NA058CD

N E \(\/

ALB 10,,1

LAS PUERTAS DE LA MANANA

Canciones Argentinas de

CARLOS GUASTAVINO

ULISES ESPAILLAT

PABLO ZINGER

ten 0 1~

p i a ri o

CUATRO CANCIONES ARGENTINAS

Desce que te conoci

2 Viniendo de Chilecito 3 En los surcos del 31110r 4 Mi garganta

LAS PUERTAS DE LA MANANA

CUATRO CANCIONES COLONIALES (Leon Benaros)

5 Cuando acaba de Llover I'restame tu pariue lito Ya me vov a reti-ar

Las puer tas de la manana

Canciones Argentinas de

CARLOS GUASTAVINO

ULlSES ESPAILLAT, tenor PABLO ZINGER, piano

9 Piececitos (Gabrieln Mistral) 10 Cita (Lorenzo Varela)

11 Se equivoco la paloma (Rafael Alberti)

SIETE CANCIONES (Rafael Alberti] 12 jardfn de amorcs

J3 i A volar!

14 Nana del nino malo

15 La novia

16 Geogr;_lffa ffsicd

17 jAl_ puente de la golondrrna! 18 Elegia

NEW

@

19 La rosa y e] sauce (Francisco Silva) 20 Pueblito. 111; pueblo (Francisco Silva)

A LB ION

San Fv arvci sc o

TOTAL TIME

718 1041 1056 2:38 0:59

12:50 3:19 2:38 3:42 2:59

2:51 2:55 2:29

14:3 I 2:21 1026 1:28 1:07 2: 17 2:05 3:38

2:40 3:02

49:09

CUATRO CANCIONES ARGENTINAS

Desde que te conOel

Since the Day I Met You

Viniendo de Chilecito

Desde que te conocf

te hiciste duefia de mi.

Yo no te ofrezco grandezas, viday, solo el amor que te d f.

Since the day I met you 0 You have become my owner. • I do not offer you great things, alas, • Only the love which I gave you. o Love with love 0 Disdain with disdain s And ingratitude is paid, alas, • With ingratitude as well. • When lowed you nothing • You took away my soul. • Remember that you sinned, • Thief of my soul, • And farewel L • What consolation can 1 give you? • At the time of my departure w I leave YOLI my heart, • 1 leave vou my life, • FarewelL· I also leave you a palm leaf· On which is written: 0 Goodbye, life of my soul, 0 And farewell.

Viniendo de Chilecito, en el camino encontre,

a una riojana linda que ella me quiso y me enamore.

Chilecito, tlor de mi hagar,

par donde qu iera que vaya de la riojana m'hei de acordar. Chilecito, Chilecito ....

Para olvidar las penas que ya me matan en Tabacal.

El arnor con el amor

el desden can el desden

y la ingratitud se paga, vidav, con 18 ingratitud tam bien.

Cuando nada te debra toda el alma me robaste y recucrda que pccaste ladrona del alma mla

y hasta otro dfa.

En los SUTeos del amor

iQue consuelo puedo darte? y al tiempode m i partida

te dejo mi corazon

te dejo toda mi vida

y hasta otro dia.

En (as sureos del amor, donde se siernbran los celos, he recogido pes ares nacidos de mis desvelos.

En que tribunal has visto, mal pagadora, condenar a un inocente, bella traidora.

Tambien te dejo una palma can un letrero que dice:

Adi6s vidita del alma hasta otro dta.

Coming from Chile

Coming from my Chile, along the way I found 0 A beautiful girl from Rioja who wanted me and I fell in love. 0 Little Chile, flower of my home, 0 Wherever I may go I will remember her. Chilecito, Chilecito .... 0 May I forger the sorrows that are killing rue here in Tabacal.

In the Fw,'ows of Love

In the furrows of love, where jealousv is sown, • I have reaped sorrows born of my worries .• In what court have YOLl seen, thankless \V011180, • An innocent mall condemned, beautiful traitress,

Migarganta

Mi garganta no es de palo, iay' pobre de mi paloma, ni hechura de carpintero.

tD6nde andara, esa cholira rraidora?

Y as! cantando y bailando, [av! pobre de rni paloma, chiquita vengo ganando.

lD6nde andarri, eS8 cholita traidora?

CUA TRO CANC/ONES COLON/ALES

(Leon Benaros)

My Throat

C"ando acaba de lIover

My throat is not made of wood, • Alasl my poor dove, • Or made by a carpenter. • Where might she be, that treacherous woman? • And so, singing and dancing, • Alas! my poor dove, • My dear, I end up victorious. * Where might she be, that treacherous woman?

Cuando acaba de Hover se alegran los arl-olitos, Verdes so ven y tan frescos los rrcbol.itos.

Todo es de buen parecer cuando acaba de llover.

Cuando acaba de lIover se mecen las carnpanillas. Lindas se ven las retamas, tan amarillas.

Cuando acaba de lIover el alma se me serena y siento que me amanece la dichu plena.

Todo es de buen parecer cuando acaba de Hover.

After the Rain

After the rain the trees rejoice. • The clover looks green and fre,h .• Everything looks good after the rain .• After the rain my sOLiI finds peace s And I feel full joy being born in me.

• Everything looks good after the rain.

Prestame cu paftue/iw

Presrame tu panuelito para secanne los ojos porque llorando me vi por tus desdenes y antojos.

Ay, ay de mi, lloranda por ti.

Prestame tu pariuelito que yo te 10 lavare con lagrima« de mis ojos, de nieve 10 dejare.

Ay, av de nu, penando POf ti.

Presrarne tu panuelito que tiene flores bordadas que yo te las regare con mis lagrunas lloradas.

A y, av de rru, ausente y sin ti,

Lend Me Your Handkerchief

Ya me VO)' a yetiraT

Now I Shall Recire

Lend me your handkerchief so that I may dry my tears, • Since my weeping was caused by your whims and disdain .• Alas, poor me, 1 weep for you .• Lend me your handkerchief so that! may wash it • With. tears from my eyes, until it is white as snow .• ALas, poor me, grieving for you. • Lend me your handkerch ief embroidered with flowers, • So that I may water them with my tears .• Alas, poor me, far away without YOLl.

Ya me voy a retirar a los campos soledosos

por ver si puedo olvidar aquellos ojos preciosos que me miraron y que el sucfio me quitaron.

Now I shall retire to the lonely fields • To see if [ can forget those beautiful eyes • That looked at me and took my sleep awav .• Now I shall retire where the turtle dove lives s To see if! can find that which my soul craves s Since 1 am wounded by those eyes that are my great loss. • Now I shall retire where the thrush lives s To see if! can find a cure for my sorrows > Since 1 am hurt by those eyes that looked at me.

Yo me vov (1 retirar donde estella tortolita

aver si puedo encontrar 10 que mi alma necesita porque me hi.rieron los ojos que me perdieron.

Ya me voy a retirar donde moran los zorzales aver si puedo encontrar rerncdio para mis males pucs me dariaron los ojos que me miraron.

Las truertas de la manana

Las puertas de la manana abierto se han vida mfa. El nacar con el rosado alegan trayendo el dia.

El dra nuevo vn comenzando. Yo suspirando.

Las puertas de la manana de par en par, vida mta. EI alto sol en el cielo con plena sobernrua.

El dia nuevo resplandeciendo. Yo, padeciendo.

Las puertas de 18. manana cerrado se han ya, mi amada, La tarde invade los cielos, la sombra viene callada.

La estrella de oro va esta alumbrando. Yo, suspirando,

The Doors of Morning

Little Feet

Piccccitos (Gabriela Mistral)

The doors of morning have opened, rny love .• Mother-ofpearl and pink argue as they bring forth the day .• The new day begins .• 1, 1 am sighing .• The doors of morning open wide, my love .• The sun is high above in its rull glory .• The new day is shining .• I, 1 am suffering .• The doors of morning have already closed, my love. • The evening invades the skies, the shadows arrive silently .• The golden star is shining .• I, 1 am

Child's feet, blue from cold, • How can they see you and not cover YOLL, my God! • Little feet, wounded by so many pebbles, • Abuseclbysnowand mud.> The blind man does not know that wherever vou srep > You leave a new light in bloom .• "\}Zlherevcr you rest your bleeding sales· The spikenard grows with greater fragrance .• As vou march along the straight roads, • Be as heroic as you are perfect .• Child's feet) two suffering jewels, • How can people pass by without seeing you!

Piececitos de nino} azulosos de frio. como os ven y no os cubre n, .Dios mfo!

Piecec itos heridos par los guijarros todos, ultrajados de nieves y lodos,

c! hombre ciego ignora que por donde pas.iis una 110r cle luz viva dejais.

Que allf cloncle pone is la plantita sangranre el nardo nace mas fragante.

Sed, puesto que marchtiis por los carninos rectos, heroicos como sois perfectos.

sighing.

Piececitos de nirio, dos jovitas sufrieutes, .Como p8SGlL1 sin veros las gentes!

Cita (Lorenzo Varela)

Te espero en el mediodta, arniga,

por el camino del no, a ia sornbra de la enema. Llamame si estov dormido, amiga.

Que hace mucho que no cierro los ojos por verte, nina, Yes muy traidora esta sombra soleada de 13 encina.

Y al otro lado del rio duerrne el ganado entre bnsas de los trigales y olivos, nina,

y ya suefio tu pafiuelo sabre mi frente dorrnida y las cigarras cnsavan sus cows en las enemas.

Te espero en el mediodia, amiga.

Dile a tu madre que vas a lavarre 1a camisa

y que el rfo esta impaciente esperandote en la onlla.

The RendezvoHS

Se eqwlIOco 10 /Jolomo (Rafael Albe1'ti)

The Dove Has En-ecl

[ will be waiting for you at noon, my love, • Along the road to the river, under the oak's shade .• Call me if l am asleep, my love .• I have been keeping my eyes open just (or YOLl, my girl· And that oak's shade is treacherous on 8 sunny day .• On the other side of the river the cattle sleep. A rnong breezes in the wheat fields and olive groves, my girl, • And 1 dream with your kerchief overmvsleepingforehead e And in the oaks the crickets rehearse their chorus .• I will be waiting for you at noon, my love .• Tell your mother that vou are going to wash your blouse > And the river is impatient waiting for vou on the shore.

Se equivoc6 la paloma. Se equivocaba. Por ir al norte, fue a] sur.

Creyo que el triga era agua. Se equivocaba, Creyo que el mar era el cielo,

que la noehe, la manana. Se equivocaba. Que las estrellas, rocio;

que la calor, la nevada. Se equivocaba Que tu falda era tu blusa,

que tu corazon, su G1S8. Se equivocaba,

The dove has erred. She was

Ella se durmio en to orilla.

mistaken .• Instead of going north, she went south .• She thought the wheat was water. She was III istaken .• She thought the sea was the sky; • She thought night was morning. She was mistaken .• She thought the stars were dewdrops; • That the heat was snow. She was mistaken .• She thought your skirt was your blouse; • That your heart was her horne. She was mistaken .• She fell asleep on the shore .• You, on die tip of a branch.

Tel, en la cumbre de una rama

SIETE CANCIONES (Rafael Alberti)

] ard!n de amores

The Garden of Love

Vengo de los comedores

que dan al J ard in de Amores.

I come from the dining rooms. Overlooking the Garden of Love. • Oh, queen of the plum trees, • Bengal light ofthe tablecloths, • Asleep among the longings » of the muscatel birds! • Princess of the pear groves, • Daughter of the fruit pickers, • Lady in the floral arrangements· Of the peach trees. • Whom shall I name duchess • Of the fallen orange? • Who wi 1l want to be the rnarqu ise • Of the wounded blackberry! • I come from the dining rooms • Overlooking the Garden of Love.

iO reina de los ciruelos, bengala de los manreles, dorm ida entre los anhelos de las aves moscateles!

Princesa de los perales infanta de los truteros, dama en los juegosflorales de los me locotoneros.

lA quien nombrare duquesa de la naranja cafda?

iQuien quem] ser la marquesa de la mora mal herida I

Vengo de los comedores

que dan al Jardin de Arnores.

jA vok!,.!

FlyAway

Leriador

no tales el pino, que un hagar hay dormido

WoodcLltter, • Do not fell the pine tree, • For there is a horne • Sleeping s I n its top .• Madam hoopoe,· Mister sparrow, • Sister lark, • N ieee of the nightingale .• Bird without a tail, • Kingfisher, • Sad bittern, standing there: • Flyaway, • Little birds, • Towards the sea'

en SLI copa_

Seriora abubilla,

Senor gorrion,

hermann. mfa calandria, sobrina del ru isefior Ave sin cob) martfn-pcscador 1

parade y tnste alcaravan:

iA volar, pajaritos, al mar!

{

'I'

N ana del nino malo

Lullaby for a Naughty Boy

j/\ 1(1 mar, si no duermes, que viene el viento!

To the sea, if YOLI don't sleep, • The wind coming!· Already in the sea caves > Its dogs are barking .• If YOLI don't sleep, to the hills 0 The owl and the sparrowhawk • From the woods will come .• When you fall asleep, 0 To the almond tree, my child, • And to the star 01" mint I

Y 8 en las grutas mar.nas ladran sus perros.

Si no duerrnes, al monte vienen el bubo

e] gaviLin del bosque.

Cuando te duennas,

.a! nlmendro, rni nino, y a la esrrclla de mental

La Novia

The Bride

Toea la campana de la catedral,

iY yo sin zapatos vendorne a casar!

The cathedral bello Is ringing, 0 And I, without shoes, • Am going to be wed! • Where is my veil, • My white dress, • My bouquet of citrus flowers? • Where is my ring, 0 My golden pin, • My pretty necklace? • Hurry up, mother I 0 The cachedra! bell· Is ringing .• Where is my lover? • My darling lover, • Where can he be) • The cathedral bell· Is ringing, • And I, without shoes, • Am gOlng to be wed'

lDonde esta rni velo, mi vestido blanco, mi flor de azahar?

zDonde mi sortija, mi alf ler dorado, mi lmdo collar)

i Date pnsa, madre! Toea la campana de la catcdrnl.

iDt'mde esta mi arnante? Mi amante querido,

len dcndc esrara?

Toea la carnparia de la catedral,

iY yo sin mi amante, yendome a casar 1

Geograf{a f(sica

Physical Geogmphy

Nadie sabe geograffa mejor que la hermana mia. ~ La anguila awl del canal enlaza LOIS dos bah ias.

Nobody knows geography' Better than my sister. • The blue eel of the channel' links the two bays .• Tell me; Where is the volcano • Of the pensive forehead" At the foot of the clarkskinned sea, • Alone, on a shoal. • (Part ing the water, a vessel • leaves the harbor' On the way to the dockyard, • The helmsman is singing.) • Helmsman, there is a reef. As you leave the harbor .• Your eyes) beacons of the air, • girl, have discovered it for me. • Goodbye, In'}" sweet watchwoman: • Nobody knows geography· Better than mv sistel

~ Dime; i Dond« esta el volcan de la {rente pensativa?

- A 1 pie de la mar morena, solo, en un banco de arena.

{Partiendo e l agua, un bajel sale del londeadero Cnrnino de! ast il lero

va canrando el umonel.)

- Timnnd, hay un escollo a la salida del puerto.

- Tus ojos, faros del aire, nina, me lo han descubierto i Adios, mi dulce vigfa!

Nadie sabe geogrClffa

mejor que la herrnana III fa.

iAI puente de 1a golondrina!

To the Bridge of the Swallow

jVente, rondaflor, al puente de la golondrina, amor:

Come, hummingbird, to the bridge' Of the swallow, my love! • Good morning, silk spinner e Of the rising water rose! • Good morning, hummingbird! • Come, hummingbird, to the bridge' Of the swallow, my love'

• Good afternoon, embroiderer

• Of the setting water carnation! • Good afternoon, hummingbird! • Come, hummingbird, to the bridge' Of the swallow, my love! • Goodnight, watchwornan • Of the sleeping water dahlia' • Goodnight, hummingbird! • Come, hummingbird, to the bridge· Of the swallow, my love!

i Buenos dias, hiladora del agua-rosa-naciente!

i Buenos dfas, rondaflor'

i Vente, rondarlor, al puente de la golonclrina, amor!

i Buenas tardes, bordadora del agua-clavel-poniente!

iBucnos tardes, rondatlor:

[Vente, rondaflor, al puente de la golondrina, atnor!

i Buenas naches, veladora del agua-dalia-durmiente!

jBuenos noches, rondaflor:

iVente, rondaHor, a! puente de la goloudrina, amor!

Elegia

Elegy

La nina rOS3, sent ada. Sobre su falda,

c6mo una flor 1 abierto, un atlas.

The rosy girl, seated .• Upon her lap, • Like a flower, open, • An atlas .• From my balcony I watched her, • As she travelled! • Her finger, a white sailboat, • From the Canary lslands e \YJ ent to die in the Black Sea .• From my balcony I watched her, • As she died: • The rosy glrl, seated. • Upon her lap, • Like a flower, closed, • An atlas .• On the sea of the afternoon • the clouds sailed, weepmg > like red islands of blood.

iC6mo la miraba yo, viajar, clesde mi baleen!

Su dedo, blanco velero, desde las Islas Cnnarias iba a morir al Mar Negro.

iC6mo la miraba yo, morir, clescle mi balcon.

La nina rosa, sentada. Sabre su talda,

como una flor, cerrado, un atlas,

Por el mar de 13 tarde van las nu bes llorando rajas islas de sangre.

La rosa y el sauce (Francisco Silva)

The Rose and the Willow

La rosa se iba abriendo abrazada al sa lice.

The rose was olooming » As it embraced the willow .• The passionate tree= Loved her so much! • But a vain gi_rl· Hasstolen the rose from him· And the d isconsolate willow • Is weeping.

i EI arbol apasioriado La amaba tanto!

Pero una nina coqueta se la ha robado

y el sauce desconsolado la eSla llorando .

Pucbliw, mi /Jueblo (Francisco Silva)

Little Town, My Town

Pueblito, rni pueblo, cxtrano tus rardes. Quetida pueblito, no puedo olvidarre.

My little town, • I miss your, afternoons .• My deaf little town, • I call not forget you .• How much nostalgia invades • M"y soul this afternoon! • Oh, if only I could dream. Once more under your willows, • Watching the douds; • And when the sun goes awav, • Feel the breeze passing, • Fragran t with citrus flowCIS .• Mv little town, • 1 miss vourafternoons.« Mydear little town, • I cannot forget you.

Cuanra nostalgia cefiica tengo en el alma esta tarde. iAyl Si pucliera otra vez bajo tus sauces S011ar, viendo las nubes que pasan; y cuando el sol va se va, sentir [a brisa a1 pasar, {ragante por los azahares.

Pucbhtc, mi pueblo, cxtrano (Us rardes.

Qucndo pueblito, no puedo olvirlarte.

CARLOS GUASTA VINO

N,lCi6 en Santa Fe el S de abnl de 1912. Miembro de una familia humiloc. Amadeo el padre, [osefina la madre. Eran 6 hijos; cuarrc mujeres y dos varones. Su fuerte inclinacion por [a musica se manifesto mucho antes de haber aprendido a leer. Entonces sus padres 10 enviaron a estudiar piano con Esperanza Lothringer en su ciudad natal. Guasravino sue]e decirme: "Muv pequefio aur -, , cuando ofa (I Esperanza tocar e! piano, dejaba de jugar, abandonaba todo y me acercaba pam sentarme en el swell) y escuchar con total attencion."

Una beca para completar estudios musicales en e] Conservatorio Nacional 10 hizo trasladarse a Buenos Aires. Llegc el 28 de agosto de 1938. Se instalc definirivamente en capital y vive desde hace muchos afios en el barrio de Belgrano. Es timido, solitario, inquieto. Es delgado. muv cuidado, IllUY culto. Sc interest porln ciencia can much.o deleite. Es una persona lucida, sensible y emocionable: sobre rode per 10 que lc sugtcre la naturaleza.

Le emocionan las plantas, las flores, los arboles. Me conto una vez que no puede tolcrar ver hachar un arbol. Eso lc produce mucho dolor. Es muy sensible a [a poesfa. Me dijo en febrero ultimo: "Cuandc leo una poesia que me llcga, me commociono rnucho; contorsiona todo mi ClII::rpo, vibro rcralmenre, aparecen lagnmas en mis ojos muy fnerte ' Entonces tomo un papei pentagrarnado y escribo las notas. La melodfa surge facilmente. cifro los bajos. Todo cs rnuv rapido, no puedo parar. .. es como si estuviera posefdo. De pronto, cuando me dov cuenra de que cnconr-c 10 que querfa, me pongo de pie, haze aestos. camino, day vuelras. rio o limo, y dov gracias a Dios. La music» 5,1Ie sola, y no soy responsable: una parte de mi cercbro tiene musica''

Guastavino no haec vida social. Muy pocos veces recibe genre. Vive soil) y aSI ha vivido cas! web su vida.

Su p,lsi6n cs la ruusica. Ha esc-ito centenares de obras pararnuchos instrumentos, P,)I',l orquesta, coujuntos de camara. para voces. Siempre ba compuesto solitariamente, <.1] alba. Empicza a las cuatro de 1<1 mariana y deja a las diez o once. Nuestro compositor no esra de acuerdo can las nuevas estructurns de musica, lamusica de la vanguardia, el dodecafonisrno. Para compcner utiliza la armonfa traclicicnal, "que clio tan buen resultaclo a Bach, MOZ,:lI"l, Schumann," afinna. E1 prefiere ese lunguaje, esa forma de decir. Esrn postura lu diferencia de cas! roclos los corupositores argentinas coetaneos suyos. Otra cosa que 10 singulatiza es sus amor por to de su pars. No puede cant~'rle mas que a las montafias sllyas,;1 b.1S flores de su pau:a, a los arboles 0 rios que vc diariamcnte, ~l los

senderos que hu hollado. En sus cancioncs no utiliza crra lengua que e! castellano. As! han heche Srhubc-r, Gabriel Faure, Chaikovskv, que en sus melodfas ur ilizarou sus propios idiomns y ritrnos. Esc los ha beebe trascender sus frontcras para set internacionales. En estos ultituos ufios se ha producido 'uri aluvion , como dice Guastavino: su musica es inrerpretada y grabada per cl mundo eutero

Carlos Vila, Editorial Lagos Buenos Aires, Mayo 1992

CARLOS GUASTAVINO

Carlos Guastavino was born in Santa Fe (Argentina) Oil the 5t.h of April 1912, to a bumble family. His father W8S Amadeo; his mother: was [osetina. There were six children-four girls and two boys. His strong inclination for music showed itself long before he learned to read. His parents sent him to study piano with Esperanza Lothringer in his native city. Guastavino tells me: "As a very small child, when Esperanza played the

piano, I would abandon whatever I

doing and 1 come near to listen with total attention."

A scholarship to continue his musical studies at the national conservatory brought Guastavino to Buenos Aires. He arrived the 28th of August 1938 and esrnbhshed himself permancnrlv in the capital. For man)' years now he has lived in the Belcrano section. He is timid, reclusive. restless. He is slender, well-kept. very cultured. 1-102 has maintained an interest in science. He is lucid, sensitive, and emotional, especially for what nature suggests to him. He is moved by plants, flowers, trees. He told me once that he cannot ben to see (l tree being cut down; this causes him great pain. He is very sensitive to poetry'. Last Februarv he told me, "When I read poetry that touches me, I become very agitated, my whole body contorts, I vibrate totally, and tears appear in Illy eves. It's very strong! I then take the manuscript paper and write the notes. Themelody comes easily; everything is very quick; I cannot stop.i.it's as if j were possessed. suddenly, when 1 become ,1W,1I"C- that I have fmlnd what I wanted, I stand, make gestures, walk, go in circles, iau,t;b or cry, and give thanks to God. The music comes by itself. I am not responsible: one part of 111')' bruin has music."

Guastavino does not socialize and seldom receives rucsrs. He lives alone, as he h,IS most of his life. l-lis passion is music. He has written hundreds of works L .. )1" 1ll<:IIlV Instruments-for orchestra, chamber ensemble, and voice. He has always composed alone, at dawn. He starr- ,I" four in the morning and stops at ten or eleven. Guastavino does not espouse the new structures in music. the 'avant-garde.' or the twelve-tone system. In his compositions he uses traditional harmony "which gave such good results to Bach, Mozart, and Schumarm," be asserts. Guasravino prefers this language, this \\,,·1), of speaking. This posture differentiates him from almost all

contemporary Argentine composers, Sornet.hlng else that distinguishes him is his love his country. He

cannot sing to anything other than the mountains and the flowers 01' his homeland, the trees andnvcrs which he sees daily, the paths he has trod upon, In his sonf:s he uses no Iclilguage other than Spanish just <.IS Schubert, Faure, and Tchaikovskv used their own languages and rhythms in their songs, This has helped them transcend their frontiers to become international. III the: last few years there has been lin (tiIwiiJn, as Guastavinc calls it-a deluge-of his music being recorded and performed all over the world.

Carlos Vtlo, Edirorial L:lg\)S tTolls/uted b)' Uli:scs Es/xlil1al

Born in the Dominican Republic, ULlSES ESPAILLAT has performed with various opera companies across the United States, including the Pittsburgh Opera, Palm Beach Opera, Chautauqua Opera and Westchester Opera. He was 3 winner in the Beniamino Gigli voice competition and the lsmacle Voltolirii singing contest, where he was awarded the gold medal in

Mantova, ltalv. In the U. S. Mr. Espaillat 11"01:-:; successfully competed in [he American Opera Auditions and the

Metropolitan Opera Regional Auditions. He mack his European recital debut in 1989 at the Salle Moliere in Lyons, France. His recital of Spanish songs at Carnegie Recital Hall in New York was highly praised by the Nc·w Y01-L. Times. Mr. Espai.llat has also performed in rnanv zarzuelas in the U.S. and Puerto Rico. He has studied voice wid) Claudia Pima in Pittsburgh, Pennsylvania and at the Academia Vcrdiana ill. Italy with the renowned tenor Carlo Bcrgcnai.

PA BLO Zl NCER, Uruguavan-born, is active a pianist and

conductor and reside- in New York Cirv. He has been known to

New York audiences IY1LlSic~11 director and pianist of the

Sjlilnish Repertory Theater since 1980, performing and

conducting ground-breaking productions of aarauelas, opera and anthologies of songs. horn Cuba, Puerto Rico and Mexico. He \\,,1S musical director and pianist for the shaw Tango Apasionado, with music by Astor Piazzolla, with whom he recorded the music from the show. He conducts the group Bronx Arcs Ensemble, with which he has recorded ;\ elise of works by Carlos Surinach. He is also an active opera conductor. Mr. Zinger is founder and artistic director of Music] Hispana, ,111 organization dedicated to the research and performance of Latin-American and Spani!;]l concert music, ,mel he is considered a leading authority In th is fidel.

Published by j"(ic()nii Americww

and Ed,tor;,,1 Logo, S.R.L. (SADA[C, SGlIE).

Cover A It: © L )'ml lJlnic1

Design: Todd /(el."l.JJH)ll

Songs tr:ms l.ired [0 Engl ish by Pnb/n Zin,~·e-)

Recording engineer and producer: ((icearc/o SclHtiZ

Editing: Pictsburgh Di,~iwl /(ecmding & Ediling COn1/.l(lll.)'

Recorded Nfll)' 1992 ((I: Mclion h!.';tiw.[(' AI.n1itIJriu11I, Pi[l.,imrgh, Peml~)'lll{mia Executive Proc1UCN: Fuster /~ccd

NA058CD ©® [993, New Alb.on Records, lnc..

584 Castro Sr., 15, S'I11. Fr.mcisco. CA 941.14

IlL 415.621.5757 tax: 415.621.4711

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LAS PUERTAS DE LA MANANA

CARLOS GUASTA ,TINO

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ULISES ESPAILLAT tenor

CUATRO CANCIONES ARGENTINAS

Desde que Ie coned

2 Viniendo de Chilecito 3 En los surcos del amor 4 Mi garganta

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CUATRO CANCIONES COLONIALES (Leon Benoros) 12:50

5 Cuando cccbc de lIover 3. 19

6 Prestcme tu pcfiuelito 2: 3 8

7 Yo me voy o retircr 3:42

8 Los puertas de la manana 2 :59

9 Piececitos (Gabriela Misfral! ] 0 Cita (Lorenzo Varela)

II Se equivoc6 la paloma (Rafael Alberti)

SIETE CANCIONES (Rafael Alberti) ] 2 Jardin de cmorss

13 iA velar!

14 Nano del nino malo 15 La novio

] 6 Geogralio Iisico

] 1 JAI puente de lc gelendrine!

/8 Elegie

] 9 La rose y el sauce (Francisco Silva) 20 Pueblito, mi pueblo {Francisco Silva}

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NEW

ALB ION

NA 058 co (f)(v 1993 NEW ALBlON RECORDS. INC. 584 CASTRO STREET4'51~ SAN 'FRANCISCO, Ct\ 94114 re! 415.62I.5757 fax 4L5_621-4711

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