Bogota 2015

2145- 8138
MODELO
PAGINAS DE ORIGAMI 2015
CP
Acanthocephala Declivus
Ave de Papel 2.0
Estrella de 12 puntos
Diagrama
Baby Turtle
Cabeza de Puma
Fox Cub
Gannesha Elephant box
Margan Bird
Margaret Star
Monkey
Nina Simone
Octagono
Ornitorrinco
Rooster
Spectacled Bear hat
Toucan
Invitados
Brillik Cubes
Seated Dog
Christmas Tree Fairy
Waterbombic Dodecahedron
El Rinoceronte Negro An no
se ha Extinguido
Bonus Track
Caracol
AMIGOS PLEGADORES
Autor
Victoria Serova
Andres Sanchez
Jorge Jaramillo
Pag
4
5
6
Nguyen Ngoc Vu
Romn Daz
Victoria Serova
Michael Shannon
Barth Duncan
Maria Sinayskaya
Noboru Miyajima
Joke Mooij
Ral Panqueva
Fernando Gilgado
Yoo Tae Yong
Bernie Peyton
Angel Morolln
7
13
15
21
26
28
30
36
37
38
42
49
54
David Brill
David Brill
David Brill
David Brill
60
64
65
68
Mauricio Florez
70
Alexander Oliveros
76
AMIGOS PLEGADORES
PAGINAS DE ORIGAMI 2015

(acanthocephala declivus)
( 2009)
a
b
f
c1
(ae) -
(bf) -
(bb1) -
(bc1) -
(bd) -
(cg1) -
(hg2) -
(sg3) -
b1
c
s
g1
g2
g1
g1
c1
b1
f
c1
g2
g2

250250
g3
g3
ba
g1
a
c
h
b1
a
b
c
h
h
c1 c1
b
g2
b
h
h
s
g3
c
c
b
c
h
s
g3
Convenciones:
Lado blanco hacia arriba
CP:
CABEZA DE PUMA
COUGAR HEAD
Romn Daz for Origami weekly
2.
1. Color principal hacia arriba.

Main color up.
4.
3.
5.
7.
8.
6.
9.
11.
10.
13.
14.
17.
16.
19.
12.
15. No hay referencia exacta.

There is no reference for this fold.
18.
9
10
45
12
13
11
15
16
14
18
19
17
22
20
21
23
26
25
27
28
90
30
29
31
35
34
33
32
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59
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61
62
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54
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55
57
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58
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61
60
62
64
65
Ganesha (Elephant) Box
This box is based on the traditional Tsunoko box or star box.

The Ganesha Box celebrates the Hindu God of wisdom, knowledge
and new beginnings.
Designed by Michael Shannon
masorigami.com
phreqy@gmail.com
IG: @phreqy
Ganesha (Elephant) Box
Start with a preliminary fold, open end at the

top. Fold edges to center line along angle
bisectors.
Squash fold the ap and swing it to the left.
Fold one layer to the left in front and one layer

to the right behind.
Repeat on the other three sides.
Fold edges to center line along angle bisectors
Like so.
Fold the ap down along the horizontal line

shown. Unfold.
2014 Michael Shannon. All Rights Reserved.
Fold point A down keeping the edges B and C

lined up.
No part of this publication may be reproduced in any form or by any means without prior
Unfold.
10
11
Like so.
Fold the point down, this time pull down one

layer, mountain and valley fold as shown. Look
to the next step for the nal shape.
13
12
14
Fold the point to the left along the center line.
15
Pull down the inner layer of paper making sure

to follow the same creases as in step 10 but on
the right side.
Like so.
Like so.
Partially unfold this area to achieve this.
16
17
Squash fold the point downward to the center

line.
18
Fold the point up making a petal fold in the

process.
19
20
21
Fold the point back down.
Like so.
22
23
Open sink the point along the creases just

made. Partially open the model to achieve this.
Unfold.
25
26
Open sink the left and right along the newly

created creases.
This is the nished trunk and head. Next we

add tusks.
Fold the top point down so that the crease is

half way from the top as shown.
24
Fold the left and right sides toward the center.

Do not fold to the center line but rather a little
short, about 1/3 or so. Keep the creases from
reaching the tip.
27
Fold one ap to the left.
28
29
30
Fold the ap back to the right but this time fold

the point A up and to the right collapsing on
the folds as shown.
31
Note the new location of Point A.

Repeat steps 27 and 28 on the left side.
32
34
35
Fold the head assembly back down to the

original position.
33
Fold the head assembly up along the horizontal

line shown. Swing the top portion back as you
fold the point upwards.
Like so.
The nished elephant head. Repeat steps 7

through 29 on the other three sides.
Fold the two edges to the center line creasing

as shown.
36
Repeat steps 32 through 34 on the

other three sides.
Fold and unfold the bottom triangle along the

line shown.
37
Open the top of the model and push the

bottom making the box 3D.
The nished elephant box
MARJAN
MARJAN
BIRD
BIRD
by Barth Dunkan
15 x 15
Kami Paper
2
3
8
6
14
16
15
13
Designer: Barth Dunkan
Photodiagrams: Rui Roda
Diagrams by Halle 2014
12
11
2
9
10
12
Margaret Star
Maria Sinayskaya April 2014
1
3
10
9
8
( 8)
Assembly
1
Add the remaining

units in the same way.
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5
3
Papel: una tira de 2.5cm70cm de dos colores.
10
9
Ra
ul Panqueva. 2015.
ORNITORRINCO
3
2
1
Repetir detrs
4
DIFICULTAD:
6
TAMAO:
24 cm = 16 cm
COMENTARIO:
c Fernando Gilgado (2012)
Dar la vuelta
a la esquina
www.flickr.com/photos/gilgado
10
Los pasos 11 y 12 son

tridimensionales, y hay que
repetir los pliegues en la
solapa delantera y trasera
simultneamente.
El cambio de color de la
cabeza y la cola (pasos 28 y
29) es bastante difcil, ya que
hay que forzar las solapas para
darlas la vuelta y volver a
dejarlas planas.
Finalmente los pasos de la
cabeza no son complicados,
pero hay que prestar atencin
a las referencias de plegado.
Marcar todas las capas

11-A
Marcar todas las capas
Abrir las solapas.

Repetir detrs
11-B
Hundir y sacar
las dos solapas
simultneamente
12-A
Paso intermedio tridimensional

12-B
Hundir y sacar
las dos solapas
simultneamente
Paso intermedio
tridimensional
13
26
25
28
27
ORNITORRINCO
29
Dar la vuelta
30
Abrir y dar la
vuelta a las solapas
para cambiar el color
Repetir 22-23
simtricamente
Dar la vuelta sin

romper el papel
24
33
31
32
Dar la vuelta
23
19
Repetir 27-30
simtricamente
20
Hundir
22
Repetir 14-19
simtricamente
18
16
17
21
90
14
15
ORNITORRINCO
39
38
37
36
40
Sacar el papel
41
Repetir 34-35
simtricamente
35
42
34
43
90
47
48
46
44
Juntar los bordes

45
Sacar el papel
Juntar los bordes
49
53
Sacar el papel
52
50
Llevar hasta la marca
51
Sacar el papel
66
67
ORNITORRINCO
68
69
70
73
Sacar el papel
72
65
71
Repetir 66-70
en todas las patas
64
59
60
61
62
63
58
Dar la vuelta
Separar las solapas
54
55
Sacar el papel
56
57
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Tucn
by ngel Morolln
3
1
35 x 35
35
5
Papel
P
ape
pel
e Ele
Elefante
efante
nte
11
10
Deshacer hasta
el paso 7
13
12
14
15
16
Esconder
er
er
dentro
o
del pico
o
17
7
18
1
8
20
19
21
1
22
24
4
23
25
26
27
28
30
29
31
32
33
Introducir en el bolsillo
Hundido
abierto
34
36
35
37
39
38
Humedecer
um
u
me
me
edec
dec
d ce
err
40
41
41
Con el pulgar pulsar

y curvar la espalda.
El crneo queda romo.
42
Colocar un objeto cilndrico

as de
en la espalda y sujetar con dos tiras
ho
cinta, una pasando por el pecho
s.
y la otra por detrs de las patas
patas.
43
3
Secar, retirarr
y listo!
20 cms. aprox.
Creacin: ngel Morolln
Simbologa: Pere Olivella
Diagramas by Halle 2013
EL RINOCERONTE NEGRO AUN

NO SE HA EXTINGUIDO ...
Mauricio Florez Pinzon

Colombia, 2015
3-6
6
5
45
12
10
11
21
24
22
23
20
sacar el papel
atrapado.
19
18
17
sacar la capa de
papel atrapada.
16
13
14
15
26
25
27
23-24
28
el pliegue en montana
es el hecho en el paso
26.
29
31
30
32
invertir la capa
con cuidado.
35
33
34
31-32
36
48
52
47
49
aplastamiento
en proceso...
51
46
50
vision de rayos X. Los

pasos 47-51 ocurren
en la capa interior.
guardar el papel
restante.
43
45
90
44
38
37
42
40
39
41
37-40
53
54
liberar la capa mas

superficial...
55
hacer el pliegue a traves

de todas las capas.
hacer un pliegue cortado,
le da volumen al modelo.
doblar hacia dentro

y repetir atras.
58
56
22,5
57
59
66
65
liberar el papel y montar una
capa sobre la otra. De tal forma
el modelo no se abre. Fijarse en
A para mayor claridad...
60
adelgazar un poco el
abdomen y el cuello.
Repetir atras.
64
61
62
repetir 60-61 para
las cuatro patas.
doblar a traves de todas las
capas.
63
66c
A
66b
A`
67
A
dar ultimos retoques:

modelar las patas,
curvar la cola y el
cuerno y dar mayor
volumen al abdomen.
66a
A`
!!!SIGUE VIVO!!!
El modelo de la foto esta plegado en humedo con papel Curious-Metallics de 120 gms.
Recomiendo que este modelo sea plegado en humedo con papeles apropiados de 120 gms o
160 gms. de dimensiones entre 20x20 y 30x30 cm2. Con un papel resistente se puede
plegar en seco hasta el paso 61. luego, se coloca el modelo dentro de un trapo humedecido
(al punto que al exprimir no salgan gotas de agua) por unos 10 minutos y asi se logra un
terminado con humedecido parcial.
No recomiendo mojar directamente el modelo por segunda vez, pues el agua se acumula
en los pliegues ya hechos y probablemente se rompa.
"$0-$"3
$"3"$0
by Alexander Oliveros
Olivero vila
20 X 20
Papel
Pa
ape
pel Can
Canson
nson 110
nson
11100 gr.
11
gr
W fo
Wet
folding
olding

Desplegar

Colapsar

En proceso

La solapa
debe quedar
arriba
Vista cenital
del paso
anterior

Marcar y
Colapsar

Vista
detallada
del paso
anterior

Desplegar
el modelo

Cambio
de color

180
En proceso
paso
pas
pa
a anterior
aso
antteerior
or

Levantar el
caparazon

Diseo:
Alexander Oliveros
Fotodiagramas:
Rui Roda
Diagramas
by Halle 2013
Crear las
antenas
Dar tridimensionalidad
al cuerpo

" #$ %&

Common loon by Artur Biernacki
5
4
14
15
13
12
10
11
16 Open sink
21 Outside reverse fold
17 Outside reverse fold

20
18
19 Open sink
22
29 Open one layer.
23
28
27 Inside reverse fold.

24 Mountain fold
before the layer.
26
25
31
30
32
29-33
35 Squash fold and valley fold

to inside model.
36
34
37 Mark one layer.
41
40
42
39 Ouside reverse fold.
43
38
Valley fold to inside model.
44
40-47
49
48
47
50
51
46
55
50-54
52
54
53
45
50-53
59
58
60
57
Inside reverse fold
61
56
62
68
69
Model completed.
67 Crimp.
65
63
64
EVA
Si a la serpiente la hubieran
dejado contar su versin, bien
distinta sera la historia, pero a
ella nadie le pregunt, pues
bien sabido es que a los
escritores de ficcin nunca les
ha interesado validar las
fuentes.
El paraso, lo que se dice
entretenido, no era. Adn
soaba con montar un circo.
Deca que "poda dominar las
bestias" pero era claro que
aquello no gustaba a nadie.
Por un lado a stas poco o
nada les gustaba que tan
despectivamente las llamaran,
y por el otro es que aquello de
dominar no era para nada
cierto. Ellas se dejaban, pero
slo cuando queran. Adems,
la idea del circo a todos
resultaba ridcula pues quin
ira a verlo?
Pero ese era Adn. Se pasaba

de locura a locura, y de locura
a tontera. Como si fuera poco,
aquella alimentacin a base
de hortalizas lo mantena de
mal genio. Pero en eso hay
que ser honestos, que la idea
no haba sido suya, sino de Eva
que no paraba de leer libros
de dietas y de auto ayuda. Y
Adn no estaba tan gordo. Si
haba ganado algunos kilos, es
cierto, pero era normal con los
aos. Adems, si a eso vamos,
tampoco es cierto que la
manzana engorde de ms.
Bien saba la serpiente que era
Eva quien llevaba las hojas de
parra de la relacin, o como
dicen modernamente: los
pantalones. Y es que era sexy,
tanto como para despertar los
celos de Adn cada que ella le
deca que "tena que ir a
hablar con dios, que no
volviera hasta que lo llamara".
Es que adems Eva llegaba a
ser cruel, con una facilidad
que impresionaba.
Zoom sobre la parte

de adelante
Se evidencia un bonito
cambio de color
Volvamos al modelo
completo
Era provocativa, insista la

serpiente, tanto cmo para
poner nervioso a dios cuando
le deca que lo esperaba
"como la haban trado al
mundo", es decir, llena de
preguntas.
Un nuevo zoom sobre
Pero entre Eva y dios nunca
la base de la cabeza
hubo nada. A Eva le gustaban
los amantes que se olvidaban
de ellos mismos, que amaban
sin recato. Y dios siempre vive
preocupado de si mismo y del
que dirn, si hasta ngeles
tiene que le cantan todo el Hacemos
un hundido
da.
Si le hubieran preguntado a la
serpiente ella hubiera contado
que por eso Eva prefera su
reptil compaa. Que se
haban enamorado cuando le
haba hablado desde lo alto
del manzano. Que amaba el
ondular sinuoso cuando ella Reducimos y
bajaba hasta el piso y luego trabamos la
trepaba por sus piernas, cola al cuello
buscando dnde amarrarse
4
cmo las serpientes hacen.
Un escaln
diagonal
El modelo completo
Que cuando estaba en el
manzano la esperaba. Y que
cuando se vean no paraban
de hablar. Es verdad que a la
serpiente le pareca que Eva
no
requera
libros
de
autoayuda y mucho menos
libros de dietas, pero la oferta
literaria en el paraso era
francamente pobre.
Si alguien hubiera escuchado a
la serpiente, ella le habra
contado que cuando Adn
puso a Eva a escoger, atacado
por los celos que de dios
tena, ella no dudo en
segundo en irse al manzano a
buscar a su serpiente. Y que
dios, herido en ese orgullo
que tena a imagen y
semejanza de Adn, sinti que
la clera lo invada.
5
Enrollamos el cuerpo, y
damos un poco ms de
forma a la cabeza
La pataleta de Adn al
encontrarse engaado con la
serpiente tampoco ayud
mucho, pues como buen
patrn que era dios decidi
que no tena por qu
aguantarse las quejas del uno
y los desplantes insinuantes
de la otra y los ech a los dos
aunque con eso se qued sin
quien pagara arriendo por el
paraso.
Pero nada de esto cuenta la
serpiente. Pues desde que Eva
se fue ya con nadie habla. Sin
Eva en el paraso no hay ms
que soledad.
Dibujo,
jo, foto, y diagrama:
http://www.danielnaranjo.blogspot.com
aranjo blogspot com
Fish
by Hoang Tien Quyet

April 2014 - July 2014
1
2
3
4
5
6
11
8
10
9
22
21
23
20
24
25
26
19
Completed
18
17
16
13-18
12
13
14
15
Page 1
FOX
Victoria Serova (Russia)

Http://vs-origami.narod.ru
1
5-
10

Http://vs-origami.narod.ru
Page 2 (fox)
12
11
13
45
14
16
15
17
18
19
Fold by specified lines to flat figure

squash fold
20
22
21
Petal fold
23
Unfold to step 20
squash fold
Pull down the outer layer
24

http://vs-origami.narod.ru
Page 3 (fox)
25
27
26
Repeat steps 19-24
squash fold
30
29
28
Petal fold
31
Crease lines on the nearest flap
35
34
33
32
Unfold as at step 24
Crease lines
38
37
36
Pull out a layer
39
42
41
40
Pull out a layer
squash fold
43
Page 4 (fox)
44

45
46
48
49
47
Crease the line from one point to

another one. Then flatten the right side.
51
53
52
50
Fold the left side to flat
56
55
52
-5
5
54
Crease the line on

the nearest layer
57
Page 5 (fox)

60
59
58
62
61
Hide into the pocket. Repeat the

steps 59-61 on the other side
Pull out a layer from the tail
65
64
63
67
66
70
69
68
62-67
closed sink
71
73
72
Fold back the outer layer
90
74
a2
a1
Stretch to the sides connecting the points

(a1) & (a2) by the straight line
Page 6 (fox)

75
76
a2
77
a2
b
a1
a1
a1
Fold again the piece by axis

so that the (a1b) line
continues the fox back
79
80
78
Raise up the nearest layer keeping

the tail and the head folded
Pull out the (d) flap forward and upward

changing the place of the (c) point as
shown
83
82
81
Tuck the corner
81
78Return the raised flap back and repeat

the steps 78-81 on the other side.
Swivel fold: moving both ears backward

outside reverse fold in parallel to bottom
edge. The mountain fold should go through
the (e) point. (e)
85
84
87
86
Hide the (j) flaps into the pocket

and tuck the parts that jut out.
88
89
90
Closed sink
91

Page 7 (fox)
93
92
Reverse fold behind the foreleg. Move the back leg

apart so that to show the next step.
Form the forehead making the head voluminous. Pleat on one

layer under the foreleg.Repeat the same on the other
side.Outer reverse fold on the tail end.
95
94
Tuck one layer of the belly
97
96
Fold one layer on the back leg upward
Make the foreleg thinner.Inside reverse fold the

back leg between the 2nd and 3rd layers.
98
99
100
Inside reverse fold between the

2nd and 3rd layers.
Fix the bottom part of the back leg
inserting it into the pocket.
101
Fold the tail edge out making the

tail voluminous.
102

! !

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GUIGNOL
Humprechts
Star
1
Design and diagram by Christine Blasek

loosely based on the Bascetta-star
by Paolo Bascetta
4
5
6
go back to step 7
10
12
11
Attention! fold the front

layer only
kalami-kalami.blogspot.com
the finished star
15
two modules joined

fold 6 modules
14
flaps
pockets
13
pocket
module becomes 3d
kalami-kalami.blogspot.com
Monoplane
by Marc Kirschenbaum 2002
1. Precrease in half.
2. Rabbit ear both

sides.
3. Mountain fold the

top flap down.
5. Valley over the

other side.
6. Turn over.
7. Valley up two flaps. 8. Valley the top flap

over.
4. Valley over, such

that the corner hits
the edge.
8-10
9. Valley along the

angle bisector.
10. Unfold the pleat.
11. Repeat steps 810 in mirror image.
12. Rabbit ear the

top flap behind.
13. Rabbit ear again, allowing

the flap to be brought
forward.
14. Turn over.
15. Open out the bottom

flaps.
Crease A
16. Swing the flap down

while opening out the
sides and squashing flat.
17. Precrease, and then turn

over.
18. Valley the raw edge to

meet crease A.
18-20
19. Valley the raw edge

towards the outer edge.
20. Open out the pleat.
21. Repeat steps 18-20 in

mirror image.
22. Precrease with mountain

folds.
23. Crimp upwards while

mountain folding in half.
24. Pull out a single layer.
25. Valley down.
26. Wrap another single layer

around, as in steps 2425.
27. Precrease by swinging

the top flap over as far
as possible, and then
back.
29. Pull down two layers, to

reveal the center flap.
The top will not lie flat.
30. Open sink the flap

halfway.
24-27
28. Repeat steps 24-27
behind.
29-32
31. Undo the open-sink.
32. Raise the two flaps back

up.
33. Repeat steps 29-32 on

the lower hidden flap.
34. Swing the two small

outer flaps up.
35. Valley the raw corners

towards the outer edge.
36. Swing over the back flap.
37. Spread squash the two

flaps. Each flaps hidden
ridge will be squashed
as well.
38. Wrap around a single

layer at each side.
39. Turn over.
1/4
40. Open sink the trapped

corners along the
existing creases.
41. Swing the top flap to

the right, and the lower
flaps to the left.
43. Squash fold at each side.
42. Swing over a flap at each

side. Rotate 1/4 turn.
44. Squash fold each side, allowing the

right side to crimp upwards.
46
45. Closed sink the hidden flaps along

the angle bisector.
47
47. Wrap around a single layer to the

surface (closed sink). Repeat behind.
46. Valley over to match the edge

behind. Repeat behind.
48
48. Swing over three flaps at each side.
49
49. Swing over a layer, releasing the trapped

paper. Repeat behind.
50. Valley over to the intersection of edges.
51
51. Precrease the bottom corner. Repeat
behind.
52. Unfold.
54
53. Closed sink the bottom corners.
55
55. Narrow the flap along the angle bisector,

swiveling the excess paper underneath
the white single layer. Repeat behind.
54. Valley over to match the edge behind,

releasing the hidden trapped paper.
Repeat behind.
56
56. Wrap around a single layer to the surface

(closed sink). Repeat behind.
58
57
57. Swing over two flaps. Repeat behind.
58. Grasp the top flap and pull upwards,

allowing a pleat at the right to come
undone. Repeat behind.
Pleat A
59. Wrap the raw edge upward, using the
existing creases as a guide. You will have
to undo pleat A slightly to accomplish
this.
60. Valley the tip down.
61. Valley upwards.
62. Unfold.
Point A
63. Crimp the tip inwards. Point A should
fall in-between all of the layers at the
center.
64. Raise the back section upwards.
65. Rabbit ear, allowing the back flap to

swing to the forefront.
66. Wrap around a single layer to the surface.
67. Sink along the angle bisector.
68. Swing the center flap upwards.
66-67
69. Repeat steps 66-67 on the bottom.
70. Outside reverse fold.
71. Sink the corner, noting how it lies next

to the angle bisector precrease.
72. Sink again.
73. Reverse fold the tip.
74. Wrap around a single layer at each side.
75. Pleat the tail assembly forward.
76. Wrap around a single layer to the surface.
77. Slide out some paper. This will cause the

flap to stick out slightly.
78. Flatten the flap by pleating the colored

portion.
76-79
79. Mountain fold, wrapping around the

hidden thickness.
80. Repeat steps 76-79 above.
81. Mountain fold the top section.
82. Valley the top flap to meet the center

crease.
83. Precrease along the angle bisector on

the indicated flaps.
84. Precrease both flaps again along the

indicated angle bisectors.
85. Swing the flap back.
86. Closed reverse fold in and out along the

existing creases.
87. Reverse fold the flap. Do not crease too

sharply.
88. Slide a single layer out from each side

of the flap and then flatten.
Corner A
89. Pleat the flap, such that the mountain

fold hits corner A.
90. Undo the pleat.
91. Form an asymmetrical petal fold.
92. Squash the flap.
93. Twist the corner down, allowing the side

to swivel in.
94. Closed sink.
95. Squash fold.
96. Swivel fold.
97. Valley in, to make it flush with the flap

above.
98. Valley the corners to the center.
99. Swing over two flaps.
100. Open out the bottom flap.
101. Precrease.
102. Valley up.
103. Slide out a single layer from each side,

until the edges are straight.
104. Valley down while reverse folding the

sides.
105. Mountain fold the corners.
106. Mountain fold the sides.
82-106
107. Repeat steps 82-106 behind.
109. View of flap in upright

position. Valley fold.
110. Valley up.
108. Open out the flap, such that it is flat.
111.
Valley down.
110-112
112. Undo the pleat.
113. Repeat steps 110-112 in

mirror image.
114. Squash asymmetrically.
115. Squash fold.
116. Pull out the single layer.
117. Squash fold.
118. Precrease.
119. Rabbit ear.
120. Unsink the single layer.
121. Swivel upwards.
122. Twist the flap.
123. Valley fold.
124. Swivel fold.
125. Mountain fold.
126. Reverse fold.
127. Swivel fold.
128. Swivel again.
129. Mountain fold. Turn

over.
130. Mountain fold the two

flaps, and at the top.
131. Form the cowl into a

box shape, tucking the
side flaps into the
pockets created.
132. Swing the wings out at

90 degree angles.
133. Completed Monoplane

2002 Marc Kirschenbaum

)

!
'*

"# $!

% &!$' #
#(

MODELO: Rana de Zaragoza

AUTOR: Fernando Castellanos
NIVEL: Medio
TIEMPO: 45 min.
CREACIN: Marzo 2013
RATIO: 0.40
2.
1.
3.
4.
5.
6.
7.
21.
19. Destrabar las dos esquinas.
18.
20.
17.
16. Hundido abierto.

15. Destrabar una capa.
Repetir detrs.
14.
13.
12.
8.
9.
10.
11.
22. Hundido abierto.

23.
24. Destrabar las dos esquinas.
25. Hundido cerrado.
28.
+
27.
26. Hundido cerrado en la pata delantera.

Hundido abierto en la pata trasera.
=
=
25 - 26
29.
36.
30.
35. Introducir las solapas

en los bolsillos.
31.
32.
34.
33.
29 - 32
=
=
44.
45.
43.
Abrir la capa de los ojos hasta que quede

perpendicular a la cabeza. Doblar las capas
la boca hasta que queden perpendiculares.
46.
42.
41.
37.
34 - 36
34 - 36
40.
38.
39.
=
=
47. Colocar patas y dedos en su posicin

y dar volumen al cuerpo.
48. Modelo Terminado.
FERNANDO GILGADO
SPAIN/2012
fernando.gilgado@gmail.com
www.flickr.com/gilgado
4
5
8
7
10
11
13
12
26
25
24
27
23
28
29
22
19
18
Repetir 15-20
simtricamente
21
20
17
14
15
16
33
32
34
31
Sacar el papel
35
30
36
37
38
39
Sacar el papel
42
40
41
53
52
Repetir 49-51
simtricamente
51
54
55
50
47
48
49
Estirar
46
43
45
44
Repetir 40-43
simtricamente
57
58
56
59
61
60
62
67
63
66
64
65
Repetir 55-61
simtricamente
79
78
77
80
Sacar
el papel
81
82
76
84
83
76
72
73
74
75
Doblar por estas

marcas en el paso 90
71
68
69
70
87
88
86
89
85
92
93
91
90
94
Doblar en el interior
por las marcas hechas
en el paso 72
95
96
98
97
Repetir 91-96
simtricamente
110
109
111
108
112
114
Paso 3-D
107
113
Repetir 99-111
simtricamente
106
105
104
99
103
102
100
101
Sacar el papel
Paso 3-D
116
119
118
117
115
120
124
123
122
121
128
125
126
127
La cola queda en 3-D
136
135
137
Sacar el papel
Solo la capa esterior
de cada lado
138
134
133
132
129
Repetir 128-132
detrs
131
130
141
140
139
Sacar el papel
142
143
144
145
150
146
147
148
FERNANDO GILGADO
SPAIN/2012
fernando.gilgado@gmail.com
www.flickr.com/gilgado
151
152
submarine by redpaper
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
20.
21.
19.
23.
24.
22.
26.
25.
27.
28.
29.
30.
31.
32.
33.
34.
35.
flat submarine
36.
37.
38.
Tetrahedron
Toilet
model&diagrams by
Go KINOSHITA
1
2
3
Begin with the

colored side up.
Fold and unfold.
Fold corner up to
halfway crease.
Unfold.
Fold and unfold.
Fold and unfold

another corner.
Fold and unfold

another corner.
Fold and unfold.

Turn over.
Make creases.
Fold using existing

creases.
2014 Go Kinoshita
16
15
17
Squash fold.
Fold two flaps up.
18
Pull out the
inside paper.
14
13
Petal fold.
Fold two flaps down.
Fold top corner

down and unfold.
10
12
11
Reverse fold.
Fold and unfold.

Fold corners up on
existing creases.
21
20
Like this.
Outside reverse fold on
the existing creases.
22
19
Fold and unfold.
Fold and unfold.

Turn over.
23
24
fold two corners up.
26
Like this.
Turn over.
25
Make creases a hexagon.

Fold and unfold.
2014 Go Kinoshita
35
34
36
33
Squash fold.
Fold and unfold.
Fold and Unfold.

Turn over.
32
31
30
Mountain fold .
Tuck flap into pocket of

the dark-colored layer.
Fold and unfold.
27
28
29
Unfold two corners.

Valley fold
one flap.
2014 Go Kinoshita
39
38
Petal fold.
40
37
Valley fold.
Valley fold.
41
42
Reverse fold.
43
Fold corner down.
Fold corner up.
Fold small triangles
and make small
tetrahedron.
Next diagrams are 3-d.
44
46
45
Fold small
tetrahedron up.
Like this.
Tuck colored triangle
flap into pocket.
Like this.
2014 Go Kinoshita
50
51
Fold the "toilet's seat"
down and the "cover".
49
Finished "tetrahedron toilet".

This model change into
the tetrahedron.
Closed-sink
tetrahedron's corner
on existing creases.
48
Fold the cover

down completery
and bring small
tetrahedron down
toilet's bottom.
Mountain fold
and make
big tetrahedron.
47
Tetrahedron.
Like this. Turn over.
2014 Go Kinoshita
TIBURN
by Fernando Castellanos
annnoooss

35 x 35
3
Papel Tant
Ta
ant
Marcar
la mitad

-1
10

Estirar de la
punta y
aplastar

Desplegar
p egar
hasta
has
a el
pasoo 16
ppas

**
***
Doble
zig-zag
*

**

*

Vista desde
abajo
del paso 29

Vista frontal
del paso 29

Zigzag llevando la lnea

que acabamos de doblar
hasta el punto
donde empieza la aleta.

Verr la
a referencia
eenn eel paso 441
39
-4

45-48

Volver a
cerrar

Abrir

TRABAJANDO LA CABEZA

Desplegar

Hundido por el pliegue

marcado anteriormente

Trabar
la punta

90

Deslizar la
punta

Bloquear la
aleta

Dar tridimensionalidad
al modelo
20 cms.
Creacin y diseo: Fernando Castellanos

Diagramas by Halle 2012
2015
2145- 8138
ORIGAMI
BOGOTA

Bogota 2015

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2145- 8138

PAGINAS DE ORIGAMI 2015

PAGINAS DE ORIGAMI 2015

Lado blanco hacia arriba

1. Color principal hacia arriba.

15. No hay referencia exacta.

Ganesha (Elephant) Box

This box is based on the traditional Tsunoko box or star box.

Ganesha (Elephant) Box

Start with a preliminary fold, open end at the

Squash fold the ap and swing it to the left.

Fold one layer to the left in front and one layer

Repeat on the other three sides.

Fold edges to center line along angle bisectors

Fold the ap down along the horizontal line

Fold point A down keeping the edges B and C

Fold the point down, this time pull down one

Fold the point to the left along the center line.

Pull down the inner layer of paper making sure

Partially unfold this area to achieve this.

Squash fold the point downward to the center

Fold the point up making a petal fold in the

Fold the point back down.

Open sink the point along the creases just

Open sink the left and right along the newly

This is the nished trunk and head. Next we

2014 Michael Shannon. All Rights Reserved.

Fold the top point down so that the crease is

Fold the left and right sides toward the center.

Fold one ap to the left.

Fold the ap back to the right but this time fold

Note the new location of Point A.

Fold the head assembly back down to the

Fold the head assembly up along the horizontal

The nished elephant head. Repeat steps 7

Fold the two edges to the center line creasing

Repeat steps 32 through 34 on the

Fold and unfold the bottom triangle along the

Open the top of the model and push the

The nished elephant box

2014 Michael Shannon. All Rights Reserved.

Maria Sinayskaya April 2014

Add the remaining

Papel: una tira de 2.5cm70cm de dos colores.

Los pasos 11 y 12 son

Marcar todas las capas

Marcar todas las capas

Abrir las solapas.

Paso intermedio tridimensional

Dar la vuelta sin

Juntar los bordes

Juntar los bordes

Llevar hasta la marca

Separar las solapas

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