seeking to ensure that
this history created by Piri Reis with a unique gusto is transferred to future
generations in combination with ceramics.
Denizlerin Piri ile Seramiin Kalesinin hikyesi
The Story of the Pir of the Seas and Kale of Ceramic
Piri Reis, Osmanl Devleti iin olduu kadar denizcilik ve haritaclk alanlarndadnya iin debyk bir isim. Bu nedenle Piri Reisin Dnya Haritasn
izmesinin 500. yldnm olan 2013 yl, UNESCO tarafndan Piri Reisi
Anma Yl olarak kabul edildi.
Kale Grubu, kimliine ve vizyonuna uygun hareket ederek Denizlerin Pirini, Seramiin Kalesiyle birletirmeye karar verdi. Ve bylelikle Piri Reisin
sanat eseri niteliinde 90 adet byk boy haritas ile Trk seramik sanatlar smail Btn, Burak ifti, Ayegl ahin ve Mustafa Tunalpn
yorumlad 30a yakn seramik eseri buluturan ilk sergi anakkalede
imenlik Kalesinde ald.
Kale Grubu bu sergiyi, Piri Reisin adna yakr ekilde tm dnyayla tantrmak istedi ve projenin ikinci aya olacak Romadaki sergi iin harekete
geildi. Trkiyeden; Mustafa Tunalp, Serap Erdoan, smail Yardmc,
Sevim izer, Ayegl ahin, Engin etin, Fuat Kkek talyadan Ivo Sassi,
Yunanistandan Kostas Karakitsos, Msrda Ossama Emam, Fransadan
Elisabeth Le Retif, spanyadan Xavier Monsalvatje ve ABDden Charles
Wissinger, 15 sren altay sonunda, dnya apnda 100den fazla zgn
seramik eser ortaya kardlar. Neticede bu almalar arasndan seilen
50yi akn eserden oluan ikinci sergi, ayn topraklardan, anakkaleden
kan 2 Akdenizliyi, Denizlerin Piri ile Seramiin Kalesini bu kez
talyann bakenti Romada buluturdu.
Piri Reis is a great name for the world too in the field of seamanship and
map making, as much as he is for the Ottoman State. Therefore, 2013,
which is the 500th anniversary of Piri Reiss drawing his world map, was
recognized as Piri Reis Memorial Year by UNESCO.
In line with its identity and vision, Kale Group decided to combine the Pir
of the Seas with Kale of Ceramic and hence, the first exhibition, bringing together 90 large sized maps which qualify as art works by Piri Reis,
and close to 30 ceramic works interpreted by Turkish ceramic fine artists
smail Btn, Burak ifti, Ayegl ahin and Mustafa Tunalp, was held
in anakkale at imenlik Fort. Kale Group wanted to introduce this exhibition to the whole world in line with Piri Reiss name, and preparations
were started for the second exhibition in Rome which would be the second
leg of the project. Mustafa Tunalp, Serap Erdoan, smail Yardmc, Sevim
izer, Ayegl ahin, Engin etin and Fuat Kkek from Turkey; Ivo Sassi
from Italy, Kostas Karakitsos from Greece, Ossama Emam from Egypt and
Elisabeth Le Retif from France, Xavier Monsalvatje from Spain and Charles
Wissinger from USA created more than 100 original ceramic works worldwide as a result of a workshop which took 15 days. Eventually, the second
exhibition comprising more than 50 works selected out of these brought
together the two Mediterraneans from the same land, anakkale; the Pir
of the Seas and Kale of Ceramics, this time in Italys capital, Rome.
Mustafa Tunalp Trkiye

Bugne kadar katldm en iyi workshoplarn en iyisi
Ayegl ahin - Trkiye
k noktamz Piri Reisti ve onun haritasndaki detaylar kullanarak
formlarm ekillendirdim
Serap Erdoan - Trkiye
Sonu olarak tek bir isim altnda birok farkl proje rettik
smail Yardmc - Trkiye
Piri Reis haritalarndan yola karak kendi dnyam kurgulamak istedim
Sevim izer - Trkiye
Reis hepimize ilham kayna oldu ve ok iyi ilerin ktn dnyorum
Engin etin - Trkiye
ncelikle Piri Reisin dnya haritasn seramikle buluturmak istedim
Ivo Sassi - talya
Seramik bir karo yapmaya deil, gerek bir sanat eseri olmas iin Piri Reisi
yorumlamaya geldim
Kostas Karakitsos - Yunanistan
Piri Reis benim iin byk bir tecrbe kayna
Charles Wissinger - ABD
ok zengin bir kltre sahip byle bir workshopta olmak kolay kolay ele geen
bir ey deil
Ossama Emam - Msr
Kalenin rettii enteresan bir malzeme olan sinterflex ile tasarmlarm
gerekletirdim
Elisabeth Le Retif - Fransa
Birok iyi sanatnn bir arada olduu ve birok rencinin de bundan
yararland bir almayd
Xavier Monsalvatje - spanya
Piri Reisin elerini kendi halkmla birletirmek ve kendi elerimi
yaratmak istedim
Mustafa Tunalp Turkey

The best workshop Ive ever attended so far
Ayegl ahin - Turkey
Our starting point was Piri Reis and I shaped my forms employing the details
in his map
Serap Erdoan - Turkey
As a result, we created numerous different projects under a single name
smail Yardmc - Turkey
Starting from Piri Reis maps, I wanted to set up my own world
Sevim izer - Turkey
Reis was a source of inspiration for all of us and I believe that great works were
achieved
Engin etin - Turkey
Firstly, I wanted to bring Piri Reiss world map together with ceramic
Ivo Sassi - talya
I came not to make a ceramic tile but to interpret Piri Reis so that there is a true
work of art
Kostas Karakitsos - Yunanistan
Piri Reis is a great source of experience for me
Charles Wissinger - ABD
It is not a chance you get very easy to be in such a workshop with such a
wealthy culture
Ossama Emam - Msr
I realized my designs using sinterflex which is an interesting material
manufactured by Kale
Elisabeth Le Retif - France
It was a workshop where many good fine artists were together with a lot of
students benefiting from it
Xavier Monsalvatje - Spain
I wanted to bring Piri Reiss elements together with my own people and to
create my own elements
etkinlik / event
Hacettepe Gzel Sanatlar Fakltesi 30. Ylnda

Hacettepe University Faculty of Fine Arts in its 30th
1983 ylnda sanat eitimine balayan Hacettepe niversitesi Gzel Sanatlar Fakltesi 2013 Gz Dneminde 30. yln kutlam, bu
nedenle 24-25 Ekim 2013 tarihlerinde eitli etkinlikler yaplmtr.
Dekan Prof. Dr. Meltem Ylmaz Bakanlnda 30 sene ncesinin dekan, hoca ve rencilerinin katlmyla iki gn panel dzenlenmi ve
8 Kasm tarihine kadar ak kalan sergi almtr. Katlm Belgesi ve
Sergi Katalou ile kalclk salanmtr.
Organizasyon sorumlusu olan r. Gr. Cengiz Ertekin 30 sene ncesinin Seramik Blm rencisiydi. KTO Karatay niversitesi, Gzel
Sanatlar ve Tasarm Fakltesi, Geleneksel Trk Sanatlar Blm
retim yesi Yrd. Do. Yksel (Boz) cal, 1983 tarihinde faklte retim elemanlar arasndayd.
Hacettepe University Faculty of Fine Arts, which started art courses in 1983,
celebrated its 30th anniversary in the Fall Semester of 2013 with various
events held on this occasion October 24-25, 2013. Panels were held for two
days with the participation of the dean, instructors and students of 30 years
ago chaired by Dean Prof. Dr. Meltem Ylmaz and an exhibition was opened
which could be visited until November 8. Permanency was achieved through a
Participation Certificate and Exhibition Catalog.
Instructor Cengiz Ertekin, who was in charge of the event, was a student in
the Ceramic Department 30 years ago. Kto Karatay University, Faculty of Fine
Arts and Design, Traditional Turkish Arts Department Instructor Assistant Prof.
Yksel (Boz) cal was among members of faculty in 1983.
event / etkinlik
AIT KATKILI KLDEN YAPILMI HAYVAN

HEYKEL ALITAYI WORKSHOP FOR ANIMAL
STATUES MADE OF PAPER ADDED CLAY
Dokuz Eyll niversitesi Gzel Sanatlar Fakltesi Seramik ve Cam Tasarm Blm Ar. Gr. Gler Ouz 1-7 Austos 2013 tarihleri arasnda
Macaristann Kecskemet ehrindeki Uluslararas Seramik Stdyosunda
ngiliz Sanat Susan Hallsun gerekletirdii Kat Katkl Kilden Yaplm Hayvan Heykeli altayna katld.
Deiim ve iletiim felsefesiyle tannan Uluslararas Seramik Stdyosu
(ICS), 30 yllk gemiiyle, Macaristann bakenti ve dnyann nde gelen Seramik Sanat Merkezlerinden biri olan Budapetenin 8 km. gneyinde yer alan Kecskemet ehrinde yer alr. Merkez, tarihi boyunca 40n
stnde ehirden 500den fazla sanaty
arlam ve 3000in zerinde ada seramik sanatna ait etkileyici koleksiyona
ev sahiplii yapmaktadr. Bu kurum kkl
tarihinden gelen seramik geleneiyle gnmzde de ada seramik sanatna katksn srdrmektedir.
Etkinlik sresince katlmclar sanatsal
felsefe ve uygulamann btn ynlerine
katldlar. Macar ve dier uluslararas sanatlarn birbiriyle etkileimiyle salanan
kltrel ve sanatsal ibirlii baarl ve
yaratc ilerin ortaya kmasn salad.
altay, sanatlarn sunumlaryla zenginleti.
ngiliz Seramik sanats Susan Halls tarafndan yrtlen altayda, ilk olarak
sanat tarafndan bir sunum gerekletirildi. Daha
sonra atlyede katlmclara
amurla byk (veya kk)
hayvan figrlerinin hzl ve
etkili teknikler kullanarak
nasl yaplaca gsterildi.
Levha ve sucuk yntemlerinden fazlasyla faydalanlan bu altayda hzl ve
zahmetsizce i boaltmadan
veya ierisini doldurmadan
figrler retildi. almann
temelini oluturan hayvan
anatomisi zerine tartld. Ama gereki kopyalar
retmek deil, hayvan doas ve ruhunu yakalayan
yorumlar yapmakt.
altaya katlan her katlmc kendi hayvan figrn
retti. alma kolayl asndan kat katkl porselen
amur kullanlarak elle ekillendirilen hayvan figrlerinin ilk piirimi yapldktan sonra raku piirimi yapld.
Uluslararas Seramik Stdyosunda allan sre boyunca dnyann eitli yerlerinden gelen sanatlar yarattklar sinerjiyle farkl bak alar
edindiler.
Dokuz Eyll University Faculty of Fine Arts Ceramic and Glass Design Department Research Assistant Gler Ouz participated in the Workshop
for Animal Statues Made of Paper Clay held by British Fine Artist Susan
Halls at the International Ceramic Studio in the city of Kecskemet in Hungary from August 1 to August 7, 2013.
The International Ceramic Studio (ICS) known for its philosophy of change
and communication with its 30-year past lies in the city of Kecskemet
8 km. south of Budapest, one of the leading ceramic art centers in the
world and the capital of Hungary. The center has so far hosted more than
500 fine artists from more than 40 cities
and is home for an impressive collection
of more than 3000 contemporary ceramic
works. This institution today is maintaining
its contribution to the contemporary art of
ceramic with its ceramic tradition rooted in
its history.
Through the event, participants took part
in all aspects of the artistic philosophy and
practice. The cultural and artistic collaboration derived, thanks to the interaction of
Hungarian and other international artists,
allowed successful and creative works to
emerge. The workshop was enriched by the
presentations of artists.
In the workshop conducted by British ceramic fine artist Susan Halls, first a presentation was given by the
artist. Then, it was demonstrated in the workshop to
participants how large or
small animal figures could
be built from clay using rapid
and effective techniques. In
this context, where sheet
and coil techniques were exploited, figures were created
rapidly and with no effort
without hollowing or filling.
Discussions were made on
animal anatomy which was
the basis of the workshop.
The objective was not to
create realistic copies but to
make interpretations capturing the nature and spirit of
animals. Each participant of
the workshop built his or her
own animal figure. For ease
of working, the animal figures that were hand shaped using paper porcelain clay were firstly initial
fired and then raku fired.
Through the working period in the International Ceramic Studio, artists from various locations of the world acquired different perspectives,
thanks to the synergy they created.
etkinlik / event
GUEST CERAMIC FINE

ARTISTS MSAFR
SERAMK SANATILARI
Almanyann Neumnster Kentinde Knstlerhaus Stadttpferei Sanat

Merkezinde dzenlenen ve Nisan 2013 tarihinde balayan Ceramic
Artists in Residence (Misafir Seramik Sanatlar) programna bu yl
34 lkeden 107 bavuru yapld ve 10 sanat seildi. Trkiyeden smet
Ykselin davet edildii bu programda sanat, rettii eserleri 25 Mays
2013 tarihinde Amerikal sanat Mimi Mc Partlann eserleriyle birlikte
sergiledi. Dzenlenen etkinliklerde Ykselin, seramik yzey zerine
mono bask altay da byk ilgi grd. almalarnda genellikle arkeolojik yaplar temel alan sanat, burada gerekletirdii projede de,
yaad evrenin kltrn paylamay amalam ve bu dnceyle 3
adet seramik heykel retmitir. Bu almalarnda fotokopi transfer yntemiyle optik desenleri seramik yzey zerine aktararak dekor etkisi yaratmtr. Aralk ayna kadar devam edecek olan bu program, Almanyada
yaplacak byk bir sergi ile son bulacak.
This year, 107 applications were made from 34 countries and 10 fine artists were selected for the Ceramic Artists in Residence program organized at Knstlerhaus Stadttpferei Art Center in the city of Neumnster of
Germany which started in April 2013. In this program to which Ismet Yksel was invited from Turkey, the artist exhibited his works together with
those of American artist Mimi Mc Partlan on May 25, 2013. Yksels mono
print on ceramic surface workshop was a highly popular feature of the
events. The artist who basically started from archaeological elements in
his works here, too, sought to share the culture of his environment creating three ceramic statues with this thought. He has created a decor effect
by transferring optic designs onto ceramic surfaces using the photocopy
technique in these works. This program to continue until December will
end with a big exhibition to be held in Germany.
event / etkinlik
1313
.ECERS TOPLANTISI
TH ECERS CONFERENCE
Avrupa Seramik Dernei ECERS, 23-27 Haziran 2013 tarihlerinde

Fransann Limoges kentinde, Ester Kongre Merkezinde geni bir katlmla 13. Seramik kongresini gerekletirdi.
Yaklak bir yl boyunca, eitli seksiyonlar halinde on bir farkl tema
zerinde kongre hazrlk almalarnn srdrld ve bu seksiyonlara, lkemizden de seramik konusunda aratrma ve uygulamalar yapan
bilim insanlarnn, bildirileri ile katldklar kongre sresince gzlemlendi.
Dokuz Eyll niversitesi, Gzel Sanatlar Fakltesi, Seramik ve Cam Tasarm Blm Bakan Prof. Sevim izer de, geen yl Haziran aynda
Arkeo-materialler- Kltrel Miras olarak Seramik konulu seksiyonda,
Seksiyon Bakan olarak grevlendirildi. Fransann Paris, Marie Curie
niversitesinden Philippe Colombann daveti zerine bu grevi stlenen Prof. izer, bir yl boyunca, bildirilerin seimi, deerlendirilmesi ve
programlanmas ile ilgili bir ekip almas yrtt.
Kongre srasnda, Muse Debouchde gerekleen Arkeomateryaller
Seksiyonunda oturum bakan olarak bir al konumas da yapan Sevim izer, bir szl sunum ve bir video-poster olmak zere iki sunum
gerekletirdi. Bunlardan biri Reduced Pigment Lustre; Old Texts, New
Experiments dieri ise The Reflections of Cultural Heritage on Turkish
Contemporary Clay Art baln tayordu. Oturumlar boyunca srekli
olarak video gsterisi halinde tekrarlanan bu sunumda, Anadolunun
gemiten gnmze aktarlm maddi kltr ve gelenek-greneklerini tema olarak ileyen seramik sanatlarnn yaptlarnn grselleri
yer almakta idi. te yandan, Dokuz Eyll niversitesi tarafndan Bilimsel Aratrma Projeleri kapsamnda desteklenmekte olan Eski Lster
Tekniklerinin Aratrlmas ve Gnmze Aktarlmas projesinin ktlar
olarak yaplm deney ve uygulama almalar da bu sunumda yer ald.
Fransa, spanya, Kore, talya, ngiltereden aratrmaclarn, gelimi laboratuar aralar ile gerekletirdikleri, arkeolojik seramiklerin bnye,
sr, bezeme malzemelerinin incelenmesi konularnda arlk kazanan bildirilerin yer ald oturumlarda, Sevim izerin deneysel alma ve uygulamalara ynelik olan sunumu ile yine ayn Faklteden retim Grevlisi
Aye etinin Diyarbakr, The tiles of Diyarbakir St. Hosef Armenian Catholic Church: works of conservation, restoration,project and practicing
konulu kendisi tarafndan gerekletirilen restorasyon almasn tantt sunumu farkl temalar olarak ilgi ve takdir toplad.
European Ceramic Society ECERS held its 13th Ceramic Congress with
large attendants at Ester Convention Center in the city of Limoges for June
23-27, 2013.
It was observed that the preparation efforts for the congress was continued for approximately one year in the form of different sections on eleven
different themes and these sections were attended by scientists from our
country who do research and applications relating to ceramic with their
papers.
9 Eyll University Faculty of Fine Arts Ceramic and Glass Design Department Head Prof. Sevim izer was appointed as Section Head for Archaeomaterials Ceramic as Cultural Heritage Section in June last year.
Prof. izer, who took on this task at the invitation of Phillip Colomban from
Marie Curie University in Paris, France, conducted a theme work for a year
in connection with the selection, evaluation and scheduling of the papers.
Sevim izer, who also gave an opening speech as session head at Archaeomaterials Section held in Muse Debouch during the congress, gave two
presentations; one oral and one as a video poster. The first one was entitled Reduced Pigment Lustre; Old Texts, New Experiments; the other
one, The Reflections of Cultural Heritage on Turkish Contemporary Clay
Art. In this presentation repeated as a continuous video show through
sessions, included the videos of the works of ceramic fine artists who
worked on the theme of the substantive culture and traditions of Anatolia
carried from the past to today.
On the other hand, the tests and applications that were the deliverables
of the Research and Bringing to Present of Old Luster Techniques which
was supported by Dokuz Eyll University under scientific research projects
were part of this presentation.
In the sessions which featured papers by researchers from France, Spain,
Korea, Italy and England using advanced laboratory tools predominantly
on the topic of examination of body, glaze and decoration materials of
archaeologic ceramics, Sevim izers presentation on experimental work
and applications and the presentation by Aye etin, an instructor in the
same faculty, where she presented the restoration done by herself titled
Diyarbakr, The tiles of Diyarbakir St. Hosef Armenian Catholic Church:
works of conservation, restoration, project and practicing drew great interest and accolades as different themes.
sergi / exhibition
LHAN MARASALI
ZEYNEP BASKICI KAPKIN
DL IITMAN
TURUL EMRE FEYZOLU
JANA KREJZOVA
DUMLUPINARDA KARMA SERG

AT DUMLUPINAR GROUP SHOW
Dumlupnarda Karma Sergisi, Dumlupnar niversitesi Gzel Sanatlar

Fakltesi Sergi Salonlarnda gerekletirilmitir. Bu sergi araclyla;
ayn fakltede sanat eitimlerini srdren rencilere faydal olabilmek
ve kendi eitim kurumlarnda sanat eserleriyle ve sanatlarla bir arada
olmak ama edinilmitir. Toplam 47 akademisyen, tasarmc ve sanatnn seramik, resim, cam, grafik ve fotoraf alanlarnda ortaya koyduklar
sanat almalar yer almtr. Sergiye, Afyon, Ankara, Bilecik, Bursa, anakkale, Eskiehir, stanbul, , zmir, Ktahya, Mula, Uak illerimizde ve
ek Cumhuriyetinde sanat almalarn srdren akademisyen, sanat
ve tasarmclar katlmtr. Ahmet Nejat Birdevrim, Atilla Cengiz Kl, Aydan Birdevrim, Ayegl Tredi zen, Berrin Kayman Karagl, Birkan Aka,
Burcu ztrk Karabey, Can Gke, Canan Grel Ak, Canan Yldz, Candan
Dizdar Terwiel, Cansu Ekmeki mrak, Cemalettin Sevim, Doan zgndodu, Elif Aydodu Aatekin, Engin Kapkn, Erdoan Dizdar, Ezgi Gke,
Fatih Karagl, Funda Susamolu, Gkhan Aka, Hakan Ergun, lhan Marasal, Jana Krejzova, Kamuran Ak, Levent Mercin, Leyla Kubat, Mine Ergun,
Mustafa Aatekin, Mustafa Kzl, Necla Erkaya Cokun, Nurettin Glat,
Olgu Smengen Berker, dl Itman, zgr Yldz, Rahmi mrak, Rdvan
Cokun, Saime Hakan Dnmezer, Sema Gral Srmeli, Senanur Gndodu,
Sibel Sevim, Sibel Yeil, enol Kubat, Tuba zkan, Turul Emre Feyzolu,
Vedat Kaar, Zeynep Baskc Kapknn yer ald sergi 12/29 Kasm2013
tarihleri arasnda Ktahyal sanatseverlerin beenisine sunulmutur.
At Dumlupnar Group Show was held at Dumlupnar University Faculty

of Fine Arts Exhibition Halls. The purpose sought via this exhibition was
to help students pursuing art studies at the same faculty and have them
come together with art works and fine artists in their own educational
institutions. The exhibition featured ceramic, painting, glass, graphical
and photograph works by 47 academicians, designers and fine artists
in total. Participation in the exhibition was from the provinces of Afyon,
Ankara, Bilecik, Bursa, anakkale, Eskiehir, stanbul, , zmir, Ktahya,
Mula and Uak and the Czech Republic. The exhibition was offered to
Ktahya art lovers from November 12 to November 29, 2013 featuring
the following participants: Ahmet Nejat Birdevrim, Atilla Cengiz Kl,
Aydan Birdevrim, Ayegl Tredi zen, Berrin Kayman Karagl, Birkan
Aka, Burcu ztrk Karabey, Can Gke, Canan Grel Ak, Canan Yldz,
Candan Dizdar Terwiel, Cansu Ekmeki mrak, Cemalettin Sevim, Doan
zgndodu, Elif Aydodu Aatekin, Engin Kapkn, Erdoan Dizdar, Ezgi
Gke, Fatih Karagl, Funda Susamolu, Gkhan Aka, Hakan Ergun,
lhan Marasal, Jana Krejzova, Kamuran Ak, Levent Mercin, Leyla Kubat, Mine Ergun, Mustafa Aatekin, Mustafa Kzl, Necla Erkaya Cokun,
Nurettin Glat, Olgu Smengen Berker, dl Itman, zgr Yldz, Rahmi mrak, Rdvan Cokun, Saime Hakan Dnmezer, Sema Gral Srmeli,
Senanur Gndodu, Sibel Sevim, Sibel Yeil, enol Kubat, Tuba zkan,
Turul Emre Feyzolu, Vedat Kaar and Zeynep Baskc Kapkn.
exhibition / sergi
AYEGL TRED ZEN amot Kuu
CANAN AK DOL 1
Sanat Ak
BERRN KARAGL MARTI
LOVE OF ART
nsan; bireysel olarak balayan yaam serveninde, yaad doal, sosThe human being in his journey of life starting individually, while on the
yal, siyasal, toplumsal erevesi iinde yaam mcadelesini verirken bir
other hand pursuing his life struggle within the natural social and political
yandan da, sanatn engin gcyle tanr, var olur. Kendisinden sonraki
framework he lives in, on the other hand gets acquainted with the broad
kuaklara sanat araclyla bir eyler anlatr/anlatmaya alr.
might of art getting to exist. He tells/attempts to tell things with the aid
Bu sergi; sanat alannda akademisyen, sanat ve tasarmc olarak ura
of art to future generations.
veren ve hayatlarn sanatla birletirmi olan elerin eserleriyle olutuThis exhibition is one formed by the words of couples who work as acadrulan bir sergidir. Sergide Afyon, Ankara, Bilecik, anakkale, Eskiehir,
emicians, fine artists and designers in the field of art, merging their lives
stanbul, Mula, Uak illerimizden, seramik, resim, cam
with art. The works of Elif-Mustafa AATEKN, Canangibi sanat alanlarndaki almalarn akla srdren ElifKamuran AK, Aydan-Ahmet Nejat BRDEVRM, NeclaMustafa AATEKN, Canan-Kamuran AK, Aydan-Ahmet
Rdvan OKUN, Mine-Hakan ERGUN, Ezgi-Can GKE,
Nejat BRDEVRM, Necla-Rdvan OKUN, Mine-Hakan
Cansu-Rahmi MRAK, Zeynep-Engin KAPKIN, Berrin-Fatih
ERGUN, Ezgi-Can GKE, Cansu-Rahmi MRAK, ZeyKARAGL, Leyla-enol KUBAT, Sibel-Cemalettin SEVM,
nep-Engin KAPKIN, Berrin-Fatih KARAGL, Leyla-enol
Canan- zgr YILDIZ couples and Ayegl TRED ZEN
KUBAT, Sibel-Cemalettin SEVM, Canan- zgr YILDIZ
from our provinces of Afyon, Ankara, Bilecik, anakkale,
iftleri ve Ayegl TRED ZENin eserleri yer almtr.
Eskiehir, stanbul, Mula and Uak, who pursued their
Aslen Uakl seramik sanats olan Ayegl TRED
work in art disciplines like ceramic, painting and glass,
ZEN; konuk 12 sanat iftini ve eserlerini Uakl sawere featured in the exhibition. Ayegl TRED ZEN,
MUSTAFA AATEKN
natseverlerle bir araya getirmek ve tantrmak iin bu
who is a ceramic fine artist originally from Uak, organCamsiparane Serisi
sergiyi organize etmitir. Bu sergi de ev sahibi olma sized this show to bring together with and introduce to art
fatyla TRED ZEN in de seramik eserleri, konuk sanatlarn eserleri
lovers from Uak the guest 12 fine artist couples and their works. As host,
arasnda yer almtr. Bir ksm okul sralarndan arkadalar, bir ksm
TRED ZENs ceramic works were among those of the guest fine artemeklilik ncesinde alt kurumda mesai arkadalar ve ounluu
ists. The artists, some of whom were her friends from school time, some
bir zamanlar rencisi olan birbirinden deerli sanatlar, Aklar Diyaher colleagues and most her students came together with art enthusiasts
r olarak bilinen Uakta, Uak Sanat Galerisinde Sanat Ak karma
from October 26 to November 05, 2013 at Uak known as the land of lovers
sergisiyle 26 Ekim /05Kasm 2013 tarihleri arasnda sanatseverlerle
at Uak art gallery in the Art of Love group show. The exhibition also had
bulumutur. Sanat Ak evli iftlerden oluan ilk karma sergi olmas
the significance of being the first group show featuring works of married
dolaysyla da zellikle nemlidir.
couples.
ELF AATEKN sanat ask sen ben bzm olan
KAMURAN AK SMSZ 2
FATH KARAGL
Ktphaneden bozma
sanat syleisi / art interview
UNESCO YAAYAN NSAN HAZNES

DLL N SANATISI:
UNESCO LIVING HUMAN TREASURE
AWARD WINNER iNi ARTIST
Mehmet Grsoy
prof. iskender k
art interview / sanat syleisi
O, Atein Oyunu diyor

iniye. Bu olaanst sanat
anlatrken gzlerinin ii
glyor. Tam anlamyla ini
a bir sanat. Enerjisi,
sanat kimlii ve gzel
sohbetiyle hemen farkl
birisi olduunu hissettiriyor
Mehmet Grsoy...
He calls ini the Game of Fire.

His eyes gleam when he tells
of this exceptional art. He is a
fine artist fully in love with
ini. Mehmet Grsoy makes
one feel immediately that he
is someone different with his
energy, artist identity and
fine conversation
Ktahyada pek ok deerli sanatlar var, siz

de bu deerlerden birisiniz. Peki, Ktahya ini
sanatlar ve inicilii hak ettii yerde mi sizce? UNESCO dlnz olmasayd, Trkiye sizi
tanyacak myd?
There are many valued artists in Ktahya; you

are one of them. Well. Do you think Ktahya
ini artists and ini making is where it deserves? Would Turkey have known you if you
didnt have the UNESCO award?
Sultan Veledin bir szyle balamak istiyorum: Ktahyada bir

ay kalana ne mutlu, iki ay kalan ziyadesiyle mutlu ve saadet
iinde olur. Cennet Ktahyann ya altndadr, ya stndedir.
Ktahya gerek bir evliyalar, airler, ressamlar, mzisyenler
yani ksacas sanatkarlar kentidir. Tarih boyunca sanatla yorulmutur bu kent. znikte sarayn destei bittii zaman ini
tarihe gmlm. ini sanatkarlar, bir ekilde iniyi gnmze
kadar tamlar. Yokluk ekmi, sava grm, igali yaam Ktahya, ama yine de bu ehirde sanat hi yok olmam.
Bu deerli ve gzel insanlar olmasayd bugn biz olmazdk.16.
yzyln sonlarna doru imparatorluk zayflad zaman znikte
inicilik tamamen durmu. Ktahya bu anlamda bilhassa ini
sanatna verdii byk nemden dolay ok farkl bir kent.
I would like to start with a saying by Sultan Veled: Staying a

month in Ktahya is a happy event, those who stay for two months
will be exceptionally happy and delighted. Paradise is either below
or over Ktahya. Ktahya is a true city of evliyas, poets, painters, musicians, in short fine artists. This town has been kneaded
in art through history. ini was buried in history when the palaces
support ended in Iznik. ini artists have carried ini in some way
until today. Ktahya has seen deprivation, wars and occupation.
But art has never disappeared in this town. We wouldnt be here
today but for those worthy and beautiful people. When the empire
weakened towards the end of 16th century, ini making came to
a halt totally in Iznik. Ktahya, in this sense, is a very different city
because of the significance it placed especially on the art of ini.
Ktahya inisi ile znik inisini karlatrrsanz neler sylersiniz?
What would you say if you compared Ktahya

ini and Iznik ini?
znik, saraya yakn ve etrafnda kuvars yataklar var. Ulam rahatl var. Ktahya saraya daha uzak. Bu nedenle ini
znikte sarayn desteinde gelimi.
Ustalarn izdii desenler saraya daha kolay ulatrlm ve bu
nedenle znik inisi zirveye ulam. Literatrde yle deniyor:
znik saray sanatdr, Ktahya halk sanatdr. Saray sanat, saray gnce bitip gitmi, ama halkn sanat devam etmi.
Iznik is close to the palace and there are quartz deposits nearby.
Transportation is easy. Ktahya is farther from the palace. Therefore, ini developed in Iznik with the support of the palace. The
patterns drawn by masters were taken to the palace easily and
therefore, Iznik china has reached a summit. The literature says that
Iznik is a palace art, Ktahya is a folk art. Palace art has disappeared
when the palace collapsed but the art of the people has survived.
Birok lkede sergiler atnz, kendinize zg

bir tarznz ve ekolnz var, bize bundan bahseder misiniz?
You opened exhibitions in many countries, you

have an original style and school; could you
tell us about this?
Bu sanata baladm 1975 yllarnda, znik inisi tarih olmutu. Ktahyada ok geleneksel iler yaplyordu. Kompozisyonlar znden kopmu, renkler orijinalinden km tamamen
pastel renklerde retim yaplyordu. Ama benim stanbulda
Topkap Saraynda, Rstem Paada, Trk slam Eserleri
Mzesinde inili, Kkte grdm eserler muhteem ve
inanlmaz gzeldi. Dedim ki bu sanat neden geri dnmesin,
sanata k yolum bu oldu. Sradan bir resim retmeniydim,
hatta yksekrenime de gitmemitim, ky retmeniydim o
yllarda. Bu sanat zevkini hocalarmz bize alamlard.
Ecdadmz inanlmaz gerekletirmi, imknsz baarm bu
sanat dalnda. ini sanatnda estetik, zarafet, ahenk ve denge
var, kompozisyon gzel, ksacas her ey var. ncelikle bu sanatn adn deitirmek lazmd. ini nedir diye sorduumuzda,
In 1975, when I started this art, Iznik ini was history. Very traditional works were produced in Ktahya. The compositions were
detached from their essence. The colors were far from their originals. The production was totally in pastel colors but the works I
saw in Istanbul in Topkap Palace, Rstem Paa, in Turkish Islamic
Works Museum, in inili Kk were magnificent and unbelievably
beautiful. I said why shouldnt this art come back? This was my
starting point. I was an ordinary art teacher; actually I hadnt gone
to college. I was a village teacher those years. Our teachers had
instilled this taste of art in us.
Our ancestors have accomplished the unbelievable, have achieved
the impossible in this art branch. There are aesthetics, elegance,
harmony and balance in the art of ini. Composition is good. In short,
there is everything. First of all, we had to change the name of this
genelde bir seramik trdr yantn alrz. Ama bana gre ini,
bir gz musikisidir; bu musikinin notalar da laleler, karanfiller,
smbller, gllerdir. Hibir mzisyen iki notadan beste yapamaz, ama biz sadece mavi ve beyaz kullanarak ok gzel besteler ve kompozisyonlar yaparz.
Dier bir anlamda inileri incelediim zaman orjinal renkleri mercan, turkuaz ve zmrt grdm. Bunlar mcevherdi,
atalarmzn ufkuna, anlayna bakar msnz? Yani kymetli
talarn rengini srn altna gizlemiler, mcevher renklerinin
bulunduu meknlarda yaamay istemiler. Neden nk bu
kymetli talar insana pozitif enerji yklyor ve huzur veriyor.
Kanuni Sultan Sleyman ile ilgili bir anekdot aktarmak
isterim sizlere:
Padiah huzura iki sanat erbabn kabulde tereddt etmiyor,
birisi terzisi, dieri znikli ustalar. Aratrldnda bakyoruz ve gryoruz ki, terzisi kendi ss, ini sarayn ss iin.
Sanatkrlar padiaha eser sunaca iin heyecanla geliyor huzuruna: Sizin iin yaptm hnkrm diyor. Padiah da iki kese
altn verile, kese altn verile diyerek onlar dllendiriyor.
Sanatkrn karn tok, srt pek, mutlu, huzurlu, daha gzel
eserler yapmak iin heyecan iinde atlyesine dnyor.
ini sanat 700 yllk imparatorluun sanatdr. Dnya zerinde hibir lkenin byle bir sanat yok, ini bizim z sanatmz,
Trklerin, koskoca imparatorluun sanat.
Sarayn sanatlar Allahn yaratt gzellikleri ylesine gzel irdelemiler, yle detaya inmiler ki, detaya indike gzellikleri grmler. nce kda, ardndan topraa, sonra da frna gndermiler ve en sonunda bu gzellikler km ortaya.
art form. When we ask what is ini, typically we get the answer
that it is a type of ceramic. But for me, ini is a music of the eye, and
notes of this music are tulips, carnations, hyacinths and roses. No
musician can compose using two notes but we can make beautiful
compositions using just the blue and the white. When I examined
the inis, I saw their original colors; the coral, the turquoise and the
emerald. These were jewels; would you look at the horizon, the
concept of our ancestors? I mean, they have concealed the color of
precious stones under the glaze. They wanted to live in spaces containing the colors of jewels. Why, because these precious stones
charge the human being with positive energy, giving him peace.
Id like to tell you an anecdote relating to Suleiman the
Magnificent:
The sultan does not hesitate to receive two tradesmen; one is his
tailor, the other is the tradesmen from Iznik. When researched,
we see that the tailor is for his own ornaments, the ini is for
the ornaments of the palace. Tradesmen come before him with
the excitement of presenting him works. They say We did it for
you my sultan. The sultan awards them saying give him two
purses of gold, three purses of gold. The tradesmen goes back
to his workshop with the excitement of creating better works,
happy and in peace, well fed and safe. The art of ini is the art of
700-year-long Empire. No country in the world has such an art;
ini is our own art; it is the art of Turks, the enormous empire. The
artists of palace have discussed, have so detailed the beauties
created by God that they have seen beauties as they went into
detail. They have sent it first onto paper, then earth, then to the
kiln and eventually these beauties have emerged.
ininin renklerinden bahsedelim biraz da,

mavi, yeil, turkuaz ve krmz olduka kstl
deil mi?
Now, lets talk about the colors of ini; isnt

the blue, the green, the turquoise and red
rather limited?
Fatih Sultan Mehmet, stanbulu fethettii zaman dnyann

her yerinden hediyeler gelir saraya, Japonya ve inden de
porselen hediyeler gelmi. Bu porselenler sadece mavi ve
beyaz renkliymi. Padiah sanatkarlarna yle buyurmu:
Daha gzeli yapla! Mavi ve beyaz renk yok sadece tabiatta.
Sarayn bahesinde laleler, karanfiller, smbller, akayklar,
idemler var. Sarayn sanatkarlar renk arayna girmiler.
nce turkuaz yani bizim z rengimizi, sonra zmrt yeilini,
sonra mercan eserlerine tamlar. Mercan, 1550-1575 yllar
arasnda hayatta kalm, ondan sonra ise artk retilmemi.
nk mercan krmznn srrn bir usta
yakalam, forml de hi kimseye sylemedii iin kendisi ile beraber topraa
gmlm. 1991 ylna kadar durum byle. 1991 ylnda acizane bana nasip oldu
mercan rengini bulmak. Mercanla ilgili
on yllk bir aratrmam vard. Her frnda
krmzy test ediyordum. 1991 ylnda stanbul Gzel Sanatlar Fakltesinde sergi atm zaman fakltenin dekan Prof.
Nurhan ATASOY Evlat bu i tamamdr,
ben basn aryorum, dedi. Hrriyet
Gazetesine te tarihteki mercan geri
dnd, dedi. Analizler, uranyum madeninin olduunu gsteriyor mercann iinde, demir, selenyum var. Test yapa yapa
tekrar hayata geirdim mercan rengini.
When Sultan Mehmet the Conqueror conquered Istanbul, gifts

from all over the world came to the palace; porcelain gifts came
from Japan and China. These porcelain ware were only blue and
white colored. The emperor ordered his artists: Make better
ones!
The nature does not only contain blue and white. There are tulips,
carnations, hyacinths, peonies and crocuses in palace gardens.
The tradesmen of the palace started searching for color; they
carried first the turquoise, I mean our own color, then emerald
green, then coral onto their works. The coral survived from 1550
to 1575 and was not produced anymore after that. Because one master had captured
the secret of coral red and since he didnt
tell the formula to anyone, it was interred
with him. That was the case until 1991. In
1991, humbly finding the coral color was
a blessing for me. I had done a decade of
research on coral. I was testing the red in
each kiln. When I started my exhibition in
Istanbul Fine Arts Faculty in 1991, Dean
Nurhan Atasoy said, My child, this is
complete, Im calling the press. She told
Hrriyet Newspaper, The coral in history
has returned. Analyses show that there is
uranium in coral, there is iron, there is selenium. As I tested them, I re-launched the
color of coral.
Bana gre ini; bir gz

musikisidir; bu musikinin
notalar da laleler, karanfiller, smbller, gllerdir.
For me, ini is music for
the eye; the notes of this
music are the tulips, carnations, hyacinths and roses.
stanbul
Gzel
Sanatlar
Fakltesinde ok nemli bir
profesr olan merhum Prof. Dr.
Muhsin Demironatn rencisisiniz. Mercan almalarnzda Muhsin Bey ile altnz m?
u an sylei yaptmz bu odaya da
onun adn verdim. 1975 ylnda merhum Vehbi Ko, Muhsin Hoca, dier deerli kiiler, bu sanat yeniden canlandrn demiler. Vehbi Koa Ktahyadan
iniler gtrmler. Fakat gtrlenler
daha nceki gibi gzel deilmi. Bu yllarda
yaplan iniler son derece sradan. Vehbi Ko,
Ticaret Odasna bir yaz yazyor, diyor ki: Kursiyerlere hem 10 lira yevmiye verin, bu sanat gelisin.
Ben o yllarda stanbulda Trk ini sanatn gelitirme kursuna gittim. O zaman iki tercihim vard, ya tatile ya da bu kursa
gidecektim, ben kursa gitmeyi setim. Muhsin Hoca o zaman
60l yalardayd. Bir hatram aktarmakta yarar grrm:
Hatai iei; marulun stilizasyonudur. Bunu derste izdim gtrdm. Olmam evlat dedi. Bir daha, bir daha derken, 8-10
defa izdim gtrdm. Olmam evlat dedi, ama biliyorum ki
olmu, izdiimin farkndaym. Sonra bo bir kd hocaya gtrdm, izer misiniz hocam? dedim. izdi, aldm ve yerime
getim. Be-on dakika sonra tekrar gtrdm, Nasl olmu?
dedim. Olmam dedi. Siz izdiniz, dedim. Bak evlat! dedi,
Ben izdiysem de olmam, sen izdiysen de olmam, iz ev-
You are a student of late Prof. Dr.

Muhsin Demironat which was
a very important professor in
Istanbul Faculty of Fine Arts.
Did you work with him in
your coral work?
I named this room we are in now after
him. In 1975, the late Vehbi Ko, Professor Muhsin and other esteemed people
had asked to revitalize this art. They
have taken inis from Ktahya to Vehbi
Ko. But those taken were not as beautiful
as the ones before, the inis created those
years are extremely ordinary. Vehbi Ko wrote
a letter to Chamber of Commerce saying, Pay 10
lira per diem to course attendants, let this trade develop.
In those years, I attended a Turkish ini art development course
in Istanbul. I had two options then, I would either go to holiday or
this course; I chose to attend the course. Professor Muhsin was
then in his 60s. I would like to tell a memory of mine: The hatai
flower is the stylization of lettuce. I drew it in the course and took
it to him. He said, No son. Trying once again and again, I drew it
8 or 10 times, he said No son. But I know that it was O.K. Im
aware of it. Then I took a blank piece of paper to the professor. I
said, Would you draw it sir?. He did, I took it and took my seat. A
few minutes later I took it back. I said, How is it? He said. No. I
said You drew it. He said Look son!, It is not O.K. if I drew it or
if you drew it, draw son, draw! and added, This art is the art of
lat, iz! dedi ve ardndan ekledi: Bu sanat izgi sanat, bu

bilein ve salnn kymetini bil, ecdadn yaptklarn tekrar
etmeye mrnz yetmez, siz gzeli yeniden yorumlamaya bakn dedi. Biz de Zeki Mreni olduk bu sanatn. Gzeli zleyen
gzeli bulur, gzellik yolunda hareket eden mutlaka gzele
ular. Ferhat gibi, Kerem gibi, dierleri gibi...
drawing, know the value of this wrist and your health, your lives
are not long enough to repeat what our ancestors have done, try
to reinterpret the beautiful. So we became the Zeki Mren of this
art. Who yearns for the beautiful finds the beautiful, those moving
towards beauty will definitely reach the beauty. Like Ferhat, like
Kerem, like the others
Yurtdnda birok sergi atnz? Nasl karlyorlar sizi ve eserlerinizi? Dnyaya tantabildik mi iniyi?
You held numerous exhibitions abroad. How

do they receive you and your works? Could we
manage to introduce the ini to the world?
Yurtdnda 47 sergi atm, yakn zamanda ngilteredeydim.

Hibir eserim geri gelmedi, hatta
1994 ylnda Indianada 12 dakika gibi ksa bir zaman diliminde
tm eserlerim tkendi. Bizim sanatmz bizden ok daha iyi tanyorlar, ksacas bizi bizden daha
iyi biliyorlar.
Bunun ilesini biliyorlar, incelemiler, okumular, gezmiler,
grmler, beyinlerine naketmiler. Eserlere yaklamalarn,
sizinle konuurkenki tavrlarn,
gzlerindeki lty, o nezaketi
grseniz, inanlmaz hadiseler
bunlar. Dnyann birok yerinde onore edildim. Valiler, belediye bakanlar, rektrler ama
en nemlisi lkemde UNESCO
tarafndan miras tayc seilmemdir.
I held 47 exhibitions abroad, I was recently in England. None of my

works came back; in fact, all my works were sold in a short time
period of 12 minutes in Indiana in
1994. They know our art much better than us; in short, they know us
better than we do.
They know the arduousness of
this, they have examined red, visited, seen and engraved them in
their brains. You should see their
approach to the works, their attitude when they speak to you,
the glitter in their eyes, that courteousness, theyre unbelievable
events. I was honored in many
places of the world. Governors,
mayors, university presidents but
most importantly, my election as
heritage carrier by UNESCO in my
country.
These days, there is a

trend of modernization,
do you think it is possible to modernize ini?
Bugnlerde bir modernizasyon akm var, sizce

ininin modernizasyonu
mmkn m?
ieklerde karakteristik zellikleri bozulmadan yeni uygulamalar yaplabilir. Ama lale lale
gibi, karanfil karanfil gibi, gl gl
gibi kalmaldr. Bu, ini sanatnn
zelliidir. Nasl alfabenin harflerini deitiremezsek, ininin de
renklerini deitiremeyiz.
Ancak ecdadn yapt gibi mcevher rengi ise kullanabiliriz.
rnein kahverengi ve sar bu
sanatn iinde yoktur. Drt rengimiz var, drd de mcevher.
UNESCO
tarafndan
Yaayan nsan Hazinesi seilmeniz size farkl bir misyon ykledi mi?
ini sanat 700 yllk imparatorluun sanatdr. Dnya zerinde hibir lkenin byle bir sanat yok, ini
bizim z sanatmz, Trklerin, koskoca imparatorluun sanat.
ini art is the art of the empire of 700
years. No country in the world has
such an art, ini is our own art. The art
of Turks, the enormous empire.
Omuzumdaki yk daha da artt,

yolda yrrken bile daha dikkatli
oluyorum. Esasen sanatmzn bize ykledii anlamlar erevesinde yaayan bir insanm. Bundan sonraki gnler daha zor,
daha gzeli yapmak ve retmek iin.
New applications may be done on

flowers, without distorting their
characteristic features. But the
tulip must stay as a tulip, the carnation as a carnation and a rose as
a rose. This is a characteristic of
the art of ini. Just like we cannot
change the letters of the alphabet,
we cannot change the colors of
ini. But like our ancestors did, if it
is the color of a jewel, we can use
it. For example, there is no brown
or yellow in this art. We have four
colors, all of them jewels.
Did your selection as the

Living Human Treasure by UNESCO charge
you with a different mission?
The load on my shoulders grew

bigger, Im even more careful when
walking. Actually, Im a human being living within the framework
charged to us by our art. The upcoming days are for doing and
creating the tougher, the more beautiful.
Peki, bu baar hikayesi tam olarak nasl balad?
Well, how did this success story exactly started?
1986 ylnda Ktahyada 1. ini Sempozyumu dzenlendi, bu

sempozyumda kategoride yarma yapld. Herkes gibi ben
de hazrlandm; yarmaya daha nceki yllarn birincileri de
katld. Yarmann alt yabanc, alt yerli jri yesi vard. Yarma sonular kategoride aklandnda, iki birincilik, bir
ikincilik kazandmda Ktahyada yer yerinden oynad. Dediler
ki: Sen nereden ktn? Bu durum gerek yerel gerekse ulusal
basnda byk yank yapt.
In 1986, the 1st ini Symposium was organized in Ktahya; there

were contests in three categories in that symposium. I got prepared like everyone else, the winners of previous years participated in the contest too. There were six foreign, six local jury members of the contest. When competition results were announced in
three categories, I won three first and one second prize, Ktahya
was shaken. They said, Where did you come from?. This had reverberations both in the local media and also the national media.
Bu sanatn sizden sonra da var olmas iin renciler yetitiriyor musunuz?
Are you grooming students so that this trade

survives after you?
UNESCO dln aldktan sonra benim resim retmenliime nokta koyuldu. Fatih Lisesi ve Ktahya Halk Eitim
Mdrlnde derslere baladm. Sonra Dumlupnar niversitesi Rektr geldi, Zamann yok biliyorum ama gelmeye,
benim rencilere ders vermeye mahkmsun, bu senin grevin, dedi. Bir tarafta insanla hizmet, bir tarafta da gelecee
hizmet var. Sanatn gelecee ok iyi ekilde ulatrlabilmesi
asndan, bir eitimci olarak tabi ki niversiteyi setim. 19961999 yllar arasnda DPde retim grevlisi olarak altm.
Hi unutmam bir rencim Hocam bu sanattan ekmek yer miyiz? diye sordu. Gzeli yaparsan, doruyu yaparsan talihlisi
bulunur dedim. rencilerime nasihatimdir, Sakn bana nikh
davetiyesi gndermeyin, bana sergi davetiyesi gnderin, ite
ben o zaman hakkm helal ederim size derdim.
My art teaching stopped after I won the UNESCO award. I started

courses at Fatih High School and Ktahya Public Education Department. Then Dumlupnar University President came and said I
know you dont have time but you are bound to come and teach
my students. On the one side, there is service to humanity and
on the other, service to the future. I, of course, chose university
as an educator so that art could be transferred to the future very
well. I worked as member of academic staff from 1996 to 1999. I
never forget, a student of mine asked, Sir, will we make money
from this art?. I said, if you do the beautiful, the proper, there will
be lucky ones. It is my advice to my students. Dont send me
wedding invitations, send me exhibition invitations, then I will be
happy with you.
Ktahyann gelimesi, Ktahyann bu sanata

katksnn artmas anlamnda gerek i dnyasna
gerek genlere ynelik sylemek istedikleriniz
var m?
Bu ehir satlmaldr, bu ehrin deerleri pek oktur, bu ehrin
deerlerini nce lkemize sonra tm lkelere tantmak zorundayz. Bu ehri ynetenler, ehrin ileri gelenleri, sanatlarn
bir araya toplayp, ehir ehir, liman liman dolaarak, dnyaya
lanse etmelidir. ngilterede sergiye giderken, Ktahyal birok
sanatnn eserlerini de beraberimde gtrdm.
u hataya asla dmedim, hani derler ya ne gzel yaratmsn, haa yle bir hadise yoktur sanatta. Biz gzeli yanstrz
sadece, Allahn yaratt gzelliin yanstcsyz. Bu zevk iidir, gnl iidir, gz iidir.
Bir tabak yaparken de bir fincan yaparken de

ayn heyecan yayor musunuz?
Sanat deeri asndan eserlerim arasnda en by ile en
k arasnda fark yoktur, ancak byk eser yaptnz zaman heyecannz daha byk oluyor.
Bu sanat yapmak isteyen genlere tavsiyeleriniz

nelerdir?
Bu sanata sevdal herkese kapm aktr. Bizim zekatmz retmektir, retirseniz sanatn zekatn vermi, retmezseniz
br dnyaya borlu gitmi, ibadetinizi eksik yapm olursunuz. nsanla borcum var, ne kadar fazla eser retirsem o kadar borcumu demi sayarm kendimi. Be binin zerinde eser
yaptm bugne kadar. Halen renci yetitiriyorum, kapm kim
aldysa, aralanmtr. Sevdal olana, hak edene de kendime
ait zel formlleri de (mercan haricinde) verebilirim. Mercann
formln sadece oluma verdim. UNESCO dlnde elini
kime verdin diye sordular, oluma verdiimi belirttim.
Are there things you want to say to the business

world and to the youth for advancement of Ktahya and the growth of contribution of Ktahya
to this art?
This city should be sold, this city has many assets, we have to
introduce the assets of this city first to our country, then to all
countries. Those who run this city, the dignitaries of the city, must
bring together the artists and launch to the world going from city
to city, port to port. When I went to an exhibition in England, I took
the works of many fine artists from Ktahya.
I never made that mistake; you know, they say how beautiful a
work you have created; no, there is no such phenomenon. We only
reflect the beautiful. We are the reflector of the beauty created by
God. This is the matter of taste, matter of heart, matter of eye.
Do you experience the same excitement when

making a plate or a cup?
There is no difference between the largest and the smallest of
my works in terms of artistic value but your excitement is greater
when you make a big work.
What are your recommendations to the youth

wishing to engage in this trade?
My doors are open to everyone in love with this trade. Our duty is
to teach, if you teach then you have pay your dues, if you dont,
you will go to the other world in debt, having done your religious
duties in an incomplete manner. I owe it to humanity; the more
works I create, the more debt I will have paid. So far, I made more
than five thousand works.
Presently, I groom students; I have opened my door to everyone
who knocked on it, I can give my special formulae (except for the
coral) to those who deserve it. I gave the formula for the coral only
to my son. In UNESCO awards, they asked me whom I gave my
hand, I said: To my son.
sanat makalesi / art article
AVANOS KMLEKL
SORUNLARI VE BAZI RENK
VEREN METAL OKSTLER,
HAZIR PGMENTLER
LE LKLENDRLM
DK DERECEL YEN SIR
NERMELER
PROBLEMS OF AVANOS
POTTERY AND PROPOSITIONS
FOR NEW LOW TEMPERATURE
GLAZES ASSOCIATED WITH
COLORANT METAL
OXIDES AND READYMADE
PIGMENTS
D o . K aan C A N D U R A N E rciyes niversitesi , G zel S anatlar
Fakltesi , S eramik ve C am Tasarm B lm , K ayseri
A ssoc . P rof. K aan C A N D U R A N E rciyes U niversity, Faculty of F ine
A rts , C eramic and G lass D esign D e partment, Kayseri
art article / sanat makalesi
ZET
Seramik retiminin Hititlere kadar uzand Avanosta gerek seramiki saysnn azalmas, gerekse retim
maliyetlerinin ykseklii ve rnlerin daha ucuz fiyatlarla pazarlanmas nedeniyle seramik retim ve tketiminde
byk oranda gerilemeler yaanmtr. Bu da daha pahal grlen seramik sr ve boyalar yerine seramik yapyla
uyumsuz ve kaliteyi drc malzemelerin kullanmnn yaygnlamasna neden olmutur. Yrenin geleneksel
kili olan yksek demir oranna sahip krmz kilin yapsna uygun, dk dereceli sr eitlerinin ve yeni sr
reetelerinin oluturulmas, krmz kil bnye zerinde yrede retilen rnlere uygun, hammadde asndan ucuz
sr eitliliinin artrlmas, kalc ve kaliteli rnlerin kullanmn salamak iin bu aratrma hazrlanmtr.
Bu dorultuda sr reeteleri hazrlanm, eitli seramik boyalar ile birlikte bu reetelerden elde edilen srlarn
denemeleri yaplm ve renk eitlilii, estetik grnm ve seramik bnyeye uygunluk asndan baarl sonular
elde edilmitir. Yaplan aratrmalarda elde edilen sonularn yerel retimde eitlilii ve kaliteyi artrarak, Avanos
seramik retiminin kalcl ve devam iin nemli bir rol oynayabilecei gzlenmitir.
Anahtar Szckler: Kil, sr, sralt boya, seramik.
ABSTRACT
In Avanos where ceramic pottery making dates back to Hittites, large scale reductions have taken place in
the production and consumption of ceramic due to the decrease in the number of ceramicists and also high
production cost and marketing of products at lesser prices. This has caused popularity of use of materials that are
inconsistent with ceramic structure, bringing down quality in place of ceramic glazes and colorants deemed to be
more expensive. This study was prepared for formation of low temperature glaze types and new glaze recipes in
line with the composition of red clay with high iron content which is the traditional clay of the region, increasing
the diversity of glazes with inexpensive raw materials fit for products produced in the region on red clay bodies. To
that end, glaze recipes were prepared; tests were made on glazes derived from such recipes with various ceramic
colorants and successful results were achieved in terms of color diversity, aesthetic look and fitness to ceramic body.
It was observed that the results derived in carried out studies could play an important role for the sustainability
and continuation of Avanos ceramic production, increasing the diversity and quality in local production.
Keywords: Clay, glaze, underglaze colorant, ceramic.
* Avanos Yresi Yerel Kil rnekleri zerinde Dk Dereceli Sr ve Sr Alt Boya Aratrmalar, Erciyes niversitesi Bilimsel Aratrma Projesi
* Low temperature Glaze and Underglaze Colorant Research on Avanos Region Local Clay Specimens, Erciyes University Scientific Research Project
Avanosta Hititlere kadar uzanan mlek yapm babadan ola gnmze

kadar ulamtr. Geleneksel Avanos mlekiliine olan talebin azalmas,
alma artlarnn zorluu ve rapido, vernik gibi seramik d malzeme kullanm bu sanat daln yozlatrmtr. Bu aratrma kapsamnda yal boya,
mrekkep ve rapido ile desen ve renklendirme yaplan yre mlekiliinde,
uygun seramik srlar ve boyalar kullanmnn yaygnlamasn salamak
ama edinilmitir. Yaplan aratrmalar sonucunda elde edilen sr ve sr alt
boya uygulamalarnn bundan sonra yre mlekiliinde rnek tekil edebilecei ve yeni aratrmalara nclk edebilecei dnlmektedir.
Pottery making dating back to Hittites has survived passed from father to
son in Avanos. The decrease in demand for traditional Avanos pottery, difficulty in working conditions and use of non-ceramic materials like technical pen and varnish have corrupted this art discipline. This study has sought
ensuring use of appropriate ceramic glazes and colorants being popular in
the regions pottery where design and coloring is done using oil paint, ink and
technical pen. It is believed that glaze and underglaze coloring applications
derived as a result of done research may serve as models in regions pottery
or pave the way for new research from now on.
AVANOS MLEKL
AVANOS POTTERY MAKING
Topraktan anak mlekler yapma ve bunu meslek olarak benimseme ii olan

mlekilik, en eski mesleklerden biridir. Seramik ve mlekiliin bir meslek
haline dnmesi yerleik hayatn iyice benimsenmesi ve yerleim blgelerinin kurulmas ile olumutur. nsanlar ihtiyalar dorultusunda mlekler
retmi ve kurulan ticaret ilikilerinde de youn olarak seramie yer vermilerdir. Ekonomik anlamda gelime olana bulan mlekilikte, zaman iinde
sanatsal adan da gelimeler yaanmtr.
Geliim sreci gnmzde dahi devam etmekte olan mlekiliin ilk rnleri
Mezopotamya ve Anadolu topraklarnda verilmitir denilebilir. Neolitik aa
Pottery making which is the craft of building pots and bowls from earth and
adopting this as a trade is one of the oldest trades. Transformation of ceramic and pottery making into a trade has taken place when settled life was
fully adopted and settlements were set up. People have produced pots in
line with their needs including ceramic intensely in set up trade relations. In
time, artistic developments have also occurred in pottery making, finding the
opportunity of developing economically as well.
The initial products of pottery making, the process of development of which
is still ongoing, may be said to have produced in Mesopotamia and Anatolia.
kadar uzanan seramie ait ilk buluntularn Anadolu topraklarnda elde edilmesi, seramiin geleneksel boyutuna da esiz bir deer kazandrmaktadr.1
Anadolunun orta Kzlrmak blmnde bulunan Nevehir iline bal Avanos ilesinde mlek yapm M. 1700li yllara, Hitit ana dayanmaktadr.
Toprakl Hyk kazlar sonucu Avanosun ilk bronz andan beri srekli
oturum yeri olduu renilmitir. Hitit, Frig, skit, Lidya, Pers, Roma, Bizans,
Seluklu, Osmanl uygarlklar bu topraklarda izlerini brakmlardr.2 Turistik adan son derece nemli bir blge olan Kapadokya blgesinde bulunan
geleneksel seramik merkezi Anadolunun mlekilik asndan nemli deere sahip merkezlerinden birisidir. anak mlek yapmnn Avanosun kuruluuyla birlikte balad dnlmektedir. Avanosun Hititlerden beri sregelen seramik yapm gelenei, kuruluuyla birlikte gelimeye balam ve
gnmzdeki durumuna erimitir. Bu geleneksel ura yllardr yaatmaya
alan Avanos insan, mlek yapmak iin kulland malzeme olan amuru
Kzlrmak evresinden karr.
Avanos yresinde Formlar ve boyutlar ihtiyaca ve amur trne gre ekillenir. Geleneksel retim; boylar 20 cmden 1,5 mye kadar deien; mlek, kp,
testi ve gvelerden oluan ilevsel gereler retimidir. Son yllarda Hitit ve
Frig seramikleri bata olmak zere, Anadolunun en eski formlarn tekrarlayan
retim hediyelik eya retimi balamtr.3 Blgede; zlk, el testisi, su mlei, gebece ve yadan gibi adlar alan kap trleri retilmektedir. Son dnemlerde elektrik maliyetinin yksek olmasna karn gelimi atlyelerde elektrikli
frn kullanm yaygnlamtr. Gnmz Avanos mlekilii daha ok turistik
amal retime yneliktir. retilen geleneksel kaplar turistik adan nem arz
etmekte ve mlekten hediyelik eya anlayn yaratmaktadr. Bu anlayn,
sr haricinde kullanlan ve seramikle ilgisi olmayan malzemelerle mleklerin
kalitesini drmesi, seramik mantna ve blgenin geleneksel mlekilik
tarzna aykr uygulamalar yaratmas da sz konusu olmaktadr. Turizmi canl
tutmaya alan yre halk, bu eitlilii arttrmak iin yeni tasarlarla rnlerini
gelitirmekte ve lkenin birok kentine satlmak zere farkl ihtiyalara ynelik
srl, srsz, perdahl, dekoratif rnler retmeye devam etmektedir.
The first artifacts of ceramic dating back to the Neolithic age being found in
Anatolian land bring a unique value to the traditional dimension of ceramic.I
Pottery making in the district of Avanos of Nevehir Province in the Central
Kzlrmak part of Central Anatolia dates back to 1700 B.C. to Hittite Age.
As a result of Toprakl Tumulus excavations, it was learned that Avanos has
been a continuous settlement since the first Bronze Age. Hittite, Phrygian,
Iskit, Lydia, Persian, Roman, Byzantine and Seljuki Ottoman civilizations have
left their traces on these lands2 The traditional ceramic hub in the Cappadocia Region which is a very important touristic area is one of Anatolias centers
with significance as regards pottery making. It is believed that pot and bowl
production has started with the foundation of Avanos. The ceramic tradition
of Avanos, going back to Hittites, has started to develop with its foundation
reaching its present state. Avanos people, trying to make this traditional craft
live extract the clay used for pottery making from around Kzlrmak.
In Avanos region, Forms and dimensions are shaped according to need and
type of clay. The traditional production is of utilitarian ware, namely pots,
urns, pitchers and casserole pots ranging in size from 20 cm to 1.5 m. In recent years, giftware production has started reiterating the oldest forms of
Anatolia, lead by Hittite and Phrygian ceramic ware.3 Types of containers given names like zlk, el testisi, su mlei, gebece and yadan are produced in
the region. Despite high cost of electricity in recent times, use of electric kilns
has become widespread in advanced workshops.
Present Avanos pottery making is rather oriented to touristic purposes. The
traditional containers produced are important touristically, giving rise to the
concept of ceramic giftware. This concept may decrease the quality of pots
due to materials used other than glazes with no relationship to ceramic, creating applications in contrast with the logic of ceramic and the traditional
pottery style of the region. The people of the region attempting to keep tourism alive are developing their wares with new designs to enhance this diversity, continuing to produce glazed, unglazed, finished and decorative ware,
catering to different needs to be sold to different cities of the country.
AVANOS MLEKLNN SORUNLARI
PROBLEMS OF AVANOS POTTERY MAKING
Avanos yresinde geleneksel mlekilik sanatn yaatlma abas yzyllardr srmektedir. Avanosun kuruluundan beri gnlk kullanm ve ihtiyalara
ynelik retimin sz konusu olmas, bu sanatn bir zanaattan doduunu
ve ilk mleklerin insanlarn gnlk yaamlarnda eya ve kap kacak olarak
kullanm iin retildiini gstermektedir. Kzlrmakn getirdii olanaklardan
yararlanmaya alan yre halk, ayn zamanda onlar snrlayan durumlarla
da kar karyadr. Anadolunun mlekilik ve geleneksel el sanatlar merkezi konumunda olan Avanos yresinde, dier birok merkezde de olduu gibi
birok sorun yaanmaktadr.
Avanosun geleneksel amuru olan krmz kilin, geleneksellik zelliini ona
kazandran pime rengi, yal plastik kvam ve kullanmda yaratt kolaylklarn yan sra ustalarn ve mlekilik mesleini icra eden yre halkn, retim
ve tasarm asndan kstlayan birtakm zelliklere de sahiptir.
1. Son yllarda geleneksel Avanos mlekiliine olan talebin azalmas sonucu yre mlekileri farkl seramik uygulamalara ynelmilerdir. Turistik
satlar amalanarak bezeme dekorlu rnler ve ini retimi de balam ve
yksek dereceli kil, astar ve sra ihtiya duyulmutur. Bu da mlekileri Ktahya ve znik gibi daha gelimi dier seramik merkezlerine ynlendirmitir.
ini amurunun ve srlarn Ktahyadan getirtilmesi retim maliyetini arttrmaktadr. Yrenin geleneksel mlekiliine uygun olmayan Ktahya inileri
ve dkm teknii ile oaltlan farkl seramikler geleneksel mlekiliin yerini almaya balamtr.
2. Avanosun geleneksel krmz kilinin piirim scaklnn dk olmas dk
dereceli srlarn oluturulabilmesi ve bulunabilmesi asndan yre mlekileri
iin sorun oluturmaktadr. Dk dereceli srlar daha ok gveler iinde effaf olarak kullanlmaktadrlar. Gvelerde kullanlan srlar yksek maliyetlerde
hazr olarak satn alnan srlardr. Bu yksek maliyetler dk fiyatlarda satlan mleklerin srlanmasn etkilemektedir. Bu durum seramik mantna son
derece aykr ve rnn kalitesini dren uygulamalar ortaya karmaktadr.
The efforts for keeping the traditional craft of pottery has been ongoing for
centuries in the Avanos region. That utilitarian ware being produced since
the foundation of Avanos indicates that this craft originated from a trade and
that the initial pots were produced for people to use in the day-to-day affairs. The people of the region, in an effort to make use of means provided by
Kzlrmak, at the same time faces situations restricting them. Like in other
centers, there are numerous problems that are experienced in the Avanos
region which is the pottery and traditional handicrafts section of Anatolia.
The red clay, which is the traditional clay of Avanos in addition to its firing
color, oily plastic consistency and being easy to use which make it traditional,
also has certain characteristics which restrict the people of the region and
masters involved in the trade of pottery in terms of production and design.
1. As a result of the decrease in demand for traditional Avanos pottery, in
recent years pottery makers of the region have moved towards different ceramic applications. Seeking touristic sales; decorated ware and china production has started, requiring the need for high temperature clay, lining and
glazes. These have moved pottery makers to more advanced other ceramic
centers like Ktahya and Iznik. Bringing ini clay and glazes from Ktahya
increases the cost of production. Ktahya china ware not consistent with the
traditional pottery making of the region and various ceramic ware reproduced
by casting technique have started to replace traditional pottery making.
2. The low firing temperature of Avanoss traditional red clay poses a problem for the pottery makers of the region for creating and availability of low
temperature glazes. Low temperature glazes are mostly used in transparent
form in casserole pots. The glazes used in casserole pots are glazes purchased readymade at high cost. This high cost affects the glazing of pots sold
cheap. This leads to practices in extreme contrast to the ceramic logic, bringing down the quality of the product. For example, in Avanos where terracotta
characteristic is dominant, ceramic forms are dyed with materials like car
rnein Terra Cotta zelliin hakim olduu Avanosta, seramik formlar, oto boyas, yat vernii vb. seramikle ilgisi olmayan malzemelerle boyanarak aslndan
uzaklatrlmaktadr.4 Tm bu uygulamalarn malzeme yetersizlii, var olan
malzemenin kalite dkl ve ekonomik skntlardan kaynaklanmaktadr.
3. retim maliyetlerine yakt sknts da eklenmektedir. Yrede yakt amal
odun sknts yaanmakta ve bu ihtiya tala, saman, ba ubuklar ve araba
lastikleri gibi evreye zarar veren birtakm malzemelerle karlanmaktadr. Bu
kirletici problem de ilenin iinde atlyesi olan, frn yakmak zorunda kalan
mlekiler iin zorlayc bir durum oluturmaktadr.
4. Hammadde, malzeme ve yakt sknts yannda Avanos mlekiliinin kar karya olduu birok sorun mevcuttur. Ekonomik skntlar ve teknolojinin
getirdii yenilikler de bu geleneksel sanatmz zor durumda brakmaktadr.
Sanayi devrimi ile birlikte gelen alkanlklar ve yeni teknoloji, mlekilik sanatnn teklik anlayn zedelemekte, ksa srede ucuz maliyetlerle retilen,
farkl materyallerden yaplan rnler insanlarn tercihi olmaya balamaktadr.
Gelien teknolojinin talep artna cevap vermeye almas kaliteyi drm, ucuzlamay balatarak kullanmda geleneksel olan ikinci plana itmitir.
mlek, kullancnn ve kltrn geleneksel, fonksiyonel ve/veya teknolojik
ihtiyalarn temel alr. Bu balamda dnldnde ve aratrmalarmzda
ortaya kan sonularda kimi yerlerde artk teknolojiye yenik dm mlein elde kalan fotoraflaryla yetinilirken kimi yerlerde de ayn canlln devam ettiini gryoruz.5 Avanos yresi de bu canll srdrmek iin aba
sarf eden ve kendini srekli yenilemek durumunda kalan yrelerden biridir.
paint, yacht varnish, etc. that have no connection to ceramic, being removed
from their origin.4 All these practices stem from inadequate materials, the
low quality of available materials and economic problems.
3. Fuel shortage is a problem added to production cost. There is shortage
of fuel wood in the region and this demand is met using a set of materials
harmful to the environment like saw dust, hay, vine sticks and car tyres. This
pollutant problem makes life difficult for pottery makers with workshops in
the district who have to start fire in their kilns.
4. In addition to the problems of raw material, material and fuel, there are
others faced by Avanos pottery making. Economic problems and innovations
introduced by technology also put this traditional art in a difficult situation.
Habits earned with industrial revolution and new technologies impair the singularity concept of the art of pottery, wares produced cheap in a short time
made of different materials being opted for by people. The attempt of the
advancing technology to meet the increasing demand has lowered quality,
pushing the traditional into a secondary position in consumption, starting
lowering of prices.
The pot is based on the traditional, functional and/or technological needs
of consumption and the culture. Looking from this perspective and in results
of our studies, we see that in certain locations, one just has to settle for the
surviving photographs of pots already lost to technology and in other places,
the same vitality is still going on.5 Avanos region is one of those making an
effort to keep this vitality alive, having to continuously renew itself.
AVANOS YRES KL RNEKLERNE UYGULANAN

DK DERECEL SIR DENEMELER
EXPERIMENTS ON LOW TEMPERATURE GLAZES

APPLIED TO AVANOS REGION CLAY SPECIMENS
Yntem
Method
Proje kapsamnda ncelikle dk dereceli srlar ile ilgili literatr taramas

yaplmtr. Yaplan tarama sonucunda projenin kapsamna uygun dk dereceli sr reeteleri bulunarak listelenmitir. Yaplan taramadan sonra projeye
uygun yeni sr reeteleri oluturulmutur. Aratrmalar yapldktan sonra kil
rneklerinden deneme plakalar hazrlanm ve ayn zamanda hazrlanan sr
alt boyalar ve dk dereceli srlar deneme tabletlerine uygulanmtr.
Firstly, a literature search was done on low temperature glazes under the
project. As a result of the search, low temperature glaze recipes fit for the
project were found and listed. After the search, new glaze recipes fit for the
project were created. After research, test plaques were prepared from glaze
specimens and underglaze stains and low temperature glazes prepared simultaneously were applied to the test plaques.
Bulgular
Findings
Proje kapsamnda 22 adet sr denemesi yaplmtr. Elde edilen sr denemesi sonularndan S11 kodlu sr denemesi sonular proje iin uygun grlm ve farkl oranlarda renklendiriciler ile renklendirilerek baarl sonulara ulalmtr.
Renklendirici oksitler; S11 kodlu sra aadaki oranlarda uygulanmtr.
Kobalt Oksit; % 0,3 0,6 0,9
Krom Oksit; % 0,9 1,5 2
Bakr Oksit; % 0,9 1,2 1,5
Demir Oksit; % 1,5 1,8 2,4
Mangan Dioksit % 1,5 2 2,5
Biskvi piirimi yaplm krmz kil bnyeye kahverengi, krmz ve lacivert sr
alt boyalar uygulanm ve S1 kodlu effaf sr ile srlanmtr.
Twenty-two glazes were tested under the project. Out of the derived glaze test
results, glaze specimens coded S11 deemed fit for the project and successful
results were achieved by coloring with different ratios of colorants. Colorant
oxides were applied to the glaze coded S11 in the following percentages.
Cobalt Oxide; % 0,3 0,6 0,9
Chromium Oxide; % 0,9 1,5 2
Copper Oxide; % 0,9 1,2 1,5
Iron Oxide; % 1,5 1,8 2,4
Manganese Dioxide; % 1,5 2 2,5
Brown, red and navy underglaze stains were applied on the biscuit fired red
clay body and glazing was done using S1 coded transparent glaze.
Proje iin uygun grlen S1 kodlu sr denemesi
S1 coded glaze test deemed fit for the project
0,55 Na2O
0,18 CaO
0,16 Al2O3
0,27 Li2O
0,55 Na2O
0,18 CaO
0,16 Al2O
0,27 Li2O
1 SiO2
1,23 B2O3
0,11 ZrO2
Hammaddeler / Raw
Forml / Formula
Uleksit / Ulexite
Na20 2CaO 5B2O3 12H2O
Boraks / Borax
Na20 2B2O3 10H2O
Sodyum Feldspat / Sodium Feldspar
Na20 Al2O3 6SiO2
Reete
Lityum
Karbonat / Lithium Carbonate
Li2CO3
Alminyum Oksit / Aluminum Oxide
Al2O3
Zirkon Dioksit / Zirconium Dioxide
ZrO2
Silisyum Dioksit / Silicon Dioxide
SiO2
Na2O
0,09
0,39
0,07
0,55
CaO
0,18
0,18
B2O3
0,45
0,78
1,23
Al2O3
0,07
0,09
0,16
1 SiO2
1,23 B2O3
0,11 ZrO2
Li2O
0,27
0,27
SiO2
0,42
0,58
1
ZrO2
0,11
0,11
REETE
% (Yzde)
Recipe
Uleksit
0,09 x 739 = 66,51 = 20,2 Uleksit
Boraks
0,39 x 382 = 148,98 = 45,2 Boraks
Sodyum Feldspat
0,07 x 524 = 36,68 = 11,13 Sodyum Feldspat
Lityum Karbonat
0,27 x 74 = 19,98 = 6,06 Lityum Karbonat
Alminyum Oksit
0,09 x 102 = 9,18 = 2,78 Alminyum Oksit
Zirkon Dioksit
0,11 x 123 = 13,23 = 4,01 Zirkon Dioksit
Silisyum Dioksit
0,58 x 60 = 34,8 = 10,55 Silisyum Dioksit

329,66
% (Percentage)
Ulexite
0,09 x 739 = 66,51 = 20,2 Ulexite
Borax
0,39 x 382 =148,98 = 45,2 Borax
Sodium Feldspar
0,07 x 524 = 36,68 = 11,13 Sodium Feldspar
Lithium Carbonate
0,27 x 74 = 19,98 = 6,06 Lithium Carbonate
Aluminum Oxide
0,09 x 102 = 9,18 = 2,78 Aluminum Oxide
Zirconium Dioxide
0,11 x 123 = 13,23 = 4,01 Zirconium Dioxide
Silicon Dioxide
0,58 x 60 = 34,8 = 10,55 Silicon Dioxide

329,66
Tablo 1. Avanos Yresi amuruna ve Kil rneklerine Uygulanan Dk Dereceli Sr Denemeleri (960 980C)
Table 1. Low Temperature Glaze Tests Applied on Avanos Region Clay and Clay Specimens (960 980C)
No
S1
S2
S3
Reete % (Yzde)
20,2
Uleksit
45,2
Boraks
11,13
Sodyum
Feldspat
6,06
Lityum Karbonat
2,78
Almina
4,01
Zirkonyum
Dioksit
10,55
Kuvars
20,2
Uleksit
45,2
Boraks
11,13
Sodyum
Feldspat
6,06
Lityum Karbonat
2,78
Almina
4,01
Zirkonyum
Dioksit
10,55
Kuvars
+% 6 Zirkonyum Dioksit
20,2
Uleksit
45,2
Boraks
11,13
Sodyum
Feldspat
6,06
Lityum Karbonat
2,78
Almina
4,01
Zirkonyum
Dioksit
10,55
Kuvars
+% 12 Zirkonyum Dioksit
Grsel
Seger Forml
Parlak
0,55 Na2O
0,18 CaO 0,16 Al2O3
1,23 B2O3
0,27 Li2O
0,55 Na2O
1 SiO2
0,18 CaO
0,16 Al2O3
1,23 B2O3
0,27 Li2O
0,11 ZrO2
%6 ZrO2
+
0,55 Na2O
0,18 CaO 0,16 Al2O3
1,23 B2O3
0,27 Li2O
%12
ZrO
+
2
S4
32,62
32,60
26,37
Feldspat
2,7
5,64
Dioksit
Uleksit
Boraks
Sodyum
Uleksit
Boraks
Sodyum
S5
32,62
32,60
26,37
Feldspat
2,7
5,64
Dioksit
+% 20 Talk
S6
32,62
Uleksit
32,60
Boraks
26,37
Sodyum
Feldspat
2,7
Lityum Karbonat
5,64
Zirkonyum
Dioksit
+% 12 Titanyum Dioksit
0,59 Na2O
0,29 CaO 0,165 Al2O3 1,28 B2O3
0,12 Li2O
+%12 TiO2
Potasyum
S7
27,15
Feldspat
9,62
Karbonat
3,96
40,23
19,04
0,4 CaO
0,2 BaO
0,2 Al2O3
0,6 B2O3
0,2 ZnO
0,2 K2O
S8
84,8
8,5
6,7
Kolemanit
Kaolin
Kuvars
Boraks
Potasyum
S9
14,4
20,16
Feldspat
7,1
Karbonat
19,15
37,4
1,77
20,15
45,15
9,5
Feldspat
6,27
3,4
3,9
11,6
Uleksit
Boraks
Sodyum
S10
Lityum Karbonat
Zirkonyum
Lityum Karbonat
Zirkonyum
Baryum
inko Oksit
Kolemanit
Kuvars
Kalsiyum
Silisyum Dioksit
Borik Asit
Almina
Lityum Karbonat
Almina
Titanyum Dioksit
Kuvars
1 SiO2
0,11 ZrO2
0,59 Na2O
0,29 CaO 0,165 Al2O3
1,28 B2O3
0,12 Li2O
0,59 Na2O
0,29 CaO 0,165 Al2O3 1,28 B2O3
0,12 Li2O
+%20 Talk
1 CaO
0,08 Al2O3
0,54 Na2O
0,18 CaO 0,17 Al2O3
1,23 B2O3
0,28 Li2O
Yar Parlak
Opak
Saydam
atlama
1 SiO2
0,11 ZrO2
0,99 SiO2
0,15 ZrO2
0,99 SiO2
0,15 ZrO2
0,99 SiO2
0,15 ZrO2
2,5 SiO2
0,43 SiO2
1,5 B2O3
0,26 Na2O
0,49 CaO 0,37 Al2O3
2,6 B2O3
0,25 K2O
Mat
3,7 SiO2
1 SiO2
0,16 TiO2
Yar
Opak
Yar
Opak
34,64
Feldspat
11,78
14,95
38,62
Potasyum
S11
S12
87,9
4,74
Karbonat
7,35
Kolemanit
Kalsiyum
34,7
39,3
Feldspat
11
1,88
Karbonat
13,2
Uleksit
Sodyum
S13
inko Oksit
Silisyum Dioksit
Borik Asit
Kaolin
Kaolin
Kalsiyum
0,3 K2O
0,7 ZnO
0,3 Al2O3
1,5 B2O3
1,0 CaO
0,06 Al2O3
3 SiO2
0,12 SiO2
1,36 B2O3
0,52 Na2O
0,48 CaO 0,5 Al2O3
1 B2O3
Yar
Opak
3,2 SiO2
Kuvars
S14
55
Kolemanit
30 Kaolin
15
Kuvars
1,0 CaO
0,44 Al2O3
1,8 SiO2
1,5 B2O3
S15
28,4
14,87
46,7
Lityum Karbonat
Kaolin
Kuvars
1,0 Li2O
0,15 Al2O3
2,76 SiO2
S16
60
35
5
Kolemanit
Spodmen
Kaolin
0,76 CaO 0,29 Al2O3

1,14 B2O3
0,24 Li2O
30,6
Karbonat
8,5
22,5
38,5
Sodyum
S17
S18
33,3 Kolemanit
33,3
Boraks
33,4
Kaolin
0,35 Na2O
0,65 CaO 0,52 Al2O3
1,68 B2O3
Potasyum
S19
36,28
Feldspat
6,43
Karbonat
13,05
Karbonat
10,38
Karbonat
18,2
15,66
0,2 K2O
2 SiO2
0,1 BaO
0,2 Al2O3
0,45 B2O3
*
0,4 CaO
0,3 Na2O
S20
18,5
39,7
8,1
33,7
Dolomit
Boraks
Almina
Kuvars
Potasyum
S21
30,96
Feldspat
11,14
Karbonat
10,97
4,5
20,71
21,71
S22
18,5
Dolomit
39,7
Boraks
8,1
Almina
33,7
Kuvars
+% 12 Titanyum Dioksit
Lityum Karbonat
Kaolin
Kuvars
Baryum
Kalsiyum
Sodyum
Borik Asit
Kuvars
Kalsiyum
BaryumKarbonat
inko Oksit
Borik Asit
Kuvars
0,715 Na2O 0,216 Al2O3

0,285 Li2O
1,06 SiO2
2,02 SiO2
0,34 Na2O
0,33 CaO 0,26 Al2O3
0,68 B2O3
0,33 MgO
0,2 K2O
SiO2
0,4 CaO
0,2 Al2O3
0,6 B2O3
0,2 BaO
0,2 ZnO
0,34 Na2O
0,33 CaO 0,26 Al2O3
0,68 B2O3
0,33 MgO
+ %12 TiO2
Yar
Opak
1,04 SiO2
1,84 SiO2
Yar
Opak
Yar
Opak
2,5
*
Yar
Opak
1,84 SiO2
Grsel
Parlak
Mat
Opak
S1+Krmz Sratl Boya
Yar Opak
S1+Lacivert Sratl Boya
Kobalt Oksit
(% 0,3)
Yar Mat
Kobalt Oksit
(% 0,6)
Yar Mat
Kobalt Oksit
(% 0,9)
Yar Mat
Krom Oksit
(% 0,9)
Yar Mat
Krom Oksit
(% 1,5)
Yar Mat
Krom Oksit
(% 2)
Yar Mat
Bakr Oksit
(%0,9)
Bakr Oksit
(%1,2)
Bakr Oksit
(%1,5)
Saydam
Demir Oksit
(%1,5)
Yar Mat
Demir Oksit
(%1,8)
Yar Mat
Demir Oksit
(%2,4)
Yar Mat
Mangan Dioksit
(%1,5)
Yar Mat
Mangan Dioksit
(%2)
Yar Mat
Mangan Dioksit
(%2,5)
Yar Mat
SONU
RESULT
Proje kapsamnda yaplan literatr almalarnda seilen 22 adet seramik

srnn denemeleri sonucunda bir ok baarl sr uygulamasna ulalmtr.
Avanos yresinde kullanlan kil bnye zerinde yaplan denemelerde yrenin
karakterine ve uygulanan biimlere uygun olarak S11 kodlu mat ve S1 kodlu
effaf sr denemeleri seilmi S11 kodlu opak sra Kobalt, Bakr, Demir, Krom
ve Mangan Oksitler ile 15 ayr sr denemesi yaplmtr. Denemelerde kapatc,
atlaklar olumayan farkl renk skalas iinde Avanos yresinde kullanlan
killere uygun estetik deeri yksek sr denemelerine ulalmtr.
S1 kodlu effaf sr ile kahverengi, krmz ve lacivert sr alt boyalarn kullanld ayr sr alt boya denemelerinde renklerin canlln koruduunu ve
bnye zerine yaplacak desenlerin effaf sr ile korunabilecei grlmtr.
Yaplan aratrmalar ve uygulamalar sonucunda yrede rapido kalem ile yaplan bnye st sanatsal deeri dk desenler yerine seramik sr alt boyalarn kullanlp effaf sr ile srlanarak estetik deerinin ykseltilebilecei
dayankllnn artrlabilecei sonucuna varlmtr.
Yrede kullanlan mleklerin ayakkab cilas ve mazot ile renklendirilmesi
yerine kolaylkla temin edilen hammaddeler ile basit formller ile hazrlanan
srlar ile srlanabilecei ve bu sayede mleklerin deerinin artarak piyasadaki gerek deerine ulaabilecei grlmektedir.
Dolayl olarak elde edilecek sonu ise bu proje kapsamnda elde edilen sonularn gelitirilerek kullanlmas yredeki seramik kalitesini ykselterek
kazanlarn artmasn babadan ola geen mlekilik mesleinin durma
noktasndan gelimesini ve devamlln etkileyecei dnlmektedir.
Numerous successful glaze applications were achieved as a result of testing

of 22 ceramic glazes selected in the literature search done under the project.
In the tests done on clay body used in Avanos region, S 11 coded matt and S1
coded transparent glaze tests were picked in line with the character of the
region and applied forms; 15 individual glaze tests were applied to S1 coded
opaque glaze with cobalt, copper, iron, chromium and manganese oxides. In
the tests, glazes with high aesthetic value fit for clays used in Avanos region
were derived in a different color scale free from cracks. It was observed in three
different underglaze stain tests where S1 coded transparent glaze and brown,
red and navy underglaze stains were used, the colors preserve their liveliness
and the patterns applied on the body may be protected by transparent glazes.
As a result of done research and applications, it was concluded that aesthetic
value may be raised and resilience increased by using ceramic underglaze
stains glazed by transparent glazes in place of the superficial designs with low
artistic value applied using technical pens in the region.
It is observed that the pottery used in the region may be glazed with glazes
prepared with simple formulae using readily available raw materials instead
of being colored by shoe polish and diesel fuel and hence the value of the
pots would increase reaching the true value in the marketplace. It is believed
that an indirect result would be that use of the results obtained under this
project would raise the ceramic quality in the region, increasing earnings, affecting advancement from a stop and continuity of the trade of pottery making passed from father to son.
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Sempozyumu Bildiriler Kitab, Eskiehir, 2001
Smer, Gner; Seramik Srlar, AK Ofset, Eskiehir, 2002
Tanan, Hseyin; Mete, Zeliha; Seramik Teknolojisi ve Uygulamas, St Matbaas, St, 1988
Tredi zen, Ayegl; Geleneksel mlek Sanat, Anadolu niversitesi Yaynlar, Eskiehir, 2001
nal, Serap; Anadolu Seramik Kltrnde Geleneksel Yapnn, Koruma, Gelitirme ve Tantm
Kapsamnda Sorunlar. II. Uluslararas Avanos Seramik Sempozyumu, 2001
Dipnotlar/Footnotes
1 Anadolu Seramik Kltrnde Geleneksel Yapnn, Koruma, Gelitirme ve Tantm
Kapsamnda Sorunlar. NAL, SERAP. II. International Avanos Ceramic Symposium, 2001
2 Anadolu mlekiliinde Biim Sorunu. KARADENZ, TAYFUN. Hacettepe niversitesi
Sosyal Bilimler Enstits Sanatta Yeterlik Eseri Raporu, Ankara, 1991)
3 Nevehir Valilii Resmi nternet Sitesi, http://www.nevsehir.gov.tr/nevsehir/sosyokulturel-yapi/17.html (Accessed: 30.09.2013)
4 Anadolu Seramik Kltrnde Geleneksel Yapnn, Koruma, Gelitirme ve Tantm
Kapsamnda Sorunlar, NAL, SERAP. II. International Avanos Ceramic Symposium, 2001
5 Geleneksel mlek Sanat, TRED ZEN, AYEGL. Eskiehir, 2001
1979 ylndan beri otomativ, seramik, sl ilem, demir

elik, dkm, gda ve ilgili dier sektrler iin,
endstriyel frnlar, kurutma sistemleri ve yardmc
makinalar retmekteyiz. Mterilerimizin zel istek ve
beklentilerini karlayabilmek iin kiiye zel zmler
ve dizaynlar oluturmaktayz. retim yelpazemizde
endstriyel frnlar yannda, gerekli dier tehizatlar
ve makinalar ile birlikte anahtar teslimi tesisler de yer
almaktadr.
En byk zenginliimiz, zel zm ve dizaynlarmz
ile mterilerimizi tatmin ve memnun edebilme
becerimizdir. Yllar boyunca tatpik ettiimiz farkl
mhendislik uygulamalar ile bir ok alanda tecrbe
kazandk; amacmz en uygun zm, en uygun
fiyatla mterilerimize sunmak ve firmamzla alm
olmaktan dolay bir ayrcalk hissetmelerini
salamaktr.
Uzman olduumuz konularda retim yapmay, dier
alanlarda ise konusunda uzman, sektr lideri firmalar
ile almay prensip olarak benimsedik. Bu dnce
ile seramik frnlar ve makinalar imalatnda 30 yldan
fazla tecrbeye sahip Alman ROHDE GmbH firmas ile
Trkiyede almaya karar verdik ve Rohdenin
Trkiye distribtr ve servis salaycs olduk.
Rohde nin kalitesi ve fiyat avantaj yannda en
byk zenginlii seramik sektrndeki tecrbesi ve
uzmanldr. Burada i yalnzca frn satmak deil,
mterinin ihtiyalar dorultusunda, uygulayaca
proses iin doru frn sunmaktr.
Bemaktherm olarak Trkiyede 30 yl akn sredir
zel endstriyel frnlar ve makinalar imal ediyoruz.
Frn konusundaki tecrbemiz ve ROHDEnin destei
ile seramik sektrne en iyi ekilde hizmet
edeceimizi dnyoruz. Sat sonras destek ve
servis zaten firmamzn yllardr srdrd, titizlikle
uygulad bir politikadr, bu ROHDE iinde ayn
ekilde devam edecektir.
BEMAKTHERM ENDSTRYEL FIRINLAR VE TESSLER SAN.TC.LTD.T.

10040 Sk. NO : 17 AOSB. L / ZMRTRKYE
Web : www.bemaktherm.com - e-mail : info@bemaktherm.com
Tel : +90 232 328 04 75 / 85 - Fax : +90 232 328 04 95
ISO 9001-2008
endstri rportaj / industrial interview
Zafer
Madencilik
Sn. Zafer Temel ile madencilik sektr ve Zafer Madencilik zerine yaptmz syleiyi aada
okuyabilirsiniz: Our interview with Mr. Zafer Temel on the mining industry and Zafer Madencilik:
Firmanz ve kendinizi ksaca tantr msnz?
Could you introduce your firm and yourself briefly please?
1987 ylnda ODT Maden Mhendislii blmnden mezun olduktan sonra Etibank madenlerinin ark kromlarnda greve baladm. 1989 ylnda
Bigadi Bor madenlerine gelip 6 yl altktan sonra Balkesirde faaliyet
gsteren Grbz Madencilike transfer oldum. Orada D Ticaret ve Pazarlama ile bir sre ilgilendikten sonra kendi irketimiz olan Zafer Madenciliki
kurmaya karar verdim. nce ticaretle balayan servenimiz anakkale
Bayramite feldspat ocaklar devralmamzla bugnn temellerini atm
oldum. Getiimiz yllarda Erzincan ve Eskiehirde krom retimine girdiysek de 2012 yaznda krom piyasasnn dmesi ve retim maliyetlerimizin
artmasndan dolay krom piyasasndan ekilmeye, halihazrda var olduumuz endstriyel hammaddeler pazarna yeniliki rnlerimizle devam
etmeye karar verdik. Bylelikle Balkesirin Sndrg ilesinde Kaolin ocaklarmz getiimiz yaz atk. Bu arada 2012 yl ierisinde retim kalitemizi
de ISO 9001 belgesini alarak belgelemi olduk.
After graduating from METU Mining Engineering Department in 1987,

I started working at Etibanks eastern chromium operations. I came to
Bigadi Boron mines in 1989, worked six years and transferred to Grbz
Madencilik operating in Balkesir. There, after being involved in international
trade and marketing for a while, I decided to set up our own company,
Zafer Madencilik. Our journey started with trade first and later, we laid the
foundations of today when we took over feldspar quarries in Bayrami,
anakkale. In recent years, we started chromium production in Erzincan
and Eskiehir but due to the drop in chromium market and the increase
in chromium costs in 2012, we decided to withdraw from the chromium
market and continue with our innovative products in the industrial raw
materials market. Hence, we opened our kaolin quarries in Sndrg district
of Balkesir last summer. In the meantime, we evidenced our production
quality in 2012 by obtaining the ISO 9001 certificate.
industrial interview / endstri rportaj
anakkaleden retim yaptnz madenden bahseder

misiniz?
Could you tell us about the mine you extract from in

anakkale?
anakkalede 15 yldr feldspat madeni retmekteyiz. Bu maden, endstriyel hammaddeler grubundan olup genel olarak seramik hammaddesi
olarak kullanlr. 2011 ylnda Gney Marmara Kalknma Ajansndan hibe
destei alarak 2012 yl sonunda tamamladmz yeni tesis yatrmmzla
birlikte retim kapasitemizi 150 ton/saate kardk. Bylelikle hem ihracatta yeni pazarlara alp hem de yurtiinde var olan pazarmza daha hzl
rn gnderebileceiz.
Weve been extracting feldspar for 15 years in anakkale. This

mineral is an industrial raw material which is typically used as a ceramic
raw material. Obtaining a grant from Southern Marmara Development
Agency in 2011, we raised our production capacity to 150 tons/hour with
our new plant we completed at the end of 2012. Hence, we will both be able
to open to new markets for exports and also will be able to sell products
faster to our domestic market.
Sndrg blgesindeki madenden bahseder misiniz?
Could you tell us about your mine in Sndrg region?
Orada ok enteresan bir Kaolin yata bulduk. Biliyorsunuz ki Sndrgnn

zellikle Dvertepe blgesinde pek ok kaolin yata vardr. Fakat bizim
yeni atmz ocakta henz literatrde bile bulunmayan kkrt deerleri
maksimum 0,30, demir deerleri 0,20 ve almina deerleri yer yer 36lar
bulan bir malzemeye rastladk. Grnen rezervimiz ise bir buuk milyon
ton. Oras iin de yazn 200 ton/saat kapasiteli byk bir seyyar tesis yatrm yaptk. Kaolin pazarna hzl ve gl bir giri yaptmz dnyorum. Spektlerimiz ile ilgili daha ayrntl bilgiye www.zafermaden.com
sitemizden ulaabilirsiniz.
There we discovered an interesting kaolin deposit. As you know, there

are many kaolin deposits in especially Dvertepe region of Sndrg. But
we found a material with maximum sulphur value of 0.30, iron 0.20 and
alumina, at times, 36 which is not mentioned in literature in our new
quarry. Our visible research is 1.5 million tons. For this place, we made a
large mobile plant investment with 200 ton/hour capacity in the summer.
I believe that we made a fast and powerful entrance to the kaolin market.
You may access more detailed information on our specs from HYPERLINK
http://www.zafermaden.comwww.zafermaden.com.
Madencilik sektrnn uan ki durumunu nasl

tanmlarsnz? Sizce madencilik sektrnde neler
deimeli/deitirilmeli?
How do you describe the present situation of the mining industry? What should change/be changed in the
mining industry as far as youre concerned?
Babakann 16 Haziran 2012 genelgesiyle birlikte ne yazk ki izinlerin alnma sresi ok uzad. Bu durum, pek ok firmay olduu gibi bizi de etkiledi.
anakkaledeki yeni ocak iznimiz iin 2 yl nce ilemlerine balam olmamza ramen getiimiz ay ancak iznimizi alabildik. Bunun dnda madencilere ve madencilie kar evreci gruplarn projektr altndayz. evreyi
katlettiimiz ynnde aratrmadan yaptklar propagandalar var ki biraz
aratrsalar her eyi kanunlara uygun olarak yaptmz grebilirler. Biz
izinlerimizi alyoruz, retim faaliyeti biten ocaklarmzdan ceketimizi alp
gitmiyoruz. Orman alanlar iin rehabilitasyon projesi veriyor ve projeye
uygun olarak araziyi Orman Mdrlne teslim ediyoruz. Bu konuda belki de yetkililerin evreci gruplar ve madencileri ayn platformda buluturmak ad altnda bir takm yeni projeler/seminerler yapmasn bekliyorum.
With Prime Ministers directive of June 16, 2012, unfortunately, the time period
required for obtaining permits became a lot longer. This, like many other firms,
affected us too. Although we started procedures two years ago for our new
quarry permit in anakkale, we were able to get our permit only last month.
Also, we are under the head light of environmental groups against miners
and mining. There is propaganda done without research that were murdering
the environment, yet if they would research a bit, they could see that we do
everything legally. We obtain our permits. We do not take our coats and leave
the quarries where production stops. We submit rehabilitation projects for forest
areas and deliver the land in line with the project to forestry departments. On
this subject, I expect authorities to bring together environmental groups and
miners in the same platform holding a set of new projects/seminars.
Yabanc yatrmclarn Trkiye pazarna girmesi

konusunda ne dnyorsunuz? What do you think
about foreign investors entering the Turkish
market?
Biz yzde yz Trk sermayeli bir firmayz. Yabanc yatrmclarn
dk maliyetleri nedeniyle kk yerli maden firmalar ayn pazarda
yaramayp pes ediyorlar. Bu sebeple belki bu konuda dzenlemeler getirilebilir. Bir
yandan doal kaynaklarmz en optimal ynde kullanmaya alrken dier yandan yerli
yatrmclarmz da sektrden kaybetmemek gerektii kansndaym. We are a firm with
one hundred percent Turkish capital. Due to low costs of foreign investors, small local
mining firms give up, being unable to compete in the same market.
Therefore, some regulations may be introduced in this area. I believe
that while on the one hand attempting to utilize our natural resources
in the most optimal manner, on the other hand we should not lose our
local investors from the industry.
bilim rportaj / science interview
Prof. Dr. Erdal ELK

ile niversite-Sanayi
birlii zerine
On University-Industry
Collaboration with
Prof. Dr. Erdal ELIK
science interview / bilim rportaj
Bize kendinizi tantr

msnz?
Firmalardan beklentilerimiz niversitelerdeki

bilim insanlaryla ok yakn temasa geip,
rnlerine ok yksek zellikler kazandrabilir
ve patent sahibi olabilirler. Bunun sonucunda
ticariletirilmi rn saylarnda ciddi artlar
salanabilir. Our expectations from the firms
are that they can be in close contact with scientists
in universities; hence introduce very high properties
to their products and become patent owners. As a
result, significant increases may be achieved in the
number of commercialized products.
1993 ylnda T Sakarya Mhendislik Fakltesi,

Metalurji Mhendislii Blmnden mezun olarak
mhendis nvann aldm.
Sakarya niversitesi Metalurji ve Malzeme Mhendislii Blmnde 1995 ylnda
yksek lisansm tamamladm ve Sakarya ve Florida
State niversitesinde 1995
ve 2000 yllar arasnda doktora eitimimi gerekletirdim. 2001 ylnda Dokuz
Eyll niversitesi Metalurji ve Malzeme Mhendislii Blmne retim
Grevlisi olarak baladm. 2002 ylnda Japonyann Nagoya ehrinde
Uluslararas Speriletkenlik Aratrma Laboratuvarnda doktora sonras
almalarm gerekletirdim ve ayn yl iinde Dokuz Eyll niversitesi
Metalurji ve Malzeme Mhendislii Blmne Yardmc Doent olarak
atandm. 2005 ylnda Dokuz Eyll niversitesi Metalurji ve Malzeme
Mhendislii Blmne Doent olarak atandktan sonra, 2006 ylnda
elik Leibniz-Institut fr Festkrper- und Werkstoffforschung (IFW), Solid-State and Materials Researchde (Dresden, Almanya) ksa dnem misafir aratrmac olarak altm. 2009 ylndan itibaren Dokuz Eyll niversitesi, Elektronik Malzemeler retimi ve Uygulamas Merkezi (EMUM)
(9.000.000 TL DPT projesi) Mdr olarak grev aldm. 2010 ylnda TBTAK Danma Kurulu yeliine seildim ve ayn yl iinde Dokuz Eyll
niversitesi Metalurji ve Malzeme Mhendislii Blmne Profesr olarak atandm. 2012 ylnda TBTAK Yrtme Kurulu yeliine atandm.
Halen Dokuz Eyll niversitesi Metalurji ve Malzeme Mhendislii retim Anabilim Dal Bakanln ve Nanobilim ve Nanomhendislik Blm
Bakanln srdrmekteyim.
Akademik kariyeriniz sresince yrttnz

almalar hakknda da bilgiler verebilir misiniz?
DPT, SAN-TEZ, BOREN, TBTAK-TEYDEB, KOSGEB, TEKNOGRM
(Trkiye), National Science Foundation (NSF, ABD), DFG-TBTAK (Trkiye-Almanya), EUROKA, ZKA, NESPA, ERA-NET (Avrupa Birlii), kili
birlii (Romanya), NEDO (JSPS, Japonya), BAP (Sakarya, Florida State, Dokuz Eyll ve Ege niversiteleri) projeleri, stanbul Segman Sanayi,
Fuat Di Laboratuvar (Trkiye), Nordic Superconducting Technology Inc.
(Danimarka), Plastronic-Eurus (ABD), DEKA, VESTEL, DYO, AYE MHENDSLK, PVC Plastik, TEKNOBM, NC AK, VOLT Elektrik ve KROMA
irketleri (Trkiye) tarafndan maddi destek alm ve desteklenmekte
olan ulusal ve uluslararas projelerim mevcuttur. Bu projelerde termal
sprey (alev sprey, elektrik ark sprey, plazma sprey ve HVOF), sol-jel (insulatr, buffer, speriletken, yariletken, dielektrik filmler, kaplamalar,
nanofiberler, nanopartikller), sr (di malzemeleri), elektrolitik metal ve
vakum teknikleri (PLD, CVD, magnetron sputtering vs.) filmler, kaplamalar ve fonksiyonel polimerik nanokompozitler konusunda aratrmalarm
bulunmaktadr. Ayrca bu almalar ieren konularda GOLDA, AYE
MHENDSLK, TEKNOBM ve PVC plastik gibi firmalara 4 farkl tesis kurulumunu saladm. almalarm arasnda yer alan, piyasadan 1600 kat
daha etkin antibakteriyel svlarn retimi patenti tescillenmi olup, ticari olarak satlmas iin Salk Bakanlndan ruhsat alnm ve TEKNO-
Could you please

tell us about yourself?
In 1993 from IT Sakarya

School of Engineering
Metallurgical Engineering
Department, I gained the
title of engineer. I completed my Masters studies in 1995 at Sakarya University Metallurgical and
Materials Engineering Department and pursued my
Ph.D. studies in Sakarya
and Florida State Universities from 1995 to 2000. In
2001, I started as Instructor in Dokuz Eyll University Metallurgical
and Materials Engineering Department. I did Post-Doctorate studies
at International Superconductivity Research Laboratory in the city
of Nagoya of Japan in 2002 and in the same year, I was assigned to
Dokuz Eyll University Metallurgical and Material Engineering Department as Assistant Professor. After my assignment as Associate
Professor to Dokuz Eyll University Metallurgical and Materials Engineering Department, in 2006, I worked as a short-term guest researcher at Leibniz-Institut fr Festkrper- und Werkstoffforschung
(IFW), Solid-State and Materials Research (Dresden, Germany).
Starting from 2009, I served as Dokuz Eyll University Electronic
Materials Production and Application Center (EMUM) (9.000.000 TL
SPO project) Director. In 2010, I was elected as Member of TBITAK Advisors Board and the same year, I was assigned as professor
to Dokuz Eyll University Metallurgical and Materials Engineering
Department. I was appointed as TBITAK Executive Board in 2002.
Presently, Im serving as Dokuz Eyll University Production Principal Science Discipline Head and Nano Science and Nano Engineering
Department Head.
Could you also tell us about your work during your

academic career?
I have national and international projects supported by SPO, SANTEZ, BOREN, TBITAK-TEYDEB, KOSGEB, TEKNOGRM (Turkey),
National Science Foundation (NSF, ABD), DFG-TBITAK (Turkey-Germany), EUROKA, ZKA, NESPA, ERA-NET (European Union), Bilateral
Collaboration (Rumania), NEDO (JSPS, Japan), BAP (Sakarya, Florida
State, Dokuz Eyll and Ege Universities) projects, Istanbul Segman
Sanayi, Fuat Di Laboratuvar (Turkey), Nordic Superconducting Technology Inc. (Denmark), Plastronic-Eurus (USA), DEKA, VESTEL, DYO,
AYE MHENDISLIK, PVC Plastik, TEKNOBIM, INCI AK, VOLT Elektrik
and KROMA companies (Turkey). In these projects, I have had research
on thermal spray (flames spray, electric arc spray and HVOF), sol-gel
(insulator, buffer, superconductor, semiconductor, dielectric films, coverings, nanofibers, nanoparticles), glaze (dental materials), electrolytic metal end vacuum techniques (PLD, CVD, magnetron sputtering,
etc.), films, coverings and functional polymeric nanocomposites. Also,
I caused installation of 4 different plants on subjects involving these
studies to firms like GOLDA, AYE MHENDISLIK, TEKNOBIM and
PVC plastic. The patent for production of anti-bacterial fluids 1600
times more effective than whats in the market among my studies has
bilim rportaj / science interview
BM firmas vastasyla satm balanmtr. TEKNOBM (zmir) ve ARTI

KALTE (Ankara) firmalaryla Ankara niversitesi Ziraat Fakltesiyle
nanoteknolojik rnleri gbre olarak retme ve uygulama almalarn
halen srdrmekteyim.
Uluslararas (SCI) dergilerde yaynlanm 135 adet, basmda ve incelemede 34 tane, ulusal dergilerde 15 adet, uluslararas konferans bildirileri 134 adet, ulusal konferans bildirileri 12 adet, davetli makale 3 adet,
altay 2 adet, raporlar 32 adet, patentler 14 adet ve kitap blmleri 3
adet olmak zere termal sprey, sr, yaltkan, yariletken, sperilerken,
elektro-optik, manyetik, alev geciktirici, radar absorblayan, antibakteriyel, s yayan, kendi-kendini temizleyen, kendi-kendini tamir eden malzemeler konularnda toplam 385 eserim bulunmaktadr. Yaptm almalar 950 uluslararas ve 160 ulusal olmak zere toplam 1110 kez atf
almtr. ok sayda dergide ve projelerde hakemlik yaptm. Bunun yannda aratrma aktivitelerinde danman ve yardmc danman olarak
1 Post-doc, 16 doktora (9u tamamlam, 6s devam eden), 16 yksek
lisans (10u tamamlanm 6s devam eden), 57 lisans rencisini akademik hayata kattm ve katmaya devam etmekteyim.
Teknik ve ileri teknoloji rn seramikler konusunda

lkemizin bulunduu konumu nasl deerlendirirsiniz?
Bu konuda ARGE almalarna yeterli nem veriliyor
mu?
leri teknolojik seramikler konusunda son yllarda Trkiye ok byk atak
gstermi olup, deerli almalar kmaktadr. Bu konuda hkmetimizin byk destekleri devam etmektedir. ncelikli alanlarda Trkiyenin ve
blgelerin ihtiyalarna gre proje arlar almaktadr. retim yeleri/
elemanlar, aratrmaclar, bilim insanlar ve sanayicilerde ok byk bir
motivasyon grlmektedir. Farkl disiplinlerdeki bilim insanlar bir rn
retebilmek iin birlemekte ve sanayicilerle ibirlii yapmak iin yksek
performans gstermektedir. Her durum ve konuma gre projeler bulunmaktadr. Firmalar genellikle srekli bir ekilde retecekleri rnlerin
daha iyiye nasl gtrlecei konularnda ibirlii yapmak iin almalar
yapmaktadr. Yurt dndaki bilim insanlar ve firmalar Trkiyedeki firmalar ve bilim insanlar ile alma yapma konusunda lkemize gelmekte ve
fizibilite almalar yapmaktadr.
niversite ve Seramik sanayi ilikisini nasl

deerlendiriyorsunuz? niversitede yaplan seramik
malzemeler konusunda yaplan almalar, seramik
sanayinde yeteri kadar yer bulabiliyor mu?
niversitemizde yaplan seramik almalarna sanayiciler tarafndan
byk rabet gsterilmektedir. Bunlardan bazlarn rnek olarak verilebilirim: niversite bnyesinde gerekletirdiimiz k saan, radar
absorblayan, antibakteriyel, alev geciktirici, kendi-kendini tamir eden,
kromojen, enerjitik ve renk deitiren malzemeler, seramikler ve kompozitlerin retimi konusunda firmalardan talepler alnmaktadr. niversitemizde Si wafer retme kabiliyetine sahip olduumuzdan dolay,
gne panellerini retmek iin firmalarla faaliyetlerimiz srmektedir.
Elektronik aygtlarn ve cihazlarn retiminde yksek potansiyellerimiz firmalar Elektronik Malzemeler retim ve Uygulama Merkezimize
(EMUM) ekmektedir. Bu kapsamda 4 farkl tesis kurmak iin faaliyetimiz olmutur. Farkl firmalarla faaliyetlerimiz srmekte olduu iin
niversite-sanayi ibirliimiz ok ileri seviyelerde bulunmaktadr. Firmalardan beklentilerimiz niversitelerdeki bilim insanlaryla ok yakn
temasa geip, rnlerine ok yksek zellikler kazandrabilir ve patent
sahibi olabilirler. Bunun sonucunda ticariletirilmi rn saylarnda ciddi artlar salanabilir.
been registered, its licence has been obtained from Ministry of Health
for commercial sale and sales have been started through TEKNOBIM.
Im presently continuing with studies on production and application
as fertilizer of nano-technological products with TEKNOBIM Izmir and
ARTI KALITE (Ankara) in collaboration with Ankara University School
of Agriculture.
I have 385 works in total including 135 published in international
technology journals, 34 in print and review, 15 in national journals,
134 international conference papers, 12 national conference papers,
3 invited articles, 2 workshops, 32 reports, 14 patents and 3 book
chapters on the subjects of thermal spray, glaze, conductor, semiconductor, superconductors, electro-optics, magnetic, flame retardants, radar absorbers, anti-bacterials, thermal radiators, self-cleaning ware and self-repairing materials. My studies have been cited
1100 times, 950 internationally and 160 nationally. I have served
as jury member in many journals and projects. Also, I introduced
to academic life 1 Post-Doc, 16 Ph.D. (9 completed, 6 ongoing), 16
graduate (10 completed, 6 ongoing) and 57 undergraduate students
in research activities as advisor and assistant advisor.
How do you assess the position our country is in

on technical and advanced technology product ceramic ware? Are R&D studies given adequate significance on this topic?
In recent years, Turkey has made a great leap in the field of advanced technology ceramic ware and valuable studies are emerging. Our governments great support is in place on this topic. In priority fields, project invitations are made according to the needs of
Turkey and regions. A great motivation is observed among instructors, researchers, scientists and industrialists. Scientists in different disciplines get together to produce a product displaying high
performance to collaborate with industrialists. There are projects
for each situation and position. The firms typically pursue studies for collaborating on how products they will manufacture will
be taken to the better. Scientists and firms abroad coming to our
country working with the firms and scientists in Turkey carry out
feasibility studies.
How do you assess the relationship of university

and ceramic industry? Are the studies done on ceramic materials at universities finding the place
they deserve in the ceramic industry?
There is great demand by industrialists for ceramic work carried
out in universities: I can cite some of them as examples: There is
demand from firms on production of light emitting, radar absorbing,
antibacterial, flame retarder, self-repairing, chromogene, energetic
and color changing materials, ceramic ware and composites we hold
at universities. As we are able to produce Si wafers in our university,
were working with firms to produce solar panels. Our high potential
in production of electronic devices draw firms to Electronic Materials
Production and Application Center. We have worked on installing 4
different plants in this scope.
As we have ongoing studies with different works, our universityindustry collaboration is at a very advanced level. Our expectations
from the firms are that they can be in close contact with scientists in
universities, hence introduce very high properties to their products
and become patent owners. As a result, significant increases may be
achieved in the number of commercialized products.
science interview / bilim rportaj
EMUM (Elektronik Malzemeler retim

ve Uygulama Merkezi) Faaliyetlerimiz
EMUM (Electronic Materials Production

and Application Center) Activities
Metalurji-malzeme, elektrik-elektronik, makine, evre, maden,

biyomhendislik, tekstil ve deri mhendislii olmak zere eitli mhendislik alanlar ile matematik, fizik, kimya, biyoloji ve tp
gibi farkl disiplinlerin birleimi sonucu, nanoteknolojik yntemler
yardmyla eitli alanlarda kullanlmak zere iletken, yariletken,
yaltkan, piroelektrik, pieozoelektrik, elektrooptik, manyetik gibi
toz, bulk, kaplama ve filmler eklinde katma deeri ok yksek,
evre dostu elektronik malzemeler ve aygtlarn retilmesi, dizayn, gelitirilmesi ve endstriye uygulanmasn salamak,
retilen rnlerin ve elektronik aygt ve cihazlarn endstriyel boyutta fabrikasyonunu gerekletirmek, yeni tesisler ve fabrikalar
kurmak, takibini salamak ve yeni istihdam alanlar oluturmak,
Ayn alanlarda almalar yapan yurt ii ve dndaki akademik ve
aratrma birimleriyle bilimsel, teknolojik ve eitsel alanlarda ibirliini gelitirmek,
niversiteler ile endstri kurulular arasnda bilgi alveriini ve
bilimsel bir alma ortamn salamak ve yksek lisans ve doktora rencileri iin ortak danmanlklar yapmak,
Sanayide alan mhendisler veya aratrmaclarn EMUMda,
EMUM bnyesinde alan bilim adamlarnn ise fabrikalarda alt
aylk gibi srelerle almasn salayarak gerek problemlerle
ilgilenilmesini temin etmek,
EMUMun alma alanna giren konularda eitsel faaliyetlerde
bulunmak ve teknik hizmet vermek,
Lise, n lisans, lisans, yksek lisans, doktora ve post-doktora
rencilerin merkezde almasn salayarak bilimi seven, stn
zellikli, nitelikli, vizyon ve misyon sahibi ara teknik elemanlar,
mhendisler, teknokratlar, retim elemanlar ve bilim adamlar
yetitirmek,
alma alanlarna giren konularda teknolojik yenilikleri takip etmek, uygulamak, gelitirmek ve elde edilen birikimleri sanayiye
aktarmaktr.
Production, design, development and application to the industry of

very high value added, environmentally friendly electronic materials and devices in the form of powder, bulk, lining and films like
conductors, semi-conductors, insulators, piroelectrical, piezoelectrical, electrooptical and magnetic to be used in various fields with
the aid of technological techniques as a result of combination of
various fields of engineering lead by metallurgical materials, electrical-electronics, mechanical, environmental, mining, bioengineering, textile and leather engineering and different disciplines like
mathematics, physics, chemistry, biology and medicine.
To realize industrial fabrication of produced wares and electronic
devices, to set up new plants and factories, to monitor the same
and to create new fields of employment,
To develop collaboration in scientific, technological and educational fields with domestic and international, academic and research
units engaged in the same fields,
To ensure exchange of knowledge and a scientific working environment between universities and industrial organizations and to provide common consulting services for Masters and Ph.D. students,
To allow engineers or researchers working in the industry to work
at EMUM and scientists working for EMUM at factories for sixmonth like periods, being involved in real problems.
To provide educational activities and technical services on fields
covered by EMUMs scope of work,
Allowing high school, pre-undergraduate, undergraduate, Masters,
Ph.D. and Post-Doctorate students to work at the center, developing science-loving, high quality, vision and mission owning intermediate technical staff, engineers, technocrats, instructors and
scientists,
To monitor, apply and develop technological innovations on fields
covered by its field of engagement and to transfer derived knowledge to the industry.
bilim makalesi / science article
BOR OKST VE PYREX KATKILI HDROKSAPATT

BO-MADDELERN SENTEZ VE KARAKTERZASYONU
BORON OXIDE AND PYREX ADDED HYDROXYAPATITE
BIOMATERIALS SYNTHESIS AND CHARACTERIZATION
G amze enkal , B urcu N . etiner , Z iya E ngin E rkmen
M armara niversitesi , M etalurji ve M alzeme D epartman , G ztepe K ampusu , K uyuba , stanbul
G amze enkal , B urcu N . etiner , Z iya E ngin E rkmen
M armara U niversity, D ept. O f M etallurgy and M aterials , G ztepe C ampus , K uyuba , stanbul
Seramik, metalik, polimer ve kompozit malzemeler genellikle insan saln

iyiletirmek iin biyo-malzeme olarak kullanlmaktadr. Biyo-malzemelerin
istenilen mekanik zelliklerine ek olarak; biyo-uyum, vcut organlarnn tedavisi veya deitirilmesi konusunda nemlidir. Piyasaya yeni biyo-malzemelerin verilmesi ncesinde vcutta istenmeyen yan etkilerin nlenmesi iin
ayrntl biyolojik testler yrtlmektedir.
Bu almann amac, Hidroksiapatit-Pyrex ve Bor oksit karmnn hazrlanmas ve zelliklerinin belirlenmesidir. l karm sentezi, biyo-malzemelerde en yeni balk olduundan, bu ilk rneklerden biridir. Bu malzemeyi
biyo-uyumlu klmak iin, B2O3 miktar % 10 ile snrlanmtr. Bu snr, kanser
yapc doku oluumunu engellemek iin belirlenmitir. Daha sonra, pyrex ve
hidroksiapatit ieriine 5-7,5-10 wt% B2O3 eklenmitir. Harmanlar, tlm ve kartrlmtr. Peletler, 10000C, 11000C ve 12000Cde sinterlenmitir.
Sinterleme sonrasnda SEM, XRD, EDS ve Dilatometri analizleri yaplmtr.
Younluun belirlenmesi iin Arimet yntemi, kitle younluk yntemi, hacim
younluk yntemi ve Dispersiyon yntemleri kullanlmtr.
Sonuta, Harman 1in dierlerinden daha yksek younlukta olduu grlm ve en yksek younluk, beklendii gibi 1200oCde sinterleme sonrasnda
elde edilmitir. Scakln artrlmas ayn zamanda buharlama ve XRD analizinde gzlemlenen yeni fazlarn oluumundan dolay gzeneklilik yzdesinde
de arta yol amtr. 1000oCnin zerinde bor oksidin buharlat ve XRD desenlerindeki eksik bor oksit difraksiyon dzlemlerinden dolay yeni bileimin
olutuu sonucuna varlmtr. En yksek kristalinite, 1100oCde elde edilmi
ve Harman 2 iin 1200oCde yksek miktarda faz transformasyonu gzlemlenmitir. Her sinterleme scaklnda hidroksiapatit tm partiler iin ortak
faz olmutur. Sinterleme esnasnda, tridimitin yksek kristobalite dnmesinden sonra pyrex camnn devitrifikasyonu gereklemitir. Sinterleme
scaklnda art, gzenek morfolojisini etkilemi ve hidroksiapatitin kresel ekil almasna yol aarken, cams fazn miktarn da artrmtr. Bu faz,
tektiklerin yerel ergimeye ve daha sonra sratli soumaya yol amasndan
dolay olumutur.
TEORK GENEL BAKI

Bir biyo-malzeme, tbbi bir aygtn retiminde kullanlan biyolojik sistemler ile etkileen mrsz bir malzemedir. Cerrahi veya diilik enstrmanlar gibi aygtlar
iin kullanlan malzemeleri dladndan, bu tanm biraz kstlaycdr. Bir alma
alan olarak biyo-malzemeler; fiziksel zellikler, kimyasal oluumlar ve yaplar ile
ilgili farkl disiplinleri bir araya getirmektedir. Disiplinler aras bir bilim olarak biyomalzemeler, canl ve cansz malzemeler arasndaki etkileimler olarak tannr. Bir
tp bilimi olarak amalar insan sal ve yaam kalitesini iyiletirmektir. Bilinen
malzemelerden ancak birka, vcuda implantasyon koullarn yerine getire-
Ceramic, metallic, polymeric and composite materials are generally used as

biomaterials in order to improve human health. In addition to desired mechanical properties of biomaterials, biocompatibility is important in the treatment or replacement of body parts. Prior to the introduction of new biomaterials to the market, detailed biological tests are carried out to prevent any
undesired side effects in the body.
The aim of this study is to prepare and determine characteristic of Hydroxyapatite-Pyrex and Boron oxide mixture. It is one of the first examples, because
triple mixture synthesis is one of the newest topic in biomaterials. To make
this material biocompatible, its B2O3 amount was limited up to 10%. This
limit was fixed to avoid cancerous tissue formation; then
5-7,5-10 wt% B2O3 was added on pyrex and hydroxyapatite contents. The
batches were grinded and mixed. Pellets were sintered at 10000C, 11000C and
12000C. Following the sintering SEM, XRD, EDS and Dilatometry analysis
were done. In order to determine density, Archimeds method, Bulk density
method, Volume percentage method and Dispersion methods were used.
As a result, batch 1 had higher density than others and highest density was
obtained after 1200oC sintering, as expected. Increasing temperature also increased porosity percentage due to evaporation and formation of new phases which were observed by XRD analysis. It was concluded that boron oxide
evaporated and formation of new compound took place due to missing boron
oxide diffraction planes in XRD patterns above 1000oC. Highest crystallinity was obtained at 1100oC and high amount of phase transformation was
observed at 1200oC for batch 2. Hydroxyapatite was the common phase for
all batches at three sintering temperatures. During sintering, devitrification
of Pyrex glass occurred due to transformation of tridymite to high crystobalite. Increasing sintering temperature affected pore morphology and hydoxyapatite changing to spherical shape and also increased the amount of
glassy phase. The latter was formed due to eutectics causing local melting
and then rapid cooling.
THEORETICAL BACKGROUND
A biomaterial is a non-viable material that interacts with biological systems which is used in the production of a medical device. This denition is
somewhat restrictive, because it excludes materials used for devices such as
surgical or dental instruments. As a field of study, biomaterials combine different disciplines related with the physical properties, chemical compositions
and structures. As an interdisciplinary science, biomaterials are considered
the interactions between living and non-living materials. As a medical science, their goal is the improvement of the human health and quality of life.
Only a few of the materials known satisfy the requirements of implantation in
science article / bilim makalesi
bilmektedir. Bu biyo-malzemeler, tm be ana malzeme snfna aittir: metaller,

seramikler, polimerler, kompozitler ve doal malzemeler. Tpta bu malzemelerin
kullanmndaki eitlilik, malzemelerin oluumu, safl ve fiziksel zelliklerinin
kontrol altna alnmas ve yeni ve zel zellikleri olan yeni malzemelerin sentezlenmesi yolu ile son 50 ylda yaplan malzeme aratrmalarnn sonucudur. Vcut
svlarna ak olma genellikle biyo-malzemenin vcudun iine konulmas anlamna gelir ve bu, bir biyo-malzeme olarak kullanlabilecek malzemelere baz sk
kstlamalar getirir. Bunlarn en banda geleni, bir biyo-malzemenin biyo-uyumlu
olmasdr. Vcuttan olumsuz bir tepki ekmemeli ve bunun aksi de geerli olmaldr. Ek olarak, toksik ve kanserojenik olmamaldr. Bu koullar, kullanlabilecek
birok mhendislik malzemelerini engellemektedir. Sonraki konu, biyo-malzemenin vcut dokularnn bytlmesi veya deitirilmesi olarak grev yapacak
yeterli fiziksel ve mekanik zelliklere sahip olmasdr. Pratik adan bir biyo-malzeme, farkl ekiller alabilmeli veya alacak ekilde ilenebilmeli, maliyeti greceli
olarak dk olmal ve kolayca bulunabilir olmaldr.
the body. These biomaterials belong to all 5 major classes of materials: metals, ceramics, polymers, composites and natural materials. Wide diversity of
these materials used in medicine is a result of materials research done in the
last 50 years by controlling the composition, purity, physical properties of the
materials and synthesizing new materials with new and special properties.
Exposure to body uids usually implies that the biomaterial is placed within
the interior of the body, and this places several strict restrictions on materials that can be used as a biomaterial. First and foremost, a biomaterial must
be biocompatibleit should not elicit an adverse response from the body,
and vice versa. Additionally, it should be nontoxic and noncarcinogenic. These
requirements eliminate many engineering materials that are available. Next,
the biomaterial should possess adequate physical and mechanical properties
to serve as augmentation or replacement of body tissues. For practical use,
a biomaterial should be amenable to being formed or machined into different
shapes, have relatively low cost, and be readily available.
Dispersiyonla Glendirilen Biyo-kompozitler
Dispersion Strengthening Biocomposites
Metaller ve metal alamlar, ok sert ve inert bir malzemenin ince paracklarnn birka hacim yzdesi eklinde niform dispersiyonu ile glendirilebilir ve sertletirilebilir. Disperse olmu faz, mekanik veya metalik d olabilir.
Sklkla, oksit malzemeler kullanlmaktadr. Belirtilmelidir ki, glendirme
mekanizmas kertme sertletirmesinde olduu gibi, matris iindeki parack ve yerinden oynamalar arasnda etkileimler iermektedir. Dispersiyon
glendirme etkisi, keltme sertletirmede olduu kadar belirgin deildir;
ancak disperse olan paracklarn matris faz ile tepkisiz olacak ekilde seilmelerinden dolay glendirme artan scaklklarda ve uzun sre muhafaza edilebilmektedir. kertme sertletirmeli alamlar iin kelti bymesi
veya kelti faznn zlmesi sonunda sl ilem durumunda g art ortadan kalkabilir. Kitle iletkenlii iin, dispersiyon glendirme forml aada
verilmitir. Bu forml, sistemin her mekanik zellii tarafndan uygulanabilir.
Metals and metal alloys may be strengthened and hardened by the uniform
dispersion of several volume percent of ne particles of a very hard and inert
material. The dispersed phase may be metallic or nonmetallic; oxide materials are often used. Again, the strengthening mechanism involves interactions
between the particles and dislocations within the matrix, as with precipitation
hardening. The dispersion strengthening effect is not as pronounced as with
precipitation hardening; however, the strengthening is retained at elevated
temperatures and for extended time periods because the dispersed particles
are chosen to be unreactive with the matrix phase. For precipitation-hardened alloys, the increase in strength may disappear upon heat treatment as
a consequence of precipitate growth or dissolution of the precipitate phase.
Dispersion Strengthening Formula is given below for bulk conductivity. It can
be applied by every mechanical properties of the system.
km = kc 1 + 2Vd(1 kc/kd) / (2kc/kd + 1 ) (denklem 1.1 / eqn.1.1)

1- Vd(1 kc/kd) / (kc/kd + 1 )
km = kc 1 + 2Vd(1 kc/kd) / (2kc/kd + 1 )

1- Vd(1 kc/kd) / (kc/kd + 1 )
Burada;
kc = Srekli fazn termal iletkenlii
kd = Disperse fazn termal iletkenlii
Vd = Disperse fazn hacim fraksiyonu
Where;
kc = thermal conductivity of the continuous phase
kd = thermal conductivity of the dispersed phase
Vd = volume fraction of the dispersed phase
DENEYSEL PROSEDR
EXPERIMENTAL PROCEDURE
lk olarak, Pyrex cam, tane boyutunu azaltmak iin eki kullanlarak ezildi.
Granlatlar, parack byklnn daha da drlmesi iin eneli eziciye
verildi. Daha sonra, yaklak 15 dakika, bir har tcs kullanlarak tld. Dk viskoziteli, kolay akan cam paracklar elde edildi. Pyrex paracklarn temizlemek iin aseton eklenerek ok iyi kartrld, daha sonra
kez szlrek saat sreyle 50oCde kurutuldu. Bor oxit, pyrex ve hydroxyapatite, partiye % 5-7.5-10luk bor oksit katlarak deney kabnda kartrld.
Partilerin homojen hale getirilmesi iin asetona ek olarak toplam hacmin te
biri kadar zirkon toplarnn konulduu plastik kaplara yerletirildiler. Kaplarn
kapa, szntnn engellenmesi iin skca kapatld. Daha sonra, 24 saat ilendiler ve 50oCde 3 saat kurutuldular. Kurutulan karmlar frndan alndlar ve
datm homojen hale getirmek iin elle tekrar kartrldlar.
Firstly, Pyrex glass was crushed using a hammer to reduce its particle size. The granulates were fed to the jaw crusherfor further reduce the particle size. Then they were
further subjected to be ground using a mortar grinder for nearly 15 min. Low viscosity, easy flowing glass particles were obtained. In order to clean pyrex particles, aceton was added on them which were mixed very well, they were then filtered for three
times subsequently and dried at 50oC for three hours. Bor oxide, pyrex and hydroxyapatite were mixed in the beaker with 5- 7,5 -10% boron oxide addition into the batch.
In order to make batches homogeneous, they were put into plastic containers in which
zirconia balls were added one third of the total volume in addition with acetone. The
lid of the conatiners were closed firmly to avoid any leakage. They were then milled
for 24 hours and dried for 3 hours at 50oC for. Dried mixtures were taken out from the
furnace and were mixed again by hand to make homogeneous distribution.
Tablo 1, Harman 1, 2 ve 3 oluumlarn vermektedir:

Tablo 1. Parti Oluumlar
Table 1 provides, Batch 1, Batch2 and Batch 3 compositions:

Table SEQ Table \* ARABIC 1. Batch compositions
Harman 1 / Batch 1
Harman 2 / Batch 2
Harman 3 / Batch 3
B2O3 (g)
2,5
3,75
5
Pyrex (g)
19,23
28,85
38,46
(eqn.1.1)
HA (g)
78,27
67,40
56,54
Sonraki aama, her parti iin 36 rnein preslendii peletletirme idi (Toplam
rnek says 108 idi). Sinterleme sonrasnda SEM, XRD, EDS ve Dilatometri
analizleri yapld. Younluun belirlenmesi iin Arimet yntemi, hacim younluk yntemi ve dispersiyon yntemleri kullanld. Hacim younluk hesab,
llen arln bir kaliper kullanlarak bulunan hesaplanm hacme blnmesi yolu ile yapld. Dispersiyon younluu 1.1. denklemi kullanlarak hesapland. Arimet younluunun belirlenmesi iin rnein kuru arl, batrlm
arl ve suda yzen arl lld ve sonular u ekilde hesapland:
Kitle younluu: Db=wd / ( ws-ww ) x D1
( denklem 1.2)
Grnr younluk: Da= wd /( wd-ww ) x D1 (denklem 1.3)
burada wd kuru arlk, ws slatlm arlk ve ww suda yzen arlkt.
SONULAR
Parti 1-3 iin 100 ve 2000 magnifikasyonda farkl sinterleme scaklklar iin
SEM analiz sonular ekil 1-24te verilmitir. Gzeneklilik dzeylerinin harman 1den parti 3e doru artt grlmtr. Ayrca, sinterleme scakl ile
birlikte cams faz miktarlar da artmtr. 1200oCde ekil 16 ve 24te devitrifikasyona iaret eden kristalitler de grlmtr. rneklerin yzeyleri ve kesitlerinin morfolojileri, beklendii gibi farkl idi ve morfolojiler presleme ynne
dik olarak oluan uzayan gzenek kanallar da sergiledi.
Harman 1 10000Cde Batch 1 at 10000C

ekil 2.
Harman 1in
2000Xte
1000Cde
SEM
grnts
Figure 2.
SEM images
of batch 1
at 2000X at
10000C
Next step was pelletizing during which 36 specimens were pressed for each
batch (Total # of samples was 108). Following the sintering SEM, XRD,
EDS and Dilatometry analysis were done. In order to determine density, Archimeds method, Bulk density method and Dispersion methods were used.
Bulk density calculation was done by dividing measured weigth to the calculated volume found using a caliper. Dispersion density was calculated using
eqn. 1.1. In order to determine Archimed density, dry weight, soaked weight
and suspended weight in water of the sample were measured, results were
calculated as follows:.
Bulk density: Db=wd / ( ws-ww ) x D1
( eqn 1.2)
Apparent density: Da= wd /( wd-ww ) x D1 (eqn.1.3)
where wd is dry weigh, ws is soaked weigth and ww is suspended weigth
in water.
RESULTS
SEM analysis results are provided in Figures 1-24 for Batch 1-3, for different sintering temperatures at 100 and 2000 magnifications. It was seen that
porosity levels increased from batch 1 to batch 3. In addition, glassy phase
amounts also increased with sintering temperature. At 1100 and 1200oC,
crystallites indicating devitrification were also seen in Fig. 16 and 24. The
surface and cross sections of the samples had different morphology as expected and the latter exhibited elongated pore channels which were formed
perpendicular to the pressing direction.
Harman 3 11000Cde Batch3 at 11000C

ekil 15. Harman 3n 100Xte kesitten
1100Cde SEM grntleri
Figure 15. SEM images of batch 3 at
100X from cross section at 11000C

ekil 22.
Harman 2nin
2000Xte
1200Cde
SEM
grntleri
Figure 22.
SEM images
of batch 2
at 2000X at
12000C
ekil 24. Parti
3n 2000Xte
1200Cde
SEM
grntleri
Figure 24.
SEM images
of batch 3
at 2000X at
12000C
ekil 17. Harman 3n 2000Xte

1100Cde kesitten SEM grntleri
Figure 17. SEM images of batch 3 at
2000X from cross section at 11000C
Harman 1den 1000oC ve 1200oCde alnan EDS Analizi, Tablo 2 ve Tablo 3te verilmitir.
EDS Analysis taken from batch 1 at 1000oC and 1200oC are given in Table 2 and Table 3.
Tablo 2. Parti 1 iin 10000Cde EDS analizi / EDS analysis for batch 1 at 10000C
Spectrum
Spectrum 1
Maks.
Min.
O
44.67
44.67
44.67
Na
0.88
0.88
0.88
Mg
0.80
0.80
0.80
Si
0.47
0.47
0.47
P
18.90
18.90
18.90
Ca
34.27
34.27
34.27
Tablo 3. Parti 1 iin 12000Cde EDS analizi / EDS analysis of batch 1 at 12000C
Total
100.00
Spectrum
Spectrum 1
Maks.
Min.
O
45.95
45.95
45.95
Na
0.44
0.44
0.44
Mg
0.72
0.72
0.72
Al
0.34
0.34
0.34
Si
7.47
7.47
7.47
P
16.37
16.37
16.37
Ca
28.71
28.71
28.71
Total
100.00
XRD
X n difraksiyonu, adm akl 0.02ode 40 mAda ve 20KV potansiyel ile CuK radyasyonu kullanlarak bir dey difraktometre (Rigaku) ile yapld.
X ray diffraction was performed with a vertical diffractometer (Rigaku ) using CuK radiation with step size 0.02o at 40 mA and 20KV potential.
Harman 1 / Batch 1
Hidroksiapatit - Hydroxyapatite
Ca5(PO4)3(OH)
Kalsiyum Hidrojen Fosfat - Calcium Hydrogen

Phopshate
HCaO4P
Sodyum Silikat - Sodium Silicate Na2SiO3

Phopshate
HCaO4P
Silikon Fosfat - Silicon Phosphate Si3(PO4)4
Kanemit - Kanemite NaHSi2O53(H2O)
1100
Harman 3 / Batch 3
Hidroksiapatit - Hydroxyapatite Ca5(PO4)3(OH)
Hidroksiapatit - Hydroxyapatite
Ca5(PO4)3(OH)
1000
Harman 2 / Batch 2
Sodyum kalsiyum fosfat - Sodium calcium

phosphate
CaNaO4P
Whitlockite Ca9(Mg,Fe++)(PO4)6(PO3OH)
Hydroxide - OH
Silikon fosfat - Silicon phosphade Si3(PO4)4
Boroksit - Boron oxide B2O3
Sodyum Silikat - Sodium silicate Na2SiO3
Tridimit - Tridimiyte SiO2
Sodyum Fosfat - Sodium Phosphate Na3PO4
Yksek Kristabolit - High Crystobalite SiO2
Dellaite - Ca6Si3O11(OH)2

Phopshate
HCaO4P
Silikon fosfat - Silicon phopshate Si3(PO4)4
Kernit - Kernite Na2B4O6(OH)23(H2O)
Hidroksit - Hydroxide OH
Hydroxyapatite Hydroxyapatite Ca5(PO4)3(OH)
Kalsiyum fosfat hidrat - Calcium phosphate

hydrate
H2Ca3O9P2
Kalsiyum Silikat - Calcium silicate Ca2O4Si

Kalsiyum fosfat dihidrat - Calcium phosphate
dihydrate
CaHPO4 2H2O
Sodyum kalsiyum fosfat- Sodium calcium

phosphate
CaNaO4P
1200
Sodyum hidrojen fosfat - Sodium hydrogen

phosphate
Na2HPO4
Tablo / Table 4. Parti 1, 2 ve 3 iin her sinterleme scaklnda XRD analizinde bulunan fazlar /
Phases which are found from XRD analysis for batch 1,2 and 3 at every sintering temperatures
Farkl sinterleme scaklklar iin Harman 1-3 iin XRD analiz sonular
ekil 25-33te verilmitir.
XRD analysis results are provided in Figures 25-33 for Batch 1-3,
for different sintering temperatures.
Harman 3 Batch 3
10000 C
ekil 31. Harman 3n 1000 Cde XRD analizi

Figure 31. XRD analysis of batch 3 at 10000 C
12000 C
ekil 33. Harman 3n 1200 Cde XRD analizi

Figure 33. XRD analysis of batch 3 at 12000 C
Tablo 5. Hidroksiapatitin Dnm [16]

Table SEQ Table \* ARABIC 5.Transformation Of Hydroxyapatite [16]
Scaklk / Temperature
25-600C
600-800C
800-900C
1050-1400C
< 1120C
1120-1470C
1550C
1630C
1730C
Tepkimeler / Reactions
Suyun buharlamas / Evaporation of water
Dekarbonasyon / Decarbonation
Ksmen dehidroksilate (OHA) veya
tam dehidroksilat oksihidroksiapatit
(OA) oluturan HA dehidroksilasyonu /
Dehydroxylation of HA forming partially
dehydroxylated (OHA) or completely
dehydroxylated oxhydroxyapatite (OA)
HA -TCP ve TTCP oluturacak ekilde
znr / HA decomposes to form -TCP
and TTCP
-TCP stabildir / -TCP is stable
-TCP, a-TCPa dnr / -TCP is
converted to a-TCP
HAnn ergime scakl / Melting
temparature of HA
Geride CaO brakarak TTCPn ergime
scakl / Melting temperature of TTCP,
leaving behind CaO
TCPn ergimesi / Melting of TCP
Dilatometri
Dilatometri analizi (Netzsch 402 C), evre koullarnda 10oC/dak stma hz
ile yapld. Sonular ekil 34 ve 35te verilmitir.
Dilatometry
Dilatometry analysis was performed (Netzsch 402 C) with a heating rate
10 oC/min. at ambient conditions. Results were given in Figures 34 and 35.
Harman 1 12000Cde /
Batch 1 at 12000C
Harman 2 12000Cde /
Batch 2 at 12000C
ekil 34. Parti 1in 12000Cde DTA

analizi
ekil 35. Parti 2nin 12000Cde DTA

analizi
Figure 34. DTA analysis of batch 1 at

12000C
Figure 35. DTA analysis of batch 2 at

12000C
Dilometri analizinde sinterlenen rnekler iin 1000oCdeki termal genleme

katsays bulundu. ekil 34 iin 635-8000C arasnda termal genleme katsays 5,7835*10-6 (1/K) idi. 800-11000C arasnda termal genleme katsays
6,4983*10-6 (1/K) idi. Harman 2 iin 55-5650C arasnda termal genleme katsays 4,1080*10-6 (1/K) idi. 655-7700C arasnda termal genleme katsaysnn
3,4926*10-6 (1/K) olduu bulundu. Ayrca, benzer termal genleme katsaylarndan dolay bunlarn benzer davranlar gsterdii de sylenebilir. Daha
yksek bor ierii dolaysyla harman 2, harman 1den daha yksek dnm
aral gsterdi. Harman 1 iin iki faz dnm gerekleti. Harman 2 iin
esas olarak bor oksidin buharlamas ve Hidroksiapatitin dnmesinden
oluan faz dnm oldu. 1000oCnin zerinde tektik formasyon dolaysyla yumuama grld.
Bu faz dnmleri, hidroksiapatit dnmlerdir.
Ca10(PO4)6(OH)2 Ca10(PO4)6(OH)2-2xOxVx + H2O
(hidroksiapatit) (oksihidroksiapatit)
Ca10(PO4)6(OH)2-2xOx Vx Ca10(PO4)6O xVx + (1-x)H2O
(oksihidroksiapatit) (oksiapatit)
Burada V is boluk ve x < 1dir.
With dilatometry analysis, thermal expansion coefficient was found for sintered
samples at 1000oC. For Fig. 34, between 635-8000C, thermal expansion coefficient was 5,7835*10-6 (1/K). Between 800-11000C, thermal expansion coefficient was 6,4983*10-6 (1/K).
For batch 2, between 55-5650C, thermal expansion coefficient was 4,1080*106 (1/K). Between 655-7700C, thermal expansion coefficient was found as
3,4926*10-6 (1/K).
It could also be said that they had similiar thermal behaviour due to their similiar thermal expansion coefficients. Batch 2 showed higher transformation
range than Batch 1 due to its higher boron content. For batch 1, two phase
transformations took place. For batch 2, three phase transformations took
place which were essentially evaporation of boron oxide and transformations
of Hydroxyapatite. Softening occurred due to eutectic formation above 1000oC.
These phase transformations are hydroxyapatite transformations.
Ca10(PO4)6(OH)2 Ca10(PO4)6(OH)2-2xOxVx + H2O
(hydroxyapatite) (oxyhydroxyapatite)
Ca10(PO4)6(OH)2-2xOx Vx Ca10(PO4)6O xVx + (1-x)H2O
(oxyhydroxyapatite) (oxyapatite)
Where V is vacancy and x < 1
ekil 34 iin termal aralndan dolay ilk dnmn dekarbonasyon olduu sylenebilir. kinci boyun, B-TCPn TTCPa dntn gsterir. Aada
gsterilmitir.
Ca3(PO4)2 2 Ca4O(PO4)2 ekil 35 iin birinci dnmn termal aralndan
dolay su buharlamas olduu sylenebilir
H20(l) 2 H20(v) kinci boyun, B-TCPn TTCPa dnmn gsterir. Aada
gsterilmitir.
Ca3(PO4)2 2 Ca4O(PO4)2 nc boyun, rnein bztn gsterir.
Ayrca, 600 oCnin zerinde sinterleme sonrasnda hzl souma esnasnda
cams fazn devitrifikasyonu gerekleebilir.
For Figure 34, it could be said that first transformation was decarbonation
beacuse of its thermal range. Second necking indicated transformation of
-TCP to TTCP. It was shown below.
Ca3(PO4)2 2 Ca4O(PO4)2 For Figure 35, it could be said that first transformation was evaporation of water because of its thermal range.
H20(l) 2 H20(v) Second necking indicates transformation of -TCP to TTCP. It
is shown below.
Ca3(PO4)2 2 Ca4O(PO4)2 Third necking indicates shrinkage of specimen.
Also over 600 oC , devitrification of glassy phase due to during rapid cooling
after sintering might occur.
ARMET SONULARI VE YOUNLUK
ARCHIMEDS RESULTS& DENSITY
Su younluu, her hesaplama iin suyun oda scakl deeri olan 998,14342
kg/m3 olarak alnmtr. Arimed younluk analiz sonular, farkl sinterleme
scaklklar iin parti 1-3 iin Tablo 6-10 ve ekil 36-41de verilmitir.
Density of water is taken 998,14342 kg/m3 for every calculations which is room
temperature value of water. Archimed density analysis results are provided in
Tables 6-10 and Figures 36-41 for Batch 1-3, for different sintering temperatures.
Tablo 6. 10000Cde sinterlemede Arimed test sonular

Archimed test results for 10000C sintering
Tablo 7. 11000Cde sinterlemede Arimed test sonular

B1
B2
B3
wa1
0,625
0,5565
0,6242
wa2
0,6255
0,6884
0,6568
wa3
0,6377
0,6481
0,5761
wb1
0,3734
0,2678
0,2529
wb2
0,3897
0,3283
wb3
0,383
0,3897
wc1
0,6267
wc2
wc3
B1
B2
B3
Wa1
0,3612
0,5038
0,6356
Wa2
0,3802
0,558
0,5531
Wa3
0,3555
0,5488
0,5706
Wb1
0,2373
0,278
0,3297
0,3517
Wb2
0,2499
0,3214
0,2838
0,3086
Wb3
0,2289
0,3
0,2924
0,5721
0,6348
Wc1
0,3631
0,5104
0,6396
0,6256
0,6971
0,662
Wc2
0,3898
0,5797
0,5661
0,6383
0,6567
0,5828
Wc3
0,3651
0,557
0,5826
Table 8. 12000Cde sinterlemede Arimed test sonular

wb1
0,2851
0,4522
0,8017
wb2
0,2553
0,4384
0,7784
wb3
0,3186
0,3937
0,7048
wa1
0,3941
0,3406
0,5101
wa2
0,4372
0,3207
0,5443
wc1
0,4061
0,4405
0,8529
0,5937
wc2
0,4475
0,4862
0,9447
wc3
0,5683
0,4205
0,8133
wa3
0,5594
0,3552
Tablo 9. Her sinterleme scaklnda parti 1-2-3 iin Da deerleri / Da values of batch 1-2-3 at every sintering temperatures
BATCH1
da1
2479,49
BATCH1
da1
2909,84
BATCH1
da1
3845,79
10000C
da2
2647,75
11000 C
da2
2912,47
12000C
da2
3889,49
da3
2499,08
da3
2802,84
da3
3886,37
avarage
2542,11
avarage
2875,05
avarage
3873,88
BATCH2
da1
1924,03
BATCH2
da1
2227,04
BATCH2
da1
3608,88
10000C
da2
1908,14
11000C
da2
2267,77
12000C
da2
2399,06
da3
2503,47
da3
2201,69
da3
2318,78
avarage
2111,88
avarage
2232,17
avarage
2775,57
BATCH3
da1
1678
BATCH3
da1
2073,95
BATCH3
da1
2443,15
1000 C
da2
2148,74
1100 C
da2
2050,03
1200 C
da2
3274,8
da3
2149,65
da3
2047,23
da3
2051,22
avarage
1992,13
avarage
2057,07
avarage
2589,73
Tablo 10. Her sinterleme scaklnda parti 1-2-3 iin Dc deerleri / Dc values of batch 1-2-3 at every sintering temperatures
BATCH1
dc1
2462,85
BATCH1
dc1
2865,89
BATCH1
dc1
3250,98
10000C
dc2
2646,62
11000 C
dc2
2834,16
12000C
dc2
2270,49
dc3
2493,21
dc3
2605,29
dc3
2236,13
ortalama
2534,23
ortalama
2768,45
ortalama
2585,87
BATCH2
dc1
1825,39
BATCH2
dc1
2163,79
BATCH2
dc1
2026,88
1000 C
dc2
1863,13
1100 C
dc2
2083,67
1200 C
dc2
3266,92
dc3
2422,83
dc3
2131,44
dc3
1920,9
ortalama
2037,12
ortalama
2126,3
ortalama
2404,9
BATCH3
dc1
1631,43
BATCH3
dc1
2047,18
BATCH3
dc1
1805,46
10000C
dc2
2112,73
11000C
dc2
1955,63
12000C
dc2
1291,79
dc3
2097,12
dc3
1962,58
dc3
3110,93
ortalama
1947,09
ortalama
1988,46
ortalama
2069,39
4500
4000
3500
3000
2500
2000
1500
1000
500
0
Da and Dc values of batc h 3

3000
2500
Da values
Dc values
2000
Da values
1500
Dc values
1000
500
0
1000
1100
1200
1000
T e mpe ra ture
ekil 36. Her sinterleme scaklnda

parti 1 iin Da ve Dc deerleri
Da and Dc values of batch 1 at every
sintering temperatures
3000
2500
2000
Da values
1500
Dc values
1000
500
0
1000
1100
1100
T e mpe ra ture
Dens ity
Dens ity
Dens ity
1200
T e mpe ra ture

1200
4500
3000
4000
2500
3500
3000
2000
1000C
2500
1100C
2000
1000C
1100C
1500
1200C
1200C
1000
1500
1000
500
500
0
0
batch1
batch2
batch3
ekil 39. Her sinterleme scakl iin her partinin Da deerleri

Da values of every batches at every sintering temperatures
Tablo 11. Dispersiyon ve kitle yntemi younluk karlatrmas
Dispersion and bulk method density comparision

Harman 1 / Batch 1
Harman 2 / Batch 2
Harman 3 / Batch 3
Kitle Yntemi /
Bulk Method
3,198g/cm3
2,366g/cm3
2,246g/cm3
Dispersiyon Yntemi / Dispersion

Method
2,87g/cm3
2,76g/cm3
2,67g/cm3
RDELEME
Arimed kitle ve teorik younluk deerlerine gre, parti 1in dierlerinden yksek younlua sahip olduu sylenebilir. Bunun nedeni, yksek hidroksiapatit
ieriidir. Sinterleme scakl arttka younluk deerleri de artmtr. Yksek
younluklu partilerin minimum gzeneklilik dzeyi gsterdii de sylenebilir.
Gzeneklilik miktar, bileenlerin buharlamasndan dolay 1200oCde daha
yksekti. Gzeneklilik miktar, scaklk arttka artt. Dispersiyon, hacim ve Arimed younluk sonular birbirine benziyordu. Dehidrasyon ve/veya B2O3n
buharlamasndan dolay SEM analizinde baz gzenekler grld. Borun
atomik arl daha dktr. EDS ile alglanmas olas deildir.
10000C iin; faz Hidroksiapatit, Bor oksit ve Pyrex gzlemlendi. Koyu
alanlar, gzenekleri, daha geni dzeyli gri alanlar olaslkla hidroksiapatiti
ve beyaz alanlar olaslkla pyrex blgesini gsteriyordu. Presleme esnasnda
gereklemi olabilecek izgiler gzlemlendi. Homojen dalm da grlyordu. Genel olarak iki farkl faz arasnda oluan souma atlaklar da grld.
Bunlarn nedeni, homojen olmayan kartrma ve farkl fazlarn farkl bzme davranlar olabilir.
Harman 1den harman 3e doru pyrex miktar artt. Bu, ayn zamanda k fazlarndaki art sayesinde SEM grntlerinden de anlalabilmektedir. Harman 1den parti 3e doru bor oksit eklendike gzeneklilik miktar da artt.
Bor oksit buharlamas, arkasnda gzeneklilik brakt. Bundan dolay, parti
3n sngersi bir topolojisi vard.
11000Cde; Partinin kendisinde gzenekler vard. Karm homojendi. nce fiber kristalleri kolayca grlebiliyordu. Gzenekler, B2O3n buharlamas ve
hidrosil (OH-) iyonlar dolaysyla olumu olabilir. Scaklk arttka hidroksiapatit dnmeleri de gzeneklilie yol am olabilir. XRD analizi ile belirlenmesi gerekmektedir.
12000Cde; Grntlere gre, 12000Cde pyrexin faz dnm veya fazlarn olumas/buharlamasndan dolay dier scaklklara gre daha dk
pyrex grld sylenebilir. Gri ve siyah alanlar kolayca grlmektedir. Gri
alanlar, hidroksiapatit ve scak alanlar gzenekli alanlardr. Bytme arttka,
pyrex daha kolay grnebilmektedir. Gzenek dalm ve faz dalm hayli
batch1
batch2
batch3
ekil 40. Her sinterleme scaklnda Dc deerleri

Dc values of every batches at every sintering temperatures
3,5
3
2,5
2
Bulk method
Dis pers ion method
1,5
1
0,5
0
Batch1
Batch2
Batch3
ekil 41. Her parti iin kitle ve dispersiyon yntemlerinden hesaplanan

younluk deerleri / Density values calculated from bulk and dispersion
method for every batches
DISCUSSION
According to the Archimed, bulk and theoritical density values, it can be said
that batch 1 had higher density than the others. This was due to the its high
hydroxyapatite content. Increasing sintering temperature also increased
density values. It could also be said that higher density batches showed
minimum porosity levels. Porosity amount was higher at 1200oC, which was
due to the evaporation of components. Porosity amount increased with increasing temperature. Dispersion, Bulk and Archimed density results were
similiar. Some pores have been observed in SEM analysis which were due to
the dehydration and/or evaporation of B2O3. Boron has lower atomic weigth.
It is very unlikely to detect it with EDS.
For 10000C; Three phases, Hydroxyapatite, Boron oxide and Pyrex were observed. Dark areas represent pores whereas gray areas with a larger surface
might be hydroxapatite and white araes might be pyrex region. Lines were
observed which might occured during pressing. Homogeneous distribution
was also apparent. Cooling cracks was also observed which occured generally between two different phases. They might be due to some inhomogeneous mixing and differences in shrinkage behavior of different phases.
From batch 1 to batch 3, pyrex amount was increased. It can be seen also
from the SEM images due to the increase amount of ligth phases. From batch
1 to batch 3 porosity amount increased along with boron oxide addition. Bor
oxide evaporation took place causing porosity behind itself. Due to the this
fact, batch 3 had sponge like topology.
homojendir. Souma atlaklar da grlmektedir. Bor oksit, Kalsiyum Hidrojen

Fosfat, Sodyum borat, Hidroksil, Hexa-hidrobonit, Silikon fosfat, Tridimit, Kalsiyum fosfat hidrat, Silikon fosfat veya OH buharlamas partileri gzenekli
hale getirmi ve sngersi bir yapya da yol amtr. Scaklk arttka, gzenekliliin de artt grlmtr.
Harman 3n gzeneklilii dierlerinden daha ok olmu ve daha yksek sngersi morfoloji gstermitir. Parti 3, ayrca, 11000Cde pyrex fazlarnn dnmesinden dolay olabilecek asikler ekilli kristaller gstermitir. Daha dk
scaklklarda gzeneklerin uzunsu ekilleri grlmtr. Scaklk arttka, kresel ekil almlardr. Scaklktaki art, gzeneklilik miktarn da artrmtr.
Scaklk art, ayn zamanda preslenme izgilerini de azaltmtr.
Harman1 iin; Parti 1de yksek Hidroksiapatit miktar grlmtr. Daha fazla presleme izgisi ve daha az gzeneklilik gstermitir. SEM yaps, yksek
Hidroksiapatit oranndan dolay gri grlmtr.
Harman 2 iin; Hidroksiapatit ve pyrex oranlar, parti 1 ve parti 3n arasnda
kalmtr. Parti 1den daha yksek gzeneklilik ve parti 1den daha geni souma atlaklar gstermitir.
Parti 3 iin; Parti 3n yksek miktarda ve byk gzeneklilikleri grlm,
ayrca dier partilere gre daha fazla pyrex iermitir. Dierlerinden daha fazla beyaz faz gstermitir. Bir miktar aglomerasyon ile birlikte daha fazla jel
fazlas grlmtr.
SONU
Younluk deerleri, her deneyde parti 1den parti 3e doru oluum deiiklikleri gstererek azalmtr. Younluklar, Hacim yzdesi, Dispersiyon ve Arimet yntemleri ile ok benzer deerler gstermitir. Bu olgu; deerler, hesaplamalar ve deneylerin doru deerlendirilmi olduuna iaret etmektedir.
Hidroksiapatit miktarndaki dten dolay, younluklar azalmtr. Scaklk
arttka, younluk deerleri de artm, gzeneklilik ierii ise tersine azalmtr. Parti 3n yksek miktardaki gzeneklilik dolaysyla sngersi bir yaps
olmutur.
En yksek younluk deerinin elde edildii 12000Cde parti bir optimum sinterleme scakln vermitir.
Bor oksit buharlamas ve yeni bileimlerin kristalizasyonu, 1000oCnin zerinde gereklemitir. Mg-Al-K-P, O ile balanabilmekte ve XDR analizinden
grlebilen yeni fazlar da oluturabilmektedir.
Tridimitin yksek kristobaliteye dnmesinden dolay 11000Cde optimum
kristalinite gzlemlenmitir.
SEM grntlerine gre; aglomerasyon, souma atlaklar ve presleme izgileri grlm ve karm ve gzenek dalmlar hayli homojen olmutur.
Bor oksidin eklenmesinin nedeni, gzenekli oluumlar elde etmek idi. Sistemin biyoaktivitesini artrmak iin pyrex ve hidroksiapatit kullanlmtr.
For 11000C; Batch contained pores itself. Its mixture was homogeneous.
Thin fiber crystals could easily be seen. Pores could be occured due to evaporation of B2O3 and hydroxyle (OH-) ions. With heat, hydroxyapatite transformations could also take place. Evaporation of hydrate or phase changes
migth also be caused porosity. It must be determined by XRD analysis.
For 12000C; At 12000C from the images, it can be said that low pyrex was
observed than the other temperatures due to the phase transformation of
pyrex or creation/evaporation of phases.
Gray and black areas were easily identified. Gray areas were Hydroxyapatite and black araes were pore regions. With increasing magnification, pyrex was easily observed. Pore distribution and distribution of phases were
quite homogeneous. Cooling cracks were also observed. Bor oxide, Calcium
Hydrogen Phopshate, Sodium borate, Hydroxyle, Hexa-hydrobonite, Silicon
phosphade, Tridimiyte, Calcium phosphate hydrote, Silicon phosphade or OH
evaporation maid batches porous and also caused sponge structure. Increasing temperature much more porosity could be observed.
Batch 3 had higher porosity than the others and showed higher spongelike
morphology. Batch 3 also had acicular shape crystals which could be due to
the transformation of pyrex phases at 11000C. At lower temperatures pores
had longitudional shapes. With increasing temperature they could transform
into spherical shape. Increasing temperatures increased porosity amount. Increasing temperature also reduced pressing lines.
For batch 1; Batch 1 had high Hydroxyapatite amount. It contained more
pressing lines and less amount of porosity. SEM structure was seen gray because of high Hydroxyapatite ratio.
For batch 2; Its Hydroxyapatite and pyrex ratios were between batch 1 and
batch 3. It had higher porosity than batch 1 and had wider cooling cracks than
batch 1.
For batch 3; Batch 3 had high amount and largest porosity, also contained
more pyrex than the other batches. Contained more white phases than the
others. More amount of jelly phase could also be seen along with some agglomeration.
CONCLUSION
Density values were decreased changing compositions from batch1 to batch 3

at every experiment. Densities were found very similiar with Volume percentage, Dispersion and Archimed methods. This fact showed that values, calculations and experiment were evaluated accurately. Densities were decreased
due to the fact that decreasing amount of hydroxyapatite. Increasing temperature also increased density values, conversely decreased porosity content.
Batch 3 had sponge like structure due to the high amount of porosity.
Optimum sintering temperature was determined to be 12000C with batch 1 with
the fact that highest density value was
REFERANSLAR / REFERENCES
[1] Sudadan, M., Test of Biomaterials in Biological Systems, Master Science Thesis, Izmir Instutie Of Technology, Izmir, 2001.
obtained.
[2] G. S. Brady, H. R. Clauser, J. A. Vaccari, Biomaterials, in Materials Handbook, 14th edition (McGraw Hill, New York, 1997), s. 99.
Boron oxide evaporation and crystalliza[3] D. F. Williams, Definitions in biomaterials, Proceedings of An Consensus Conference of the Europen Society for Biomaterials, ChesterEngland, March 3-5, (Elsevier-Amsterdam, 1986).
tion of new compounds took place above
[4]J. Black, Biocompatibility: Definitions and issues, in Biological Performance of Biomaterials, Fundamentals of Biocompatibility, edited
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by J. Black, 3rd edition (Marcel Dekker, New York-Basel,1999), s. 11.
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es which were found from XRD analysis.
[8]S. Ramakrishna, J. Mayer, E. Wintermantel, W. Leong Kam, Biomedical applications of polymer-composite materials: a review, ComOptimum crystalinity was observed at
posites Science and Technology 61, (2001), 1189.
[9]J. Black, Implant materials: Properties, in Biological Performance of Biomaterials, Fundamentals of Biocompatibility, edited by J.
11000C due to the transformation of
Black, 3rd edition (Marcel Dekker, New York-Basel, 1999), s.125
tridymite to high crystobalite.
[10]J. Black, The inflammatory process, in Biological Performance of Biomaterials, Fundamentals of Biocompatibility, edited by J. Black,
3rd edition (Marcel Dekker, New York-Basel, 1999), s. 132.
According to the SEM images, agglomera[11]D. F. Williams, Tissue-biomaterial interactions, Journal of Materials Science 22 (1987), 3421.
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[12]R. B. Pedley, G. Meachim, D. F. Williams, Fundamentals aspects of biocompatibility, edited by D. F. Williams (CRC, Boca Raton, 1981),
vol. 2, s.175.
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[13]N. P. Ziats, K. M. Miller, J. M. Anderson, In vitro and in vivo interactions of cells with biomaterials, Biomaterials 9, (1988), 5.
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[14]C. T. Hanks, J. C. Wataha, Z. Sun, In vitro models of biocompatibility: a review, Dental Materials 12, (1996), 186.
[15]G. Ciapetti, E. Cenni, L. Pratelli, A. Pizzoferrato, In vitro evaluation of cell/biomaterial interaction by MTT assay, Biomaterials 14,
Aim of addition of boron oxide was to ob(1993), 359.
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droxyapatite was used to increase bioactivity of the system.
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Seramikin Konyadaki i orta Konal naat, 6.400 metrekaresi kapal alan olmak zere toplamda 10.000
metrekare alana sahip yeni showroomunda Konyallara benzersiz bir hizmet sunuyor. Tasarmyla dikkat
eken, ziyaretilerine modern mimarisiyle rahat ve ferah bir ortam sunan showroomda her beeniye hitap edecek eitlilikte rn sergileniyor. NG Ktahya Seramik launched the largest ceramic showroom of
Turkey in Konya. Konya Inaat, NG Ktahya Seramiks business partner in Konya, in its new showroom with
total 10,000 square meters of which 6,400 are indoors, offers a unique service to people of Konya. Products of diversity to cater to all tastes are on display in the showroom which draws attention with its
design, offering a comfortable and spacious environment to visitors with its modern architecture.
news / haber
Farkl tasarmlarn yaratc markas NG Ktahya Seramik, sektrnde

bir ilke daha imza atarak Trkiyenin en byk seramik showroomunu
8 Ekim 2013 Sal gn gerekleen al treniyle Konyallarla buluturdu. Konal naatn yeni showroomunun al treni Ktahya Porselen Sanayi A.. Ynetim Kurulu Bakan Nafi Gral, NG Ktahya Seramik Porselen Turizm A.. Ynetim Kurulu Bakan Erkan Gral, Konal
naat Ynetim Kurulu Bakan Aslan Korkmazn katlmyla gerekleti.
Ala onur konuu olarak katlan MSAD Genel Bakan Nail Olpak
showroomu gezerek rnleri inceledi ve NG Ktahya Seramik ile seramik
sektr hakknda ayrntl bilgi ald. Ala Konyallar byk ilgi gsterdi.
6.400 metrekaresi kapal olmak zere toplamda 10.000 metrekare alana sahip Trkiyenin en byk seramik showroomunda NG Ktahya
Seramikin 2014 kreasyonlar ve tm rn grubundaki en yeni tasarmlar
sergileniyor. Ziyaretiler muazzam rn eitlilii ierisinde kendi beenilerine uygun rnleri kolayca bulabiliyor ve Konal naatn uzman ekibinden her konuda ayrntl bilgi alabiliyor.
Konal naat showroomunun al treninde konuma yapan NG Ktahya Seramik Porselen Turizm A.. Ynetim Kurulu Bakan Erkan Gral, bylesine nemli bir hizmeti Konyallarla buluturmaktan mutluluk
duyduklarn syledi: NG Ktahya Seramik olarak her zaman ilk ve en
byk olma arzusuyla hareket ediyoruz. Bugn de Trkiyenin en byk
seramik showroomunu hizmete atk. Yeni showroomun Konyallardan
byk ilgi greceine inanyoruz, nk Konya her zaman kaliteye nem
veren bir ilimiz oldu. Yeni ve modern yaplarn ykseldii Konya, seramik seiminde son derece bilinli hareket eden bir ehrimiz. ortamz
Konal naatn sahibi Sayn Aslan Korkmaz ile birlikte el ele vererek
byk hedefler koyduk ve Trkiyenin en byk seramik showroomunu
Konyada hayata geirdik. Bata Sayn Aslan Korkmaz olmak zere tm
Konal naat ailesine gerekletirdikleri titiz ve detayl almalardan
dolay teekkrlerimi sunuyor, ticari hayatlarnda baarlar diliyorum.
Konal naat Ynetim Kurulu Bakan Aslan Korkmaz, yeni showroom
hakknda u bilgileri verdi: Konal naat olarak bugn Trkiyenin en byk seramik showroomunu amann gururunu yayoruz. Biz yaptmz
ii sadece bir rnn sat ve pazarlamas olarak deerlendirmiyoruz.
Aslnda ehrimizdeki yaplara estetik, nitelik ve nicelik bakmndan deer
kazandryoruz. Konyamzda son yllarda konsept inaat projelerinin says her geen gn byk bir hzla artyor. Biz de Konal naat olarak her
beeniye hitap eden tarzda rnlerimizin yan sra sat ncesi ve sat
sonras hizmetlerimizle benzersiz bir servis sunuyoruz. Kalite, eitlilik
ve yksek nitelikli mteri hizmeti Konal naat olarak bizim her zaman
nceliimiz oldu. Bu anlaymz hep daha ileriye gtryoruz. Bizlerden
desteini hibir zaman esirgemeyen btn NG Ktahya Seramik ailesine
ve Konal naat bnyesindeki emei geen tm alma arkadalarma
teekkrlerimi sunuyorum.
Creative brand of different designs, NG Ktahya Seramik, achieving yet

another first in its industry, brought the largest ceramic showroom of
Turkey to people of Konya in an opening ceremony held Tuesday, October 8, 2013. The opening ceremony of Konal Inaats new showroom
took place with Ktahya Porselen Sanayi A.. Chairman of the Board Nafi
Gral, NG Ktahya Seramik Porselen Turizm A.. Chairman of the Board
Erkan Gral and Konal Inaat Chairman of the Board Aslan Korkmaz attending. MSIAD General Director Nail Olpak, who attended the opening
as a guest of honor examined the products, touring the showroom and
was briefed in detail on NG Ktahya Seramik and the ceramic industry.
The opening was highly popular for the people of Konya.
In the Turkeys largest ceramic showroom with 10,000 square meters
of area in total, 6,400 square meters of which are indoors, NG Ktahya
Seramiks 2014 creations and the newest designs in the whole product
spectrum are on display. The visitors can find the products that are to
their taste very easily, thanks to the enormous product diversity, and are
able to be briefed in detail in all topics by Konal Inaats team of experts.
NG Ktahya Seramik Porselen Turizm A.. Chairman of the Board Erkan
Gral, who spoke in the opening ceremony of Konal Inaat showroom,
said: We are so happy to provide such an important service to people
of Konya. As NG Ktahya Seramik, we are always aiming to be the first
and the largest. Today, too, we opened the largest ceramic showroom
of Turkey. We believe that the new showroom will be of great interest
for people of Konya because Konya has always been a province committed to quality. Konya, where new and modern buildings are rising, is a
city which acts in great awareness in selection of ceramic. Hand in hand
with Mr. Aslan Korkmaz, the owner of our business partner Koral Inaat,
we set great targets and launched Turkeys largest ceramic showroom
in Konya. I offer my gratitude to whole Konal Inaat family lead by Mr.
Aslan Korkmaz for their meticulous and detailed work, wishing them
success in their business life.
Konal Inaat Chairman of the Board Aslan Korkmaz provided the following
details on the new showroom: As Konal Inaat, today we are proud to
open Turkeys largest ceramic showroom. We dont look at what we do
just as the sale and marketing of a product. Actually, we add aesthetic,
quantitative and qualitative value to the buildings in our city. The number of concept construction projects have been growing rapidly in recent
years in Konya. We, as Konal Inaat, are offering a unique service with our
presale and after sale services in addition to our products which cater to
every taste. Quality, diversity and high quality customer service have always been our priority as Konal Inaat. We are always carrying this concept further. I express my thanks to the whole NG Ktahya Seramik family
who have never failed to give us support and all my colleagues in the Konal
Inaat organization who have contributed to this project.
Ktahya Porselen Sanayi A.. Ynetim Kurulu Bakan Nafi Gral
Konal naat Ynetim Kurulu Bakan Aslan Korkmaz
haber / news
Seranova ihracatla byyor, seramik sektr hzl admlarla ilerliyor

Seranova grows with exports, ceramic industry advances with rapid steps
Trkiyenin seramik ihracat

2023te e katlanacak
Turkish ceramic exports will be three

times that of the present by 2023
Seramik sektrnn gl markas Seranovay bnyesinde barndran Umpa Holdingin Ynetim Kurulu Bakan Hasan Hilmi Alper, 1 milyar dolara dayanan seramik ihracatnn 10 yl iinde e katlanacan
belirtiyor. Alper, bu yl Seranovann gerekletirdii retimin yzde 50sinin ihracata ynelik olduunu
ifade ederek, mevcut pazarlarnn yan sra ABD, Kanada, Ortadou ve Afrika pazarlarnda ykselie getiklerinin altn iziyor. Hasan Hilmi Alper, Chairman of the Board of Umpa Holding which accommodates
ceramic industrys powerful brand Seranova, notes that exports of ceramics which reached 1 billion
Dollars will be three times the present in 10 years. Stating that 50 % of Seranovas production this year
is exported, Alper stresses that they are advancing in the US, Canadian, Middle East and African markets
in addition to their present ones.
news / haber
Trkiyenin nde gelen seramik markalar arasnda yer

alan Seranovann 2013 ylnda nemli bir atlma kalktn belirten Umpa Holding Ynetim Kurulu Bakan
Hasan Hilmi Alper, halihazrda sektrn tm dnyaya
ihracat gerekletirdiini ve ihracat deerinin bir milyar dolara yaklatn ifade ediyor.
10 yl iinde ihracatn nemli bir sramayla e katlanacan belirten Alper, mevcut durumda ithalatn 50
milyon dolar dzeyinde olduuna iaret ederek, seramik sektrnn Trkiye ekonomisi iinde katma deeri
en yksek sektrlerin banda geldiine vurgu yapyor.
Alper, dier sektrlerle kyaslandnda seramik sektr ihracatnn 4-5 milyar dolara karlk geldiinin
altn iziyor.
Lider lkeler arasnda

Trkiyenin 104 milyon m2yi aan ihracatyla seramikte
dnyann drdnc byk lkesi konumunda olduunu
ifade eden Alper, 90l yllarda yaplan yatrmlarn hedefi bulduunu belirterek, bugn Trkiyenin 220 milyon
m2yi aan retimiyle dnyann altnc, Avrupann ise
nc byk seramik karo reticisi olduunu kaydediyor. Dier yandan, Trkiyenin seramik kaplama malzemeleri sektrnde dnya retiminin yzde 3,2sini, Avrupa retiminin ise yzde 11ini karladn syleyen
Alper, Trkiyenin ayn zamanda 160 milyon m2 yurtii
pazar byklyle seramik karo kullanmnda dnyann 11inci byk pazar konumuna ulatn belirtiyor.
Seramik sektrnde dnyada tek at altnda entegre
retim yapan en byk fabrikalarn Trkiyede bulunduunu syleyen Alper, sektrn kapasite deerlerinin
birok lkenin ok stnde olduuna iaret ediyor. Alper, sz konusu orann talya ve spanya gibi seramikte
dnya apnda sz sahibi lkelerle kyaslandnda 3-4
kat daha fazla olduunun altn iziyor.
Kalitesiyle ne kyor
stihdama byk
katk salyor
Great contribution
to employment
Seramik sektrnn
istihdama yksek
dzeyde katk
salayan sektrlerin
banda geldiini
ifade eden Alper,
halihazrda sektrde
220 bin alann
bulunduunu,
aileleri de gz
nne alndnda
bir milyon kiinin
geimini sektrden
saladn belirtiyor.
Noting that the
ceramic industry
leads the sectors
contributing highly to
employment, Alper
states that presently
the industry employs
220,000 people
with more than one
million persons
making a living
on this industry
considering the
families.
Seranova olarak teknolojiye srekli yaptrm yaptklarn ifade eden Alper, Seranovann bugn kalitesiyle
uluslararas anlamda tescil edilmi Trkiye markalarndan biri olduunu ifade ediyor.
Her lkenin kendine has beenileri ve alkanlklar
olduuna da dikkat eken Alper, bu olguyu gz nne alan kurulularn avantajl konuma ykseldiini
ve mteri taleplerine hzl cevap verebildiklerini belirtiyor. Seranovann da yeni konseptlerini belirlerken
bu konuyu gz nne aldn ancak yeni trendlerin
oluturulmasn salamak amacyla pazarlara yn
verdiklerini de ifade ediyor. Kalitenin kendileri iin vazgeilmez olduuna vurgu yapan Alper, sadece rn kalitesine odaklanmadklarn, hizmet kalitesine de byk nem verdiklerinin altn iziyor.
Umpa Holding Chairman of the Board Hasan Hilmi

Alper, who says that Seranova, one of the leading
ceramic brands of Turkey, has launched a significant
initiative in 2013, says that presently the industry exports to the whole world with an export volume of one
billion Dollars.
Noting that exports will be three times the present
with a significant leap in ten years, Alper points out
that presently imports are at the 50 million Dollar level and underlines that the ceramic industry leads the
sectors with highest added value within the Turkish
economy. Alper notes that the exports of the ceramic
industry corresponds to 4-5 million Dollars compared
to other industries.
Among leading countries

Stating that Turkey is the worlds fourth largest country in ceramics with its exports of over 104 milyon m2,
remarking that investments made in the 90s have met
their target states that today Turkey, with its production of over 220 million m2, is the worlds sixth and
Europes third largest ceramic tile manufacturer.
Alper, who notes that on the other hand, Turkey accounts for 3.2 percent of world production and 11
percent of European production in the field of ceramic
tile, also notes that Turkey has become the worlds
11th largest market in ceramic tile consumption with
its 160 million m2 domestic market. Stating that the
largest plants with integrated manufacturing under
a single roof in the world in the ceramic industry are
situated in Turkey, Alper points out that the capacity values of the industry is well above that of many
countries. Alper underlines that this percentage is 3-4
times greater than those of countries which are global
leaders in this industry like Italy and Spain.
Stands out with its quality
Pointing out that they have been investing continuously in technology as Seranova, Alper says that
Seranova today is one of the internationally registered Turkish brands with its quality.
Drawing attention to the fact that each country has
tastes and habits of its own, Alper says that institutions considering this fact become advantageous, being able to respond customer demand fast. He says
that they take this into consideration when setting
the new concepts of Seranova while guiding the markets to ensure that new trends are created. Stressing
that quality is indispensible for them, Alper underlines
that they do not just focus on product capacity but they are also committed to service quality.
haber / news
MERT VE MACERACI AYI

GVENL BANYOMU
ANLATIYOR
MERT AND ADVENTUROUS

BEAR TELL ABOUT MY SAFE
BATHROOM
E.C.A. SERELin Banyo kazalarn nlemeye ve ocuklar korumaya

ynelik olarak stanbul l Milli Eitim Mdrl ibirliiyle gerekletirilen kurumsal sosyal sorumluluk projesinin kahramanlar
Mert ve Macerac Ay, okul ziyaretlerine devam ediyor.
E.C.A. SEREL nclnde balatlan ve stanbul l Milli Eitim
Mdrlnn ibirlii ile hayata geirilen sosyal sorumluluk projesi Benim Gvenli Banyom gn getike daha fazla sayda ocua ulayor ve bilinirlii artyor. Banyo ierisinde uyulacak kurallar
ebeveynlerine aktarmak amacyla yola klan proje kapsamnda
okullarda bilgilendirici ve elendirici tantm gnleri dzenleniyor.
Projenin nl karikatristi Erdil Yaarolu tarafndan yaratlan kahramanlar Mert ve Macerac Ay okul ziyaretlerine devam ediyor.
2012-2013 Eitim ve retim ylnda Nilfer Hatun lkokulu, air
Nedim lkokulu, Bilge Soyak lkretim Okulu, ayrn lkretim
okullarna ziyaretler gerekletirilmiti. Mert ve Macerac Ay 23 Nisan Ulusal Egemenlik ve ocuk Bayramnda
Badat Caddesinde ocuklar ve ebeveynleri
ile de bulumutur. Proje kapsamnda 20132014 Eitim ve retim ylnn balamas ile
E.C.A. Elginkan lkretim Okulu, Yldrm
Beyazt lkokulu, brahim Alaettin Gvsa lkokulu, Halil Atamavc lkokulu, ehit retmen Hasan Akan lkokulu, Deniz lkokulu,
Namk Kemal lkokulu ve Zeki Obdan lkokulu
ziyaret edildi. Mert ve Macerac Ay maskotlarmzn youn ilgi grd organizasyonlarda, binlerce ocua kitap ve boyama
kalemleri datld Mert ve Macerac Ay
ocuklar kadar retmenlerin de ilgisini ekti.
Proje yl boyunca farkl okullarda srdrlecektir.
The heroes of the corporate social responsibility project, held by E.C.A. SEREL in collaboration with Istanbul Provincial National Education Office, in
connection with preventing bathroom accidents and protecting children,
Mert and Adventurous Bear, continue with their school visits.
My safe bathroom which is a social responsibility project, started by E.C.A.
SEREL in collaboration with Istanbul Provincial National Education Office,
is reaching more and more children day by day with its recognition on the
rise. Under the project, which was started to convey the rules to be obeyed
in the bathroom to parents, informative and recreational promotion days
are organized in schools. The heroes of the project, Mert and Adventurous
Bear, created by renowned cartoonist Erdil Yaarolu, keep on visiting the
schools.
In 2012-2013 Academic Year, visits were held to Nilfer Hatun Primary SchooL, air Nedim Primary School, Bilge Soyak Primary School and ayrn
Primary School. Mert and Adventurous Bear also met the children and their
parents and Badat Street on April 23 National
Sovereignty and Childrens Holiday. On the occasion of the project, as 2013-2014 Academic Year
started, E.C.A. ElginkanPrimary School, Beyazt
Primary School, brahim Alaettin Gvsa Primary
School, Halil Atamavc Primary School, ehit retmen Hasan Akan Primary School, Deniz Primary School, Namk Kemal Primary School and
Zeki Obdan Primary School were visited. Books
and crayons were distributed to thousands of
children at the events where Mert and Adventurous Bear mascots were highly popular. Mert
and Adventurous Bear drew the attention of teachers as much as the children. The project will
continue in different schools through the year.
haber / news
NAAT 2023 ADANADA DEVAM

EDYOR CONSTRUCTION 2023
ONGOING IN ADANA
E.C.A. SEREL, Capital ve Ekonomist Dergileri tarfndan Trk inaat sektrndeki gelimeleri deerlendirmek ve sektrel hedefleri masaya yatrmak amacyla balatlan naat 2023 bulumalarnn devam Adanada gerekleti. The continuation of the Construction 2023 conferences started for the
purpose of assessing the developments in the Turkish construction industry and to put the targets
of the industry on the table by E.C.A. SEREL, Capital and Economist Magazines, was held in Adana.
E.C.A. SEREL, Capital ve Ekonomist Dergilerinin ibirlii ile Trk inaat sektrndeki hzl geliim ve byme zerinde durarak, sektrn bugnk konumu ile geleceine dair vizyon ve hedef deerlendirmeleri yapmak amacyla balatlan naat 2023 bulumalarnn
drdncs Adanada gerekleti. lki Antalyada dzenlenen ve bir
zincir olarak devam eden naat 2023 toplantlar, yl iinde farkl
kentlerde devam edecek.
naat 2023 Adana Toplants, E.C.A. SEREL markalaryla faaliyet
gsteren Elmor A.. Genel Mdr Hakan Gnderen, Ekonomist Dergisi Yayn Ynetmeni Talat Yeilolu ve Adana Sanayi Odas Ynetim
Kurulu Bakan Zeki Kvan al konumalar ile balad.
Adana Blgesinde faaliyet gsteren inaat firmalarnn katlmyla,
blgesel deerlendirmeler ve hedeflerin ele alnd panel gerekleti.
Panele; Adana Grup naat A.. cra Kurulu yesi Salih Talay, Adana
Sanayici ve adamlar Dernei Bakan Sleyman Snmez, Adana Yap
The fourth one of the Construction 2023 conferences started for

the purpose of assessing the visions and targets on the present condition and the future of the industry, touching upon the rapid development and growth in the Turkish construction industry through the
collaboration of E.C.A. SEREL, Capital and Ekonomist magazines was
held in Adana. The Construction 2023 conferences first organized in
Antalya, continuing as a chain event, will continue in different cities
through the year.
Construction 2023 Adana Conference started with the opening
speeches of Hakan Gnderen, General Manager of Elmor A.. operating under E.C.A. and SEREL brands, Talat Yeilolu, Editor of Economist Magazine, and Zeki Kvan, Chairman of the Board of Adana
Chamber of Industry.
There was a panel where regional assessments and targets were addressed with the participation of construction firms operating in Adana
news / haber
Mteahhitleri Dernei Bakan Murtaza Klk, ukurova Gen adamlar Dernei Bakan mer Faruk Sakaryann katlmyla panel gerekleti. naat 2023 Adana Toplants, nl sanat Kadir pdemirin
izleyenlerin byk beenisini toplayan konumas ile son buldu.
Toplantnn al konumasn yapan Elmor A.. Genel Mdr Hakan
Gnderen unlar syledi:
E.C.A. SEREL olarak lkemizin inaat sektrndeki potansiyelinin
ok yksek olduuna inanyoruz. E.C.A. ve SEREL Ege Blgesinde
retilen markalar olmak ile birlikte bugne kadar her yl en iyi sat
rakamlarn yakalayan blgelerimizden biri olan Adana Blgemizin
interland ierisinde olan Akdeniz Blgesinin bat ksm, tm Dou
Anadolu ve Gneydou Anadolu Blgesi yer alyor. Sadece Trkiyenin
deil, dnya standartlarn uygulamay ilke edinmi bir irket olarak,
markamzn inaat sektrnn geleceine ynelik byle bir toplant
gerekletiriyor olmaktan byk mutluluk duyuyoruz. E.C.A. SEREL
olarak, Elginkan Topluluunun
gcn arkamza alarak, her platformda Trk inaat sektrnn
yannda olacamz, bu sektr
bytmek iin canla bala alacamz bir kez daha sizlerle paylamak istiyorum. 2012 ve 2013
yl naat 2023 toplantlarmz
ile ehir ehir inaat sektrnn
nabzn tuttuumuz yllar olurken,
bir yandan da rnlerimizin yurtii
ve yurtdnda tasarm dlleri ald bir dnem.
naat 2023
toplants, nl
sanat Kadir
pdemir byk
beeni ile izlenen
konumasyla
renklendi.
Construction 2023
conference gained
color with the speech
of famed performer
Kadir pdemir,
which drew
accolades.
region. The panel was attended by

Adana Grup naat A.. Member of
Executive Board Salih Talay, Adana
Industrialists and Businessman
Association President Sleyman
Snmez, Adana Construction Contractors Association Head Murtaza
Klk, ukurova Young Businessmen Association President mer
Faruk Sakarya. The Construction
2023 Adana conference ended
with a speech by famed performer
Kadir pdemir who was greatly
appreciated by the viewers. Elmor A.. General Manager Hakan
Gnderen, who made the opening
speech of the conference, said:
As E.C.A. and SEREL, we believe that our countrys potential in the construction industry is quite high. Although E.C.A. and SEREL are brands
created in the Aegean Region, the western part of the Mediterranean
which is in the hinterland of our Adana Region, the whole Eastern Anatolia and Southern Anatolia are those regions which have captured the
best sales figures each year. As a company which has made its principle
to apply not only Turkeys but worlds standards, we are very happy to
be holding such a conference on the future of the construction industry.
As E.C.A. SEREL, I would like to stress once more that we will be beside
the Turkish construction industry in every platform and do everything we
can do to enlarge this sector, taking behind the power of Elginkan Group.
2012 and 2013 were years we held the pulse of the construction industry town by town through our Construction 2023 conferences and this
has been a period where our products have won local and international
design awards.
Adana Blgesinde inaat

sektrnn bugnk
konumu, gelecek vizyonu
ve hedeflerinin ele alnd
toplantya, Elmor A.. Genel
Mdr Hakan Gnderen,
Adana Sanayi Odas Ynetim
Kurulu Bakan Zeki Kvan,
Ekonomist Dergisi Yayn
Ynetmeni Talat Yeilolu ve
inaat sektrnn nde gelen
firmalarnn temsilcileri izleyici
ve panelist olarak katld.
Elmor A.. General
Manager Hakan Gnderen,
Adana Chamber of Industry
Chamber of the Board Zeki
Kvan, Ekonomist Magazine
Editor Talat Yeilolu and
representatives of leading
firms of the construction
industry attended as viewers
and panelists, the conference
where the present position,
future vision and targets of the
construction industry in Adana
region were addressed.
haber / news
E.C.A. SEREL
NAAT 2023 BURSA TOPLANTI DEERLENDRMES

CONSTRUCTION 2023 BURSA CONFERENCE RECAP
7 Kasm 2013 tarihinde Bursa Hiltonda NAAT 2023 toplantlarnn

beincisi gereklemitir. E.C.A. SEREL olarak Capital ve Ekonomist
dergileri ile gerekletirilen toplantya Bursa Ticaret ve Sanayi Odas Ynetim Kurulu yesi akir Umutkan itirak etmitir. naat irketi
sahipleri, yneticileri, otel yatrmclar ve yneticilerinin bir araya geldii toplant, Elmor A.. Genel Mdr Hakan Gnderen, Ekonomist
Dergisi Yayn Ynetmeni Talat Yeilolu ve Bursa Ticaret ve Sanayi
Odas Ynetim Kurulu yesi akir Umutkann al konumalar ile
balamtr. Programa ayn zamanda KONUTDER Ynetim Kurulu
Bakan mer Faruk elik de katlm gstermitir.
Toplantnn panel oturumunda, Bursa Blgesinde faaliyet gsteren
derneklerin katlmyla, blgesel deerlendirmeler ve hedeflerin ele
alnd panel gereklemitir. Bursann ve Trkiyenin nemli derneklerinden KONUTDER Ynetim Kurulu Bakan mer Faruk elik, Bakyap Group Ynetim Kurulu Bakan Veysel Bakgr, Barutuolu naat Ynetim Kurulu Bakan Mustafa Barutuolu, ekl Vakf Bakan
Yardmcs Mithat Krayolu, Tayakan naat Ynetim Kurulu Bakan
Alpaslan Tayakan ve TMMOB naat Mhendisleri Odas Bursa ube
Bakan Necati ahinin katlmlaryla panel gereklemitir. Program,
Kadir pdemirin keyifli sunumu ile son bulmutur.
The fifth one of Bursa Hilton CONSTRUCTION 2023 conferences was held
at Bursa Hilton on November 7, 2013. The conference held by E.C.A. SEREL with participation of Capital and Ekonomist magazines was attended
by Chairman of the Board of Bursa Chamber of Trade and Industry, akir
Umutkan. The conference, where construction company owners, directors, hotel investors and managers came together, started with opening
addresses by Elmor A.. General Manager Hakan Gnderen, Ekonomist
Magazine Editor Talat Yeilolu and Bursa Chamber of Trade and Industry
Member of the Board akir Umutkan. KONUTDER Chairman of the Board
mer Faruk elik also participated in the program. In the panel session
of the conference, regional assessment and targets were discussed with
the participation of associations operating in Bursa region. The panel was
held with the participation of mer Faruk elik, Chairman of the Board
of KONUTDER, one of Bursas and Turkeys important associations; Veysel Bakgr, Bakyap Group Chairman of the Board; Chairman of the Board
Mustafa Barutuolu, Barutuolu naat; Vice-President of ekl Foundation, Mithat Krayolu; Alpaslan Tayakan, Chairman of the Board of
Tayakan naat; and Necati ahin, TMMOB Chairman of Association of
Civil Engineers, Bursa Branch Head. The program ended with a pleasurable presentation by Kadir pdemir.
haber / news
KALE GRUBUNUN 19UNCU KARO

FABRKASININ TEMEL ATILDI
THE FOUNDATION OF KALE GROUPS 19TH
FLOOR TILE PLANT LAID
Trk seramik sektrnn gl ve lider markas Kale Grubunun, 19uncu karo fabrikasnn temeli bayramn ikinci gn atld. Kale Grubu Kurucusu ve Onursal Bakan brahim Bodur ile Kale Grubu Bakan
Zeynep Bodur Okyay tarafndan, andaki Kale Fabrikalar Alannda temeli atlan yeni fabrika, Kalenin
19uncu karo fabrikas olarak kaytlara geti. 32 bin metrekare kapal alan zerine ina edilen ve bittiinde yllk 21 milyon metrekarelik karo retimi kapasitesine sahip olacak yeni fabrika 45 milyon TLlik yatrmla gerekletiriliyor. The foundation of 19th floor tile plant of Kale Group, Turkish ceramic industrys
powerful and leader brand Kale Group, was laid on the second day of the Ramadan Holidays. The new
plant, the foundation of which was laid by Kale Group Founder and Honorary President Ibrahim Bodur and
KaleGroup Zeynep Bodur Okyay and the Kale Factories Ground in an was registered as Kales 19th floor
tile plant. The new plant constructed on an indoor space of 32,000 square meters which will have a floor
tile production capacity of 21 million square meters a year will cause TL 45 million.
news / haber
Kale Grubunun 19uncu karo fabrikasnn temeli, 1957 ylnda kurulan

ilk seramik fabrikasnn yannda atld. Kale Grubu Kurucusu ve Onursal Bakan brahim Bodur ile Kale Grubu Bakan Zeynep Bodur Okyay
tarafndan temeli atlan yeni fabrika ile Kale Grubunun andaki fabrikalar, tek alanda retim yapan dnyann en byk seramik kuruluu
zelliini bir kez daha tescilledi. Temel atma trenine anakkale Valisi
Ahmet nar, AK Parti anakkale Milletvekili smail Kademir, Boaz ve
Garnizon Komutan Tuamiral Aydn irin, an Kaymakam Nurettin Kakilliolu ve an Belediye Bakan Abdurrahman Kuzunun yan sra Kale
Grubu yneticileri ve alanlar katld.
Trende konuan Kale Grubu Bakan Zeynep Bodur Okyay, Kale
Grubunun 1957de balayan sanayileme aknn her geen yl artarak devam ettiini belirterek, Bugn Kaleseramik firmas Avrupann
3nc, dnyann 12nci en byk seramik karo reticisidir. Yap kimyasallar alannda Trkiye ve blgemizde birinci, Avrupada ise 5inci sradayz. Yzde 100 Trk irketi olarak havaclk ve savunma konusunda
uluslararas alanda itibar kazanm bir irketiz, bu alanda hzl admlarla
ilerliyoruz dedi. Bayramn ikinci gn temeli atlan karo fabrikas, 32
bin metrekare kapal alan zerine kuruluyor. lk etapta 20 bin metrekare
gnlk, 7 milyon metrekare yllk retim kapasitesiyle retime balayacak karo fabrikas, ilerleyen dnemde gnlk 60 bin metrekare, yllk 21
milyon metrekare retim kapasitesine ulaacak.
80x80, 60x60 ve 45x45 srl granit yer karosu retimi yaplacak yeni karo
fabrikas ile artan mteri talepleri daha ksa srede karlanacak. Yksek kapasiteli ve enerji verimli alan frnlarn kullanlaca fabrikada
bu amala 160 metre uzunlukta son teknoloji frnlar alacak.
lk etapta 70 kiiye dorudan istihdam yaratacak yeni fabrikada retim srecine bal olarak ek istihdam olana da salanacak. Kale
Grubunun andaki 19uncu karo retim fabrikas olacak tesis 45 milyon
TL yatrmla gerekletiriliyor.
The foundation of Kale Groups 19th floor tile plant was laid beside the
first ceramic plant founded in 1957. With the new plant, the foundation
of which was laid by Kale Group founder and honorary president Ibrahim
Bodur and Kale Group President Zeynep Bodur Okyay, Kale Groups plants
in an, once again proved the feature of being the worlds largest ceramic
institution manufacturing in a single area. The foundation laying ceremony was attended by anakkale Governor Ahmet nar, AK Parti anakkale
MP Ismail Kademir, Strait and Garrison Commander Rear Admiral Aydn
irin, an District Governor Nurettin Kakilliolu and an Mayor Abdurrahman Kuzu, alongside of Kale Group executives and employees.
Speaking at the ceremony, Kale Group President Zeynep Bodur Okyay,
noting that the desire for industrialization of Kale Group starting in
1957, is progressing increasingly year by year, said, Today, Kaleseramik is Europes 3rd, worlds 12th largest ceramic tile manufacturer. We
are first in Turkey and our region and fifth in Europe in the field of building chemicals. As a 100 percent Turkish company, we are one which has
gained respect internationally in aviation and defence; we are advancing rapidly in this field.
The floor tile plant, the foundation of which was laid on the second day of
Ramadan Holidays, is being set up on an indoor space of 32,000 square
meters. The floor tile plant, which will start production with a capacity of
20,000 square meters daily in the first phase and a yearly production capacity of 7 million square meters in time will reach a production capacity of
60,000 square meters a day and 21 million square meters a year. With the
new floor tile plant which will manufacture 80x80, 60x60 and 45x45 glazed
granite floor tiles, increasing customer demand will be satisfied in a shorter time period. To that end, 160-meter-long state-of-the-art kilns will be
run at the plant where high capacity and energy efficient kilns will be in use.
At the new plant, which will employ 70 persons directly in the first phase,
additional employment will also be offered. The plant, which will be Kale
Groups 19th tile production plant in an will cost TL 45 million.
haber / news
Kale Grubundan Mardine 5 milyon TLlik yatrm
Kalekim Mardin Fabrikas

hizmete ald
5 mIllIon TL investment in Mardin by Kale Group
Kalekim Mardin Plant opens

Gemite nemli bir ticaret merkezi ve binlerce yllk kltr mirasna sahip olan Mardinde; blge ekonomisine byk katk salayacak Kalekimin yeni fabrikasnn al, ileri Bakan Muammer Gler ve Kale
Grubu Bakan Zeynep Bodur Okyay tarafndan yapld. The opening of the new plant of Kalekim which will
make a great contribution to the regions economy was made by Minister of the Interior Muammer Gler
and Kale Group President Zeynep Bodur Okyay in Mardin which has been an important trade center in the
past with a millenium old cultural heritage.
news / haber
Kale Grubunun 5 milyon TL yatrmla kurduu Kalekim Mardin Fabrikas, ileri Bakan Muammer Gler ve Kale Grubu Bakan Zeynep Bodur
Okyay tarafndan trenle hizmete ald. Fabrikada, blgenin yap kimyasallar pazarna ynelik ekonomik, standart ve teknik yaptrclar ile
s yaltm rnleri retilecek. Kuzey Irak ve blgedeki yakn lkeler iin
salad lojistik avantajdan dolay Kale Grubu iin s grevi grecek Kalekim Mardin Fabrikasnda, nmzdeki srete su yaltm malzemeleri
retimi de yaplacak.
Kale Grubu Bakan Zeynep Bodur Okyay, Kalekim Mardin Fabrikasnn,
blgedeki mevcut ve potansiyel pazar ihtiyacn karlamak amacyla 5
yllk yatrm planlar erevesinde hayata geirildiini syledi. Birok
dinin ve medeniyetin izlerini tayan ve binlerce yllk bir kltr mirasna
sahip olan Mardinin gemite nemli bir ticaret merkezi olduunun altn
izen Kale Grubu Bakan Zeynep Bodur Okyay unlar syledi:
Trkiyede 40. kurulu yldnmn kutlayan, seramik yaptrclar
ve derz dolgu pazarnda en ok tercih edilen ve koulsuz mteri memnuniyetini salayan Kalekim, kuruluundan bugne 500 alana, 8 fabrikaya, 500.000 ton sata, 250 milyon TL ciroya ulat. Kalekim Mardin
fabrikamz, kurulu yeri analizi asndan; gerek lojistik imknlar, gerek
hammadde kaynaklarna yaknlk, gerekse 190 kmlik Mardin hinterland iinde retimin sata evrilmesi bakmndan hem grubumuz hem de
yap kimyasallar sektr iin nemli bir tesis olacak. u ana kadar 5 milyon TLlik bir yatrm yaptmz Kalekim Mardin Fabrikasnn, ksa sre
iinde 10 milyon TLlik yatrm deerini amasn planlyoruz. Fabrikamz
retimi ile gemite nemli bir ticaret merkezi olan Mardine ve blge
ekonomisine byk katk salayacak.
Mardin fabrikamz ile blgede hem bu anlay sergilemek hem de kendi hinterland iinde olumu mevcut ve potansiyel pazar ihtiyalarmz
karlayp rekabet gcmz ykseltmek, bylece blgeye yakn olan
Ortadou ve Arap lkeleri ile Trki Cumhuriyetlerine ve zellikle de Kuzey Iraka ynelik sat potansiyelimizi artrmak istiyoruz. Bu amacmzn somut bir gstergesi olan Kalekim Mardin Fabrikamz, Trkiye iin
ok nemli bir adm. Kurulduu gnden itibaren lkemizin sanayileme
srecinde ok nemli bir rol oynam; Ticaretin bireyleri, sanayinin ise
toplumlar zenginletirecei szn iar edinen Kale Grubu olarak, ayn
felsefenin yeni bir zincirini, bir sanayi tesisini daha lkemize kazandrdmz iin ok mutluyuz.
Kalekim Mardin Plant set up by Kale Group with an investment of TL 5

million was opened by a ceremony by Minister of the Interior Muammer
Gler and Kale Group President Zeynep Bodur Okyay. At the plant, economic standard and technical adherence and heat insulation products
will be created oriented to the building chemicals market in the region.
Thanks to the logistic advantage Mardin has for Northern Iraq and closeby countries, water insulation products will also be produced at Kalekim
Mardin Plant which will serve as a hub for Kale Group.
Kale Group President Zeynep Bodur Okyay said that Kalekim Mardin
Plant was launched under their five-year investment plan to meet the
present and potential market demand in the region. Stressing that Mardin, which bears the traces of many religions and civilizations which has
a millenium old cultural heritage, has been an important trade center in
the past, Kale Group President Zeynep Bodur Okyay, added:
Kalekim, which celebrates its 40th annivarsary in Turkey, which is the
most popular product in the market of ceramic adherants and joint
fillers ensuring unconditional customer satisfaction since its foundation has reached 500 employees, 8 plants, a sales volume of 500,000
tons and TL 250 million. Our Kalekim Mardin plant will be an important
one both for our group and also the building chemicals sector because
of its logistic facilities, its proximity to raw material resources and also
transformation of production into sales in the 190-km Mardin hinterland
in terms of location analysis. We plan that the Kalekim Mardin Plant in
which we have made an investment of TL 500,000 so far will surpass an
investment value of TL 10 million in a short time. Our plant will make a
great contribution to Mardin which has been an important trade center in
the past and the regions economy with its production.
With our Mardin plant, we hope to display this concept in the region and
also raise our competitiveness by meeting the present and potential
market demand in the hinterland and increase our sales potential to
Northern Iraq. Our Kalekim Mardin Plant which is a clear indication of
this target is a very important step for Turkey.
As Kale Group, which has played a very important role in the industrialization process of our country since its inception, making its motto the
phrase trade enriches individuals and industry enriches societies, we
are very happy to bring yet another link of the same philosophy, an industrial plant.
Rakamlarla Kalekim
Mardin Fabrikas
Kalekim
Mardin Plant in Figures
Yatrm miktar:
retim kapasitesi:
Arsa alan:
Fabrika binas:
dari bina:
at kapl ak stok sahas:
Fabrika toplam alan:
Beton zeminli ak kullanm alan:
5 milyon TL
90 bin ton/yl
22.000 metrekare
1.800 metrekare
870 metrekare
1.600 metrekare
4.250 metrekare
5.900 metrekare
Investment amount:
Production capacity:
Land area:
Plant building:
Administrative building:
Roofed outdoor inventory area:
Total plant area:
Concrete floor outdoor space:
5 million TL
90,000 tons/year
22,000 square meters
1,800 square meters
870 square meters
1,600 square meters
4,250 square meters
5,900 square meters
haber / news
Kales New Awards

Kalenn Yeni dlleri
Karodan vitrifiyeye slak zeminlerde sunduu birbirinden estetik ve uyumlu rnleriyle Kale, yeni
ve zgn tasarm anlayn simgeleyen koleksiyonlaryla yeni dllerin sahibi oldu. With products
each more aesthetical and harmonious than the other offered for wet spaces ranging from tiles to vitreous china, Kale won new awards with its collections symbolizing the new and original design concept.
news / haber
Tasarm alanndaki atlmlarna devam ederek,

uluslararas baarlarna yenilerine ekleyen
Kale, A Design Awards 2012-2013de 3056 tasarmn yart dl sisteminde; Beyaz Saray banyo
mobilyas koleksiyonu ile yarmadaki en yksek
dl olan ADesign Platinium Award dln
kazand. Kalenin yeni ve zgn tasarm anlayn simgeleyen Beyaz Saray bu yl ayrca dnyann en prestijli ve kkl tasarm dllerinden
iF Product Design Award 2013te de banyolara
fonksiyonel ve minimalist bir dil kazandrmas
sebebiyle banyo mobilyas olarak dl ald. iF
Product Design Award 2013te banyo ve salk
gereleri kategorisinde Beyaz Saray ile birlikte yaran ve btnsel banyo zmlerinde
dle layk grlen Nordic banyo koleksiyonu,
2013te ADesign Award dln de Kaleye kazandrd.
Kale, adding new successes to its international

achievements, continuing with its initiatives in the
field of design, won A Design Awards which is the
highest prize in the contest with its Beyaz Saray
bathroom furniture collection in ADesign Awards
2012-2013 where 3056 designs were in competition.
Beyaz Saray, symbolizing Kales new and original
design concept also this year won an award as
a bathroom furniture bringing a functional and
minimalist expression to bathrooms in one of the
most prestigious and rooted design awards of
the world in iF Product Design Award 2013. Nordic
bathroom collection which competed alongside
of Beyaz Saray in bathroom and sanitary ware
category and iF Product Design Award 2013 which
was found worthy of a prize in integral bathroom
solutions discipline brought ADesign Award to
Kale in 2013.
Kale Grubunun mkemmeliyeti yaklam
Kale Groups perfectionist approach
Tasarma dair kazand bunca dln yan sra Kale, rnleri haricinde
retim sreleri ve ynetimiyle ilgili de birok dln sahibi olmay baard.
International Business Awards 2013te Kale Grubu, gm Stevie
Winner dln Integrated Mobile Experience kategorisinde zenli ve
hummal almalar sonucunda ortaya kan Kale Katalou ile kazand.
Kale Grubu ayn yarmada Woman Mason Project ile Corporate
Social Responsibility Program of the Year in Europe kategorisinde
bronz Stevie Winner dlne layk grld. Kale, 2012 ylnda ayrca,
firmalarn tasarm alanndaki ynetim stratejilerini ve tasarma bak
alarn deerlendirerek dllendiren Design Management Europe (DME)
dllerinde, DME Onur dlnn de sahibi olmutu.
Alongside of numerous awards on design, Kale also managed to be

the holder of many awards in terms of production processes and
management as well. At International Business Awards 2013, Kale Group
won the silver Stevie Winner award with its Kale Catalogue which was
the result of meticulous and arduous efforts in the Integrated Mobile
Experience category. In the same contest, Kale Group, with its Woman
Mason Project, won the bronze Stevie Winner prize in Corporate
Social Responsibility Program of the year in Europe category. Kale
had also won DME Honor Award in the Design Management Europe
(DME) awards which assessed the management strategies and design
perspectives of firms in 2012.
Doal ve ihtiaml
Natural and magnificent
ADesign dllerinin bir baka kazanan da ule Ko tarafndan

tasarlanan Stone&More doalta koleksiyonu oldu. ADesign Golden
Award dln kazanan Kalenin doalta koleksiyonu Stone&More,
doal tan doku eitliliinden hareketle ule Ko tarafndan
tasarlanm, yeni form ve kullanm senaryolar ortaya koyan bir tasarm
diliyle kurgulanmt. Kendi iinde farkllklar sergilerken, btnnde
birbirini tekrar eden formlar, boyut ve renk farkllklaryla eitlilik ve
akkanlk kazandran Vertica ve Eclipse serilerinden oluan koleksiyon,
getiimiz yl Elle Decoration dergilerinin editrleri tarafndan 13
kategoride belirlenen EDIDA dllerinde, Duvar Kaplamalar Kategorisi
1.si oldu. Dnya anda tasarm odakl rnleri, tasarm konseptleri
ve tasarmda kalite kavramn dllendiren ADesign, son dnemde
Avrupa Birliinin en nemli ve kapsaml yeni tasarm yarmas kabul
ediliyor. Bu yarmada Kale Seramik, A Design Silver Award tasarm
dln ise Osmanl mparatorluunun ihtiaml yaam tarzn evinde
hissetmek isteyenler iin gsterili desenleri, geleneksel ile modernizmi
birletiren izgileriyle, yzlerce yllk gemie sahip saray motiflerini
seramik karolar, banyo mobilyas, vitrifiye ve tamamlayc rnlerine
yanstan Sarayl Koleksiyonu ile kazanmay baard. Dekor seti Zeynep
Fadllolu tarafndan tasarlanan Sarayl Koleksiyonunun reklam
kampanyas da International Business Awards 2013n Marketing
Campaign of the Year - Materials & Construction kategorisinde altn
Stevie Winner dln kazand.
Yet another winner of ADesign Award was the Stone&More natural

stone collection designed by ule Ko. Kales natural stone collection,
which won the ADesign Golden Award; Stone&More, was designed
by ule Ko starting from the texture diversity of natural stone, being
set up with a design language, revealing new form and usage scenarios.
The collection comprising Vertica and Eclipse series which feature forms
reiterating each other in the whole while displaying differences among
themselves, introducing diversity and fluidity through size and color
differences was first in the wall tile category in the EDIDA awards given
in 13 categories by Elle Decoration journal editors last year. ADesign
which gives awards for design based products, design concepts and
quality concept in design is deemed to be the most important and
comprehensive new design contest in the European Union. At the
contest, Kale Seramik won the ADesign Silver Award Design Prize with
its Sarayl Collection which caters to those desiring to experience the
elegant lifestyle of Ottoman Empire at their homes with elegant designs,
lines combining the traditional and the modern, reflecting the palace
motifs of a history of hundreds of years onto ceramic tiles, bathroom
furniture, vitreous china and complementary products. The advertising
campaign of the Sarayl Collection, the decorations set of which was
designed by Zeynep Fadllolu, also won the gold Stevie Winner prize
in the Marketing Campaign of the Year - Materials & Construction
category at International Business Awards 2013.
kitap tantm / book review
Methods For
Shaping Plaster
and Clay in
Industrial Ceramic
Those receiving ceramic education or dealing with ceramic production
are unable to find a detailed work when they look for a source book
relating to their subjects. There is no local work outside a few foreign
ones that are translated on these topics. Mteba Kundul, who has
been involved with ceramic since 1962 offers an important reference
to those concerned authoring the book Methods for Shaping Plaster
and Clay in Industrial Ceramic based on his experiences. The book
contains basic information on preparation and use of plaster since
its invention on model and form
preparation systems and clay
shaping methods. Highly valuable
information based on application
experience of Mr. Kundul put in
tablet form are offered to the
readers in this book.
Endstriyel
Seramikte Al ve
amur ekillendirme
Yntemleri
Seramik Eitimi alanlar ve seramik
retimiyle uraanlar konular ile
ilgili bir kaynak kitap aradklarnda
detayl yazlm bir almaya
ulaamamaktadrlar. Bu konuda
tercme olarak yaynlanm birka
yabanc kitabn dnda yerli bir
alma mevcut deildir. 1962
ylndan beri seramik almalar
iinde bulunan Mteba Kundul,
edindii deneyimleri sahip olduu
tecrbeleri Endstriyel Seramikte
Al ve amur ekillendirme
Yntemleri isimli kitapta kaleme
alarak konunun ilgililerine nemli
bir kaynak sunmaktadr. Kitap
al malzemenin bulunuundan
gnmze
dek,
hazrlanmas
ve kullanm, model ve kalp
hazrlama
sistemleri,
amur
ekillendirme yntemleri hakknda
temel bilgileri iermektedir. Sayn
Kundulun bizzat tecrbe ettii
bir uygulama deneyiminden gelen
ve komprime edilmi ok deerli
bilgilere bu kitapta okuyucusuna
ulatrmaktadr.
CM
MY
CY
CMY

Ceramic

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Bilim, Teknik ve Endstri Dergisi .

Scientific, Technical and Industrial Journal

UNESCO YAAYAN NSAN HAZNES DLL N SANATISI: Mehmet Grsoy

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 3

4 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Prof. Dr. Erdal ELK ile niversite-Sanayi birlii zerine

KALE GRUBUNUN 19UNCU KARO FABRKASININ TEMEL ATILDI

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 5

TRKYE SERAMK FEDERASYONU

Yayna hazrlk / Prepared for publication by

Bu dergi Seramik Tantm Grubunun katklaryla yaynlanmaktadr.

6 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

chairmans message / bakann mesaj

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 7

TRKYE SERAMK SEKTR

6 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 9

SERAMK ARATIRMA MERKEZ

Seramik sektrnn rekabetini artracak rnde ve retim yntemlerinde yenilik gelitirme,

Seramik sektr iin Ar-Ge ierii

10 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Developing innovations on products and production techniques to

Services and Business

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 11

TRKYE SERAMK FEDERASYONU SERAMK SEKTR YEN

12 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

14 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

TSF tarafndan onur dlne layk grlen anaklar irketler Grubu

Dnyann ilk Doa Fabrikas

Mehmet anak, Honorary Chairman of anaklar Group of Companies,

The First Nature Plant of the World

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 15

ksa ksa / short news

Creavit ile Doadan Banyoya Seriler:

Jaws & Bull

Creavit Bull ile Banyonuz Yeniden Douyor

Your Bathroom is Reborn with Creavit Bull

Creavit Jaws Derin Denizlerin Gizemine Gtryor

Creavit Jaws Takes One to the Mystery of Deep Seas

Doadan ald ilhamla banyolara byl dokunular getiren rnlerden

16 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

ksa ksa / short news

Ege Seramikten Ahabn Scakln

18 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Cersaie Fuarnn yeniliki yz

Kale Grubu, dnyann en byk seramik ve banyo

talyann Bologna kentinde 23-27 Eyll 2013 tarihlerinde dzenlenen

talyan seramik endstrisi ile kkl ibirliimiz daha

Kale Group, participating in Cersaie Trade Fair held September 23-27,

Our rooted collaboration with Italian ceramic industry

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 21

BEN, talyada zgn

BIEN Meets the Eye

Trkiye seramik sektrnn yeniliki firmas

Turkish ceramic industrys innovative firm Bien

Trkiyede dijital teknolojiyi kullanarak duvar karolar reten ilk firma

22 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Cersai 2013de Creavit...

Creavit in Cersaie 2013

24 seramik Kasm 2013-ubat 2014 / November 2013-February 2014

Kasm 2013-ubat 2014 / November 2013-February 2014 seramik 25

Ege Seramik, Autumn CollectIon

26 seramik Kasm 2013-ubat 2014 / November 2013-February 2014