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wsp:rsidRPr="00A10EB0"><w:t>Annotated Bibliography</w:t></w:r><w:r
wsp:rsidR="00851842" wsp:rsidRPr="00A10EB0"><w:t> for Albert Camus‚Äô
</w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:rPr><w:i/></w:rPr><w:t>The
Stranger</w:t></w:r></w:p><w:p wsp:rsidR="00984E20"
wsp:rsidRDefault="00984E20" wsp:rsidP="00984E20"><w:pPr><w:tabs><w:tab
w:val="left" w:pos="720"/></w:tabs><w:ind w:left="720"
w:hanging="720"/></w:pPr><w:r wsp:rsidRPr="00F93237"><w:t>Abukhalil, As'ad.
"Special Forces of the Levant." Encyclopedia of the Modern Middle East and North
Africa. Ed. Philip Mattar. 2nd ed. Vol. 4. New York: Macmillan Reference USA, 2004.
2086. Gale U.S. History In Context. Web. 9 Dec. 2010.</w:t></w:r></w:p><w:p
wsp:rsidR="00984E20" wsp:rsidRDefault="00984E20"
wsp:rsidP="00984E20"><w:pPr><w:tabs><w:tab w:val="left"
w:pos="720"/></w:tabs><w:ind w:left="720" w:hanging="720"/></w:pPr></w:p><w:p
wsp:rsidP="00984E20"><w:r><w:t>Summary: League of the nation gave the France
power to control </w:t></w:r><w:r wsp:rsidRPr="00AD7D98"><w:t>Lebanon through
the mandate</w:t></w:r><w:r><w:t>, and France build the Military and special force
power in those countries to fight france war. </w:t></w:r></w:p><w:p
wsp:rsidP="00984E20"><w:r><w:t>Important quotas: </w:t></w:r><w:r
wsp:rsidRPr="00AD7D98"><w:t>After France gained control of Lebanon through the
mandate from the League of Nations, it formed the Troupes Sp√©ciales du Levant, which
recruited Lebanese and Syrian soldiers and was commanded almost exclusively by
French officers.</w:t></w:r><w:r><w:t>(pas.1)</w:t></w:r></w:p><w:p
wsp:rsidR="00984E20" wsp:rsidRDefault="00984E20" wsp:rsidP="00984E20"><w:r
wsp:rsidRPr="00AD7D98"><w:t>The percentage of officers who were Lebanese or
Syrian increased over the years although the power of command and control remained in
French hands. By 1945, 90 percent of the officers in the 14,000-strong Special Forces
were Arabs.</w:t></w:r><w:r><w:t>(pas.1)</w:t></w:r></w:p><w:p
wsp:rsidR="00984E20" wsp:rsidRDefault="00984E20" wsp:rsidP="00984E20"><w:r
wsp:rsidRPr="00AD7D98"><w:t>During World War II, Lebanese Special Forces troops
were ordered to fight on the side of the Vichy French against the British and Free French.
When the Vichy forces in the Middle East surrendered in 1941, volunteers from the
Special Forces were recruited by the Free French to fight actively in North Africa, Italy,
and southern France.</w:t></w:r><w:r><w:t>(pas.2)</w:t></w:r></w:p><w:p
wsp:rsidP="00984E20"><w:r><w:t>Purpose: From that we can now the bond between
France and Arab countries. When the period of Author Albert camus wrote ‚Äúthe
Stranger‚Äù Arab nation was under control of the France nation, Arab men were needed
to service military and special force duty to France nation‚Äôs war. Which was unfair
and immoral. </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
wsp:rsidRDefault="006126CE" wsp:rsidP="00984E20"/><w:p wsp:rsidR="006126CE"
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w:val="off"/><w:autoSpaceDE w:val="off"/><w:autoSpaceDN
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w:cs="Times"/><wx:font wx:val="Times"/></w:rPr></w:pPr><w:r
wsp:rsidRPr="00185EAC"><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Aubrey, Bryan. "Critical
Essay on 'Immigration Blues'." Short Stories for Students. Ed. Ira Mark Milne. Vol. 19.
Detroit: Gale, 2004. Literature Resource Center. Web. 9 Dec. 2010.Document
URL</w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRDefault="006126CE"
wsp:rsidP="006126CE"><w:pPr><w:widowControl w:val="off"/><w:autoSpaceDE
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w:ascii="Times" w:h-ansi="Times" w:cs="Times"/><wx:font
wx:val="Times"/></w:rPr><w:t>Summary: </w:t></w:r><w:r
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w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Filipino
immigrant</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t> </w:t></w:r><w:r
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wx:val="Times"/></w:rPr><w:t>Alipio</w:t></w:r><w:r><w:rPr><w:rFonts
wx:val="Times"/></w:rPr><w:t> was still think about his own homeland even he
became old California. </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
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ansi="Times" w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Immportant
Quoatation: </w:t></w:r><w:r wsp:rsidRPr="00E32B62"><w:rPr><w:rFonts
wx:val="Times"/></w:rPr><w:t>The protagonist Alipio is an old timer who lives alone
in California and still thinks often of his homeland. But more than being a study of a
Filipino immigrant from a certain era,</w:t></w:r><w:r><w:rPr><w:rFonts
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wsp:rsidR="006126CE" wsp:rsidRDefault="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>In American culture, the
elderly do not generally occupy positions of honor and respect. In a society that values
youth, success, and material productivity, the old are relegated to a position on the
sidelines of life. What they contribute to society is not so easily measured as it is for
those in the prime of life. In addition, popular culture, in everything from television to
jokes (the cognitive lapses of the elderly often being the subject of humor), creates
negative stereotypes of old people. Numerous studies of attitudes to the elderly on the
part of the young as well as the middle-aged suggest that old age is viewed as a time of
helplessness, loneliness, dependence, senility, and
passivity.</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t> (pas.2)
</w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRDefault="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Alipio is a religious man. His
explanation for the loss of his wife is that God took her. And in his eyes it was a matter of
God's will regarding whether he would walk again after his car accident. Monica notices
and comments on his strong belief in God. Toward the end of the story, Alipio twice uses
the phrase, "God dictates." This does not seem merely to be a routine statement of faith
but one that has real practical consequences for
him.</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>
</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
wx:val="Times"/></w:rPr><w:t>(pas.8)</w:t></w:r></w:p><w:p
wx:val="Times"/></w:rPr><w:t>Purpose: Been a life of Immigrant was lonely, you will
feel you are not fit in rest of society. You a strnger to the society, most of things were odd
and strange in you eyes when you looked other. Other will also much likely misjudge
you. Like in the Camus ‚Äúthe Stranger‚Äù Meursualt strange character was total
differnet from the rest of the society and other people took their on charater and judge
him. Sensely killer became guilty of morality killer. </w:t></w:r></w:p><w:p
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr></w:pPr></w:p><w:p
w:val="off"/><w:autoSpaceDN w:val="off"/><w:adjustRightInd w:val="off"/><w:ind
w:left="720" w:hanging="720"/><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
wsp:rsidRPr="00842E06"><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
wx:val="Times"/></w:rPr><w:t>Dunbar</w:t></w:r><w:r><w:rPr><w:rFonts
wx:val="Times"/></w:rPr><w:t>, Paul. L ‚ÄúWe wear the Mask‚Äù. Poetry out loud 15
Dec. 2010. </w:t></w:r><w:hlink
w:dest="http://www.potw.org/archive/potw8.html"><w:r
wsp:rsidRPr="00C4387A"><w:rPr><w:rStyle w:val="Hyperlink"/><w:rFonts
wx:val="Times"/></w:rPr><w:t>http://www.potw.org/archive/potw8.html</w:t></w:r><
/w:hlink></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRDefault="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr></w:pPr></w:p><w:p
wx:val="Times"/></w:rPr><w:t>Summary: We hide the our really emotion behide, let
the other see our fake emtion. </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
ansi="Times" w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Important
Quoation: </w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRPr="004E78A6"
ansi="Times" w:cs="Times"/><wx:font wx:val="Times"/></w:rPr></w:pPr><w:r
wsp:rsidRPr="004E78A6"><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>WE wear the mask that grins
and lies, ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>It hides our cheeks and
shades our eyes,</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-
ansi="Times" w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>
(pas.1)</w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>With torn and bleeding hearts
we smile,</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t> (pas 1)
</w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRPr="004E78A6"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>In counting all our tears and
sighs? ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
wsp:rsidRPr="004E78A6" wsp:rsidRDefault="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Nay, let them only see us,
while ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>We wear the
mask.</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>
(pas.2)</w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRPr="004E78A6"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>We smile, but, O great Christ,
our cries ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>To thee from tortured souls
arise. ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>We sing, but oh the clay is
vile ‚Ä® </w:t></w:r></w:p><w:p wsp:rsidR="006126CE"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Beneath our feet, and long
the mile</w:t></w:r><w:r><w:rPr><w:rFonts w:ascii="Times" w:h-ansi="Times"
w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>. (pas3)
</w:t></w:r></w:p><w:p wsp:rsidR="006126CE" wsp:rsidRPr="004E78A6"
ansi="Times" w:cs="Times"/><wx:font wx:val="Times"/></w:rPr><w:t>Purpose: In this
Poem like Author Camus‚Äôs Novel ‚Äúthe stranger‚Äù Main character Meursualt.
Some body was somehow hiding their real emition inside, and show fake emtion. In
‚Äúthe Stranger‚Äù Camus created the Meursualt as a stranger and hiding Mental
emotion, and considering he had physical emoiton or only care for the physical emoiton.
But hiding emtion person will snape, and surprise everyone. Like that in the Poem P.
Dunber meation he was also want to show his real emotion out to the world.
</w:t></w:r></w:p><w:p wsp:rsidR="00984E20" wsp:rsidRPr="00984E20"
wsp:rsidRDefault="00984E20" wsp:rsidP="00984E20"/><w:p wsp:rsidR="004A21E8"
wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="00A10EB0"
wsp:rsidP="00851842"><w:pPr><w:ind w:left="720" w:hanging="720"/><w:jc
w:val="both"/></w:pPr><w:r wsp:rsidRPr="00A10EB0"><w:t>Cosper,
</w:t></w:r><w:r wsp:rsidR="004A21E8"
wsp:rsidRPr="00A10EB0"><w:t>Dale."Albert Camus."Twentieth-Century French
Dramatists. Ed. Mary Anne O'Neil. Dictionary of Literary Biography Vol. 321. Detroit:
Gale, 2006. Literature Resource Center. Gale.Malden High School.8 Dec.
2010.http://go.galegroup.com/ps/start.do?
p=LitRC&u=mlin_b_maldenhs</w:t></w:r></w:p><w:p wsp:rsidR="004A21E8"
wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="004A21E8"
wsp:rsidP="00851842"><w:pPr><w:jc w:val="both"/></w:pPr></w:p><w:p
wsp:rsidR="004A21E8" wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="004A21E8"
wsp:rsidP="00851842"><w:pPr><w:jc w:val="both"/></w:pPr><w:r
wsp:rsidRPr="00A10EB0"><w:t>Summary: Albert Camus was French-Algerian writer,
who was very independent and having strong political view on history and society around
that period of time. </w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t>He was </w:t></w:r><w:r
wsp:rsidRPr="00A10EB0"><w:t>raise</w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t>d</w:t></w:r><w:r wsp:rsidRPr="00A10EB0"><w:t>
by </w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t>single</w:t></w:r><w:r
wsp:rsidRPr="00A10EB0"><w:t> cleaning woman mother, where algerian
Neighborhood. His life was effect by his mother, that she was a uneducated and had
problem with hearing, and she unable to express her feeling, mostly she was silent and
she was st</w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t>ranger in society. Albert Camus
studied</w:t></w:r><w:r wsp:rsidRPr="00A10EB0"><w:t> in university of Algiers.
While studying at the University he was involved in Communist Party politics. In 1937
Camus began his journalist work for Republican Algiers and he wrote many political and
literature. </w:t></w:r></w:p><w:p wsp:rsidR="004A21E8" wsp:rsidRPr="00A10EB0"
wsp:rsidRDefault="004A21E8" wsp:rsidP="00851842"><w:pPr><w:jc
w:val="both"/></w:pPr></w:p><w:p wsp:rsidR="004A21E8"
wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="004A21E8"
wsp:rsidRPr="00A10EB0"><w:t>Important quotas:</w:t></w:r></w:p><w:p
wsp:rsidRPr="00A10EB0"><w:t>Albert Camus was a French-Algerian novelist,
essayist, dramatist, and journalist whose concepts of absurdity and revolution made his
writings among the most famous in postwar literature.</w:t></w:r><w:r
wsp:rsidR="00851842" wsp:rsidRPr="00A10EB0"><w:t>
(par.2)</w:t></w:r></w:p><w:p wsp:rsidR="004A21E8" wsp:rsidRPr="00A10EB0"
w:val="both"/></w:pPr><w:r wsp:rsidRPr="00A10EB0"><w:t>social realism and
psychology to stage a philosophy of freedom, rebellion, and action against a background
of history and politics.</w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t> (par2)</w:t></w:r></w:p><w:p
wsp:rsidRPr="00A10EB0"><w:t>Camus's entire life and work was marked by the
influence of his mother, who was illiterate, hearing impaired, and largely silent. By all
accounts she was unable to show or express affection. For the young Camus, she
epitomized a silent and indifferent universe. </w:t></w:r><w:r wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0"><w:t>(par.4)</w:t></w:r></w:p><w:p
wsp:rsidR="00851842" wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="00851842"
wsp:rsidP="00851842"><w:pPr><w:jc w:val="both"/><w:rPr><w:rFonts
w:ascii="Arial" w:h-ansi="Arial" w:cs="Arial"/><wx:font
wx:val="Arial"/></w:rPr></w:pPr><w:r wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts
wx:val="Arial"/></w:rPr><w:t>In 1933 Camus enrolled at the University of Algiers. The
following year, Camus joined the local Communist Party.
(par.7)</w:t></w:r></w:p><w:p wsp:rsidR="00851842" wsp:rsidRPr="00A10EB0"
wsp:rsidRDefault="00851842" wsp:rsidP="00851842"><w:pPr><w:widowControl
w:val="off"/><w:adjustRightInd w:val="off"/><w:rPr><w:rFonts w:ascii="Arial" w:h-
ansi="Arial" w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr></w:pPr><w:r
wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts w:ascii="Arial" w:h-ansi="Arial"
w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>In Le Mythe de Sisyphe, Camus
articulates his philosophy of the absurd. It is at once a feeling and a concept resulting
from the encounter between human demands for rationality, clarity, order, and
immortality, and a universe offering indifference, obscurity, chaos, and death. The Greek
mythological figure Sisyphus, who was condemned to roll a rock repeatedly up a
mountain, is for Camus the absurd hero incarnate. Meanwhile, L'Etrangerillustrates this
absurd human condition. The hero of the novel, Meursault, condemned to death for an
accidental murder, rejects the false consolations of religion and affirms the joys of earthly
life. (par.13)</w:t></w:r></w:p><w:p wsp:rsidR="00851842"
wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="00A928B0"
wsp:rsidP="004166F0"><w:pPr><w:widowControl w:val="off"/><w:autoSpaceDE
w:val="off"/></w:pPr><w:r wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts
wx:val="Arial"/></w:rPr><w:t>Pur</w:t></w:r><w:r wsp:rsidR="00851842"
w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>pose: </w:t></w:r><w:r
wsp:rsidR="004166F0" wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts w:ascii="Arial"
w:h-ansi="Arial" w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>By reading
Author Albert Camus' biography, we can understand the "the Stranger" in deeper level.
Also we can understand the purpose of the author Camus created a Meursualt‚Äôs
strange character in the novel. Because of the WWI his father was became a fatherless
and because of the WWII he was became a fatherless. So as in Novel "The stranger" the
human existence was not important for Camus, everyone have to die
someday</w:t></w:r><w:r wsp:rsidR="00A10EB0"
w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t> specail during
war</w:t></w:r><w:r wsp:rsidR="004166F0"
w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>. People's greedy and
immorality create World War and leave every where with the death and hunger, poor,
orphan. Camus thing that war was Absurd</w:t></w:r><w:r wsp:rsidR="00A10EB0"
w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>,</w:t></w:r><w:r
wsp:rsidR="004166F0" wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts w:ascii="Arial"
w:h-ansi="Arial" w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t> which was
nothing, but full of sorrow destruction at the end. On the other hand Camus created a
strange character who was total different from the rest of the world</w:t></w:r><w:r
wsp:rsidR="00A10EB0" wsp:rsidRPr="00A10EB0"><w:rPr><w:rFonts w:ascii="Arial"
w:h-ansi="Arial" w:cs="Arial"/><wx:font wx:val="Arial"/></w:rPr><w:t>, to express
his influce of mother, who was unable to express her feeling to the world and for her, she
was a stranger to the society.</w:t></w:r></w:p><w:p wsp:rsidR="004A21E8"
w:val="both"/></w:pPr></w:p><w:p wsp:rsidR="00BF3301"
wsp:rsidRDefault="00BF3301" wsp:rsidP="00BF3301"><w:pPr><w:ind w:left="720"
w:hanging="720"/></w:pPr><w:r wsp:rsidRPr="00257834"><w:t>"Maginot Line."
Europe Since 1914: Encyclopedia of the Age of War and Reconstruction. Ed. John
Merriman and Jay Winter. Vol. 3. Detroit: Charles Scribner's Sons, 2006. 1709-1711.
Gale U.S. History In Context. Web. 9 Dec. 2010.</w:t></w:r></w:p><w:p
wsp:rsidR="00BF3301" wsp:rsidRDefault="00BF3301" wsp:rsidP="00BF3301"/><w:p
wsp:rsidR="00BF3301" wsp:rsidRDefault="00BF3301"
wsp:rsidP="00BF3301"><w:r><w:t>Summary: </w:t></w:r><w:r
wsp:rsidRPr="00257834"><w:t>Maginot Line was defensive line of the France from
invasion of Germany. France spend hugh money and Human life to protect the
line.</w:t></w:r></w:p><w:p wsp:rsidR="00BF3301" wsp:rsidRDefault="00BF3301"
wsp:rsidP="00BF3301"><w:r wsp:rsidRPr="00741486"><w:t>Important
quotas:</w:t></w:r><w:r><w:t> On 15 March 1935 the French war minister General
Louis Maurin addressed the Chamber of Deputies in the following terms: "How could
anyone imagine that we were still thinking in terms of offensive movements when we
have spent billions building a fortified barrier?(pas.1) </w:t></w:r></w:p><w:p
wsp:rsidP="00BF3301"><w:r><w:t>a stalemate period of trench warfare that was also
very costly in human lives;(pas.2) </w:t></w:r></w:p><w:p wsp:rsidR="00BF3301"
wsp:rsidRDefault="00BF3301" wsp:rsidP="00BF3301"><w:r><w:t>The building of the
Maginot Line was thus a vain enterprise; it pointed up the French command's disastrous
strategic notions and, worse still, swallowed immense amounts of money that would have
been better spent on tanks and aircraft.(pas.3)</w:t></w:r></w:p><w:p
wsp:rsidP="00BF3301"><w:r><w:t>Purpose: Maginot line was a France defensive line
from Germany, it was a war cost and France spent large Number of human life and
money to protect it. War was a destructor in world, that doesn't have any moral reason,
Nations involved in WWs was like in the "The Stranger" death is very common and they
have no much different between two result. (Camus.59)</w:t></w:r><w:r
wsp:rsidR="008E50EF"><w:t> We can inmagine what kind of the social life Camus
lived during that time</w:t></w:r><w:r
wsp:rsidR="003F404F"><w:t>.</w:t></w:r></w:p><w:p wsp:rsidR="00BF3301"
wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="00BF3301"
wsp:rsidP="00851842"><w:pPr><w:jc w:val="both"/></w:pPr></w:p><w:p
wsp:rsidR="00997655" wsp:rsidRPr="00A10EB0" wsp:rsidRDefault="00997655"
wsp:rsidP="00851842"><w:pPr><w:jc w:val="both"/></w:pPr></w:p><w:sectPr
wsp:rsidR="00997655" wsp:rsidRPr="00A10EB0" wsp:rsidSect="0024024A"><w:hdr
w:type="even"><wx:pBdrGroup><wx:apo><wx:jc wx:val="right"/></wx:apo><w:p
wsp:rsidP="00851842"><w:pPr><w:pStyle w:val="Header"/><w:framePr
w:wrap="around" w:vanchor="text" w:hanchor="margin" w:x-align="right"
w:y="1"/><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr></w:pPr><w:r><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr><w:fldChar
w:fldCharType="begin"/></w:r><w:r><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr><w:instrText>PAGE
</w:instrText></w:r><w:r><w:rPr><w:rStyle
w:fldCharType="end"/></w:r></w:p></wx:pBdrGroup><w:p wsp:rsidR="006126CE"
wsp:rsidRDefault="006126CE" wsp:rsidP="00851842"><w:pPr><w:pStyle
w:val="Header"/><w:ind w:right="360"/></w:pPr></w:p></w:hdr><w:hdr
w:type="odd"><wx:pBdrGroup><wx:apo><wx:jc wx:val="right"/></wx:apo><w:p
wsp:rsidP="00851842"><w:pPr><w:pStyle w:val="Header"/><w:framePr
w:wrap="around" w:vanchor="text" w:hanchor="margin" w:x-align="right"
w:y="1"/><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr></w:pPr><w:r><w:rPr><w:rStyle
w:fldCharType="begin"/></w:r><w:r><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr><w:instrText>PAGE
</w:instrText></w:r><w:r><w:rPr><w:rStyle
w:val="PageNumber"/></w:rPr><w:fldChar w:fldCharType="separate"/></w:r><w:r
wsp:rsidR="00BC6944"><w:rPr><w:rStyle
w:val="PageNumber"/><w:noProof/></w:rPr><w:t>1</w:t></w:r><w:r><w:rPr><w:rSt
yle w:val="PageNumber"/></w:rPr><w:fldChar
w:fldCharType="end"/></w:r></w:p></wx:pBdrGroup><w:p wsp:rsidR="006126CE"
wsp:rsidRDefault="006126CE" wsp:rsidP="00851842"><w:pPr><w:pStyle
w:val="Header"/><w:ind w:right="360"/><w:jc
w:val="right"/></w:pPr><w:r><w:t>Sherab</w:t></w:r></w:p></w:hdr><w:pgSz
w:w="12240" w:h="15840"/><w:pgMar w:top="1440" w:right="1800"
w:bottom="1440" w:left="1800" w:header="720" w:footer="720" w:gutter="0"/><w:cols
w:space="720"/><w:docGrid w:line-
pitch="360"/></w:sectPr></wx:sect></w:body></w:wordDocument>

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